In London 2

On this CD:

1. Symphony No. 2 in D major, Op. 73
Composed by Johannes Brahms
Performed by BBC Symphony Orchestra Conducted by Arturo Toscanini

2. Symphony No. 4 in E minor, Op. 98
Composed by Johannes Brahms
Performed by BBC Symphony Orchestra Conducted by Arturo Toscanini

In London 2,Toscanini,BBC Symphony Orchestra,Grammofono 2000,Classical,Opera / Operetta / Oratorio
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Here's what the fuss was all about!
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Great Recordings
  2. Beverly Sills: Made in America
  3. Art of Beverly
  4. Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
  5. Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Vivaldi: The Four Seasons; Violin Concertos
Average customer rating: 4.5 out of 5 stars
  • Sublime!
  • plays every day!
  • Fun
  • Wonderful recording!
  • If all music were so beautiful
Vivaldi: The Four Seasons; Violin Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach: Violin Concertos
  2. Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields
  3. Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
  4. Bach: Brandenburg Concertos No. 5 & 6/Orchestral Suite No. 1; Neville Marriner; Academy of St. Martin in the Fields
  5. Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture

ASIN: B00005NPK1
Release Date: 2002-08-13

Tracks:

  1. The Four Seasons: Con No.1 in E, RV 269 'Spring': I. Allegro - London Philharmonic Orchestra
  2. The Four Seasons: Con No.1 in E, RV 269 'Spring': II. Largo - London Philharmonic Orchestra
  3. The Four Seasons: Con No.1 in E, RV 269 'Spring': III. Allegro - London Philharmonic Orchestra
  4. The Four Seasons: Con No.2 in g, RV 315 'Summer': I. Allegro Non Molto - London Philharmonic Orchestra
  5. The Four Seasons: Con No.2 in g, RV 315 'Summer': II. Adagio - London Philharmonic Orchestra
  6. The Four Seasons: Con No.2 in g, RV 315 'Summer': III. Presto - London Philharmonic Orchestra
  7. The Four Seasons: Con No.3 in F, RV 293 'Autumn': I. Allegro - London Philharmonic Orchestra
  8. The Four Seasons: Con No.3 in F, RV 293 'Autumn': II. Adagio Molto - London Philharmonic Orchestra
  9. The Four Seasons: Con No.3 in F, RV 293 'Autumn': III. Allegro - London Philharmonic Orchestra
  10. The Four Seasons: Con No.4 in f, RV 297 'Winter': I. Allegro Non Molto - London Philharmonic Orchestra
  11. The Four Seasons: Con No.4 in f, RV 297 'Winter': II. Largo - London Philharmonic Orchestra
  12. The Four Seasons: Con No.4 in f, RV 297 'Winter': III. Allegro - London Philharmonic Orchestra
  13. Vn Con in c, RV 199 'Il Sospetto': I. Allegro - Itzhak Perlman
  14. Vn Con in c, RV 199 'Il Sospetto': II. Andante - Itzhak Perlman
  15. Vn Con in c, RV 199 'Il Sospetto': III. Allegro - Itzhak Perlman
  16. Vn Con in a, RV 356: I. Allegro - Itzhak Perlman
  17. Vn Con in a, RV 356: II. Largo - Itzhak Perlman
  18. Vn Con in a, RV 356: III. Presto - Itzhak Perlman
  19. Vn Con in A, RV 347: I. Allegro - Itzhak Perlman
  20. Vn Con in A, RV 347: II. Largo - Itzhak Perlman
  21. Vn Con in A, RV 347: III. Allegro - Itzhak Perlman

Customer Reviews:

5 out of 5 stars Sublime!.......2007-07-19

So lovely I think we'll need to get a second copy because we might just wear out the one we have! The concertos are an especially nice added treat!

5 out of 5 stars plays every day!.......2007-06-14

This tape is played every day in our house at nap time - it is beautiful and wonderful.

5 out of 5 stars Fun.......2007-05-26

I'm not really much in the way of a music expert, but I really enjoyed this cd.

