Vivaldi: Concerti Op.9 "La Cetra" [Import]

Track Listings

1. (1-3) Concerto No.1 In C Major, Rv 181a

2. (4-6) Concerto No.2 In A Major, Rv 345

3. (7-9) Concerto No.3 In G Minor, Rv 334

4. (10-12) Concerto No.4 In E Major, Rv 263a

5. (13-15) Concerto No.5 In A Minor, Rv 358

6. (16-18) Concerto No.6 In A Major, Rv 348

7. Cd 2 (1-3) Concerto No.7 In B Flat Major, Rv 359

8. (4-6) Concerto No.8 In D Minor, Rv 238

9. (7-9) Concerto No.9 In B Flat Major, Rv 530

10. (10-12) Concerto No.10 In G Major, Rv 300

11. (13-15) Concerto No.11 In C Minor, Rv 198a

12. (16-18) Concerto No.12 In B Minor, Rv 391

Tracks:

An Untold Story: Assaggio No.1 In G Minor - Johann Helmich Roman
The Legend Of Casanova: Tambourins I/II From Daro - Jean-Philippe Rameau
I Yield To Love: Cello Concerto No.3 In D Minor - Leonardo Leo
Eternal Damnation: Overture From Les Fetes De Polymnie/Overture From Platee/Overture From Zoroastre - Jean-Philippe Rameau
The Doge's Decree: Concerto In C Major - Antonio Vivaldi
A Venetian Virgin - Alexandre Desplat
San Cremori At Dawn: Concerto In C Major For Harpsicord And Strings - Giovanni Paisiello
A Lover's Duel: Overture From La Madrilena - Vicente Martin Y Soler
A Terrible Mistake: Concerto A 5, Op.9, No.4 - Tomaso Albinoni
A Secret Lover?: Sinfonia From The Opera Farnace - Antonio Vivaldi
Marriage Is A Safe Haven: Concerto A 5, Op.9 No.4 - Tomaso Albinoni
Trailing Guardi: Sonata For Violin And Bassocontinuo, Op.5 No.11 In E Minor - Arcangelo Corelli
The Noble Pig: Concerto Per Quartetto No.8 - Francesco Durante
Paprizzio's Arrival: Concerto A 5, Op.9 No.2 In D Minor - Tomaso Albinoni
Inquisitor Pucci - Alexandre Desplat
: Concerto A 5, Op.9 No.4 - Tomaso Albinoni
A Big Idea: Harpsicord Concerto In B Flat Major - Francesco Durante
A Nom De Plume/Carnivale!: Concerto A 5, Op.9 No.6 In G Major/Bouree From Les Plaisirs Champetres - Tomaso Albinoni
The Plume's Nom Is Casanova! - Sonny Kompanek
Dancing At The Doge's Ball: Riguadon From Water Music Suite, No.3 In G Major/Bouree From Music For Royal Fireworks/Loure From Tafelmusik1 - George Frideric Handel
One Step Closer To Heaven: Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni
Casanova's Confession: Sonata Op.5 No.7 In D Minor - Arcangelo Corelli
The Hanging: Violin Concerto 'Il Cimento Dell'Armonia E Dell'INvenzione' Op.8 No.11 In D Major - Antonio Vivaldi
A Great Escape: Overture From Zais/Overture From Nais/Overture From Achante Et Cephise Ou La Sympathie - Jean-Philippe Rameau
My Place Is With Casanova: Overture From Le Temple De La Gloire/Overture From Zais/Sonata For Violin And Bassocontinuo, Op.5 No.7 In D Minor - Arcangelo Corelli
All's Well...:Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni

Amazon.com

The action in this tale about the 18th century adventurer and (at least in popular lore) seducer is set in Cassanova's native Venice in the mid-1700s, so it makes sense that the soundtrack would be loaded with Baroque pieces. The Venice-based Tomaso Albinoni is featured prominentaly, along with heavyweights such as Antonio Vivaldi, Jean-Baptiste Rameau, and George Frideric Handel, and lesser-known composers such as Arcangelo Corelli, Francesco Durante, and Alexandre Desplat. Er, actually Desplat is a contemporary French film composer who also released his score for the couldn't-be-more-different Syriana shortly after Casanova came out. Of the two pieces he penned here, "A Venetian Virgin" is in pure Baroque style, while "Inquisitor Pucci" betrays a more modern film-music vibe. Meanwhile, orchestrator Sonny Kompanek rearranged a couple of the tracks and authored the tense "The Plume's Nom Is Casanova," which doesn't sound embarrassing sandwiched between pieces by Albinoni and Handel. Overall, it would have been nice to get longer excerpts from the pieces--many feel chopped into too-small fragments--but the music's innate grace and elegance can't be beat for a period film. Or for any film, really: Vivaldi's Concerto in C Major ("The Doge's Decree") will be familiar to buffs, who will remember it featuring prominently in the Dustin Hoffman-¬Meryl Streep showdown Kramer vs. Kramer back in 1979. --Elisabeth Vincentelli

Customer Reviews:

Sheer Beauty for the Ears.......2006-07-25

For those that purchased this CD, I need not get into how masterfully infectious the movie was. After the first viewing, I found it charming, but after the second, I was hooked by the witty, clever story holding fun twists all along the way. So while I could go on and on about the movie and all of its wonderful aspects, the score was simply priceless. Apt in every scene, and all done with incredible baroque music that I had never had the opportunity of hearing before the film.

The disc walks you through the movie with no changes that I could tell from the original score. The only omission I found was that the song dubbed "Casanova's Theme" is played in much greater length in the closing credits, and that didn't seem to make it to the CD. Not a terrible loss.

Authenticity can sound great as well!.......2006-07-11

As an avid baroque music listener and performer, I can attest to the delightfully pleasing performances on the soundtrack as well as the painstakingly accurate performance practices utilized in the recording of this soundtrack.

The producers of this film fortunately went to the trouble of hiring some of the top period performance musician-specialists in the country (perhaps in the entire world) to record the soundtrack to Casanova. I know, because several of them were faculty members of the Oberlin Conservatory Baroque Performance Institute who went AWOL to Hollywood in June 2005 for the recording sessions. We all forgave them, and were actually quite excited that period music performance was having its day on the silver screen.

Do not miss this exquisite potpourri of wonderful baroque composers' works performed as closely as humanly possible to the way that they heard their works during their lifetimes! The film may not have been intended to be historically accurate (part of the fun), but the music certainly ended up that way. Not only that, but it sounds heavenly (unlike Casanova's antics) and up-to-date, not musty and old as if it were sealed in a museum case.

a little world of baroque sound.......2006-02-26

Lots of interesting baroque music unknown to me and
put together in dramatic sequences that add zest and
class to the listening experience. Also wonderful to
play in auto while driving thru boring country or in
slow moving traffic!
This CD will get a lot of play from me.
5 Stars!

Wonderful relaxing music........2006-02-25

Saw the movie and had to have the soundtrack. Great music to relax by. When you need to get away from the cares of the day the classics can't be beat. The producers of this movie certainly chose wonderful music to accompany it.

-.......2006-02-18

Good music but each is too short.
The original version of each may be better.

Average customer rating:

Stravaganza: Violin Concerti Op 4 1-12

Manufacturer: Channel Classics Nl
ProductGroup: Music
Binding: Audio CD

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J.S. Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006

ASIN: B00008LKDY
Release Date: 2003-07-08

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classic performances
Pina Carmirelli's Is The Best By I Musici If Not The Best Period
I-Musici + Vivaldi; wow!
Buena interpretación de I Musici
okay Four Seasons, the other concerti are not as good...

