Yorkshire Post, December 2004Felcja Blumental's big and bold performances placed her among the finst pianists of the 20th century
Product Description:If you have never heard Moniuszkos songs or the rare Pergolesi arias, then this album is a must have.
This beautiful collection of songs features the melodic works of Pergolesi, the quirky Polish songs of Niewiadomski and Moniuszko, Scarlattis beautiful setting of the poem, Le Violette and the popular title work, Bachianas Brasileiras No. 5 by Brazilian composer, Heitor Villa-Lobos (who dedicated his 5th Piano Concerto to Ms. Blumental).
The unknown repertoire and the profound musicianship make this album a particular collectors item. Also, among this recital are two ensemble tracks. Bachianas Brasileiras No. 5 is scored for soprano and 8 cellos and Pergolesi's aria A Serpina pencerete is from the opera, La Serva Padrona performed here by Ms Celine with the Rome Radio Orchestra under the baton of Alberto Zedda.
This CD also provides an insight into the musical lives of Brazilian soprano Annette Celine and Polish/Brazilian pianist, Felicja Blumental. While their natural curiosity for lesser known classical music is evident, it also finds Ms Celine and Ms Blumental drawing on their Polish and Brazilian background and demonstrating their profound understanding of music from around the world. This is particularly evident in Ms Celines performance who seamlessly flows from one language to the next.
Bachianas Brasileiras, No. 5,Fryderyk Chopin,Felix Mendelssohn,Stanislaw Moniuszko,Wolfgang Amadeus Mozart,Stanislaw Niewiadomski,Giovanni Pergolesi,Alessandro Scarlatti,Arnold Schoenberg,Richard Strauss,Heitor Villa-Lobos,Leonardo Vinci,Kurt Weill,Alberto Zedda,Rome Radio Symphony Orchestra,Felicja Blumental,Annette Celine,Brana Records,20th/21st Century Music for Voice and Keyboard,Classical Period Music for Voice and Keyboard,Italian Baroque Opera,Italian Classical Period Opera,Opera,Romantic Music for Voice and Keyboard,Song Collection for Solo Voice and Piano,Vocal,Vocal Music
Average customer rating:
- Two-and-a-half hours of bliss
- not what i expected
- excellent guitar performances
- Essential Guitar...
- Lives up to its Name!
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Essential Guitar: 33 Guitar Masterpieces
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B000069KIT
Release Date: 2002-08-13 |
Customer Reviews:
Two-and-a-half hours of bliss.......2007-04-04
This may be the best money I've ever spent. I got 2-1/2 hours of bliss for less than what I'd usually pay for one CD -- and you know how it is with music. You buy an album because of a song or two that you love, and you find that you like maybe half the songs on it. There's not a single selection in this one that I would've left out. It includes Joaquin Rodrigo's Concierto de Aranjuez, performed by Pepe Romero on the guitar with the Acadamy of St. Martin in the Fields. I needed to replace my old LP recording of that. But I also get 30 other classical compositions and traditional Spanish pieces, each special in its own way.
Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.
I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.
not what i expected.......2007-03-26
This CD for me was a waste of money. Its just not what i thought it would be. Others may enjoy it but for me..it wasnt what i was hoping to hear.
excellent guitar performances.......2006-07-27
Outstanding guitar performances. I gave it only 4 stars because I do not personally like some of the compositions.
Essential Guitar..........2005-07-26
Up until this collection, I'd never heard the "Cavatina" played in the Deer Hunter movie. After hearing it, I could play it all day and not tire of it! It moves me that much, considering that it's almost "not" a classical guitar selection. The rest of the music is first rate! Excellent playing, but the "Cavatina..."
Buy it and enjoy!!!!
Lives up to its Name!.......2005-06-10
If you only bought this double CD set, you'd have a good starter collection of classical guitar music. It includes most of the standards, as well as rarer pieces. In addition to the many solo pieces, there are several excerpts from orchestral works, with Rodrigo's indispensible Adagio from "Concierto de Aranjuez" topping the list. There are also several flamenco numbers included, complete with heel taps and castanets.
The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.
My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.
Average customer rating:
- Just for kids?? No way!!
- The best classical album for kids!
