Waldszenen Op 82 / Davidsbundlertanze

1. Waldszenen (Forest Scenes), for piano, Op. 82
Composed by Robert Schumann
with Christopher Caja Sager

2. Davidsbündlertänze (18) for piano, Op. 6
Composed by Robert Schumann
with Christopher Caja Sager

Waldszenen Op 82 / Davidsbundlertanze,Schumann,Sager,Hanssler Classics,Chamber Music & Recitals,Classical

Works for Solo Piano
Average customer rating:

Wonderful music, great playing, even better price

This is well worth the price

Not Ashkenazy's forte (pun on forte intended)

beautifully played, wonderful and overlooked pieces

Works for Solo Piano
Schumann , and Ashkenazy
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Brahms: Works for Solo Piano

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Chopin: The Piano Works

Schubert: The Piano Sonatas

Haydn: The Complete Piano Sonatas

ASIN: B00006IU8T
Release Date: 2003-03-11

Tracks:

Arabeske In C, Op.18
Papillons, Op.2
Symphonic Studies, Op.13
Carnaval, Op.9
Humoreske, Op.20
Noveletten, Op.21
Waldszenen, Op.82
Kinderszenen, Op.15
Piano Sonata No.1 In F Sharp Minor, Op.11
8 Fantasiestke, Op.12
Blumenstk, Op.19
Davidsbdlertze, Op.6
Kreisleriana, Op.16
Noveletten, Op.21
Piano Sonata No.2 In G Minor, Op.22
Abegg Variations, Op.1
Fantasie In C, Op.17
Faschingsschwank Aus Wien, Op.26
Bunte Blter, Op.99
Nachtstke, Op.23
3 Romanzen, Op.28

Amazon.com

For less than $60, this seven-CD set brings the buyer almost all of Schumann's important works for solo piano performed by one of the great pianists of the last 50 years. Ashkenazy is nearly as insightful an interpreter of Schumann as he is of Chopin and the quality of these performances, which were recorded between 1984 and 1995, is generally high. The gnarled F-sharp Minor Sonata is beautifully organized, as well as emotionally compelling; "Papillons" has style, color, and flexibility; "Waldszenen" displays poetry, strength, and simplicity; the G-Minor Sonata is clearly outlined and impeccably delivered; "Kinderszenen" is played with fluidity and nuance; and "Carnaval" is delivered with bigness of conception, virility, and authority that make it among the finest ever recorded. Even on those occasions when Ashkenazy fails to reach such heights--as he does, for example, in a "Davidsbundlertanze" that is a mite too solemn and deliberate for the music's helter-skelter whimsy--his performances still achieve a distinguished standard. Nevertheless, it is Ashkenazy's misfortune that he must compete against his younger self. The readings in this set of the Symphonic Etudes, the Fantasy in C Major, "Kreisleriana," and the "Humoresque" fall short compared to those Ashkenazy recorded in the 1960s and early 1970s. In those earlier performance--reissued on a Double Decca set--the notes roll off the pianist's fingers in a dazzling and melting manner, with a singing tone and a sense of rapture, that he was unable to match 20 years later. --Stephen Wigler

Album Details

Few Pianists have Explored and Recorded Such a Wealth of Keyboard Literature as Vladimir Ashkenazy. During an Association with Decca which Stretches Back Almost 40 Years Now, Ashkenazy Has Completed Cycles of Some of the Most Important Concertos (Mozart, Beethoven, Prokofiev, Bartók and Rachmaninov), as Well as an Extensive Amount of Solo Literature.two Of the Greatest Figures in 19th-century Piano Music Are Chopin and Schumann, and Music by Both Composers Has Featured, and Continues to Feature, in Ashkenazy's Recitals. He Has Recorded Almost all of Chopin Solo Works and During the Years 1984-95 Undertook a Major Survey of Schumann's Solo Literature (Some Works Including the Sinfonische Etüden, Fantasie, Kreisleriana and Humoreske) Ashkenazy Had Recorded Earlier in his Career). These Digital Recordings Are Now Presented as a Box Set for the First Time and Are an Invaluable Collection of the Composer's Most Important Keyboard Works, Performed by One of the Greatest Pianists of his Ge

Customer Reviews:

Wonderful music, great playing, even better price.......2007-07-03

I keep reading reviews that say things like: "Well others have played this piece better than Ashkenazy..." or "If you want a complete set of Schumann piano works then Ashkenazy is adequate and a good bargain..."

