| 1. Topos: I: Enfance/II: Jeunesse: Vingt Ans/III: Dévotion/IV: O Saisons, - Klaas Hoek, , |
| 2. Tehilla/Arc II |
| 3. Tombeau |
| 4. Fructus for Sytze |
| 5. Cantique de Siméone |
| 6. Mundus: I: Coro Sopra Uno Tono/II: Coro Unisono/III: Coro Pieno |
Composers' Voice Portrait,Sytse Buwalda,Kees-Jan de Koning,Bas Ramselarr,Zvi Maschkowski,Daan Manneke,Hans Leenders,Jos Vermunt,Henriette Feith,Mariët Kaasschieter,Harry van Berne,Donemus Records,Choral,Choral Music,Classical,Classical Composers,Classical Music,Classical Vocals,Electronic/Avant-Garde/Minimalist Music,Vocal,Vocal Music
Average customer rating:
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Music From A Farther Room
Astor Piazzolla , Maurice Ravel , Richard Rodgers , Paul Schwartz , Jean Sibelius , Traditional , Paul Schwartz , Craig Macintyre , Tariqh Akoni , Tim Curle , Lang Lang , Lee Musiker , Zachary Provost , Lucia Micarelli , Leigh Nash , and Lisbeth Scott Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002GU2NM Release Date: 2004-07-27 |
Tracks:
- Samarkand
- Oblivion
- Meditation From Thais
- Portrait
- To Love You More
- Reflexio
- Aurora
- Lady Grinning Soul
- Ravel String Quartet IN F Major: Assez Vif - Tres Rythme
- She Is Like The Swallow
- My Funny Valentine
- Nocturne/Bohemian Rhapsody
Amazon.com
Josh Groban fans who caught the singer's 2004 Closer tour would no doubt take note of Lucia Micarelli, who was the violinist and concertmaster for Groban. Like her boss, who also is executive producer of Music From A Farther Room, Micarelli is a young, attractive, and talented player who has the classical training, but who is also enchanted with pop music. Also like her boss, her strain of classical crossover works thanks to tasteful accompaniment, in this case from arranger/composer Paul Schwartz. The smartly chosen program of material comes from such varied catalogs as David Bowie and Rogers and Hart. Micarelli's playing is emotional without being overreaching, assertive when called upon, and nuanced. When she does go over-the-top pop on Queen's "Bohemian Rhapsody," it's brief but fun; when she navigates Piazzolla's "Oblivion" she draws upon the song's passion more than its technical requisites. This is a debut with likeable pizzazz, coming in a genre not often enough known for it. -- Tad HendricksonAlbum Description
For anyone who has attended Josh Groban's phenomenal live show, you will have undoubtedly had the pleasure of seeing and hearing his lead violinist, Lucia Micarelli. Lucia came to Josh's tour after appearing with the Trans- Siberian Orchestra playing arenas across the U.S. in 2003. With the close of the second leg of Josh's tour, Lucia is recording her debut album in New York and London with producer Paul Schwartz. Musical selections will range from the works of composers Ravel and Ennio Morricone to David Bowie.Customer Reviews:
Nice CD.......2007-07-15
Music from a Farther Room.......2007-05-22
relaxation.......2007-05-13
amazing.......2007-05-07
Talented violinist.......2007-03-29
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Aaron Copland: Lincoln Portrait; Old American Songs
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000E8NJ Release Date: 1990-10-25 |
Tracks:
- A Railroad Ballad For Orchestra
- Lincoln Portrait
- The Promise Of Living
- The Boatmen's Dance/The Dodger/Long Time Ago/Simple Gifts/I Bought Me A Cat
- Jubilee Variations
- Ceremonial Fanfare
- An Outdoor Overture
Customer Reviews:
Vintage Americana.......2006-09-08
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Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S31 Release Date: 1992-01-23 |
Tracks:
- LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
- LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
- LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
- LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
- LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
- LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
- COCARDES: I - Miel De Narbonne
- COCARDES: II - Bonne D'enfant
- COCARDES: III - Enfant De Troupe
- 5 POEMES DE RONSARD: I - Attributs
- 5 POEMES DE RONSARD: II - Le Tombeau
- 5 POEMES DE RONSARD: III - Ballet
- 5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
- 5 POEMES DE RONSARD: V - A Son Page
- CHANSONS GAILLARDES: I - La Maitresse Volage
- CHANSONS GAILLARDES: II - Chanson A Boire
- CHANSONS GAILLARDES: III - Madrigal
- CHANSONS GAILLARDES: IV - Invocation Aux Parques
- CHANSONS GAILLARDES: V - Couplets Bachiques
- CHANSONS GAILLARDES: VI - L'offrande
- CHANSONS GAILLARDES: VII - La Belle Jeunesse
- CHANSONS GAILLARDES: VIII - Serenade
- AIRS CHANTES: I - Air Romantique
- AIRS CHANTES: II - Air Champetre
- AIRS CHANTES: III - Air Grave
- AIRS CHANTES: IV - Air Vif
- Epitaphe
- 3 POEMES DE LOUISE LALANNE: I - Le Present
- 3 POEMES DE LOUISE LALANNE: II - Chanson
- 3 POEMES DE LOUISE LALANNE: III - Hier
- 4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
- 4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
- 4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
- 4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
