Sings Bellini & Donizetti

Editorial Reviews
Amazon.com essential recording
All the selections on this staggeringly beautiful recital CD were recorded between 1965 and 1972, when Montserrat Caballé's voice was incapable of betraying her, and when she sang as beautifully and expressively as any soprano within living memory--and probably before then, to boot. Because the voice was in such good shape, with no signs of strain at either end, perfect breath control throughout, and an absolutely full dynamic range--from C to shining C, from pppp to ffff--Caballé was also free to enunciate the text with utter clarity and to make the characters come vividly to life. Her Elizabeth I and Anna Bolena in the Donizetti operas are noble and fascinating, but it is in Bellini that she is utterly irreplaceable. Norma's "Casta diva" has probably never been performed with such intelligence, insight, and exquisite tone, and her duet with Adalgisa (from 1972) is both urgent and tender. And the rarely recorded final scene from Bellini's Il pirata, sung with this much involvement and luster, makes one desperately want to hear the entire opera (yes, Caballé recorded it eventually, but it's hardly a masterpiece). Caballé understands and communicates the music of Bellini like no soprano since Callas--this CD is an important part of any opera lover's collection. --Robert Levine

Tracks:

Star Of the Evening
O My Beloved
Fierce Flames Are Raging
Love Like Mine Is the Light Of Creation
That Ungrateful Man Betrayed Me
Where Was I?
My Beloved
Hence, Iris Hence Away!
Tell Me, My Beating Heart
See, O Norma
O Hated Gift
Juliet's Waltz Song

Customer Reviews:

The Art of Serious Fun.......2007-07-01

While most opera stars are submitting to record label hype and narrow artistic freedom, Jennifer Larmore seems to be flourishing in the recording studio. With Opera Rara and now Chandos behind her, she continues to offer sumptuous recordings that are both entertaining and of great artistic caliber. Certainly Larmore does not have to prove herself as she has been performing for nearly 25 years. Anyone who has seen her live knows she is the real deal and she is in top form on this arias disc. Now, mind you, she is singing both mezzo and soprano roles here. And in English. I was skeptical. Being a huge Larmore fan, I though "uh, oh"...My last Chandos purchase was Elizabeth Futral's arias disc and I was not impressed. But here the translations (sung in delicious theatrical English), top-notch singing by Je La and perfect conducting by David Parry with the Philharmonia Orchestra combine to make a highly addictive disc that will go down in history with Larmore's classics Where Shall I Fly and Call Me Mister. She really sets the bar high for other singers.

Thankfully, Larmore goes out of her comfort zone and sings some arias that one would not normally associate with this fearless singer. The Don Carlos and Trovatore arias will certainly give her naysayers something to chew on, but she does it! Note the last few bars of "O Hated Gift". I was on the edge of my seat.

The opening number ("Star of the Evening" from Adriana Lecouvreur) alone is worth the price of the disc. Orchestra and singer match brilliantly and Larmore's final bars brought tears to my eyes. It's good stuff.

The weak spots are minor. Poor Colin Lee is left on the floor in the Favorita duet. A more experienced tenor would have made this duet electrifying. On the other hand, Larmore alone (track 2) singing "O My Beloved" from Favorita proves (as she did in 2001 with OONY) that she should be singing this role on the stage and in a full recording while we're at it. She is Leonora and the tension she creates is heartbreaking.

I could have done without Hence, Iris Hence Away, heard on her In Performance DVD and Where Shall I Fly cd (surely there are other Handel arias, but perhaps that's another Chandos disc in the works???!!!), but it displays how she can still sing Handel like no other. The Tancredi aria is a nice surprise.

The Gioconda track is a blood and guts duet thanks to Susan Patterson and Larmore's singing. I love how Opera Rara and Chandos recital cds always include duets and more. Larmore is a generous singer and part of her genius is how she works off other artists.

As with every Larmore recital disc, she closes with a treat. Juliet's Waltz Song from Gounod's Romeo and Juliet???? Is she kidding??? Nope. I've heard many a soprano struggle though this aria and merely pull it off with a pinched high note. Should Larmore be singing this aria? Hell, no...Can she? Hell, yes!!! But what's so special is she sings it with pure pleasure; as if she'd sung this song her whole career. Not as a mezzo slumming it in soprano territory. And I think that's what she's trying to tell us here. Have fun, be true to your art form and never pander to your audience.

