Symphony 5 in D K385 Haffner / Sym 40 G Minor K550

1. Symphony No. 41 in C major ("Jupiter"), K. 551
Composed by Wolfgang Amadeus Mozart
Performed by Turin Radio Symphony Orchestra & Chorus Conducted by Herbert von Karajan

2. Symphony No. 40 in G minor, K. 550
Composed by Wolfgang Amadeus Mozart
Performed by Turin Radio Symphony Orchestra & Chorus Conducted by Herbert von Karajan

3. Symphony No. 35 in D major ("Haffner"), K. 385
Composed by Wolfgang Amadeus Mozart
Performed by Turin Radio Symphony Orchestra & Chorus Conducted by Herbert von Karajan

Symphony 5 in D K385 Haffner / Sym 40 G Minor K550,Mozart,Rai,Karajan,Historic Collection,Classical,Orchestral & Symphonic

Average customer rating: A Wonderful Collection Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Bassoon | Reeds & Winds | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Salzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Passion - Most Famous Orchestral Spectaculars [20 CD Set] Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Classical Masterpieces of the Millennium [20 CD Set] Thelonious Monk 3 CD Set (LP edition packaging) ASIN: B00012QLTG Release Date: 2003-12-09

Tracks:

1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

1. String Quartet in a Major K.464: Allegro - Petersen Quartett
2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
3. String Quartet in a Major K.464: Andante - Petersen Quartett
4. String Quartet in a Major K.464: Allegro - Petersen Quartett
5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

1. Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
3. Church Sonata in C, K.328 - Robert Kuppelwieser
4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
5. Fantasy in F Minor, K.608
6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Average customer rating: NONE FINER! Excellent readings of the last six symphonies... Radiant performances! Wonderful Sound Quality and Precision Other than Bruno Walter's

Mozart: Symphonies Nos. 35-41 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Beethoven: 9 Symphonies Mozart: The Great Piano Concertos, Vol. 1 Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra Mozart: The Great Piano Concertos, Vol. 2 Beethoven: Symphony No. 9 / Karajan, Berlin Philharmonic Orchestra ASIN: B000001GQB Release Date: 1996-01-23

Tracks:

1. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Allegro Con Spirito
2. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': (Andante)
3. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Menuetto - Trio
4. Symphonie No. 35 - Dur KV 385 'Haffner Symphonie': Finale. Presto
5. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Adagio - Allegro Spiritoso
6. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Andante
7. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Menuetto - Trio
8. Symphonie No. 36 - Dur KV 425 'Linzer Symphonie': Presto
9. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Adagio - Allegro
10. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': Andante
11. Symphonie No. 38 - Dur KV 504 'Prager Symphonie': (Finale.) Presto

Tracks:

1. Symphonie No. 39 Es-dur KV 543: Adagio - Allegro
2. Symphonie No. 39 Es-dur KV 543: Andante Con Moto
3. Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio
4. Symphonie No. 39 Es-dur KV 543: Finale. Allegro
5. Symphonie No. 40 g-moll KV 550: Molto Allegro
6. Symphonie No. 40 g-moll KV 550: Andante
7. Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio
8. Symphonie No. 40 g-moll KV 550: Allegro Assai
9. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Allegro Vivace
10. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Andante Cantabile
11. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Menuetto. Allegretto - Trio
12. Symphonie No. 41 C-Dur KV 551 'Jupiter Symphonie': Molto Allegro

Amazon.com essential recording

Karl Bohm was one of this century's great Mozart conductors--a fact that's apt to be forgotten in the flood of authentic instrument productions, many of them on DG's associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work's gorgeous melodies a chance to sing and breathe. Mozart's symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart's comic operas. These beautifully recorded versions of Mozart's greatest symphonies belong in the collection of every fan of the composer. --David Hurwitz

Customer Reviews:

NONE FINER!.......2007-07-19

In the WHOLE recorded field of Mozart late symphonies, NONE shine like these. Karl Bohm, undoubtedly, ranks supreme as the finest Mozart interpreter of "our" generation. He simply KNEW, and HAD A WAY, with this music that remains unparalleled. And the Berlin, well, they, too, certainly can work their way through these scores like no other ensemble...likely because of the great master leading them here.

I originally had these on LP back in the 60's, and literally wore the set out, replacing it years later. Then, of course, with it's initial release on cd I repurchased it, but found it "shrill" to my ears. This new remastering is simply stunning, and first rate. Thanks DG (or Universal) for your loving care and attention in this re-release mastering.

Simply stated, this set of the final symphonies of Mozart, under Bohm, BELONG in EVERY COLLECTION as a cornerstone. Should you doubt me, please read on among the other reviews here, and be convinced. ~operabruin

Excellent readings of the last six symphonies..........2007-03-09

I was listening to these again last night and I have to say, Bohm knows his Mozart. Then again, so does the Berlin Philharmonic. Bohm always seems to pick the right tempo, never too fast but not too slow either. The perfect example is the opening of the 39th, where Bohm revels in creating a big engulfing sound during the slow introduction; however as soon as the allegro kicks in, tempi and tones have a spring in their step. For me, this is one of the great versions of the 39th, even in spite of a few sloppy moments in the latter movements. He submits an excellent 35th and 36th, again with moderate tempi but wonderfully Mozartean phrasing, somewhat surprising since when Bohm recorded these, "Period Instruments" weren't even a twinkle in Harnoncourt's eye, and "Romantic" readings were all the rage for Mozart. Bohm's steadiness with these interpretations is only matched by his ear for detail; better, say, than Marriner, who is unquestionably steady, but whose readings lack spontenaity, and more consistent than Szell, whose 40th is one of the great readings, but whose 39th falls flat and whose brass/woodwinds can't handle their increased role in the Jupiter symphony.
Considering the age of these recordings (early- to mid-60s), they also sound remarkably clean and clear, and all of the parts can easily be heard; although I would credit Bohm with some of this as he was always excellent at creating space and keeping all of Mozart's many layers exposed to the listener. I have a number of different accounts of Mozart's last six symphonies (Marriner, Bernstein, Karajan, Szell 35, 39-41, Mackerras), but pound for pound, this one is the best. If you still aren't happy with the versions you own, this set may be your stopping point.

Radiant performances!.......2007-02-03

The Symphony No. 41 in C major Kv 551 best known as Jupiter retakes and maintains the most representative epic spirit of Mozart like any one Symphony. It breaths liberty, Dionysian pleasure and that essential rapture so common in the masterpieces. And under Bohm's baton exudates full aristocratic sound.

In spite of the fact it has been recorded so many times, just a few directors have been able to extract and carve in relief the majestic splendor of this K.

On the other hand the version of the 38th Symphony is simply majestic and radiant. Bohm never abuses of excess of elegance and his pristine lyricism may be easily realized.

Karl Bohm was indeed, one of the most representative Ambassadors of the Mozart symphonic repertoire. The Berlin Philharmonic, fortunately still maintained the noble sound inherited from Furtwangler and then Fricsay and that was a decisive fact to his favor.

Wonderful Sound Quality and Precision .......2006-03-24

Precision. That is what comes to my mind when listening to a Karl Bohm interpretation of Mozart. Mozart's final symphonies are ageless masterpieces of music. Anyone can recognize the opening Allegro moto of Symphony No. 40 in G-Minor (one of Mozart's only symphonies in a minor key). Just finding a collection with these wonderful symphonies is a great find.

As to the sound quality, Deutsch Gramophone spent extra time and resources into reissuing these originally analog recordings. It is nice to be able to hear every woodwind in balance and the string sections in their glory. The sound does not seem forced or artificial and the quality is absolutely superb.

These recordings were completed during the height of Bohm's time as a conductor. His interpretations are truly "viennese" in that tempos and structure are very precise and meticulous. Some may think his tempi are slow or plodding, but they offer a very nice interpretation that perhaps was accepted in Mozart's era. The 35th, 39th, and 41st symponies in the set are my favorites.

I would also suggest looking at George Szell's performances with the Cleveland Orchestra, for they offer a different interpretation but are also superb.

Other than Bruno Walter's.......2006-01-21

Columbia SO recordings (NOT with the New York PO) , which are OOP, this Bohm is the one to have, the only one you need actually. As I've heard at least 6 other major conductors, Klemperer , Mackerraas, both Levine's etc etc.
The only 2 I kept are the Walter ,got mine from a used cd dealer in the UK online :-) and the Bohm, complete sym set, which is the way to go for Mozart fans. There's quite a few very good syms in the 1-34.
All that stuff you read about Bohm being a "kapplemiester" (germanic style/cold), old fashioned, tutonic, is very misleading. I hear nothing of the sort and wish these comments would stop.
Though I was forwarned about Bohm being off track in approach with his german orch, I sense there is some anti-german sentiments in these negative comments about Bohm. None of this criticism leveled against Bohm is factual, only a prejudice in their minds.