5 out of 5 stars Wonderful recording!.......2007-05-20

I purchased this recording for my grandson, who is studying the Vivaldi Violin Concerto in A minor. This is a fortunate time for instrumental music students, as, through the medium of digital sound, they can purchase a CD and hear the music, as played by world-class players.

The CD technology eliminates the old game of "drop the needle!" Wonderful!

I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!

I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!


5 out of 5 stars If all music were so beautiful.......2007-01-12

Four seasons is one of my favorite pieces. With Itzhak Perlman at the helm, this rendition is flawless as one would rightfully expect.
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Average customer rating: 5 out of 5 stars
  • Beutefully interpretted
  • I THOUGHT I had heard these concertos,,,
  • Excellent Selection
  • A sassy dame
  • Pleasure to listen
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Edward Elgar , Luigi Boccherini , Antonin Dvorak , Camille Saint-Saëns , Joseph Haydn , Arnold Schoenberg , Robert Schuman , Daniel Barenboim , Sir John Barbirolli , Jacqueline du Pré , Valda Aveling , Georg Mathias Monn , London Symphony Orchestra , New Philharmonia Orchestra , Chicago Symphony Orchestra , and English Chamber Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Jacqueline du Pré - a lasting inspiration
  2. Jacqueline du Pre In Portrait
  3. Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios
  4. Hilary & Jackie
  5. Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim

ASIN: B000002S1F
Release Date: 1990-05-07

Tracks:

  1. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 1 - Moderato - Kadenz - Tempo I
  2. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 2 - Adagio - Kadenz - Tempo I
  3. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 3 - Allegro molto
  4. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 1 - Allegro moderato
  5. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 2 - Adagio
  6. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 3 - Rondo (Allegro)
  7. Cello Concerto in B flat major: 1 - Allegro moderato - Kadenz - Tempo I
  8. Cello Concerto in B flat major: 2 - Adagio no troppo
  9. Cello Concerto in B flat major: 3 - Rondo (Allegro) - Kadenz - Tempo I

Tracks:

  1. Cello Concerto In A Minor, Op. 129: I. Nicht zu schnell
  2. Cello Concerto In A Minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
  3. Cello Concerto In A Minor, Op. 129: III. Sehr lebhaft - Kadenz - Tempo I
  4. Concerto No. 1 in A minor, Op. 33
  5. Cello Concerto In G Minor: I. Allegro
  6. Cello Concerto In G Minor: II. Adagio
  7. Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

  1. Concerto In B Minor, Op. 104: I. Allegro
  2. Concerto In B Minor, Op. 104: II. Adagio ma non troppo
  3. Concerto In B Minor, Op. 104: III. Finale (Allegro moderato)
  4. Concerto In E Minor, Op. 85: Adagio-Moderato
  5. Concerto In E Minor, Op. 85: II. Lento-Allegro molto
  6. Concerto In E Minor, Op. 85: III. Adagio
  7. Concerto In E Minor, Op. 85: IV. Allegro ma non troppo

Amazon.com essential recording

During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May

Customer Reviews:

5 out of 5 stars Beutefully interpretted.......2007-04-04

Jacquline du Pres interprettation of some of the moast famous cello consertos is simply amasing. her music just flows with energy and abbowe all passion. she realy brings out the qaleties of the cello with intensety and softnes intertwined. music bursting with passion.

5 out of 5 stars I THOUGHT I had heard these concertos,,,.......2007-04-04

UNTIL I was fortunate enough to have heard them performed by Jacqueline du Pre!!!
ABSOLUTELY STUNNING!!! Her superb playing, along with truly masterful
interpretative skills, just "comes pouring out of the speakers!"
Also, the orchestras were obviously truly inspired by these opportunities to perform and record with one of the greatest musicians of all time.
The sound quality is excellent, as is the separation and clarity of both the soloist's and orchestral performances. The overall dynanism is also top notch - I found I had to lower the volume substantially from my normal
system loudness levels.
I've enjoyed this set so much I'll probably wind up buying everything from Amazon that EMI has produced with Jacqueline du Pre's name on it!

