Thomas Tallis: The Lamentations of Jeremiah/Salvator mundi/O sacrum convivium/Mass for Four Voices/Absterge Domine

Editorial Reviews
Amazon.com
If you went to the other side of the universe from where barbershop music and doo-wop reside, you'd discover the five-voice Hilliard Ensemble singing Tallis. And if you happen to love this sort of music, you'd think this must be heaven. On the other hand, if you're not sure you'd like the Hilliards or Tallis, here's the perfect place to find out. The two sets of Lamentations are supreme among Tallis's longer works, exhibiting full mastery of choral part-writing and effective use of harmonic and textural contrast. The outward solemnity of these works is sustained by the music's underlying impassioned, penitential mood--which finds ideal expression in the otherworldly beauty of these perfectly matched men's voices that bring phenomenal interpretive and technical skill to each line and closing cadence. --David Vernier

Tracks:

The Lamentations Of Jeremiah: Incipit Lamentatione
The Lamentations Of Jeremiah: De Lamentatione
Salvator Mundi
O Sacrum Convivium
Mass For Four Voices: Gloria
The Lamentations Of Jeremiah: Credo
Mass For Four Voices: Sanctus
Mass For Four Voices: Benedictus
Mass For Four Voices: Agnus Dei
Absterge Domine

Amazon.com

If you went to the other side of the universe from where barbershop music and doo-wop reside, you'd discover the five-voice Hilliard Ensemble singing Tallis. And if you happen to love this sort of music, you'd think this must be heaven. On the other hand, if you're not sure you'd like the Hilliards or Tallis, here's the perfect place to find out. The two sets of Lamentations are supreme among Tallis's longer works, exhibiting full mastery of choral part-writing and effective use of harmonic and textural contrast. The outward solemnity of these works is sustained by the music's underlying impassioned, penitential mood--which finds ideal expression in the otherworldly beauty of these perfectly matched men's voices that bring phenomenal interpretive and technical skill to each line and closing cadence. --David Vernier

Customer Reviews:

One of the best purchases I've ever made..........2000-06-11

Tallis, while not suffering from the almost total neglect that some important and talented composers of his period have experienced, is certainly less recorded than Palestrina, for example. I think that he does not receive the recognition he is due. While his output is small compared to juggernauts like Palestrina and de Lassus, it is almost without exception all of the highest order. Tallis is amazing in that his compositions include numerous little treasures - compositional gems of stunning beauty. A number of those gems are recorded here. O Sacrum Convivium (the text of which is translated as 'O sacred feast wherein Christ dwells; we call to mind in grateful thanks his most bitter passion while our souls are filled with grace. We beseech thee to us everlasting glory.") is an amazing piece of reflective music - the poetry of the text is matched by wonderful, flowing lines. The Lamentation settings (among the best of his large works) are marvels for their dark, brooding, penintential character. The rest of the pieces on the disc are also of good quality. The Hilliard Ensemble is among the best early music groups. Their tone, blend, balance, sense of line, dynamics, and pacing are superb. They are the perfect group to sing these pieces (almost all written for men's voices - bass, tenor, alto, and treble). So they are excellent technically. On an interpretive level their decisions are all good. They sing the music without haste, infusing it with a proper sense of devotion. Also, they sing this music in its original pitch (not transposed up as it is sung by The Sixteen and The Tallis Scholars, just to name two groups). The singing of the Lamentations, for example, in this low register, preserves the darkness of these pieces and in the other motets and the mass ensures the proper color and density of sound. This recording is much preferred to recordings by the Tallis Scholars. The recording of the Lamentations (and other pieces, some of which overlap between the two recordings) by the Westminster Cathedral choir offers the reverberant acoustics of that church, but cannot match this one in purity of tone, balance, etc. Additionally, there is something about this music which just feels right in the intimate reading given it by the Hilliard Ensemble. For another fine recording of the mass on this disc, the recording of Tallis' complete works by Chapelle du Roi is recommended. Anyway, this recording of Tallis' music by the Hilliard Ensemble can be recommended with the utmost enthusiasm, and without reserve.

Track Listings:

Track Listings

track listings

Track Listings

Sometimes Good Weather Follows Bad People

Verdi: Overtures; Preludes; Ballet Music

They Called Me Big Mama

Shadow of the Vibe

White on Blue [Extra tracks] [Import]

Woman to Woman [Original recording remastered] [Import]

The Source [Import] [CD-single]

The Best of Mozart [Import]

View From A Southern Porch

The Last Elephant

Throwing Copper [Import]

Very Best Album Ever

Viva Hits, Vol.22 [Import]

Gennett Rarities