As to
Details, tempos, instrument quality, sound quality, orch size all are in perfect harmony with Mozart.
. Bohm and the Berlin show forth a understanding of Mozart that none except Walter can rival.
The Klemper/Philharmonia on TESTAMENT, not the EMI release(which are duds) are not too bad, but not in the same category as either Bohm or Walter.
I sat down one day and compred all 3, and concluded the Klemperer were not necessary , for sound issues and also not on par with Bohm's definitive recording.

EDIT: I should mention that i read on a forum recently, he recalled Bohm from his vinyl set that the performances were 'a bit dull". Bohm does not speed read. Any conductor that takes Mozart too fast is doing a disservice to these richly detailed scores. Mozart requires detailed attention, which is what Bohm brings. Yet the life is there, not dull at all.
EDIT on Feb 21/07...
Mackerras' Prague is not in the same league as the Berlin. Many of the soloists in this Berlin use instruments that bring out a chamber flaor, and also Bohm kept the orch smaller than many other orch's. This smaller chamber sound brings more to Mozart than many other recodings I;'ve heard. Even Walter's Columbia is "big sound", yet Walter's does present a "Mozartian" image. Bohm goes even further. Many other like conductors record Mozart with a "Beethovenian" sound. That us large orch/heavy/darker.

Paul Best
Baton Rouge

Average customer rating: A good bargain Great compilation of Mozart! Good collection Retrograde Mozart with undeniable heart Mozart: The Great Late Symphonies

Mozart: The Late Symphonies: Nos. 25, 29, 35, 36, 38, 39, 40, 41 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Mozart: The Great Piano Concertos, Vol. 1 Beethoven: The 9 Symphonies (Collectors Edition) Mozart: The Six String Quintets Mozart: The Great Piano Concertos, Vol. 2 Mozart: Violin Concertos ASIN: B0000942LO Release Date: 2003-07-01

Tracks:

1. I. Allegro Con Brio
2. II. Andante
3. III. Menuetto-Trio
4. IV. Allegro
5. I. Allegro Moderato
6. II. Andante
7. III. Menuetto-Trio
8. IV. Allegro Con Spirito
9. I. Adagio-Allegro
10. II. Andante
11. III. Presto

Tracks:

1. I. Allegro Con Spirito
2. II. Andante
3. III. Menuetto-Trio
4. IV. Presto
5. I. Molto Allegro
6. II. Andante
7. III. Menuetto-Trio
8. IV. Presto
9. I. Molto Allegro
10. II. Andante
11. III. Menuetto: Allegretto-Trio
12. IV. Allegro Assai

Tracks:

1. I. Adagio-Allegro
2. II. Andante Cantabile
3. III. Menuetto: Allegretto-Trio
4. IV. Finale: Allegro
5. I. Allegro Vivace
6. II. Andnate Cantabile
7. III. Menuetto: Allegretto-Trio
8. IV. Molto Allegro

Customer Reviews:

A good bargain.......2007-07-11

A bargain set, which whilst quirkily performed (in places), is a never-the-less continually entertaining to re-visit.

Great compilation of Mozart!.......2007-01-12

If you want to get the best of Mozart with a fabulous composer than this cd is the one for you. I am not a music critic, just a biology major who studies well listening to these classics -- they really help keep me focused!! Awsome symphonies at a great price -- what could be better?!?!

Good collection.......2006-12-21

I particularly found Symphonies 25 and 40 to be very nice to listen to. The the rest of them I found to be ok, maybe since I am not a big fan of classical music. I bought this cd because I went to a symphony that played Mozart no. 25 which I enjoyed very much. Hence I decided to try out his other compositions.

Retrograde Mozart with undeniable heart.......2005-12-04

Leonard Bernstein thought that every composer was a romantic because he was. These big, heart-on-sleeve performances of Mozart's great late symphonies use the Vienna Phil. at almost full force--they could slip into the Brahms First without adding personnel. Bernstein lived long enough to theoretically be influenced by the period-instrument movement, but his allegiance never shifted. He belongs with Karajan and Bohm as the last conductors for whom Mozart should sound "important."

At its best, this approach yields romantic depth, perhaps not what Mozart intended but valid in its way. I would rather listen to Bernstein's Mozart symphonies than Karajan's (tending to be slick and glossy, although better than reputed) or Bohm's (brisk and faceless). A new listener should know in advance that the slow movements will be expressively drawn out and the minuets often slow and heavy-footed (these dancers are wearing boots). But Bernstein believes in this music, and he is always genuine. That ocunts for a lot with a composer who used to be played as if he were a porcelain doll and is now too often played as if his divine music were written by a Roccoco computer. Four stars.

Mozart: The Great Late Symphonies.......2004-06-16

What a great album we have here. Leonard Bernstein conducts the later symphonies of Mozart, which are considered to be his most mature and his greatest works for full orchestra. This album is worth the price and a treasure to own for your extensive classical music collection. If you appreciate classical music, you'll truly enjoy this album. Everyone knows that Leonar Bernstein ranks among one of the best conductors of the 20th century, right up there with the great names of Herbert Von Karajan, Bruno Walter, Sir Neville Marriner, all who have held their own when it comes to Mozart's music. Karajan I feel is not quite as good when it comes to Mozart's symphonic works. Bruno Walter and Sir Neville Marriner have long surpassed Karajan in the area of Mozart symphonies. Indeed, if you get the chance be sure to check out symphonies conducted by either Bruno Walter or Sir Neville Marriner. Marriner and the Acadamy Of Saint Martin In The Fields did mostly Mozart and provided the music of the 1984 Milos Forman film Amadeus.

The reason this album is so good is Leonard Bernstein conducting. As a conductor and a musically atuned soul, he seems to really interpret these symphonies perfectly. He gets Mozart. He has captured every note, every vibrato, roulade, flowing lines and bouncy but balanced joy in every allegro movement, such as the first movement of the Prague Symphony No. 38. For contrast, he understood the substance and darkness that seems to be written into the Allegro of the Symphony No. 25. The first movement is meant to sound furious, anguished and complex, and fast in a darker sort of mood. It's one of those rare moments in which Mozart foreshadows the Romantic Era that would begin with Beethoven. Mozart would also do this with the andante of his 21st piano concerto and the opening movement of the Piano Concerto No. 20. The last symphonies 40 and 41, "Haffner" and "Jupiter" are regarded as Mozart's most mature works for the symphony. The orchestra is more panoramic and produces a less lighter texture. The music is a fully developed Mozart in his later years. The Jupiter is his grandest. Its name conjures up the vastness of the planet Jupiter or the majesty of the Roman god Jupiter. Get this album if you're a fan of Mozart and a fan of the conductor Leonard Bernstein who aptly conducted the New York Philharmonic for many years and the Berlin Philharmonic towards the end of his life.

Average customer rating:

The Story of Mozart Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Austria | Continental Europe | Europe | International | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | Requiems | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Requiems | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | Sonatas | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | Symphonies | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Symphonies | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Symphonies | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 International | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Story of Beethoven The Story of Bach The Story of Tchaikovsky The Story Of Handel Story Of Chopin In Words And Music ASIN: B000001KCN Release Date: 1994-02-28

Tracks:

1. Serenade In G Major, K. 525 ' Eine Klein Nachtmusik': Allegro
2. Minute For Piano K. 1
3. Serenade No. 35 In D Major, K. 385 'Haffner': Allegro
4. Piano Sonata No.11 In A Major, K 331 'Turkish': Alla Turca
5. Symphony No. 36 In C Major, K. 425 'Linz': Finale: Allegro
6. 'Bastien un Bastienne': Overture
7. Organ Sonata In E-Flat Major, K. 67
8. Piano Concerto No.15 In C Major, K 545: Allegro
9. Serenade No. 13 For Woodwinds In B-Flat Major, K. 361: Finale: Presto
10. Concerto For Flute And Harp In C Major, K. 299: Allegro
11. Symphony No. 40 In G Minor, K. 550: Molto Allegro
12. Piano Concerto No.20 In D Minor, K 466: Allegro
13. Clarinet Quintet In A Major, K. 581: Allegro
14. Violin Concerto No.5 In A Major, K. 219 'Turkish': Allegro
15. Mass No. 14 In C Minor, K. 427: Et Incarnatus Est
16. Symphony No. 40 In G Minor, K. 550: Adante
17. 'The Marriage Of Figaro,' K 492: Overture
18. 'Don Giovanni,' K. 527: Overture
19. 'The Magic Flute,' K. 620: Of Loveliness Beyond Compare
20. Symphony No. 41 In C Major, K. 551, 'Jupiter': Allegro
21. String Quartet No. 17 In B flat Major, K.458 'Hunt': Allegro vivace assai
22. Requiem In D Minor, K. 626: Kyrie
23. Piano Concerto No. 21 In C Major, K.467: Andante
24. Requiem In D Minor, K. 626: Lachrymosa
25. Symphony No. 40 In G Minor, K. 550: Allegro - Complete
26. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Allegro
27. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Romanze. Andante
28. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Menuetto: Allegretto
29. Serenade In G Major, K.525 'Eine Kleine Nachtmusik': Rondo: Allegro

