24 Preludes

1. Prelude for piano No. 1 in C major, Op. 28/1, CT 166
Composed by Fryderyk Chopin
with Alfred Cortot

2. Prelude for piano No. 2 in A minor , Op. 28/2, CT 167
Composed by Fryderyk Chopin
with Alfred Cortot

3. Prelude for piano No. 3 in G major, Op. 28/3, CT 168
Composed by Fryderyk Chopin

4. Prelude for piano No. 4 in E minor, Op. 28/4, CT 169
Composed by Fryderyk Chopin
with Alfred Cortot

5. Prelude for piano No. 5 in D major, 28/5, CT 171
Composed by Fryderyk Chopin
with Alfred Cortot

6. Prelude for piano No. 6 in B minor, Op. 28/6, CT 171
Composed by Fryderyk Chopin
with Alfred Cortot

7. Prelude for piano No. 7 in A major, Op. 28/7, CT 172
Composed by Fryderyk Chopin
with Alfred Cortot

8. Prelude for piano No. 8 in F sharp minor, Op. 28/8, CT 173
Composed by Fryderyk Chopin
with Alfred Cortot

9. Prelude for piano No. 9 in E major, 28/9, CT 174
Composed by Fryderyk Chopin
with Alfred Cortot

10. Prelude for piano No. 10 in C sharp minor, Op. 28/10, CT 175
Composed by Fryderyk Chopin
with Alfred Cortot

11. Prelude for piano No. 11 in B major, Op. 28/11, CT 176
Composed by Fryderyk Chopin
with Alfred Cortot

12. Prelude for piano No. 12 in G sharp minor, Op. 28/12, CT 177
Composed by Fryderyk Chopin
with Alfred Cortot

13. Prelude for piano No. 13 in F sharp major, Op. 28/13, CT 178
Composed by Fryderyk Chopin
with Alfred Cortot

14. Prelude for piano No. 14 in E flat minor, Op. 28/14, CT 179
Composed by Fryderyk Chopin
with Alfred Cortot

15. Prelude for piano No. 15 in D flat major, Op. 28/15, CT 180
Composed by Fryderyk Chopin
with Alfred Cortot

16. Prelude for piano No. 16 in B flat minor Op. 28/16, CT 181
Composed by Fryderyk Chopin
with Alfred Cortot

17. Prelude for piano No. 17 in A flat major , Op. 28/17, CT 182
Composed by Fryderyk Chopin
with Alfred Cortot

18. Prelude for piano No. 18 in F minor, Op. 28/18, CT 183
Composed by Fryderyk Chopin
with Alfred Cortot

19. Prelude for piano No. 19 in E flat major, Op. 28/19, CT 184
Composed by Fryderyk Chopin
with Alfred Cortot

20. Prelude for piano No. 20 in C minor, Op. 28/20, CT 185
Composed by Fryderyk Chopin
with Alfred Cortot

21. Prelude for piano No. 21 in B flat major, Op. 28/21, CT 186
Composed by Fryderyk Chopin
with Alfred Cortot

22. Prelude for piano No. 22 in G minor, Op. 28/22, CT 187
Composed by Fryderyk Chopin
with Alfred Cortot

23. Prelude for piano No. 23 in F major, Op. 28/23, CT 188
Composed by Fryderyk Chopin
with Alfred Cortot

24. Prelude for piano No. 24 in D minor, Op. 28/24, CT 189
Composed by Fryderyk Chopin
with Alfred Cortot

25. Ballade for piano No. 1 in G minor, Op. 23, CT 2 (Four Ballades)
Composed by Fryderyk Chopin
with Alfred Cortot

26. Ballade for piano No. 2 in F major, Op. 38, CT 3 (Four Ballades)
Composed by Fryderyk Chopin
with Alfred Cortot

27. Ballade for piano No. 3 in A flat major, Op. 47, CT 4 (Four Ballades)
Composed by Fryderyk Chopin
with Alfred Cortot

28. Ballade for piano No. 4 in F minor, Op. 52, CT 5 (Four Ballades)
Composed by Fryderyk Chopin
with Alfred Cortot

24 Preludes,Chopin,Alfred Cortot,Enterprise,Classical,Classical Music

Average customer rating: Chopin a very unique pianist Chopin's Harmonies Relaxation Bravo! Magnificent

Chopin: Preludes & Nocturnes Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Chopin, Frédéric | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Chopin: Etudes, Opp. 10 & 25 Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 Bach: Violin Concertos Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture Vivaldi: The Four Seasons; Violin Concertos ASIN: B00001ZSX7 Release Date: 1999-10-19

Tracks:

1. Preludes, Op. 28: No. 1 In C Major Agitato)
2. Preludes, Op. 28: No. 2 In A Minor (Lento)
3. Preludes, Op. 28: No. 3 In G Major (Vivace)
4. Preludes, Op. 28: No. 4 in E Minor (Largo)
5. Preludes, Op. 28: No. 5 In D Major (Allegro molto)
6. Preludes, Op. 28: No. 6 In B Minor (Lento assai)
7. Preludes, Op. 28: No. 7 In A Major (Andantino)
8. Preludes, Op. 28: No. 8 In F Sharp Minor(Molto agitato)
9. Preludes, Op. 28: No. 9 In E Major (Largo)
10. Preludes, Op. 28: No. 10 In C Sharp Minor (Allegro molto)
11. Preludes, Op. 28: No. 11 In B Major (Vivace)
12. Preludes, Op. 28: No. 12 In G Sharp Major (Presto)
13. Preludes, Op. 28: No. 13 In F Sharp Major (Lento)
14. Preludes, Op. 28: No. 14 In E Flat Minor (Allegro)
15. Preludes, Op. 28: No. 15 In D Flat Major (Sostenuto)
16. Preludes, Op. 28: No. 16 In B Flat Minor (Presto con fuoco)
17. Preludes, Op. 28: No. 17 In A flat Major (Allegretto)
18. Preludes, Op. 28: No. 18 In F Minor (Allegro molto)
19. Preludes, Op. 28: No. 19 In E Flat Major (Vivace)
20. Preludes, Op. 28: No. 20 In C Minor (Largo)
21. Preludes, Op. 28: No. 21 In B Flat Major (Cantiabile)
22. Preludes, Op. 28: No. 22 In G Minor (Molto agitato)
23. Preludes, Op. 28: No. 23 In F Major (Moderato)
24. Preludes, Op. 28: No. 24 In D Minor (Allegro appassionato)
25. Cantabile In B Flat Major: Cantabile In B Flat Major (Andantino)
26. Nocturne In E-Flat Major, Op. 9 No. 2 (Andante): Nocturne, Op. 9 No. 2 (Andante)
27. Contredanse In G Flat Major (Allegretto)
28. Nocturne In C-Sharp Minor, Op. posth. (Lento con gran espressione): Nocturne In C Sharp Minor (Lento congran espressione)
29. Nocturne In C Minor, Op. posth. (Andante sostenuto): Nocturne In C Minor (Adante sostenuto)

Customer Reviews:

Chopin a very unique pianist.......2007-07-21

Fryderyk Chopin was a concert pianist who created his own compositions. They are as sad as they are beautiful. This record allows the melancholy of the composer and pianist to really show. It is well recorded and seems to attempt to portray the artist music with it full intensity.