- Great for Preschool Children
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Classics for Kids
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FE3
Release Date: 1993-06-08 |
Tracks:
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- Parade of The Wooden Soldiers (Jessel-MacDonald)
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- Hoedown from Rodeo (Copland)
- Little Waltz from The Toy Box (Debussy)
- Viennese Musical Clock from Hary Janos (Kodaly)
- Mother Goose Suite Excerpts (Ravel)
- Mother Goose Suite Excerpts (Ravel)
- March of the Siamese Children from The King and I (Rogers)
- Dreams frin Scenes From Childhood ( Schumann)
- March of The Toys from Babes In Toyland (Herbert)
- Childhood Games Excerpts (Bizet)
- Childhood Games Excerpts (Bizet)
- The Toy Trumpet Al Hirt, trumpet (Scott)
- The Little Train of Caipira (Villa-Lobos)
- The Sorcerer's Apprentice (Dukas)
- Waltz from The Sleeping Beauty (Tchaikovsky)
- Lullaby (Brahms)
Customer Reviews:
Just for kids?? No way!!.......2005-04-08
This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
The best classical album for kids!.......2002-12-12
This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!
Great for Preschool Children.......2000-10-12
I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.
Average customer rating:
- Not all the arias were her best
- DIDN'T QUITE FULFIL MY REQUEST
- Fair Enough
- Fleming's High Points Well Covered in Compilation CD
- Beautiful indeed!
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Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000C3ICO
Release Date: 2003-09-16 |
Tracks:
- O Mio Babbino Caro
- Ebben? ... Ne Andro Lontana
- Porgi, Amor
- Come Scoglio
- Casta Diva
- E Strano...Ah Fors E Lui...Sempre Libera
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Amazon.com
This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine
Album Details
"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.
Customer Reviews:
Not all the arias were her best.......2005-01-15
There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!
DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22
THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"
Fair Enough .......2004-10-01
This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!
Fleming's High Points Well Covered in Compilation CD.......2004-09-06
Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".
Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.
Beautiful indeed!.......2004-07-19
I'm very happy with this CD. She has a lovely voice! And what a fox! ;)
Average customer rating:
- Breathtaking
- operatica "o"
- First few songs are good, the rest are???
- This is the pits. . . the absolute pits
- Adding To My List Of Vices: A Continuation
|
O: Operatica, Vol. 1
Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Operatica: Shine
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ASIN: B00004Z42O
Release Date: 2000-10-03 |
Tracks:
- Ave Maria
- Vocalise
- Melancholy Rose
- L'Heure Exquise
- O Del Mio Dolce Ardor
- Charmed By A Rose
- In The City
- Get Off My Land
- Dite Oime
- Bachianas Brasileiras No.5
- Maria's Dream (Instrumental)
- Bonus Track
Customer Reviews:
Breathtaking.......2006-12-17
I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.
operatica "o".......2005-09-19
I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.
Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!
Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?
First few songs are good, the rest are???.......2004-02-13
First few songs are good, but the rest of the album is no good!
This is the pits. . . the absolute pits.......2003-08-23
Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"
Adding To My List Of Vices: A Continuation.......2003-05-05
When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.
With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.
For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.
Average customer rating:
- Beautiful Cello Music
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The Most Relaxing Cello Album in the World Ever
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ASIN: B0000D9WWR
Release Date: 2004-08-10 |
Tracks:
- The Swan - Philharmonia Orchestra
- Apres Un Reve, Op.7 No.1 - Han-Na-Chang
- Vocalise, Op.34 No.14 - Han-Na Chang
- I. Prelude - Mstislav Rostropovich
- I. Aria - Juliane Banse
- III. Largo - Jacqueline Du Pre & Daniel Barenboim
- Sicilienne, Op.78.80 - Han-Na Chang
- III. Adagio - Jacqueline Du Pre
- V. Bourre I-II-I - Mstislav Rostropovich
- I. Alegro Non Troppo - Daniel Barenboim
- Wiegenlied, Op.49 No.4 - Juhani Lagerspetz
- Adios Nonino - Berlin Philharmonica
Tracks:
- Elegie in C Minor, Op.24 - Gerald Moore
- Four Pieces, Op.78-'Romance' - Jean-Yves Thibaudet
- Nocturne. Op.19 No.4 - Han-Na Chang
- I . Prelude - Jacqueline Du Pre
- Intermezzo In A Minor - Jean-Yves Thibaudet
- Four Pieces, Op.78-'Religioso' - Truls Mork
- Minnelied, Op.71 No.5 - Juhani Lagerspetz
- Klid, B 182/Op.68 No.5 (Silent Woods) - Han-Na Chang
- Feldeinsamkeit, Op.86 No.2 - Juhani Lagerspetz
- III. Adagio, Ma Non Troppo - Mstislav Rostropovich
- Nobody Knows The Trouble I've Seen - Berlin Philharmonic
- Moonlight Serenade - Berlin Philharmonic
Customer Reviews:
Beautiful Cello Music.......2006-11-28
Different than what other people say, this is an extremely beautiful Cello CD; check it out for yourself.
