The Complete Part Songs

Track Listings
1. Durch den Wald    
2. An den Sonnenschein    
3. Ave Maria    
4. Sonnenscheinlied    
5. Fruhlingsanbruch    
6. Her ute skal gildet staa    
7. Chorus from the opera Irmelin, Act 1    
8. Irmelin    
9. Wedding Music from the opera, A Village Romeo & Juliet    
10. Chorus from Appalachia    
11. On Craig Ddu    
12. Wanderer's Song    
13. Midsummer Song    
14. Little Birdie    
15. The Streamlet's Slumber Song    
16. Two songs to be sung of a summer night on the water    
17. (tenor solo) Two Choruses from the music to Hassan    
18. from Act I    
19. from Act II Chorus of Beggers & Dancing Girls    
20. The Splendour falls on Castle Walls    

The Complete Part Songs, Music, Frederick Delius, Matthew Greenall, Stephen Douse , Andrew Ball The Elysian Singers Of London
Mahler: The Complete Symphonies
Average customer rating: 4.5 out of 5 stars
  • Groundbreaking but partly outdated
  • Outstanding Mahler Compilation
  • Bernstein or Tennstedt: read on....
  • Comparing the two Bernstein Mahler cycles
  • Mahler complete symphonies.
 Mahler: The Complete Symphonies
Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mendelssohn: 5 Symphonies; 7 Overtures
  2. Schubert: 8 Symphonies
  3. Bruckner: The Complete Symphonies
  4. Johannes Brahms: The Symphonies
  5. Dvorák: The Symphonies

ASIN: B0000589BP
Release Date: 2001-01-30

Tracks:

  1. Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
  2. Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
  3. Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
  4. Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
  5. Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
  6. Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
  7. Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
  8. Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
  9. Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
  10. Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
  11. Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
  12. Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
  13. Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
  14. Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
  15. Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
  16. Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
  17. Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
  18. Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
  19. Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
  20. Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
  21. Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
  22. Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  2. Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  3. Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  4. Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  5. Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  6. Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  7. Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  8. Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  9. Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  10. Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  11. Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan

Tracks:

  1. Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  2. Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  3. Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  4. Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  5. Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  6. Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  7. Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  8. Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  9. Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  10. Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  11. Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  12. Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
  13. Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
  14. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  15. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  16. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  17. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  18. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  19. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  20. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
  21. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...

Tracks:

  1. Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
  2. Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
  3. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
  4. Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
  5. Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
  6. Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
  7. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
  8. Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
  9. Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
  10. Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
  11. Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
  12. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
  13. Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
  14. Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  15. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  16. Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  17. Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  18. Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...

Tracks:

  1. Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  2. Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  3. Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  4. Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  5. Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  6. Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
  7. Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
  8. Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
  9. Three Ruckert Songs: Um Mitternacht - Jennie Tourel
  10. Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
  11. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
  12. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
  13. Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
  14. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
  15. Kindertotenlieder: In Diesem Wetter! - Jennie Tourel

Tracks:

  1. Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
  2. Sym No.4 in G: Movt I: Tempo I - Reri Grist
  3. Sym No.4 in G: Movt I: Wieder Wie Zu Anfang. Sehr Gemachlich, Behaglich - Reri Grist
  4. Sym No.4 in G: Movt I: Wieder Plotzlich Langsam Und Bedachtig - Reri Grist
  5. Sym No.4 in G: Movt II: In Gemachlicher Bewegung. Ohne Hast - Reri Grist
  6. Sym No.4 in G: Movt II: Nicht Eilen - Reri Grist
  7. Sym No.4 in G: Movt III: Ruhevoll - Reri Grist
  8. Sym No.4 in G: Movt III: Viel Langsamer - Reri Grist
  9. Sym No.4 in G: Movt III: Anmutig Bewegt - Reri Grist
  10. Sym No.4 in G: Movt III: Andante - Reri Grist
  11. Sym No.4 in G: Movt III: Vorwarts. Poco Piu Mosso - Reri Grist
  12. Sym No.4 in G: Movt IV: Sehr Behaglich - Reri Grist
  13. Sym No.4 in G: Movt IV: Wieder Lebhaft - Reri Grist
  14. Sym No.4 in G: Movt IV: Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss - Reri Grist

Tracks:

  1. Sym No.5 in c#: Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - New York Phil/Leonard Bernstein
  2. Sym No.5 in c#: Part I: II. Sturmisch Bewegt. Mit Grosster Vehemenz - New York Phil/Leonard Bernstein
  3. Sym No.5 in c#: Part II: III. Scherzo. Kraftig, Nicht Zu Schnell - James Chambers
  4. Sym No.5 in c#: Part III: IV. Adagietto. Sehr Langsam - New York Phil/Leonard Bernstein
  5. Sym No.5 in c#: Part III: V. Rondo-Finale. Allegro - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.6 in a 'Tragic': I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) - New York Phil/Leonard Bernstein
  2. Sym No.6 in a 'Tragic': II. Scherzo. Wuchtig - New York Phil/Leonard Bernstein
  3. Sym No.6 in a 'Tragic': III. Andante Moderato - New York Phil/Leonard Bernstein
  4. Sym No.6 in a 'Tragic': IV. Finale. Allegro Moderato - Allegro Energico - New York Phil/Leonard Bernstein

Tracks:

  1. Sym No.7 in e: Movt I: Langsam (Adagio) - Raymond Sabinsky
  2. Sym No.7 in e: Movt I: Nicht Schleppen - Raymond Sabinsky
  3. Sym No.7 in e: Movt I: Allegro Risoluto, Ma Non Troppo - Raymond Sabinsky
  4. Sym No.7 in e: Movt I: A Tempo (Sempre L'istesso) - Raymond Sabinsky
  5. Sym No.7 in e: Movt I: Subito Allegro I. Ziemlich Ruhig - Raymond Sabinsky
  6. Sym No.7 in e: Movt I: Adagio (Tempo Der Einleitung) - Raymond Sabinsky
  7. Sym No.7 in e: Movt I: Maestoso. Allegro Come Prima - Raymond Sabinsky
  8. Sym No.7 in e: Movt II: Nachtmusik I. Allegro Moderato - Raymond Sabinsky
  9. Sym No.7 in e: Movt II: Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemachlich - Raymond Sabinsky
  10. Sym No.7 in e: Movt II: Tempo - Raymond Sabinsky
  11. Sym No.7 in e: Movt III: Scherzo. Schattenhaft, Fliessend, Aber Nicht Zu Schnell - Raymond Sabinsky
  12. Sym No.7 in e: Movt III: Trio - Raymond Sabinsky
  13. Sym No.7 in e: Movt III: Wieder Wie Zu Anfang (Nicht Eilen) - Raymond Sabinsky
  14. Sym No.7 in e: Movt IV: Nachtmusik II. Andante Amoroso - Raymond Sabinsky
  15. Sym No.7 in e: Movt IV: (Figure 197) - Raymond Sabinsky
  16. Sym No.7 in e: Movt V: Rondo-Finale. Tempo I (Allegro Ordinario) - New York Phil/Leonard Bernstein
  17. Sym No.7 in e: Movt V: Gemessen! Nicht Schnell! Tempo II (Allegro Moderato Ma Energico) - New York Phil/Leonard Bernstein
  18. Sym No.7 in e: Movt V: Tempo I (Halbe Wie Die Viertel Des Tempo I) - New York Phil/Leonard Bernstein
  19. Sym No.7 in e: Movt V: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein

Tracks:

  1. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Janet Baker
  2. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Janet Baker
  3. Kindertotenlieder: Wenn Dein Mutterlein - Janet Baker
  4. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Janet Baker
  5. Kindertotenlieder: In Diesem Wetter! - Janet Baker
  6. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Veni, Creator Spiritus! - LSO/Leonard Bernstein
  7. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Imple Superna Gratia - LSO/Leonard Bernstein
  8. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
  9. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Tempo I. (Allegro, Etwas Hastig) - LSO/Leonard Bernstein
  10. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
  11. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Accende Lumen Sensibus - LSO/Leonard Bernstein
  12. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Qui Paraclitus Diceris - LSO/Leonard Bernstein
  13. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Gloria Patri Domino - LSO/Leonard Bernstein

Tracks:

  1. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Poco Adagio - LSO/Leonard Bernstein
  2. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Piu Mosso. (Allegro Moderato) - LSO/Leonard Bernstein
  3. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Waldung, Sie Schwankt Heran - Leeds Festival Chor/London Sym Chor
  4. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ewiger Wonnebrand - Vladimir Ruzdjak
  5. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Wie Felsenabgrund Mir Zu Fussen - Donald McIntyre
  6. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Gerettet Ist Das Edle Glied - Leeds Festival Chor/London Sym Chor/Highgate School Boys Choir
  7. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jene Rosen, Aus Den Handen - Leeds Festival Chor/London Sym Chor
  8. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Uns Bleibt Ein Erdenrest - Leeds Festival Chor/London Sym Chor
  9. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ich Spur' Soeben - Leeds Festival Chor/London Sym Chor
  10. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hier Ist Die Aussicht Frei/Freudig Empfangen Wir - John Mitchinson
  11. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hochste Herrscherin Der Welt - John Mitchinson
  12. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jungfrau, Rein Im Schonsten Sinne - John Mitchinson/Leeds Festival Chor/London Sym Chor
  13. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Aussert Langsam. Adagissimo - LSO/Leonard Bernstein
  14. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Dir, Der Uberuhrbaren/Du Schwebst Zu Hohen - Gwyneth Jones
  15. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Der Liebe, Die Den Fussen - Erna Spoorenberg
  16. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Bronn, Zu Dem Schon Weiland - Anna Reynolds
  17. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Hochgeweihten Orte - Norma Procter
  18. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Die Du Grossen Sunderinnnen - Erna Spoorenberg/Anna Reynolds/Norma Procter
  19. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Neige, Neige, Du Ohnegleiche - Gwyneth Jones
  20. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Er Uberwachst Uns Schon - Highgate School Boys Chor
  21. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Vom Edlen Geisterchor Umgeben - Gwyneth Jones
  22. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Komm! Hebe Dich Zu Hohern Spharen! - Gwenyth Annear
  23. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Blicket Auf Zum Retterblick - John Mitchinson
  24. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Alles Vergangliche - Leeds Festival Chor/London Sym Chor

Tracks:

  1. Sym No.9 in D: Movt I: Andante Comodo - New York Phil/Leonard Bernstein
  2. Sym No.9 in D: Movt I: Etwas Frischer - New York Phil/Leonard Bernstein
  3. Sym No.9 in D: Movt I: Tempo I Subito - New York Phil/Leonard Bernstein
  4. Sym No.9 in D: Movt I: Mit Wut. Allegro Risoluto - New York Phil/Leonard Bernstein
  5. Sym No.9 in D: Movt I: Schattenhaft - New York Phil/Leonard Bernstein
  6. Sym No.9 in D: Movt I: Wie Von Anfang - New York Phil/Leonard Bernstein
  7. Sym No.9 in D: Movt I: Plotzlich Bedeutend Langsamer (Lento) Und Leise - New York Phil/Leonard Bernstein
  8. Sym No.9 in D: Movt I: Schon Ganz Langsam - New York Phil/Leonard Bernstein
  9. Sym No.9 in D: Movt II: Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb - New York Phil/Leonard Bernstein
  10. Sym No.9 in D: Movt II: Poco Piu Mosso Subito (Tempo II) - New York Phil/Leonard Bernstein
  11. Sym No.9 in D: Movt II: Tempo III - New York Phil/Leonard Bernstein
  12. Sym No.9 in D: Movt II: A Tempo II - New York Phil/Leonard Bernstein
  13. Sym No.9 in D: Movt II: Tempo I - New York Phil/Leonard Bernstein
  14. Sym No.9 in D: Movt II: Tempo II - New York Phil/Leonard Bernstein
  15. Sym No.9 in D: Movt II: Tempo I Subito - New York Phil/Leonard Bernstein
  16. Sym No.9 in D: Movt III: Rondo - Burleske. Allegro Assai. Sehr Trotzig - New York Phil/Leonard Bernstein
  17. Sym No.9 in D: Movt III: L'istesso Tempo - New York Phil/Leonard Bernstein
  18. Sym No.9 in D: Movt III: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein
  19. Sym No.9 in D: Movt III: Nicht Eilen - New York Phil/Leonard Bernstein
  20. Sym No.9 in D: Movt III: Piu Stretto - New York Phil/Leonard Bernstein
  21. Sym No.9 in D: Movt IV: Adagio. Sehr Langsam Und Noch Zuruckhaltend - New York Phil/Leonard Bernstein
  22. Sym No.9 in D: Movt IV: Plotzlich Wieder Langsam (Wie Zu Anfang) Und Etwas Zogernd - New York Phil/Leonard Bernstein
  23. Sym No.9 in D: Movt IV: Molto Adagio Subito - New York Phil/Leonard Bernstein
  24. Sym No.9 in D: Movt IV: A Tempo (Molto Adagio) - New York Phil/Leonard Bernstein
  25. Sym No.9 in D: Movt IV: Stets Sehr Gehalten - New York Phil/Leonard Bernstein
  26. Sym No.9 in D: Movt IV: Fliessender, Doch Durchaus Nicht Eilend - New York Phil/Leonard Bernstein
  27. Sym No.9 in D: Movt IV: Tempo I. Molto Adagio - New York Phil/Leonard Bernstein
  28. Sym No.9 in D: Movt IV: Adagissimo - New York Phil/Leonard Bernstein

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For many of us, Leonard Bernstein's first Mahler cycle for CBS (compiled here, remastered and cheaper than ever) has stood the test of time since it initially came out on LP in the late 1960s. Upon completing this traversal of nine symphonies (and the "Adagio" movement from the unfinished 10th), Lenny and the New York Philharmonic achieved something no one else had and proved that Mahler was, simply put, worth recording in the first place. It's still a marvelous set of recordings that belongs in every record collection.

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

Customer Reviews:

3 out of 5 stars Groundbreaking but partly outdated.......2007-03-26

Recorded 1960-67, this is the first complete cycle of Mahler's numbered symphonies (1-9 + no. 10 Adagio), and, as such, an essential purchase. Add Bernstein's 1966 classic recording of Das Lied von der Erde (Decca), and you get a piece of recording history: the development of the Mahler boom in the sixties.

How do these recordings stand today? The interpretations of the third, fourth, and seventh are very fine, even exceptional, and, despite their age, the recordings are sonically impressive as well. NYPO plays marvellously. The seventh, in particular, is a reference disc.