Chopin's Harmonies.......2007-07-12

I found this cd to be a great listening tool when working on Chopin's Preludes. The pianist is very sensitive to the Romantic musical style, allowing for a sense of understanding of some of the most difficult harmonies of the 19th century. Highly recommended!

Relaxation.......2007-07-12

This beautiful music was purchased for relaxation and it is perfect for that. I play it while reading or getting ready for sleep.

Bravo!.......2007-01-15

Sheer poetry. Barto slows down the slow preludes, much to their advantage, finding in them more beauty and meaning than you previously thought was there. Listening to them is like watching a rose open in slow motion. But to make this succeed as a cycle, and to maintain overall scale, he has to pull back on some of the faster pieces, to their minor disadvantage. A real winner!

Magnificent.......2006-12-05

I was unfamiliar with Tzimon Barto until introduced to his work by a new Amazon friend. I'm very grateful, indeed.

These Chopin preludes and nocturnes, to which I listened as a young woman on Vladimir Horowitz LPs, are extremely well executed here, with the additional advantage that the CD is available at an unbelievably low cost.

If you love Chopin, specifically, or classical compositions for piano in general, I can't recommend this recording highly enough.

Average customer rating: masters of classical music A good basic collection An excellent introduction to classical music Very Beautiful!!!!!1 Still Stuck on Beethoven

Masters of Classical Music (Box Set) Manufacturer: Delta ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. 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Tracks:

1. Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
2. Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
3. Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
4. Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
5. Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
6. Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
7. Turkish March - Mozart, Wolfgang Amadeus
8. Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
9. Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
10. Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
11. Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

1. Overture No. 4 In Major: Rejouissance - J.S.Bach
2. Overture No. 3 In D Major: Air - J.S.Bach
3. Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
4. Jesu, Joy Of Man's Desiring - J.S.Bach
5. Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
6. Prelude In C Major - J.S.Bach
7. Toccata And Fugue In D Minor - J.S.Bach
8. Prelude In C Minor - J.S.Bach
9. Overture No. 1 In C Major: Passepied - J.S.Bach
10. Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
11. Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
12. Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
13. Violin Concerto In E Major: I. Adagio - J.S.Bach
14. St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

1. Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
2. Fur Elise - Ludwig Van Beethoven
3. Violin Romance No. 2 - Ludwig Van Beethoven
4. 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
5. Minuet - Ludwig Van Beethoven
6. Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
7. Coriolan: Overture - Ludwig Van Beethoven
8. Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
9. Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
10. Egmont: Overture - Ludwig Van Beethoven

Tracks:

1. Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
2. Wine, Woman And Song - Johann Strauss
3. Tritsch Tratsch Polka - Johann Strauss
4. The Blue Danube - Johann Strauss
5. The Gypsy Baron: Introduction - Johann Strauss
6. Annen Polka - Johann Strauss
7. Vienna Blood - Johann Strauss
8. The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

1. Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
2. Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
3. Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
4. Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
5. Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
6. Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
7. Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
8. Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

1. Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
2. String Serenade: Waltz - Peter Tchaikovsky
3. Violin Concerto: Andante - Peter Tchaikovsky
4. The Sleeping Beauty: Introduction - Peter Tchaikovsky
5. The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
6. The Sleeping Beauty: Waltz - Peter Tchaikovsky
7. Capriccio italien Op. 45 - Peter Tchaikovsky
8. Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
9. Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
10. Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

1. The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
2. Siciliano - VIVALDI, Antonio
3. Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
4. The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
5. Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
6. The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
7. Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
8. Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
9. The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

1. Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
2. Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
3. Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
4. Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
5. 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
6. 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
7. 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
8. 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
9. 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
10. 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
11. Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
12. Waltz In E Flat Major, Op. 18 - Frederic Chopin_
13. Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
14. Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
15. Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

1. Ave Maria - Franz Schubert
2. Impromptu In E Flat Major - Franz Schubert
3. Standchen - Franz Schubert
4. Trout Quintet: Tema con variazioni - Franz Schubert
5. 'Rosamunde': Entr'acte No. 1 - Franz Schubert
6. Moment Musical In A Flat Major - Franz Schubert
7. 'Rosamunde': Entr'acte No. 2 - Franz Schubert
8. Moment Musical No. 3 In F Minor - Franz Schubert
9. 'Rosamunde': Ballet Music No.2 - Franz Schubert
10. Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

1. Nabucco: Overture - Verdi, Giuseppe
2. Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
3. Aida: Prelude - Verdi, Giuseppe
4. II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
5. II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
6. Aroldo: Overture - Verdi, Giuseppe
7. La Traviata: Prelude - Verdi, Giuseppe
8. La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
9. La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
10. La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
11. La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Average customer rating: Best CD I Own. Your Inner Voice is Calling Fascinating Gould's unique sound Listen to a more conventional recording first.

The Glenn Gould Edition - Bach: The Well-Tempered Clavier, Book I Johann Sebastian Bach , and Glenn Gould Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Gould, Glenn | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Glenn Gould Edition - Bach: The Well-Tempered Clavier, Book II A State of Wonder: The Complete Goldberg Variations (1955 & 1981) Art of the Fugue - 70th Anniversary Edition French Suites - 70th Anniversary Edition Bach: The Goldberg Variations ASIN: B0000028NI Release Date: 1994-01-11

Tracks:

1. Prelude And Fugue No. 1 In C Major, BWV 846: Praeludium
2. Prelude And Fugue No. 1 In C Major, BWV 846: Fuga
3. Prelude And Fugue No. 2 In C Minor, BWV 847: Praeludium
4. Prelude And Fugue No. 2 In C Minor, BWV 847: Fuga
5. Prelude And Fugue No. 3 In C-Sharp Major, BWV 848: Praeludium
6. Prelude And Fugue No. 3 In C-Sharp Major, BWV 848: Fuga
7. Prelude And Fugue No. 3 In C-Sharp Minor, BWV 849: Praeludium
8. Prelude And Fugue No. 3 In C-Sharp Minor, BWV 849: Fuga
9. Prelude And Fugue No. 5 In D Major, BWV 850: Praeludium
10. Prelude And Fugue No. 5 In D Major, BWV 850: Fuga
11. Prelude And Fugue No. 6 In D Minor, BWV 851: Praeludium
12. Prelude And Fugue No. 6 In D Minor, BWV 851: Fuga
13. Prelude And Fugue No. 7 In E-Flat Major, BWV 852: Praeludium
14. Prelude And Fugue No. 7 In E-Flat Major, BWV 852: Fuga
15. Prelude In E-Flat Minor And Fugue In D-Sharp Minor No. 8, BWV 853: Praeludium
16. Prelude In E-Flat Minor And Fugue In D-Sharp Minor No. 8, BWV 853: Fuga
17. Prelude Fugue No. 9 In E Major, BWV 854: Praeludium
18. Prelude Fugue No. 9 In E Major, BWV 854: Fuga
19. Prelude And Fugue No. 10 In E Minor, BWV 855: Praeludium
20. Prelude And Fugue No. 10 In E Minor, BWV 855: Fuga Fugue No. 10 In E Minor, BWV 855
21. Prelude And Fugue No. 11 In F Major, BWV 856: Praeludium
22. Prelude And Fugue No. 11 In F Major, BWV 856: Fuga
23. Prelude And Fugue No. 12 In F Minor, BWV 857: Praeludium
24. Prelude And Fugue No. 12 In F Minor, BWV 857: Fuga

Tracks:

1. Prelude And Fugue No.13 In F-Sharp Major, BWV 858: Praeludium
2. Prelude And Fugue No.13 In F-Sharp Major, BWV 858: Fuga
3. Prelude And Fugue No.14 In F-Sharp Minor, BWV 859: Praeludium
4. Prelude And Fugue No.14 In F-Sharp Minor, BWV 859: Fuga
5. Prelude And Fugue No.15 In G Major, BWV 860: Praeludium
6. Prelude And Fugue No.15 In G Major, BWV 860: Fuga
7. Prelude And Fugue No.16 In G Minor, BWV 861: Praeludium
8. Prelude And Fugue No.16 In G Minor, BWV 861: Fuga
9. Prelude And Fugue No.17 In A-Flat Major, BWV 862: Praeludium
10. Prelude And Fugue No.17 In A-Flat Major, BWV 862: Fuga
11. Prelude And Fugue No.18 In G-Sharp Minor, BWV 863: Praeludium
12. Prelude And Fugue No.18 In G-Sharp Minor, BWV 863: Fuga
13. Prelude And Fugue No.19 In A Major, BWV 864: Praeludium
14. Prelude And Fugue No.19 In A Major, BWV 864: Fuga
15. Prelude And Fugue No.20 In A Minor, BWV 865: Praeludium
16. Prelude And Fugue No.20 In A Minor, BWV 865: Fuga
17. Prelude And Fugue No.21 In B-Flat Major, BWV 866: Praeludium
18. Prelude And Fugue No.21 In B-Flat Major, BWV 866: Fuga
19. Prelude And Fugue No.22 In B-Flat Minor, BWV 867: Praeludium
20. Prelude And Fugue No.22 In B-Flat Minor, BWV 867: Fuga
21. Prelude And Fugue No.23 In B Major, BWV 868: Praeludium
22. Prelude And Fugue No.23 In B Major, BWV 868: Fuga
23. Prelude And Fugue No.24 In B Minor, BWV 869: Praeludium
24. Prelude And Fugue No.24 In B Minor, BWV 869: Fuga

Amazon.com essential recording

It's rather amazing today, when recordings of Bach's Well-Tempered Clavier practically fall of the shelves, to recall just how unusual it was back in the 1960s for a pianist to undertake to record this amazing work. It's probably fair to say that until Glenn Gould got his fingers around it, Bach's music was used for teaching purposes more than anything else. What Gould proves in this essential set is that Bach is decidedly not just a threat to hold over the head of budding pianists but a joy to listen to. One of Gould's very greatest recordings. --David Hurwitz

Customer Reviews:

Best CD I Own........2007-07-13

If I could give this album 10 stars, I would. To me it is the platonic ideal for music. These 24 pieces from Bach are important fundamental building blocks for all of music, and Gould interprets them in ways that allows their greatness to come through. These performances never get stale. I started my toddler kids off in listening to both WTC Book 1 and 2, and they loved them immediately. Even now, if given a choice of what CD to put on they will usually choose one of the WTC CD's. I tend to be underdramatic, but when I listen to this composer and this performer and see how my kids respond, I feel like its a gift from God.

Your Inner Voice is Calling.......2007-03-01

Let's admit it right off the bat - these are individualistic recordings that do not sound like anything you've ever heard. That's probably why I value them so much, that and their brilliant artistic temperament. Bach can sound boring, particularly by those who insist on a rigid (rather than flowing) tempo and an emotionless rendition that approaches machine-like quality. This is NOT the WTC you are used to but it is a work of art unto itself.

Whether it is a Brahms Intermezzo, a work by Scriabin or these creations, there is no one who can bring out that inner melody with such clarity and perfection. It's almost as if his fingers operated totally independent of each other in a way we have yet to discover. At times, he manages to find inner voices that cannot be seen even when looking at the music. Then there is his technique of focusing a work - from the entire piece to a movement to a section, phrase, chord and finally a single note. You know that every single note sounds as it does for a reason known only to Gould. As usual, I have trouble choosing a "favorite" although I admit that I prefer the minor over major because of their alleged "richness".

Questions of authenticity or "how they were meant to be heard" are irrelevant. Chopin wrote for a small pianoforte, not the Grand we hear today. Who wants a tiny "original" chorus of Handel's Messiah or Julius Reubke's Organ Sonata heard on a pre-French Romantic organ? By all means, this is a recording for the ages - buy and enjoy.

Fascinating.......2007-02-13

I was quite surprised to read other reviewer's comments about Gould not following Bach's 'intentions'. Given that there is one prelude with a tempo mark and almost no dynamic markings in the entire 48, it would be hard to find his intentions except by assuming that the tradition is 100 % accurate. I find this recording interesting, most of all because of the lack these days of originality. Gould was original, but that was not his goal. He had a connection with the music of Bach and felt that he had something to say with it that no one else had. It's refreshing to hear something so sincerely original as these unconventional renditions. The fugues are especially amazing. His control over each voice is nothing short of spectacular. I highly recommend this to anyone who is tired of hearing the Prelude in C major played the same way by everyone else.