Larmore at her best again!.......2007-06-01

Jennifer Larmore is my favorite mezzosoprano since the very first time. Such an extraordinary artist! To enjoy!

Jennifer Larmore es mi mezzosoprano favorita desde la primera vez que la escuché. Es una artista extraordinaria y este nuevo cd, a pesar de estar grabado en inglés, muestra, una vez más, la calidad interpretativa de esta maravillosa cantante. Incluso se permite el lujo de cantar el vals de Juliette con más seguridad que muchas sopranos que la tienen en repertorio.

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Shirley Verrett Sings Bellini & Verdi

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

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I Never Walked Alone: The Autobiography of an American Singer
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ASIN: B00005Y92Y
Release Date: 2000-06-06

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One of the three Lakmes you need to own....

Mado Robin Sings Lakmé

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Lebendige Vergangenheit: Mado Robin
Clemens Krauss conducts Strauss: Salome, The 1954 Decca Recording
German Nightingale
Arthur Grumiaux: Philips Recordings, 1955-1978

ASIN: B0009A41YC
Release Date: 2005-08-09

Customer Reviews:

One of the three Lakmes you need to own...........2006-08-24

The other two are the Mesple and the Dessay. For me, this is not a role for Dame Joan, although I admit I haven't heard her sing it, nor do I wish to do so (not the entire role).

The Robin is in mono and the sound isn't marvelous. Her Gerald isn't that great, either, but a little collection of Lakmes needs these three notable lyric coloraturas singing this role.

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Exceptional in every way
Hidden treasure

Mattiwilda Dobbs sings Arias & Songs

Manufacturer: Testament
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music
ASIN: B00000IAES
Release Date: 1999-03-09

Tracks:

The Golden Cockerel: Act II: Hymn To The Sun: All Hail To Thee, O Sunlight
Manon: Act III: Gavotte: Obeissons, Quand Leur Voix Appelle
La Sonnambula: Act II: Ah! Non Credea Mirarti
Lakme: Act III: Berceuse: Sous Le Ciel Tout Etoile
Lakme: Act I: Recit: Les Fleurs Me Paraissent Plus Belles - Aria: Pourquoi Dans Les Grands Bois
Rigoletto: Act I: Scene: Pari Siamo!
Rigoletto: Act I: Duet: Figlia! Mio Padre
Rigoletto: Act I: Scene: Gualtier Malde!
Rigoletto: Act III: Final Duet: Chi e Mai
Die Entzuckung An Laura
La Pastorella
Nacht und Traume, Op. 43 No. 2
Heidenrosslein, Op. 3 No. 3
Liebhaber In Allen Gestalten
Auf dem Schiffe, Op. 97 No. 2
Wiegenlied, Op. 49 No.4
Nachtigallen Schwingen, Op. 6 No. 6
Botschaft, Op. 47 No. 1
Die Sprode
Die Bekehrte
Zitronenfalter Im April
Clair De Lune, Op. 46 No. 2
Notre Amour, Op. 23 No.2
Si Mes Vers Avaient Des Ailes
Le Colibri, Op.2 No.7
La Cigale, Op. 13 No. 4

Customer Reviews:

Exceptional in every way.......2001-10-11

Coloratura repertoire is difficult to compile. You would think that a "best of sample" just wouldn't flow. Well, sometimes old-timers shrug and this CD shows you why. The repertoire selection is diverse, ranging from arias with full orchestra to intimate art songs. And Ms. Dobbs is at the height of her purity of sound and technique.

Dobbs is currently a judge for the Marian Anderson Vocal Competition. Hearing this CD places you in a different time when she made such an impact on music-making as a whole. This CD is great for the vocal student learning new songs and diction, and at the same time for the expert seeking quality. Simply exceptional, it's a CD you can't just copy/burn from a friend.

Hidden treasure.......2000-01-27

A friend who is an opera buff and something of a historian introduced me to this pioneer and almost forgotten voice. A Marian Anderson contemporary,Ms.Dobbs is a diva in her own right with a sweet and powerful voice. A joy and thrill to listen to.