thought it would be better.......2006-11-09
i have been ordering from you but this one wasn't good at all
Average customer rating:
- Love the soprano sax
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- Just a small point of rectifition
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Romances for Saxophone
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ASIN: B0000026EH
Release Date: 1990-10-25 |
Tracks:
- L'Isle Joyeuse
- Pavane
- Arabesque No. 1
- Vocalise
- Pastorale
- Emmanuel
- Bachianas Brasileiras No. 5
- Gymnopedie No. 3
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Customer Reviews:
Love the soprano sax.......2007-05-18
If you don't already love the soprano sax, this should do it for you.
Incredibly Musical Peformance.......2006-03-20
In my opinion, this is one of the best Classical CDs ever produced. I listen to it often and I am amazed at what an incredibly MUSICAL performance Branford Marsalis had. If you like saxaphone, I think you will love it. If you don't, I think you will still find it valuable because the technique, the phrasing are quintissential.
Just a small point of rectifition.......2004-12-28
None of the works presented here precede the invention of the saxophone. Please look this up. You will find the saxophone invented around 1840, yes early romantic. And in addition, I believe many of the composers here used the saxophone at least once in their music. This is certainly true of Stravinsky, Debussy, Ravel and Villa-Lobos. (Villa-Lobos used the saxophone in at least 40 works!)
What am I missing?.......2003-12-19
I think it is very admirable that Marsalis has attempted to produce a classical CD, however, this is not the sublime, masterpiece that so many previous reviewers have labelled it. His tone is particularly unstable, and not very even, his soprano playing is miles better than his alto however. This is a real shame, as the primary solo instrument in the saxophone family is the alto, anyone beginning study in classical saxophone would need to get this sorted first. His tuning is barely acceptable, but only for a jazzo, he would be shot if he played so out for a real saxophone teacher. Please have a listen to some real repertoire for saxophone, played by a real player, such as Bornkamp, Rousseau, Delangle, Fourmeau, Michat, Londeix, etc. This is a good INTRODUCTION to classical music, if for the first time, but please don't accept this as being the be all and end all of classical music, and of saxophone.
Beautiful!!.......2003-03-17
I hae been a fan of Branford Marsalis for a while, but I had no idea that he had created a classical album. All of the songs are beautifully rendered. This CD is a treasure at any price.
Average customer rating:
- The composer is different!
- Fond memories
- Interesting fusin
- Excellent
- The best record of Bachianas
|
Villa-Lobos: Bachianas Brasileiras Nos. 1, 2, 5 & 9 / ORTF National Orchestra, De Los Angeles
Victoria De Los Angeles , and Orchestre National de la Radiodiffusion Francaise
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00000GCAG
Release Date: 1999-01-12 |
Tracks:
- Bachianas Brasileras No. 5: Aria (Cantilena)
- Bachianas Brasileras No. 5: Danca (Martelo)
- Bachianas Brasileras No. 2: Preludio (O Canto do Capadocio)
- Bachianas Brasileras No. 2: Aria (O canto da Nassa Terra)
- Bachianas Brasileras No. 2: Danca (Lembranca do Sertao)
- Bachianas Brasileras No. 2: Tocata (O Trenzinho do Caipira)
- Bachianas Brasileras No. 1: Introducao (Embolada)
- Bachianas Brasileras No. 1: Preludio (Modinha)
- Bachianas Brasileras No. 1: Fuga (Conversa)
- Bachianas Brasileras No. 9: Preludio
- Bachianas Brasileras No. 9: Fuga
Customer Reviews:
The composer is different!.......2007-06-24
This is of course an unusual relic of a dead conmposer conducting his own signature works. And with a top-notch soloist too, albeit a second-rate
orchestra. As such it has great value per se.
