Composed by Fryderyk Chopin
with Jeanne-Marie Darre
2. Etude for piano in A minor, Op. 10/2, CT 15
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
3. Etude for piano in C sharp minor, Op. 10/4, CT 17
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
4. Etude for piano in G flat major, Op. 10/5, CT 18
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
5. Etude for piano in A flat major, Op. 25/1, CT 26
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
6. Etude for piano in G sharp minor, Op. 25/6, CT 31
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
7. Etude for piano in D flat major, Op. 25/8, CT 33
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
8. Etude for piano in G flat major, Op. 25/9, CT 34
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
9. Ecossaise for piano No. 1 in D major, Op. 72/3, CT 13
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
10. Ecossaise for piano No. 2 in G major, Op. 72/3, CT 13
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
11. Ecossaise for piano No. 3 in D flat major, Op. 72/3, CT 13
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
12. Tarantelle for piano in A flat major, Op. 43, CT 205
Composed by Fryderyk Chopin
with Jeanne-Marie Darre
13. Andante spianato and Grande Polonaise for piano, Op. 22.
Composed by Fryderyk Chopin
Performed by Paris Conservatory Orchestra with Jeanne-Marie Darre
Conducted by Andre Cluytens
14. Études (6), for piano, Op. 111 No 6 in F major "Toccata d'apres le cinquieme concerto"
Composed by Camille Saint-Saens
with Jeanne-Marie Darre
15. Piano Concerto No. 2 in G minor, Op. 22
Composed by Camille Saint-Saens
Performed by Cologne Concert Association Orchestra with Jeanne-Marie Darre
Conducted by Paul Paray
16. Schatz-Walzer (Treasure Waltz), for orchestra, Op. 418
Composed by Johann II Strauss
with Jeanne-Marie Darre
17. Partita for solo violin No. 3 in E major, BWV 1006 Prelude, arr for piano
Composed by Johann Sebastian Bach
with Jeanne-Marie Darre
18. Piano Sonata No. 1 in C major, Op. 24 (J138) 4th Movement: Presto-Perpetuum mobile
Composed by Carl Maria von Weber
with Jeanne-Marie Darre
19. Romances (3) for piano, Op. 28 No 2 in F sharp major
Composed by Robert Schumann
with Jeanne-Marie Darre
20. Prelude for piano in D major, Op. 104a/3
Composed by Felix Mendelssohn
with Jeanne-Marie Darre
21. Song without Words for piano No. 1 in E major, Op. 19b/1
Composed by Felix Mendelssohn
with Jeanne-Marie Darre
22. Songs without Words (6) for piano, Book 4, Op. 53 No 4 in F major "Berceuse"
Composed by Felix Mendelssohn
with Jeanne-Marie Darre
23. Song without Words for piano No. 30 in A major ("Frühlingslied"), Op. 62/6
Composed by Felix Mendelssohn
with Jeanne-Marie Darre
24. Song without Words for piano No. 34 in C major ("Spinnerlied"), Op. 67/4
Composed by Felix Mendelssohn
with Jeanne-Marie Darre
25. La chasse, etude for piano in E major (Grand Paganini Étude No. 5), S. 141/5 (LW A173/5) No 5 in E major "La Chasse"
Composed by Franz Liszt
with Jeanne-Marie Darre
26. La Campanella II, etude for piano in G sharp minor (Grand Paganini Étude No. 3), S. 141/3 (LW A173/3) No 3 in A flat minor "La Campanella"
Composed by Franz Liszt
with Jeanne-Marie Darre
27. La Campanella II, etude for piano in G sharp minor (Grand Paganini Étude No. 3), S. 141/3 (LW A173/3) No 3 in A flat minor "La Campanella"
Composed by Franz Liszt
with Jeanne-Marie Darre
28. Feux-follets, etude for piano in B-flat Major (Transcendental Etude No. 5), S. 139/5 (LW A172/5) No 5 "Feux Follets"
Composed by Franz Liszt
with Jeanne-Marie Darre
29. Harmonies du soir, for piano (Transcendental Etude No. 11), S. 139/11 (LW A172/11) No 11 "Harmonies du soir"
Composed by Franz Liszt
with Jeanne-Marie Darre
30. Polonaises (2), for piano, S. 223 (LW A171)
Composed by Franz Liszt
with Jeanne-Marie Darre
31. Liebesträume, notturno for piano in A-flat major No. 3 (O Lieb, so lang du lieben kannst), S. 541/3 (LW A103/3)
Composed by Franz Liszt
with Jeanne-Marie Darre
32. Caprice for piano in double notes in F sharp major
Composed by Isidor Philipp
with Jeanne-Marie Darre
33. Morceaux de fantaisie (5), for piano, Op. 3
Composed by Sergey Rachmaninov
with Jeanne-Marie Darre
34. Preludes (10) for piano, Op.23 No 5 in G minor
Composed by Sergey Rachmaninov
with Jeanne-Marie Darre
35. Toccata
Composed by Stephan Jaray-Janetschek
with Jeanne-Marie Darre
Jeanne-Marie Darré: Early Recordings,Johann Sebastian Bach,Fryderyk Chopin,Stephan Jaray-Janetschek,Franz Liszt,Felix Mendelssohn,Isidor Philipp,Sergey Rachmaninov,Camille Saint-Saens,Robert Schumann,Johann II Strauss,Carl Maria von Weber,Andre Cluytens,Paul Paray,Cologne Concert Association Orchestra,Paris Conservatory Orchestra,Jeanne-Marie Darré,Video Arts Int'l,Capriccio/Caprice for Keyboard,Chamber,Chamber Music & Recitals,Classical,Classical Artists,Classical Music,Collection of Etudes, Studies, or Exercises for Keyboard,Concerto,Ecosse/Ecossaise for Keyboard,Etude for Keyboard,Individual Dance for Keyboard,Keyboard,Miscellaneous,Miscellaneous Music,Nocturne for Keyboard,Orchestral,Piano Concerto,Polonaise for Keyboard,Prelude for Keyboard,Romance for Keyboard,Romantic Sonata/Sonatina for Keyboard,Song Without Words for Keyboard,Violin Solo,Waltz for Orchestra