Montserrat Caballé Sings Bellini & Donizetti

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I will give it 10 stars. This is a must to have.
Bel Canto, wonderful singing
The most rewarding Montserrat Caballe gold seal cd !!!!!!!!!
BEL CANTO PERFECTION! GIFT FROM GOD!
You are in for a treat of heavenly proportions!!!

Montserrat Caballé Sings Bellini & Donizetti

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Caballe, Montserrat | Divas | Opera & Vocal | Styles | Music

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Rarities: Donizetti, Rossini, Verdi
The Spectacular Voice of Marilyn Horne: Rossini / Horne
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Vissi d'arte: The Magnificent Voice of Montserrat Caballé
French Arias

ASIN: B000003FDQ
Release Date: 1993-03-09

Tracks:

Norma: Casta diva
Il pirata: Col sorriso d'innocenza
Roberto Devereux: Vivi, ingrato
Lucrezia Borgia: Com e bello!
Maria di Rohan: Havvi un dio
Norma: Mira, o Norma
Anna Bolena: Al dolce guidami

Amazon.com essential recording

All the selections on this staggeringly beautiful recital CD were recorded between 1965 and 1972, when Montserrat Caballé's voice was incapable of betraying her, and when she sang as beautifully and expressively as any soprano within living memory--and probably before then, to boot. Because the voice was in such good shape, with no signs of strain at either end, perfect breath control throughout, and an absolutely full dynamic range--from C to shining C, from pppp to ffff--Caballé was also free to enunciate the text with utter clarity and to make the characters come vividly to life. Her Elizabeth I and Anna Bolena in the Donizetti operas are noble and fascinating, but it is in Bellini that she is utterly irreplaceable. Norma's "Casta diva" has probably never been performed with such intelligence, insight, and exquisite tone, and her duet with Adalgisa (from 1972) is both urgent and tender. And the rarely recorded final scene from Bellini's Il pirata, sung with this much involvement and luster, makes one desperately want to hear the entire opera (yes, Caballé recorded it eventually, but it's hardly a masterpiece). Caballé understands and communicates the music of Bellini like no soprano since Callas--this CD is an important part of any opera lover's collection. --Robert Levine

Customer Reviews:

I will give it 10 stars. This is a must to have........2007-01-05

i agree with all the previous reviewers. THERE IS NO WORDS TO DESCRIBE THE PERFECTION of her singing. I have this CD for a year. It is permanently on in my player in the bedroom. Most of my mornings start with her Casta Diva. No matter what the day brings it is possible to face it with Monserrat singing. Her Anna Bolena is so sweet and so sad, it brings tears to my eyes.How much I wish she recorded Bolena in the studio. As it is I am eternaly gratefull for what she did record.

Bel Canto, wonderful singing.......2005-08-27

To learn what BEL CANTO means this is a perfect CD. Caballe's CASTA DIVA is the most beautiful! Be aware, if you listen to her, you will not like any other's version, including Callas', of course! The rest of the pieces are not so known but I enjoy them as well.

The most rewarding Montserrat Caballe gold seal cd !!!!!!!!!.......2003-08-13

Montserrat Caballe possesses the most beautiful and remarkable voice in recorded history.Her Bellini&Donizetti cd attests to this fact.She recieves praise from a vast diversity of humanity.Anyone from the spanish king and queen to the painter miro were fans,and many people inbetween.The late rock star freddie mercury adored her as well as many other pop stars,which also recorded with her.Caballe was not just a mega operastar but also a pop star.With her voice she also heals people and relieves stress,pain,and fear,and promotes understanding & peace throughout the world.She is not only well loved in europe and america but in russia,china,japan,many other asian nations,as well as canada and south america.Her voice is so beautiful it can only be explained accurately by the greatest poets.Her voice can be both subtle and powerful.Caballe's timbre is golden and of the quality of the most delicate crystal.The voice is not fragile though but strong,surviving over 45 years of professional singing.You could describe her voice as being purity itself,also.Her voice has no vibrato but can still soar with great power and dramatic intensity.On this cd Caballe shows all of us aptly why she is considered by millions of fans and admirers around the world to be the number one singer in the world.Surpassing all other singers of both sexes and musical genres.This wonderful gold seal recording is legendery.A classic which is a must have in anybody's collection.This cd,in american stores is out of print.Get it from amazon while you still can.Montserrat Caballe is the true den mother of opera,watching over europe now and looking after the opera career of her very talented daughter montserrat marti.The creator God has blessed Caballe above all other aristocratic and blue blood beings.Her likeness will one day preside in the courtyard of the eternal angels of musicality.She is the true ambassodor of music on planet earth.Without her voice to caress me,when I was in the lowest deepest pit of grave suffering,I would have never came back to an earthly life,from the dark regions of inner hell.May more blessings rain down on you from heaven dear,montsy.