The remaining recordings are not really for the desert island, however. The fifth, for instance, is very unsuccessful and badly recorded too. Bernstein's later account on DG is clearly an improvement. The same holds for the second symphony, which you also find on DG in a later, much improved and moving interpretation. But here we have also a crowded field of classic performances, such as Klemperer's second (EMI) and Walter's fifth (SONY). Both are preferable to Bernstein's recordings, old or new.

The first, sixth, eight and ninth are quite good but not exceptional. No one beats Kubelik's first (DG). Mitropoulos (BMG Great Conductors) and Barbirolli (EMI) own the sixth. The eight - well, here we have Horenstein (BBC) and Mitropoulos (Orfeo) as classic, first choices. And for the ninth, Ancerl (Supraphon), Barbirolli (EMI), Klemperer (EMI) and Walter (SONY) sound far more attractive and fresh than Bernstein's mannered account.

If you're a collector this box is of course essential - regardless all critical considerations. But if you just look for an excellent and consistent Mahler box, go for Gary Bertini's cycle on EMI, which you get for a super-bargain price. It's a contemporary and future classic.

Thus I recommend a pick of individual Bernstein SONY CDs: the third, the fourth and the seventh. Add his fifth and second from his DG recordings, and his 1966 Das Lied von der Erde (Decca). These recordings are what I take to be the "essentials" of the Bernstein Mahler legacy.

5 out of 5 stars Outstanding Mahler Compilation.......2007-01-29

I think is very important for a Mahler Fan to hear carefully all his work. This compilation allows you to enjoy that experience. A better sound quality for some symphonies could be a great plus, but you have to consider that this is a remasterized old record.

Leonard Bernstein just express the true passion that Mahler put on his work. It's incredible that (using the 8ve Symphony as an example) with fewer instruments than in the Abbado version, the feeling is even better. Simply outstanding.

Great price, great compilation. Lot of Mahler.

5 out of 5 stars Bernstein or Tennstedt: read on...........2006-07-12

If the only way you could obtain the Mahler Symphonies was by buying a box containing them all by one conductor, then this would be my second choice, or my first!; my first (or second)would be the Tennstedt set. It's a close call thoughout - a 'swings and roundabouts' situation, but if Bernstein's was the one and only then I would be happy enough. Actually if you want a truly satisfying Mahler Symphonies collection then the two sets together sitting side by side on your CD shelf would be pretty well ideal, as I believe that the legacy of recordings by these two great men are nowhere surpassed (save Horenstein in the Fourth, Barbirolli in the Sixth and Rudolf Schwarz in the Fifth). As to comparisons between individual symphonies, the following would be my first choice:

No. 1 Bernstein. More poetic and earthy than T and my very first choice out of the dozens of others I've heard.
2 Bernstein. Simply the greatest Mahler 2; T is earthbound by comparison.
3 Tennstedt. Actually this is a tougher one to decide as B is marginally better in the first movement and he produces the best sixth movement of any version I've heard. Overall T has it, partly due to the excellent sound quality.
4 Overall B is better but there are so many points of comparison to take into consideration that it's a tough one to decide. T has the better soloist in the finale. My far-and-away first choice in the Fourth is Horenstein on EMI/CfP.
5 Tennstedt. Bernstein's CBS Fifth was the weakest link. However, Rudolf Schwarz (Everest) produces the very finest Fifth:
I always maintain that you can tell pretty much straight away when a Mahler conductor gets it right and Schwarz gets it 100%
6 Tennstedt. From the angry crunching heavy tread of the opening through to the nightmare ending, this is a very dark view of the Sixth, but it works. Barbirolli on EMI is my definite first choice in the Sixth. Bernstein's quick-march approach sounds like parody.
7 Bernstein. Nobody has produced a better Seventh and probably never will. T's version is very good though and I think he out-performs all other competition.
8 This one is the hardest of all to separate, but in the end I opt for Bernstein as his version as the feel of a live performance and the recording is almost as good as T's digital one.
9 Bernstein. Again my favourite version. T's weakest link of his whole set.
So Bernstein scores more points, but take into account the generally better sound of the Tennstedt set (especially in nos. 3,5,6) and things are evened up slightly. My advice overall? Go for both sets; at the asking prices you will have a superb Mahler Symphonies collection which will last you a lifetime. But don't forget those other versions of 4, 5 and 6. A point about sound quality: most of the above are analogue recordings, made many years ago, but across the board they are in almost every way superior to most modern digital ones (though to be fair one or two are not so great). I have a very good stereo system which reproduces very neutral sound; what goes in at the CD player end comes out unchanged at the loudspeaker end and so what I hear is the 'real thing'. For example Bernstein's 2 is stunning. One of the very best is the oldest of them all - Schwarz's Fifth, made in 1958. Maybe the art of recording has been replaced by science (and not for the better)? In the final analysis, to my mind the above versions render most of the rest of the Mahler symphonies discography redundant and surplus to requirements.

5 out of 5 stars Comparing the two Bernstein Mahler cycles.......2006-06-27

Most buyers aren't in the market for a complete Mahler cycle by a single conductor, but if they were, the two from Bernstein contain many great performances. I've reviewed the contents of this Sixties cycle on Sony and the later one from the Eighties (contianing many live performances) on DG, taking them one symphony at a time. But it's worthwhile to give a sense of the strongest and weakest parts of each set.

Cycle #1:

By general consensus the performance of Sym. #3 is one of the glories of this cycle and perhaps the most inspired Mahler condcuting Bernstein did on disc. It has all the freshness of discovery--LB was new to Mahler in 1961. Sony's 20-bit remastering makes the original analog sound quite good. In fact, there's no need to fear the sound quality of these NY Phil. recordings, none of which are bad. Expect the deep sound stage and wide stereo separation that Columbia Records favored at the time.

Bernstein also put his stamp on Sym. #7 in such a way that no one would ever hear it the same again. Previously, 'The Song of the Night,' as this work was dubbed, had almost no life either on disc or the concert stage (a Mahler champion as prominent as Bruno Walter never performed it). Not only did LB prove that this was coherent music, he made an unforgettable drama out of the Seventh. This is his signature recording of the work.

Two other great performances stand out: Sym. #2 and #4, each rendered with amazing imagination and a huge range of emotions. The accusation that LB went over the top in the Second is unjustified--he is often tender and delicate--but there's no doubt that he takes an apocalyptic view of the finale. Whatever you think about his approach, he single-handedly revolutionized the way that the Resurrection Sym. was played. In Sym. #4 the classic recording was by Bruno Walter, but LB added more depth, imaginaiton, and excitement. Lyric soprano Reri Grist has come in for a good deal of criticism in the vocal finale, but I think she fits beautifully into LB's overall conception.

In the middle of the pack, as it were, we get LB's readings of Sym. #1 and #9. He went on to conduct greater readings of both works, especially the Ninth. In person LB's First was a real showpiece, but somehow Sony's sonics are not up to the conductor's vision. In the cse of the Ninth, the NY version would qualify as an outstanding performance if there weren't so many truly great ones from Karajan, Bruno Walter, James Levine, and Barbirolli, among others. Bernstein himself would add two of the greatest, both on DG.

