Violin Sonatas 1 & 2

1. Sonata, for violin & piano, No. 1 in C sharp Minor, Sz. 75, BB 84 (Op. 21)
Composed by Bela Bartok
with Jeno Jando , Gyorgy Pauk

2. Sonata, for violin & piano, No. 2 in C major, Sz. 76, BB 85
Composed by Bela Bartok
with Jeno Jando , Gyorgy Pauk

3. Contrasts, three pieces for clarinet, violin, & piano, Sz. 111, BB 116
Composed by Bela Bartok
with Kalman Berkes , Jeno Jando , Gyorgy Pauk

Violin Sonatas 1 & 2,Bartok,Pauk,Jando,Berkes,Naxos,Classical,Classical Composers

Average customer rating: Brahms Violin Sonatas these are really good sonatas Brahms Finest Brahms Perlman and Ashkenazy do it again

Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy Itzhak Perlman , and Vladimir Ashkenazy Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Brahms: Ein deutsches Requiem [A German Requiem] Paganini: 24 Caprices Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Mozart: The Violin Sonatas ASIN: B00000I7VT Release Date: 1999-03-09

Tracks:

1. Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
2. Violin Sonata No.1 In G, Op.78: II: Adagio
3. Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
4. Violin Sonata No.2 In A, Op.100: I: Allegro amibile
5. Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
6. Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
7. Violin Sonata No.3 In D Minor, Op.108: I: Allegro
8. Violin Sonata No.3 In D Minor, Op.108: II: Adagio
9. Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
10. Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato

Amazon.com essential recording

Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey

Customer Reviews:

Brahms Violin Sonatas.......2007-01-11

Good but not top flight. This is an old recording--sounds a little tired.

these are really good sonatas.......2005-10-10

These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.

Brahms.......2005-10-07

I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.

Finest Brahms.......2002-05-22

I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.

If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.

Perlman and Ashkenazy do it again.......2001-07-24

The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.

Average customer rating: Yes, perfect Mozart-A prisoner of his own time. Good music and good value Five and a half hours of joy for not much bucks FINALLY

Mozart: Piano Sonatas Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Eschenbach, Christoph | ( E ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Eschenbach, Christoph | ( E ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Mozart: The Violin Sonatas Brahms: Works for Solo Piano Schubert: The Piano Sonatas Beethoven: The Complete Piano Sonatas Beethoven - The Complete String Quartets / Alban Berg Quartet ASIN: B00002DEH1 Release Date: 1999-11-09

Tracks:

1. Piano Sonata In C Major, K. 46d: 1. Allegro
2. Piano Sonata In C Major, K. 46d: 2. Menuetto I - II
3. Piano Sonata In F Major, K. 46e: 1. Allegro
4. Piano Sonata In F Major, K. 46e: 2. Menuetto
5. Piano Sonata In C Major, K. 279: 1. Allegro
6. Piano Sonata In C Major, K. 279: 2. Andante
7. Piano Sonata In C Major, K. 279: 3. Allegro
8. Piano Sonata In F Major, K. 280: 1. Allegro assai
9. Piano Sonata In F Major, K. 280: 2. Adagio
10. Piano Sonata In F Major, K. 280: 3. Presto
11. Piano Sonata In B Flat Major, K. 281: 1. Allegro
12. Piano Sonata In B Flat Major, K. 281: 2. Andante amoroso
13. Piano Sonata In B Flat Major, K. 281: 3. Rondeau. Allegro
14. Piano Sonata In E Flat Major, K. 282: 1. Adagio
15. Piano Sonata In E Flat Major, K. 282: 2. Menuetto I - II
16. Piano Sonata In E Flat Major, K. 282: 3. Allegro

Tracks:

1. Piano Sonata In G Major, K. 283: 1. Allegro
2. Piano Sonata In G Major, K. 283: 2. Andante
3. Piano Sonata In G Major, K. 283: 3. Presto
4. Piano Sonata In D Major, K. 284: 1. Allegro
5. Piano Sonata In D Major, K. 284: 2. Rondo en Polonaise. Andante
6. Piano Sonata In D Major, K. 284: 3. Andante - Thema - Variations I-XII
7. Piano Sonata In C Major, K. 309: 1. Allegro con spirito
8. Piano Sonata In C Major, K. 309: 2. Andante un poco adagio
9. Piano Sonata In C Major, K. 309: 3. Rondeau. Allegretto grazioso
10. Piano Sonata In D Major, K. 311: 1. Allegro con spirito
11. Piano Sonata In D Major, K. 311: 2. Andante con espressione
12. Piano Sonata In D Major, K. 311: 3. Rondo. Allegro

Tracks:

1. Piano Sonata In A Minor, K. 310: 1. Allegro maestoso
2. Piano Sonata In A Minor, K. 310: 2. Andante cantabile con espressione
3. Piano Sonata In A Minor, K. 310: 3. Presto
4. Piano Sonata In C Major, K. 330: 1. Allegro moderato
5. Piano Sonata In C Major, K. 330: 2. Andante cantabile
6. Piano Sonata In C Major, K. 330: 3. Allegretto
7. Piano Sonata In A Major, K. 331: 1. Andante grazioso - Thema - Variations I - VI
8. Piano Sonata In A Major, K. 331: 2. Menuetto - Trio
9. Piano Sonata In A Major, K. 331: 3. Alla turca. Allegretto

Tracks:

1. Piano Sonata In F Major, K. 332: 1. Allegro
2. Piano Sonata In F Major, K. 332: 2. Adagio
3. Piano Sonata In F Major, K. 332: 3. Allegro assai
4. Piano Sonata In B Flat Major, K. 333: 1. Allegro
5. Piano Sonata In B Flat Major, K. 333: 2. Andante cantabile
6. Piano Sonata In B Flat Major, K. 333: 3. Allegretto grazioso
7. Fantasia In C Minor, K. 475: Adagio - Allegro - Andantino - Piu allegro - Primo tempo
8. Piano Sonata In C Minor, K. 457: 1. Molto allegro
9. Piano Sonata In C Minor, K. 457: 2. Adagio
10. Piano Sonata In C Minor, K. 457: 3. Allegro assai

Tracks:

1. Piano Sonata In F Major, K. 533: 1. Allegro (K. 533)
2. Piano Sonata In F Major, K. 533: 2. Andante (K. 533)
3. Piano Sonata In F Major, K. 533: 3. Rondo. Allegretto (K. 494)
4. Piano Sonata In C Major, K. 545: 1. Allegro
5. Piano Sonata In C Major, K. 545: 2. Andante
6. Piano Sonata In C Major, K. 545: 3. Rondo. Allegretto
7. Piano Sonata In B Flat Major, K. 570: 1. Allegro
8. Piano Sonata In B Flat Major, K. 570: 2. Adagio
9. Piano Sonata In B Flat Major, K. 570: 3. Allegretto
10. Piano Sonata In D Major, K. 576: 1. Allegro
11. Piano Sonata In D Major, K. 576: 2. Adagio
12. Piano Sonata In D Major, K. 576: 3. Allegretto

Customer Reviews:

Yes, perfect.......2007-07-11

Fabulous music. Simple, direct, un-affected peformances that are a delight to listen-to over and over again. At times the playing is utterly sublime. These performances are technically perfect in a smooth sense - and totally absorbing.

Mozart-A prisoner of his own time........2006-09-08

If you were to clump all of the composers of the classical era together, mix them up, and listen to them willy-nilly in a blind hearing test, you'll never be able to tell the difference between them... until you hear Mozart. Mozart's era was not rich in harmony. To me, Haydn wrote the same symphony over and over. Stamitz and Gossec... love 'em, but they were also prisoners of this classical harmony. But Mozart was able to put his fingerprint on all of his music. You can pick his music out blindly with ease because it is unmistakingly Mozart. That's why we have a mostly Mozart festival and not a mostly Kraus (who?) festival.

As this cd shows, Mozart's music was sublime. But even he struggled with using this "harmony of the day". If you were to study the catalogues of Mozart's symphonies, sonatas, and chamber music, let's face it; you would hear a lot of turkies before you made it to the peacocks. We would have to wait until Chopin until the harmonies fattened up a little.

Having said that, you have to completely hail Mozart for taking what was available to him in his day and creating some of the most sublime music with it. It would be like for the next ten years all the world had available to eat was peas, and 200 years from now one man became immortal for the many interesting ways he was able to manipulate peas into a meal.

Good music and good value.......2006-08-28

Bought this for my son who is learning to play piano. Lots of good music, not too expensive.

Five and a half hours of joy for not much bucks.......2005-11-11

This is just about the best money I've ever spent on music. I love Eschenbach's interpretations: tenderness and emotional intimacy in spades---and dazzling effects without self-consciousness or "athletic" display of technique. I would say that he "lets Mozart be Mozart," except that these interpretations have so much personality that Eschenbach's own life-energy must be coming through. I just think that his own personality complements Mozart's perfectly.

FINALLY.......2004-08-05

I've searched the world over for a box set of all of Mozart's piano sonatas that I liked. The first one I heard was the Glenn Gould version, which in retrospect was not so smart. I like his playing but he hums into the mic during the recording. Real smart.

Anyways, Eschenbach plays these with all the virtuosity and feeling they demand. My favorite piano sonata is Mozart's 12th and he plays it flawlessly; the only thing remotely lacking is that he doesn't quite dig in as much as Alicia de la Roccha does when she plays it on the Allegro movement, but he more than makes up for it with his playing on the Adagio movement.

If it's not your cup of tea it might be worthwhile getting the de la Roccha box set, but personally I think the Eschenbach recording is the best out of all of them.

Average customer rating: The deepest insights into Bach Earlier 1954 and 1956 versions Milstein is a master

Bach: Sonatas for Unaccompanied Violin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Partitas Bach: Sonatas & Partitas Bach: Sonatas & Partitas for Solo Violin Bach: Complete Sonatas and Partitas for Solo Violin Bach: Sonatas and Partitas for Solo Violin ASIN: B0000589T1 Release Date: 2001-02-13

Tracks:

1. Son No.1 in g, BWV1001: I. Adagio
2. Son No.1 in g, BWV1001: II. Fuga (Allegro)
3. Son No.1 in g, BWV1001: III. Siciliano
4. Son No.1 in g, BWV1001: IV. Presto
5. Son No.2 in a, BWV1003: I. Grave
6. Son No.2 in a, BWV1003: II. Fuga
7. Son No.2 in a, BWV1003: III. Andante
8. Son No.2 in a, BWV1003: IV. Allegro
9. Son No.3 in C, BWV1005: I. Adagio
10. Son No.3 in C, BWV1005: II. Fuga
11. Son No.3 in C, BWV1005: III. Largo
12. Son No.3 in C, BWV1005: IV. Allegro Assai
13. Original Master Recording Slate: Capitol Studios, March 26, 1954

Customer Reviews:

The deepest insights into Bach.......2005-05-17

Bach is my favorite composer, and of all Bach's works, the Goldberg Variations, and these solo violin sonatas/partitas, are my "desert island" works. I've listened to many recordings of these sonatas/partitas, from Yehudi Menuhin to Jascha Heifetz, Grumiaux, Perlman, Podger, and others. Milstein's survey from the 1950s on EMI stands as my favorite, in comparison with his DG rendition in the 1970s.

I had a conversation with one of the editors of the Penguin guide about these recordings, and Milstein was also his favorite, but he preferred the 70s DG version for reasons of sound quality and technical brilliance. I countered that the EMI Milstein set from the 50s was superior for the depth of insight brought to these pieces. Nathan Milstein was in his absolute prime when he first recorded this survey in the 50s. His insights into Bach are pure, with the required delicacy in slow movements, the right touch of silence here and there to let the music breathe, without being CONSPICUOUSLY slow, such as the Perlman set, which tends to drag at times. His fugues are perfectly light on their feet, his rhythms perfectly sprung, without making it a horse race. In short, Milstein stays out of the way of Bach in every moment of the EMI set, and we are face to face with the composer. But in the DG set from the 1970s, Milstein seems to be rushing through some passages (as does Grumiaux), with more regard for "technical brilliance" as the Penguin editor cited, instead of pure musicality and reverence of Bach. I have listened to both Milstein versions, and the 70s DG recording simply does not reach down into the depths of Bach in the same way.

The Jascha Heifetz rendition is also outstanding, but when you listen to it, you know that it's about Heifetz, not so much about Bach. Now, Heifetz was indeed the best of the best, in terms of his technical mastery. The one segment where Heifetz wins me over from everyone else is in the mighty Chaconne from Partita 2. In this Mount Everest of solo violin, Heifetz takes you on an exhilarating ride that leaves you speechless. I have never heard the Chaconne played with such fearless power and confidence than from Heifetz. For that one segment alone, I bow to him above all others. He was indeed the best.