I may not have heard every version of these Schumann pieces played by every pianist in the 20th century, but I can say that Ashkenazy plays these pieces absolutely wonderfully- with both technical virtuosity and emotional depth. If you really want to cobble together a collection of the "absolute best" Schumann pieces, and spend a couple hundred dollars in the process, that's certainly your prerogative.

I just can't see how anyone can fault Ashkenazy's playing of these pieces as being lesser than others. To my ears, he plays them faultlessly. There are times during the recording where I want to stand up and applaud, others when I want to weep.

For about $5-$8 per disc (depending on who you purchase it from) you can have this wonderful music. Buy it now, and listen often!

This is well worth the price.......2005-12-03

On the whole, this set is very good. true, ash's doesnt quite match up to pollini's recent dg david or kreis, but few do. There are still many gems here, some of which i rank as the top of the list in terms of interpretation. Firstly, waldszenen is giving an account here which in a word, is simply miraculous. Listen to how well he shapes the theme in the second piece, while most are struggling just to pull off the ferociously difficult chord jumps, yet ash does it with civility. Not even richter's fifities account is as well played or shaped. The kinderszenen is also marvelous, though not the best ever, or the second best or third(or fourth).....
But what every piece does give you, what ash himself seems to offer now, is a high standard of playing, though little over the top. But dont take that the wrong way, this set is a perfect way for anyone, even those pianophiles, to imburse or reimburse themselves in Schumann's wonderful world.
1.Wald-ash,haskil, richter, kempff
2.Kinder-moise, cortot, horsz, kempff
3.Davids-Giese, Pollini
4.Carnaval-Rach, Arrau
5.Sonata 1-Gilels, Ash
6. Symph Etudes- Richter, Richter, Richter, anda
7. Fant in C-Moise, Backhaus, Cohen, Richter
8. Humoreske-Richter-56 moscow, kempf. F

Not Ashkenazy's forte (pun on forte intended).......2004-11-21

On the whole, Ashkenazy just does not seem to be a gifted interpreter of Schumann. These readings, to my ear, are heavy handed, pedantic, burdensome, and lacking in the mysterious joy that pervades so much of the work of the Romantic master. Some performances are OK. The Sinfonische Etuden would probably the best of the lot. But in works like Carnaval, the Novelletten, Faschingschwank aus Wien, and the Kinderszenen Ashkenazy to my liking totally misses the target.

I much prefer the more introspective approach of Arrau, or the wild and intriguing Pollini. Even Barenboim comes closer to the heart of Schumann than Ashkenazy.

The recorded sound is often disappointing also. The sound on some pieces is so muddy I thought the microphone was behind a wall.

beautifully played, wonderful and overlooked pieces.......2003-04-29

This set is a remarkable value. Yes, you could choose some individual performances of certain works that are better, but for the price, this is a remarkable set. Ashkenazy is sympathetic to these wonderful and often overlooked solo piano compositions. Highly recommended.

Average customer rating:

The facets of the lyricism!
Divine
To be avoided
aristocratic and heartfelt schumann
aristocratic and heartfelt schumann

Schumann: Piano Works

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Schubert: The Piano Sonatas
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ASIN: B000001GFJ
Release Date: 1992-02-11

Tracks:

Papillons Op. 2, Introduction. Moderato...
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 1. Lebhaft
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 2. Innig
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 3. Mit Humor (Etwas hahnbuchen)
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 4. Ungeduldig
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 5. Einfach
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 6. Sehr rasch (Sehr rasch und in sich hinein)
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 7. Nicht schnell (Mit ausserst starker Empfindung)
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 8. Frisch
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 9. Lebhaft
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 10. Balladenmassig. Sehr rasch
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 11. Einfach
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 12. Mit Humor
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 13. Wild und lustig
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 14. Zart und singen
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 15. Frisch
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 16. Mit gutem Humor
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 17. Wie aus der Ferne
Davidsbundlertanze Op. 6, (18 Charakterstucke) - 18. Nicht schnell
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 1. Preambule. Quasi maestoso - Piu moto - Animato - Vivo - Presto
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 2. Pierrot. Moderato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 3. Arlequin. Vivo
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 4. Valso noble. Un poco maestoso
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 5. Eusebius. Adagio
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 6. Florestan. Passionato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 7. Coquette. Vivo
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 8. Replique. L'istesso tempo - (Sphinxes)
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 9. Papillons. Prestissimo
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 10. A.S.C.H. - S.C.H.A. (Lettres dansantes). Presto
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 11. Chiarina. Passionato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 12. Chopin. Agitato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 13. Estrella. Con affetto
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 14. Reconnaissance. Animato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 15. Pantalon et Colombine. Presto
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 16. Valse allemande. Molto vivace
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 17. Paganini. Intermezzo. Presto
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 18. Aveu. Passionato
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 19. Promenade. Comodo
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 20. Pause. Vivo
Carnaval Op. 9, Scenes mignonnes sur quatre notes - 21. Marche des (Davidsbundler) contre les Philistins. Non Allegro - Molto piu vivo - Animato - Vivo - Animato molto - Vivo - Piu stretto

Tracks:

Symphonische Etuden, Op. 13 - Thema. Andante
Symphonische Etuden, Op. 13 - Etude I. Un poco piu vivo
Symphonische Etuden, Op. 13 - Etude II.
Symphonische Etuden, Op. 13 - Etude III. Vivace
Symphonische Etuden, Op. 13 - Etude IV.
Symphonische Etuden, Op. 13 - Etude V. Vivacissimo
Symphonische Etuden, Op. 13 - Etude VI. Agitato
Symphonische Etuden, Op. 13 - Etude VII. Allegro molto
Symphonische Etuden, Op. 13 - Etude VIII. Andante
Symphonische Etuden, Op. 13 - Etude IX. Presto possibile
Symphonische Etuden, Op. 13 - Etude X. Allegro
Symphonische Etuden, Op. 13 - Etude XI. Con espressione
Symphonische Etuden, Op. 13 - Etude XII. Finale. Allegro brillante
Kinderszenen, Op. 15 - 1. Von fremden Landern und Menschen
Kinderszenen, Op. 15 - 2. Kuriose Geschichte
Kinderszenen, Op. 15 - 3. Hasche-Mann
Kinderszenen, Op. 15 - 4. Bittendes Kind
Kinderszenen, Op. 15 - 5. Gluckes genug
Kinderszenen, Op. 15 - 6. Wichtige Begebenheit
Kinderszenen, Op. 15 - 7. Traumerei
Kinderszenen, Op. 15 - 8. Am Kamin
Kinderszenen, Op. 15 - 9. Ritter vom Steckenpferd
Kinderszenen, Op. 15 - 10. Fast zu ernst
Kinderszenen, Op. 15 - 11. Furchtenmachen
Kinderszenen, Op. 15 - 12. Kind im Einschlummern
Kinderszenen, Op. 15 - 13. Der Dichter spricht
Kreisleriana, Op. 16 - Fantasien - 1. Ausserst bewegt
Kreisleriana, Op. 16 - Fantasien - 2. Sehr innig und nicht zu rasch - Intermezzo, Sehr lebhaft - Intermezzo II. Etwas bewegter - Lngsamer (erstes Tempo)
Kreisleriana, Op. 16 - Fantasien - 3. Sehr aufgeregt
Kreisleriana, Op. 16 - Fantasien - 4. Sehr langsam
Kreisleriana, Op. 16 - Fantasien - 5. Sehr lebhaft
Kreisleriana, Op. 16 - Fantasien - 6. Sehr langsam
Kreisleriana, Op. 16 - Fantasien - 7. Sehr rasch
Kreisleriana, Op. 16 - Fantasien - 8. Schnell und spielend