I find a few problems wiht Sym. #5, #6, and #8 in the first cycle. For many critics all three are great recordings. For some reason, I have never warmed up to either of LB's versions of Sym. #5, where for once he does manipulate and exaggerate to the point that the spirit of the work seems lost in histrionics. Sym. #6 is too brisk in the first movement to let the music expand to its visionary potential, and in the other movements Bernstein seems less expressive than he could be. The Eighth is unmathced in the excitement and joyousness of Part 1, and for some listeners the whole symphony remains on that exalted level. I find that LB is too studied in Part 2, and my attention wasn't held. He does elicit very beautiful singing and playing, however. It should be noted that this performance is with the London Sym. and a host of fine English singers.

To the end of his life Bernstein resisted Deryck Cooke's completion of the Tenth Sym., agreeing to conduct only the shattering Adagio. which Mahler had essentially finished in full score. Bernstein's reading with the NY Phil. is one of the most searing accounts this magnificent fragment has ever received, equaled by his later live reading with the incomparable Vienna Phil.

Cycle #2:

It should be said right off that DG's digital sonics are in a different league from what LB got in New York. Even though several venues were involved (Vienna, Amsterdam, New York), and many recordings were under live concert conditions, the DG engineers triumphed. They favor closer mike posiitons, solo highlighting, and a vivid sound stage compared to their predecessors in New York. As to the interprettions, with a few exceptions--the most prominent being Sym. #6--Bernstein did not drastically change his views from the first cycle, and in some cases the readings feel almost identical (Sym. #2 and #7, for example).

The most interest centers on the works where LB clearly outdoes his younger self. At the top of the list I would put Sym. #6 and #9. In the former he achieved one of the classic Mahler reacordings of the modern era. His Sixth has slowed down by 2 min. in the first movement, giving the music room to expand properly. The Andante is heartbreaking and heartwarming at the same time. The finale is an explosion of genius on Mahler's part that LB resonates with perfectly. Almost the same can be said of the Ninth, where the conducting reaches deeply moving areas of expression. The finale is drastically slow (as is Levine's, to similar devastating effect), which some critics find excessive. But it's a truism that no tempo is right or wrong; everything depends upon being drawn into the world of the music. LB achieved a great Ninth but would surpass himself with a live performance from Berlin in 1979, also on DG.

Almost as great is Sym. #1, which on DG receives a flawless performance packed with excitement. I'm not sure that LB's reading actually changed, but the superlative sonics and the spine-tingling playing of the Concertgebiuw weren't matched in New York.

The next thing to ask is where Bernstein fell short of his earlier versions. The Sym. #2, #3, and #4 from New York were one of a kind, representing LB's early and most exciting explorations of Mahler's world. Their counterparts on DG are also strong, but I don't think they rise to the heights he achieved earlier. The only sharp criticism I have is with the use of a boy soprano in the finale of the Fourth; musical as he is, a boy is too undeveloped to capture what Mahler intended. It should be said, however, that if the earlier NY versions didn't exist, these would be outstanding performances.

I feel much the same about Sym. #7, where LB's first recording set a standard that only two or three rivals have come close to, but his DG remake, which was a return to the NY Phil. in oncert from Lincoln Center(as are Sym. #2 and #3), feels fractionally less overwhelming. It's in better sound, however. The one symphony I can't compare is the Fifth, which doesn't satisfy me in either cycle. The DG version with the Vienna Phil. convinces many listeners, and some critics call in unsurpassable, but I am not on its wavelength.

That leaves Sym. #8, which Bernstein didn't live to record for commercial release. DG reached into its vaults for a live 1975 radio tape from Vienna, and although it has flaws in execution, including some rough singing in Part 2, LB's conducting is superlative, more ocmpelling than his version from London. Paired with this symphony is a 1974 reading of the Adagio from Sym. #10, also with the Vienna Phil. As you'd expect, it's an inspired, searing reading, just like the NY version.

How ot sum up? If money were no object, I'd own both cycles for the pleasure of Bernstein's unqiue inspiration. If I had to pick and choose, I'd take Sym. #2, #3, and #4 from New York, Sym. #8 from London, and the rest form the DG cycle.



5 out of 5 stars Mahler complete symphonies........2006-02-24

"Mahler was an altogether great man" -One who also knows a thing or two.
Dowland: Complete Lute Works, Vol.1-5
Average customer rating: 4.5 out of 5 stars
  • Outstanding
  • It's not heavy breathing
  • Technically good, emotionally bland.
  • Highly recommended
  • just a warning...
 Dowland: Complete Lute Works, Vol.1-5

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Baroque Lute Music, Vol. 1
  2. Early Venetian Lute Music
  3. Weiss: Sonatas for Lute, Volume 1
  4. Royal Lewters: Music of Henry VIII & Elizabeth I's
  5. Dowland - The Collected Works / The Consort of Musicke, Rooley

ASIN: B0000007HU
Release Date: 1997-11-11

Tracks:

  1. A Piece Without Title - Dowland
  2. Pavana - Dowland
  3. Mr Knights Galliard - Dowland
  4. My lord willobies wellcome home - Dowland
  5. The frogg galliard - Dowland
  6. A Fancy - Dowland
  7. My Ladie Riches galyerd - Dowland
  8. The Lady Laitons Almone - Dowland
  9. A Dream (Lady Leighton's Paven) - Dowland
  10. Galliard - Dowland
  11. Orlando sleepeth - Dowland
  12. What if a Day - Dowland
  13. Mrs Winters Jumpp - Dowland
  14. Galliard - Dowland
  15. M. Giles Hobies Galiard - Dowland
  16. Dr Cases Pauen - Dowland
  17. Mellancoly Galliard - Dowland
  18. Galliard - Dowland
  19. Mistris Whittes thinge - Dowland
  20. Go from my windowe - Dowland
  21. Almain - Dowland
  22. Mrs Whites Nothing - Dowland
  23. Pavan - Dowland
  24. Galliard - Dowland
  25. Farewell - Dowland

Tracks:

  1. My lady hunnsdons puffe
  2. Solus cum sola
  3. Suzanna Galliard
  4. Sir John Smith his Almain
  5. Sweet Robyne
  6. Dowlands first galliard
  7. Master Pypers Pavyn
  8. Captain Digorie Piper his Galliard
  9. As I wen to Walsingham
  10. Monsieur's Almaine
  11. Mrs Brigide fleetwoods paven alias Solus sine sola
  12. Dowlands Galliard
  13. Farwell (As
  14. Captain Candishe his Galyard
  15. Aloe
  16. Can she excuse
  17. A Coye Joye
  18. Mrs vauxes Gigge
  19. Mrs vaux Galliarde
  20. Sir Henry Guilforde his Almaine
  21. Mignarda
  22. Lachrimae
  23. Sir John Souch his galliard
  24. Fantasia

Tracks:

  1. The most high and mightie Christianus, the fourth King of Denmark, his Galliard
  2. Sir John Langton his Pavin
  3. Mr. Langtons galliard
  4. A Fancy
  5. A Pavan
  6. The most sacred Queene Elizabeth, her Galliard
  7. Mrs. Cliftons Allmaine
  8. The Right Honourable the Lady Cliftons Spirit
  9. tarletones riserrectione
  10. Tarletons Willy
  11. fortune my foe
  12. The Queenes galliard
  13. Wallsingham
  14. A Galliard (on Walsingham)
  15. Dowlands Adew for Master Oliver Cromwell
  16. The Right Honourable Ferdinando Earle of Darby, his Galliard
  17. Lord Strangs March
  18. Mistresse Nichols Almand
  19. forlone Hope fancye
  20. Mr. Dowlands Midnight
  21. Semper Dowland semper dolens