BEL CANTO PERFECTION! GIFT FROM GOD!.......2003-06-22

This recital and the other RCA masterpiece M. Caballe: Rossini, Donizetti, Verdi rarities are two recitals that every opera fan DESERVES to hear! It's a gift for all of us who love the sound of bel canto and opera in general.

These are exactly the roles Caballe was born to sing. Her voice and musicianship are wonders! Everything on this CD is sung with such emotion and vocal brilliance that makes me forget any other reading of these famous pieces.

Casta Diva has been superbly performed and recorded before Caballe by legends like Callas and Sutherland and it's hard not to compare them. Yet, in my opinion there is no competition. It's Caballe that I will listen to for the ultimate reading of this piece. It's the perfect combination of her gorgeous voice (I can't get enough of her high notes here!) and expressiveness that makes the difference.

The same goes for the other tracks of this recital. Just listen how she phrases Imogene's "Col sorriso d'innocenza". It's as if time stops when she utters that phrase. Sadly, Caballe did not completely record Roberto Devereux or Maria di Rohan or Anna Bolena in studio. I would have sacrificed many other recordings of hers just to have her in studio in these roles. "Mira o Norma" is taken from her complete Norma recording and Cossotto's wonderful Adalgisa perfectly compliments Caballe's high priestess. The recital ends with Caballe singing some of her best pianissimi in Bolena's scene.

Purchase this recital and discover the world of opera! Just keep in mind that Montserrat Caballe's singing here is addictive!

You are in for a treat of heavenly proportions!!!.......2003-02-01

I got this recital disc recently and was flabbergasted by Caballé's out of this world singing. Her voice is an exquisite instrument of power, beauty, and elegance. It has a more refined timbre than Sutherland's and is more ethereal than Tebaldi's. She has breath-taking control over her gorgeous voice. The runs and roulades are tossed off cleanly. Often criticized for her caustic, fortissimo high notes, she only delivers beautiful high notes here. Even so, a few of the high notes sound a bit strained, especially the one that accompanies the word "infiorato" in the "Bolena" aria. The only fault with her coloratura technique is that she lacks a real trill. In the "Anna Bolena" aria, she substitutes scales for the ascending trills. However, only the most accomplished coloraturas can pull off those very taxing trills correctly. Two examples are the magnificent Joan Sutherland and the incomparable Beverly Sills. Love you, Beverly! By the way, Caballé has the most ethereal pianissimos that I have ever heard. Then again, I haven't experienced Zinka Milanov's pianissimos. Renata Tebaldi also had great pianissimos, but she didn't sustain them as long as Caballé did and they were not as wispy-thin as Caballé's. They were, however, richer-toned than Caballé's due to Tebaldi's fabulous spinto voice. Simply put, I love Caballé's voice more than those of other sopranos'. It had to be sent from heaven. How else would you explain its origins? Anyway, this CD was my first recording of Montserrat and she didn't fail to please. All the hype surrounding her singing is fully justified. Her "Casta Diva" is an exquisite piece of vocalism teamed with drama. This recording is worth owning for that one aria alone. I didn't care much for Imogene's Mad Scene, but she sang it well nonetheless. Her portrayal of Elizabeth I in "Vivi ingrato" is not the most dramatic, but it is not dull either. She amazes you with the beauty of her singing. No where will you find a more beautifully sung version of this aria. Beverly Sills is more dramatic, but even she can't beat Caballé's exquisite vocalism. Sills gives us the private, tortured woman behind the queen. Caballé gives us Elizabeth the suffering, but regal queen. Her rendition of the aria from "Lucrezia Borgia" makes one want to hear the full recording of that opera with her in the title role. She is truly astonishing. Her "Havvi un dio" is delivered masterfully. The exquisite duet from "Norma", "Mira, o Norma", is rendered tenderly with expert vocalism and dramatic involvement. The mezzo-soprano is competent and has excellent breath control. She sounds unnervingly like Caballé. I believe she is Fiorenza Cossotto. If so, then this track must have been taken from Caballé's complete studio recording of "Norma". The last track, half of Anna Bolena's Mad Scene, is done wonderfully. Again, the vocalism is exquisite. However, I prefer Sills' masterful rendition. She sings just as well as Caballé does, but she is so much more dramatically involved. When she sings about Percy and asks forgiveness for abandoning him, she turns in a frenetic and very exciting performance. And, of course, no soprano, including Callas, sings "Al dolce guidami" so right and so convincingly. When she sings the words "castel natio" before the ascending trills, which are great by the way, her voice matches Donizetti's musical and vocal inflections perfectly. You have to hear it to believe it! It sounds so right that one has to believe that it cannot be bettered. Anyway, back to Caballé. She shows us in this recital why she was considered one of the very few prime donne assoluti in the world in the the period from 1965 to her retirement from the operatic stage a few decades later. To her fans, this is a required recording.

