First Recordings 1938-1944

1. La forza del destino, opera Sinfonia
Composed by Giuseppe Verdi
with Berlin State Choir
Conducted by Herbert von Karajan

2. Leonore Overture No. 3 in C major, Op. 72b
Composed by Ludwig van Beethoven
Conducted by Herbert von Karajan

3. Die Meistersinger von Nürnberg, opera, WWV 96 Act I: Prelude
Composed by Richard Wagner
with Berlin State Choir
Conducted by Herbert von Karajan

4. Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2
Composed by Bedrich Smetana
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

5. Semiramide, opera Sinfonia
Composed by Gioachino Rossini
Conducted by Herbert von Karajan

6. Der Freischütz, opera in 3 acts, J. 277 Overture
Composed by Carl Maria von Weber
Conducted by Herbert von Karajan

7. Die Fledermaus (The Bat), overture to the operetta (RV 503-1)
Composed by Johann II Strauss
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

8. Salome, opera, Op. 54 Dance of the Seven Veils
Composed by Richard Strauss
Conducted by Herbert von Karajan

9. Die Meistersinger von Nürnberg, opera, WWV 96 Act III: Prelude
Composed by Richard Wagner
with Berlin State Choir
Conducted by Herbert von Karajan

10. Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316)
Composed by Johann II Strauss
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

11. Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437)
Composed by Johann II Strauss
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

12. Die Zauberflöte (The Magic Flute), opera, K. 620 Overture
Composed by Wolfgang Amadeus Mozart
with Berlin State Choir
Conducted by Herbert von Karajan

13. Anacréon ou L'amour fugitif, opera-ballet in 2 acts Overture
Composed by Luigi Cherubini
with Berlin State Choir
Conducted by Herbert von Karajan

14. La Traviata, opera Act I: Prelude
Composed by Giuseppe Verdi
Conducted by Herbert von Karajan

15. La Traviata, opera Act III: Prelude
Composed by Giuseppe Verdi
Conducted by Herbert von Karajan

16. Don Juan, tone poem for orchestra, Op. 20
Composed by Richard Strauss
Conducted by Herbert von Karajan

17. Symphony No. 7 in A major, Op. 92
Composed by Ludwig van Beethoven
with Berlin State Choir
Conducted by Herbert von Karajan

18. Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95)
Composed by Antonin Dvorak
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

19. Symphony No. 6 in B Minor, Op. 74 "Pathétique", Op.74
Composed by Pyotr Il'yich Tchaikovsky
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

20. Symphony No. 41 in C major ("Jupiter"), K. 551
Composed by Wolfgang Amadeus Mozart
Conducted by Herbert von Karajan

21. Symphony No. 1 in C minor, Op. 68
Composed by Johannes Brahms
Conducted by Herbert von Karajan

22. Symphony No. 35 in D major ("Haffner"), K. 385
Composed by Wolfgang Amadeus Mozart
Conducted by Herbert von Karajan

23. Der Zigeunerbaron (The Gypsy Baron), overture to the operetta
Composed by Johann II Strauss
with Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

24. Symphony No. 3 in E flat major ("Eroica"), Op. 55
Composed by Ludwig van Beethoven
with Preussische Stattskapelle
Conducted by Herbert von Karajan

25. Symphony No. 40 in G minor, K. 550
Composed by Wolfgang Amadeus Mozart
Conducted by Herbert von Karajan

First Recordings 1938-1944,Karajan,Grammofono 2000,Classical,Classical Music,Orchestral & Symphonic

Average customer rating: Excellent Sound Track Great gift! Good, but not for the Family fantastic...... "A" for Andrews

My Fair Lady (1956 Original Broadway Cast) Alan Jay Lerner , Rex Harrison , Julie Andrews , and Frederick Loewe Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Camelot (1960 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) West Side Story (1957 Original Broadway Cast) The Music Man (1957 Original Broadway Cast) Fiddler on the Roof (1964 Original Broadway Cast) ASIN: B000067AS1 Release Date: 2002-05-28

Tracks:

1. Overture
2. Why Can't The English?
3. Wouldn't It Be Loverly
4. With An Ordinary Man
5. I'm An Ordinary Man
6. Just you Wait
7. The Rain In Spain
8. I Could Have Danced All Night
9. Ascot Gavotte
10. On The Street Where You Live
11. You Did It
12. Show Me
13. Get Me To The Church On Time
14. A Hymn To Him
15. Without You
16. I've Grown Accustomed To Her Face
17. A Post-Recording Conversation (bonus track)
18. Playback: Alan Jay Lerner & Frederick Loewe (bonus track)

Amazon.com

The 2,700 performances of Lerner and Loewe's musical adaptation of George Bernard Shaw's Pygmalion gracefully spanned the Eisenhower and Camelot eras, then begat a wildly popular film version, whose 1965 Best Picture Oscar capped the show's decade of prominence. The crowning achievement of Lerner and Loewe's rich body of work began its recording life on this 1956 cast recording, a collection of performances that long ago became a ubiquitous and indispensable fixture of American musical theater. Indeed, it's hard to imagine anyone else but Julie Andrews and Rex Harrison in the roles of the cockney Eliza Doolittle and her long-suffering mentor, Henry Higgins, delivering definitive versions of the show's embarrassment of riches: "Why Can't the English?," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," and "I've Grown Accustomed to Her Face." This new edition offers a digitally burnished take of the already glorious recording, now supplemented with a post-recording conversation track featuring Harrison, Andrews, Lerner, conductor Franz Allers, and original producer Goddard Lieberson, as well as a 1961 audio interview with Lerner and Loewe. --Jerry McCulley

Customer Reviews:

Excellent Sound Track.......2007-06-27

I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.