Antonio Vivaldi: Concerti Op. 8

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Corelli: Complete Concerti Grossi, Op. 6
Vivaldi: Complete Flute Concertos
Vivaldi: Concerti Op.9 'la Cetra'
Vivaldi: L'Estro Armonico, Op.3 (complete)
Mozart: Complete String Trios & Duos

ASIN: B00000416D
Release Date: 1993-10-12

Tracks:

Concerto No.1 In E, RV269 (Spring): I - Allegro
Concerto No.1 In E, RV269 (Spring): II - Largo
Concerto No.1 In E, RV269 (Spring): III - Allegro (Danza pastorale)
Concerto No.2 In G Minor, RV315 (Summer): I - Allegro non molto - Allegro
Concerto No.2 In G Minor, RV315 (Summer): II - Adagio - Presto - Adagio
Concerto No.2 In G Minor, RV315 (Summer): III - Presto (Tempo impetuoso d'estate)
Concerto No.3 In F, RV293 (Autumn): I - Allegro (Ballo, e canto de' villanelli)
Concerto No.3 In F, RV293 (Autumn): II - Adagio molto (Ubriachi dormienti)
Concerto No.3 In F, RV293 (Autumn): III - Allegro (La caccia)
Concerto No.4 In F Minor, RV297 (Winter): I - Allegro non molto
Concerto No.4 In F Minor, RV297 (Winter): II - Largo
Concerto No.4 In F Minor, RV297 (Winter): III - Allegro
Concerto No.5 In E Flat, RV253 (The Sea Storm): I - Allegro
Concerto No.5 In E Flat, RV253 (The Sea Storm): II - Largo
Concerto No.5 In E Flat, RV253 (The Sea Storm): III - Allegro
Concerto No.6 In C, RV180 (Pleasure): I - Allegro
Concerto No.6 In C, RV180 (Pleasure): II - Largo
Concerto No.6 In C, RV180 (Pleasure): III - Allegro

Tracks:

Concerto No. 7 in D Minor, RV 242: I - Allegro
Concerto No. 7 in D Minor, RV 242: II - Largo
Concerto No. 7 in D Minor, RV 242: III - Allegro
Concerto No. 8 in G Minor, RV 332: I - Allegro
Concerto No. 8 in G Minor, RV 332: II - Largo
Concerto No. 8 in G Minor, RV 332: III - Allegro
Concerto No. 9 in D Minor, RV 236: I - Allegro
Concerto No. 9 in D Minor, RV 236: II - Largo
Concerto No. 9 in D Minor, RV 236: III - Allegro
Concerto No. 10 In B Flat, RV 362 'La caccia': I - Allegro
Concerto No. 10 In B Flat, RV 362 'La caccia': II - Adagio
Concerto No. 10 In B Flat, RV 362 'La caccia': III - Allegro
Concerto No. 11 in D, RV 210: I - Allegro
Concerto No. 11 in D, RV 210: II - Largo
Concerto No. 11 in D, RV 210: III - Allegro
Concerto No. 12 in C, RV 178: I - Allegro
Concerto No. 12 in C, RV 178: II - Largo
Concerto No. 12 in C, RV 178: III - Allegro

Amazon.com

Vivaldi's The Four Seasons is actually part of a larger group of works, the Twelve Violin Concertos, op. 8. This set, in turn, has an additional subtitle: "The Contest Between Invention and Harmony"; not that anyone is quite sure what this means. Aside from The Four Seasons there are several other works with subtitles, including "Storm at Sea," "The Hunt" and "Rapture." It's only natural that when you've composed some 600 concertos for various instruments, the ones with the catchy names will become the most popular. But the others are no less fine, and if your interest in Vivaldi goes beyond the "Big Four," then you might want to check out this excellent set. --David Hurwitz

Customer Reviews:

classic performances.......2007-07-10

"The Four Seasons" naturally tend to overshadow the other eight concertos of Vivaldi's op. 8, of which Spring, Summer, Autumn, & Winter are merely a part. That these four concertos form a suite of their own adds to the relative neglect of the other concertos; but, the other eight concertos are full of great music, even if they aren't as brilliantly conceived as their famous relatives. But what other music did Vivaldi write that can live up to the reputation of "The Four Seasons"?