- 5 POEMES DE MAX JACOB: I - Chanson Bretonne
- 5 POEMES DE MAX JACOB: II - Cimetiere
- 5 POEMES DE MAX JACOB: III - La Petite Servante
- 5 POEMES DE MAX JACOB: IV - Berceuse
- 5 POEMES DE MAX JACOB: V - Souric Et Mouric
- 8 CHANSONS POLONAISES: I - La Couronne
- 8 CHANSONS POLONAISES: II - Le Depart
- 8 CHANSONS POLONAISES: III - Les Gars Polonais
- 8 CHANSONS POLONAISES: IV - Le Dernier Mazour
- 8 CHANSONS POLONAISES: V - L'adieu
- 8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
- 8 CHANSONS POLONAISES: VII - La Vistule
- 8 CHANSONS POLONAISES: VIII - Le Lac
Tracks:
- 5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
- 5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
- 5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
- 5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
- 5 POEMES DE PAUL ELUARD: V - Amoureuses
- A Sa Guitare
- TEL JOUR, TELLE NUIT: I - Bonne Journee
- TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
- TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
- TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
- TEL JOUR, TELLE NUIT: V - A Toutes Brides
- TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
- TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
- TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
- TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
- 3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
- 3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
- 3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
- 2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
- 2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
- MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
- MIROIRS BRULANTS: II - Je Nommerai Ton Front
- Le Portrait
- La Grenouillere
- Priez Pour Paix
- Ce Doux Petit Visage
- Bleuet
- FIANCAILLES POUR RIRE: I - La Dame D'andre
- FIANCAILLES POUR RIRE: II - Dans L'herbe
- FIANCAILLES POUR RIRE: III - Il Vole
- FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
- FIANCAILLES POUR RIRE: V - Violon
- FIANCAILLES POUR RIRE: VI - Fleurs
Tracks:
- BANALITES: I - Chanson D'orkenise
- BANALITES: II - Hotel
- BANALITES: III - Fagnes De Wallonie
- BANALITES: IV - Voyage A Paris
- BANALITES: V - Sanglots
- CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
- CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
- CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
- CHANSONS VILLAGEOISES: IV - Le Mendiant
- CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
- CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
- METAMORPHOSES: I - Reine Des Mouettes
- METAMORPHOSES: II - C'est Ainsi Que Tu Es
- METAMORPHOSES: III - Paganini
- 2 POEMES DE LOUIS ARAGON: I - C
- 2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
- 2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
- 2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
- 2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
- 2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
- Paul Et Virginie
- Mais Mourir
- Hymne
- 3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
- 3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
- 3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
- Le Disparu
- Main Dominee Par Le Coeur
- CALLIGRAMMES: I - L'espionne
- CALLIGRAMMES: II - Mutation
- CALLIGRAMMES: III - Vers Le Sud
- CALLIGRAMMES: IV - Il Pleut
- CALLIGRAMMES: V - La Grace Exilee
- CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
- CALLIGRAMMES: VII - Voyage
Tracks:
- Mazurka
- LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
- LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
- LA FRAICHEUR ET LE FEU: III - Tout Disparut...
- LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
- LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
- LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
- LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
- PARISIANA: Le Joueur De Bugle
- PARISIANA: Vous N'ecrivez Plus?
- Rosemonde
- LE TRAVAIL DU PEINTRE: I - Pablo Picasso
- LE TRAVAIL DU PEINTRE: II - Marc Chagall
- LE TRAVAIL DU PEINTRE: III - Georges Braque
- LE TRAVAIL DU PEINTRE: IV - Juan Gris
- LE TRAVAIL DU PEINTRE: V - Paul Klee
- LE TRAVAIL DU PEINTRE: VI - Joan Miro
- LE TRAVAIL DU PEINTRE: VII - Jacques Villon
- La Souris
- Nuage
- Dernier Poeme
- Une Chanson De Porcelaine
- LA COURTE PAILLE: I - Le Sommeil
- LA COURTE PAILLE: II - Quelle Aventure!
- LA COURTE PAILLE: III - La Reine De Coeur
- LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
- LA COURTE PAILLE: V - Les Anges Musiciens
- LA COURTE PAILLE: VI - Le Carafon
- LA COURTE PAILLE: VII - Lune D'avril
- Toreador
- 4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
- 4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
- 4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
- 4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
- Fancy
- Colloque
Customer Reviews:
Essential for the chansom junkie. Buy It........2006-10-25
I am happy that all four discs run for more than 60 minutes. No cheap short changing here. If you don't want to spring for the large set, the Hyperion release is great, but this is worth every penny.