Great gift!.......2007-06-01

Bought this as a gift for a friend.Received it quickly and she was delighted.

Good, but not for the Family.......2007-05-29

I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.

fantastic.............2007-05-16

MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!

The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!

"A" for Andrews.......2007-04-15

For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.

It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.

You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.

Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.

Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.

If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.

Now if it were in stero that would make it a 5 star review.

Average customer rating: with a song in my heart/pal joey sound tracks With A Song In My Heart CD A Jane Froman double feature. "Pal Joey's" Pal another great twofer from DRG

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members) Manufacturer: Drg ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music CDs $7 - $10 | Soundtracks General | Soundtracks | Today's Deals in Music | Formats | Music All Bargain Titles | Soundtracks General | Soundtracks | Today's Deals in Music | Formats | Music 4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Jane Froman: With A Song In My Heart / Yours Alone - Original Recordings 1930-1952 My Heart Speaks I'll Cry Tomorrow I'll Cry Tomorrow Susan Hayward Double Feature: Smash-Up/Tulsa ASIN: B0000AGWH6 Release Date: 2003-08-26

Tracks:

1. Opening
2. It's A Good Day
3. Tea For Two
4. Blue Moon
5. That Old Feeling
6. Embraceable You
7. Get Happy
8. I'll Walk Alone
9. They're Either Too Young Or Too Old
10. I'm Thru With Love
11. An American Medley
12. WIth A Song In My Heart
13. Overture
14. You Mustn't Kick It Around
15. I Could Write A Book
16. Chicago
17. That Terrific Rainbow
18. What Is A Man?
19. Happy Hunting Horn
20. Bewitched
21. Pal Joey
22. The Flower Garden Of My Heart
23. Zip
24. Plan You Now, Dig You Later
25. In Our Little Den
26. Do It The Hard Way
27. Take Him
28. Bewitched (Reprise)
29. Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

"Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

A fine addition to your collection. [DRG 19054]

Average customer rating: well, well well The Robert Johnson of 1968 caught my baby cheatin', now home aint where it used to be Best Blues CD EVER Great Acoustic Guitar Playing

First Recordings R.L. Burnside Manufacturer: Fat Possum ProductGroup: Music Binding: Audio CD Delta Blues | Blues | Styles | Music General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Acoustic Blues | Blues | Styles | Music Modern Blues | Blues | Styles | Music Similar Items: Mississippi Hill Country Blues Burnside on Burnside You Better Run: The Essential Junior Kimbrough Too Bad Jim Wish I Was in Heaven Sitting Down ASIN: B00009IB1I Release Date: 2003-06-10

Tracks:

1. Just Like A Bird Without A Feather
2. Goin' Down South
3. Come On In
4. Little Babe
5. Rollin' And Tumblin'
6. Jumper On The Line
7. Skinny Woman
8. Poor Black Mattie
9. Long Haired Doney
10. Peaches
11. Walkin' Blues
12. Hobo Blues
13. My Time Ain't Long
14. Sat Down On My Bed And Cried

Amazon.com

Today, at age 77, this popular North Mississippi singer-guitarist is a master of dirty juke-joint blues. But Burnside was a farm hand when these late '60s recordings captured him developing his staples "Goin' Down South," "Jumper On the Line," "Poor Black Mattie," and "Long Haired Doney"--and his playing style--in bare-boned acoustic form. Burnside practically cries over the roiling John Lee Hooker-influenced guitar lines of the heartbroken "Like a Bird Without a Feather," which he's never again recorded, winning sympathy until he admits that he murdered his lost lover. In "Skinny Woman," covered recently by the North Mississippi Allstars, he offsets the rippling picking style associated with John Hurt by beating his knuckles against his six-string's body. Burnside's slide on "Walkin' Blues" favors the low strings until his solo stabs into the high register with keening, measured authority, matching the sweet and dusty tones of his voice, which then possessed a youthful flexibility that wrung all sorts of nuances from these 14 songs. --Ted Drozdowski

Album Description

Following up R.L. Burnside's Grammy nominated Burnside on Burnside, this CD goes back to R.L.'s beginning. For the first time on CD, these are the complete George Mitchell recordings from 1968. Digipak. Epitaph/Fat Possum Records. 2003.

Customer Reviews:

well, well well.......2006-01-26

Basically, this album is a must for any blues fan. I bought his recent live album "Burnside on Burnside" and thought that was good, until i heard just how good his early recordings were. His songs capture the feeling of the blues in the same way that Robert Johnson could. His simple single guitar and vocals style is in many ways right at the heart of the blues. And this older recording is incredibly high quality. Great, early blues music by a musician who had incredible staying power.

