Brahms: Piano Sonatas Nos. 2 & 3

Amazon.com
Note that these Sviatoslav Richter recordings are also available on Philips (Nos. 12 and 27), Praga (Nos. 7 and 29), Intergalio (Nos. 28 and 31), and an earlier M&A release (No. 1). Prior to Richter's first appearances in the West, his Beethoven was impulsive and pianistically oriented, as borne out in the D Major Sonata, Op. 10, No. 3, recorded in 1959 in Prague. By contrast, the 1965 Op. 101 and Op. 110 are cogently sculpted according to the composer's specifications, yet they brew with individual touches. How gorgeously Richter's prismatic sonority and insidious legato congealed in Carnegie Hall. The pianist's fierce, concentrated Hammerklavier is also a keeper, while his Funeral March sonata puts his older versions in the shade on stylistic grounds. --Jed Distler

Brahms: Piano Sonatas Nos. 2 & 3,Johannes Brahms,Eric Le Van,Music & Arts,Keyboard,Romantic Sonata/Sonatina for Keyboard

Average customer rating: Brahms Violin Sonatas these are really good sonatas Brahms Finest Brahms Perlman and Ashkenazy do it again

Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy Itzhak Perlman , and Vladimir Ashkenazy Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Brahms: Ein deutsches Requiem [A German Requiem] Paganini: 24 Caprices Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Mozart: The Violin Sonatas ASIN: B00000I7VT Release Date: 1999-03-09

Tracks:

1. Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
2. Violin Sonata No.1 In G, Op.78: II: Adagio
3. Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
4. Violin Sonata No.2 In A, Op.100: I: Allegro amibile
5. Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
6. Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
7. Violin Sonata No.3 In D Minor, Op.108: I: Allegro
8. Violin Sonata No.3 In D Minor, Op.108: II: Adagio
9. Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
10. Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato

Amazon.com essential recording

Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey

Customer Reviews:

Brahms Violin Sonatas.......2007-01-11

Good but not top flight. This is an old recording--sounds a little tired.

these are really good sonatas.......2005-10-10

These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.

Brahms.......2005-10-07

I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.

Finest Brahms.......2002-05-22

I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.

If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.

Perlman and Ashkenazy do it again.......2001-07-24

The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.

Average customer rating: ethereal tone and noble restraint Beautiful music, beautifully presented Time, waiting and poetry Time, waiting and poetry Great recording

Brahms: Violin Sonatas Nos. 1-3 Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Mendelssohn, Bruch: Violin Concertos / Chung, Kempe Con Amore: Violin Encores Saint-Saens: Violin Concertos Nos. 1 & 3, Havanaise Beethoven: Violin Concerto; Bruch: Violin Concerto 1 / Chung, Tennstedt Tchaikovsky, Sibelius: Violin Concertos - The Classic Sound / Chung, Previn ASIN: B00000FDNE Release Date: 1998-12-01

Tracks:

1. Violin Sonata No. 1 In G, Op. 78: I: Vivace ma non troppo
2. Violin Sonata No. 1 In G, Op. 78: II: Adagio
3. Violin Sonata No. 1 In G, Op. 78: III. Allegro molto moderato
4. Violin Sonata No. 2 In A, Op. 100: I: Allegro amabile
5. Violin Sonata No. 2 In A, Op. 100: II: Andante tranquillo - Vivace
6. Violin Sonata No. 2 In A, Op. 100: III. Allegretto grazioso (quasi Andante)
7. Violin Sonata No. 3 In D Minor, Op. 108: I: Allegro
8. Violin Sonata No. 3 In D Minor, Op. 108: II: Adagio
9. Violin Sonata No. 3 In D Minor, Op. 108: III: Un poco presto e con sentimento
10. Violin Sonata No. 3 In D Minor, Op. 108: IV: Presto agitato