Almost completely wonderful.......2005-04-29
Indisputable Gallic flair.......2004-06-06
Idiomatic, fresh, cleanly recorded.......2001-05-12
the best songs ever ruined by uneven performing.......2001-05-05
Average customer rating:
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Arvo Pärt: A Portrait
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00093O6OY Release Date: 2005-06-21 |
Customer Reviews:
Not the best performances, but still a pretty good collection.......2007-04-20
Arvo Part came to worldwide attention through the minimalistic and overtly spiritual music he began composing in the mid-1970s, but ARVO PART: A Portrait features some music from his early career as well. Part was something of an enfant terrible in the Soviet music world, and in the 1960s he infuriated the socialist realist musical establishment by producing dodecaphonic and collage works through the 1960s. From this era we get the second movement of the Symphony No. 1, the "Collage ueber B-A-C-H", and the cello concerto "Pro et Contra". One does regret, however, that his important piece "Credo", discussed at some length in Kimberley's piece, is not featured here, but perhaps Naxos could not find a recording that could be licensed for inclusion here.
The bulk of the collection, however, is dedicated to Part's "holy minimalism" output, a style which he calls "tintinnabuli" for its bell-like tones. Two selections from his hour-long masterpiece "Passio" are included here, one begin four minutes long and the other twelve. Of the "Berliner Messe" we have the Kyrie and Credo, and the other late pieces here are included full-length.
"Fur Alina", the exceedingly simple piano piece he wrote in 1976, breaking a silence of nearly a decade, is featured here in its scored form in performance by Alexei Lubimov. The ECM recording of this piece is a much longer improvisation by Alexander Malter, so this Naxos collection (or the BIS disc the selection was drawn from) is a good way to hear the piece at its most simple.
Over the last decade or so, Part has began reconciling his tintinnabuli style to the more fiery spirit of his youth. However, none of those pieces, such as "Como cieva sedienta" are represented here, which is regrettable.
While the Naxos performances of Part's music are not the best available, only the Naxos recording of "Tabula Rasa" by the Ulster Orchestra and Takuo Yuasa is outright unlistenable. The rest are acceptable, and this collection makes a more more economical introduction to Part's career than the many full-price ECM discs. And for established Part fans, the included essay by Nick Kimberley is interesting reading, especially when the only other major English-language coverage of Part, Paul Hillier's Arvo Part (Oxford Studies of Composers), is difficult to find.
A Written and Sound Portrait of One of Our Most Important Composers.......2005-07-13
"It is enough when a single note is beautifully played." -- Arvo Pärt
These two comments shed light on Arvo Pärt, both the music and the man. An intensely private man who came of age in repressive Stalinist Soviet Estonia but who always maintained his stalwart religious beliefs, against all fashion, and who, though he started out as an avant-gardist, became the prophet of what has been called 'the new simplicity,' Arvo Pärt is perhaps the most beloved composer of classical music in the world. His music is known by people who have almost no interest otherwise in classical music, largely because of the effect it has on even the casual listener, as reflected in Nick Kimberley's comment above. It also has devoted followers among the musical cognoscenti. His piece 'Fratres,' in its myriad forms, is his most widely performed work, but it is probably his ecstatic 'Passio' that has created the most devoted following, particularly following its first recording by the Hilliard Ensemble on the ECM label.
This release has two CDs chockfull of unfailingly beautiful performances of Pärt's music, generally in complete movements taken from releases by Naxos and other labels. Such disparate works as his spare piano piece, 'Für Alina,' movements of his Symphonies Nos. 1 & 3, the 'Berliner Messe,' the 'Magnificat,' 'Collage über B-A-C-H,' 'Spiegel im Spiegel,' and 'Triodion,' are represented here. Two versions of 'Fratres' are included, one for cello and piano, the other for percussion and strings. His cello and orchestra work, 'Pro et Contra,' is performed by Frans Helmerson and the Bamberg Symphony under Neeme Järvi. Excerpts from 'Passio' ('Passion According to the Gospel of St. John') from the recording by Antony Pitts, Pärt expert and a composer in his own right, and his choral group Tonus Peregrinus are particularly haunting. Celebrated organist Kevin Bowyer is heard playing Pärt's 'Annum per annum.'
The illuminating accompanying essay, 70 pages long, is by Nick Kimberley, a noted British arts critic. All of this is in a glossy booklet enclosed in a cardboard box, typical of Naxos's classy presentation of both recorded music and booklet notes.
This release is for all those who are already devotees of Pärt's music and for those who are just coming to admire his music. The budget price makes it all the more attractive.
2 CDs TT=164mins
Scott Morrison
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A Copland Celebration Vol. 2
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050HWT Release Date: 2000-11-07 |
Tracks:
- Vitebsk, Study On A Jewish Theme
- Sextet For Clarinet, Piano And String Quartet: I. Allegro vivace
- Sextet For Clarinet, Piano And String Quartet: II. Lento
- Sextet For Clarinet, Piano And String Quartet: III. Finale
- Piano Quartet: I. Adagio serio
- Piano Quartet: II. Allegro giusto
- Piano Quartet: III. Non troppo lento
- Duo For Flute And Piano: I. Flowing
- Duo For Flute And Piano: II. Poetic, Somewhat Mournful
- Duo For Flute And Piano: III. Lively, With Bounce
Tracks:
- Lincoln Portrait - CARL SANDBURG
- Twelve Poems Of Emily Dickinson: I. Nature, The Greatest Mother
- Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle
- Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven?