Gould's unique sound.......2006-06-02

No pianist has been able to play these pieces as steadily and with as much control as Gould, nor with his reverence and clarity in fugues such as the c# and e-flat minor. In the C# major prelude in Book I Gould plays a wrong note in bar 37--a b natural for b#--but this more minor-sounding wrong line actually sounds interesting and maybe even better, and it contrasts with bar 45. I did not realize this elusive sound was a wrong note until relistening after a break of many years. It had to be either a deliberate change or a finger slip--no edition of the piece contains that note. There is also a finger slip in the C# major fugue on the 'and' of beat one in bar 17 where Gould bumps into an f#--that could not be deliberate. These are the only note errors I have found in Gould's recordings, and I don't know that any outtakes have been released of the WTC.
Carefully listening one can also detect the splice between takes in the a minor fugue in Gould's Book I, and other splices in II. Other controversial things await the listener in this immortal record.

Listen to a more conventional recording first........2006-02-16

I highly recommend Gould's recording of WTC books one and two with the caveat that his performances reach the peak of the unpredictable and can be rather traumatizing to the uninitiated.

Glenn Gould's interpretation of The WTC is a manifesto of his musical opinions, saturated with absolute confidence. Gould sees Bach as a sibling to be rivaled and conveys his ideas, from the sentimental to the vulgar to the insane, with perfect clarity.

Average customer rating: Recommended Gould brings the voices out My Favorite WTC Superlative Gould, but bad Bach. Please consider the version by Andras Schiff...

The Glenn Gould Edition - Bach: The Well-Tempered Clavier, Book II Johann Sebastian Bach , and Glenn Gould Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Gould, Glenn | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Glenn Gould Edition - Bach: The Well-Tempered Clavier, Book I A State of Wonder: The Complete Goldberg Variations (1955 & 1981) Art of the Fugue - 70th Anniversary Edition French Suites - 70th Anniversary Edition Bach: English Suites, BWV 806-811 ASIN: B0000028NJ Release Date: 1994-01-11

Tracks:

1. Prelude And Fugue No.1 In C Major, BWV 870: Praeludium
2. Prelude And Fugue No.1 In C Major, BWV 870: Fuga
3. Prelude And Fugue No. 2 In C Minor, BWV 871: Praeludium
4. Prelude And Fugue No. 2 In C Minor, BWV 871: Fuga
5. Prelude And Fugue No. 3 In C-Sharp Major, BWV 872: Praeludium
6. Prelude And Fugue No. 3 In C-Sharp Major, BWV 872: Fuga
7. Prelude And Fugue No. 4 In C-Sharp Minor, BWV 873: Praeludium
8. Prelude And Fugue No. 4 In C-Sharp Minor, BWV 873: Fuga
9. Prelude And Fugue No. 5 In D Major, BWV 874: Praeludium
10. Prelude And Fugue No. 5 In D Major, BWV 874: Fuga
11. Prelude And Fugue No. 6 In D Minor, BWV 875: Praeludium
12. Prelude And Fugue No. 6 In D Minor, BWV 875: Fuga
13. Prelude And Fugue No. 7 In E-Flat Major, BWV 876: Praeludium
14. Prelude And Fugue No. 7 In E-Flat Major, BWV 876: Fuga
15. Prelude And Fugue No. 8 In D-Sharp Minor, BWV 877: Praeludium
16. Prelude And Fugue No. 8 In D-Sharp Minor, BWV 877: Fuga
17. Prelude And Fugue No. 9 In E Major, BWV 878: Praeludium
18. Prelude And Fugue No. 9 In E Major, BWV 878: Fuga
19. Prelude And Fugue No. 10 In E Minor, BWV 879: Praeludium
20. Prelude And Fugue No. 10 In E Minor, BWV 879: Fuga
21. Prelude And Fugue No. 11 In F Major, BWV 880: Praeludium
22. Prelude And Fugue No. 11 In F Major, BWV 880: Fuga
23. Prelude And Fugue No. 12 In F Minor, BWV 881: Praeludium
24. Prelude And Fugue No. 12 In F Minor, BWV 881: Fuga

Tracks:

1. Prelude And Fugue No. 13 In F-Sharp Major, BWV 882: Praeludium
2. Prelude And Fugue No. 13 In F-Sharp Major, BWV 882: Fuga
3. Prelude And Fugue No. 14 In F-Sharp Minor, BWV 883: Praeludium
4. Prelude And Fugue No. 14 In F-Sharp Minor, BWV 883: Fuga
5. Prelude And Fugue No. 15 In G Major, BWV 884: Praeludium
6. Prelude And Fugue No. 15 In G Major, BWV 884: Fuga
7. Prelude And Fugue No. 16 In G Minor, BWV 885: Praeludium
8. Prelude And Fugue No. 16 In G Minor, BWV 885: Fuga
9. Prelude And Fugue No. 17 In A-Flat Major, BWV 886: Praeludium
10. Prelude And Fugue No. 17 In A-Flat Major, BWV 886: Fuga
11. Prelude And Fugue No. 18 In G-Sharp Minor, BWV 887: Praeludium
12. Prelude And Fugue No. 18 In G-Sharp Minor, BWV 887: Fuga
13. Prelude And Fugue No. 19 In A Major, BWV 888: Praeludium
14. Prelude And Fugue No. 19 In A Major, BWV 888: Fuga
15. Prelude And Fugue No. 20 In A Minor, BWV 889: Praeludium
16. Prelude And Fugue No. 20 In A Minor, BWV 889: Fuga
17. Prelude And Fugue No. 21 In B-Flat Major, BWV 890: Praeludium
18. Prelude And Fugue No. 21 In B-Flat Major, BWV 890: Fuga
19. Prelude And Fugue No. 22 In B-Flat Minor, BWV 891: Praeludium
20. Prelude And Fugue No. 22 In B-Flat Minor, BWV 891: Fuga
21. Prelude And Fugue No. 23 In B Major, BWV 892: Praeludium
22. Prelude And Fugue No. 23 In B Major, BWV 892: Fuga
23. Prelude And Fugue No. 24 In B Minor, BWV 893: Praeludium
24. Prelude And Fugue No. 24 In B Minor, BWV 893: Fuga

Amazon.com

Glenn Gould's Bach is by now so ingrained in the 20th-century musical consciousness that it's almost hard to remember just how unusual his devotion to this composer was back in the 1950s and '60s when he first started making records. That his Bach recordings are still the standard by which all others are measured is a tribute to his self-awareness as an artist. If you are looking for the essential Glenn Gould playing Bach, then the three sets you really ought to have are his Goldberg Variations (either version), plus the two books of The Well-Tempered Clavier. Gould was simply incomparable in the contrapuntal intricacies of Bach's fugal writing, and in The Well-Tempered Clavier he has 48 opportunities to strut his stuff. He makes a show of every one. --David Hurwitz

Customer Reviews:

Recommended.......2004-08-24

Why is the Well-Tempered Clavier 2 not as famous as the first Well-Tempered Clavier? I dont know. But just to let you know, I prefer Glenn Goulds recording of this 2nd Clavier book over the first. There are many reasons. The first is that Glenn Gould takes a good tempo on almost all of the preludes and fugues, unlike on the first book. Dont get me wrong though, the first Well Tempered clavier vol. 1 recording is also one of my favorite recordings. The second reason is that he does a VERY GOOD job on bringing out the voices in the fugues of book 2. The third is that there is wonderful sound quality. There are also many other reasons, but I cant name them all right now. I just happen to like this recording better...HIGHLY reccomended.