The Robert Johnson of 1968.......2005-11-16

I 'm not interested in any fusion of hill country blues with hip-hop junk, so when I wanted to buy an R.L. Burnside CD, I went to the beginning. And man, I struck gold! R.L. just spellbinds the listener with his raw emotion and remarkable guitar playing. If you appreciate Robert Johnson's recordings, you're sure to like this as well, even though the music itself is a little different than Johnson's blues. Kind of a cross between Johnson and John Lee Hooker, with the "hypnotic trance" thing going. It's its own thing, actually--hill country blues!

caught my baby cheatin', now home aint where it used to be.......2004-11-30

this cd is the kind of thing that can get you lost on your way home from work. literally. one wrong turn around this place and im out twenty minutes. burnside just sucks you in and there's nothing you can do about it. emotion to rival 'a love supreme'. backhand to the cheek. swagger.

Best Blues CD EVER.......2004-11-28

I can't say enough about this CD, I can't get enough of it and ended up buying all the Burnside I could get my hands on. I don't understand why this guy isn't HUGE. Bird Without a Feather is the best blues song I've ever heard. Deep, raw, hypnotic Mississippi delta solo acoutic blues.

Great Acoustic Guitar Playing.......2004-07-31

If you like R.L.'s guitar playing than this is the album for you. Man R.L. could play when he was that age, this THE best Cd to showcase R.L.'s Guitar playing. His voice isn't as good as it is now, but you won't care about that once you here his guitar. He does good Versons of his later standers like "Skinny women" and "Jumper hangin' on the line". Plus he does a great version of "My Baby" which is titled here "Little Baby". Oh and for all you guitar players. Burside drops his guitar a whole step for this album.

Oh and P.S. R.L. DID record "Bird Without a Feather" again. It is recorded under the title "Lost Without Your Love" on his Mississippi Hill Country Blues album.

Average customer rating: Dreamgirls 2001 Not the real "DREAM" experience Absolutely brilliant! Amazing!!!!!! One Night Only

Dreamgirls in Concert (2001 Concert Cast) Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music General | R&B | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music McDonald, Audra | Divas | Opera & Vocal | Styles | Music Similar Items: Dreamgirls (1982 Original Broadway Cast) Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition] Dreamgirls Company (2006 Broadway Revival Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) ASIN: B00005Y4P4 Release Date: 2002-02-26

Tracks:

1. I'm Looking for Something, Baby
2. Goin' Downtown
3. Takin' the Long Way Home
4. Move (You're Steppin on My Heart)
5. Scene: Fifty bucks says the Dreamettes don't win
6. Fake Your Way to the Top
7. Scene: It ain't working, Marty
8. Cadillac Car
9. Cadillac Car (On the Road)
10. Cadillac Car (Recording Studio)
11. Scene: I don't believe they can do that
12. Steppin' to the Bad Side
13. Scene: I'm working on a long shot
14. Party, Party
15. I Want You, Baby
16. Scene: I'm a woman now
17. Family
18. Scene: What are you doing to that girl?
19. Dreamgirls
20. Press Conference
21. Heavy
22. Walkin' Down the Strip/Scene: Las Vegas
23. It's All Over
24. And I Am Telling You I'm Not Going

Tracks:

1. Opening Act II: Dreams Medley
2. Scene: Effie White is the best singer you're gonna find
3. I Am Changing
4. Vogue Sequence
5. When I First Saw You
6. Ain't No Party
7. I Meant You No Harm
8. The Rap
9. I Miss You, Old Friend
10. One Night Only
11. One Night Only (Disco Version)
12. I'm Somebody
13. Hard to Say Good-bye
14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

Not the real "DREAM" experience.......2007-04-04

Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!

Average customer rating: Kander and Ebbs' Score Stands Alone Great Score, lousy show. Kander and Ebb in a Major Key Weak Plot ... Nice Score WONDERFUL!

Steel Pier (1997 Original Broadway Cast) Fred Ebb Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Curtains (2007 Original Broadway Cast) The Happy Time (1968 Original Broadway Cast) The Act (1977 Original Broadway Cast) Flora The Red Menace: The Original Broadway Cast Recording (1965) Grey Gardens - A New Musical (2006 Original Broadway Cast) ASIN: B000003GAQ Release Date: 1997-07-29

Tracks:

1. Overture - Orchestra
2. Prelude - Orchestra/Daniel McDonald
3. Willing To Ride - Karen Ziemba
4. Everybody Dance - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Ronn Carroll/Gregory Mitchell...
5. Second Chance - Daniel McDonald/Karen Ziemba
6. A Powerful Thing - Gregory Harrison/Ronn Caroll
7. Dance With Me/The Last Girl - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Daniel McDonald/Ensemble
8. The Shag - Orchestra
9. Everybody's Girl - Debra Monk
10. Two Step - Orchestra
11. Wet - Karen Ziemba/Daniel McDonald
12. Harmonica Specialty - John C. Havens
13. Lovebird - Karen Ziemba/Adam Pelty/Gregory Mitchell/Daniel McDonald/Ensemble
14. The Sprints - Gregory Harrison/Ronn Carroll/Daniel McDonald/Company
15. Entr'Acte - Orchestra
16. Leave The World Behind - Daniel McDonald/Karen Ziemba/Ensemble
17. Somebody Older - Debra Monk/Jim Newman
18. Running In Place - Karen Ziemba
19. Two Little Words - Kristin Chenoweth/Gregory Harrison/Daniel McDonald/Karen Ziemba/Adam Pelty/Company
20. First You Dream - Daniel McDonald/Karen Ziemba
21. Steel Pier - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon
22. Steel Pier (Reprise) - Karen Ziemba/Gregory Harrison/Company
23. Final Dance - Daniel McDonald/Karen Ziemba/John Kander