Ena Freeman sings Shakespeariana - A Musical Journey Inspired by the Bard

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Ena Freeman sings Shakespeariana - A Musical Journey Inspired by the Bard

Manufacturer: Ena Freeman
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B00000IZBA
Release Date: 1999-06-15

Tracks:

Flame
Stay
Sunset Bleeds
Right Over
Never Smile
Fear Of Words
The Last Flyer's Rush For Home
Don't Say Goodbye
And The Rain
Faith

Album Description

Alternative pop-rock.

Maria Perdini sings Bellini's Norma [Excerpts]

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Try this one...Please!!!!

Maria Perdini sings Bellini's Norma [Excerpts]

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

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Opera & Vocal | Imports | Stores | Music
ASIN: B0009VNCD2
Release Date: 2005-06-28

Customer Reviews:

Try this one...Please!!!!.......2005-08-13

This is an outstanding Norma and no doubt the superb and dramatic conducting Molinari-Prandelli takes much credit for the intensity of this performance. Maria PeDRini takes the credit too for her large, warm and ductile voice. She is a little short on legato and imagination but what fantastic high notes and the voice is on a column that is perfect in proportion, no triangles, hour glasses, diamonds, or inverted triangles here. The production is absolutely even from top to bottom. She is from the Caniglia/Cigna school of singing and style. They may have more drama and authentic feeling and hence they are more famous, but Pedrini's voice is unique in its fullness throughout the scale. In this regard she is unmatched, even by Caterina Mancini, who obviously followed Pedrini's lead.

Penno and Stignani sing as if they have to go home right away for dinner is on the table. Yet they both have monumental voices. Like Pedrini, they are modest people endowed by nature with immense vocal instruments. In fact, in terms of volume, even del Monaco could not match Penno at his highest amplitude (so I have heard)---and who could challenge Stignani?

This is Norma with THE FINEST VOICES in the world, but without that internal flame of Callas, that meltingly beautiful legato and mezza voce of Milanov (listen to her Norma, that voice is pure glory), the impetuosity of Cigna, the madness of Mancini, the strong vulnerability of Cerquetti, the intense masculinity of del Monaco or the singular perfection of Simionato, (there are others too) Norma loses it's unique ability to sear the soul.

As for the Arias, Pedrini's singing of the Tower Aria from Trovatore is sheer glory and her accents in "La mamma morta" make elevate this performace to legend.

Buy it!!!!

Mirella Freni sings Puccini, Verdi, Bellini, Rossini, etc.

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Mirella Freni sings Puccini, Verdi, Bellini, Rossini, etc.