Amazon.com

There are many recordings of these three masterpieces of the sonata literature, but if two artists can communicate a personal response to them, another one is always welcome. This recording is certainly a valuable addition to the discography. Chung and Frankl have obviously thought carefully about the music and feel it strongly; their approach shows great respect for the composer's style and intentions as well as genuine emotional involvement. Equally at home with Brahms's classical austerity, romantic ardor and autumnal mellowness, they identify completely with the expansive, wistful lyricism of the first sonata; the gracious poetry and warmth of the second; the urgent, dramatic intensity of the third. They favor flowing tempi; long phrases; discreet, subtle liberties; simple, direct expressiveness. Balance and ensemble are excellent; both players are technically impeccable. Chung's tone is beautiful at all times; warm and radiant, it glows and shimmers. --Edith Eisler

Customer Reviews:

ethereal tone and noble restraint.......2007-07-01

I am fascinated by these lovely sonatas to an extent which frankly goes beyond enjoyment and borders on obsession! As a result I now have five different versions on CD. Here is an inevitably biased survey of those five versions.

Taking these in turn:

Osostowicz & Tomes - highly recommended by the generally reliable Penguin Guide, which is why I bought it, but I find this version rather anaemic and characterless and therefore, though probably technically excellent, strangely uninvolving. This could be due to the recording as much as the performance but either way this is not on my recommended list.

Chung & Frankl play at a leisurely tempo which follows the natural ebb and flow of the music and they are not afraid to let the music come to rest at times. Chung plays with her characteristic ethereal tone, warm but with a degree of noble restraint, achieving an effect which I find quite other-worldly and often very moving, for instance in the sublime closing moments of the third movement of the G major sonata.

Suk & Katchen - this is the oldest recording in my collection, dating from 1967 and frankly, even with all the digital remastering etc, it shows it. The playing is magnificent but for whatever reason on CD the tone of the violin is rather harsh and quickly becomes grating to my ear. Not on my recommended list despite its legendary status.

Zukerman & Barenboim - warm, expressive and relaxed playing from these two with plenty of vibrato in Zukerman's violin playing, more than on other versions reviewed here and rather more than is currently fashionable. No matter - if that's what you like there's plenty of it as their version comes in a 2CD pack with Brahms' viola sonatas also by Zukerman & Barenboim, also very enjoyably played, even if the music itself is not so sublime.

Mutter & Weissenberg - Mutter plays with great passion and vigour, and achieves a gorgeous tone from her violin which is rather forwardly recorded. The balance does favour Mutter over Weissenberg - a pity as Brahms writing for piano is very lovely and Weissenberg is a fine pianist. The duo are on the brisk side and sometimes they do pull the tempo around. There may be some justification for this - there certainly is an ebb and flow to the music and their approach works wonderfully in the closing flourish of the first movement of the G major sonata. If I'd never heard other versions these tempo choices might seem absolutely right and proper, but as it is I have and they don't. The whole third movement of the G major is played too fast for my liking, losing the wistful quality which underlies the music of these sonatas. Still very enjoyable as an overall package, a version that grows on one and I'm sure one could fall in love with, particularly if encountering these sonatas for the first time.

I can't really comment on the well-known Perlman & Ashkenazy version having only listened to sound samples. Though this is highly rated in the Penguin Guide, I probably won't get it as I was underwhelmed by their Spring & Kreutzer sonatas, also highly recommended in the PG. In any cases five versions is probably enough!

Having said that, I still have not found my ideal version and the more interpretations one listens to the clearer it becomes that there is no definitive version. Of the above five my favourite is currently Chung & Frankl and I doubt if anyone looking for one recording would be disappointed. Mutter & Weissenberg come a close second despite any reservations.

Beautiful music, beautifully presented.......2006-03-25

Brahms' wonderful violin sonatas have been played & recorded many times. No wonder he's one of the 3 B's! (with Beethoven & Bach). This particular recording is very rich in sound quality as well as technical skill. It's wonderful to listen to by itself, play as background music, or even (at least in parts) to meditate to. The two artists (Chung on violin & Frankl on piano) coordinate together well, presenting the music as an integrated whole. I like it even better than the Ashkenazi/Perlman version. The CD is a generous (& highly enjoyable) 67.58 minutes long & is one of the "EMI Classics."