Customer Reviews:

Kander and Ebbs' Score Stands Alone.......2007-01-21

The biggest criticism of this Broadway musical was the book. It allegedly meandered, bored the audience and included unfocussed or unnecessary sequences such as the "dream sequence". Well, I never saw the show and can only evaluate this score on its own merits. Based on that alone, it's a complete winner. Memorable songs, great performances, and the score itself tell a clear story that might have been muddled by an overly fussy book (again, that's from heresay...I never saw the show, which flopped in its initial presentation -- unfortunately, because there is much to admire and enjoy in this typically complex Kander and Ebb score).

First of all, top-rate performances abound here. Karen Ziemba makes every one of her songs sail into the stratosphere. She is a true wonder and deserved her Tony nomination against incredible competition (Bebe Neuwirth got it for the much more popular "Chicago", but Ziemba's her equal). Debra Monk once again makes her mark as a Broadway character actress, although her song "Everybody's Girl" is easily the worst song in the show and certainly beneath Kander and Ebbs' standard, but she wins you over with her energetic and well-placed rendition. Daniel MacDonald does a suberb job as the ill-fated hero, exposing innocence and wry commentary in his very presence, but he is equalled by Gregory Harrison's slimy and ultimately ferocious performance as Mick, the emcee.

The score evokes the time (the 1930s) without relying on pastiche to put it over. Of note, Ziemba's intro, "Willing to Ride", the ensemble "Everybody Dance" (which gives Harrison his chance to shine), "Two Little Words" (which provides the auspicious debut of a most impressive Kristen Chenowith and augers the great things yet to come for her), the touching "First you Dream" and, finally, the both ferocious and mournful reprises of the title song display a powerful and underrated score that deserves reevaluation.

If the book got it wrong, the composers and actors got it quite right the first time. This Original Cast Recording will always be proof positive of that undeniable fact. Always "dream".

Great Score, lousy show........2006-07-22

I think it's one of Kander and Ebbs best, better than Chicago and close to Cabaret. Sadly, the book ruined the show, it bored people. Yet, listening to the ravishing music on the CD, it's hard to realize that it all didn't come together. Maybe someday, someone will revise the book and make it work. Till then, enjoy the CD, it's absolutly gorgeous, had great character numbers, spirited dance numbers and dazzling ballads. The performances are wonderful, with Gregory Harrison (who knew Trapper John could sing?) , Daniel MacDonald and Karen Ziemba shining through on every song. The opening and closing theme is haunting.

Kander and Ebb in a Major Key.......2006-02-09

I first heard excerpts from this on Accuradio.com, and thought it sounded great. It is. In the Kander and Ebb canon, Steel Pier may not rank with Chicago, but I enjoy listening to it as much as to Cabaret. It's sweeter and less dark than either of those, but set in the same period (1933) and just as evocative of that period.

First, the performances of the leads are excellent. Karen Ziemba is superb. Daniel McDonald has a wonderful light baritone, and who knew Gregory Harrison (Trapper John, M.D.) could sing, let alone sing well. Debra Monk performs an excellent comic turn. Kristen Chenoweth's Broadway debut number was corny as can be, but did show off her talent and range well.

The music is just wonderful. Willing to Ride is a spirited waltz. Everybody Dance is a near-perfect Charleston opener top the dance marathon that forms the backbone of the plot. Power is a Powerful Thing may be a little weak in the lyrics, but its set to a spirited and charming ragtime melody. Dance with Me and The Last Girl are sung in a medley format. This is almost a shame because both numbers are excellent in their own right. In fact, The Last Girl is as gorgeous a ballad as you can find anywhere.

Wet is a tinkling, sparkling number in which Ms. Ziemba charms, and Mr. McDonald has a teriffic counterpoint melody. Ms. Monk has a showstopper in Everybody's Girl and a torchy number with Somebody Older. The Shag is a dance piece that may be the best number of all. It seems to alternate between twenties hot jazz and the swing that was just starting to be heard around then. There's also a great bluesy harmonica specialty number, whose only flaw is that it's too short. All in all, the score is a gem, especially compared to most of what we've heard in the last twenty years or so.

This is one of those recordings that makes you wonder why the show was a flop. I went back and read the reviews. Basically they didn't like the plot and felt the production strained too hard to be likeable, but lacked energy at the same time. The show also suffered from comparison to the stunning revival of Chicago that opened in the same season. The critics even managed to be lukewarm on the score. The show closed shortly after being nominated for eleven Tony's and winning none - that was the year Titanic swept the boards. With all that, I'd still say the score is marvelous when heard on its own merits. And I'd go to see a revival if someone would do it. Buy it. I recommend it without reservation.