- Twelve Poems Of Emily Dickinson: The World Feels Dusty
- Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him
- Twelve Poems Of Emily Dickinson: VI. Dear March, Come In!
- Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be
- Twelve Poems Of Emily Dickinson: VIII. When They Come Back
- Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain
- Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes
- Twelve Poems Of Emily Dickinson: XI. Going To Heaven!
- Twelve Poems Of Emily Dickinson: XII. The Chariot
- Old American Songs (Set 1): The Boatmen's Dance (Minstrel Song, 1843)
- Old American Songs (Set 1): The Dodger (Campaign Song)
- Old American Songs (Set 1): Long Time Ago
- Old American Songs (Set 1): Simple Gifts (Shaker Song)
- Old American Songs (Set 1): I Bought Me A Cat
- Old American Songs (Set 2): The Little Horses (Lullaby)
- Old American Songs (Set 2): Zion's Walls (Revivalist Song)
- Old American Songs (Set 2): The Golden Willow Tree
- Old American Songs (Set 2): At The River (Hymn Tune)
- Old American Songs (Set 2): Ching-A-Ring Chaw (Minstrel Song)
- Billy The Kid: I. The Open Prairie - Oscar Levant
- Billy The Kid: II. Street In A Frontier Town - Oscar Levant
- Billy The Kid: V. Celebration Dance (After Billy's Capture) - Oscar Levant
Customer Reviews:
Terrific vocal talents for Copland's music.......2002-08-08
William Warfield lends his voice and his interpretations of Copland's Old American Songs, and he sings them as they were meant to be, not as classical diletantes felt they should be. You have authenticity here.
Martha Lipton likewise contributes an older world charm and charisma to Copland's settings for Emily Dickenson's words.
Carl Sandberg's resonant reading of his own words is worth the full price of this set.
And then the inimitable Oscar Levant's piano treatment of the orchestral pieces...Levant had a wry touch to his interpretations that gave him a voice all his own.
There's much more here, quite a bit that's less than familiar and therefore increases one's familiarity with Copland.
finally sandburg's lincoln portrait.......2001-08-17
Wow! Pretty Good Deal.......2001-03-13
Vitebsk is exciting. Strings do much of the work here. The music is very unique to any other Copland works. Definitely here a sample of this.
The Sextet is very interesting. The combination of strings and piano is a prefect balance along with the clarinet doing much of the harmony. It is the same song though as Copland's 2nd symphony, the 'short' one.
Duo for Flute and Piano is fun and happy. The 1st movement fluctuates quite a bit in the feeling but is a very nice combination. The second movement is slightly morbid but the feeling of happy hi ho is not lost. The 3rd movement is light and bouncy and can be described as typical Copland.
Lincoln Portrait is powerful. Though I don't see how it fits on this CD has a rarity or a chamber work. It is the besy Lincoln P. I've ever heard though.
Old American Songs and Poems of Emily Dickinson are not that good though. It's a vocalist and a piano accompanyingthe vocalist. The vocalists are not that good and I felt needed to feel the music a little more. Thomas Hampson and Dawn Upshaw made a CD with these songs which is much better (the only problem is that that CD only has 8 of the 12 Emily Dickinson Songs).
Billy the Kid was a nice way to finish off. It's just a few excerpts played on solo piano. It was interesting hearing the piece performed this way.
The recording quality is okay sometimes and kinda slipping other times. Then again, these are classic recordings for the most part. The skill though of the orchestra and soloists for the most part is that of a high quality. I definitely recommend this CD to any Copland fans out there trying to discover more about Copland. It's a very nicely put together CD and price worthy too.