5 out of 5 stars Excellent Selection.......2007-02-27

The choice of concertos is excellent and the artistry of Jacqueline du Pre is exceptional. The Schumann and Saint-Saens works are truly beautiful.

The album is a fitting tribute to the tragic loss of an incredible young talent.

4 out of 5 stars A sassy dame.......2007-02-20

I love this CD. It came extremely fast to NZ and a bonus too as I was expecting only one cd not three!
While Dvorak is currently my favourite, other composers featured here have been growing on me.
Never been a Cello devotee in the past, but I am enjoying this new phase of my musical listening.
The late Ms du Pre plays with vigor and assertiveness, yet manages to convey those moving and sublime moments when needed.
Most enjoyable. Thanky you

5 out of 5 stars Pleasure to listen.......2006-02-23

This 3 cd pack plays daylong on the player. Great music, great artist.
Classical Music for Children: A Toddler's Introduction to Classical Music
Average customer rating: 5 out of 5 stars
  • Awesome CD
  • He started dancing as soon as we put it on!
  • Better than baby einstein
  • great music at a great price
  • A Wonderful CD for all ages
Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

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  1. Children's Favorites
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ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

  1. Clair de Lune
  2. Eine kleine Nachtmusik: Romance: Andante
  3. Moonlight Sonata: Adagio sestonuto
  4. Minute Waltz
  5. On The Beautiful Blue Danube
  6. The Nutcracker Suite: Russian Dance
  7. El Amor Brujo: Danca del Terror
  8. Grand Valse Brillante, Waltz No. 1 op. 18
  9. Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
  10. Goldberg Variations: Aria
  11. The Nutcracker Suite: Chinese Dance
  12. Symphony No. 7: Allegro molto
  13. Symphony No. 94: Menuetto: Allegro molto
  14. The Nutcracker Suite: March
  15. Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

5 out of 5 stars Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

5 out of 5 stars He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

5 out of 5 stars Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

5 out of 5 stars great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

5 out of 5 stars A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.
25 Beethoven Favorites
Average customer rating: 3.5 out of 5 stars
  • Great for the road
  • Beethoven 25 Favorites
  • 25 Beethoven Favorites
  • bEtHoVeN mAnIaC
  • Great Price...Not so good itself
25 Beethoven Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. 25 Mozart Favorites
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ASIN: B0000058HX
Release Date: 1996-08-20

Tracks:

  1. Egmont Overture - Ludwig Van Beethoven
  2. Symphony No. 5 In C Minor - Ludwig Van Beethoven
  3. Piano Sonata No. 21 In C Major - Alfred Brendel
  4. Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
  5. Piano Sonata No. 8 In C Minor - Jerome Rose
  6. Piano Sonata No. 23 In F Minor - Jerome Rose
  7. Symphony No. 6 In F Major - Ludwig Van Beethoven
  8. Symphony No. 7 In A Major - Ludwig Van Beethoven
  9. 'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
  10. Violin Concerto In D Major - Susanne Lautenbacher
  11. Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
  12. Piano Trio In B Flat - Mannheimer Trio
  13. Fse - Various Artists
  14. Quintet In E Flat For Piano And Winds - Abbey Simon
  15. 'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
  16. Piano Concerto No. 2 In B Flat - Alfred Brendel
  17. Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
  18. Piano Concerto No. 4 In G Major - Alfred Brendel
  19. Piano Concerto No. 5 In E Flat - Alfred Brendel
  20. Symphony No. 3 In E Flat - Ludwig Van Beethoven
  21. 'The Ruins Of Athens,' - Ludwig Van Beethoven
  22. 'Corolian,' - Ludwig Van Beethoven
  23. Ecossaise For Piano - Alfred Brendel
  24. Symphony No. 9 In D Minor - Ludwig Van Beethoven
  25. Symphony No. 9 In D Minor - Ludwig Van Beethoven

Customer Reviews:

3 out of 5 stars Great for the road.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

5 out of 5 stars Beethoven 25 Favorites.......2006-11-21

Very good! I ordered it especially for Piano Sonata No. 8 Pathetique

4 out of 5 stars 25 Beethoven Favorites.......2006-11-05

Good overview of his works----an introduction into his depth as a composer

3 out of 5 stars bEtHoVeN mAnIaC.......2005-11-03

[...] Honestly, it isn't THAT THAT great, but its good enough for its price. I'd say that your $ pays off, for a while. I've noticed how after a long time, it gets aggrivating at times. No harm meant, "Beethoven lover". I just mean don't plunge into this cd with all the hopes in the world. Besides, it's just my opinion, so you may like it more than me. All i can say is; a) listen to some samples before you buy, b)know this is not REALLY the great Beethoven himself, and c) enjoy YOUR music, whatever it may be.

