Berg: Violin Concerto; Three Orchestral Pieces, Op. 6

On this CD:

1. Violin Concerto
Composed by Alban Berg
Performed by Bavarian Radio Symphony Orchestra Conducted by Sir Colin Davis

2. Pieces (3) for orchestra, Op. 6
Composed by Alban Berg
Performed by Bavarian Radio Symphony Orchestra Conducted by Sir Colin Davis

Berg: Violin Concerto; Three Orchestral Pieces, Op. 6,Alban Berg,Sir Colin Davis,Gidon Kremer,Bavarian Radio Symphony Orchestra,Polygram Records,20th/21st Century Orchestral Music,Classical,Classical Music,Concerto,Orchestral,Violin Concerto
Berg: Chamber Concerto; Three Orchestral Pieces, Op. 6; Violin Concerto
Average customer rating: 5 out of 5 stars
  • rich, alluring works of early modernism
  • Exemplary Berg
Berg: Chamber Concerto; Three Orchestral Pieces, Op. 6; Violin Concerto

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Alban Berg: Lulu Suite/The Wine/Lyric Suite
  2. Arnold Schoenberg: Serenade/Five Pieces For Orchestra
  3. Schoenberg: The String Quartets
  4. Arnold Schoenberg: Suite, Op. 29, for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello & Piano / Verklärte Nacht, Op. 4 (Sextet for 2 Violins, 2 Violas & 2 Celli) - Ensemble Intercontemporain, Pierre Boulez
  5. Schoenberg, Berg, Webern: Orchestral Works / Karajan

ASIN: B000002C02
Release Date: 1995-12-05

Tracks:

  1. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Motto
  2. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Thema scherzoso con variazoni
  3. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation I
  4. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation II - langsames Walzertempo
  5. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation III - krig bewegt
  6. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation IV - sehr rasch
  7. Chamber Concerto For Piano And Violin With 13 Wind Instruments: Chamber Concerto: I. Variation V - tempo primo
  8. Chamber Concerto For Piano And Violin With 13 Wind Instruments: II. Adagio
  9. Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. Rondo ritmico con introduzione: Introduzione
  10. Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. Rondo ritmico
  11. Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. Coda
  12. Three Orchestral Pieces, Op. 6: I. Prdium. Langsam
  13. Three Orchestral Pieces, Op. 6: II. Reigen. Anfangs etwas znd, leicht bewschwingt
  14. Three Orchestral Pieces, Op. 6: III. Marsch. Mges Marschtempo
  15. Concerto For Violin And Orchestra: I. Andante, Allegretto - London Symphony Orchestra
  16. Concerto For Violin And Orchestra: II. Allegro, Adagio - London Symphony Orchestra

Amazon.com essential recording

No doctrinaire theorist, Berg composed communicative, emotional music without compromising his technical sophistication and atonal allegiances. The Chamber Concerto has its knotty moments, but also considerable charms. Barenboim's big-hearted, romantic pianism plays off Gawriloff's tart violin, the piquant winds, and Boulez's controlled leadership. The Three Pieces is as close as Berg ever came to writing a symphony; its mix of powerful orchestral outbursts and elegant section writing are reminiscent of Berg's beloved Mahler. The Violin Concerto's ardent warmth and tender lyricism, expressing Berg's meditations on death and redemption (including a direct quote from a Bach cantata) after the untimely passing of Manon Gropius, make it irresistible. The fine performance offers an alternative view to classic older recordings by Louis Krasner and Isaac Stern. Including most of his key instrumental works, this disc is an ideal introduction to Berg's genius. --Dan Davis

Customer Reviews:

5 out of 5 stars rich, alluring works of early modernism.......2002-08-28

This is a stunning record in every respect -- the compositions, performances, conducting, and recording -- a jewel of Boulez' many recordings for Sony. The "Violin Concerto" is the only piece here that has become part of the standard repertory, and the performance is beautiful, if not as well known as Mutter's. The "Chamber Concerto" is rigorously structured, and sounds more like Webern than the other two pieces. My favorite, though, is "Three Pieces for Orchestra," the closest Berg came to writing a symphony. This dramatic music blends the influence of Mahler with that of Schoenberg, which seems to be Berg's forte.

20th century masterworks!