Average customer rating:
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Ruth Crawford Seeger: Portrait
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GXW Release Date: 1998-01-27 |
Tracks:
- Music For Small Orchestra(1926): I. Slow, Pensive
- Music For Small Orchestra(1926): II. In Roguish Humor. Not Fast
- Three Chants(1930): 1. To An Unkind God
- Three Chants(1930): 2. To An Angel (With Soprano Solo)
- Three Chants(1930): 3. To A Kind God (With Soprano And Alto Solo)
- Piano Study In Mixed Accents: Piano Study In Mixed Accents(1930)
- Three Songs: 1. Rat Riddles(1930)
- Three Songs: 2. Prayers Of Steel(1932)
- Three Songs: 3. In Tall Grass(1931)
- String Quartet 1931: I. Rubato assai
- String Quartet 1931: II. Leggiero
- String Quartet 1931: III. Andante
- String Quartet 1931: IV. Allegro possibile
- 2 Ricercare (1932): Sacco, Vanzetti
- 2 Ricercare (1932): Chinaman, Laundryman
- Andante For Strings (1938)
- Rissolty Rossolty
- John Hardy (1940)
- Suite (1952): I. Allegretto
- Suite (1952): II. Lento rubato
- Suite (1952): III. Allegro possibile-Andante-Allegro-Meno mosso-Tempo primo
Amazon.com
Crawford is a neglected but significant figure in the development of American music in the 20th century. Perhaps it's that she took 15 years off from composing in the middle of her life to help found the American folk revivalist movement carried on by her children Michael, Peggy, and stepson Pete. But her early works define their own new territory next to contemporaries and friends Henry Cowell and Carl Ruggles. With a decidedly proletarian slant, Crawford's earlier works merge folk melodies and forms of meandering clarity and layer them between swirls of chamber dissonance. These include settings of her friend Carl Sandburg's conversational poetry, the political words of Daily Worker writer H.T. Tsiang, the curious and circular patterns in String Quartet No. 1, and the homespun-meets-high-art Rissolty Rossolty. The CD finishes with a song setting by her husband Charles, and her "comeback" work, 1952's Suite for Wind Quartet, which patchworks rolling contemplation, lyrical melody, and forceful irregular rhythms together. --Robin EdgertonCustomer Reviews:
The Best of 1930s Modernism.......2004-01-28
The male-dominated atmosphere of most of the arts in history has made the search for women's voices often a very difficult one, even for women earlier in this century. So many women of original achievement or promising talent were eclipsed by the men in their lives; think of Alma Mahler for instance, who had a real talent for the human voice, but sublimated it to the promotion of the music of her husband, and then to the promotion of the arts of her other husbands. Sometimes this searching for earlier women's voices leads to the promotion of composers with somewhat dubious abilities such as Amy Beach. But other times it reveals composers of freshness and distinction. Such is the case with Ruth Crawford Seeger. Her output, though small, is some of the most distinctive and original of her generation.
Ruth Crawford began her career in Chicago, at the time, hardly a hotbed of musical experimentation. However, even in this out of the way location, she was able to keep abreast of the new musical experiments in Europe. Music for Small Orchestra represents her music of this time, impressionistic but non-tonal. There are echoes of Ives in the work, as well as Scriabin, and Debussy. The orchestral imagination is distinctive and both works show evidence of considerable formal innovation. The Three Chants continues in this mystical vein, but with even more evidence of development of craft.
In the 1930s Crawford Seeger moved to New York and became active in the most radical wing of American composition. Influenced by iconoclastic composers like Henry Cowell, Varese, Ives, and her husband, Charles Seeger, she adopted a technique of "dissonant counterpoint". This technique, though it tends to be forgotten now in favor of concentration on European serial procedures, was integral in the music of the American radicals. Crawford Seeger's work from this period makes the best case possible for the style, which she uses with facility and ingenuity. The Three Songs for Contralto and instrumental ensemble show her new-found abilities in this style. The work is highly expressive, with a constantly changing background "ostinato"...a truly impressive work.
Crawford Seeger's masterpiece in this style is her String Quartet of 1931. Tightly organized around pithy motives, this is one of the most impressive modernist works written by an American. Her freely atonal style is better developed than the styles of other similar modernists like Copland or Sessions at the time. Yet the work is also marked by logical clarity, and deeply felt emotional content. The Andante in particular is an impressive work and makes an even better string orchestra piece in its 1938 transcription.
As Crawford Seeger and her husband became more and more involved in Marxist politics, their musical interests changed as well. The Adorno influenced aesthetic they had both embraced in the early 30s (modernism in music linked with leftist politics) gave way to a more populist ideal, perhaps reflecting some of the political and artistic concerns in contemporary communist Russia. In any case, both Seegers gave up composing for a long while and became interested in the folk song revival. Moving to the Washington, DC area, the couple worked with Alan and John Lomax at the Smithsonian Institution, helping to collect and arrange a treasury of American folk music. This change to folk music deeply affected the music that Crawford Seeger did write at the time. Rissolty Rossolty from 1939 is an example of a rare piece of music from this time. Written in an idiom that suggests the forms of an Ives piece, with the harmonic restraint of Copland's American period, the work is pleasant, if not as strikingly innovative as her early work.
In the 1950s after taking time off to raise her children, the folk singers Peggy and Pete Seeger, Crawford returned to original composition with the intriguing Suite for Wind Quintet. This work suggests that she was on the brink of discovering a way to mix her early modernist style with her later interest in folk music. The melodies of the Suite are derived from folk music, but highly segmented and manipulated, so that all that remains of the original target tune is the mere suggestion of folkiness. Instead the work resembles a slightly more dissonant French-influenced music, rather like a spiky Poulenc. It is not a masterpiece, but it is an intriguing but ultimately sad picture of the composer. Tragically, she died soon after writing this work.
The performances on this disc are by the Schonberg Ensemble led by Oliver Knussen. They are exemplary. Crawford Seeger is one American composer from this period who I think that European musicians can "get" without much effort. The vocal music is sung by Lucy Shelton, who is terrific in modernist repertoire. I don't think one could ask for a better introduction to this wonderful composer than this disc.
A happy revival of music by an exceptional talent.......2003-12-25
Music for Small Orchestra, written in 1926, was her first work for a sizeable ensemble. It is in two movements, a slow first that might remind some of Ives without the eclecticism; and a second, faster movement that develops irregularly. This is a remarkable and very individual orchestral debut, even if the following works on the disc do somewhat put it in the shade.