For several decades beginning in the 1950's I Musici was the leading ensemble specializing in Italian Baroque music, & these performances were standard-setting in their time. They still hold up exceptionally well even though approaches to early music, driven by the period instrument revolution, have changed somewhat since then.

Perhaps the simplest way to define the differences between I Musici & more contemporary ensembles is that I Musici's approach, while spirited & completely authentic, is also refined & elegant without being extravagent, whereas more modern groups often sound scaled down & a little more earthy. Both definitely have their merits, although I find myself attracted more to I Musici's grandeur & sweep.

The stereo sound here is acceptable. The first four concerti ("The Four Seasons") date from 1959 & appear to have been recorded in a bigger hall than the other eight, which were recorded in 1961.

If you are looking for a classic set of op. 8, then I Musici is the way to go. If you looking only for "The Four Seasons," expand your horizons & buy this set.

Pina Carmirelli's Is The Best By I Musici If Not The Best Period.......2005-10-20

Although I Musici is certainly one of the best chamber groups in the world for Baroque music if not the best as claimed by Toscanini, there is also a standard of excellence for the violin soloists in I Musici itself over the past 50 years and Felix Ayo is simply not a top contender. Ayo is decent for the concerti but the crucial 'Four Seasons' is very average by the standards of I Musici itself. Although I find Ayo's interpretation better than Michelucci's with I Musici, this performance of 'The Four Seasons' itself is not I Musici's best for this piece by a long shot. I have not heard one rendition anywhere whether chamber or symphonic that even compares to the absolutely brilliant 1982 performance by I Musici and Pina Carmirelli. It is truly the clearest and most passionate performance available to date. Carmirelli's proficiency for this piece completely surpasses Ayo's rather safe and monotone interpretation. Michelucci's is even worse. With a steady but constant pace, Carmirelli swings the bow and soars the scales with impeccable clarity and proficiency: there is simply not one hesitation or moment of faltering in transitions. It is simply a breathtakingly divine performance that surpasses Ayo's rather cautious performance.

For those who are debating other options, don't be deceived into buying other performances even if they have skilled violinists such as Perlman or Zuckerman. The latter are specialized in the German Romantic and Klezmer traditions of violin and so tend to perform better with Northern European composers from the Romantic period such as Brahms or Wienawski but not with Italian ones generally and Italian Baroque violin pieces least of all! As for performances by great conductors and symphonies such as Karajan and the Berlin Philharmonic or Solti and the Chicago/London Symphonies, the orchestral ensembles they use are generally too large for chamber pieces and most of the instruments used are modern. They are also recorded in too large of spaces so the performances sound like Beethoven's 9th instead of a chamber lyrical piece. There are other groups and recordings that are more faithful to Baroque techniques and traditional interpretations but their performances tend to suffer in their lyrical aspects and recording quality. The artists in such chamber groups generally come from academic backgrounds in traditional techniques and instruments instead of professional circles and so are more focused on applying the techniques instead of evoking from them the lyrical mood required by the piece. This results in clumsy and lifeless performances where each musician is so painfully struggling to apply the correct technique to their individual instrument that the entire piece comes out sounding as a cacophony instead of a symphony. Vivaldi was an innovative and demanding composer and this piece is one of the most difficult pieces to perform in the repertoire of music for the solo violin. I Musici have been world acclaimed leaders in performing Italian Baroque for over 50 years and have performed with many of the best musicians in this field. They emphasize more on a passionate Italian Romantic interpretation in its performances instead of a rigid Baroque one but reach a good balance with tradition by performing in the Italian style almost exclusively on Stradivarius instruments and within the size of a small Baroque chamber orchestra. The Stradivarius is the gem of traditional string instruments and really an instrument in and of itself that no other period instrument can even compare to. There are also really no chamber groups in existence that perform on so many Stradivari at once as they are simply too rare and even many professionals simply lack sufficient talent to play one proficiently.