First, be warned (again) that this is mono. It's well miked mono, but unfortunately not well balanced, as if the orchestra was not properly placed for recording with a single mike, and sounds like a hack at the editing console has had a go at it to try and fix some of this. The results is, among other things, screeching violins.
But what an ususual mix of sound comes through all this! This is not the usual recording of any of the very familiar B. B.'s! Orchestral balances (as opposed to recorded balances ... you can tell the difference if you listen for the difference between overall sound and that of single instruments) are unusual and so is phrasing and articulation.
Highly recommended to the specialist, not so otherwise. These are fine,
if idiosyncratic, performances and if some newbee were to "imprint" on this recording, they might never enjoy a live modern performance or recording.
Doug McDonald
Fond memories.......2007-01-04
I was thrilled to find a CD copy of the vinyl album I bought in about 1964! I had bought another rendition of these Villa-Lobos pieces but it just didn't do it for me. De Los Angeles has a wonderful soprano and the Bachianas Brasilleiras need a great voice.
Interesting fusin.......2006-03-21
This was new music to me so I listened with an open mind. I enjoyed the fusion of Brazilian with classic.
Excellent.......2005-04-08
I spotted this in a music store and bought it because I'm a fan of Villa-Lobos' compositions for guitar. Honestly, I was not familiar with the music on this disc at all. But wow, what a pleasant surprise. I downloaded it to my mp3 player last night so now I can listen to it anywhere.
The best record of Bachianas.......2005-01-03
During his life, Heitor Villa-Lobos recorded almost all his orchestral works, mainly in France with ORTF Orchestra.
I see some customers saying this Bachianas collection isn't a wonderful recording quality (it was recorded in the 50's), this is mono, etc, etc.
I think some listeners are bad accustomed with digital recording, with technologically perfect sounds, superb mastering, and things like that, and they seems forget the principal: the quality of music, of the composition. How many Cds are so "perfect" in recording quality, and the recorded music is a trash, with no artistic value?
So, in my opinion this Bachianas recording is one of the best classical music recording of the XX century, because it has the own composer direction. A few classical composers got the opportunity to record their music with their own interpretation. At this point, Villa-Lobos was probably the most successful composer of all times (neither Stravinsky nor Richard Strauss recorded so many works during their lives).
In this collection, we have the rare opportunity to listen the music as the composer imagined.
About the music, I can say Bachianas Brasileiras has a melancholic taste at all. I agree with the review that say "this isn't happy, sunny day, birds, etc". Just the third movement of the Bachiana 8 (Catira Batida, an old brazilian folk dance) has a happy feeling. Even so, the middle of this movement is a melancholic valse in the old style of Rio de Janeiro serenaders (chorões).
But the "Trenzinho do Caipira" ("country train" of Bachiana 2), the Martelo dance (second movement of the famous Bachiana 5), and all the other dance movements have a pinch of melancholy, a characteristic of the neo-romantic style.
If you want to listen some more animated Villa-Lobos music, search for the "Choros" serie, "Mandú-Çarará", "Prole do Bebê" (Baby's Family), "Momoprecoce" (Carnival of the Brazilian children), and more of his early compositions, which has more freshness, vivid colors and stronger rhythm, including exciting percussion instruments.
Average customer rating:
- A Perfect Gem from so many years ago...STILL Available!
- Like Finding An Old Friend
- A Sweet Piece of Art Work
- Haunting Beauty
- Superb
|
Duets with Spanish Guitar
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- Brazilian Soul
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ASIN: B000002S1C
Release Date: 1991-07-01 |
Tracks:
- Entr'acte
- Bachianas brasileiras No. 5 - Aria
- Ronde
- Azulao
- Prelude In E Minor, Op. 28 No. 4
- O Cacador
- Pastorale joyeuse
- Tes pontos de santo
- Tambourin
- Boi-Bumba
- Sicilienne
- Para ninar
- Piece en forme de habanera
- Maracatu
- Pavane pour une Infante defunte
- Passarinho esta cantando
- Modinha
- Serenade For Strings: Waltz
- Siete Canciones populares espanolas: Cancion
- The Three Cornered Hat: Farruca
Customer Reviews:
A Perfect Gem from so many years ago...STILL Available!.......2007-07-18
Wow! I happened to stumble on this listing, and, frankly, had forgotten about it. I was first introduced to this album on LP years and years ago (late 60's?) and quite frankly, it was one of my very favorite albums.