But Heifetz himself always heaped praise upon Nathan Milstein, which was exceedingly rare. Heifetz never praised anyone! Heifetz always demanded that his students go to see Milstein perform. If his students didn't go, they'd be in trouble! So Milstein certainly commanded a great deal of respect from Heifetz. And when you hear Milstein play the mighty Chaconne, he almost has the supreme technical mastery of Heifetz. Not quite, but almost. However, once again, when you hear the Heifetz version, you are hearing Heifetz, the master. When you hear the (50s EMI) Milstein version, you are hearing Bach.

I invite the listener to compare one specific movement between these two Milstein versions, and then make their own decision. Listen very carefully to the opening Grave movement from Sonata 2 in A Minor. Compare and contrast the depth of insight in the 50s version on EMI, and the 70s version on DG. You will most likely come to the same conclusion as I did after making my own comparison. Then compare other movements throughout the set, but start with that one. For me, there is no doubt. The 50s set is pure, unadulterated Bach at its finest. No other violinist came closer to the heart of this beautiful music than Milstein did in the 1950s. Even HE didn't get as close to it when he remade this music later in his life. And by the way, in terms of sound quality, this EMI set from the 50s is perfect! There is no cavernous reverb, just the pure unadulterated sound of Milstein's violin, so clean and clear that he is right there in the room with you. The two words I always come away with after listening to this 50s Milstein set on EMI are "intimacy" and "insight."

Earlier 1954 and 1956 versions.......2004-12-19

Supposedly the 1975 versions (includes partitas in the 2 cd set on DG) were better in Milstein's judgment. I think they are both amazing.

Milstein is a master.......2001-12-07

This recording not only demonstrates mastery over an instrument but also clearly demonstrates Bach's genius. A just plain wonderful pair Bach and Milstein. These mid 50's recordings are a must for lovers of true sonic beauty.

Average customer rating: Impeccable! The standard performance I still like Millstein better Very best Bach for solo violin Evocative Therapy Glenn Gould's violin counterpart

Bach: Sonatas & Partitas for Solo Violin Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Bach: Sonatas for Unaccompanied Violin Bach: Complete Sonatas and Partitas for Solo Violin Paganini: 24 Caprices Bach: The Art of Fugue Bach: Sonatas and Partitas for Solo Violin ASIN: B000001GXY Release Date: 1997-04-15

Tracks:

1. Sonata no. 1 in G minor BWV 1001 - Adagio
2. Sonata no. 1 in G minor BWV 1001 - Fuga: Allegro
3. Sonata no. 1 in G minor BWV 1001 - Siciliana
4. Sonata no. 1 in G minor BWV 1001 - Presto
5. Partita no. 1 in B minor BWV 1002 - Allemanda
6. Partita no. 1 in B minor BWV 1002 - Double
7. Partita no. 1 in B minor BWV 1002 - Corrente
8. Partita no. 1 in B minor BWV 1002 - Double: Presto
9. Partita no. 1 in B minor BWV 1002 - Sarabande
10. Partita no. 1 in B minor BWV 1002 - Double
11. Partita no. 1 in B minor BWV 1002 - Tempo di Borea
12. Partita no. 1 in B minor BWV 1002 - Double
13. Sonata no. 2 in A minor BWV 1003 - Grave
14. Sonata no. 2 in A minor BWV 1003 - Fuga
15. Sonata no. 2 in A minor BWV 1003 - Andante
16. Sonata no. 2 in A minor BWV 1003 - Allegro

Tracks:

1. Partita no. 2 in D minor BWV 1004 - Allemanda
2. Partita no. 2 in D minor BWV 1004 - Corrente
3. Partita no. 2 in D minor BWV 1004 - Sarabanda
4. Partita no. 2 in D minor BWV 1004 - Giga
5. Partita no. 2 in D minor BWV 1004 - Ciaccona
6. Sonata no. 3 in C major BWV 1005 - Adagio
7. Sonata no. 3 in C major BWV 1005 - Fuga: Allabreve
8. Sonata no. 3 in C major BWV 1005 - Largo
9. Sonata no. 3 in C major BWV 1005 - Allegro assai
10. Partita no. 3 in E major BWV 1006 - Preludio
11. Partita no. 3 in E major BWV 1006 - Loure
12. Partita no. 3 in E major BWV 1006 - Gavotte en Rondeau
13. Partita no. 3 in E major BWV 1006 - Menuet I - Menuet II
14. Partita no. 3 in E major BWV 1006 - Bour
15. Partita no. 3 in E major BWV 1006 - Gigue

Customer Reviews:

Impeccable! The standard performance.......2007-04-20

Henryk Szeryng's "choked up", unembellished sound makes for a spot-on, highly profound and emotionally-charged interpretation. He really gets to the heart of the matter here that leaves all other performances of Bach's Sonatas and Partitas that I have heard in its wake.

I still like Millstein better.......2007-01-09

I have owned the Millstein recording on LP since ancient times. While Szering is excellent, I think Millstein has greater warmth and lyricism; his recording remains my first choice for these pieces.

Very best Bach for solo violin.......2006-04-10

It is not easy to meet a CD that listen over and over again these days. Recently I met it. When I listen the sample on the Amazon page the sound just caught me, "What is it?" "Different!".

Szeryng is not a present player, unfortunately he passed away for years ago. I am sorry I didn't know him until now. Because he spent his later life in Mexico, or he did not get a good manager, or he did not care about it, anyway he did not seem to get fame as he deserved it.

I like Bach solo violin set, especially the first sonata and the second partita. I have listened by some famouse violinists but I wonder I could meet beyond this in my rest of life.
In this CD, I love the first sonata, the first partita. Overall, the violin sound is brilliantly wonderful. I don't know why but when listening this CD the sound impresses me before music, that is not usual, I always care music before sound.

In Japan, his playing is often referred as great nobility or dignity, and he rarely makes mistakes, someone says the performance is like even silience after playing pleases me.