Ayo's performance is not the worst in terms of I Musici but it is definitely not the best the group ever performed. He actually does quite well in the remaining concerti. It is simply not a good performance of 'The Four Seasons' which is the most technically demanding and where Ayo starts to slip. It is still better than most of those by your typical chamber groups out there however. The best for I Musici if not across the board is its 1982 performance with Pina Carmirelli. Carmirelli's performance is extremely hard to find these days and sometimes ridiculously expensive so a close match by a comparable Italian chamber group is Salvatore Acardo's Stradivarius performance with I Solisti delle Settimane Musicali di Napoli which is available in abundance here on Amazon. Accardo himself had already played several times with I Musici before making his legendary performance with Il Solisti and had cultivated his talent to mastery. That peformance is the only close contender I can think of that comes even close to Carmirelli's passionate and legendary performance. Unless you are interested purely in symphonic interpretations, I would stick to either Carmirelli's performance or Accardo's as an alternative because the quality of their performances is exponentially superior to everyone elses' without question.

I-Musici + Vivaldi; wow!.......2000-07-17

Los doce conciertos Op.8 de Vivaldi son sin duda alguna una de las obras de "música clásica" más conocidas y más desconocidas al mismo tiempo. Son las más conocidas porque los primeros 4 conciertos son las célebres "cuatro estaciones", obra de referencia obligada incluso para quienes no gustan de este tipo de música; pero son desconocidas porque los 8 conciertos restantes han pasado desapercibidos para la enorme mayoría del público, a pesar de su gran belleza. I Musici durante mucho tiempo fue considerada una de las mejores orquestas de cámara del mundo, y si a ello añadimos que también era considerada como una de las mejores intérpretes de la obra de Vivaldi, entonces tenemos que en este disco combinamos lo mejor de ambas opiniones, para obtener una colección excepcional. Quizá la única crítica que se les podría hacer es que no utilizan "instrumentos originales" como se ha puesto de moda últimamente, pero su interpretación es tan brillante que fácilmente se les perdona eso y más. Quizá la calidad de grabación deje algo que desear (estas grabaciones fueron hechas alrededor de 1960, cuando la tecnología de almacenamiento de audio aún no estaba tan perfeccionada), pero por su precio y por la calidad de la interpretación bien vale la pena probar estos dos discos.

Buena interpretación de I Musici.......2000-06-16

I Musici durante mucho tiempo fue considerada una de las mejores orquestas de cámara del mundo, y si a ello añadimos que también era considerada como una de las mejores intérpretes de la obra de Vivaldi, entonces tenemos que en este disco combinamos lo mejor de ambas opiniones, para obtener una colección excepcional. Quizá la única crítica que se les podría hacer es que no utilizan "instrumentos originales" como se ha puesto de moda últimamente, pero su interpretación es tan brillante que fácilmente se les perdona eso y más. Quizá la calidad de grabación deje algo que desear (estas grabaciones fueron hechas alrededor de 1960, cuando la tecnología de almacenamiento de audio aún no estaba tan perfeccionada), pero por su precio y por la calidad de la interpretación bien vale la pena probar estos dos discos.

okay Four Seasons, the other concerti are not as good..........2000-06-01

An overall great recording, but the Four Seasons here could be a little more energetic, but that is a matter of taste. This recording sounds just a little too slow. The other concertos are not nearly as satisfying as the big four, but the ones in minor keys are pretty good. I usually listen to the Four Seasons on other recordings and come to these CD's for No.6, No.7, No.8, and No. 10, the rest not being as interesting in my humble opinion. Of course, virtuosity and showmanship permeate all of these violin concertos. The recordings were made in 1959 and 1961, but the sound quality is relatively excellent, with great balance between solo violin, harpsichord, and orchestra. The liner notes are informative and sincerely point out that not all of Vivaldi's concertos are of equal interest, with a few hints as to which ones are considered outstanding. Whatever you do, please consider a period instrument recording of the Four Seasons too so that you hear the real Baroque sound as well as more modern interpretations, both approaches are beautiful, thanks to Vivaldi's creativity.