Time, waiting and poetry.......2001-11-03

These days I see some young violinists prgram Brahms sonatas especially the G major for their recitals. Though their technique is generally superb, their musicality is not often times ripen to play these sonatas. Consequently, straight forward readings from the music make the sonatas sound simply boring. Chung's recording of the three sonatas is a prime example of what musical maturity can bring out of these poetic sonatas. Sometimes, waiting and growing up are more important than commercialism.

Time, waiting and poetry.......2001-11-03

These days I see some young violinists prgram Brahms sonatas especially the G major for their recitals. Though their technique is generally superb, their musicality is not often times ripen to play these sonatas. Chung's recording of the three sonatas is a prime example of what musical maturity can add to these poetic sonatas. Sometimes, waiting and growing up are more important than commercialism.

Great recording.......2000-06-25

I am fond of the performances by Kyung-Wha Chung and Peter Frankl, not least because they relax into the music, allowing it all the space it needs. Indeed, they even make one feel fond of the composer, which, great though he was, is not always easy. A fantastic CD. Edgardo

Average customer rating: Yes, They Really Are THAT Good! Brahms Sonatas : Goldsmithery A thoughtful interpretation!

Brahms: Violin Sonatas Nos. 1-3 Manufacturer: Virgin Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Brahms: Piano Trios Brahms: Paganini Variations; 2 Rhapsodies, Op. 79; 4 Ballades, Op. 10 Franck: Violin Sonata; Rachmaninov: Cello Sonata Chopin, Godowsky: Études Mendelssohn & Schumann: Violin Concertos - Renaud Capucon ASIN: B0009PEYVC Release Date: 2005-09-13

Tracks:

1. I. Vivace Ma Non Troppo
2. II. Adagio
3. III. Allegro Molto Moderato
4. I. Allegro Amabile
5. II. Andante Tranquillo - Vivace
6. III. Allegretto Grazioso (Quasi Andante)
7. I. Allegro
8. II. Adagio
9. III. Un Poco Presto E Con Sentimento
10. IV. Presto Agitato
11. Sonata FAE: Scherzo In C Minor

Customer Reviews:

Yes, They Really Are THAT Good!.......2006-11-21

I already owned several fine versions of these sonatas (Szeryng/Rubinstein, Spivakov/Rudy, Suk/Katchen) and have sampled a few not so likable ones (Perlman/Barenboim, Mutter/Weissenberg) but when I previewed a track from this one I was hooked. The approach of Capucon/Angelich is, dare I say, very much in the French idiom, which I wouldn't have thought could work so well for Brahms as with other composers. I was so very, very wrong.

These players take the pieces slower than anyone else I've heard. If you're looking fireworks/drama, go with the Suk/Katchen, it's terrific in a different way. Capucon's playing is thoughtful, reflective, and his tone is amazingly pure. Angelich brings to the foreground notes in the piano part that I didn't appreciate before. But what impresses me most is the ensemble playing. It turns out slowing things down a bit enhances each player's opportunities to react to what the other is doing. Unlike some more famous soloists who have tackled these works, these two really listen to one another.

Their technique is immaculate, as is the recorded sound. The kicker is that the CD clocks in at over 79 minutes and includes the showstopper Scherzo movement from the "Frei Aber Einsam" (F.A.E.) sonata, a collaborative work between Schumann, Brahms, and Dietrich where the young Brahms contributed this one movement. (Adelaide de Place's otherwise good booklet notes mischaracterize the FAE as a three-movement sonata, when in fact Schuman wrote two of its four movements).

Brahms Sonatas : Goldsmithery.......2006-08-14

Capuçon ( who I've seen playing , too , at Sala São Paulo Hall ) and Angelich are real goldsmithes !!!!
Impeccable interpretations and crystalline sound , in this recording .
Brahms violin & piano sonatas could not be better played ...................

A thoughtful interpretation!.......2005-10-13

I found this recording to be a fresh take on the three violin sontas of Brahms. Capuçon explores a wide range of dynamics, and the control of the violin tone is of the highest standard. His intonation is clean and pure! The best part about this cd is that both players have a great sence of chamber music, which they do not over shadow each other. This is a recording for every young college and conservatory violinist to purchase in order to gain a different musical interpretation on these "monsters of sonatas"!