Evocative Therapy.......2005-10-30

Bach has always been a favorite and Szeryng an inspiration. I was a bit concerned with the Duetsche Grammaphone release, as I have heard many other artistical releases of dubious quality. But this one shines. I understand that Szeryng mastered these works very early in his career, his mastery is evident and haunting. A trip into the past, Szeryng shows his talent. It is such a blessing to be able to hear the masters performing masterworks, especially in the digital format that lends itself to hearing the whole release without interruption. It is most satisfying to retain that sort of connection with the music and the muscian.

Glenn Gould's violin counterpart.......2005-10-10

Szeryng's recording is outstanding. The main appeal of this recording for me was his ability to enunciate all the different voices of the Bach pieces. This is especially evident in his superb recording of the Chaconne. I am not surprised to see that many see this recording as close to Bach's text as possible. However, Szeryng has to do a lot of interpretation to get it to that state. If he was "only" sticking to the text, then why won't most other virtuosos follow this example? When I listen to Szeryng (this Bach recording over a thousand times), I never grow tired. It is true that when one first listens to it, it does not seem as remarkable as some other playings, but the beauty of Szeryng's playing is the purity and transcendence with which he plays Bach. Each measured, full and clear note rings with the heart-wrenching pathos evident in many of Bach's pieces.
Another advantage of Szeryng's recording is that he has pretty faithful tempo, no awkward pauses or lenghtenings for emotional effect. While this may render his playing seemingly unremarkable in the first few hearings, one quickly realizes the incredible richness and beauty. For example, if one reads Bach or plays Bach, one cannot help but imagine dramatic pauses, lengthenings, flourishes to fully convey the emotion that is in the pieces. However, when the piece is played literally to those "additions," the text is no longer pure Bach but a translated or filtered Bach. Any "emotional interpretation" of the listener is no longer based on Bach, but on that certain interpretation. Szeryng's virtuosity lies in his ability to play Bach faithfully and *beautifully, leaving the listener to appreciate and use the imagination. This, in my opinion after over a thousand listenings, is the reason why Szeryng has that lasting appeal.

Average customer rating: Wonderful and delightful evenings Great Music excellent compile Pleasant backdrop Musical soothing of the soul

Musical Evenings With The Captain Manufacturer: Essay ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leclair | Leclair, Jean Marie | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Locatelli, Pietro Antonio | ( L ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Similar Items: Musical Evenings With The Captain, Vol. 2 Musical Evenings in the Captain's Cabin Master and Commander A Sea of Words, Third Edition: A Lexicon and Companion to the Complete Seafaring Tales of Patrick O'Brian Harbors and High Seas, 3rd Edition : An Atlas and Geographical Guide to the Complete Aubrey-Maturin Novels of Patrick O'Brian, Third Edition ASIN: B00000083U Release Date: 1996-06-18

Tracks:

1. Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Andante
2. Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Largo Andante
3. Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Allegro
4. Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Menuetto & Trio: Vivace
5. Duet For Violin & Cello In D Major: Poco Adagio
6. Duet For Violin & Cello In D Major: Tempo di Menuetto
7. Duet For Violin & Cello In D Major: Allegro (non troppo)
8. Eight Pieces For Violin And Cello: Tuning & Gavotte
9. Eight Pieces For Violin And Cello: Two Menuets
10. Eight Pieces For Violin And Cello: Air
11. Eight Pieces For Violin And Cello: Menuet With 2 Variations
12. Eight Pieces For Violin And Cello: Impertinence
13. Eight Pieces For Violin And Cello: Sarabande
14. Eight Pieces For Violin And Cello: Menuet With 2 Variations
15. Eight Pieces For Violin And Cello: Air
16. Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Andante
17. Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Allegro
18. Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Aria with 3 Variations
19. Sonata For Violin & Cello In D Major: Allegretto Spiritoso
20. Sonata For Violin & Cello In D Major: Vivace
21. Sonata For Violin & Cello In D Major: Grave
22. Sonata For Violin & Cello In D Major: Allegro Assai
23. Sonata In D Minor For 2 Violins & Basso Continuo: Andante Molto Cantabile
24. Sonata In D Minor For 2 Violins & Basso Continuo: Allegro
25. Sonata In D Minor For 2 Violins & Basso Continuo: Andante Pastorale
26. Sonata In D Minor For 2 Violins & Basso Continuo: Allegro

Customer Reviews:

Wonderful and delightful evenings.......2007-06-27

If you are a really follower of Jack Aubrey adventures you must have the 2 Volumes. The best companion for you reading every evenings. A must have.
Enjoy it.

Great Music.......2007-04-05

I bought this as an accompaniment while I read Patrick O'Brian's Aubrey-Maturin series of books, and it goes very well. I've enjoyed every piece on this album, and recommend it for music lovers and readers alike.

excellent compile.......2007-01-16

It is dead-on excellent. Perfectly in tune with the entire series and spirit of Patrick's work. A simply joy to listen to time after time. You grasp the character of the age in crisply performed versions of various collection.

Pleasant backdrop .......2006-01-10

As a child growing up in the city of Salem, known for it's working class backbone, I was the only kid I knew who had been to Symphony Hall more than Fenway Park. Going in to Boston for the symphony's open practices was what I lived for. It gave me a true appreciative, although untrained ear. The one lasting lesson is that while you may not notice good classical music, EVERYONE notices bad classical music. And this is NOT bad classical.

I have been a reader of the Aubrey Maturin Novels for 8 years (only two a year for dramatic suspense) and while I am a huge fan of Patrick O'Brian's writing, I find that with the addition of the music he scored his work to, I stand in awe. The music is well grounded to the situations and feelings in the book. Either Mr. O'Brian was a very well rounded, or he did his homework.

The CD is a wonderful insight to the author, and the characters he created. Pour a glass of claret, listen to the cd, read the books...

but pay no heed to Killick's "scrape, scrape , scrape..never a song you could dance to.."