Tracks:

Fantasie C-dur, Op. 17 - 1. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo Primo
Fantasie C-dur, Op. 17 - 2. Massig. Durchaus energisch - Etwas langsamer - Viel bewegter
Fantasie C-dur, Op. 17 - 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
Arabeske, Op. 18 - Leicht und zart - Minore I. Etwas langsamer - Minore II. Etwas langsamer - Zum Schluss (Coda). Langsamer
Humoreske, Op. 20 - Einfach - Sehr rasch und leicht - Noch rascher - Erstes Tempo - Wie im Anfang
Humoreske, Op. 20 - Hastig - Nach und nach immer lebhafter und starker - Wie vorher - Adagio
Humoreske, Op. 20 - Einfach und zart - Intermezzo - (Wie vorher -) Innig
Humoreske, Op. 20 - Sehr lebhaft - Mit einigem Pomp - Zum Beschluss - Allegro
Novelette No. 9 - aus: Bunte Blatter, Op. 99 - Lebhaft

Tracks:

Sonate Nr. 2 g-moll Op. 22 - 1. So rasch wie moglich
Sonate Nr. 2 g-moll Op. 22 - 2. Andantino. Getragen
Sonate Nr. 2 g-moll Op. 22 - 3. Scherzo. Sehr rasch und markiert - attacca:
Sonate Nr. 2 g-moll Op. 22 - 4. Rondo. Presto - Prestissimo. Quasi Cadenza
Nachtstucke, Op. 23 - 1. Mehr langsam, oft zuruckhaltend
Nachtstucke, Op. 23 - 2. Markiert und lebhaft
Nachtstucke, Op. 23 - 3. Mit grosser Lebhaftigkeit
Nachtstucke, Op. 23 - 4. Ad libitum - Einfach
Drei Romanzen, Op. 28 - 1. Sehr markiert
Drei Romanzen, Op. 28 - 2. Einfach
Drei Romanzen, Op. 28 - 3. Sehr markiert - Intermezzo I. Presto - Intermezzo II. Etwas langsamer - Wie vorherPresto - Inter
Waldszenen, Op. 82 - Neun Klavierstucke - 1. Eintritt. Nicht zu schnell
Waldszenen, Op. 82 - Neun Klavierstucke - 2. Jager auf der Lauer. Hochst lebhaft
Waldszenen, Op. 82 - Neun Klavierstucke - 3. Einsame Blumen. Einfach
Waldszenen, Op. 82 - Neun Klavierstucke - 4. Verrufene Stelle. Ziemlich langsam
Waldszenen, Op. 82 - Neun Klavierstucke - 5. Freundliche Landschaft. Schnell
Waldszenen, Op. 82 - Neun Klavierstucke - 6. Herberge. Massig
Waldszenen, Op. 82 - Neun Klavierstucke - 7. Vogel als Prophet. Langsam, sehr zart
Waldszenen, Op. 82 - Neun Klavierstucke - 8. Jagdlied. Rasch, kraftig
Waldszenen, Op. 82 - Neun Klavierstucke - 9. Abschied. Nicht zu schnell

Customer Reviews:

The facets of the lyricism!.......2006-05-30

Wilhelm Kempff made sing the piano as any other pianist ever born. But besides, his profound domain of the thematic material as well as his tune produced a Schumann so original, expressive and eloquent with sentiment but no sentimentality.

This album is a formidable and fundamental set of the most remarkable Schumann piano works. To create such atmosphere and interpretative freshness in this composer is not easy, but in Kempff hands we are talking about another dimension of pianism.

In this age, pitifully, you cannot count with many thinkers pianists; ones due the very adjusted schedule and the rest by unknown reasons seem to consider a matter of second priority to play with a determined conception. The technique seems to prevail under any other aspect. And that's not a good symptom.

That is why among other arguments you should acquire as soon as possible this extraordinary set.

Absorbing and rewarding in summon grade.