5 out of 5 stars Exemplary Berg.......2000-04-30

It remains to be seen how kindly history will judge Pierre Boulez the composer. However, by virtue of this release alone, his credentials as a conductor are the stuff of which legends are made. Of the atonalists, Berg is in some ways the most "messy." He was not as orthodox as his classmate Webern when it came to applying twelve note techniques. His music is dense, and hopelessly complex to be sure, but under Boulez's deft touch it also seems to live and breathe. Perhaps Boulez the composer has contributed much to the triumph that is Boulez the conductor. He unpacks this music as only someone who can also construct it might. The Three Orchestral pieces, which I have heard multiple times to varying degrees of satisfaction, is given a very sensible but appealing reading here. The Chamber Concerto, featuring Daniel Barenboim in the first of several recordings he would make of this piece under Boulez's baton, is also outstanding. Pinchas Zukerman gives a very credible reading of the Violin Concerto. For individuals on the fence about Berg, this recording should be required material. For those who already admire Berg, this recording does not need to be required because it will sell itself after even after the most casual of listenings. This recording is a testatment to the brilliance of one of this century's least understood composers, and the artisty of one of this century's greatest conductors.
Berg: Violin Concerto; Three Orchestral Pieces, Op. 6
Average customer rating: 5 out of 5 stars
  • Beautifully played and recorded - pity that more wasn't made available on the CD...
Berg: Violin Concerto; Three Orchestral Pieces, Op. 6

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by BergAll Works by Berg | Berg, Alban | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00000E2T2
Release Date: 1990-10-25

Customer Reviews:

5 out of 5 stars Beautifully played and recorded - pity that more wasn't made available on the CD..........2007-03-09

If it weren't for the playing and recording of these pieces being so outstanding, I would have downgraded this CD by a star or two.

That said, Colin Davis manages to bring out the fullest nostalgia, grief and love that lies so thinly below the surface of ostensible cacophony that atonalism on first hearing often comes across as being; and in this he's particularly done proud with the collaboration of Gidon Kremer. They jointly expose and manifest to the fullest possible extent the vision Alban von Berg saw in both pieces - and in the process proving that Berg is more accessible than one would think. Of course, it helps that he could combine some traditional tonality with Schoenberg's serialist technique such that one almost could readily recognise a home-key of B-flat major overall and G-minor for the 1st section; while in the free-atonal world of the Three Orchestral pieces of Opus 6 (more grating in some ways than the Violin Concerto in spite of the latter's serialism!), one nevertheless senses actual motifs that could nearly cross the border into actual melodies! [This interpretation of Opus 6 also is a nice corrective for those who think Herbert von Karajan might be too free and/or personal with it (I personally disagree vehemently with them! - it's superb, even greater than this nevertheless-fine reading!).]

[Particularly powerful of the Three Orchestral Pieces is the 3rd - what a vision of war and suffering!]

I hope that Philips will re-release this recording AND add something more on top thereof simultaneously (how about a recording of the same composer's "Altenberg-Lieder" of Opus 4?) so as to give more value to the CD's price. Beautiful recording as well (though in the concerto I personally wish that the soloist wasn't made quite so excessively prominent): Colin Davis also knows to handle balances (so critically important in this kind of writing).
Rückblick Moderne: 20th Century Orchestral Music
Average customer rating: 4 out of 5 stars
  • BUT WHY?
  • Great Recordings
  • A must for lovers of modern music
Rückblick Moderne: 20th Century Orchestral Music

Manufacturer: Col Legno
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
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ASIN: B000038IDI
Release Date: 1999-11-15

Amazon.com

It starts, appropriately enough, with Charles Ives's The Unanswered Question, which seems to hold its breath, and occasionally exhale in brief bursts of panic, as the new century unfolds. It ends with Dmitri Shostakovich's Chamber Symphony Op. 110a (based on his String Quartet No. 8), whose alternating sequences of anguish, alarm, and derision come as close as possible for absolute music to indicting its bloody history--eight CDs and over 30 works later.

Rückblick Moderne: 20th Century Orchestral Music represents as fine a look back at musical modernism as you're likely to get. And in what a lavish package! A tall box holding two multi-CD jewel boxes and a beautifully printed booklet with photographs of modern and postmodern architecture and extensive liner notes (in German). Even the CDs themselves look handsome. All the more amazing when you realize that the entire set was digitally recorded live--with coughs, turning pages, chair creaks, and vivid sound--during one week in 1998 in Stuttgart (where, it seems, you have to travel nowadays even to hear about this kind of music), by such groups as the RSO Saarbrücken and the Bamberger Symphoniker, led by Dennis Russell Davies, Michael Gielen, Heinz Holliger, and other risk takers. Each CD has been programmed around a theme; for example, "Explosion/Implosion" (featuring Varèse and Mahler's tone poem Totenfeier, later becoming the first movement of his Second Symphony) and "Minimal Postludien," which includes (heads up, completists) Philip Glass's Echorus for two solo violins and string orchestra and Ligeti's Ramifications. Stravinsky, who, like Schoenberg and Cage, appears to cast a long shadow over this imposing collection, remains one of the highlights: a sharp, fiercely erotic performance of Le Sacre by Lothar Zagrosek and the Stattsorchester Stuttgart that helps remind us how much modern music has done, in the face of controversy and disaster, to ground us in our humanity. --Robert Burns Neveldine