Musical soothing of the soul.......2002-06-11

I have been a fan of Baroque music since childhood (and I'm not all that old either). But I've only started reading the Patrick O'Brian books in the last few months, since it was announced that my favorite actor, Russell Crowe, was about to star as Captain Jack Aubrey in the Peter Weir movie. I am reading the books in order, and am currently on "HMS Surprise," so what else could be a more perfect accompaniment than this CD? Aubrey is such a multi-layered character, filled with imperfections and bad puns, however he has a great love for music and he plays the violin quite well. Often paired with ship's surgeon Dr. Stephen Maturin on the cello, music is a great release for this sea captain, and the pieces on this CD are fine representations of what Aubrey might have played while on assignment or heard when on land. The selections by Hadyn, Locatelli, Handel, Boccherini and Leclair are pleasant, soothing compositions that are complex and varied enough that they are not redundant, and range from peaceful to nimble. While listening to the CD, I could vividly imagine Jack Aubrey below decks in his cabin and asking Maturin to strike up a tune with him. And then they begin an Andante or an Allegro, allowing Aubrey to set aside his absolutely awful puns and jokes so he can clear his mind and relax. Considering some of the battles he's involved himself in so far in the series, he definitely needs it. Reading his adventures while listening to these charming pieces will relax you as well, and definitely take your imagination to some wondrous places in an era of great change.

Average customer rating: Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin Thoughtful Readings Bach by Julia Fischer very good. What a Surprise!

J.S. Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006 Manufacturer: Pentatone ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Russian Violin Concertos [Hybrid SACD] Mozart: Violin Concertos Tchaikovsky Violin Concerto (Hybr) Mozart: Flute Concertos; Rondo; Andante [Includes the Bis 2005 Catalog] [Hybrid SACD] Mozart, W.A.: Violin Concertos Nos. 1, 2 & 5 ASIN: B00097HE8U Release Date: 2005-06-14

Customer Reviews:

Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin.......2007-05-07

In March I heard Julia Fischer playing Khachaturian's violin concerto at a concert at the Kennedy Center in Washington D.C. She is such a wonderful violinist that soon after I got home I checked what other performance of hers would be available from Amazon. When I saw this CD I promptly ordered it. Because on this CD she plays without an orchestra, her virtuosity is even more obvious and superb than in the concertos where she is accompanied by a full orchestra. I recommend this CD to everybody who likes the violin music of J.S.Bach!

Thoughtful Readings.......2007-01-09

Bach's unaccompanied sonatas and partitas for solo violin can act as multiple litmus tests, mercilessly revealing a player's cultural, temperamental, intellectual, and technical selves. That is certainly the case with Julia Fischer's set. It shows her to be technically proficient and thoughtful in regard to the structures and, to some degree, the expressive (affective) content of these works. But it also tells the world that she is still a young artist, and that she may have more to say about this music -- and the temerity to say it -- after she's been around a while longer.

Listeners contemplating the purchase of yet another Bach Unaccompanied set will also have to look to their own tastes in deciding whether Fischer fits the bill. Have you long since acquired, and exhausted, the classic Milstein performances? Did you find Perlman nicely polished, or just a bit too slick? Did you respond well to Kremer's impetuosity and drama, or consider his approach overly rough and improvisatory?

In the liner notes, Ms. Fischer tells us that for years she has warmed up every day with these pieces. It shows. She is obviously familiar with them, and her technical security and sense of "what comes next" have benefited. But with familiarity comes a certain complacency, and warmups can encourage a performer to emphasize sheer mechanics: pitch accuracy, evenly smooth bowing, perfect finger coordination, etc. That is what I personally hear as a guiding principle in most of these interpretations. They are soft-edged, maintaining steady tempi, using the middle third of the bow, employing subtle and consistent accents, phrasing, and dynamic emphases.

Nothing wrong with those choices. In many aspects, they may lie closer than some others to what Bach had in mind. But I found myself respecting Fischer's efforts rather than becoming involved in the music itself. In the end I went back to Hilary Hahn's debut disc (which includes some but not all of these works) in order to hear controlled and thoughtful Bach performances with more passion, more bite (bowing at the frog when needed), and more overall humanity.

The SACD recording is quite good, but if anything it emphasizes the mellow, moderated quality of these performances with a violin timbre that is never unpleasant but seldom provides the range of colors that one might hope to hear, even in Bach. Especially in Bach?

I think Ms. Fischer is heard to better advantage in her Pentatone recording of the Russian concertos -- maybe she didn't feel a "Romantic" approach was as appropriate for Baroque music. The result sounds curiously old-fashioned, however, especially given the recent tendency in historically informed Baroque performance to emphasize drama and individualistic expression (e.g., Rachel Podger, Andrew Manze). By comparison, Julia Fischer's Bach comes off as a careful effort by a recent conservatory graduate. Still worth hearing, but perhaps more as an emblem of her undeniable promise.

Bach by Julia Fischer.......2006-08-04

You must listen to this with SACD kit to do justice to the recording. OK CD layer is not too bad but with sensitive equipment you can hear so much more with the SACD it is unbelievable.
She is one of the best performers of Bach solo pieces if not the best. Milstein, Kagan, Grumiaux, Perlman are good. But she is something else. Timing, fluidity, expression I can go on and on. This is the most "musical" interpretation of these pieces I have heard so far.

very good........2006-06-11

At first I was stunned on how good it was to listen to these pieces in a great format as SACD. However, miss Fischer should pay more attention to the details instead of get every note just right. There aren't huge mistakes, which makes it worthy, but it isn't perfect. The booklet says that she's quite young to perform all of this pieces and I believe it's true. She can improve in the future.

What a Surprise!.......2006-03-09

I never thought this young violinist could play Bach in such a matured way. My version at home was Milstein, Szegeti, Kremer (not very good), and Grumiaux. But Julia Fischer's Bach has won so much praise and I just wonder why. Therefore I bought this pricy double SACD (no ordinary CD available).

I was surprised. It doesn't sound like she is young at all. According to Fisher, she played Bach every day. And she has been studying Bach since she was a little girl. No wonder she has attended to the details of it. The speed she took was relatively slow, especially for the Preludes and Sarabande. Her technique was impeccable, but it all sounded so natural. I once listened to Heifitz and I didn't quite like it. It sounded not like Bach. Fisher surely captured the elegance and warmth of one of Bach's most intelligent and intellectual works.

If you like Bach's Unaccompanied Sonata and Partita for Solo Violin, buy this. You won't regret. The recording quality was superb, too!

Average customer rating: Grumiaux and Bach My old favourite Absolutely Essential A somewhat clinical, "perfect" Bach I remember....