Divine.......2005-07-18

When I first read the reviews here on Amazon, I was a bit concerned about buying this set. I truely love Kempff and elegant performing style, but after having almost around 150 of his collections and cd's, I know that he can be dreadful when he is not on form. So I was worried about this set, but it was useless.

This 4-cd set contains some of the best performances that Kempff could offer considering his age. There are numerous highlights here: Papillons, Davidsbündlertänze, fantasy,..... All of them find him on top form. Although one might argue that there are studio recordings and who knows how many takes one recording must have to become perfect, but let me tell you, even in his live and extremely nerve breaking situations and venues such as the Salzburg festival, he was always on top form.

So Kempff's fan, buy this. It's worth it. In here you won't quite find the excitement that Richter put into his Schumann, but you will find the poetry, emotions and sensitivity that many others lack in their recordings.

To be avoided.......2003-11-22

Despite his reputation as one of the towering exponents of the 19th Germanic repetoire, Kempff acquits himself poorly in these recordings, made at the end of his life. Whether these weak performances are due to his advanced age or to more basic flaws in his training and capabilities is purely academic. They are among the poorest choices in the catalogue, perhaps the very worst. But please - don't take my word for it. Listen to the Etde IX in the op. 13, on disc 2. Kempff's attempt to pull this off is embarrassingly amateurish; he cannot even cover all the notes at "presto possibile", much less raise his playing to something approaching an interpretation. Elsewhere, you can expect the same. The op. 17 is played with little poetry, no finesse and palpable frustration in following Schumann's basic roadmap. You cannot run away from this mess fast enough.

aristocratic and heartfelt schumann.......2003-08-28

this compilation has the benefit of including most of schumann's important keyboard works (among excluded works are the toccata, first sonata, bunte blatter and fantasiestucke), under the hands of an extraordinary schumann interpreter.

recorded in the 1970's, when kempff was nearing 80, this is genuinely classic schumann. the virtuosic extremes of the symphonische etuden and kriesleriana are not quite fully exploited, but there is no flubbing, stumbling or cutting corners: kempff has things always under control. look to argerich, pollini or pogorelich for white hot schumann, kempff delivers him as a human being.

for the sheer poetry of schumann, kempff has never been bettered. his davidsbundlertanze, especially the last 5 movements, is without peer. the kinderszenen is delightful. the poetry of the fantasie in C is magnificent. there is a lifetime of musical experience and temperament in this playing.

aristocratic and heartfelt schumann.......2003-08-28

kempff's approach stands apart for his remarkable ability to turn the mood and momentum of the music from one measure to the next, never in a random or willful manner, but with an alert insight and organic flow. other players tend to caricature schumann by emphasizing the contrasts, swinging from bombast to bathos: kempff emphasizes the transitions and continuities. if his fortissimo chords clang a little, the pianissimos are breathtakingly transparent. and no one, simply no one, captures schumann's nobility of heart and aching yearning for the beyond -- in the fantasie, in "zart und singend" -- better than kempff. a benchmark for any schumann collection.

Schumann: Davidsbündlertänze Op6; Waldszenen Op82
Average customer rating:
Schumann: Davidsbündlertänze Op6; Waldszenen Op82

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000027TM
Release Date: 1992-06-16

Tracks:

Davidsbundlertanze Op. 5: Lebhaft
Davidsbundlertanze Op. 5: Innig
Davidsbundlertanze Op. 5: Mit Humor (Etwas hahnbuchen)
Davidsbundlertanze Op. 5: Ungeduldig
Davidsbundlertanze Op. 5: Einfach
Davidsbundlertanze Op. 5: Sehr rasch (und in sich hinein)
Davidsbundlertanze Op. 5: Nicht schnell (mit auberst starker Empfindug)
Davidsbundlertanze Op. 5: Frisch
Davidsbundlertanze Op. 5: Lebhaft
Davidsbundlertanze Op. 5: Balladenmabig
Davidsbundlertanze Op. 5: Einfach
Davidsbundlertanze Op. 5: Mit Humor
Davidsbundlertanze Op. 5: Wild und lustig
Davidsbundlertanze Op. 5: Zart und lustig
Davidsbundlertanze Op. 5: Frisch
Davidsbundlertanze Op. 5: Mit gutem Humor
Davidsbundlertanze Op. 5: Wie aus der Ferne
Davidsbundlertanze Op. 5: Nicht schnell
Waldszenen Op. 82 - Forest Scenes: 1. Eintritt. Nicht zu schnell
Waldszenen Op. 82 - Forest Scenes: 2. Jager auf der Lauer. Hochst Lebhaft
Waldszenen Op. 82 - Forest Scenes: 3. Einsame Blumen. Einfach
Waldszenen Op. 82 - Forest Scenes: 4. Verrufene Stelle. Ziemlich langsam
Waldszenen Op. 82 - Forest Scenes: 5. Freundliche Landschaft. Schnell
Waldszenen Op. 82 - Forest Scenes: 6. Herberge. Mabig
Waldszenen Op. 82 - Forest Scenes: 7. Vogel als Prophet. Langsam, sehr zart
Waldszenen Op. 82 - Forest Scenes: 8. Jagdlied. Rasch, kraftig
Waldszenen Op. 82 - Forest Scenes: 9. Abschied. Nicht schnell
Fantasiestucke Op. 111: 1. Sehr rasch, mit leidenschaftlichem Vortrag
Fantasiestucke Op. 111: 2. Ziemlich langam
Fantasiestucke Op. 111: Kraftig und sehr markiert

Average customer rating:

Robert Schumann: Piano Works
Schumann , Haskil , Horowitz , and Rachmaninoff
Manufacturer: Andante
ProductGroup: Music
Binding: Audio CD

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ASIN: B000066TXL
Release Date: 2002-05-07

Average customer rating:

Fou Ts'ong Plays Schumann

Manufacturer: Meridian
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Similar Items:

Mozart: Piano Concertos Nos. 9 & 12, K. 271 & 414

ASIN: B0002MRTGY
Release Date: 2005-01-04

Tracks:

Arabesque In C Opus 18.
Von Fremden Landern Und Menschen
Kuriose Gesichte
Hasche-Mann
Bittendes Kind
Gluckes Genug
Wichtige Begenbenheit
Traumerei
Am Kamin
Ritter Vom Steckenpferd
Fast Zu Ernst
Furchtermachen
Kind Im Einschlummern
Der Dichter Spricht
Aussert Bewegt
Sehr Innig Und Nicht Zu Rasch/Intermezzo I - Sehr Lebhaft, Erstes Tempo/Intermezzo II - Etwas Bewegter, Langsamer (Erstes Tempo)
Sehr Aufgeregt/Etwas Langsamer/Erstes Tempo/Noch Schneller
Sehr Langsam/Bewegter/Erstes Tempo/Adagio
Sehr Lebhaft
Sehr Langsam/Etwas Bewegter/Erstes Tempo
Sehr Rasch/Noch Schneller/Etwas Langsamer
Schnell Und Spielend

Tracks:

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12
Lebhaft
Innig
Mit Humor (Etwas Hahnbuchen)
Ungeduldig
Einfach
Sehr Rasch (Und In Sich Hinein)
Nicht Schnell (Mit Aussert Starker Empfindung)
Frisch
Lebhaft (Heirauf Schluss Florestan Und Es Zuckte Ihm Schmerzlich Um Die Lippen)
Balladenmassig - Sehr Rasch
Einfach
Mit Humor
Wild Und Lustig
Zart Und Singend
Frisch
Mit Gutem Humor
Wie Aus Der Ferne
Nicht Schnell (Ganz Zum Uberfluss Meinte Eusebius Noch Folgendes; Dabei Sprach Aber Viel Seligkeit Aus Seinen Augen)
Vogel Als Prophet (Waldszenen), Opus 82.