Average customer rating: Surprisingly good works of Brahms' youth Superb

Brahms: Piano Sonatas Nos. 1 & 2 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Biret, Idil | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | Sonatas | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Sonatas | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Brahms: Piano Sonata No. 3; Ballades, Op. 10 Brahms: Variations Brahms: Intermezzi, Op. 117; Piano Pieces, Opp. 118 & 119; Scherzo, Op. 4 Johannes Brahms: Piano Sonata No.1 and No.2 Brahms: Piano Pieces, Op. 76; Two Rhapsodies, Op. 79; Fantasies, Op. 116 ASIN: B0000013PI Release Date: 1994-02-15

Tracks:

1. Piano Sonata No. 1 In C Major, Op. 1: Allegro
2. Piano Sonata No. 1 In C Major, Op. 1: Andante (nach einem altdeutschen Minneliede)
3. Piano Sonata No. 1 In C Major, Op. 1: Scherzo: Allegro molto e con fuoco
4. Piano Sonata No. 1 In C Major, Op. 1: Finale: Allegro con fuoco
5. Piano Sonata No. 2 In F Sharp Minor, Op. 2: Allegro non troppo, ma energico
6. Piano Sonata No. 2 In F Sharp Minor, Op. 2: Andante con espressione
7. Piano Sonata No. 2 In F Sharp Minor, Op. 2: Scherzo: Allegro
8. Piano Sonata No. 2 In F Sharp Minor, Op. 2: Finale: Introduzione (Sostenuto) - Allegro non troppo e rubato

Customer Reviews:

Surprisingly good works of Brahms' youth.......2007-01-11

Having recently discovered Brahms's music through the Naxos Brahms Four Hand Piano music series, I've been infected with a yearning for more. I'm pleased to announce that Brahms's talent and compositional prowess has always shined in his works. After hearing this disc, I feel his Op. 1 and everything thereafter has possessed only pure quality. Although these two works are admittedly inferior to his later Variations and Intermezzi, they are astoundingly melodious and harmonically attractive. We have to keep in mind that Brahms wrote these in 1852-3... when he was just about 20 years old! Of course other composers have had prodigious periods of composing in their adolescence; Mozart, Mendelssohn, and Liszt being an example. But these two works were considered highly by both the Schumann's and Liszt. R. Schumann described this pair of sonatas as "veiled symphonies in sound."

I've obviously never heard these two sonatas before and am only aware of one other recording by Richter. However, I've encountered Idil Biret before with her Chopin and Rachmaninov. Her Chopin series had its highlights (although I detest her staccato and overwhelming rubato in the Nocturnes). She seems best suited to virtuosic works where she can unleash her passion. In the lyrical sections she can still play beautifully, but as far as Brahms, I don't know if I'm hearing a stellar interpretation or not. Biret plays certain passages here with gusto. Frankly, she's a "banger" in these parts, which is fine and good. But I wonder how others would or should approach these works? They sound great under the quick and ferocious fingers of Biret, but how would they sound under the graceful touch of Brendel? I don't know, and I apologize if I can't answer this for those already familiar with the sonatas. Nonetheless, even if Biret's playing style is not appropriate for these works, she injects these sonatas with excitement, vigor, and passionate dynamics. If these sonatas require other performing attributes, it doesn't matter; she sustains an endless stream of energy and feeling, making these sonatas highly enjoyable.

The first piano sonata Op. 1 is actually my least favorite sonata. Apparently Brahms wrote his Op. 2 first, but this first sonata in C major is not as impressive and compact as the second in F sharp minor. The first movement of the Op. 1 contains a classical Schubertian theme that contrasts with gentler Schumannesque moments. The motivic development here is outstanding for a 20 year old Brahms and his ambitious bravura passages are delightful. The Andante movement is the golden achievement, in my opinion. Essentially it is a melancholy theme and variations with some imaginative phrasing and beautiful reflections. The Scherzo and last movement revives the spirit of the first movement with gaiety and passion intermingled together. Both movements seem rhythmically and melodically cohesive. Overall, this is a decent piano sonata for a 20 year old.