2 out of 5 stars Great Price...Not so good itself.......2005-05-19

This a great priced cd, but the content is why it is so cheap. It's a true-amateur album. Beethoven Lover is over her/his head. This is the real world, not a fantasy-everyone-likes-every-type-of-music world. Deal with it and agree with me. It isn't so great.
Saint-Saens: Carnival of the Animals
Average customer rating: 4.5 out of 5 stars
  • Carnival of the Animals
  • Carnival...
  • This is a Carnival of Fun
  • Musical Playfulness at it's finest
  • Magnificent
Saint-Saens: Carnival of the Animals

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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  5. Classics for Kids

ASIN: B0000041QC
Release Date: 1990-10-25

Tracks:

  1. The Carnival Of The Animals: Introduction And Royal March Of The Lion
  2. The Carnival Of The Animals: Hens And Cockerels
  3. The Carnival Of The Animals: Wild Asses
  4. The Carnival Of The Animals: Tortoises
  5. The Carnival Of The Animals: The Elephant
  6. The Carnival Of The Animals: Kangaroos
  7. The Carnival Of The Animals: Aquarium
  8. The Carnival Of The Animals: Persons With Long Ears
  9. The Carnival Of The Animals: The Cuckoo In The Depths Of The Woods
  10. The Carnival Of The Animals: Aviary
  11. The Carnival Of The Animals: Pianists
  12. The Carnival Of The Animals: Fossils
  13. The Carnival Of The Animals: The Swan
  14. The Carnival Of The Animals: Finale
  15. Phaeton, Op.39
  16. Le Rouet d'Omphale, Op.31
  17. Danse macabre, Op.40

Customer Reviews:

5 out of 5 stars Carnival of the Animals.......2007-01-10

The music is beautiful. I used it for a music lesson for Kindergarten on how to interpret animals using music. It is also very soothing in the background for working.

3 out of 5 stars Carnival..........2005-07-26

I found this disk to be "adequate." Other than The Swan, nothing really moved me. The swan rates five stars, the rest, four! You might like it more than I did...

5 out of 5 stars This is a Carnival of Fun.......2005-06-29

I had been a fan of this recording when it was first released. While looking for the recording for my daughter, I fell upon this release.
Sensational! Who can't love the Romantics?

5 out of 5 stars Musical Playfulness at it's finest.......2005-02-20

This CD is absolutely charming. The Carnival of the Animals is so full of different expressions- the majestic lion, the agonizingly slow tortoise, the free-flying birds, the dancing fossils, and the regal swan. Phaeton is amazing, as is le Rouet d'Omphale and the Danse Macabre. I wasn't into Saint-Saens before this CD, but now I'm hooked. For model romantic era music, buy this CD without delay :)

5 out of 5 stars Magnificent.......2002-01-31

It's humourous, it's simple, it's great. Those three words best describe Carnvial of Animals. From the lovely and beautiful Aquarium and Aviary to the more serious, respectable March of the Royal Lion, this musical composistion goes everywhere and does everything in great strides. A must-have for any classical music fan
Beethoven: The Complete Symphonies and Piano Concertos
Average customer rating: 4.5 out of 5 stars
  • Great Performance
  • Great Analog Beethoven Cycle
  • An essential collection
  • The best value in classical music on CD at the moment...
  • Wonderful Performances
Beethoven: The Complete Symphonies and Piano Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore

ASIN: B00004YA0S
Release Date: 2000-11-07

Tracks:

  1. I: Adagio Molto - Allegro Con Brio
  2. II: Andante Cantabile Con Moto
  3. III: Menuetto & Trio: Allegro Molto E Vivace
  4. IV: Adagio - Allegro Molto E Vivace
  5. I: Allegro Ma Non Troppo
  6. II: Andante Molto Mosso
  7. III: Allegro - In Tempo D'allegro - Tempo I
  8. IV: Allegro
  9. V: Allegretto

Tracks:

  1. I: Allegro Con Brio
  2. II: Marcia Funebre: Adagio Assai
  3. III: Scherzo & Trio: Allegro Vivace
  4. IV: Finale: Allegro Molto - Poco Andante - Presto
  5. Gross Fuge

Tracks:

  1. I: Adagio Molto - Allegro Con Brio
  2. II: Larghetto
  3. III: Scherzo & Trio: Allegro
  4. IV: Allegro Molto
  5. I: Allegro Con Brio
  6. II: Andante Con Moto - Piu Mosso - Tempo I
  7. III: Allegro -
  8. IV: Allegro - Presto

Tracks:

  1. I: Adagio - Allegro Vivace
  2. II: Adagio
  3. III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
  4. IV: Allegro Ma Non Troppo
  5. I: Poco Sostenuto - Vivace
  6. II: Allegretto
  7. III: Presto - Assai Meno Presto
  8. IV: Allegro Con Brio

Tracks:

  1. I: Allegro Vivace Con Brio
  2. II: Allegretto Scherzando
  3. III: Tempo Di Menuetto
  4. IV: Allegro Vivace
  5. Overture
  6. Overture
  7. Overture
  8. Overture

Tracks:

  1. I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
  2. II: Molto Vivace - Presto - Christa Ludwig
  3. III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
  4. IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
  5. Overture - Christa Ludwig

Tracks:

  1. I: Allegro Con Brio
  2. II: Largo
  3. III: Rondo: Allegro Scherzando
  4. I: Allegro Con Brio
  5. II: Adagio
  6. III: Rondo: Molto Allegro

Tracks:

  1. I: Allegro Con Brio
  2. II: Largo
  3. III: Rondo: Allegro
  4. I: Allegro Moderato
  5. II: Andante Con Moto
  6. III: Rondo: Vivace

Tracks:

  1. Fantasia For Piano, Chorus And Orchestra
  2. I: Allegro
  3. II: Adagio Un Poco Mosso -
  4. III: Rondo: Allegro

Amazon.com essential recording

Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David Hurwitz

Customer Reviews:

5 out of 5 stars Great Performance.......2007-07-07

There are many different ways to perform Beethoven and each one is valid.
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!

4 out of 5 stars Great Analog Beethoven Cycle.......2007-05-07

This Klemperer cycle is just one of a dozen or so GREAT analog Beethoven symphony cycles that were recorded during Analog's golden age starting about 1958. These cycles are easily a match for digital and they should still be around for another 1,000 years, if the Lord tarries. These sets include: Karajan (twice, early 60s and late 70s) Bohm, Krips, Jochum, Bruno Walter, Leinsdorf, Rene Leibowitz, Szell, Ormandy, Bernstein, Steinberg, and Solti. This morning I listened to the Klemperer recordings of Beethoven's symphonies 5, 6, & 7. Very enjoyable, I got my Beethoven RDA fix.

Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.

You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).

Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!

5 out of 5 stars An essential collection.......2007-04-25

How best to describe Otto Klemperer's perspective on Beethoven's symphonies: grand, heroic, intense, insightful, stubborn, obstinate, detailed, dramatic, monumental, granitic, deeply emotional, never sentimental. This boxed set of the complete symphonies and concerti embodies all of these elements as stands as one of the great achievements of recorded music.

These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).

By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.

Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.

You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.

That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.

Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.

As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.

Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.

The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.