Gould brings the voices out.......2003-05-12

If you can get by the sound of Gould's own voice as he hums throughout you will get to feast on the genius of Bach's counterpoint. I don't know that I've heard another performer more evenly and distinctly bring out each voice in Bach's keyboard works. The recordings have been excellently remastered from the early originals.

I feel that Bach's early music had a more effortless and sometimes wistful or inspired quality than his later works. However, his later works seem much deeper in thought and character and emotion and skill than the earlier ones. I would have to say that if forced to choose I take the later works (Amazing Mass in B minor, Art of Fugue) including the later set of Preludes and Fugues performed here by a Bach master. I would never force myself to make that choice, however. Pick this one up and hear the voices sing (including Gould's, ouch!).

My Favorite WTC.......2003-03-25

The music of JS Bach is extremely interesting, and one thoughtful listening to his works has the power to change the way you hear and perceive music forever more. Bach's keyboard works are typically polyphonic, and that basically means two melodies, or more acurately stated, two musical thoughts, are presented simultaneously. The resulting musical edifice has the potential to sound like, how does one say? "too many notes". Because of the very nature of counterpoint, the simple elegance of Mozart, or the heart-tugging in-your-face-passion of Beethoven, are not as accessible to the average listener. But there is an unmistakable breadth and vitality found in Bach's musical counterpoint, conjoined with a unique grandeur and nobility, that can move and uplift the spirit in a way that is entirely unique.

The Well Tempered Clavier (WTC) consists of two books, both of which are comprised of a prelude and fugue written in each of the major and minor keys of western music. Because there are twelve major keys, and twelve related minor keys, each book of the WTC is comprised of 24 prelude and fugues. One enjoyable aspect of the WTC for the new listener is that, because all of the major and minor keys are presented in a systematic way, one is able to discern what is most appealing to the listener's unique sensibilities. Perhaps you will find that you prefer major to minor, or vice versa. Perhaps you will find a handful of key signatures that you think are preferable, and that can be the foundation for further exploration into other pieces of music written in the same key.

I own a number of recordings of J.S. Bach's WTC. I happen to like book II better than book I, and this rendition is undoubtedly my favorite of them all. Gould's sense of rhythm is impeccable, and it is that aspect that makes this recording so stunning. The pulse is extraordinary, the ornamentation is played with extreme verve, and Gould's technical abilities and musicianship are more than adequate to keep strict time throughout. I also really appreciate the fact that Gould keeps his foot off the pedal, unlike Richter, or Fischer, or any number of the other standard recordings. A powerful and distinct rhythmic momentum should be felt throughout these works. It is also essential to maintain the clarity of each voice, and the pedal, or reverberation in general, can obscure both rhythm and clarity in the context of polyphonic music. Gould is able to bring distinctness to each voice in a way that is entirely unique.

With that said, Gould does have some singular ideas about tempo. Sometimes it works, sometimes not. For an incredible example of when it works, listen to to his remarkable rendering of the prelude and the fugue in C#-Major. Both, but particularly the fugue, are taken at extremely slow tempos. The result is extraordinary. This is hands down my favorite recording of Bach's WTC. In my opinion, no other recording compares to this one.

Superlative Gould, but bad Bach........2003-03-07

Once again, David Hurwitz is pushing his personal agenda. Do NOT purchase these discs unless you already own several sets of the 48 and want a truly unorthodox view that belies the intent of the music. After staying away from Gould's interpretations of Bach's major keyboard works for some years, I recently decided to revisit them. Unfortunately, my impression of Gould's interpretations hasn't improved over the years. There is some incredible pianism on these CDs, and Gould's insights are often revealing. Nonetheless, the eccentricities and musical anomalies are too numerous and prohibitively distracting. What's more, the plaintive vocalizing is annoying, to say the least. This may be a must for Gould fans, but not for the rest of us. If you want something truly legendary in this repretoire, buy Edwin Fischer's classic recordings from the 30s. Or, if you want digital sound, Angela Hewitt's performances are beyond reproach.

Please consider the version by Andras Schiff..........2002-08-05

I am a person who will not keep multiple versions (by different performers) for a specific record, and this is the version that made me spent extra! I always believe that if I commit a purchase, that will be the only copy that will keep me accompany for many years, and I would rather spend the money on other recordings and give myself more variety in classical music. To be fair, I have to admit that I canýt tell how well he had interpreted this work by Bach, as commented by many other reviewers. As far as I am concern, in term of personal preference and individual expectation, this set had failed me completely!

I bought both WTC Book 1 and 2 by Glenn Gould recently but was extremely disappointed. I like the music very much but I hate the way he played this beautiful piece. It is annoying and frustrating to hear the mumbling throughout his playing! Guess what I did after listening to all the 4 discs? I went to buy WTC Book 1 again by Andras Schiff (London Decca) and immediately I realize the differences - Schiffýs version is definitely the version that I will strongly recommend. Just few words to describe ý Clarity, Pleasant, and Excellent Recording!!! I have no hesitation to buy the Book 2 (by Andras Schiff too).

Rating for Glenn Gouldýs version? I am only willing to give 1 star (both Book 1 and 2). Donýt buy this 2 records unless you like his ýuniqueý style of playingý

Average customer rating: A good gift for novice

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Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating: My experience of this CD Beautiful! Well worth the money. Wonderful! Wonderful! Best investment to make A great pianist interpreting the most inspired composer ever !