Years passed, and cds came, and it was transferred, and I immediately snapped up a copy of it, again. In these following years, I fear I had completely forgotten about it....shame on me! I am so pleased to know that it is still available, and that I can recommend something that is STILL available to you (which is rare for me to be able to do).
I cannot recommend highly enough that you purchase a copy of this great album to enjoy, over and over again. I guarantee it will become a highlight in your collection. I have taken my copy off the shelf and am listening to it as I type this review. I recommend you go to the little snips above, and listen to # 2, Villa Lobos...that should do it! ~operabruin
Like Finding An Old Friend.......2007-07-14
This album, now in its forty-oddth year, is a treasure. Almeida, Terri, and maybe now also Ruderman have passed on. They were mortals after all. The playing by Almeida and Ruderman just on its own is wonderful, and too magical to be called merely good, or solid, or workman-like. Add the third ingredient of no less than the voice of Salli Terri, and the listener may as well be levitated. Good music takes us perhaps the nearest we can ever get to a ride on a magic carpet. Duets with Spanish Guitar is fine music by a trio of, well, if not genies exactly, flesh and blood beings with extraordinary musical abilities.
A Sweet Piece of Art Work.......2007-05-13
I first heard this recording on vinyl. This CD lives up to the quality first captured in that original recording. Laurindo Almeida requires no review or publicity; he is a legend exceeding Segovia or Montoya. Salli Terri, mezzo-soprano, happily, has no vibrato. When she hits a note, she means it...no wavering somewhere between tones leaving you some subliminal perception of the intended note. She has an absolutely pure, rich voice and a profound comprehension of aesthetics. I have not heard other works by Martin Ruderman, who accompanies on flute, but his skills are notable within this sweet ensemble. A wealth of skill and mastery contained on this tiny CD! I am sure you will be transported.
Haunting Beauty.......2007-03-22
I'm fascinated by the reviews from those who remember this album of long ago. In 1971 my girlfriend and I spent a night in a rustic B&B in Big Sur. The following morning, as we dined on a scrumptious breakfast and the love in each other's eyes, I had to ask the waitress about the music playing in the background. We bought the record as soon as we got home, and I have cherished it ever since. Six additional selections on the CD reissue are almost superfluous. The memories, and the music, are precious.
Superb .......2007-01-08
From beginning to end, I am enthralled by this album. I bought the original LP when it came out over 40 years ago and I also own the CD version. All performers are themselves excellent and they blend wonderfully on a Grammy awarded sound track. The biggest thrill for me is always Salli Terri's Bachianas Brasileiras number five. I have heard many recordings of this Bachianas by the most famous sopranos in the world. Salli Terri's singing of the Bachianas is in a class of its own --absoulutely spine-tingling.
Average customer rating:
- relation through beautiful music
- A Great Find!