Average customer rating:
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Jeanne-Marie Darré: Early Recordings
Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD ASIN: B000003LJY Release Date: 1994-10-24 |
Tracks:
- Etude, Op. 10: No. 1 In C
- Etude, Op. 10: No. 2 In A Minor
- Etude, Op. 10: No. 4 In C Sharp Minor
- Etude, Op. 10: No. 5 In G Flat, 'Black Key'
- Etude, Op. 25: No. 1 In A Flat, 'The Aeolian Harp'
- Etude, Op. 25: No. 6 In G Sharp Minor
- Etude, Op. 25: No. 8 In D Flat
- Etude, Op. 25: No. 9 In G Flat, 'Butterfly'
- Three Ecossaises, Op. 72 Nos. 3 - 5
- Tarantelle In A Flat, Op. 43
- Andante Spianato e Grand Polonaise Brilliante In E Flat, Op. 22
- Etude, Op. 111 No. 6 In F, 'Toccata d'apres le cinquieme concerto'
- Concerto No.2 In G Minor, Op. 22: 1st Movement - Andante sostenuto - Molto animato
- Concerto No.2 In G Minor, Op. 22: 2nd Movement - Allegro scherzando
- Concerto No.2 In G Minor, Op. 22: 3rd Movement - Presto
- The Gypsy Baron: Schatz Waltz
Tracks:
- Prelude From Partita For Violin Unaccompanied, No. 3 In E
- Sonata No. 1 In C, Op. 24, 4th Movement - Presto - Perpetuum mobile
- Romance In F Sharp, Op. 28 No. 2
- Prelude, Op. 104a No. 3 In D
- Song Without Words: Op. 19 No.1 In E, 'Sweet Rememberance'
- Song Without Words: Op. 53 No. 4 In F, 'Berceuse'
- Song Without Words: Op. 62 No. 6 In A, 'Spring Song'
- Song Without Words: Op. 67 No. 4 In C, 'the Spinning Song'
- Paganini Etude No. 5 In E, 'La Chasse'
- Paganini Etude No. 3 In A Flat Minor, 'La Campanella'
- Paganini Etude No. 3 In A Flat Minor, 'La Campanella'
- Transcendental Etude No. 5, 'Feux Follets'
- Transcendental Etude No. 11, 'Harmonies du soir'
- Polonaise No.2 In E
- Liebestraum No. 3 in A Flat
- Caprice In Double Notes In F Sharp
- Op. 3 No. 2 In C Sharp Minor: Prelude
- Op. 23 No. 5 In G Minor: Prelude
- Toccata
Customer Reviews:
La Darre, la magnifique.......2001-12-21
After one luxuriates in these old Pathe things together, Darre comes into focus on the world stage. The Saint Saens eclipses her later one with Fourestier; here she has Paray. It's a significant difference, because with her sense of line, inner-voicings, and fanatic attention to timbral qualities and overtones, one can hear that she is the pianistic equivalent OF Paray. Here we come face-to-face with what Paris musical life was like when Darre and Paray were both in town. The results are engrossing and original without going outside the mark set by Saint Saens himself (who had been dead aorund 20 years when Pathe did this). There is a dynamism here that is unique and right, and immortal.
We also have forgotten this pianist as a supreme interpreter of Chopin who shows up here with a snazzy bravado that is akin to Novaes, but with more refinement. The carillon highs come through strongly on the old recordings, the bass drops off...but since you know it's there, your mind can fill in the aural info. Like her much later Vanguard recordings, the incredibly agile midrange voicings are front and center without punching you. These are amazing performances, characteristic, admirable.
All of her other repertoire more or less affect the listener the same way--like her counterpart Paray, Darre never, ever tries to archly make a piece more than it is, but brings out the maximum the work has to offer. And that can be considerably more than what we might divine from the program on paper.
Really, folks, there'll never be another one like Darre. There will never be an elegant, athletic, stunning lady in silk pants who walks purposefully on stage, chucks her bejeweled bolero on a stagehand, and sits down for a couple of hours of enchantment, letting us in on her magic, including us listeners as if we're in her salon where she is hostess to the composers themselves nursing their drinks.
Those were incredibly memorable evenings.
Track Listings:
- John Harle's Saxophone Songbook
- John Philip Sousa: Sousa Marches Forever
- Kostbarkeiten asu dem Bachwerk
- Les Beatitudes
- Lidholm: Kontakion; Kuss: Lyric Poem
- Liszt: Dante Symphony/Brahms: Tragic Overture
- Liszt: The Power Of Music
- Longwood Sketches - Organ Music of Firmin Swinnen
- Mafalda Favero Arias and Duets 1928-1946
- Mahler: Symphony No. 2 in C Minor, "Resurrection"
Track Listings
Chapter 1-a New Beginning [Import]
Italian and French Opera Arias
Like a Smoking Gun in Front of Me
Higher: Complete 1940 Dallas Session
Jazz Portrait: Milestones & Kind of Blue