Tracks:

  1. Preludium
  2. A Fancy
  3. Lachrimae
  4. Galliard to Lachrimae
  5. A Fantasia
  6. An Almand
  7. Pavana
  8. The Right Honourable Robert, Earl of Essex, his Galliard
  9. A Galliard (on a galliard by Daniel Bachelar)
  10. My Lord Wilobies Welcom Home
  11. The Shoemakers Wife. A Toy
  12. The Right Hounourable The Lord Viscount Lisle, his Galliard
  13. Coranto
  14. A Galliard
  15. The Lady Russells Paven
  16. Galliard (on Awake sweet love, set by Fr. Cutting)
  17. The Frog Galliard
  18. Come Away
  19. La mia Barbara
  20. Loth to Departe

Tracks:

  1. A Fancy
  2. Pavana Dowlandi Angli (Mylius #2)
  3. Doulands rounde battell galyarde
  4. Pavin
  5. The Erle of Darbies Galiard
  6. Mistris Norrishis Delight
  7. A Jig
  8. The Erle of Essex Galliard
  9. Galliard
  10. Une Jeune Fillette
  11. Gagliarda
  12. Pavana Lachrimae
  13. Squires Galliard
  14. A Fancy
  15. Hasellwoods Galliard
  16. Sir Thomas Monson, his Pavin
  17. Sir Thomas Monson, his Galliard
  18. Almande
  19. Sir Henry Umptons Funerall
  20. Captayne Pipers Galliard
  21. A fantasie

Amazon.com

Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz

Customer Reviews:

5 out of 5 stars Outstanding.......2007-03-31

If you are a fan of the music of John Dowland, you must own this CD. The playing is outstanding to say the least.

3 out of 5 stars It's not heavy breathing.......2006-08-22

It's great that O'Dette gives us the complete solo works, of course. I have the common reaction to O'Dette: his technique is flawless, his performance unengaging.

Others have remarked on the "heavy breathing" noticeable on the recordings -- it's not heavy breathing, but the movement of his fingers on the gut strings making that sound.

4 out of 5 stars Technically good, emotionally bland. .......2006-04-11

Considering the extreme paucity of (especially solo) lute recordings currently available worldwide,
but especially in the US, this set becomes an essential "must have" for all lovers of the lute.
Yet it somehow disappoints.
I am sure that Paul O'Dette is brimming over with virtuousity and a technical expertise
that I am hardly one to pass sound judgement upon.
But the recordings have a flatness and monotony;
the songs are rendered with precision, but seem to lack feeling, empathy, or enthusiasm throughout the offering.
It is an impressive compendium, and I'm glad I purchased it.
There are very few lutenists out there producing any music at all, so Mr. O'Dette should certainly be praised
for delivering such a substantial feast to our ears.
It just should have had more flavor.
Where is Konrad Ragossnig when you need him?

5 out of 5 stars Highly recommended.......2005-10-23

I bought Volume 1 of this set a couple of years ago. It has become one of my favorite CDs, so I thought I would enjoy the full set. I have not been disappointed. I find the sound quality excellent, the playing superb. The included booklet has a lot of interesting background material. The music is great as background for a dinner party or intimate conversation, but has depth aplenty for concentrated listening. I often listen to it while working at the computer where I swear it improves concentration and productivity!

A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.

Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.

4 out of 5 stars just a warning..........2005-10-14

Beautiful music, but... you can hear Paul's heavy breathing throughout. Apparently a lot of other reviewers either don't hear the heavy breathing, or aren't bothered by it, but for me, it's a near deal-breaker. Go ahead and mark my review as unhelpful, but I had to put the warning out there.
Percy Grainger: The Complete Piano Music
Average customer rating: 5 out of 5 stars
  • Every last note...
 Percy Grainger: The Complete Piano Music

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Boccherini: Clavier Quintets (Complete)
  2. Couperin: 4 Livres de pièces de clavecin [Box Set]
  3. Bach: Complete Works - 155 CD Box Set

ASIN: B0000037AX
Release Date: 1997-11-18

Tracks:

  1. Handel In The Strand
  2. Bridal Lullaby
  3. English Waltz
  4. Mock Morris
  5. To A Nordic Princess
  6. In A Nutshell-Ste: I. Arrival Platform Humlet
  7. In A Nutshell-Ste: II. Gay But Wistful
  8. In A Nutshell-Ste: III. Pastoral
  9. In A Nutshell-Ste: IV. 'The Gum-Suckers' March
  10. Peace
  11. Saxon Twi-Play
  12. Andante Con Moto
  13. Children's March
  14. The Immovable Do
  15. Sailor's Song
  16. Colonial Song
  17. Walking Tune
  18. Harvest Hymn
  19. In Dahomey

Tracks:

  1. b flat Pno Con (Opening)
  2. Cradle-Song
  3. Love Walked In
  4. Second Pno Con (3rd Movt)
  5. Now, O Now, I Needs Must Part
  6. Nimrod
  7. Ramble On The Last Love-Duet
  8. Chinese Melody-Beautiful Fresh Flower
  9. Paraphrase On The Flower Waltz
  10. Lullaby From 'Tribute To Foster'
  11. American Song-The Rag-Time Girl
  12. 'Blithe Bells'
  13. Fugue In a
  14. The Man I Love

Tracks:

  1. Country Gardens
  2. The Merry King
  3. Molly On The Shore
  4. Irish Tune From County Derry
  5. Knight And Shepard's Daughter
  6. The Nightingale And The Two Sisters
  7. Jutish Medley
  8. Sussex Mummers' Christmas Carol
  9. The Rival Brothers
  10. Near Woodstock Town
  11. Will Ye Gang To The Hielands, Lizzie Lindsay
  12. The Brisk Young Sailor
  13. One More Day My John (Easy Version)
  14. Rimmer And Goldcastle
  15. Spoon River
  16. The Widow's Party
  17. The Hunter In His Career
  18. My Robin Is To The Greenwood Gone
  19. Died For Love
  20. Scotch Strathspey
  21. One More Day My John (Complex Version)
  22. Bristol Town
  23. Hard-Hearted Barb'ra Helen
  24. Mo Ninghean Dhu
  25. Lisbon (Dublin Bay)
  26. Stalt Vesselil
  27. O Gin I Were Where Gowrie Rins
  28. Shepard's Hey

Tracks:

  1. Four Irish Dances: I. A March-Jig
  2. Four Irish Dances: II. A Slow Dance
  3. Four Irish Dances: III. The Leprechaun's Dance
  4. Four Irish Dances: IV. A Reel
  5. Nell
  6. Apres Un Reve
  7. Pno Con, First Movt
  8. Tiger-Tiger
  9. Air And Dance
  10. Hornpipe
  11. Toccata And Fugue in d
  12. Lullaby From 'Tribute To Foster' (Easy Grainger)
  13. Angelus Ad Virginem
  14. Klavierstuck in E
  15. Eastern Intermezzo
  16. The Bigelow March
  17. Pno Con, First Movt
  18. At Twilight
  19. Klavierstuck in a
  20. Klavierstuck in B Flat
  21. Klavierstuck in D