|
Guitar Adagios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Cello Adagios
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ASIN: B00028DNCW
Release Date: 2004-07-13 |
Tracks:
- Adagio In G Minor - Dominic Miller
- The Deer Hunter - Goran Sollscher
- Largo - Eduardo Fernandez
- Prelude - John Williams
- Apres Un Reve - Steve Erquiaga
- Pavane Pour Une Infante Defunte - Steve Erquiaga
- Courante - Pepe Romero
- Torija (Elegia) - Segovia
- Andantino - Piu Mosso - Primo Tempo - Julian Bream
- Andaluza - Pepe Romero
- Granada (Serenata) - Pepe Romero
- Bachians Brasileiras No.1 - Alexandre Lagoya
- Andante Cantabile - Segovia
- Cancion De Cuna - Eduardo Fernandez
- Arioso - Steve Erquiaga
- Romance D'Amour - Goran Sollscher
- Adagio - Christine Pendrill
- Qui Tollis - Dominic Miller
Tracks:
- Air On A G String - Dominic Miller
- Largo - Alexandre Lagoya
- Andante Sostenuto - Alexandre Lagoya
- La Maja De Goya - Pepe Romero
- Romance De Los Pinos - Pepe Romero
- Sarabande - John Williams
- Sonata, Op.16 - Pepe Romero
- Recuerdos De La Alhambra - Eduardo Fernandez
- Barcarolle - John Williams
- Bourees I & II - John Williams
- Sarabande - John Williams
- Andante - Alexandre Lagoya
- Oriental - Alexandre Lagoya
- Cantabile - Alexandre Lagoya
- Adagio Ma Non Troppo - Alexandre Lagoya
- Andante - Alexandre Lagoya
- Canzone In E Minor - Alexandre Lagoya
- Sicilienne - Steve Erquiaga
- Clair De Lune - Alexandre Lagoya
Customer Reviews:
relation through beautiful music.......2005-10-02
This is arguably the most relaxing music anywhere. It is lovely to take a nap to, fall asleep to..... use your imagination to......
A Great Find!.......2004-08-02
These are wonderful cds. They include Andres Segovia,Julian Bream, John Williams, Presti/Lagoya and Pepe Romero among other guitarist's. This two cd set has a rare performance of Segovia with the "Symphony Of The Air"performing Boccherini's "Cello Concerto in D". John Williams performing Bach's "Cello Suite In D" at seventeen years old. Also Ida Presti and Alexandre Lagoya performing Debussy's "Clair de Lune" and Granado's "Spanish Dance No.2 The Oriental". Presti/Lagoya's music has long been out of print and to the best of my knowledge this is the first time their music has been available on cd.These cd's have over 2 and a half hours of music and are well worth the money.
Average customer rating:
- Simply beautiful
- Simply Sublime
- LUSH AND PASSIONATE!
- Beautiful!
- Only Kiri
|
Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras
Marie-Joseph Canteloube , Heitor Villa-Lobos , Jeffrey Tate , Kiri Te Kanawa , English Chamber Orchestra , and Instrumental Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Canteloube, Joseph
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Similar Items:
- Canteloube - Chants d'Auvergne / Victoria de los Angeles
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- Canteloube: Chants d'Auvergne
- Kiri
ASIN: B00000427R
Release Date: 1995-11-14 |
Tracks:
- La Pastoura als Camps
- Bail ro
- Trois Bourr es
- Pastourelle
- L'Antou no
- La Pastrouletta lou Chibali
- La Dela ssado
- Bour es
- Lo Fiolair
- Passo pel Prat
- Lou Boussu
- Brezairola
- Malurous qu'o uno Fenno
Tracks:
- Chants d'Auvergne: Jou l'pount d'o Mirabel
- Chants d'Auvergne: Oi ayai
- Chants d'Auvergne: Per l'efon
- Chants d'Auvergne: Tchut, tchut
- Chants d'Auvergne: Pastorale
- Chants d'Auvergne: Lou Coucut
- Chants d'Auvergne: Obal, din lo coumb
- Chants d'Auvergne: Quand z'eyro petitoune
- Chants d'Auvergne: Laut, sur le rocher
- Chants d'Auvergne: HBeyla-z-y dau f
- Chants d'Auvergne: Postouro, su m'aymo
- Chants d'Auvergne: Uno jionto postouro
- Chants d'Auvergne: Lou diziou b
- Bachianas brasileiras: Aria (Cantilena)
- Bachianas brasileiras: Dansa (Martelo)
Customer Reviews:
Simply beautiful.......2005-08-07
Kiri Te Kanawa has one of the most beautiful operatic voices and no cd displays this better than Canteloube: Chants d'Auvergne. These folk songs, sung in a french dialect, are sung perfectly by Kiri Te Kanawa. You do not need to understand the language to feel the emotions the songs evoke. This is a simply beautiful cd and Kiri is flawless.
Simply Sublime.......2004-02-27
What is it about these wonderful songs that tend to bring out the best in some of the world's finest sopranos?
There are so many fine recordings of these songs.