Average customer rating: Great CD's for children. Eh... We Love These!!! Bringforth the artist within by listening to Mozart Absolute nonsense

The Mozart Effect: Music For Children, Vols. 1-3 Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Variations | Variations | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Bassoon | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Salzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Ambient | Dance & DJ | Styles | Music General | New Age | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music Compilations | Children's Music | Styles | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: Music For The Mozart Effect, Volume 4, Focus & Clarity The Mozart Effect: Music For Babies: Nighty Night The Mozart Effect: Music For Children, Vol. 4: Mozart To Go The Mozart Effect for Children: Awakening Your Child's Mind, Health, and Creativity with Music The Mozart Effect: Music for Newborns - A Bright Beginning ASIN: B000002134 Release Date: 1997-09-30

Tracks:

1. Eine Kleine Nachtmusik, K.525: Rondo - The Cambridge Buskers
2. Vn Con No.2, K.211: Allegro Moderato - Capella Isopolitana
3. Sinf, K.297b: Vars - Capella Isopolitana
4. Sym No.17, K.129: Andante - Northern Chamber Orchestra
5. Sym No.24, K.182: Andantino - Northern Chamber Orchestra
6. 5 Vars on Twinkle Twinkle Little Star, K.265 - Jeno Jando
7. Vn Con No.5, K.219: Allegro Aperto - Capella Isopolitana

Tracks:

1. The Marriage Of Figaro: Voi Che Sapete - The Cambridge Buskers
2. Cassation, K.63: Andante - Salzburg Chamber Orchestra
3. Sym No.6, K.43: Andante - Northern Chamber Orchestra
4. Sym No.18, K.130: Andantino Grazioso - Northern Chamber Orchestra
5. Ser No.10, K.361: Adagio, Gran Partita - Amamdeus Wind Orchestra
6. Ser No.9, K.320: Concertante - Capella Isopolitana
7. Bn Con, K.191: Andante Ma Adagio - VIENNA MOZART ACADEMY
8. Divert, K.287: Adagio - Capella Isopolitana

Tracks:

1. Don Giovanni: Champagne Aria - The Cambridge Buskers
2. Rondo Alla Turca - The Cambridge Buskers
3. 'Die Leyerer', K.611 - Orpheus Chamber Orchestra
4. 'La Bataille', K.535 - Orpheus Chamber Orchestra
5. March No.1, K.335 - Orpheus Chamber Orchestra
6. Divert in B Flat, K.15gg: Cotillion, Allegro - Academy Of St. Martin-In-The-Fields
7. The Magic Flute, K.620: Papageno's Song - The Cambridge Buskers
8. Sym No.40, K.550: First Movt - The Cambridge Buskers
9. German Dance No.4, K.602 - Capella Isopolitana
10. German Dance No.2, K.605 - Capella Isopolitana C
11. Ser in D, K.250: Menuetto - Capella Isopolitana
12. Ser, K.205: Menuetto, Divert - Capella Isopolitana
13. Divert in B Flat, K.287: Menuetto - Capella Isopolitana
14. Ser, K.203: Prestissimo - Salzburg Chamber Orchestra

Product Description

Studies prove that the music of Mozart has a powerful effect on the intellectual and creative development of children. Don Campbell, musician, teacher and author of the new book The Mozart Effect for Children and The Mozart Effect, has selected some of the best of Mozart's music to stimulate and inspire young minds. Based on up-to-date medical and psychological research in creativity and intelligence, the pieces on each recording have been carefully chosen by the author so that tempos, key signatures and textures of the music change with each selection in order to provide a rich listening and learning experience for children of all ages.

Amazon.com

Two hundred years after Wolfgang Amadeus Mozart's death, French physician Dr. Tomatis discovered a relationship between listening and learning. Remarkably, he found that children develop their listening ability in the womb. According to medical studies, we now know that the music of Mozart in particular has a profound effect on the human mind, body, and spirit. Working in accordance with this philosophy, internationally known teacher and musician Don Campbell wrote The Mozart Effect, a seminal book correlating music with health, well-being, and increased intelligence. Campbell's musical collection of the same name presents compositions carefully chosen for the benefit of children. Volume 1, "Tune Up Your Mind," is formulated to gently stimulate young minds. Volume 2, "Relax, Daydream, and Draw," includes excerpts from Symphony Nos. 6 and 18, and volume 3, "Mozart in Motion," a delightfully playful disc, includes an excerpt from The Magic Flute. --Paige La Grone

Customer Reviews:

Great CD's for children........2007-05-23

These CD's are very uplifting and will leave you in a great mood. These are wonderful for children to listen to on a daily basis.

Eh..........2007-01-10

It's okay. For the classroom, there is one CD that's good background music for working at desks and one that's good for dancing. But I'd rather listen to "real" classical music with kids.

We Love These!!!.......2006-02-11

Our whole famiy loves these CDs! They are very relaxing to listen to while playing games, drawing, or building! I'm no music expert, but I thought the sound quality was good. We listen to them almost everyday! In fact, our kids request 'Mozart music' when playing and it does seem to help keep them focused on one thing for quite some time. :)

Bringforth the artist within by listening to Mozart.......2005-10-07

Some scholars claimed that the Author of "The Mozart Effect", Don Campbell, overemphasized his theory. I bought his 2 books, and this set of CD to find out whether his findings are legitimate.
The more I listen to Mozart, according to his arrangement, the more I'm convinced. The Mozart Effect: Music for Children, Volume 1-3 is an excellent prescription for the young and older mind, alike.

Absolute nonsense.......2005-03-06

I have not heard this CD but the idea that listening to Classical music in the womb has been disproven by legitimate scientists for a long time. A simple search found the following...

"The Mozart Effect is an example of how science and the media mix in our world. A suggestion in a few paragraphs in a scientific journal becomes a universal truth in a matter of months, eventually believed even by the scientists who initially recognized how their work had been distorted and exaggerated by the media. Others, smelling the money, jump on the bandwagon and play to the crowd, adding their own myths, questionable claims, and distortions to the mix."

"The idea for the Mozart Effect originated in 1993 at the University of California, Irvine, with physicist Gordon Shaw and Frances Rauscher, a former concert cellist and an expert on cognitive development. They studied the effects on a few dozen college students of listening to the first 10 minutes of the Mozart Sonata for Two Pianos in D Major (K.448). They found a temporary enhancement of spatial-temporal reasoning, as measured by the Stanford-Binet IQ test. No one else has been able to duplicate their results. One researcher commented that the "very best thing that could be said of their [Shaw's and Rauscher's] experiment-were it completely uncontested-would be that listening to bad Mozart enhances short-term IQ" (Linton). Rauscher has moved on to study the effects of Mozart on rats. Both Shaw and Rauscher have speculated that exposure to Mozart enhances spatial-reasoning and memory in humans. "

Note that the only scientific tests were performed on college students.

If you want to listen to Mozart, great. Just buy a CD that does not insult your intelligence by making ridiculous claims.