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Tracks:

1. 24 Preludes, Op.28: I - C Major
2. 24 Preludes, Op.28: II - A Minor
3. 24 Preludes, Op.28: III - G Major
4. 24 Preludes, Op.28: IV - E Minor
5. 24 Preludes, Op.28: V - D Major
6. 24 Preludes, Op.28: VI - B Minor
7. 24 Preludes, Op.28: VII - A Major
8. 24 Preludes, Op.28: VIII - F Sharp Minor
9. 24 Preludes, Op.28: IX - E Major
10. 24 Preludes, Op.28: X - C Sharp Minor
11. 24 Preludes, Op.28: XI - B Major
12. 24 Preludes, Op.28: XII - G Sharp Minor
13. 24 Preludes, Op.28: XIII - F Sharp Major
14. 24 Preludes, Op.28: XIV - E Flat Minor
15. 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
16. 24 Preludes, Op.28: XVI - B Flat Minor
17. 24 Preludes, Op.28: XVII - A Flat Major
18. 24 Preludes, Op.28: XVIII - F Minor
19. 24 Preludes, Op.28: XIX - E Flat Major
20. 24 Preludes, Op.28: XX - C Minor
21. 24 Preludes, Op.28: XXI - B Flat Major
22. 24 Preludes, Op.28: XXII - G Minor
23. 24 Preludes, Op.28: XXIII - F Major
24. 24 Preludes, Op.28: XXIV - D Minor
25. Prelude In C Sharp Minor, Op.45
26. Prelude In A Flat Major
27. Impromptu In A Flat Major, Op.29
28. Impromptu In F Sharp Major, Op.36
29. Impromptu In G Flat Major, Op.51
30. Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

1. Ballade No.1 In G Minor, Op.23
2. Ballade No.2 In F Major, Op.38
3. Ballade No.3 In A Flat Major, Op.47
4. Ballade No.4 In F Minor, Op.52
5. Scherzo No.1 In B Minor, Op.20
6. Scherzo No.2 In B Flat Minor, Op.31
7. Scherzo No.3 In C Sharp Minor, Op.39
8. Scherzo No.4 In E Minor, Op.54

Tracks:

1. 3 Nocturnes, Op.9: I - B Flat Minor
2. 3 Nocturnes, Op.9: II - E Flat Major
3. 3 Nocturnes, Op.9: III - B Major
4. 3 Nocturnes, Op.15: I - F Major
5. 3 Nocturnes, Op.15: II - F Sharp Major
6. 3 Nocturnes, Op.15: III - G Minor
7. 2 Nocturnes, Op.27: I - C Sharp Minor
8. 2 Nocturnes, Op.27: II - D Flat Major
9. 2 Nocturnes, Op.32: I - B Major
10. 2 Nocturnes, Op.32: II - A Flat Major
11. 2 Nocturnes, Op.37: I - G Minor
12. 2 Nocturnes, Op.37: II - G Major

Tracks:

1. 2 Nocturnes, Op.48: I - C Minor
2. 2 Nocturnes, Op.48: II - F Sharp Minor
3. 2 Nocturnes, Op.55: I - F Minor
4. 2 Nocturnes, Op.55: II - E Flat Major
5. 2 Nocturnes, Op.62: I - B Major
6. 2 Nocturnes, Op.62: II - E Major
7. Nocturne In E Minor, Op.72 No.1
8. Nocutrne In C Sharp Minor
9. Nocturne In C Minor

Tracks:

1. 12 Etudes, Op.10: I - C Major
2. 12 Etudes, Op.10: II - A Minor
3. 12 Etudes, Op.10: III - E Major
4. 12 Etudes, Op.10: IV - C Sharp Minor
5. 12 Etudes, Op.10: V - G Flat Major 'Black Key'
6. 12 Etudes, Op.10: VI - E Flat Minor
7. 12 Etudes, Op.10: VII - C Major
8. 12 Etudes, Op.10: VIII - F Major
9. 12 Etudes, Op.10: IX - F Minor
10. 12 Etudes, Op.10: X - A Flat Major
11. 12 Etudes, Op.10: XI - E Flat Major
12. 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
13. 12 Etudes, Op.25: I - A Flat Major
14. 12 Etudes, Op.25: II - F Minor
15. 12 Etudes, Op.25: III - F Major
16. 12 Etudes, Op.25: IV - A Minor
17. 12 Etudes, Op.25: V - E Minor
18. 12 Etudes, Op.25: VI - G Sharp Minor
19. 12 Etudes, Op.25: VII - C Sharp Minor
20. 12 Etudes, Op.25: VIII - D Flat Major
21. 12 Etudes, Op.25: IX - G Flat Major
22. 12 Etudes, Op.25: X - B Minor
23. 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
24. 12 Etudes, Op.25: XII - C Minor

Tracks:

1. 2 Polonaises, Op.26: I - C Sharp Minor
2. 2 Polonaises, Op.26: II - E Flat Minor
3. 2 Polonaises, Op.40: I - A Major
4. 2 Polonaises, Op.40: II - C Minor
5. Polonaise In F Sharp Minor, Op.44
6. Polonaise In A Flat Major, Op.53
7. Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

1. 3 Polonaises, Op.71: I - D Minor
2. 3 Polonaises, Op.71: II - B Flat Major
3. 3 Polonaises, Op.71: III - F Minor
4. Polonaise In B Flat Minor
5. Polonaise In G Flat Major
6. Polonaise In G Minor
7. Polonaise In B Flat Major
8. Polonaise In A Flat Major
9. Polonaise In G Sharp Minor

Tracks:

1. Waltz In E Flat Major, Op.18
2. 3 Waltzes, Op.34: I - A Flat Major
3. 3 Waltzes, Op.34: II - A Minor
4. 3 Waltzes, Op.34: III - F Major
5. Waltz In A Flat Major, Op.42
6. 3 Waltzes, Op.64: I - D Flat Major
7. 3 Waltzes, Op.64: II - C Sharp Minor
8. 3 Waltzes, Op.64: III - A Flat Major
9. 2 Waltzes, Op.69: I - A Flat Major
10. 2 Waltzes, Op.69: II - B Minor
11. 3 Waltzes, Op.70: I - G Flat Major
12. 3 Waltzes, Op.70: II - F Minor
13. 3 Waltzes, Op.70: III - D Flat Major
14. Waltz In E Minor (1830)
15. Waltz In E Major (1829)
16. Waltz In A Minor (?1843)
17. Waltz In A Flat Major (1827)
18. Waltz In E Flat Major ('Sostenuto', 1840)
19. Waltz In E Flat Major (1829 - 1830)

Tracks:

1. 4 Mazurkas, Op.6: I - F Sharp Minor
2. 4 Mazurkas, Op.6: II - C Sharp Minor
3. 4 Mazurkas, Op.6: III - E Major
4. 4 Mazurkas, Op.6: IV - E Flat Minor
5. 5 Mazurkas, Op.7: I - B Flat Major
6. 5 Mazurkas, Op.7: II - A Minor
7. 5 Mazurkas, Op.7: III - F Minor
8. 5 Mazurkas, Op.7: IV - A Flat Major
9. 5 Mazurkas, Op.7: V - C Major
10. 4 Mazurkas, Op.17: I - B Flat Major
11. 4 Mazurkas, Op.17: II - E Minor
12. 4 Mazurkas, Op.17: III - A Flat Major
13. 4 Mazurkas, Op.17: IV - A Minor
14. 4 Mazurkas, Op.24: I - G Minor
15. 4 Mazurkas, Op.24: II - C Major
16. 4 Mazurkas, Op.24: III - A Flat Major
17. 4 Mazurkas, Op.24: IV - B Flat Minor
18. 4 Mazurkas, Op.30: I - C Minor
19. 4 Mazurkas, Op.30: II - B Minor
20. 4 Mazurkas, Op.30: III - D Flat Major
21. 4 Mazurkas, Op.30: IV - C Sharp Minor
22. 4 Mazurkas, Op.33: I - G Sharp Minor
23. 4 Mazurkas, Op.33: II - D Major
24. 4 Mazurkas, Op.33: III - C Major
25. 4 Mazurkas, Op.33: IV - B Minor
26. 4 Mazurkas, Op.41: I - C Sharp Minor
27. 4 Mazurkas, Op.41: II - E Minor
28. 4 Mazurkas, Op.41: III - B Major
29. 4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

1. 3 Mazurkas, Op.50: I - G Major
2. 3 Mazurkas, Op.50: II - A Flat Major
3. 3 Mazurkas, Op.50: III - C Sharp Minor
4. 3 Mazurkas, Op.56: I - B Major
5. 3 Mazurkas, Op.56: II - C Major
6. 3 Mazurkas, Op.56: III - C Minor
7. 3 Mazurkas, Op.59: I - A Minor
8. 3 Mazurkas, Op.59: II - A Flat Major
9. 3 Mazurkas, Op.59: III - F Sharp Minor
10. 3 Mazurkas, Op.63: I - B Major
11. 3 Mazurkas, Op.63: II - F Minor
12. 3 Mazurkas, Op.63: III - C Sharp Minor
13. 4 Mazurkas, Op.67: I - G Major
14. 4 Mazurkas, Op.67: II - G Minor
15. 4 Mazurkas, Op.67: III - C Major
16. 4 Mazurkas, Op.67: IV - A Minor
17. 4 Mazurkas, Op.68: I - C Major
18. 4 Mazurkas, Op.68: II - A Minor
19. 4 Mazurkas, Op.68: III - F Major
20. 4 Mazurkas, Op.68: IV - F Minor
21. Mazurka In A Minor ('a Emile Gaillard', 1840)
22. Mazurka In A Minor ('Notre temps', 1840)
23. Mazurka In B Flat Major (1826)
24. Mazurka In G Major (1826)
25. Mazurka In A Flat Major (1834)
26. Mazurka In C Major (1833)
27. Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
28. Mazurka In D Major (1832)
29. Mazurka In D Major (?1820)
30. Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

1. Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
2. Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
3. Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
4. Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
5. Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
6. Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
7. Piano Sonata No.3 In B Minor, Op.58: III - Largo
8. Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
9. Fantaisie In F Minor, Op. 49

Tracks:

1. Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
2. Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
3. Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
4. Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
5. Variations sur un air national allemand - E Major (1826)
6. Rondo In C Minor, Op.1
7. 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
8. Rondo 'a la Mazur' In F Major, Op.5
9. Marche funebre In C Minor, Op.72 No.2
10. Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
11. Rondo In C Major, Op.73 - Vladimir Ashkenazy
12. Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

1. Variations In A Major ('Souvenir de Paganini', 1829)
2. Variations brillantes In B Flat Major, Op.12
3. Rondo In E Flat Major, Op.16
4. Bolero In A Minor, Op.19
5. Cantabile In B Flat Major
6. Variation In E Major
7. Largo In E Flat Major
8. Allegro de concert In A Major, Op.46
9. 3 Nouvelles Etudes (1837): I - F Minor
10. 3 Nouvelles Etudes (1837): II - A Flat Major
11. 3 Nouvelles Etudes (1837): III - D Flat Major
12. Tarentelle In A Flat Major, Op.43
13. Fugue In A Minor (1841 - 42)
14. Albumblatt in E Major (1843)
15. Op.74 No.2: Wiosna - Spring
16. 2 Bourrees (1846): I - G Minor; II - A Major
17. Galop Marquis
18. Berceuse In D Flat Major, Op.57
19. Barcarolle In F Sharp Major, Op.60

Customer Reviews:

My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)

Average customer rating: It doesn't get any better than this. IMPROVISED CLASSICAL MUSIC A great combination... My pick from Jarrett/Ashkenazy/Nikolayeva far and away the best, and don't give me no lip!

Shostakovich: 24 Preludes & Fugues op. 87 / Jarrett Keith Jarrett Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Fugues | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Jarrett, Keith | ( J ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Jazz | Styles | Music ECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music ECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Shostakovich, Dmitri | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Jarrett, Keith | ( J ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Handel: Suites for Keyboard The Carnegie Hall Concert Bach: Six Sonatas Vienna Concert Bach: Goldberg Variations / Keith Jarrett ASIN: B000006MTX Release Date: 2000-01-25

Tracks:

1. Preludes And Fugues Op. 87: Prelude And Fugue No. 1 In C Major
2. Preludes And Fugues Op. 87: Prelude And Fugue No. 2 In A Minor
3. Preludes And Fugues Op. 87: Prelude And Fugue No. 3 In G Major
4. Preludes And Fugues Op. 87: Prelude And Fugue No. 4 In E Minor
5. Preludes And Fugues Op. 87: Prelude And Fugue No. 5 In D Major
6. Preludes And Fugues Op. 87: Prelude And Fugue No. 6 In B Minor
7. Preludes And Fugues Op. 87: Prelude And Fugue No. 7 In A Major
8. Preludes And Fugues Op. 87: Prelude And Fugue No. 8 In F Sharp Minor
9. Preludes And Fugues Op. 87: Prelude And Fugue No. 9 In E Major
10. Preludes And Fugues Op. 87: Prelude And Fugue No. 10 In C Sharp Minor
11. Preludes And Fugues Op. 87: Prelude And Fugue No. 11 In B Major
12. Preludes And Fugues Op. 87: Prelude And Fugue No. 12 In G Sharp Minor

Tracks:

1. Preludes And Fugues Op. 87: Prelude And Fugue No.13 In F Sharp Major
2. Preludes And Fugues Op. 87: Prelude And Fugue No.14 In E Flat Minor
3. Preludes And Fugues Op. 87: Prelude And Fugue No.15 In D Flat Major
4. Preludes And Fugues Op. 87: Prelude And Fugue No.16 In B Flat Minor
5. Preludes And Fugues Op. 87: Prelude And Fugue No.17 In A Flat Major
6. Preludes And Fugues Op. 87: Prelude And Fugue No.18 In F Minor
7. Preludes And Fugues Op. 87: Prelude And Fugue No.19 In E Flat Major
8. Preludes And Fugues Op. 87: Prelude And Fugue No.20 In C Minor
9. Preludes And Fugues Op. 87: Prelude And Fugue No.21 In B Flat Major
10. Preludes And Fugues Op. 87: Prelude And Fugue No.22 In G Minor
11. Preludes And Fugues Op. 87: Prelude And Fugue No.23 In F Major
12. Preludes And Fugues Op. 87: Prelude And Fugue No.24 In D Minor

Customer Reviews:

It doesn't get any better than this........2006-07-14

I am not a music "expert" so you may take this review with a grain of salt. I know what I like and this is amazing. Absolutely beautiful. In my humble opinion, it is warmer, more nuanced, and less rigid than the Nikolaieva or Ashkenazy versions. This would be on my "desert island" Top 5 list, no question about it.

IMPROVISED CLASSICAL MUSIC.......2005-06-12

All the great classical composers were great improvisors. Because of the constraints of the academy, one wonders if most of todays players could even fake "Happy Birtrhday".

We are lucky to have someone like Keith Jarrett alive in our own time. Since he is capable of actually improvising profound music, he seems to bring a liveness and spontenaity to this Shostakovich masterpiece. The first recording I ever heard was by Ashkenazy and even then I felt that something was missing. Then I heard the Jarrett version and it came to life! I'm sure any criticism by classical purists is just jealousy...this is perhaps like hearing a great musician/composer, such as Liszt, playing Chopin...or perhaps like Chopin playing Bach!

There are so many college trained "button-pusher" pianists around today that it is refreshing to hear the emotional vividness and luminous technique displayed by Jarrett in this recording. I assumed that these pieces would be dark and posess and dated, pre WORLD WAR II quality, but like the Bach pieces that inspired them, they convey all sorts of emotions that are beautifully realized by Keith Jarrett.

He makes the other versions seem like journeyman efforts that were played by pianists who had to seek out a teacher to told them "How" they should be performed.

A great combination..........2005-05-16

- Warm spring afternoon
- Shostokovich Preludes and Fugues
- Keith Jarrett

Jarrett's peculiar bright aspect works exceptionally well with the more lyrical, optimistic pieces, (most of them, I think). For pieces having that Shostakovich life-is-out-of-kilter feel the color contrast is striking, but it's odd and unsettling in the bottomless-despair ones (few are in this category). I think Shostakovich would be pleasantly surprised by the way these sound. On the other hand, Jarrett does miss some of the curled-up dimensions in these multidimesional gems. An interesting, refreshing, virtuoso reading, but by no means definitive as some corners are left undusted. Too much reverb in the recording space for my taste.

My pick from Jarrett/Ashkenazy/Nikolayeva.......2005-01-16

I own recordings of this work by Jarrett, Ashkenazy and Nikolayeva (on Hyperion). Ultimately it is Jarrett's version that I find myself listening to most often. My main gripe with Nikolayeva is that she can be excessively slow. Ashkenazy -- though technically strong as one would expect -- has a tendency to hammer out some of the fugues in rigid staccato that suppresses the natural lyricism of the music. The flip side as argued by another reviewer is that Jarrett is sometimes "mushy", but that seems a little harsh to me. Unless you have a very particular opinion on how these pieces must sound (in which case you can listen to them yourself) this recording makes a fine choice.

far and away the best, and don't give me no lip!.......2004-11-25

Keith Jarrett himself must have expected wildly polarized reviews on his take of Shostakovich's preludes and fugues, and it's no wonder, as he is more popularly known as a modern jazz master.

As I have had access to a public radio station music library, I decided to spend a weekend comparing and contrasting the different recording of this Opus 87, with score in-hand, by Jarrett, Nikolayevna, and Ashkenazy. I rate Jarrett first, second place going to Nikolayevna, and Ashkenazy bringing up a rather indifferent rear.

Jarrett's interpretation seems to be most often panned on grounds that he "doesn't understand the music", which is sheer hogwash. Add this to the fact that most critics fail to state what are the prerequisites for understanding this music, and I suggest it's a lot more than understanding Shostakovich's "pain"; a rather over-romantic view of a composer who could and did write extremely emotional music, but also music with humor and grace. There's a lot more to Shostakovich than just "pain". Jarrett has obviously studied the pieces well, and plays each prelude and fugue with flawless technique and even daring interpretation that is notably original, the most obvious case being the C-major fugue being taken at what sounds like a *very* slow pace. But having access to the score, he's taking it at the specified tempo: 92-to-the-quarter, interpreting the "alla breve" by playing very legato. So why do the other recordings have it so fast?

Jarrett's A-major fugue shines like the sun; his A flat-major fugue becomes a giddy, but slyly understated dance. (I should add here that in the A-flat prelude Ashkenazy makes a rather shocking note discrepancy in the main theme that either passed a producer's ear or was mis-read in the printed edition.) The more somber pieces are played with respect and deep concentration.

Add to this ECM's top-shelf engineering that provides a realistic, deep piano sound, and you've got a five-star set in your hands.

The pieces were written for Nikolayevna, but her autumn-years recording seems a bit one-dimensional to my ears at times, and the dynamics are a bit narrow as well, although she obviously has played these pieces for a very long time and seems to have absorbed them to the point where her interpretations seem more introverted, if that is your taste. The piano sound is broad, though it has a bit more hammer sound than Jarrett's.

For Ashkenazy, I have nothing exceptional to report. The Decca sound is dry, his rubato doesn't work for me and almost sounds as if he is unsure of himself in places, and overall it doesn't seem to add any air of authority or authenticity. Add to this Decca's assertion that since Askenazy is Russian, his recording is the final word on it, which is pretty trite.

Jarrett gives a modern, up-to-date performance that I think will stand the test of time, while the Askenazy will ultimately be re-packaged as a budget set.

Go with Jarrett; the man who dares to play classical music that is absolute, stripped bare of tuxedo snobbery. He gives his all for this one, and it shows.

Average customer rating: Mill. Classical review classical music for the unitiated Some little gems there that I had forgotten! A very helpful collection Excellent!

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