Weak Plot ... Nice Score.......2005-08-06

The overall plot for Kander & Ebb's 1997 "Steel Pier" is fairly weak, but the score is actually quite good and sung by a terrific cast (Karen Ziemba, Daniel McDonald, Debra Monk, Gregory Harrison, and Kristin Chenowith). Not in the same league as their brilliant "Chicago", "Cabaret" or "Kiss Of The Spider Woman", but a worthy effort with several nice tunes.

Best tracks:

Willing To Ride
Second Chance
Running In Place
First You Dream

Unfortunately, "Steel Pier" was overshadowed by that season's remarkable revival of "Chicago" and dreadful "Titanic". A fine addition, however, to a theatre-lover's collection!

WONDERFUL!.......2005-04-28

I love this album! I bought it a few weeks ago and from the moment I listened to "Two Little Words" I knew this was going to be one of my favorites! The music absolutely gorgeous! I reccomend it!

Average customer rating: THE MIKADO HAS NEVER BEEN HOTTER!! I don't listen to broadway shows, but this....

Hot Mikado (Original 1995 London Cast) W.S. Gilbert , Arthur Sullivan , and Rob Bowman Manufacturer: First Night Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Gilbert & Sullivan - The Mikado / WNO · Mackerras Urinetown (2001 Original Off-Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) Dear World (1969 Original Broadway Cast) Curtains (2007 Original Broadway Cast) ASIN: B000026F43 Release Date: 2002-01-01

Tracks:

1. Overture
2. We Are Gentlemen of Japan
3. Wand'ring Minstrel
4. And the Drums Will Crash
5. Behold the Lord High Executioner
6. I've Got a Little List
7. Three Little Maids
8. This Is What I'll Never Do
9. I Am So Proud
10. Let the Throng Our Joy Advance
11. Katisha's Entrance
12. For He's Gonna Marry Yum-Yum
13. Hour of Gladness
14. Finale/Act One
15. Entr'acte
16. Braid the Raven Hair
17. Sun and I
18. Swing a Merry Madrigal
19. Here's a Howdy-Do
20. Mikado Song
21. Alone and Yet Alive
22. Tit-Willow
23. Beauty in the Bellow
24. Finale
25. Playout

Customer Reviews:

THE MIKADO HAS NEVER BEEN HOTTER!!.......2006-05-03

I have heard about this show when it was performed near by me and a director I had loved it. A year later he gave me the CD and I am upset I missed it. I have never listened to a musical theatre and have been so excited when I was done. Not only is the CD amazing, but how the writers have adapted the G&S text and melodies to jazz, pop, gospel, and R&B styles. The CD features amazing performances from a great cast and a really strong tight jazz combo. My favorite number being the first act finale, I could listen to that all day!

I don't listen to broadway shows, but this...........2005-01-13

This CD from the Musical The Hot Mikado, is one of my favorite CD's to listen to. I actually am a big fan of punk and ska, and have never listened to any musical soundtracks. My girlfriend made me listen to it, and i fell in love with the sound. The Orchestra pit is amazing and the singers are second to none. I reccomend this CD to anyone who loves music.

Average customer rating: I waited for this for five years Excellent collection but BIG PUBLISHING MISTAKE! ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS SUCH MAGICAL MUSIC OF THE NIGHT! A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever Various Artists Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Broadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music The Decca Records Store | Specialty Stores | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Gold: The Definitive Hits Collection The Very Best Of Andrew Lloyd Webber: The Broadway Collection Evita (Original London Cast) Andrew Lloyd Webber - The Royal Albert Hall Celebration Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD) ASIN: B00005R5UJ Release Date: 2001-11-20

Tracks:

1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
5. Jesus Christ Superstar: Superstar - Murray Head
6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
8. Evita: Another Suitcase In Another Hall - Barbara Dickson
9. Evita: Don't Cry For Me Argentina - Julie Covington
10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
11. Cats: The Jellicle Ball - Andrew Lloyd Weber
12. Cats: Memory - Elaine Paige
13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
14. Cats: Mr Mistoffelees - Paul Nicholas
15. Song And Dance: Take That Look Off Your Face - Marti Webb
16. Song And Dance: Tell Me On A Sunday - Marti Webb
17. Song And Dance: Unexpected Song - Sarah Brightman
18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
19. Song And Dance: Introduction - Andrew Lloyd Webber
20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

1. Starlight Express: Starlight Express - El Debarge
2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
5. Starlight Express: Light At The End Of The Tunnel - The Company
6. Requiem: Hosanna - Placido Domingo
7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
12. The Phantom Of The Opera: Masquerade - The Company
13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
15. Aspects Of Love: Love Changes Everything - Michael Ball
16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
18. Aspects Of Love: Anything But Lonely - Sarah Brightman
19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
6. By Jeeves: Half A Moment - Sarah Brightman
7. Sunset Boulevard: With One Look - Glenn Close
8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
13. Whistle Down The Wind: Cold - Everly Brothers
14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
16. The Beautiful Game: Overture - Andrew Lloyd Webber
17. The Beautiful Game: The Beautiful Game - The Company
18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