Average customer rating: The best period instrument Mozart symphony cycle around The best period orchestra Mozart symphonies around! A Beautiful Time Capsule Another BBB (basically bland Brit) recording Pinnock excellent, DG Archiv sound variable

Complete Mozart Symphonies / Pinnock, English Concert Mozart , Ecc , and Pinnock Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Mozart: The Piano Concertos Bach: Concertos Haydn: Complete Symphonies (Box Set) Dvorák: The Symphonies Vivaldi Concertos ASIN: B000069KJ3 Release Date: 2002-10-08

Tracks:

1. Molto Allegro
2. Andante
3. Presto
4. Allegro Assai
5. Andante
6. Presto
7. Allegro
8. Andante
9. Presto
10. Allegro
11. Andante
12. Molto Allegro
13. Allegro Maestoso
14. Andante
15. Presto
16. Allegro
17. Andante
18. Menuetto - Trio
19. Allegro

Tracks:

1. Molto Allegro
2. Andante
3. Menuetto - Trio
4. Molto Allegro
5. Allegro
6. Andante
7. Menuetto - Trio
8. Molto Allegro
9. Allegro
10. Andante
11. Menuetto - Trio
12. Molto Allegro
13. Allegro Maestoso
14. Andante
15. Menuetto - Trio
16. Allegro
17. Allegro
18. Andante
19. Menuetto - Trio
20. Allegro
21. Allegro
22. Andante
23. Allegro Molto

Tracks:

1. Allegro
2. Andante
3. Menuetto - Trio
4. Presto
5. Allegro
6. Andante
7. Menuetto - Trio
8. Allegro
9. Allegro
10. Andante
11. Allegro
12. Allegro
13. Andante
14. Menuetto - Trio
15. Allegro Molto
16. Allegro
17. Andantino
18. Menuetto - Trio
19. Allegro
20. Allegro
21. Andante
22. Menuetto - Trio
23. Molto Allegro

Tracks:

1. Allegro
2. Andante
3. Allegro
4. Allegro
5. Andante
6. Menuetto - Trio
7. Allegro
8. Allegro
9. Andante
10. Menuetto - Trio
11. Molto Allegro
12. Allegro Moderato
13. Andante
14. Menuetto - Trio
15. Molto Allegro
16. Allegro
17. Andante
18. Menuetto - Trio
19. Presto

Tracks:

1. Allegro Maestoso
2. Andante Grazioso
3. Allegro
4. Allegro
5. Andante
6. Allegro
7. Allegro
8. Andantino Grazioso
9. Menuetto - Trio
10. Molto Allegro
11. Allegro
12. Andante
13. Menuetto - Trio
14. Allegro
15. Molto Presto
16. Andante
17. Allegro

Tracks:

1. Allegro
2. Andante
3. Menuetto - Trio
4. (Allegro)
5. Allegro
6. Andante
7. Menuetto - Trio
8. Allegro
9. Allegro Assai
10. Andantino Grazioso
11. Presto Assai
12. Allegro Spiritoso
13. Andantino Grazioso
14. Presto Assai
15. Allegro
16. Andantino Grazioso
17. Presto

Tracks:

1. Allegro Spiritoso
2. Andantino Grazioso
3. Allegro
4. Allegro Con Brio
5. Andante
6. Menuetto - Trio
7. Allegro
8. Molto Allegro
9. Andantino Con Moto
10. Menuetto - Trio
11. Presto
12. Allegro Assai
13. Andante
14. Allegro

Tracks:

1. Allegro Moderato
2. Andante
3. Menuetto - Trio
4. Allegro Con Spirito
5. Allegro Spiritoso
6. Andante
7. Menuetto: Allegretto - Trio
8. Presto
9. Allegro Assai
10. Andante Moderato
11. Menuetto - Trio
12. Allegro Assai

Tracks:

1. Allegro Spiritoso
2. Andante
3. Tempo Primo
4. Allegro Vivace
5. Andante Di Molto Piu Tosto Allegretto
6. Finale: Allegro Vivace
7. Allegro Con Spirito
8. Andante
9. Menuetto - Trio
10. Presto
11. Adagio - Allegro Spiritoso
12. Andante
13. Menuetto - Trio
14. Presto

Tracks:

1. Adagio - Allegro
2. Andante
3. Presto
4. Adagio - Allegro
5. Andante Con Moto
6. Menuetto: Allegretto - Trio
7. Finale: Allegro

Tracks:

1. Molto Allegro
2. Andante
3. Menuetto: Allegretto - Trio
4. Allegro Assai
5. Allegro Vivace
6. Andante Cantabile
7. Menuetto: Allegretto - Trio
8. Molto Allegro

Customer Reviews:

The best period instrument Mozart symphony cycle around.......2005-11-24

Trevor Pinnock and the English Concert turn in the best period instrument Mozart Symphony cycle around. With 20-30 players, the English Concert sounds full and rich, and are so well recorded, one could mistake them for a modern instrument chamber orchestra augmented with more players for a bigger sound. The early symphonies employ fewer players, the symphonies from about No. 20 and following call for more players, in some cases trumpets, horns and timpani in addition to the usual strings, harpsichord, flutes, oboes, and bassoon.

Pinnock chooses perfect tempos for the English Concert: allegros are spritely, but not driven and there's never a sense that the musicians are having trouble keeping up at Pinnock's tempos. Andante movements sing with the cantabile quality Mozart is famous for, and are always musical and flowing: very beautiful.

I am not a big fan of period instrument Mozart. I have heard Hogwood and the Academy of Ancient Music (L'Oiseau Lyre) in Mozart Symphonies 34, 38, 39, and 41 and that's enough to give me a sense that Pinnock is superior - more confident, and better recorded - to Hogwood in this music. Haydn's symphonies seem to work better with period instruments than do Mozart's, but Pinnock and the English Concert have a special musical quality which MAKE Mozart work with a period orchestra. Incidentally, both Pinnock and Hogwood have recorded very fine Haydn Symphonies with their respective orchestras.

I have also read, in AMERICAN RECORD GUIDE (July/August 2005 issue) in a review of the Mozart Symphonies with Linden/Mozart Academy of Amsterdam, a period orchestra (Brilliant Classics set) that Pinnock's Mozart cycle is to be preferred. I have not heard Linden myself, but ARG's review states that with the exception of Symphonies 20, 39, 40, and 41, Pinnock "wins across the board." The reviewer cites sour tuning, below standard pitch, sloppy playing, not enough contrasts of dynamic range and pokey allegros, as liabilites which are especially annoying in Linden's cycle, and advises the reader to go with Pinnock if looking for a period cycle of Mozart symphonies.

Other options? Bohm/Berlin Philharmonic (DG); Krips/Concertgebouw (for Symphonies 21-41, Philips); Hans Graf/Mozarteum Orchestra, Salzburg (Capriccio); and Nicholas Ward/Northern Chamber Orchestra, modern instrument chamber orchestra (for early symphonies, Naxos). But unless you really hate period instruments, you will like Pinnock, as I do, and as I stated earlier: I am not a fan of period instrument Mozart.

The best period orchestra Mozart symphonies around!.......2005-08-23

Trevor Pinnock and the English Concert perform Mozart's symphonies with great style, elan, and spirit, making this the best period orchestra Mozart Symphonies around. Pinnock deals alot in contrasts and atmosphere, setting a mood for each movement, within each symphony. The English Concert plays even Mozart's earliest symphonies-written when he was a pre-teen-as great music, and it works, very effectively. Allegros bristle with spirit, Andantes and Adagios emphasize cantabile (singing style) as all Mozart's music has a vocal/singing emphasis (in contrast to Haydn or Beethoven, who tend to build movements arount motives, or rhythmic patterns of notes; Mozart emphasizes melody moreso in many of his works).

I am not a fan of period instruments in music of Haydn, Mozart, and any composers after Bach and Handel, but this cycle is really fine. My favorite Mozart Symphonies have been Karl Bohm/Berlin Philharmonic (complete cycle, DG); 21-41 by Joseph Krips/Concertgebouw Orchestra (Philips, coupled with Marriner/Academy of St. Martin in the fields for 1-20); Bruno Walter/New York Philharmonic for Symphonies 25,28,29,35,36,38-41 (Sony); Otto Klemperer/Philharmonia for Symphonies 36,38-41 (EMI). But, Pinnock's accounts are spirited and the English Concert, at about 20-25 players, doesn't sound scrawny or ineffective at all. If you're used to the sonority of the Berlin Philharmonic or Philharmonia Orchestra, this will take some getting used to, but it is very good.

This could be called "period instrument Mozart for those who don't like period instruments." I have heard Christopher Hogwood/Academy of Ancient Music in Symphonies 34,38,39,41, and they are not as good as Pinnock's accounts. Hogwood's orchestra sounds small, puny compared with Pinnock's more robust group. I am not meaning to degrade Hogwood, as I have a number of fine recordings of his: Beethoven Symphonies 1,2;
Handel's MESSIAH; Haydn Symphonies 94, 96; Boyce Opus 6 Symphonies. But in Mozart Symphonies, I prefer Pinnock.