Bach: Complete Sonatas and Partitas for Solo Violin Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Grumiaux, Arthur | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Grumiaux, Arthur | ( G ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Sonatas & Partitas for Solo Violin Complete Violin Sonatas / Grumiaux, Jaccottet, Mermoud Bach: Partitas Bach: Sonatas for Unaccompanied Violin Bach: 6 Suiten für Violoncello solo ASIN: B00000417N Release Date: 1994-02-15

Tracks:

1. Sonata No. 1 in G minor, BWV 1001: Adagio
2. Sonata No. 1 in G minor, BWV 1001: Fuga (Allegro)
3. Sonata No. 1 in G minor, BWV 1001: Siciliana
4. Sonata No. 1 in G minor, BWV 1001: Presto
5. Partita No. 1 in B minor, BWV 1002: Allemanda
6. Partita No. 1 in B minor, BWV 1002: Double
7. Partita No. 1 in B minor, BWV 1002: Corrente
8. Partita No. 1 in B minor, BWV 1002: Double (Presto)
9. Partita No. 1 in B minor, BWV 1002: Sarabande
10. Partita No. 1 in B minor, BWV 1002: Double
11. Partita No. 1 in B minor, BWV 1002: Tempo di Borea
12. Double
13. Sonata No. 2 in A minor, BWV 1003: Grave
14. Sonata No. 2 in A minor, BWV 1003: Fuga
15. Sonata No. 2 in A minor, BWV 1003: Andante
16. Sonata No. 2 in A minor, BWV 1003: Allegro

Tracks:

1. Partita No. 2 in D minor, BWV 1004: Allamanda
2. Partita No. 2 in D minor, BWV 1004: Corrente
3. Partita No. 2 in D minor, BWV 1004: Sarabande
4. Partita No. 2 in D minor, BWV 1004: Giga
5. Partita No. 2 in D minor, BWV 1004: Ciaccona
6. Sonata No. 3 in C, BWV 1005: Adagio
7. Sonata No. 3 in C, BWV 1005: Fuga
8. Sonata No. 3 in C, BWV 1005: Largo
9. Sonata No. 3 in C, BWV 1005: Allegro Assai
10. Partita No. 3 in E, BWV 1006: Preludio
11. Partita No. 3 in E, BWV 1006: Loure
12. Partita No. 3 in E, BWV 1006: Gavotte en Rondeau
13. Partita No. 3 in E, BWV 1006: Menuet I-II
14. Partita No. 3 in E, BWV 1006: Bourre'e
15. Partita No. 3 in E, BWV 1006: Gigue

Amazon.com essential recording

Arthur Grumiaux was among the most elegant and refined violinists who ever recorded. This doesn't preclude his playing the famous Chaconne with lots of power, which he does. But it means hearing Bach with all technical difficulties minimized to give you a clear view of the music. Sometimes, as in Joseph Szigeti's late recordings (Vanguard Classics OVC 8021/2), there is a sense of struggle between the violin and the music that for more dramatic Bach. Grumiaux allows you to hear everything Bach put into the music, and it all sounds beautiful. --Leslie Gerber

Customer Reviews:

Grumiaux and Bach.......2006-08-31

I originally ordered Heifetz playing Bach's sonatas and partitas because I was learning the Chaconne, but because it was going to take a month to arrive, I ordered Grumiaux in the meantime. I have been so pleased with Grumiaux' smooth tone, his vibrato (never too much), his flawless chords, and his near perfect intonation, that although my Heifetz recording has since arrived, I still listen to Grumiaux much more.

My old favourite.......2006-06-28

These works are, for me, the highest possible achievement of violin music, and rank alongside the Cello Suites and the Well-Tempered Clavier as Bach's most meditative, introspective and spiritually profound works. They take you through a whole range of emotions and moods, and probably not coincidentally, like the Cello Suites, they end on a bright note, almost like the light of heaven shining down on you. Listening to the fugal movements is like being in a private cathedral of sound. And I say this without being a religious person in any way - this music is more personally spiritual, without being necessarily 'religious', like so many of Bach's vocal works.

I first heard these works performed by Menuhin (like Grumiaux, a student of Enescu), and though I retain a fondness for his recordings, I think Grumiaux's version is, all around, the best. I do agree with some of the other reviewers that Milstein can give a bit more passion, and I particularly like how the lower parts of the counterpoint are often more audible in Milstein (for instance, in the beginning bars of the D-Major section of the Chaconne - which is less accented in the Grumiaux), but I personally don't like Milstein's steely tone that much, and Bach sometimes sounds too much like hard work in his versions. In contrast, Grumiaux's tone is much warmer, I find, though he can put on the power very well whenever it's needed, and his playing is so effortless, one is able to really appreciate the beauty and profundity of Bach's works.

I'm very partial to period interpretations normally, and having now acquired Rachel Podger's recordings, I prefer those in many aspects; but on the whole, I find Grumiaux better than the other 'authentic' performance I've heard, that of Kuijken. Grumiaux IS old-fashioned, but he avoids the excesses of most of the others of his generation (even Menuhin takes some movements - like the third of the G-Minor - so slowly, it's impossible to remember it's a dance-movement!), and plays something that seems, to me, to be very much something in the spirit of Bach, even if not entirely 'authentic'. As Manze has said, there's nothing intrinsically wrong with playing Bach on modern instruments - the music is truly universal! Even though on a few points here and there I do prefer other recordings, overall, I find Grumiaux's is simply the best - and I think definitely the best introduction to this awe-inspiring music.

Absolutely Essential.......2006-01-24

This is one of those recordings that belongs in everyone's classical collection from the beginning. It is without a doubt one of the most heartfelt, achingly beautiful, and totally masterful recordings ever made. There is simply nothing more to say.

Anyone who has it knows- and everyone who doesn't needs to.

A somewhat clinical, "perfect" Bach.......2005-05-17

These sonatas and partitas are among my favorite Bach works, alongside the Goldberg Variations. I've heard most of the great recordings of these suites by the great violinists, including this version by Grumiaux. My favorite rendition remains the 50s EMI survey by Nathan Milstein (not the DG version from the 1970s).

Now, Grumiaux stands tallest with me for his recordings of the Bach violin concertos and the famous double violin concerto, as well as his sublime version of the six violin/harpsichord sonatas (this is my favorite Grumiaux recording, and a "desert island recording" for me...an absolute must-have for anyone). For those, Grumiaux is unmatched in my opinion. But, in those cases, he has accompaniment that he must interact with. In these unaccompanied violin works, he has a subtle detachment. For an example, listen to the opening Grave movement from Sonata 2, and especially the Andante (movement 3) of Sonata 2. Grumiaux's technique is flawless, and he is almost at that magic threshold. Then, listen to Milstein play that Andante from the EMI 50s recording. You will hear exactly what I am talking about, something a bit too ineffable to put into words, but something you can hear. Given the fact that Grumiaux has recorded my favorite versions of Bach's other violin works, as I've mentioned above, this criticism was difficult for me to make.