1. Oh What A Circus - David Essex
2. Memory - Betty Buckley
3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
4. All I Ask Of You - Sarah Brightman/Cliff Richard
5. Love Changes Everything - Michael Ball
6. Any Dream Will Do - Donny Osmond
7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
8. As If We Never Said Goodbye - Barbra Streisand
9. The Perfect Year - Dina Carroll
10. With One Look - Petula Clark
11. You Must Love Me - Madonna
12. The Heart Is Slow To Learn - Kiri Te Kanawa
13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
14. Whistle Down The Wind - Tina Arena
15. No Matter What - Boyzone
16. The Vaults Of Heaven - Tom Jones
17. Try Not To Be Afraid - Boy George
18. Pie Jesu - Charlotte Church

Tracks:

1. Make Believe Love - Wes Sands
2. Down Thru' Summer - Ross Hannaman
3. I'll Give All My Love To Southend - Ross Hannaman
4. Believe Me I Will - Sacha Distel
5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
6. Try It And See - Rita Pavone
7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
8. Goodbye Seattle - Paul Raven
9. John 19:41 - The Andrew Lloyd Webber Orchestra
10. What A Line To Go Out On - Yvonne Elliman
11. Disillusion Me - Gary Band
12. The Ballad Of Robert And Peter - Tim Rice
13. Christmas Dream - Maynard Williams
14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
16. Magdalena - Tony Christie
17. Buenos Aires - The Roja Rockers
18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
20. I Could Have Given You More - Petula Clark
21. I've Been In Love Too Long - Marti Webb
22. Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating: Absolutely The Best! More than just an alcoholic drink Watkins ale is very well performed Watkins Ale Joyful and Unique

Watkins Ale: Music of the English Renaissance Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Variations | Variations | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Imports | Stores | Music Similar Items: The Mad Buckgoat - Ancient Music of Ireland La Rocque 'n' Roll - Popular Music of Renaissance France / The Baltimore Consort The Art of the Bawdy Song On the Banks of Helicon: Early Music of Scotland Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection ASIN: B000001Q8Q Release Date: 1992-05-22

Tracks:

1. The Buffens
2. Nuttmigs And Ginger
3. Green Garters
4. There Were Three Ravens
5. Howells Delight
6. Goe From My Window
7. Green Sleeves
8. La Sampogna
9. Unto The Prophet Jonas I Read
10. The Carmans Whistle
11. Galliard Can Shee Excuse
12. Lachrimae Pavin
13. The Quadro Pavin
14. Singers Jig
15. Grimstock
16. De la Tromba Pavin
17. Jewes Daunce
18. Pavane Quadro And Galliard
19. Joyne Hands
20. Watkins Ale

Amazon.com

If you think people didn't have much fun in the 16th century, you may change your mind after you hear the kind of music the ordinary folks were singing, playing, and listening to. The Baltimore Consort, internationally recognized for its outstanding programs and performances of early music, offer us an immediately appealing--and irresistible--assortment of popular tunes from 16th-century England, some of which you may recognize in their modern incarnations. "There were three ravens," "Greensleeves," and John Dowland's famous "Lachrimae Pavan" are a few of the better-known pieces. The Baltimore Consort is known not only for its fabulous musicianship but also for its arrangements, which always seem to perfectly suit the tunes; this disc comprises 20 examples of that virtuosity, and you'll want to hear them again and again. --David Vernier

Customer Reviews:

Absolutely The Best!.......2004-12-31

I love this CD. The music is soothing, fun and romantic. My suggestion is to play this CD while you are having a lovely dinner with friends or with just one "special" friend. This music in the background during your meal will be awesome!

More than just an alcoholic drink.......2004-08-09

The Baltimore Consort are performers in the truest sense -- the energy and sheer brilliance they exude during performances is infectious and heady. Luckily for those of us who rarely or never get to see them perform, all of this comes across in their recordings. This CD makes both an excellent introduction for those uninitiated in the joy that is English Renaissance music, and an important addition to the library of anyone already familiar with such music. The emotion, grace and at times sheer bawdiness of the Baltimore Consort's performances will entertain you and make you smile with glee; "Watkins Ale" is *not* just some sort of alcohol proffered to a young maiden by a strapping young lad -- it may take some careful listening and thinking about the text to realize this! Custer LaRue's flawless vocals, here sounding like a young woman and there like a young lad, are breathtaking. Check your pulse if you don't find yourself dancing along.

Watkins ale is very well performed.......2003-12-23

Miss LaRue is excellent singing Watkins ale, a funny tale about the effects of some alcoholic drink on a young woman. I am writing this to stress that Americans are at times also able to produce excellent performances of "older music". Have an open mind!

Watkins Ale.......2003-10-03

You'll love this one. Don't pass it up.

Joyful and Unique.......2001-12-25

The first time I heard the first track of this CD at Amazon.com homepage, I had the wish of buying it. The English Renaissance songs are performed in a very happy and different way. The version to the Green Sleeves is unique and joyful. The Baltimore Consort performs Renaissance music with very sensitivity. The sound is so pure and transmits happiness and peace.

Average customer rating: One of the best CD's out there! a voice teacher and early music fan Prelewd to Postlewd Sounds like they're singing Christmas carols A sly and rollicksome good time!