Pinnock's set is also well recorded, adding to it's high quality. You can't go wrong with these, unless you absolutely hate period instruments.

A Beautiful Time Capsule.......2005-04-08

In comparing this recording, with its use of original instruments, and my favorite recordings with modern instruments, I find I prefer this. It doesn't lose any power, but it gains by the imaginative process of listening to the music as Mozart would have heard it. The collection is also a wonderful way to listen to the progression of Mozart's music throughout his life. As you listen to the first two of the eleven discs, you'll be amazed at the symphonies he wrote when he was only nine years old!

Another BBB (basically bland Brit) recording.......2005-04-06

This is a short review because when you've heard one of these you've heard them all. They're all played in the same starched, stiff mannor, with brisk tempi, little feeling, no shaping of phrase, and no color. The Mozart symphonies--the latter ones, anyway--have their own style and merit different approaches (No. 31, the "Paris," is almost curtain-raiser music for an opera buffa, for example, while No. 39 is in some ways proto-Beethoven, harmonically sharing a good deal with the "Eroica," and No. 40 shows Mozart heading into a realm of a basically Romantic chromaticism that would have led to much fascinating music if he'd lived longer and written more in that style). Yet here all the works are played interchangably. These are performances that could have been generated on a computer.

The sound is excellent, but that's about all there is to recommend this set. Hogwood's traversal on period instruments has more personality, believe it or not. And to really show what can be done with works like these on HIP instruments, try Franz Bruggen's remarkable recordings of the Haydn symphonies on Philips. I can't recommend this set, and I got it for considerably less than the Amazon price, too.

Pinnock excellent, DG Archiv sound variable.......2005-02-18

I greatly admire Pinnock's style, directing skill and harpsichord playing, but I don't understand the variability of sound balance achieved on his many recordings by DG. Most are recorded in Henry Wood Hall and have the same "tonmeister" and producers. For example his recording of the Bach Violin Concertos is vibrant, full bodied and has a great "presence", whereas on the other end of the spectrum, the last disc of the symphonies, 40 and 41, is really anemic, with pratically no bass. I gave them a +12db bass boost to try and compensate for the lack of bass, but there was hardly any difference in the low end response. In order to listen to this disc, and to some extent the prior two as well, I have reverted to my volume expander used with vinyl records from the 70's.

My system has very clean and deep bass response and handles Telarc organ recordings with great effect, so I do not believe it is that. And, as I stated the violin concertos have a great presence, to the point where I can visualize the bass and cello players bowing their instruments. It may be do to different microphone placement for the larger ensemble of the latter symphonies, without compensating for the different acoustic.

When it comes to Archiv's 4D recordings of the English Concert, I do not like them at all. The choir from the Mozart Coronation Mass sounds like it is being piped down from outer space, detached and way to ethereal. The Telemann suites do not fare any better, thin and anemic. Don't think the extended dynamic range and lower threshold noise level helped in any way.

I should also add that I have about every recording of Pinnock and the English Concert, really the best "Original Instruments Group" out there. In my humble opinion, Pinnock should have a "Sir" in front of his name.

Average customer rating: Szell's Mozart Is A Tour-De-Force! Best recording of #40 and #41 I've ever heard The good old days geniales!! More Mozart! more Mozart!!!

Mozart: Symphonies Nos. 35, 40, 41 Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Haydn: Symphonies Nos. 92, 94 & 96 Beethoven: Symphonies Nos. 3 & 8 Dvorak: Slavonic Dances Mozart: Concerto Nos. 21 & 24 Symphonies Nos. 1 & 6 ASIN: B00005YNH6 Release Date: 2002-01-29

Tracks:

1. Symphony No. 35 In D Major, K. 385 'Haffner': I. Allegro Con Spirito
2. Symphony No. 35 In D Major, K. 385 'Haffner': II. Andante
3. Symphony No. 35 In D Major, K. 385 'Haffner': III. Menuetto; Trio
4. Symphony No. 35 In D Major, K. 385 'Haffner': IV. Finale: Presto
5. Symphony No. 40 In G Minor, K. 550: I. Motto Allegro
6. Symphony No. 40 In G Minor, K. 550: II. Andante
7. Symphony No. 40 In G Minor, K. 550: III. Menuetto: Allgretto; Trio
8. Symphony No. 40 In G Minor, K. 550: IV. Allegro Assai
9. Symphony No. 41 In C Major, K. 551 'Jupiter': I. Allegro Vivace
10. Symphony No. 41 In C Major, K. 551 'Jupiter': II. Andante
11. Symphony No. 41 In C Major, K. 551 'Jupiter': III. Menuetto: Allegretto; Trio
12. Symphony No. 41 In C Major, K. 551 'Jupiter': IV. Molto Allegro

Customer Reviews:

Szell's Mozart Is A Tour-De-Force!.......2006-11-07

I've been listening to the late Mozart symphonies for years and these Szell recordings continually stand out as some of the finest. Szell beats Marriner, Bernstein, Gardiner and even Karajan most of the time. Szell's Haffner is radiant, one of the finest ever played. His account of the 40th symphony, the famous G Minor is still unsurpassed, the richness and dark emotions of the opening movement are brought out as never before or since. Szell gives off no sentimentality whatsoever and this music sings and flies under his baton. Bernstein and Karajan are easily superseded in the Haffner and G Minor symphonies. The final symphony, number 41, the magnificient Jupiter, one of Mozart's greatest creations and one of the most perfect symphonies ever composed gets a stunning performance. Here the competition is stiffer and you should definitely hear Karajan in the Jupiter, check out his DG 2CD set of the late Mozart symphonies. Other than Karajan, Szell reigns supreme on modern instruments, utilizing the full orchestra.

Szell skips many of the repeats which have become customary these days, the repeats sure can get annoying, it's nice to hear Szell letting the music speak for itself instead of being merely academic. Szell takes the repeat in the opening movement of the Haffner symphony, this is something that recent day conductors don't do since Mozart did not put a repeat sign for this movement. The 40th symphony also gets the all important exposition repeat in it's opening movement, the finale moves along sans repeats. The Jupiter is repeat free in the opening movement and the finale. The finale especially can get very tedious if both halves of it's structure are repeated like in the Bernstein recording.

Basically if you love Mozart played by modern instruments on a full-sized orchestra, I can't recommend Szell's CD enough, it's a classic in every sense, fast, elegant, dramatic and full of charm. You must buy it if you love Mozart.

Best recording of #40 and #41 I've ever heard.......2006-06-10

Straight up, this is the best recording of Mozart's #40 and #41 that I have ever heard. There is so much energy and intensity and it is so refined and beautiful. I particularly like the way they do the last movement of #41--it's amazing. And it's like...#35 on the CD too...bonus!

Szell in general is always good, and...well...this is one of my favorite among all his performances. This is definitely my favorite mozart CD and it is among the most cherished of any CD's in my collection.

The good old days.......2005-01-04

I've heard people say Szell's recordings are lame and uninteresting. I don't see how anyone could believe that, but if you need someone to say it ain't so, here I am. Although these interpretations of these symphonies don't blast out of your speakers the way von Karajan or Bernstein Mozart would, that doesn't mean they're not full-blooded, irresistible recordings nonetheless. What Szell and Cleveland bring to the foray that many of their counterparts lack is their trademark pinpoint precision. You truly can "hear every note"--and in music as transparently structured as Mozart's, where every note is necessary and important, that precision makes the difference between a nice recording and a compelling one. However, there's a surprising amount of passion in these interpretations as well. Given that Szell himself defended his allegedly unemotional Mozart recordings with the sardonic comment "I cannot pour chocolate sauce on asparagus," I find these recordings to be some of the most ardent I've heard; in fact, for as much of a Dohnanyi fan as I am, I daresay this recording of the 40th trumps even that maestro's recording with this same orchestra. The "Haffner" symphony in particular is a real potboiler on this album; I don't think I've ever heard it performed with more gusto--but check out the stentorian minuet of the 40th, or the exhilarating trumpet work throughout the 41st. The bottom line is, you get three of Mozart's finest symphonies packed into one CD at a budget price, which is a bargain on its own--but when the quality of the interpretation is as good as it is here, that bargain becomes an unbelievable value. Even if you already own other recordings of all of these symphonies, this CD should be a necessary addition to your collection. It sure was for me.

geniales!!.......2004-11-09

Mozart escribio estas ùltimas sinfonias y se consagraron sobre las demas, en este CD descubrira porque, el sonido magnifico y la interpretación no tienen parangón.
Szell a cargo de la sinfónica de Cleveland hace que estas sinfonias suenen soberbias, estan energizadas de un vigor y elegancia geniales, son obras de arte musicales en su máxima expresión, no hay que hacer ningun comentario respecto de la 40, es muy conocida y podran disfrutar de una version espectacular, la Nº 41 Jupiter es otra maravilla segunda en el ranking de popularidad Szell hace de ella alcanzar aires de grandeza inigualables, la 35 otra maravilla, la orquesta a plenitud, es genialidad y belleza pura, disfruten de lo mejor de Mozart con los mejores interpretes.