5 out of 5 stars The best value in classical music on CD at the moment..........2007-01-02

What is the best value in classical discs available today ? Who knows, but I defy anyone to beat the EMI compilation of Klemperer' recordings of the complete Beethoven Symphonies, Piano Concertos (with Barenboim), several overtures the Choral Fantasia etc etc. 9 discs for only $44 ( well that was the price I paid). You have got to be kidding... I only had two concerns with buying this. First on the age of the recordings, all more than 40 years old. No worry at all. This is a masterpiece of reconstruction. The sound quality indistinguishable from any modern recording. Secondly , the performances themselves. I had been warned that Klemperer notoriously chose rather slow tempi. Again I needn't have worried. I immediately went to the slow movements of the 2nd piano concerto and the fourth symphony, where many slow tempists have in the past come unstuck. The piano concerto was an absolute revelation. The combination of the youthful Barenboim and the Philharmonia's masterful playing time and gain had me on the edge of my seat. " Yes,go on, well...." Slow it may have been. Boring, never. The same applies in spades to the slow movement of the fourth. Right from the eerie opening, which is yes, very slow indeed, I knew this movement would be a revelation and I can honestly say I have never hear it better played. Follow this with a scherzo bounding in energy and thumping finale and you will never get a better performance of this, one of Beethoven's "lesser" symphonies. And I haven't even got round to the "biggies" yet! The box set looks unattractive and the portrait of Klemperer makes him appear a first class nerd. Pay absolutely no attention to this....

4 out of 5 stars Wonderful Performances.......2006-04-07

I have admittedly not made it through the entire set as of yet, but feel sufficiently blown away by the First Symphony and the Eroica - particularly the second movement of the latter - to weigh in here. With respect to the tempo issue, I must - at least so far - argue in favor of Klemperer's decision to slow things down a bit. I think the effect is, as someone else has observed, a clearer and more visceral experience of Beethoven's composition. It brings out the feeling. The sound comes up a little short on the low end, but it isn't a major distraction. My only problem lies in EMI's inexplicable lack of any discussion of the performances. The notes are bland, dry descriptions of the pieces themselves, with some basic history thrown in. Given the fact that there are probably hundreds of different CDs of Beethoven's symphonies out there, all with similar explanatory notes, it is infuriating that nothing is said about these particular performances. This is in contrast with the EMI Bach set (with Yehudi Menuhin) in which there is a wonderful essay that discusses Menuhin's work in historical context.
Moulin Rouge 2
Average customer rating: 4 out of 5 stars
  • Wow.
  • Love this CD
  • Could it get any better?
  • Moulin rouge tried to fill up the GAP
  • ahahahahaha
Moulin Rouge 2

Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Moulin Rouge
  2. Moulin Rouge! (Two-Disc Collector's Edition)
  3. Chicago
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  5. William Shakespeare's Romeo + Juliet: Music From The Motion Picture (1996 Version) [Enhanced CD]

ASIN: B00005YW4Z
Release Date: 2002-02-26

Tracks:

  1. Your Song
  2. Sparkling Diamonds [Original Film Version]
  3. One Day I'll Fly Away
  4. The Pitch (Spectacular Spectacular) [Original Film Version]
  5. Come What May [Original Film Version]
  6. Like a Virgin [Original Film Version]
  7. Meet Me in the Red Room [Original Film Version]
  8. Your Song
  9. The Show Must Go On [Original Film Version]
  10. Ascension/Nature Boy (From the Death and...)
  11. Bolero (Closing Credits) [Original Film Version]

Amazon.com

There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley

Album Details

Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'

Customer Reviews:

5 out of 5 stars Wow........2007-01-15

I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.

The highlights of the album are:

-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)

In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!

If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!

5 out of 5 stars Love this CD.......2006-07-04

I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.

I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.

5 out of 5 stars Could it get any better?.......2006-03-02

So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!

4 out of 5 stars Moulin rouge tried to fill up the GAP.......2006-02-12

This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.

Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.

One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.

To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.