The Art of the Bawdy Song Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande D'Urfey, Thomas | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | International | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: The Mad Buckgoat - Ancient Music of Ireland Watkins Ale: Music of the English Renaissance La Rocque 'n' Roll - Popular Music of Renaissance France / The Baltimore Consort Penny Merriments: Street Songs of 17th Century England The Ladyes Delight ASIN: B000001Q93 Release Date: 1993-02-11

Tracks:

1. Aniseed Robin
2. Cuckolds All A-Row
3. I Gave Her Cakes And I Gave Her Ale
4. Taking His Beer With Old Anacharsis
5. Fye, Nay, Prithee John
6. Cold And Raw
7. The Miller's Daughter
8. Will Said To His Mammy
9. The Old Fumbler
10. Walking In a Meadowe Greene
11. Celia Learning On The Spinnet
12. Tom the Taylor
13. My Lady's Coachman John
14. The Irish Jig Or The Night Ramble
15. Come Sirrah Jacke Hoe
16. Dainty Fine Aniseed Water
17. Most Men Do Love the Spanish Wine
18. Argreers
19. Gathering Peascods
20. My Lady And Her Maid
21. As Roger Last Night To Jenny Lay Close
22. Pox On You
23. Ladie Lie Near Me
24. 'Tis Women Makes Us Love
25. Sir Walter Enjoying His Damsel
26. My Thing Is My Own
27. Here Dwells a Pretty Maid
28. My Man John Had a Thing That Was Long
29. When First Amyntas Sued For a Kiss
30. More Palatino
31. Poor Owen
32. Where They Drank Their Wine
33. Come, Come, Let Us Drink

Customer Reviews:

One of the best CD's out there!.......2007-05-10

All ages and musical backgrounds love this CD. The Baltimore Consort are amazing. One really feels one is in a smoky pub in the 14oo's getting plastered with England's best musicians! Don't miss "Pox on You;" my kids absolutely howl with glee at the "bass fartophone." I haven't heard laughter like that come out of my little boy since he was a toddler. "Sweet Sir Walter" features one of the guys singing in a falsetto that sweeps lustily down into a Tim Curry-esque (think Dr. Frank-n-furter)gutteral guffaw of delight. So outrageously fun one forgets one is listening to Renaissance madrigals.

a voice teacher and early music fan.......2007-03-25

These bawdy catches and ballads take us on a journey to the taverns and other social gathering places of the the real 'Merry Old England'. Some of us may be mildly shocked by the directness and earthiness of the text, but everyday life in the 17th century was much more 'down-to'earth- and forward. These texts-some blatant and other euphemistic-fully explore the spectrum of humor from the sly smirk to the back-slapping guffaw.
The singing of both ballads and catches belongs to a long and venerable tradition in England. The natural habitat of the of the catch was the tavern, while the ballad was known in a wider variety of social settings as well as the stage. By the end of the 17th century, ballads were collected by connoisseurs of popular culture and published in anthologies. The main source for this recording, 'The Catch Club, or 'Merry Companions', was printed in 1762.
A quote from the catch-philosopher (of 'Come, come let us drink') is offered by the Baltimore Consort: "...wine and good cheer will in spite of our fear inspire our hearts with mirth..the time we live, to wine let us give, since we all must turn to earth...."
This is an excellent collection of songs; quite interesting and varied. The instruments are played skillfully, and the voices, for the most part, are good quality. However, as with all 'folk-like' songs, the diction is not always clear, and that is very true of several of these on this disc. The female voices were more difficult to comprehend much of the time. The text is printed out, so ultimately familiararity will make them easier to understand. I do like the disc, and think that it needed to be done.As to a previous criticism concerning the fact that it wasn't 'true' barroom singing. Of course, it's not!!!If it were, you would not understand any of it!!!!!Enough said.

Prelewd to Postlewd.......2005-09-28

The Baltimore Consort, an ensemble of six players, was founded in 1980 with the purpose of performing 'broken consort' pieces of Elizabethan origin. 'Broken' here refers to the instrumentation - treble viol/violin, flue/recorder, lute, cittern, bandore and bass viol. Their repertoire expanded beyond these beginnings to include broader British fare, as well as French and Italian music of the time. This is a happy expansion, as it made this disc of older, bawdy (for its time) music possible.

The Baltimore Consort play with life and vigour, with a good deal of improvisational flair, not being bound to texts and going through the production of notes as if mechanically. This is true to the spirit and nature of the early music, in which performers often had to 'play by ear', neither being able to read music nor having printed music even if they could. This is particularly true of the songs on this disc, where many are derivative of anonymous jokes and stories, and much of the music is likewise folk-tune and anonymously composed.

Some of the songs can be rather shocking. As Mary Anne Ballard writes in the accompanying notes, 'We must remember that in the days before indoor plumbing and pooper-scooper laws, everyday life was of an earthier flavour than it is today.... The men of the singing clubs and the ladies of stage poked fun at themselves and their companions with wit, pleasantry and contrivance.'

The names of many of the composers of these pieces have been lost to history, particularly the more folk-song oriented ones. However, some well-known composers are represented among the pieces here - Purcell, D'Urfey, Aldridge, and others.

The regular players include Mary Anne Ballard (viols), Mark Cudek (cittern, guitar, recorder and bass viol), Custer LaRue (vocalist/soprano), Larry Lipkis (recorder, viols), Ronn McFarlane (lute), Chris Norman (flutes), Webb Wiggins (tambourine and 'virginals'). Some artists are known from other Dorian productions, such as Ronn McFarlane on the lute in the collection 'Greensleeves'.