The second piano sonata is my favorite, though, and I think the most dramatic. Take the first movement: Lisztian splendor and Beethovenian majesty surge forth to create a passionate work that storms and sings. I find the melodic material in this movement much more interesting than the Op. 1. The second movement is also more profound and original, with some absolutely poignant moments. The descending figure that creeps slowly down the keyboard into the lower bass sounds so simple, but it really creates an amazing effect. The brief Scherzo movement is more attractive to me than the Op. 1 Scherzo. I know this is subjective since music touches us all differently, but I find the trio section here gorgeous. Lastly, the Finale, a 10 minute excursion, appeals with its Beethoven style and noble ideas. The whole work is a magnificent sonata and doubly impressive when Brahms' age is considered.

Bottom line: Idil Biret meets the technical challenges of these works and shows off her enthusiasm for both the bravura and the lyrical sections. I can't compare her interpretations to any other pianist, but her execution is still fantastic. Musically, these are quite good, but will probably always be overshadowed by Brahms's later mature works. The Op. 2 sonata is a youthful masterpiece and I recommend this inexpensive recording to any pianophile or Brahms fan.

Superb.......2005-01-30

Brahms has always been one of Biret's favorite composers. Despite her love for his music, it's her extraordinary musical comprehension that makes her one of the strongest interpreter of his piano music. Besides her sensibility, her sharp technique contributes for the immense success of this disc. She has a very special way for playing those massive chords while not making them sound pedantic. The sonatas here are stylish, colorful, firm in passages of bravura, intimate in lyrical sections, filled with a deeply satisfying contrasting dynamic range. The passionate result of the 1st movement of the 2nd sonata is a delight. I didn't have luck trying to listen to this sonata before. Some pianists (including some world wide famous names, such as Richter) were unable to display the outpouring of passion of this early work, leading to boring performances. Now I know that the 2nd sonata, though written before the 1st, is of equal strength of the other: a quite enjoyable genial piece for an early work.

Average customer rating: Brahms Violin Sonatas these are really good sonatas Brahms Finest Brahms Perlman and Ashkenazy do it again

Johannes Brahms: Violin Sonatas Nos. 1-3 Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Brahms: Ein deutsches Requiem [A German Requiem] Paganini: 24 Caprices Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Mozart: The Violin Sonatas ASIN: B000002ROA Release Date: 1990-10-25

Tracks:

1. Vn Son No.1 in G, Op.78: I. Vivace ma non troppo
2. Vn Son No.1 in G, Op.78: II. Adagio
3. Vn Son No.1 in G, Op.78: III. Allegro molto moderato
4. Vn Son No.2 in A, Op.100: I. Allegro amabile
5. Vn Son No.2 in A, Op.100: II. Andante tranquillo-Vivace
6. Vn Son No.2 in A, Op.100: III. Allegretto grazioso (quasi andante)
7. Vn Son No.3 in d, Op.108: I. Allegro
8. Vn Son No.3 in d, Op.108: II. Adagio
9. Vn Son No.3 in d, Op.108: III. Un poco presto e con sentimento
10. Vn Son No.3 in d, Op.108: IV. Presto agitato

Amazon.com essential recording

Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey

Customer Reviews:

Brahms Violin Sonatas.......2007-01-11

Good but not top flight. This is an old recording--sounds a little tired.

these are really good sonatas.......2005-10-10

These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.

Brahms.......2005-10-07

I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.

Finest Brahms.......2002-05-22

I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.

If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.

Perlman and Ashkenazy do it again.......2001-07-24

The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.