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B00000E3PH
Release Date: 1990-10-25

Ezio Pinza sings Verdi, Mozart, Monteverdi

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Ezio Pinza sings Verdi, Mozart, Monteverdi

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FAT
Release Date: 1993-03-09

Tracks:

L'ultima Canzone
La Boheme: Vecchia Zimarra
Le Caid: Air Du Tambour-Major
Die Zauberflote: O Isis Und Osiris
Faust: Le Veau D'or
Norma: Ah! Del Tebro Al Giogo Indegno
Ernani: Che Mai Vegg'io!; Infelice!
Messa Da Requiem: Confutatis Maledictis
Don Giovanni: Finch'han Dal Vino
Il Trovatore: Dalle Gravi Palpebre; Abbietta Zingara
Arianna: Lasciatemi Morire
Floridante: Alma Mia
Eteocle E Polinice: Che Fiero Costume
Che Vuole Innamorarsi
L'incoronazione Di Poppea: Oblivion Soave
Donzelle Fuggite
Tu Lo Sai
La Molinara: Nel Cor Piu Non Mi Sento
Caro Mio Ben
O Bellissimi Capelli
Armida E Rinaldo: Lungi Dal Caro Bene
Pupille Nere
Simon Boccanegra: A Te L'estremo Addio; Il Lacerato Spirito
Il Barbiere Di Siviglia: La Calunnia
Boris Godunov: Death Of Boris
September Song

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Alma Gluck

Manufacturer: Marston
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music
ASIN: B000004BOD
Release Date: 1997-10-14

Tracks:

ATALANTA: Come, my beloved (Care selve)
SEMELE: Oh sleep, why dost thou leave me?
ZEMIRE UND AZOR: Rose softly blooming
THEODORA: Angels ever bright and fair
HIPPOLYTE ET ARICIE: Rossignols amoureux
LA SONNAMBULA: Ah! non credea mirarti
LA BOHJEME: Donde lieta usci
I PAGLIACCI: Qual fiamma avea nel guardo ... Stridono lassu
CARMEN: Je dis que rien ne m'epouvante
SAMSON ET DALILA: Mon coeur s'ouvre a ta voix
LOUISE: Depuis le jour
HANSEL UND GRETEL: Suse, liebe Suse
HANSEL UND GRETEL: Der kleine Sandmann bin ich
HANSEL UND GRETEL: Juchhei, nun is die Hexe tot
TZAR'S BRIDE Lyubasha's air
SNEGUROCHKA (SNOW MAIDEN): To the Thunder called the Flying Cloud
SNEGUROCHKA (SNOW MAIDEN): Aller au bois
HUBIKA (THE KISS): Ukolebavky (Cradle Song)
NATOMA: I list the trill in golden throat
LA TRAVIATA: Libiamo, libiamo

Tracks:

Le Nil
L'Heure Exquise
Le Bonheur est Chose Legere
Chanson Hebraique ('Mejerke, main Suhn,')
Hatikvah
Two Folk Songs of Little Russia
The Rose and the Nightengale (Eastern Romance)
Have You Seen but a Whyte Lillie Grow?
As a Beam O'er the Face of the Waters
Canzonetta
The Monotone (Ein Ton)
Passage-birds' Farewell
La Colomba
Tu
Sylvelin
Parla!
Serenata
The Braes O' Balquhidder
Comin' Thro the Rye
Red, Red Rose
Sing Me to Sleep
Will-o-the-Wisp
The Bird of the Wilderness
Irish Love Song
Long Ago, Sweetheart Mine
A Maid Sings Light
From the Land of the Sky Blue Water
Dawn

Track Listings:

Track Listings

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Track Listings

Nothing to Hide

Rütti: Sermon On The Mount

Primitive Piano

Moving Target [Import]

Whatevershebringswesing [Import]

"Spice" The Alternative Hip-Hop Experience

The Art of Carmen McRae/For Once in My Life

Oleg Kagan - Musikfest Am Tegernsee

Terri Clark

SAXUAL FEELINGS

Searching for the Young Soul Rebels [Enhanced] [Import] [Original recording remastered]

Save Your Kisses [Import]

Soul Millennium [Import]

Just for Kids: Sing a Long Praise

Cross-Currents