The Three Chants for Women's Chorus, written four years later, are a remarkable achievement. Written in phonetic speech and complex atonal counterpoint, they are as remarkable for their musical content as for the pre-echoes of later composers that occasionally emerge. Not only are they consistently more radical than most of the European avant-garde of the day, they are also outstanding music in their own right. The outer movements are mostly slow: the first often in two-part counterpoint, the third much more complex and climaxing with a twelve-note cluster; in contrast the central panel is fast and vigorous.
From the same year comes Piano Study in Mixed Accents, an irregularly rhythmic toccata which is great fun if hardly a major achievement.
The Three Songs, written between 1930 and 1932, are written for an ensemble of contralto, oboe, percussion and piano with optional orchestral ostinato. Once again, their radicalism is dramatic and combined with an infectious joy in the sounds the unusual ensemble can create.
Crawford Seeger's most famous work is probably the String Quartet 1931 (in its original form and in the version for string orchestra of the Andante from it). This is a superb work, full of variety, contrast and atmosphere in its four movements. The evocative Andante is the best known part of it, but the rest of the work is on the same elevated level. The orchestral version of the Andante (also recorded here) arguably is even more impressive than the original--a rare case of a transcription that makes its point.
The rest of the disc is more problematical. The Two Ricecare are attempts at avant-garde Leftist agitprop--a ranting vocal line against an unrelated and largely repetitive piano background. Unfortunately they do not reach the heights that, say, Luigi Nono's political music was able to. Rissolty Rossolty (written in 1939) is a brief orchestral fantasy based on folk songs, written in a conservative style and not very interesting. Largely similar in style is John Hardy, written by Crawford Seeger's husband Charles (a far inferior composer to his wife).
The disc ends with the Suite for Wind Quintet, a long-delayed return to concert music from 1952--the year before Crawford Seeger died. This is a sprightly, largely neo-classical work: tuneful and rhythmic but without totally abandoning the modernism of her earlier years. It doesn't strike me as close to the earlier works in quality, but if she had lived, it might have been part of a new beginning for her.
This is a fascinating disc, and for the first half, a remarkable one. Crawford Seeger was, by the standards of her early works, one of the most talented composers of her generation, and these works are unlikely to disappoint anyone interested in the modernist music of her time.
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A Portrait of Britten
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD ASIN: B00000JCAX Release Date: 1999-06-15 |
Tracks:
- Vars On A Theme Of Frank Bridge, Op.10: Intro And Theme - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Adagio - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: March - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Romance - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Aria Italiana - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Bourree Classique - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Wiener Walzer - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Moto Perpetuo - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Funeral March - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Chant - Roger Best
- Vars On A Theme Of Frank Bridge, Op.10: Fugue And Finale - Roger Best
- Simple Sym, Op.4: Boisterous Bourree - Roger Best
- Simple Sym, Op.4: Playful Pizzicato - Roger Best
- Simple Sym, Op.4: Sentimental Saraband - Roger Best
- Simple Sym, Op.4: Frolicsome Finale - Roger Best
- Lachrymae-Reflections On A Song Of Dowland: Lento-Allegretto, Andante Molto-Animato-Tranquillo... - Roger Best
- Plrd And Fugue, Op.29: Prld: Grave - Roger Best
- Plrd And Fugue, Op.29: Fugue: Allegro Energico - Roger Best
Tracks:
- Four Sea Interludes from Peter Grimes, Op.33a: I. Dawn - Michael Bochmann
- Four Sea Interludes from Peter Grimes, Op.33a: II. Sunday Morning - Michael Bochmann
- Four Sea Interludes from Peter Grimes, Op.33a: III. Moonlight - Michael Bochmann
- Four Sea Interludes from Peter Grimes, Op.33a: IV. Storm - Michael Bochmann
- Ste On English Folk Tunes 'A Time There Was...', Op.90: I. Cakes And Ale - Michael Bochmann
- Ste On English Folk Tunes 'A Time There Was...', Op.90: II. Bitter Withy - Michael Bochmann
- Ste On English Folk Tunes 'A Time There Was...', Op.90: III. Hankin Booby - Michael Bochmann
- Ste On English Folk Tunes 'A Time There Was...', Op.90: IV. Hunt The Squirrel - Michael Bochmann
- Ste On English Folk Tunes 'A Time There Was...', Op.90: V. Lord Melbourne - Michael Bochmann
- Gloriana: The Courtly Dances, Op.53a - Michael Bochmann
- The Young Person's Guide To The Orch, Op.34: Vars And Fugue On A Theme Of Purcell - Michael Bochmann
Tracks:
- Les Illuminations, Op.18: Fanfare - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Villes - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Phrase - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Antique - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Royaute - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Marine - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Interlude - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Being Beauteous - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Parade - Jerry Hadley/Anthony Halstead
- Les Illuminations, Op.18: Depart - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Prologue - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Pastoral - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Nocturne - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Elegy - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Dirge - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Hymn - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Sonnet - Jerry Hadley/Anthony Halstead
- Ser, Op.31: Epilogue - Jerry Hadley/Anthony Halstead
- Nocturne, Op.60 - Jerry Hadley/Anthony Halstead/Michael Hirst/Paul Arden Taylor/David Campbell/Keith Rubach...