The great Frederica Von Stade recorded a quite mesmerizing selection of the Auvergne songs at about the same time as Dame Kiri. There is the lovely recording by the legendary Victoria De Los Angeles, a selection of the songs many of us grew up on.
There is the seminal first complete recording (and then some, as I recall) by the late Natania Davrath, a much under-appreciated artist who, in many ways, is responsible for the popularity these songs enjoy today. Even Anna Moffo recorded a lovely handful of the songs in the 60s conducted by no less than Leopold Stokowski!
And then there is Dame Kiri. We know her. We love her. We have come to expect the best from her. We have come to always expect more from her, in fact, than from just about anyone else.
So unfair. We expect her to jump the musical hurdles of our emotional connections to music and art in a way we expect from few others.
And yet she so seldom disappoints. Is this the absolute best recording of the Chants d'Auvergne ever? Such a personal choice. Who is to say?
I can tell you this, once I heard this truly remarkable set, which has literally sent chills up my back since the the first time I heard it all those years ago, I knew my search for the recording of these songs I would keep near me forever was over.
Here is an interpretation combining, in equal measure, patrician elegance with almost peasant-like eloquence. She renders song after song, some deceptively complicated, with a divine simplicity that simply defies the imagination.
I don't know how Dame Kiri achieved this miraculous feat. It must have come from the heart, because it certainly goes to mine.
And finally, it would be unthinkable not to give credit to the exquisite playing of the English Chamber Orchestra and the always sensitive collaboration of conductor Jeffrey Tate.
LUSH AND PASSIONATE!.......2003-03-09
These traditional songs from the Auvergne region of France, arranged and orchestrated by Joseph Canteloube, are so intensely beautiful that when I requested a classical radio station to play some of them, motorists stopped on the highway to phone in their thanks.
I first heard a selection of these songs 30 years ago, performed by Anna Moffo, and fell in love with them. It's wonderful to find a complete recording of all 5 series on this 2 CD set, sung by Kiri te Kanawa with enormous talent and verve. Whether the mood is passionate, playful, mocking, tender, mournful or-an emotion few composers have ever captured-helpless with pleasure, these pieces have one thing in common: they are the work of a master orchestrator at the height of his powers, using the fullest resources of the modern orchestra. You will not find more beautiful music than this!
Beautiful!.......2001-08-28
In my opinion, this is one of Kiri's better recordings. Her voice, while always gorgeous, is fresh and light here, and her interpretation, while not riveting, is certainly not boring. Musically, this is a wonderful collection, very romantic and lush in sound. A very worth-while recording.
Only Kiri.......2001-07-13
Dame Kiri te Kanawa has just the voice and character to make this music live. Her voice has a spiritual quality (as opposed to a human quality) that suits the fantasy and seductive qualities of the music. However, her characterization is not void of human qualities, a reminder that these are human feelings. The orchestra under Jeffrey Tate copes very well with the virtuosic writing for woodwinds and stratospheric strings. I heard Renee Fleming's recent interpretation of Bailero and the characterization was more human. Their voices are quite similar, but if you want angelic qualities, Kiri is the angel.
Track Listings:
- Beethoven: Piano Sonatas Op.10 & 28
- Beethoven; Rubinstein
- Brahms: Saint-Saens
- Brahms: Symphonie No. 3; Tragische Ouverture
- Brahms: Symphony No. 1 / Haydn Variations
- Brandenburg Concerti / Orchestral Suites
- Camilleri:Choral Works
- Claudio Merulo: Toccate d'intavalatura d'organo
- Complete Violin Sonatas
- Concerto Grossi 9-12
Track Listings
track listings
Track Listings
This Ain't My Time [Import]
Another Look at Counterpoint
Archives to Eighties [Import]
Taking a Turn
Anything Is Possible
Awnaw [CD-single] [Explicit Lyrics]
Blues Heritage/Two Shades of Blue [Import]
Bach: Oboenkonzerte
All American Country
All Night Session! Hampton Hawes Quartet, Vol. 2
American Idiot [Import]
Bedrock in Concert (Bonus DVD) [Import]
Best of Non-Stop Techno [Import]
Dearest Christian, I'm So Very Sorry For Bringing You Here, Love Dad
The Centennial Edition: Complete RCA Victor Recordings