More Mozart! more Mozart!!!.......2003-11-14

I recently purchased this recording and Maestro Szell's recording of the Haydn Symphs. 92, 94, and 96.

I have owned many of the Maestro's recordings from all periods, but his Mozart and Haydn are non-pariel! Why there was never a complete set of Mozart or Haydn symphonies creates a mystery in my mind that will never be solved. Is it the simple cost over what is left for humanity that important? Neville Mariner could come close sometimes but not all of the time, and I mean not really that close.

I am still amazed that there are over two thousand titles for the Berlin and Vienna Philharmonic Orchestras alone, while we have, at least, the top five orchestras in the world still and a paultry discography remains or is being produced. What is wrong with this picture?

One of the former reviewers said something about this disc being a for-runner of 'authentic' period recordings. This may be so, but I haven't heard one yet that even comes close and all of that tinny scratchy noise from these 'experts' sure drives me away. Performance was meant to grow and not be caught up in stasis. Why can't there be 'authenticity' with beautiful string sound and virtuoso brass and winds?

I even love to hear the Maestro hum along or hear him grunt when he starts a hefty section of music. You can imagine how much of this is going on when he and Rudolph Serkin get together. I love it. Total passionate involvement.

The 'Haffner' is absolutely sublime. The first movement of the Fortieth is beyond description and don't I hear the first inkling of cyclical form here in the remaining movements? And the 'Jupiter'--no words can supply what is conveyed. Maybe if Mahler had been alive in Mozart's time this is what he might have composed. That is the closest I can get,

I remember when these recordings came out on 33's. The musical world was absolutely stunned. There had never been Mozart recordings played in such sumptuous, yet crisp and virtuosic manner as this. They still remain the standard, and being recorded in Severance Hall, the sound is still crisp and sumptuous at the same time.

Get this recording and the Haydn recording also. These two cds could be the foundation pieces of a classical library.

Average customer rating: mozart in my mind... Wonderful Selection of not as famous but good works! RESULTS "MY FAVORITE MOZART CD" A decent selection of Mozart's greatest uptempo hits

Mozart for Your Mind Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | New Age | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Symphonies | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | New Age General | New Age | Today's Deals in Music | Formats | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music Similar Items: More Mozart For Your Mind Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day Mozart for Meditation Beethoven for Book Lovers: An Intimate Companion for Reading Bach for Breakfast ASIN: B0000041CB Release Date: 1995-01-17

Tracks:

1. Symphony No. 40 in G minor: Molto Allegro
2. 'The Magic Flute': Overture
3. Piano Concerto No. 20 In D Minor: Rondo (Allegro Assai)
4. String Quartet No. 14 In G: Molto Allegro
5. Sonata In D For Two Pianos: Allegro Con Spirito
6. Symhony No. 35 In D: Finale (Presto)
7. Symphony No. 25 In G Minor: Allegro Con Brio
8. Piano Concerto No. 21 in C: Allegro Vivace Assai
9. Serenade No. 10 In B-flat 'Gran Partita': Allegro Molto
10. Piano Concerto No. 19 In F: Allegro Assai
11. Symphony No. 41 In C 'Juniper': Molto Allegro

Customer Reviews:

mozart in my mind..........2006-08-04

it's a nice cd (great classical music of course), but you know, your mind can only take it so many times... I think I'm going to move on to MORE mozart for your mind

Wonderful Selection of not as famous but good works!.......2002-11-13

The two works on this CD that are most known are The Magic Flute Overture, which is filled with brilliance from measure one to the end, and the opening piece to the movie Amadeus, the G Minor Symphony. These two pieces are superb but just because they are more known, doesn't mean they are better than the rest of the works on this CD.
The Sonata in D Major for two pianos is incredibly brilliant. The first piano holds the main melody while the second piano mimicks it, and then a huge crescendo and BOOM! It is all over the place! (My father and I are both Pianists, and we both specialize in Mozart piano concertos and sonatas.) This piece is wonderful to listen to, and I plan to learn it. The three piano concertos are also spectacular and the Jupiter Finale is superb. There isn't a piece on this CD I can honestly say is even close to okay, they are all exceptionally good. I suggest buying this CD to add to your mozart collection.

RESULTS.......2000-07-29

BEFORE I LISTENED TO THIS CD, I KNEW NO MORE OF MOZART THAN DIM MEMORIES OF 'AMADEUS'.

AFTER LISTENING TO THIS CD BUT A FEW TIMES I BECAME OVERWHELMED BY THE NEED TO KNOW MORE ABOUT THIS COMPOSER.

FOUR MONTHS LATER, I COMPLETED AN OPERA COVERING ALL THE WONDERFUL EVENTS OF THE EUROPEAN TOURS OF LEOPOLD AND WOLFGANG...WITH WOLFGANG'S ORIGINAL MUSIC.

I DO NOT BELIEVE I COULD HAVE DONE THIS BUT FOR THE INCREASE IN MY IQ FROM LISTENING TO THIS CD.

"MY FAVORITE MOZART CD".......2000-05-23

For some reason I got confused with "Mozart Makes You Smarter" and "Mozart for Your Mind". I actually condemned customers for giving "Mozart Makes You Smarter" a crummy score when I reviewed it, while the whole time I was thinking of the CD that I truely bought, "Mozart For Your Mind". "Mozart For Your Mind" has an excellent selection of works by this eighteenth-century genius, and I was never bored. On the other hand, I think I would of been greatly dissapointed if I had listened to the CD I was wrongfully praising. Almost all of the tracks on there are slow and tranquil. One review mentioned that the "Sonata in D Major for Two Pianos", which supposedly helped a couple people to do well on a test, wasn't on "Mozart Makes You Smarter". But it is included on "Mozart For your Mind", so I strongly recommend it. Not only for the sonata for two pianos, but the other concertos, symphonies, and chamber music as well. It is truely my favorite.

A decent selection of Mozart's greatest uptempo hits.......2000-05-10

"You'll come for the Magic Flute Overture -- you'll stay for some of the other pieces." This CD, despite its "all-star" selection of repertoire, is not the favorite among my growing Mozart collection. Nevertheless, it still holds a reasonably high position among my CD playlist. High enough that I can put it on as background music when I'm working, but I cannot stand to listen to the whole thing when my mind wants to concentrate more on the music.

Blasphemy, you say? Well, I enjoyed all the tracks equally at first, but as I collected more Mozart CDs and became more acquainted with his style, some of the tracks on this album grew weary from repeated playing. The movements from the Two-Piano Sonata, the Haffner Symphony, the Wind Serenade, and the "other" G minor Symphony (track 7) were the first to start grating on my ears. These are perhaps the "bottom of the barrel" on the CD -- melodic tracks that serve as a good introduction to Mozart's style, but are certainly not his greatest works. However, most of the other tracks are solid material that you can listen to again and again. The Magic Flute Overture (which I mentioned earlier) is the star selection of this album; it's a true masterpiece which benefits from a spirited performance. The selections from the Piano Concertos are also my personal favorites, and no-one can resist the triumphant Finale from the Jupiter Symphony.

But is it really "for your mind"? Well, if you think that you can gain several IQ points (or a few more A's on your report card) by simply listening to this CD, think again. Mozart won't make you smarter. Hard work and study will. Think of this CD as a "study aid" -- you can put it on while you're working, and the pleasant effect of the music will improve the efficiency of your thought processes. And of course, you'll become more musically knowledgable at the same time!

Highly recommended for beginning Mozart enthusiasts, and fans of classical music in general.

Average customer rating: Mozart Magic Great performance Karajan conducts Mozart Mozart's Late Symphonies A nice disc at a good price.