Vivaldi Edition: Concerti per vari strumenti

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Not Antonio Vanilla

Vivaldi Edition: Concerti per vari strumenti

Manufacturer: Opus 111
ProductGroup: Music
Binding: Audio CD

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Vivaldi Edition: Concerti per fagotto e oboe
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Vivaldi: Concerti da camera
Vivaldi Edition: Stabat Mater
Vivaldi Edition: Concerti per flauto traversiere

ASIN: B0007TF0U4
Release Date: 2005-05-17

Customer Reviews:

Not Antonio Vanilla.......2006-09-24

I'm not qualified to put more than my uneducated opinion here, but I can get rather indifferent to Vivaldi's sometimes predictable Concerto developments and forms - but not this disc.
This gets played more than almost any other of my Vivaldi, except perhaps The English Consorts' 'Music for the Emperor' (and I do also like Biondi and Carmignola ripping their way happily through his concertos).
I can't put it down to the performance or the pieces, but from the stoccato beginning through to the end, this has something a little different - interesting and rather striking progressions.

Overall very satisfying. I feel like this is a distinct piece of Vivaldi rather than one of his variations on an earlier piece.

Vivaldi: La Notte (Concerti per strumenti diversi)

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Vivaldi:La Notte (Concerti per strumenti diversi)

Vivaldi: La Notte (Concerti per strumenti diversi)
Antonio Vivaldi , Musica Pacifica , Linsenberg , and Blumenstock
Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B000099T44
Release Date: 2003-05-13

Customer Reviews:

Vivaldi:La Notte (Concerti per strumenti diversi).......2007-01-11

This CD was all that I expected. It offered at least the quality of performance and repoduction as any of my other 24 Vivaldi CDs. All but one of the pieces were new to my collection. I assume this is because these are infrequently performed. Nonetheless, these compositions were alltogether as interesting as Vivaldi's other works. Musica Pacifica,Judith Linsenberg,and Elizabeth Blumenstock remain true to the Baroque forms in style and interpretation. I have no regrets from this purchase.

Average customer rating:

Vivaldi: Oboe Concerti, Vol. 1

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Vivaldi: Oboe Concerti, Vol. 2
Vivaldi: Complete Bassoon Concertos, Vol. 1
Vivaldi: Complete Bassoon Concertos, Vol. 2
Italian Oboe Concertos
Vivaldi: Bassoon Concertos 3

ASIN: B0000013ZD
Release Date: 1994-06-28

Tracks:

Allegro
Largo
Allegro
Allegro
Largo
Allegro
Allegro
Largo
Allegro
Largo - Allegro
Largo
Allegro Molto
Allegro
Adagio
Allegro
(Allegro)
Largo
Allegro
Allegro Molto
Larghetto
Allegro

Average customer rating:

13 assorted selections
A baroque cd I turn to again and again.

The Sensuous Baroque

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Customer Reviews:

13 assorted selections.......2005-10-17

13 pieces by famous/not so famous baroque composers provide a wider breadth of experience than most albums. This is a quality selection useful for just listening, relaxing, entertaining, meditating, or just background music. Lots to like here. Enjoy!

A baroque cd I turn to again and again........2004-01-20

As I have stated in other classical reviews, I am not an expert on classical music, but I highly recommend this CD to anyone looking for a satisfying collection of baroque works. The well known composers are here, i.e. Bach, Vivaldi, Handel, and it also may introduce listeners to baroque composers they may not have heard before, i.e. Marcello, Locatelli, Torelli. An all around great Baroque experience.