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Grieg: Peer Gynt; Piano Concerto; Songs
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV2XY Release Date: 2005-02-15 |
Tracks:
- Prelude: In The Wedding Garden - Joachim Ulbricht
- The Bridal Procession Passes - Staatskapelle Dresden
- Prelude: Abduction, Ingrid's Lament - Leipzig Radio Chorus
- In The Hall Of The Mountain King - Leipzig Radio Chorus
- Dance Of The Mountain King's Daughter - Staatskapelle Dresden
- Aase's Death - Staatskapelle Dresden
- Introduction: Morning - Leipzig Radio Chorus
- Arabian Dance - Leipzig Radio Chorus
- Anitras Dance - Taru Valijakka
- Solveig's Song - Taru Valijakka
- Prelude: Peer Gynt's Journey Home - Taru Valijakka
- Solveig's Cradle Song - Taru Valijakka
- I. Allegro Molto Moderato - John Ogdon
- II. Adagio - John Ogdon
- III. Allegro Moderato Molto E Marcato - John Ogdon
Tracks:
- Enticement - Geoffrey Parsons
- Mountain Girl - Geoffrey Parsons
- Bilberry Slopes - Geoffrey Parsons
- Tryst - Geoffrey Parsons
- Love - Geoffrey Parsons
- Kids' Dance - Geoffrey Parsons
- Evil Day - Geoffrey Parsons
- At The Mountain Stream - Geoffrey Parsons
- Hor' Ich Das Liedchen Klingen Op.39 No.6
- Der Fichtenbaum Op.59 No.2
- Wo Sind Sie Hin? Op.4 No.6
- Das Alte Lied Op.4 No.5
- Gruss Op.48 No.1
- Ich Stand In Dunklen Traumen Op.2 No.3
- Abschied Op.4 No.3
- Eingehullt In Graue Wolken Op.2 No.2
- Mein Sinn Ist Wie Der Macht'ge Fels Op.5 No.4
- Des Dichters Letztes Lied Op.18 No.3
- Des Dichters Herz Op.5 No.2
- Sie Ist So Weiss Op.18 No.2
- Morgenthau Op.4 No.2
- Jagerlied Op.4 No.4
- Lauf Der Welt Op.48 No.3
- Zur Rosenzeit Op.48 No.5
- Ein Traum Op.48 No.6
- Dereinst, Gedanke Mein Op.48 No.2
- Dein Rat Ist Wohl Gut Op.21 No.4
- Herbststimmung Op.26 No.5
- An Sie II Op.59 No.4
- An Sie I Op.59 No.3
- Der Jager (1905)
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Dmitry Shostakovich: A Portrait
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E8ZLU2 Release Date: 2006-03-21 |
Tracks:
- Prelude And Fugue In C Major, Op.87 No.1 - Dmitry Shostakovich
- Fantastic Dance In C Major, Op.5 No.3 - Konstantin Scherbakov
- Movement I: Allegretto - Slovak Philharmonic Chorus
- No.2: Adagio - New Zealand Symphony Orchestra
- No.8: General Dance Of Enthusiasm And Apotheosis - Russian State Symphony Orchestra
- Prelude In E Flat Minor, Op.34 No.14 - Konstantin Scherbakov
- Movement 2: Moderato Con Moto - Slovak Radio Symphony Orchestra
- Movement 4: Allegro Non Troppo - Slovak Radio Symphony Orchestra
- Movement 3: Scherzo - Vermeer Quartet
- Movement 3: Allegro Non Troppo - Slovak Radio Symphony Orchestra
- Movement 2: Allegro Non Troppo - Stockholm Arts Trio
- Movement I: Allegro - Slovak Radio Symphony Orchestra
- Movement 3: Passacaglia - Ilya Kaler
- Excerpt From A Radio Address By Shostakovich - Dmitry Shostakovich
Tracks:
- Prelude In F Sharp Major, Op.97 No.13a - Konstantin Scherbakov
- Movement 4: Andante-Allegro - Slovak Radio Symphony Orchestra
- Movement 3: National Holiday - Ukraine National Symphony Orchestra
- Movement 2: Andante - Michael Houstoun
- Movement 5: Largo - Eder Quartet
- Movement 2: Humour - Peter Mikulas
- Movement 4: Largo - Russian Philharmonic Orchestra
- Movement I: Moderato-Allegretto - Eder Quartet
- Movement 9: O Delvig, Delvig! - Peter Mikulas
- Movement I: Allegretto - Slovak Radio Symphony Orchestra
- Movement I: Moderato - Julius Drake
- Fugue In D Minor, Op.87 No.24b - Dmitry Shostakovich
Customer Reviews:
Excellent Extended Booklet Notes, Mostly Fine Performances.......2006-04-29
Included are movements from nine of his fifteen symphones -- Nos. 1, 4, 5, 8, 9, 10, 13, 14 & 15; nothing from No. 7, the 'Leningrad' is included. Several of his piano preludes and fugues are presented, including the opening track which is from Shostakovich's own recording of No. 1 in C. Konstantin Scherbakov is heard in the others, plus a piece I don't recall hearing before, the brief, humorous 'Fantastic Dance in C, Op. 5, No. 3.' Several movements from ballet/movie suites are here -- from 'The Golden Age', 'The Bolt', 'The Gadfly', and 'Hamlet.' Only two string quartet movements are included, not enough in my opinion as his string quartets are among the glories of twentieth-century music, even though he came to the form rather late. We hear excerpts from the Piano Quintet in G Minor and the Piano Trio No. 2, Op. 67 (not the Adagio, but the second movement Allegro). Ilya Kaler plays an incandescent Passacaglia from the First Violin Concerto, Annette Bartholdy plays the first movement of the Viola Sonata beautifully, and Michael Houstoun equally so in the Andante from the Second Piano Concerto (the one Shostakovich wrote for his son Maksim).