Mozart: Symphonies 35, 36, 38, 39, 40, 41 / Karajan Wolfgang Amadeus Mozart , Herbert von Karajan , and Berlin Philharmonic Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Brahms: The Complete Symphonies / Karajan, Berlin PO Mozart: The Great Piano Concertos, Vol. 1 Tchaikovsky: Symphonies no 4, 5, & 6 / Karajan, Berlin PO Mozart: The Great Piano Concertos, Vol. 2 Mozart: Violin Concertos ASIN: B000001GY8 Release Date: 1997-07-15

Tracks:

1. Symphony No. 35 In D Major 'Haffner' K.385: 1. Allegro con spirito
2. Symphony No. 35 In D Major 'Haffner' K.385: 2. (Andante)
3. Symphony No. 35 In D Major 'Haffner' K.385: 3. Menuetto
4. Symphony No. 35 In D Major 'Haffner' K.385: 4. Finale: Presto
5. Symphony No.36 In C Major 'Linz' K.425: 1. Adagio - Allegro spiritoso
6. Symphony No.36 In C Major 'Linz' K.425: 2. Andante
7. Symphony No.36 In C Major 'Linz' K.425: 3. Menuetto
8. Symphony No.36 In C Major 'Linz' K.425: 4. Presto
9. Symphony no.38 in D major K.504: 1. Adagio - Allegro
10. Symphony No.38 In D Major 'Prague' K.504: 2. Andante
11. Symphony No.38 In D Major 'Prague' K.504: 3. (Finale:) Presto

Tracks:

1. Symphony No. 39 In E Flat Major K.543: 1. Adagio - Allegro
2. Symphony No. 39 In E Flat Major K.543: 2. Andante con moto
3. Symphony No. 39 In E Flat Major K.543: 3. Menuetto: Allegretto
4. Symphony No. 39 In E Flat Major K.543: 4. Finale: Allegro
5. Symphony No. 40 In G Minor K. 550: 1. Molto allegro
6. Symphony No. 40 In G Minor K. 550: 2. Andante
7. Symphony No. 40 In G Minor K. 550: 3. Menuetto: Allegretto
8. Symphony No. 40 In G Minor K. 550: 4. Allegro assai
9. Symphony No. 41 In C Major 'Jupiter' K. 551: 1. Allegro vivace
10. Symphony No. 41 In C Major 'Jupiter' K. 551: 2. Andante cantabile
11. Symphony No. 41 In C Major 'Jupiter' K. 551: 3. Menuetto: Allegretto
12. Symphony No. 41 In C Major 'Jupiter' K. 551: 4. Molto allegro

Customer Reviews:

Mozart Magic.......2007-03-11

Excellent recording quality as well as fine musical content makes this set a delight.

Great performance.......2006-10-29

Nowadays there are an increasing number of recordings of Mozart with original instruments. I think it is a valid procedure, but the traditional executions are still worth hearing. Being first-class works, Böhm and Karajan's recordings are the most easily available. Karajan's is more dynamic, a desirable quality of an execution of Mozart. Conducting the Berlin Philharmonic Orchestra, Karajan returns to the composer with whom he began his career. It is a superb work.

Karajan conducts Mozart.......2006-07-25

Herbert Von Karajan's reading of these late Mozart symphonies respects the "small orchestra" feel of these pieces while expressing the drama they contain with his signature "big orchestra" sound.
Very worthy performances, especiallly the "Haffner".

Mozart's Late Symphonies.......2005-12-22

Mozart's late symphonies is music treasure and should be appreciated by any classical music lover. I have two favorite versions of these works. One is conducted by Karajan, the other is by Sir Charles Mackerras.

To make comparison, the highly praised Mackerras's interpretation does not necessarily beat Karajan's. Take No. 39 for example, I think Karajan's interpretation is better. Mackerras's is somewhat too fast and Karajan's rhythm is dance-like and quite appropriate. However, Mackerras's No. 40 is more impressive. Karajan's No. 41 is grand and Mackerras's is stylic. Karajan's first movement of No. 38 is more exciting than Mackerras's.

Karajan is an essential Salzburg Austrian and breathed Mozart's music air since child. His Mozart is one of the most Mozartean: Style, singing and dance-like rhythm, which are fully expressed in these CDs. The sound of 70's Berlin Philharmonic is perfect.

A nice disc at a good price........2005-09-24

I think the Bohm set is better, but I really like Karajan's interpretations. I am a fan of "big-band" versions of Mozart's late symphonies, and if you are too, this is a pretty good set. However, I feel like there are better versions of each symphony available on other recordings (i.e. Bohm's 36th, Bernstein's 39th). Still, this set sounds amazing with the new original bit image processing, with outstanding "space" in between each piece of the orchestra. And, since I am a sucker for Karajan, even when he hams up a Classical Era symphony, I simply couldn't resist. There are better versions, but as a cycle it is an enjoyable 2-disc set.

Average customer rating: The original, original instrument take The most complete set of Mozart symphonies ever recorded Indispensable Ok, but.... A milestone set, and worthy of all praise

Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Hogwood, Christopher | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Beethoven - The Symphonies / Augér, Robbin, Rolfe Johnson, Reinhart, AAM, Hogwood Mozart - Requiem / Kirkby · Watkinson · Rolfe Johnson · D. Thomas · AAM · Hogwood Mozart: The Piano Concertos Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood Complete Mozart Symphonies / Pinnock, English Concert ASIN: B000004CYS Release Date: 1997-06-24

Tracks:

1. Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
2. Symphony No. 1 In E Flat Major, K.16: II. Andante
3. Symphony No. 1 In E Flat Major, K.16: III. Presto
4. Symphony No. 4 In D Major, K.19: I. Allegro
5. Symphony No. 4 In D Major, K.19: II. Andante
6. Symphony No. 4 In D Major, K.19: III. Presto
7. Symphony In F Major, K.19a-Anh.223: I. Allegro assai
8. Symphony In F Major, K.19a-Anh.223: II. Andante
9. Symphony In F Major, K.19a-Anh.223: III. Presto
10. Symphony No. 5 In B Flat Major, K.22: I. Allegro
11. Symphony No. 5 In B Flat Major, K.22: II. Andante
12. Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
13. Symphony In D Major, K.32: I. Molto allegro
14. Symphony In D Major, K.32: II. Andante
15. Symphony In D Major, K.32: III. Menuetto & Trio
16. Symphony In D Major, K.32: IV. Finale
17. Symphony In D Major, K.81-K.783l: I. Allegro
18. Symphony In D Major, K.81-K.783l: II. Andante
19. Symphony In D Major, K.81-K.783l: III. Allegro molto
20. Symphony In D Major, K.97-K73m: I. Allegro
21. Symphony In D Major, K.97-K73m: II. Andante
22. Symphony In D Major, K.97-K73m: III. Menuetto & Trio
23. Symphony In D Major, K.97-K73m: IV. Presto

Tracks:

1. Symphony In D Major, K.95-K73n: I. Allegro
2. Symphony In D Major, K.95-K73n: II. Andante
3. Symphony In D Major, K.95-K73n: III. Menuetto & Trio
4. IV. Presto
5. Symphony No. 11 In D Major, K.84-K73q: I. Allegro
6. Symphony No. 11 In D Major, K.84-K73q: II. Andante
7. III. Allegro
8. Symphony No. 10 In G Major, K.74: I. Allegro - Andante
9. Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
10. Symphony In D Major, K.87-K74a: I. Allegro
11. Symphony In D Major, K.87-K74a: II. Andante grazioso
12. Symphony In D Major, K.87-K74a: III. Presto
13. Symphony In D Major, K.120-K.111-111a: I. Allegro assai
14. Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
15. Symphony In D Major, K.120-K.111-111a: III. Presto
16. Symphony In C Major, K.96-K.111b: I. Allegro
17. Symphony In C Major, K.96-K.111b: II. Andante
18. Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
19. Symphony In C Major, K.96-K.111b: IV. Allegro molto
20. Symphony No. 13 In F Major, K.112: I. Allegro
21. Symphony No. 13 In F Major, K.112: II. Andante
22. Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
23. Symphony No. 13 In F Major, K.112: IV. Allegro molto

Tracks:

1. Symphony In C Major, K.35: Sinfonia: Allegro
2. Symphony In D Major, K.38: Intrada: Allegro
3. Symphony In D Major, K.200-K62a: I. Serenata: Allegro
4. Symphony In D Major, K.200-K62a: II. Menuetto &Trio
5. Symphony In D Major, K.200-K62a: III. Andante
6. Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
7. Symphony In D Major, K.200-K62a: V. Allegro
8. Symphony No. 9 In C Major, K.73: I. Allegro
9. Symphony No. 9 In C Major, K.73: II. Andante
10. Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
11. Symphony No. 9 In C Major, K.73: IV. Allegro molto
12. Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
13. Symphony In F Major, K.75: I. Allegro
14. Symphony In F Major, K.75: II. Menuetto & Trio
15. Symphony In F Major, K.75: III. Andantino
16. Symphony In F Major, K.75: IV. Allegro
17. Symphony No. 12 In G Major, K.110-K75b: I. Allegro
18. Symphony No. 12 In G Major, K.110-K75b: II. Andante
19. Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
20. Symphony No. 12 In G Major, K.110-K75b: IV. Allegro