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Vivaldi: Concerti Op.9 'la Cetra'
Altobelli , Ayo , Garatti , and I Musici
Manufacturer: Philips/Universal
ProductGroup: Music
Binding: Audio CD

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Antonio Vivaldi: Concerti Op. 8

ASIN: B00007J4WG
Release Date: 2003-02-10

Tracks:

(1-3) Concerto No.1 In C Major, Rv 181a
(4-6) Concerto No.2 In A Major, Rv 345
(7-9) Concerto No.3 In G Minor, Rv 334
(10-12) Concerto No.4 In E Major, Rv 263a
(13-15) Concerto No.5 In A Minor, Rv 358
(16-18) Concerto No.6 In A Major, Rv 348
Cd 2 (1-3) Concerto No.7 In B Flat Major, Rv 359
(4-6) Concerto No.8 In D Minor, Rv 238
(7-9) Concerto No.9 In B Flat Major, Rv 530
(10-12) Concerto No.10 In G Major, Rv 300
(13-15) Concerto No.11 In C Minor, Rv 198a
(16-18) Concerto No.12 In B Minor, Rv 391

Average customer rating:

A unique but limited compilation
Very Redundant
Corelli's best work.

La Folia, Variations On A Theme

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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La Folia, 1490-1701
Altre Follie, 1500-1750
Biber: Violin Sonatas
Violin Sonatas Op 5
Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid

ASIN: B0000063BT
Release Date: 1998-03-10

Tracks:

Sonata In D Minor, Op. 5 No. 12
Les Follies d'Espagne
Primo e Secondo Libro di Toccate: Folia From Toccata No. 7 (Primo tono)
Trio Sonata In D Minor (Variations On 'La Folia'), RV63 (Op. 1 No. 12)
12 Variationen uber die Folie d'Espagne, Wq118,9,H263
Concerto Grosso 'La Folia' (After Corelli)

Customer Reviews:

A unique but limited compilation.......2005-07-11

I was drawn to this album for its unique compilation of "La folia" (pronounced "la foh-LEE-ah," literally meaning mad or empty-headed) -- arguably "the most lasting and famous tune in Western music" and "one of the most remarkable phenomena in the history of music," according to a breathtakingly comprehensive Web shrine, "La folia, a musical cathedral," which explores the hidden world of this famous 16th-century theme and endeavors to list all derivations and interpretations of it. The motif, with its characteristic harmonic pattern, has fascinated composers to the present day (many samples, including many by modern composers are available on that Web site).

Truly, as a theme and variations, this CD may seem repetitive and boring to some. That would be a matter of personal taste. However, I am rather fascinated with it, even more so as I have learned of its history. Among the most famous and influential variations (and my favorites) are those of Arcangelo Corelli (Track No. 1) and Antonio Vivaldi (Track No. 4). I also enjoy the Geminiani. (...)
For a bit of concise background, I excerpt and adapt a few paragraphs from "La folia, a musical cathedral." Its roots (linguistically, metaphorically, musically) of madness, dance, folly, fertility, and pleasure have captured the imagination of many. The taste offered by "La Folia, Variations on a Theme" is perhaps not yet the definitive collection, but for those entranced by La folia, it whets the appetite for more:

"'Folía' (modern spelling; the old spelling lacked the accent, as was the norm in Spain during the sixteenth and seventeenth centuries) is of Iberian origin and refers to a fertility dance in three-four time originating in the late 15th century. In music Folia meant, at least till the 1670s, a very quick-paced and tumultuous dance, in which the dancers carried men dressed as women upon their shoulders. They were literally driven mad by the noise and the stirring rhythm. The 'early' Folia is sometimes called Folías españolas while the 'later' Folia might be indicated as Folías italianas. Derived from the Tuscan term 'Folle' (meaning empty-headed) the title Follia (with double LL) is used by many Italian composers. . . . The English word Folly has roughly the same meaning as the Tuscan term. In France the structure and its variations became known as Folies d'Espagne, with reference to its presumed origin. . . .

"What is so special about this tune?