Added to the regular consort players are the Merry Companions, including Peter Becker (baritone), Alexander Blachly (baritone), Paul Shipper (bass, belch-canto), and James Weaver (baritone).

One more addition includes a guest artist, Lorenzo Labbrobacio, playing of all things, the 'fartophone', a rather mysterious instrument indeed. Labbrobacio defies identification on the internet other than references to this disc, and so the mystery deepens.

This is music that is interesting, truly fun to listen to, entertaining and has a quality about it that makes it a joy both in musical and humourous tones.

Sounds like they're singing Christmas carols.......2004-11-09

This recording is professionally produced - perhaps too much so. I've been in a few taverns and heard my share of bawdy songs. I am used to hearing them sung with gusto, with a wink and a naughty smile, to the raucous and enthusiastic appreciation of the audience. The songs on this CD are performed entirely straight. The results are technically competent but fail utterly in conveying the spirit and fun that make this genre worth listening to.

A sly and rollicksome good time!.......2002-11-29

On this recording, the Baltimore Consort and the Merry Companions are full of fun, both blatant and tongue-in-cheek. Soprano Custer La Rue and the instrumentalists of the Consort are joined by a quartet of classical male singers (Peter Becker, Alexander Blachly, Paul Shipper and James Weaver) with quite a theatrical sense of humor. The two groups take turns presenting ribald tavern songs of merry old England, interspersed by light, catchy instrumentals listed in the credits as the "Prelewd", the "Interlewd" and a "Fresh Ayre". Drinking, sex and other bodily functions are both celebrated and ridiculed in songs that are cleverly worded and enthusiastically sung, and in at least one case, accompanied by a mysterious instrument (reminiscent of P.D.Q. Bach) called a "fartophone". Especially amusing are the "catches" or rounds, and the new meanings that result from the staggering of words when several different verses are all sung together. It sounds silly, and is silly, but that's the point of it all--celebrating the "earthier flavor" of life 17th and 18th century England. My copy came with a parental advisory sticker stuck fast to the case, but my mother didn't seem overly concerned, and in fact enjoyed it too when I played it for her! For more fun Renaissance vocals, both salacious and serious, try "All At Once Well Met: English Madrigals" by the King's Singers, and "The King's Singers' Madrigal History Tour: Italy, England, France, Spain, Germany" by the King's Singers and the Consort of Musicke.

Average customer rating: Delightful

Duets for Mandolin & Guitar Manufacturer: Soundart Recordings ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Mandolin | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Country | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music Traditional Folk | Folk | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Solo Instrumental | New Age | Styles | Music Similar Items: Mandolin Magic Appalachian Mandolin and Dulcimer The Magic of the Mandoline Bluegrass Mandolin Extravaganza Vivaldi: Concerti per Mandolini ASIN: B00000DI36 Release Date: 1998-12-01

Tracks:

1. Quadro Pavin/Galiarde
2. La Coranto
3. Phillips Pavanne/Galiarde
4. Jesu Joy Of Man's Desiring
5. Ariso
6. Minuets I & II
7. Romance
8. Sonata No.483
9. Sonatine
10. Cantabile
11. Estudio No.6
12. Recuerdos De La Alhambra
13. Gymnopedie No.1
14. Bolero

Customer Reviews:

Delightful.......2006-12-31

I've bought other alubums of mandolin and guitar and enjoyed them, but this is my favorite. All the selections are enjoyable.

The blend and balance between Baldassari's mandolin and Mock's guitar are the best I've ever heard on any recording of mandolin and guitar recordings.

I wasn't sure how a bluegrass mandolin player would do on classical pieces, but Baldassari is more than equal to the task in my opinion. He chose to play his Gibson F-5 and F-5C mandolins and could not have made a better choice. He produces the best tone I've ever heard from any mandolin; full, rich and balanced. Any limitations inherent in the mandolin are not to be heard; nothing tinny, nothing hollow, just pure golden tone.

John Mock's guitar playing blends seamlessly with Baldassari's mandolin.

I'm a cassual listener to classical music. I enjoy what I enjoy, but I'm not tutored or schooled. All I know is that I like what I like. This is good stuff.

Track Listings:

1. First Recordings 1939-43
2. First Russian Recordings
3. Fritz Kreisler Edition Vol 1
4. Furtwangler Conducts Tchaikovsky
5. Furtwangler Conducts the Bpo During the Second War
6. Great Recordings of the 30s
7. Heart of the Symphony
8. His First Recordings
9. In Concert During Rare Performances
10. In His Golden Years 1922-1943

Track Listings

track listings

Track Listings

Batelages

Classical Hits of Vivaldi

Down & Out Blues [Import]

1951-1953

Guilty Pleasures [Import]

Finally [Enhanced]

Counting Sheep

Christy Oboe Quartet: Oboe Quartets of Mozart, J.C. Bach, Britten, and Stephenson

Cold Dog Soup

Finally Here

Happy Hour

Essential Collection [Import]

Fammi Luce [Import]

Bach: Violin Concertos in A & E minor/Concerto for Two Violins/Orchestral Suite

That's Life