Customer Reviews:

2 out of 5 stars BUT WHY?.......2002-05-15

At eight cds, this could have been a hefty set of 20th century orchestral music. But somewhere along the line, around the beginning of planning the festival I'm guessing, something went horribly wrong. There were eight concerts, each with a theme. The pieces chosen have often only a tenuous connection with the theme, if any. There are no women composers. There are no composers from Romania. There are no composers from the Czech Republic. There are no composers from Poland. That means no Gubuidulina, no Ana-Marie Avram, no Joan Tower. That means no Dumitrescu or Janacek or Lutoslawski. Can you believe it? A collection of twentieth century orchestral music with no Lutoslawski? Verily it boggleth the mind.

But so what? Are the pieces they did play well played? Well, sometimes. Gielen and Zender get predictably excellent results. But much of the rest sounds for all the world like first reads. Extremely sensitive and polished first reads to be sure, but no sense of piece qua piece, a thing with a shape from start to finish. (This is most apparent in the eccentric phrasing.) These are not the newer pieces, either, but Ives and Ravel and Bartok and Stravinsky. You know these people have played these pieces dozens of times. No excuse.

It's hard to fault a company (Col legno) that puts out so many fine performances of the likes of Helmut Lachenmann, but in this venture I really think they dropped the ball.

5 out of 5 stars Great Recordings.......2000-12-30

I wish I could read in German! This is the only "flaw" of this edition, in my opinion: it seems to have a great booklet, but I can't read it. Otherwise, it is a great collection: excelent recordings, good choice of works. I find it an excelent intro to modern music.

5 out of 5 stars A must for lovers of modern music.......2000-06-26

This 8 CD collection contains a wonderfully diverse selection of works that trace the development of music through the century. This set contains music form the pivotal artists from the beginning of the century; Schoenberg, Webern, Berg, Stravinsky, Debussy, Bartok, Ives and Varese. Master from later in the century include; Messiaen, Carter, Boulez, Cage, Feldman, Kurtag, Schnittke, Glass, and Ligeti. From the late romanticism of Mahler, to the impressionism of Ravel and Debussy, the atonality of the Second Viennese, the neo-styles of Stravinsky, Kurtag, Schostakovich, and Schnittke, to the minimalism of Glass, this collection has it all. Also within this collection are some classic compositions by lesser known masters such as; Maderna, Nono, Kagel. Rihm, Zimmerman, Furrer, and Lachenmann to name a few. Dennis Russell Davies, Michael Gielen, Heinze Holliger, and Hans Zender conduct superb performances of most of these classics. There is much to cherich in this collection, and are many treasures to be discovered.

Track Listings:

  1. Berlitz Passport: Music of Scandinavia
  2. Bloch:Schelomo/Shcumann:Cello Concerto
  3. Borodin: Symphonies Nos. 1 & 3; Songs
  4. Buxtehude: Membra Jesu nostri
  5. C.P.E. Bach: The Resurrection and Ascension of Jesus (Auferstehung und Himmelfahrt Jesu)
  6. Carissimi: Jonas; Historia Divitis
  7. Complete Works for 2 Pianos
  8. De Falla: El Amor Brujo / El Sombrero de Tres Picos
  9. Der Schatz
  10. Duruflé: Sacred Choral & Organ Works, Vol. 1

Track Listings

track listings

Track Listings

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Best of Randy Crawford & Friends [Import]

Arturo Toscanini Collection, Volume 41: Ludwig van Beethoven

Chocolate and Ice [EP]

Andre Previn Plays Vernon Duke

And All That Could Have Been [Deluxe Limited Edition with Bonus Disc]

Best of Thompson Twins [Import]

Black Orpheus [Import]

Music Of Renaissance, Baroque

Exclusively for My Friends, Vol. 5: Mellow Mood