Tracks:

  1. Children's March: 'Over The Hills And Far Away'
  2. Up-Country Song (Colonial Song)
  3. English Dance
  4. Ye Banks And Braes O' Bonnie Doon
  5. 'Spoon River'-American Folk Dance
  6. Train Music
  7. Zanzibar Boat-Song
  8. Paganini Varations, No.12
  9. Green Bushes-Passacaglia On An English Folksong
  10. William Byrd's Air And Variations For The Virginals 'The Carman's Whistle'
  11. 'A Dance Rhapsody'
  12. Girl Crazy: Embraceable You
  13. The Warriors-Music To An Imaginary Ballet

Customer Reviews:

5 out of 5 stars Every last note..........2006-06-14

A super budget 5 CD collection of all of Grainger's Piano music.
Every last note!
The shipping alone would be $17.00+ for the 5 individual Cds.
Englishman Martin Jones plays these as if he wrote them. He is thoroughly inside this music.
I think his best work to date.
He is joined on CD #5 by Richard Mcmahon and Phillip Martin. Where they rollick in various combos and trios on 1, 2 and 3 pianos. This is exhilerating. Especially on an truly uplifting version of Green Bushes.
The entire set is strongly idiomatic and given a clear, crisp, warm and spacious recording. FIRST CLASS sound.
There are too many highlights to single out, but the In A Nutshell Suite and Green Bushes are especially GOOD!
There is not a bad note or "vibe" on any of these CDs.
Highly recommended for Granger fans and fans of English Piano Music.
Brava Berganza! A Birthday Tribute
Average customer rating: Not rated
    		Brava Berganza! A Birthday Tribute

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007DHPRG
    Release Date: 2005-04-12
    Spanish Guitar Music
    Average customer rating: 4.5 out of 5 stars
    • Brilliant in many ways
    • classical gems
    • Nobody Does It Better
    • Good CD
    • A cultural treasure
    		 Spanish Guitar Music

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    Albeniz, Mateo Pérez deAlbeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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    1. Essential Guitar: 33 Guitar Masterpieces

    ASIN: B00000277B
    Release Date: 1991-04-05

    Tracks:

    1. Asturias
    2. Tango
    3. Canarios
    4. Fandango
    5. Nocturno
    6. El Colibri
    7. Sonata In D
    8. The Corregidor's Dance
    9. Fisherman's Song
    10. The Miller's Dance
    11. Mondronos
    12. La Nit de Nadal
    13. El Noy de la Mare
    14. La Maja de Goya
    15. Cordoba
    16. Recuerdos de la Alhambra
    17. Spanish Dance No. 5
    18. El Testamen de Amelia
    19. Prelude No. 4 In E Minor
    20. Sevilla
    21. Homanaje
    22. Fantasia
    23. Fandanguillo, Op. 36

    Customer Reviews:

    5 out of 5 stars Brilliant in many ways.......2005-10-04

    'The guitar is a genuinely Spanish instrument,' writes Uwe Kraemer, and it (along with the classical music for it) is one of the great gifts of Spanish culture to the world. The period of composition for guitar in Spanish culture began in the 1500s, and has never really faded. Guitarist John Williams (not to be confused with the composer of the Star Wars themes) is a master of this instrument, and has selected a repertoire of pieces spanning all four centuries of the instrument.

    This is a solo album - all of the pieces here are arranged for single guitar. Some of the music is distinctively Spanish, while others bear a Catalan and Portuguese influence. Few of the composers on this album are well-known names in the Northern-European culture, but in the Latin culture, these are names that are known, and the music even more so.

    From the earliest century of guitar music, composers such as Gaspar Sanz and Alonso Mudarra show the origins of this kind of work, which includes dissonances that occasionally sound like modern composition. There are pieces with lively spirit and power, inspiring dance in a more popular mode.

    Mateo Albeniz has only one surviving composition; a church organist in the late eighteenth/early nineteenth century, he was influenced by Scarlatti and wrote for the harpischord - Williams has transcribed the piece for guitar here.

    From the nineteenth to early twentieth centuries, many composers were productive: Isaac Albeniz, Julio Sagreras, Manuel de Falla, Enrique Granados, Francisco Tarrega, Heitor Villa-Lobos, and Joaquin Turina. Some like de Falla were very influenced by traditional Spanish stories and musical themes, whereas others like Granados drew inspiration from the broader aspects of European musical tradition. Villa-Lobos shows the transportation of Spanish music into the new world, becoming a noted name in Brazilian music (which, ironically, is the only major South American country without Spanish as its primary language).

    Joaquin Rodrigo and Frederico Moreno Torroba represent composers in this grand style up to the present day.

    John Williams' playing is technically sound and has flashes of emotional power and inspiration. Many pieces here are wonderful, but 'The Miller's Dance', the 'Fandango' and the Villa-Lobos 'Prelude No. 4 in E minor' stand out as the greatest of tracks here, being nothing short of brilliant.

    5 out of 5 stars classical gems.......2003-07-09

    A treat for the solo guitar enthusiast, this is a sparkling collection of Spanish classics, full of drama and passion, played to perfection by John Williams. His technique is dazzling, with a purity and clarity even in the fast and fiery parts, and never a squishy note to be heard.
    The music takes us back to the mid 16th century with Alonso Mudarra's "Fantasia", which is short and charming, as well as another early composer, Gaspar Sanz (1640-1710), with his "Canarios", up to many 20th century masters like de Falla, Torroba, and the only non-Spaniard represented, the Brazilian Heitor Villa-Lobos.
    Favorites include Albeniz' "Cordoba", which has a marvelous "rasqueado", and the familiar but exciting "The Miller's Dance" by de Falla, but every track is impressive on this CD, as well as entertaining, something solo guitar music occasionally fails to be.

    Having been reared by a mother who loved her guitar almost as much as her children, I have heard these pieces played often and by many great artists, but never better, or more enjoyably. This is a compilation that consists of previously released material, some from the 70's and 80's; the sound throughout is excellent, and the total time 73:46.

    4 out of 5 stars Nobody Does It Better.......2001-11-24

    I regard the recording of "Leyenda" on this CD the best. All other recordings are weak, especially during the buildup of the arpeggio and the strummed chords. Williams is the only guitarist I've heard (including Segovia) to give this dramatic masterpiece the dose of power it deserves--from the bright arpeggio to the whipsaw chordal strums. Other great performances on this CD are "Canarios," "Sonata in D," "Madronos," "Cordoba," and "Recuerdos de la Alhambra." To give an indication of just how powerful Williams' playing is, I've heard Christopher Parkening's and David Brandon's duo (which I highly regard) performance of "The Miller's Dance," and found it lacking the dynamism and excitement of Williams' solo performance. A few of the other compositions on this CD don't appeal to me much; otherwise, I'd rate this CD higher.

    4 out of 5 stars Good CD.......2001-10-15

    Nice round choice of pieces, well performed. Naturally there are favorites, but overall, a lovely work.