Average customer rating:

Beethoven: Sonatas for Cello and Piano Opus 69; Opus 102, Nos. 1 and 2; Brahms: Rhapsody No.2, Op. 79, etc. Manufacturer: Pearl ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B0000589ZY Release Date: 2001-04-24

Tracks:

1. Vc And Pno Son No.3 in A, Op.69: Allegro Ma Non Tanto
2. Vc And Pno Son No.3 in A, Op.69: Scherzo (Allegro Molto)
3. Vc And Pno Son No.3 in A, Op.69: Adagio Cantabile - Allegro Vivace
4. Vc And Pno Son No.4 in C, Op.102 No.1: Andante - Allegro Vivace
5. Vc And Pno Son No.4 in C, Op.102 No.1: Adagio - Tempo D'Andante - Allegro Vivace
6. Vc And Pno Son No.5 in D, Op.102 No.2: Allegro Con Brio
7. Vc And Pno Son No.5 in D, Op.102 No.2: Adagio Con Molto Sentimento D'Affetto
8. Vc And Pno Son No.5 in D, Op.102 No.2: Allegro - Allegro Fugato
9. Rhap No.2 in g, Op.79
10. Intermezzo in a, Op.116 No.2 - Artur Schnabel
11. Intermezzo in E flat, Op.117 No.1 - Artur Schnabel

Amazon.com

Artur Schnabel's postwar collaborations with cellist Pierre Fournier yielded compelling performances of Beethoven's three greatest cello sonatas. Matching Fournier's warm sound and elegant style with Schnabel's austere command of Beethoven's idiom was inspired. The result is momentum in the outer movements, soulfulness in the adagios. They're almost on par with the classic Emanuel Feuermann-Myra Hess recording of Op. 69 (also on Pearl) and their Opus 102 Sonatas are unbeatable, with the great Adagio of the second of the pair a moving high point, perfectly capturing one of Beethoven's finest single movements. The following fugue is exciting in its forward movement and the relaxed, natural way the two instruments exchange phrases. The Beethoven works alone would make for an indispensable disc, but the Brahms fillers are just as mouth-watering. Schnabel's Rhapsody and Intermezzos are a lesson in great Brahms playing, the Rhapsody with its transparent textures and the Intermezzos melting without a trace of sentimentality. Fine transfers by Seth Winner. --Dan Davis

Average customer rating: Harsh, out of tune "Gestillte Sehnsucht"

Brahms: Clarinet Sonatas Nos. 1 & 2 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Brahms: Clarinet Trio, Op. 114; Clarinet Quintet, Op. 115 Schumann, Brahms: Piano Quintets Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116 Mozart: Clarinet Concerto; Clarinet Quintet ASIN: B0000014CZ Release Date: 1997-03-18

Tracks:

1. Sonata No. 1: Allegro appassionato
2. Sonata No. 1: Andante, un poco adagio
3. Sonata No. 1: Allegretto grazioso
4. Sonata No. 1: Vivace
5. Sonata No. 2: Allegro amabile
6. Sonata No. 2: Allegro, molto appassionato
7. Sonata No. 2: Andante con moto - Allegro
8. Sonata No. 2: Scherzo
9. Sonata No. 2: No. 1 Gestillte Sehnsucht
10. Sonata No. 2: No. 2 Geistliches Wiegenlied

Customer Reviews:

Harsh, out of tune.......2006-06-27

This is really a piss-poor performance. I hope he doesn't read this because it's mean tell people this, but between you and me, Berkes has some pretty terrible tone and intonation. Also, it sounds like they are playing in the largest cathedral they could find, which becomes even more obvious when the vocalist joins them.
I'd get Drucker's performance if you can find it, if not go with Stoltzman. Just my opinion, of course, but I think both of those performances blow this one out of the water.

"Gestillte Sehnsucht".......2001-06-10

Brahms' two clarinet sonatas were written in 1894 for his friend the clarinettist Richard Mühlfeld. All of Brahms' music has a profoundly introverted, autumnal quality to it -- the reddening leaves of a tree swaying in the warm wind -- but these sonatas are exceptionally characteristic of the composer's work, the warmth and emotional longing really standing out.