I'm not suggesting a bombastic, romanticized account of these suites. Milstein finds the perfect balance (in his 50s version) between reverence of Bach and technical mastery. You feel every note of the music as it comes from Bach, and the depth of insight is extraordinary. Grumiaux captured that with his other recordings that I've mentioned above, but in these solo suites, there is a depth of feeling that is lacking. He's obviously more concerned with perfect form and cleanliness of line than he is with probing the music for its innermost secrets. Milstein achieves this, but on the EMI set from the 1950s, not the DG set from the 70s, where I think that Milstein also fell short.

It IS possible to have perfect form and cleanliness of line without sacrificing feeling. Milstein found that magic compromise in the 1950s on EMI. The words I always use after hearing the 50s Milstein are "intimacy" and "insight." His insights are so profound. Grumiaux's survey has impeccable sound quality, played on a gorgeous instrument, with flawless technique in the elegant style. Still, it doesn't get to the heart of this music. It's "perfect," but it doesn't speak to me.

I remember...........2005-05-16

One of those CDs you grow up listening to -- introducing one's soul to the beauty that is Bach. I remember buying this CD on a whim since it was so cheap the summer before heading to High School at a Sam Goodies -- it totally just restructured everything I knew about music. There is nothing like this recording out there. Seriously, buy it for your kids, and introduce them to "true love". It is what anyone if they listen carefully to this CD will realize is the essence to Arthur's playing.

Average customer rating: Simply astounding

Handel: Complete Violin Sonatas Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Manze, Andrew | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Manze, Andrew | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Concert for the Prince of Poland Bach: Solo & Double Violin Concertos /Manze * Podger * AAM * Manze Telemann: The Six Paris Quartets Violin Sonatas Op 5 Vivaldi: Concertos for the Emperor ASIN: B0006Z2LN8 Release Date: 2005-01-11

Customer Reviews:

Simply astounding.......2006-11-06

It is not without a sense of awe that I write these words. I believe Mr. Handel himself, had he been alive to hear this recording, would have been thoroughly delighted and not perhaps devoid of a tear or two.

The grace and elegance with which these endearing sonatas are played is simply astounding. Both Manze and Egarr ought to be given knighthoods for this CD. It just has no peers. I find this supremely enjoyable CD to be an absolutely essential part of any serious baroque music fan's collection. The liner notes provide great background information of each of the sonatas, even those of less than certain authenticity, with a meticulousness that could concieveably allow for acceptable academic referencing, which is saying something!

With a careful attention to detail, the performers have given us a brilliant interpretation (I am willing to say the BEST I have ever heard, as obsequious as that may sound), of these works, in what must be considered a benchmark of high standards. Five out of five, for the purchase of the decade.

Average customer rating: JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM! Trio of great violin sonatas

Brahms: Violin Sonatas Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Mutter, Anne-Sophie | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mutter, Anne-Sophie | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Violin Concertos Mozart: Violin Concertos Nos. 1-3; Rondo, K. 373 Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 D. Scarlatti: 18 Sonatas Lalo: Symphonie espagnole; Sarasate: Zigeunerweisen: Massenet: Thaïs - Meditation ASIN: B00005NPJ2 Release Date: 2003-01-07

Tracks:

1. I. Vivace Ma Non Troppo
2. II. Adagio
3. III. Allegro Molto Moderato
4. I. Allegro Amabile
5. II. Andante Tranquillo - Vivace
6. III. Allegretto Grazioso
7. I. Allegro
8. II. Adagio
9. III. Un Poco Presto E Con Sentimento
10. IV. Presto Agitato

Customer Reviews:

JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM!.......2007-06-19

In this recording we have three of Brahms' greatest chamber works (the violin sonatas) played by, in my humble opinion, two of classical music's greatest performers--Anne-Sophie Mutter, on violin and Alexis Weissenberg, on piano. The "wow factor" is very much in evidence in this recording--great music (some of the finest chamber music that ever has been penned) fabulous violin playing and marvelous piano playing coming together in such a way that I just sat back listening in total awe feeling that life really ain't too bad when one can hear music and performances like those contained on this recording at such a reasonable (cheap!) price! (Anne-Sophie and Alexis have a wonderful "go at it" in the fourth movement of the 3rd Sonata--wow!)
Although this disc is at the "bargain basement" price of four dollars and ninety-seven cents ($4.97), the sound is superb. EMI is really to be commended for offering these superb performances at such a "rock bottom" price. I truly loved this recording as you will too if you purchase it!

Trio of great violin sonatas.......2005-09-08

While Brahms wrote only three sonatas, they are a great trio of works. The first is the most intense, the second the most lyrical and the last one the most inspired with a slow movement that is arguably Brahms most beautiful melody. The two famous musicians here give us radiant performances. At almost 10 bucks less than a full-priced version of this music, this CD represents great value.

Average customer rating: Excellent overall Wonderful Unbelievable!

Bach: Cello Suites, Sonatas & Partitas for Solo Violin - Christian Tetzlaff & Ralph Kirshbaum (4 CD's) Christian Tetzlaff , Ralph Kirshbaum , and Johann Sebastian Bach Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Tetzlaff, Christian | ( T ) | Featured Performers, A-Z | Classical | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tetzlaff, Christian | ( T ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Brahms: Sonatas for Piano and Violin Beethoven: Violin Concerto; Violin Romances Sibelius: The Complete Works for Violin; Christian Tetzlaff Mozart: Violin Concertos 3, 4 & 5 Bartók: Violin Sonatas ASIN: B00030FJ9Y Release Date: 2004-11-16

Tracks:

1. 1. Adagio - Christian Tetzlaff
2. 2. Fuga (Allegro) - Christian Tetzlaff
3. 3. Siciliana - Christian Tetzlaff
4. 4. Presto - Christian Tetzlaff
5. 1. Allemanda - Christian Tetzlaff
6. Double - Christian Tetzlaff
7. 2. Corrente - Christian Tetzlaff
8. Double (Presto) - Christian Tetzlaff
9. 3. Sarabande - Christian Tetzlaff
10. Double - Christian Tetzlaff
11. 4. Bourree - Christian Tetzlaff
12. Double - Christian Tetzlaff
13. 1. Grave - Christian Tetzlaff
14. 2. Fuga - Christian Tetzlaff
15. 3. Andante - Christian Tetzlaff
16. 4. Allegro - Christian Tetzlaff