Tracks:

1. Symphony No. 14 In A Major, K.114: I. Allegro moderato
2. Symphony No. 14 In A Major, K.114: II. Andante
3. Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
4. Symphony No. 14 In A Major, K.114: IV. Molto allegro
5. Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
6. Symphony No. 15 In G Major, K.124: I. Allegro
7. Symphony No. 15 In G Major, K.124: II. Andante
8. Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
9. Symphony No. 15 In G Major, K.124: IV. Presto
10. Symphony No. 16 In C Major, K.128: I. Allegro maestoso
11. Symphony No. 16 In C Major, K.128: II. Andante grazioso
12. Symphony No. 16 In C Major, K.128: III. Allegro
13. Symphony No. 17 In G Major, K.129: I. Allegro
14. Symphony No. 17 In G Major, K.129: II. Andante
15. Symphony No. 17 In G Major, K.129: III. Allegro

Tracks:

1. Symphony No. 18 In F Major, K.130: I. Allegro
2. Symphony No. 18 In F Major, K.130: II. Andantino grazioso
3. Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
4. Symphony No. 18 In F Major, K.130: IV. Molto allegro
5. Symphony No. 19 In E Flat Major, K.132: I. Allegro
6. Symphony No. 19 In E Flat Major, K.132: II. Andante
7. Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
8. Symphony No. 19 In E Flat Major, K.132: IV. Allegro
9. Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
10. Symphony In D Major, K.185-K167a: I. Allegro assai
11. Symphony In D Major, K.185-K167a: II. Andante grazioso
12. Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
13. Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai

Tracks:

1. Symphony No. 20 In D Major, K 133: I. Allegro
2. Symphony No. 20 In D Major, K 133: II. Andante
3. Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
4. Symphony No. 20 In D Major, K 133: IV. Allegro
5. Symphony No. 21 In A Major, K 134: I. Allegro
6. Symphony No. 21 In A Major, K 134: II. Andante
7. Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
8. Symphony No. 21 In A Major, K 134: IV. Allegro
9. Symphony In D Major, K 135: I. Molto allegro
10. Symphony In D Major, K 135: II. Andante
11. Symphony In D Major, K 135: III. Molto allegro
12. Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
13. Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
14. Symphony In D Major, K 161 - K 163 - K141a: III. Presto

Tracks:

1. Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
2. Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
3. Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
4. Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
5. Symphony No. 22 In C Major, K 162: I. Allegro assai
6. Symphony No. 22 In C Major, K 162: II. Andantino grazioso
7. Presto assai
8. Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
9. Symphony In D Major, K 181, K 162b: II. Andantino grazioso
10. Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
11. Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
12. Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
13. Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro

Tracks:

1. Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
2. Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
3. Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
4. Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
5. Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
6. Symphony No. 29 In A Major, K 201, K 186a: II. Andante
7. Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
8. Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito

Tracks:

1. Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
2. Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
3. Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
4. Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
5. Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
6. Symphony In D Major, K 203, K 189b: II. Andante
7. Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
8. Symphony In D Major, K 203, K 189b: IV. Prestissimo

Tracks:

1. Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
2. Symphony No. 28 In C Major, K 200, K 189k: II. Andante
3. Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
4. Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
5. Symphony In D Major, K 121, K 207a: I. Allego molto
6. Symphony In D Major,K 121, K 207a: II. Andante grazioso
7. Symphony In D Major, K 121, K 207a: III. Allegro
8. Symphony In D Majr, K 204,K 213a: I. Allegro assai
9. Symphony In D Major, K 204, K 213a: II. Andante
10. Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
11. Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro

Tracks:

1. Symphony In C Major, K 208, K 213c: I. Molto allegro
2. Symphony In C Major, K 208, K 213c: II. Andantino
3. Symphony In C Major, K 208, K 213c: III. Presto assai
4. Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
5. Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
6. Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
7. Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
8. Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
9. Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
10. Symphony No. 32 In G Major, K 318: II. Andante
11. Symphony No. 32 In G Majaor, K 318: III. Tempo primo

Tracks:

1. Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
2. Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
3. Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
4. Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
5. Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
6. Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
7. Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
8. Symphony No. 34 In C Major, K 338: I. Allegro vivace
9. Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
10. Symphony No. 34 In C Major, K 338: III. Allegro vivace

Tracks:

1. March In D Major, K 408, No. 2, K 385a
2. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
3. Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
4. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
5. Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
6. Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
7. Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
8. Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
9. Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto

Tracks:

1. Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
2. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
3. Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
4. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
5. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
6. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
7. Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
8. Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
9. Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
10. Symphony No. 38 In D Major, 'Prague', K504: III. Presto

Tracks:

1. Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
2. Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
3. Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
4. Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
5. Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
6. Symphony No. 40 In G Minor (First Version), K 550: II. Andante
7. Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
8. Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai

Tracks:

1. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
2. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
3. Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
4. Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
5. Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
6. Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
7. Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro

Tracks:

1. Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
2. Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
3. Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
4. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
5. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
6. Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
7. Symphony In F Major, K 76, K 42a: I. Allegro maestoso
8. Symphony In F Major, K 76, K 42a: II. Andante
9. Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
10. Symphony In F Major, K 76, K 42a: IV. Allegro
11. Symphony No. 6 In F Major, K 43: I. Allegro
12. Symphony No. 6 In F Major, K 43: II. Andante
13. Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
14. Symphony No. 6 In F Major, K 43: IV. Allegro

Tracks:

1. Symphony In G Major, 'Neue Lambach': I. Allegro
2. Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
3. Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
4. Symphony In G Major, 'Neue Lambach': IV. Allegro
5. Symphony No. 7 In D Major, K 45: I. Allegro
6. Symphony No. 7 In D Major, K 45: II. Andante
7. Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
8. Symphony No. 7 In D Major, K 45: IV. Finale
9. Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
10. Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
11. Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
12. Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
13. Symphony In D Major, K 51, K 46a: I. Molto allegro
14. Symphony In D Major, K 51, K 46a: II. Andante
15. Symphony In D Major, K 51, K 46a: III. Molto allegro
16. Symphony No. 8 In D Major, K 48: I. Allegro
17. Symphony No. 8 In D Major, K 48: II. Andante
18. Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
19. Symphony No. 8 In D Major, K 48: IV. Allegro

Tracks:

1. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
2. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
3. Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
4. Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
5. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
6. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
7. Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
8. Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
9. Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
10. Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
11. Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai

Amazon.com essential recording

This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz

Customer Reviews:

The original, original instrument take.......2007-05-03

A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!

Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.

Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.

There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."

The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.

The most complete set of Mozart symphonies ever recorded.......2006-08-10

This massive 19 CD collection contains 71 symphonies!

Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.

I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.

Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))

This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.

Indispensable .......2004-11-13

This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.

The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.

This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.

Ok, but...........2004-06-30

I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:

Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.

I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.

A milestone set, and worthy of all praise.......2004-04-29

In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.

Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.

Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.

There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.

The set is competitively priced, the sound is very good throughout, there is decent documentation.

Track Listings:

1. Tchaikovsky: Serenade for Strings; "Romeo and Juliet" Fantasy-Overture; "1812" Overture
2. Telemann in Paris: Trios & Quartets
3. The Best of Emile Waldteufel Vol. 11
4. The Humpback Whales Do the Classic
5. The Spinning Girl
6. Transformations
7. Vagn Holmboe: Cello Concerto; Benedic Domino; Triade; Quintet for Brass
8. Vivaldi: La Pastorella - Baroque Chamber Concertos from Venice
9. Vivaldi: Trio sonata for violin & lute in C; Flute Concerto in D, Op. 10/3, RV428
10. With A Song In My Heart

Track Listings

track listings

Track Listings

Shut Up and Shag

Sonatas: C. Franck, J. Brahms, R. Schumann

There Is Always One More Time

Poll Winners (Extended Resolution) [Original recording remastered]

Tony Furtado Band

This Is R&B [Box set] [Import]

Soulful Divas, Vol. 1: Pop N Soul Sirens

Schutz: Six Part Motets

The Instrumental Hits of Buck Owens & His Buckaroos

The Fats Waller Song Book

The Perfect Prescription

The Best of Japan [Import]

Techno House Festival V.2 [Import]

Wee Worship

Rhodesmode