What's unique about this Naxos recording is Kálmán Berkes' arrangement for clarinet of three works scored originally for violin or viola. The scherzo from the 1853 "Sonatensatz" was the composer's contribution to a violin sonata written jointly by Brahms, Robert Schumann, and Schumann's pupil Albert Dietrich in honor of their friend, the great violinist Johann Joachim. The disc's last tracks come from the 1894 "Lieder" (Op. 91) -- "Gestilltes Sehnsucht" (Stilled Longing) and "Geistliches Wiegenlied" (Spiritual Lullaby). Originally scored for alto, viola, and piano, Berkes has substituted a clarinet for the viola. It has a unique affect. He and pianist Jenö Jandó -- two of the shining stars in Naxos' ever-expanding Hungarian firmament -- are joined for a beautiful performance by alto Tamara Takács.

A recommended disc. 5 stars.

Average customer rating: Good CD, but rythmically off Beautiful and Profound Late Schumann

Schumann: Violin Sonatas Nos. 1 & 2; Intermezzo from F.A.E. Sonata Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Glazunov: Violin Concerto; Dvorák: Violin Concerto; Romance, Op. 11 Brahms: Double Concerto, Op. 102; Schumann: Cello Concerto, Op. 129 Paganini: Violin Concertos No. 1, Op. 6 & No. 2, Op. 7 ASIN: B0000013ZN Release Date: 1994-06-28

Tracks:

1. Mit Leidenschaftlichem Ausdruck
2. Allegretto
3. Lebhaft
4. Ziemlich Langsam-Lebhaft
5. Sehr Lebhaft
6. Leise, Einfach
7. Bewegt
8. Intermezzo In F Major From F.A.E. Sonata

Customer Reviews:

Good CD, but rythmically off.......1999-03-21

The CD is a good CD for it's price. HOwever, me and my friend were playing this violin sonata and we wanted to get some interpretations from this CD. However, they are rythmically off in the sonata No 1, 1st movement. They sort of start out like in triplets and the piano is TOTALLY overpowering the violin on this CD. Also, in the end where the violin has the run ups, the tempo has changed compared with the beginning. It's as if the Kaler and SLutsky just went in and said "okay, let's play this, get our money, and go on to our next track." However, I only find complaint with the 1st movement of sonata no 1. However, it is still worth a good buy for the price you pay.

Beautiful and Profound Late Schumann.......1998-11-14

This disc provides an excellent opportunity to acquaint yourself with some of Schumann's most beautiful and thoughtful music. The finale of Brahms's Fourth Symphony owes a clear debt to the groundbreaking work of Schumann in the initial movement of the second sonata. (Brahms had steeped himself thoroughly in Schumann's music.) Kaler plays with a marvellous tone, and he and Slutsky understand this music very well. The only version I like better is that of Kremer and Argerich (DG) who are a little more atmospheric in the dark and mysterious reaches of Sonata No. 1. (Another version of the second sonata to consider is that of Ferras and Barbizet which appears as filler on Ferras's DG Double album of great violin concertos.) The recorded sound is superb.

Average customer rating: The Best I've Heard (So Far)

Brahms: Violin Sonatas Nos. 1-3 Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Stern, Isaac | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Brahms: The Violin Sonatas ASIN: B000002A8W Release Date: 1996-04-09

Tracks:

1. Sonata No. 1 For Violin And Piano In G Major, Op. 78: I Vivace ma non troppo
2. Sonata No. 1 For Violin And Piano In G Major, Op. 78: II Adagio
3. Sonata No. 1 For Violin And Piano In G Major, Op. 78: III Allegro molto moderato
4. Sonata No. 2 For Violin And Piano In A minor, Op. 100: I Allegro amabile
5. Sonata No. 2 For Violin And Piano In A minor, Op. 100: II Andante tranquilo - Vivace di piu
6. Sonata No. 2 For Violin And Piano In A minor, Op. 100: III Allegretto gracioso (quasi Andante)
7. Sonata No. 3 For Violin And Piano In D Minor, Op. 108: I Allegro
8. Sonata No. 3 For Violin And Piano In D Minor, Op. 108: II Adagio
9. Sonata No. 3 For Violin And Piano In D Minor, Op. 108: III Un poco presto e con sentimento
10. Sonata No. 3 For Violin And Piano In D Minor, Op. 108: IV Presto agitato

Customer Reviews:

The Best I've Heard (So Far).......2007-03-20

I must say that I'm not in general a big Issac Stern-as-a-soloist fan (although his trio work with Leonard Rose and Eugen Istomen are by far the most spirited performances around) I feel that this recording of a relatively young Issac Stern playing the three Brahms sonatas is perfection itself. Clear, clean---the vibrato is just right. I've never heard better (and this includes my favorite--Henryk Szeryng). And for the price....what's the question?