Tracks:

1. 1. Allemanda - Christian Tetzlaff
2. 2. Corrente - Christian Tetzlaff
3. 3. Sarabanda - Christian Tetzlaff
4. 4. Giga - Christian Tetzlaff
5. 5. Ciaccona - Christian Tetzlaff
6. 1. Adagio - Christian Tetzlaff
7. 2. Fuga - Christian Tetzlaff
8. 3. Largo - Christian Tetzlaff
9. 4. Allegro Assai - Christian Tetzlaff
10. 1. Preludio - Christian Tetzlaff
11. 2. Loure - Christian Tetzlaff
12. 3. Gavotte En Rondo - Christian Tetzlaff
13. 4. Menuet 1/Menuet 2 - Christian Tetzlaff
14. 5. Bourree - Christian Tetzlaff
15. 6. Gigue - Christian Tetzlaff

Tracks:

1. 1. Prelude - Ralph Kirshbaum
2. 2. Allemande - Ralph Kirshbaum
3. 3. Courante - Ralph Kirshbaum
4. 4. Sarabande - Ralph Kirshbaum
5. 5. Menuet 1 & 2 - Ralph Kirshbaum
6. 6. Gigue - Ralph Kirshbaum
7. 1. Prelude - Ralph Kirshbaum
8. 2. Allemande - Ralph Kirshbaum
9. 3. Courante - Ralph Kirshbaum
10. 4. Sarabande - Ralph Kirshbaum
11. 5. Bourree 1 & 2 - Ralph Kirshbaum
12. 6. Gigue - Ralph Kirshbaum
13. 1. Prelude - Ralph Kirshbaum
14. 2. Allemande - Ralph Kirshbaum
15. 3. Courante - Ralph Kirshbaum
16. 4. Sarabande - Ralph Kirshbaum
17. 5. Gavotte 1 & 2 - Ralph Kirshbaum
18. 6. Gigue - Ralph Kirshbaum

Tracks:

1. 1. Prelude - Ralph Kirshbaum
2. 2. Allemande - Ralph Kirshbaum
3. 3. Courante - Ralph Kirshbaum
4. 4. Sarabande - Ralph Kirshbaum
5. 5. Menuet 1 & 2 - Ralph Kirshbaum
6. 6. Gigue - Ralph Kirshbaum
7. 1. Prelude - Ralph Kirshbaum
8. 2. Allemande - Ralph Kirshbaum
9. 3. Courante - Ralph Kirshbaum
10. 4. Sarabande - Ralph Kirshbaum
11. 5. Bourree 1 & 2 - Ralph Kirshbaum
12. 6. Gigue - Ralph Kirshbaum
13. 1. Prelude - Ralph Kirshbaum
14. 2. Allemande - Ralph Kirshbaum
15. 3. Courante - Ralph Kirshbaum
16. 4. Sarabande - Ralph Kirshbaum
17. 5. Gavotte 1 & 2 - Ralph Kirshbaum
18. 6. Gigue - Ralph Kirshbaum

Customer Reviews:

Excellent overall.......2006-03-28

The two works presented in this bargain set represent Johann Sebastian Bach's greatest contribution to the solo string reportoire.

Although usually marginalized, the Cello Suites are hidden diamonds in the solo literature, requiring a depth of humanity and musicality that few performers actually achieve, so concerned as they are with simply hacking away at this seemingly simple music. Kirshbaum's reading is full of warmth and power, and his instrument (from Bach's time period) sings almost of its own accord. Tempi are just right; the sense of pacing in the G Major Prelude is magnificent, giving the piece a gently rocking feel. Kirshbaum's double stopping (as called for by many of the Allemanda movements) is impeccable and very clean; the harsh, biting sound such double-stopping requires from other performers is not present here.

The focal point of the set is, of course, Christian Tetzlaff's reading of the Six Solos. In comparison with the "big names," such as Perlman, Milstein, and Grumiaux, Tetzlaff cannot quite compete. His tempi are exceedingly swift, and he lacks much of the humanity present in Milstein and Menuhin. As a result, the quicker movements, such as the E Major Preludio and the B minor Doubles, sound less like the masterpieces they are and more like simple etudes to be sawed away on.

Tetzlaff's traversal of the Chaconne, however, is a breathless, exciting journey, and he is in top form during the massive fugues in each sonata. The recording location, while resonant, allows the violin's sound to sing without losing it in a sea of reverb. Although he suffers from tempi issues, Tetzlaff's technique is never in doubt, and he is solid and secure (perhaps even a bit too secure) during this recording.

Overall, despite issues with tempi in the Six Solos, this set is a great bargain, and hopefully Tetzlaff will decide to record these pieces again later in life.

Wonderful.......2006-01-10

I've been listening to and studying Bach's solo cello and violin works for over 30 years. Although I love this music dearly, it's rare that I'm surprized by it anymore. However, listening to Tetzlaff and Kirshbaum, I felt as if I were hearing them for the first time all over again. Both musicians are such masters of their instruments that their "technique" never intrudes on the music. These are really breathtaking performances.

Unbelievable!.......2005-10-19

Both these artists are exceptional. I have always had trouble listening to "anybody else's interpretation" of the bach cello suites, being a cellist myself. This one is truly outstanding. The excellent Bach solo violin interpretation by Christian Tetzlaff is just an added plus -- I was most impressed that my father listened through all the way and just made one or two comments about how the music was "alive". He was rapt. My father doesn't do that easily.

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2. Bach: Christmas Cantatas
3. Barbara Bonney sings Mozart ~ Great arias and duets with Bryn Terfel, Arleen Auger and many more
4. Baroque Weekend: Pachelbel Kanon & Albinoni Adagio
5. Beethoven: Symphonies no 3 & 4 / Zinman, Zurich Tonhalle Orch
6. Beethoven: Symphony No. 9 in D minor Op.125 'Choral'
7. Beniamino Gigli (Heroes)
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9. Berg: Violin Concerto; Three Orchestral Pieces, Op. 6
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