Average customer rating:

The memorable aristocratic pianism!
A different view of Schumann

Schumann: Solo Piano Works

Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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General | Classical | Styles | Music
ASIN: B000001OGM
Release Date: 1994-02-01

Tracks:

Etudes Symphoniques, Op.13 & Op. Posth.
Carnaval, Op.9
Kreisleriana, Op.16

Tracks:

Des Abends (From 'Fantasiestucke', Op.12)
Vogel Als Prophet, Op.82, No.7
Papillions, Op.2
Scenes From Childhood (Kinderscenen), Op.15
Davisbundlertanze, Op.6

Customer Reviews:

The memorable aristocratic pianism!.......2005-08-21

If you are a Schumann hard admirer as I do, go for this records!
Alfred Cortot (b. Nyon, Suiza, 26-11-1877; d. Geneva, 15-06-1962) was the most remarkable exponent of the French school after Pugno. After having played Appassionata's first movement in front of Anton Rubinstein, A.R told him: "Beethoven's music must not be studied. It must be reincarnated." He was possessed by a strong intellectual authority, virility, poetry and aristocracy.

If you examine his unexhausted career, you will realize why his performances are so permeated of Symphonic breath. He conduced the Premiere of The Ring in 1902. He was a true Wagnerian, and someway his approach at the moment of playing any work was enriched by a broad vision. Consider besides, the happy meeting with two legend musicians as Thibaud and Casals; I mean, in despite of the fact the natural gifts, Cortot was surrounded for wisdom companies.

The Symphonic Etudes Op. 13 & Op. Posth. (rec. & March 1929, Small Queen Hall) have been one of the main battle horses and most beloved preferred compositions by the most of high caliber pianists (as in the case of Frau Carreño, for instance) ; while Kempff gives a dreamy approach, Cortot makes a mesmerizing, disturbing and nervous performance, plenty of electricity and sublimate passion. I must insist: Cortot never played a romantic note, he preferred to express the noblesse and the lyricism by themselves rather play under the glassy romantic mood.

Carnaval, Op. 9 (rec. 5 June & 11 Dec 1928, Kingsway Hall & Small Queen's Hall) integrates colorful outwardly gay and inward melancholy. Cortot `s figures are fascinating due its unexpected elegance blended with a marked violence. The slow passages are aristocratically played with a conception that we don't see actually. Something lost in the road there is no doubt about it. Cortot illuminates the score and produces a skeletal atmosphere in the environment. The febrile elegance in every one of the inner passages are captivating and spelling.

Kreisleriana has always been one of the most expressive and enrapturing pages ever written for the keyboard. It owns an overflowing poetry and is to my mind the nearest composition related with the autumnal approach of Franz Schubert in his last days. Written In just four days Schumann expressed to his beloved Clara:" Play my Kreisleriana often. A positively wild love is in some of the movements, and your life and mine, and the way you look."

In Papillions Op. 2 (rec.4 July 1935) we find seriously less gifted pianist but at the meantime, a wiser man , this admirable set of variations are played with hat sense of elusiveness and dreams so typical of the youth years.

Scenes from the childhood (rec. 4 July 1935) - conceived by Schumann as " Souvenirs for those who have grown up" - is a superb poetic homage to those years of the childhood seen through adult eyes. Traumerei is simply a superb lesson of inspired pianism. Delicate but without affectations or mannerisms; noble but not tearful, a serene candidness under candlelight.

Davidsbündlertänze is Schumann's most subjective work: Under his double pseudonym: "Florestan and Eusebius" , this work is considered for many as the quintessence of Schumann's pianistic art."

We have to recognize and acknowledge the impressive and notable Engineering process about the clean and almost imperceptible hiss for Music & Arts personal.

A different view of Schumann.......1998-10-14

Cortot brings his own well-thought-out views to several of Schumann's central piano works, including Kreisleriana, Kinderszenen, and Symphonic Etudes. If you are used to other versions, Cortot will lead you to unexpected subtleties in these pieces. (Cortot's Traeumerei has been much studied--he speeds up where others slow down, for example.) This album makes an excellent complement to the more familiar versions in the catalog. The discs are packed full of well-selected works, and the sound is excellent for that era (1930s).