    4 out of 5 stars A cultural treasure.......2001-10-09

    While converting CDs to MP3s recently, I rediscovered this 1990 CD. I've always loved Williams' lively performances of "Canarios" and "Fantasia", but was struck, one week before the terrorist war began, by the gentle, sad beauty of "Recuerdos de la Alhambra" [Keepsakes of the Alhambra palace]. Tarrega's composition, an inspired work of genius, could serve to restore hopes of peace to the world.
    Dinner Classics: Taste of Spain
    Average customer rating: Not rated
      		Dinner Classics: Taste of Spain

      Manufacturer: Sony
      ProductGroup: Music
      Binding: Audio CD

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      1. Dinner Classics: The Sunday Brunch Album
      2. CBS Dinner Classics: Just Desserts
      3. CBS Dinner Classics: Romance
      4. CBS Dinner Classics: Sunday Brunch, Vol. 2
      5. CBS Dinner Classics: Cocktail Party

      ASIN: B00000277N
      Release Date: 1991-01-09

      Tracks:

      1. Sevilla
      2. Spanish Dance No. 5
      3. Cadiz
      4. Asturias
      5. Granada
      6. Fandanguillo, Op. 36
      7. Homanaje A Tarrega: Soleares
      8. La Maja De Goya
      9. Danse Du Corregidor
      10. Fisherman's Song
      11. Miller's Dance
      12. Rafaga Op. 53
      13. Tango
      14. Fandango
      15. Majorca
      16. Zambra Granadina
      17. Cordoba
      A.E. Housman: A Shropshire Lad, Complete in verse and song
      Average customer rating: Not rated
        		A.E. Housman: A Shropshire Lad, Complete in verse and song
        Alan Bates , Anthony Rolfe Johnson , and Graham Johnson
        Manufacturer: Hyperion UK
        ProductGroup: Music
        Binding: Audio CD

        Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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        ASIN: B00005S85Q
        Release Date: 2001-12-11
        The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann (6 CD Boxed Set)
        Average customer rating: Not rated
          		The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann (6 CD Boxed Set)

          Manufacturer: Celestial Harmonies
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | New Age | Styles | Music
          MeditationMeditation | New Age | Styles | Music
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          Similar Items:
          1. Gurdjieff's Music for the Movements
          2. Gurdjieff, Tsabropoulos: Chants, Hymns and Dances
          3. In Search of the Miraculous: Fragments of an Unknown Teaching (Harvest Book)
          4. Gurdjieff unveiled: an overview and introduction to the teaching (Gurdjieff Related Books)
          5. Gurdjieff

          ASIN: B000025FU1
          Release Date: 1997-07-02

          Tracks:

          1. Seekers Of The Truth: Part 1
          2. Seekers Of The Truth: Part 2
          3. Seekers Of The Truth: Part 3
          4. Seekers Of The Truth: Part 4
          5. Seekers Of The Truth: Part 5
          6. Seekers Of The Truth: Part 6
          7. Seekers Of The Truth: Part 7
          8. Seekers Of The Truth: Part 8
          9. Seekers Of The Truth: Part 9
          10. Seekers Of The Truth: Part 10
          11. Seekers Of The Truth: Part 11
          12. Seekers Of The Truth: Part 12
          13. Seekers Of The Truth: Part 13
          14. Seekers Of The Truth: Part 14
          15. Seekers Of The Truth: Part 15
          16. Seekers Of The Truth: Part 16
          17. Seekers Of The Truth: Part 17
          18. Seekers Of The Truth: Part 18
          19. Seekers Of The Truth: Part 19

          Tracks:

          1. Hymn From A Great Temple: Hymn 1
          2. Hymn From A Great Temple: Hymn 2
          3. Hymn From A Great Temple: Hymn 3
          4. Hymn From A Great Temple: Hymn 4
          5. Hymn From A Great Temple: Hymn 5
          6. Hymn From A Great Temple: Hymn 6
          7. Hymn From A Great Temple: Hymn 7
          8. Hymn From A Great Temple: Hymn 8
          9. Hymn From A Great Temple: Hymn 9
          10. Rituals Of A Sufi Order: Part 1
          11. Rituals Of A Sufi Order: Part 2
          12. Rituals Of A Sufi Order: Part 3
          13. Rituals Of A Sufi Order: Part 4
          14. Rituals Of A Sufi Order: Part 5
          15. Rituals Of A Sufi Order: Part 6
          16. Rituals Of A Sufi Order: Part 7
          17. Rituals Of A Sufi Order: Part 8
          18. Enneagram

          Tracks:

          1. Sacred Hymns: Reading From Sacred Books
          2. Sacred Hymns: Prayer & Despair
          3. Sacred Hymns: Religous Ceremony
          4. Sacred Hymns: Religous Hymn
          5. Sacred Hymns: Orthodox Hymn From Asia
          6. Sacred Hymns: Hymn of Good Friday
          7. Sacred Hymns: Religious Hymn
          8. Sacred Hymns: Prayer Ad Procession
          9. Sacred Hymns: Hymn Of Easter Wednesday
          10. Sacred Hymns: Hymn For Easter Thursday
          11. Sacred Hymns: Hymn To The Creator
          12. Sacred Hymns: Hymn For A Great Temple
          13. Sacred Hymns: Meditation
          14. Sacred Hymns: Holy Affirming Holy Denying. Holy Reconciling
          15. Sacred Hymns: The Story Of The Resurrection Of Christ
          16. Sacred Hymns: Easter Night Procession
          17. Sacred Hymns: Easter Hymn

          Tracks:

          1. Journey To Inaccessible Places: Part 1
          2. Journey To Inaccessible Places: Part 2
          3. Journey To Inaccessible Places: Part 3
          4. Journey To Inaccessible Places: Part 4
          5. Journey To Inaccessible Places: Part 5
          6. Journey To Inaccessible Places: Part 6
          7. Journey To Inaccessible Places: Part 7
          8. Journey To Inaccessible Places: Part 8
          9. Journey To Inaccessible Places: Part 9
          10. Reading Of A Sacred Book
          11. Dances And Chants Of The Seids: Part 1
          12. Dances And Chants Of The Seids: Part 2
          13. Dances And Chants Of The Seids: Part 3
          14. Dances And Chants Of The Seids: Part 4
          15. Dances And Chants Of The Seids: Part 5
          16. Dances And Chants Of The Seids: Part 6
          17. Dances And Chants Of The Seids: Part 7
          18. Dances And Chants Of The Seids: Part 8
          19. Dances And Chants Of The Seids: Part 9
          20. Dances And Chants Of The Seids: Part 10
          21. Dances And Chants Of The Seids: Part 11
          22. Dances And Chants Of The Seids: Part 12
          23. Dances And Chants Of The Seids: Part 13
          24. Dances And Chants Of The Seids: Part 14

          Tracks:

          1. Movements: 1
          2. Movements: 2
          3. Movements: 3
          4. Movements: 4
          5. Movements: 5
          6. Movements: 6
          7. Movements: 7
          8. Movements: 8
          9. Movements: 9
          10. Movements: 10
          11. Movements: 11
          12. Movements: 12
          13. Movements: 13
          14. Movements: 14
          15. Movements: 15
          16. Movements: 16
          17. Movements: 17
          18. Movements: 18
          19. Movements: 19
          20. Movements: 20
          21. Movements: 21
          22. Movements: 22
          23. Movements: 23
          24. Movements: 24
          25. Movements: 25
          26. Movements: 26
          27. Movements: 27
          28. Movements: 28
          29. Movements: 29
          30. Movements: 30
          31. Movements: 31
          32. Movements: 32
          33. Movements: 33
          34. Movements: 34
          35. Movements: 35
          36. Movements: 36
          37. Movements: 37