Average customer rating:

Brahms: Piano Sonatas Nos. 2 & 3 Manufacturer: Music & Arts ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000001OHW Release Date: 1998-01-01

Tracks:

1. Son No.1 in f, Op.2 No.1: I. Allegro
2. Son No.1 in f, Op.2 No.1: II. Adagio
3. Son No.1 in f, Op.2 No.1: III. Menuetto, Allegretto/Trio
4. Son No.1 in f, Op.2 No.1: IV. Prestissimo
5. Son No.12 in A flat, Op.26: I. Andante Con Vars
6. Son No.12 in A flat, Op.26: II. Scherzo. Allegro Molto
7. Son No.12 in A flat, Op.26: III. Marcia Funebre
8. Son No.12 in A flat, Op.26: IV. Allegro
9. Son No.7 in D, Op.10 No.3: I. Presto
10. Son No.7 in D, Op.10 No.3: II. Largo E Mesto
11. Son No.7 in D, Op.10 No.3: III. Minuetto. Allegro
12. Son No.7 in D, Op.10 No.3: IV. Rondo. Allegro
13. Son No.28 in A, Op.101: I. Etwas Lebhaft Und Mit Der Innigsten Empfindung
14. Son No.28 in A, Op.101: II. Labhaft. Marschmassig
15. Son No.28 in A, Op.101: III. Langsam Und Sehnsuchtvoll/Geschwinde, Doch Nicht Zu Sehr, Und Mit...

Tracks:

1. Son No.31 in E flat, Op.110: I. Moderato Cantabile, Molto Espressivo
2. Son No.31 in E flat, Op.110: II. Allegro Molto
3. Son No.31 in E flat, Op.110: III. Adagio, Ma Non Troppo
4. Son No.31 in E flat, Op.110: IV. Fuga-Allegro, Ma Non Troppo
5. Son No.29 in B flat, Op.106: I. Allegro
6. Son No.29 in B flat, Op.106: II. Scherzo. Assai Vivace
7. Son No.29 in B flat, Op.106: III. Adagio Sostenuto. Appassionato E Con Molto Sentimento
8. Son No.29 in B flat, Op.106: IV. Largo-Allegro Risoluto
9. Son No.27 in e, Op.90: I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
10. Son No.27 in e, Op.90: II. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen

Amazon.com

Note that these Sviatoslav Richter recordings are also available on Philips (Nos. 12 and 27), Praga (Nos. 7 and 29), Intergalio (Nos. 28 and 31), and an earlier M&A release (No. 1). Prior to Richter's first appearances in the West, his Beethoven was impulsive and pianistically oriented, as borne out in the D Major Sonata, Op. 10, No. 3, recorded in 1959 in Prague. By contrast, the 1965 Op. 101 and Op. 110 are cogently sculpted according to the composer's specifications, yet they brew with individual touches. How gorgeously Richter's prismatic sonority and insidious legato congealed in Carnegie Hall. The pianist's fierce, concentrated Hammerklavier is also a keeper, while his Funeral March sonata puts his older versions in the shade on stylistic grounds. --Jed Distler

Track Listings:

1. Brahms: The 3 Violin Sonatas
2. Brahms: The Complete Concertos
3. Cantatas 109 38 & 89 Volume 56
4. Cantatas 143 190 & 41 Volume 19
5. Cantatas 181 126 & 127 Volume 27
6. Cantatas 182 & 66 Volume 29
7. Cantatas 31 & 134 Volume 30
8. Cantatas 49 98 & 188 Volume 55
9. Cantatas 5 162 & 180 Volume 54
10. Canti Gregoriani

Track Listings

track listings

Track Listings

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