Quality of the performances varies a bit. I've never been terribly fond of the complete symphonies as recorded by Slovak Radio Symphony under Ladislav Slovak -- let's face it, this is not a top-tier orchestra. But the movie/film excerpts, played by other east European orchestras, are fine. As for the chamber works and piano works, they are excellent. Konstantin Scherbakov, a really fine pianist, is heard in several of the preludes and fugues, and another excellent Russian pianist, Boris Berman, is heard with the Vermeer Quartet in the Piano Quintet excerpt. The Stockholm Arts Trio is slightly less fine in the Op. 67 piano trio excerpt. The string quartet excerpts (from Nos. 8 and 12) are played wonderfully by the Eder Quartet.
For lagniappe there is a brief 1941 recording of Shostakovich making a radio address -- in Russian, of course, but with an English translation in the booklet.
I would go so far as to suggest that Richard Whitehouse's 92-page booklet is very nearly worth the price of the two-CD set, particularly for those who have not read much about the composer previously.
Scott Morrison
An Excellent 'Portrait' of Shostakovich!!!.......2006-03-22
The "Portrait" collection is packed to its limits with defining musical moments from Shostakovich's repertoire. Excerpts from his famous "24 Preludes and Fugues", his epic symphonies, string quartets and violin concerto are all included here in uncut movements. Of special interest is the Preludes and Fugues that bookend the set because these were performed by Shostakovich himself from recordings made in the early 1950s. Also of interest is a short extract from a radio address in 1941 that features Shostakovich announcing (in Russian) work on his monumental Seventh Symphony (aka the "Leningrad Symphony").
The 100-page booklet that accompanies the CD-set features an excellent detailed essay on Shostakovich that gives an in-depth look at the composer's life and music as well as historic photos.
The only real downfall to the collection is the fact that excerpts from some of Shostakovich's best known works are missing here. There isn't any music from his famous "Leningrad" Seventh Symphony nor is there any from the equally famous Eleventh ("The Year 1905"). Also missing is music from the Cello Concerto and the famous "Festive Overture". Of course to include these pieces would have meant to extend from double-CD to a triple set. Since both CDs in this set are filled to their limits at 79 minutes each, I guess the omission of the above important works can be accepted. Besides what we do have here is some excellent music to begin with.
With this said, "A Portrait" of Dmitri Shostakovich is an excellent beginners guide to this dynamic yet controversial composer. I personally cannot think of a better introduction to his music than this.
Bravo to Naxos for this excellent release and a happy 100th to this great Russian musical genius.
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The Best of the Great American Composers, Vol. 1
Manufacturer: Alshire ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000KOH Release Date: 1996-05-21 |
Tracks:
- Blue Skies
- But Not Too Much
- Always
- Rhapsody In Blue
- Portrait Of You
- Summertime
- Night And Day
- White Tie And Tails
- I Love Paris
- Some Enchanted Evening
- Oklahoma
- Aisle Talk
- Gigi
- Thank Heaven For Little Girls
- Standing Room Only
- Moon River
- Happy Hobo
- Days Of Wine And Roses
Customer Reviews:
What a great collection of old standards.......2000-11-17
I belive this series showcases six composers on each cd. With this format, there's no way to go wrong with this cd. The 101 Strings do a wonderful job of performaning these songs.
Recommendation: I think it would be wise to buy this cd if you love the standards.
Track Listings:
- Crossings
- Die Orgeln im Dom zu Bantzen
- Disseminate Ostrava/Kontradictionaries/Disseminate Q-02
- Dunhill - Bantock - Stanford : Violin Sonatas / Stanzeleit
- Duo Forza
- Elgar: In the South; Walton: Partita; Britten: Sinfonia da Requiem
- English Orchestral Songs
- Fauré: Complete Works for Piano, Vol. 1
- Franz Liszt: Complete Song Transcriptions of Chopin, Mendelssohn, Robert and Clara Schumann
- French Orchestral Favorites
Track Listings
Bag of Hits [Explicit Lyrics] [Limited Edition] [Import]
Christ on Olive Mountain Op 85
Come Away With Me [Enhanced] [Import]