          Tracks:

          1. Songs And Rhythms From Asia: Song Of The Aisors
          2. Songs And Rhythms From Asia: Kurdish Shepherd's Dance
          3. Songs And Rhythms From Asia: Song Of The Fisher Woman
          4. Songs And Rhythms From Asia: Oriental Song
          5. Songs And Rhythms From Asia: Armenian Song
          6. Songs And Rhythms From Asia: Greek Melody
          7. Songs And Rhythms From Asia: Armenian Melody
          8. Songs And Rhythms From Asia: Hindu Melody
          9. Songs And Rhythms From Asia: Song Of The Molokans
          10. Songs And Rhythms From Asia: Kurdish Song For Two Flutes
          11. Songs And Rhythms From Asia: Allegretto
          12. Songs And Rhythms From Asia: Tibetan Melody
          13. Songs And Rhythms From Asia: Bagpipe Music
          14. Songs And Rhythms From Asia: Persian Song
          15. Songs And Rhythms From Asia: Oriental Melody
          16. Songs And Rhythms From Asia: Kurdish Melody
          17. Songs And Rhythms From Asia: Afghan Melody
          18. Songs And Rhythms From Asia: Assyrian Women Mourners
          19. Songs And Rhythms From Asia: Tibetan Masked Dance
          Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices
          Average customer rating: 1 out of 5 stars
          • Quilter deserves better...
          		 Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices

          Manufacturer: Naxos
          ProductGroup: Music
          Binding: Audio CD

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          1. Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose
          2. English Song Series 1

          ASIN: B0007XHL0M
          Release Date: 2005-04-19

          Tracks:

          1. Drink To Me Only - David Wilson-Johnson
          2. Over The Mountains
          3. My Lady Greensleeves
          4. Little Moth
          5. Love Calls Through The Summer Night
          6. If Love Should Pass Me By
          7. The Rose Of Tralee - Philip Langridge
          8. Believe me, If All Those Endearing Young Charms - David Wilson-Johnson
          9. Oh! 'Tis Sweet To Think - David Wilson-Johnson
          10. Come Lady-Day
          11. The Starlings
          12. To A Harebell By A Graveside
          13. It Was A Lover And His Lass
          14. Ye Banks And Braes
          15. Charlie Is My Darling
          16. Ca' The Yowes To The Knowes
          17. Where Go The Boats?
          18. Windy Nights
          19. Summer Sunset
          20. Le Pauvre Laboureur - David Wilson-Johnson
          21. L'Amour De Moi - David Wilson-Johnson
          22. Joli Mois De Mai - David Wilson-Johnson
          23. Daisies After The Rain (Solo Version)
          24. My Heart Adorn'd With Thee
          25. The Passing Bell
          26. Blossom-Time
          27. Daisies After The Rain (Duet Version)
          28. Weep You No More
          29. I Gotta Robe - David Wilson-Johnson
          30. 'Tis St. Valentine's Day
          31. What Will You Do My Love - Philip Langridge
          32. The Jolly Miller
          33. Barbara Allen
          34. Three Poor Mariners - David Wilson-Johnson
          35. Since First I Saw Your Face - David Wilson-Johnson
          36. The Ash Grove

          Customer Reviews:

          1 out of 5 stars Quilter deserves better..........2005-11-10

          Was this recording of Quilter songs (Complete Folk-Song Arrangements and Complete Part-Songs for Women's Voices) a vanity project for soprano Amanda Pitt? It is hard to explain in any other terms, for her voice is not pleasant to hear. It is a pinched, badly produced, squally sound - the sort of standard one would expect in a not very gifted singing student. Why Naxos permitted this travesty of a recording under their label is a mystery.

          The majority of the songs on this CD are sung by the aforesaid Amanda Pitt (soprano). The other singers in this project are of a better standard - in the case of Philip Langridge, beautiful to listen to. This recording is not worthy of his excellent career and lovely tenor voice. The other two singers - mezzo Joanne Thomas and baritone David Wilson-Johnson - are not bad, either, although the mezzo doesn't get a single solo. The lack of a solo for Ms Thomas is glaringly evident when compared to the ten (10) solos which Ms Pitt sings. (10 out of 21 solos - definitely an unfair ratio. Of these ten solos, several could have been given to the mezzo to sing - they were certainly not beyond the average mezzo range.)

          The rest of the album consists of duets - thirteen of them. Eleven of the thirteen duets are soprano/mezzo, and in spite of the mezzo's voice (from what one is permitted to hear of it) isn't bad, the duet performances are frankly awful, chiefly because of Ms Pitt. Even the superior quality of Philip Langridge's singing cannot save the two duets he sings with Amanda Pitt.

          It's artistically an insulting and atrociously unbalanced distribution of material.

          Look for the John Mark Ainsley/Lisa Milne recording of Quilter songs & arias. Admittedly, it doesn't include most of the duets on this CD, but oh, the sheer pleasure of hearing well-trained and lovely voices give Quilter a worthy treatment!
          Shostakovich: Complete Songs, Vol. 4
          Average customer rating: Not rated
            		Shostakovich: Complete Songs, Vol. 4

            Manufacturer: Delos Records
            ProductGroup: Music
            Binding: Audio CD

            Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
            Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            All Works by ShostakovichAll Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
            GeneralGeneral | Opera & Vocal | Styles | Music
            Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
            RussianRussian | Languages | Opera & Vocal | Styles | Music
            Movie ScoresMovie Scores | Soundtracks | Styles | Music
            Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
            GeneralGeneral | Soundtracks | Styles | Music
            Similar Items:
            1. Shostakovich: Complete Songs, Vol. 5, Famous Song Cycles
            2. Shostakovich: Complete Songs, Vol. 3 (1922-1942)
            3. Shostakovich: Complete Songs, Volume 1
            4. Shostakovich: Complete Songs 2 - The Last Years
            5. Shostakovich Symphonies and Concertos - An Owner's Manual: Unlocking the Masters Series (Unlocking the Masters)

            ASIN: B0002IQB1M
            Release Date: 2004-08-03

            Tracks:

            1. The Counter-Plan Song (1932)
            2. Tender Girl Song (1956)
            3. The Dawn is Rising (1948)
            4. The Song of Peace (1949)
            5. Two Songs - Lullaby (1945)
            6. Two Songs - The Little Lantern Song (1945)
            7. We Had Kisses
            8. Spring, Spring...Op.128 (1967)
            9. Satires - To a Critic (1960)
            10. Satires - The Awakening of Spring (1960)
            11. Satires - Descendants (1960)
            12. Satires - Confusion (1960)
            13. Satires - Kreutzer Sonata (1960)
            14. Anti-Formalistic Raree Show (1948-68)

            Track Listings:

            1. The Dream of the Ancient Ones
            2. The Enchanting Violin Of Dr. N. Rajam
            3. The Heifetz Collection - The Acoustic Recordings 1917-1924
            4. The Vibrant Violin Of Dr. N. Rajam
            5. Tierkreis (Zodiac)
            6. Turina: Works for guitar
            7. Verdi: Aida / Caballé, Domingo, Muti
            8. Wagner's Heroes
            9. We Sing For The Future!
            10. Westminster Mass

            Track Listings

            track listings

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