"(1) The instant appeal of the music might be explained in the human's pursuit for balance. Speaking from a musicological point of view we are dealing with almost perfect symmetry and intricate harmonic layering.

"(2) By far the most important reason is that it is very pleasant music to listen to. There is somehow an instant appeal for listeners and composers alike. It even sounds familiar when you have never heard the piece before. . . . Being captivated by the tune is of course a matter of personal taste, for there remain plenty of people who get bored by hearing only a couple of variations.

"(3) From 1672 up to now the theme has not lost its power. . . . Composers are always looking for something that will give a piece instant flavour and character. La Folia variations provide lots of freedom too because there are no fixed numbers of variations to complete nor has there to be any structure between the variations.

"(4) Finally there is the interesting social phenomenon that the music had its roots in popular culture and developed into a stately court dance; from a fertility dance for the people into a courtly flirtation."

Very Redundant.......2005-06-05

I bought this album for one piece, that being track number four. After I listened through the entire thing I found that I only liked tracks four and five, and after listening to those a two more times, I became very annoyed.
For those of you who don't know, La Folia is just a piece with the same repeating pattern. These patterns go on for one hour with this CD and become boring and annoying.
Tracks number four and five are really the only decent tracks on this album.
Don't become dissapointed with this CD like I did.

Corelli's best work........2000-09-01

This is a spectacular performance of one of Corelli's best work La Folia. I highly recomend this CD to people who like boroque music.

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Vivaldi: Concerti for cembalo

Manufacturer: Tactus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B000056PFP
Release Date: 2001-02-27

Tracks:

Con VI Delle Stravaganze in d: (Allegro)
Con VI Delle Stravaganze in d: Largo
Con VI Delle Stravaganze in d: (Allegro)
Con in D, BWV972: Allegro
Con in D, BWV972: Larghetto
Con in D, BWV972: Allegro
Con in F: Andante Adagio
Con in F: (Allegro)
Con in F: (Adagio)
Con in F: (Allegro)
Con in G, BWV973: Allegro Assai
Con in G, BWV973: Largo
Con in G, BWV973: Allegro
Con I Delle Stravaganze: Allegro
Con I Delle Stravaganze: Largo E Cantabile
Con I Delle Stravaganze: Allegro
Con in C, BWV976: Allegro
Con in C, BWV976: Largo
Con in C, BWV976: Allegro
Con in A: Allegro
Con in A: Adagio E Cantabile
Con in A: Allegro
Con in F, BWV978: Allegro
Con in F, BWV978: Largo
Con in F, BWV978: Allegro

Track Listings:

Track Listings

track listings

Track Listings

Stag

Vivaldi Violin Concertos

Triple Play

Nu Bop

Yes Yes Okay Okay

The Very Best of the New Birth: Where Soul Meets Funk

Tuesdays in Chinatown

Symphony of Sounds [Import]

The Ahern Sessions: 1976-1977

This Heart of Mine

Thrill Of It All [Box set] [Import] [Original recording remastered]

Ultimate Collection [Import]

Tribal Trance Dance

Healing Rain

Black and Blue

1. (1-3) Concerto No.1 In C Major, Rv 181a
2. (4-6) Concerto No.2 In A Major, Rv 345
3. (7-9) Concerto No.3 In G Minor, Rv 334
4. (10-12) Concerto No.4 In E Major, Rv 263a
5. (13-15) Concerto No.5 In A Minor, Rv 358
6. (16-18) Concerto No.6 In A Major, Rv 348
7. Cd 2 (1-3) Concerto No.7 In B Flat Major, Rv 359
8. (4-6) Concerto No.8 In D Minor, Rv 238
9. (7-9) Concerto No.9 In B Flat Major, Rv 530
10. (10-12) Concerto No.10 In G Major, Rv 300
11. (13-15) Concerto No.11 In C Minor, Rv 198a
12. (16-18) Concerto No.12 In B Minor, Rv 391