4 out of 5 stars ahahahahaha.......2006-02-01

Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.
Sergei Rachmaninoff: Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Yes
  • A decent introduction to the music of Rachmaninoff
  • Great Collection of "Hits"
  • One of the best CD I own
Sergei Rachmaninoff: Greatest Hits

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002A1L
Release Date: 1994-08-09

Tracks:

  1. Vocalise, Op. 34, No. 14
  2. Piano Concerto No. 2 In C Minor, Op. 18: III. Allegro scherzando
  3. Rhapsody On A Theme Of Paganini, Op. 43: 18th Variation
  4. Symphony No. 2 In E Minor, Op. 27: III. Adagio
  5. Prelude In G Minor, Op. 23, No. 5
  6. Prelude In G-Sharp Minor, Op. 32, No. 12
  7. Prelude in C-sharp minor, Op. 3, No. 2
  8. Cello Sonata In G Minor, Op. 19: II. Allegro scherzando
  9. Etude-tableau In D Major, Op. 39, No. 9
  10. Six Pieces, Op. 11: Scherzo
  11. Six Pieces, Op. 11: Slava
  12. Symphonic Dances, Op. 45: III. Lento assai

Customer Reviews:

5 out of 5 stars Yes.......2003-04-03

This is a marvelous collection. There were a few pieces I wish that it would include, such as the rest of his Piano Concerto No.2, or perhaps The Rock, but the fact that the performances are generally great and the recording quality is near-perfect makes up for that.

I would recommend this to anyone who is just starting to become interested in the works of Sergei Rachmaninov.

4 out of 5 stars A decent introduction to the music of Rachmaninoff.......2001-08-12

Sergi Rachmaninoff was the last of the great Romantic composers, especially since the Romantic period had ended for European artists when he was at his height. Although a composer and a conductor, Rachmaninoff was also a virtuoso pianist, which explains why his best compositions feature the piano, either in solo work or with an orchestra. His "Prelude in C-Sharp Minor," which he wrote when he was 20, made him famous throughout the world. This collection also includes several other preludes, "Vocalise," and the famous 18th Variation (Andnate cantible) from Rhapsody on a Theme of Paganini. My only serious complaint about this collection as an introduction to Rachmaninoff is that it only has one movement from his Second Piano Concerto and I have other CDs that include the entire work, which I thing is a good idea.

4 out of 5 stars Great Collection of "Hits".......2000-06-22

This is actually not a bad collection of Greatest Hits. Usually the problem with collections like these is that they have bad recordings and not very good performances but some of these ones are actually okay, and it features performances by Yo-Yo Ma and Emanuel Ax among others. In general these are the works of art you think of when you think of Rachmaninoff and so these pieces are a perfect representation of his style.

5 out of 5 stars One of the best CD I own.......1999-12-30

This is one of the best I own. The music is so great, hard to explain...so moving, especially the first track. It reminds me of Russia a lot. I listen to it everyday while driving to work. I highly recommend it.
Mozart: Violin Concertos
Average customer rating: 5 out of 5 stars
  • Perfect ? almost
  • Excellent. Must-have set.
  • Gustavo Ferreira Violin Music
  • Honesty and musical integrity!
  • Grumiaux at his finest
Mozart: Violin Concertos
Wolfgang Amadeus Mozart , Raymond Leppard , Sir Colin Davis , London Symphony Orchestra , New Philharmonia Orchestra , Arrigo Pelliccia , and Arthur Grumiaux
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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  5. Mozart: Symphonies Nos. 35-41

ASIN: B000004166
Release Date: 1993-08-10

Tracks:

  1. No. 1 In B Flat, K. 207: Allegro Moderato
  2. No. 1 In B Flat, K. 207: Adagio
  3. No. 1 In B Flat, K. 207: Presto
  4. No. 3 In G, K. 216: Allegro
  5. No. 3 In G, K. 216: Adagio
  6. No. 3 In G, K. 216: Rondeau (Allegro)
  7. No. 4 In D, K. 218: Allegro
  8. No. 4 In D, K. 218: Andante Cantabile
  9. No. 4 In D, K. 218: Rondeau
  10. Adagio In E For Violin And Orchestra, K. 261
  11. Rondo In C For Violin And Orchestra, K. 373

Tracks:

  1. Concerto No. 2 In D, K. 211: Allegro
  2. Concerto No. 2 In D, K. 211: Andante
  3. Concerto No. 2 In D, K. 211: Rondeau (Allegro)
  4. Concerto No. 5 In A, K. 219: Allegro Aperto
  5. Concerto No. 5 In A, K. 219: Adagio
  6. Concerto No. 5 In A, K. 219: Rondeau (Tempo Di Menuetto)
  7. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Allegro Maestoso
  8. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Andante
  9. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Presto

Amazon.com essential recording

At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing musical line, while at the same time making the most of the rare opportunities for soloistic display. Taste and musicianship are more important qualities than virtuosity, and that makes these pieces ideal vehicles for Arthur Grumiaux's aristocratic temperament and technical polish. --David Hurwitz

Customer Reviews:

5 out of 5 stars Perfect ? almost.......2007-06-08

I am happy to agree that Grumiaux was the best interpreter of Mozart's violin works, assured, fluent, magic flowed from his bow. And I agree that this Philips Duo is a great bargain, packed with great music. I do, however have one little reservation, while the sound quality of the violin is good, I find the sound of the orchestra rather muddy, especially during the louder periods; perhaps this is acceptable when the age of the recording is taken into account. But can you tell the scoring with any confidence? flutes ? oboes ? horns ? ( The sound quality of K 261 and K 373, with the New Philhamonia, is a little better)
Even with this reservation, I still give it 5 stars.

PS I have recently purchased a new re-release of Grumiaux playing the Beethoven violin concerto, the sound is much better than in these CDs, perhaps a more recent digital remastering of the violin concertos would result in more acceptable sound quality.

5 out of 5 stars Excellent. Must-have set........2006-07-21

This is an excellent set put out by Philips in it's renowned Duo cd class. Almost all of Mozart's violin works are here. Arthur Grumiaux, one of my favorites, does a superb job of interpreting Mozart's works. This last weekend I played the same works by Heifitz and the comparison makes for interesting listening. I can't say one is better than the other, specially since I have no formal training in music, but each artist definitely leaves an impression.

Excellent set and a superb value but most importantly makes a valuable addition to anyone's collection.

4 out of 5 stars Gustavo Ferreira Violin Music.......2006-01-19

This is a very good compilation of Mozart Violin Concertos and with a very good Orchestra. I did not put 5 stars because I had some of Mozart concertos played by H.Heifetz and other by Xue-Wei that I consider are more brilliant violinsts. Grumiaux is very good but not excelent.

5 out of 5 stars Honesty and musical integrity!.......2005-05-16

The artistic personality of Artur Grumiaux was undoubtedly very sober. In comparision with the warmth of a David Oistrakh or the powerful musculature of Heifetz, his golden and flawless intonation was if I may, unique. His sonority and style did not belong to bravura style. He was an accurate and impressive violinist. His Mozart is crystalline and innocent. Once more, his presence in various performances in Prades Festival transformed and even improved his spelling touch. As you know all the artists who participated in this unequal Festival acquired a giant dimension. It is not by mere hazard that names of the height of Joseph Szigeti, Eugene Istomin, Rudolf Serkin, Sandor Vegh, Isaac Stern, William Kapell, Clara Haskill - above their innate skills - experienced Casals' spell. And because of this experience there was an immediate rapport with Clara Haskill and recorded one of the most incredible sets of Mozart `s Sonatas for violin that I' have heard ever.
And, despite his brief existence 1921-1986 his name will be resounding in the world of the violin during years and years. His honesty and integrity , technique and musicianship, self possession and aristocratic feature confer a special honor place. Go and get all what you can about Mozart, Faure Sonatas, his Haendel sonatas for violin, his Debussy Sonata, Guilleme Lekeu, Paganini 4th, and his version of Franck's sonata for violin is one of the most lyrical ever recorded.
An unforgettable artist!

5 out of 5 stars Grumiaux at his finest.......2005-04-11

Yet another Philips Mozart DUO that is at the top of the class. Having the legendary Arthur Grumiaux on so many of these Mozart violin collections makes them easy choices. His elegant, refined style and lucious tone (from an amazing 1744 Guanari) were born for Mozart. Just about every major reviewer (Penguin, Gramophone, etc) lists this particular CD in the top two best picks for Mozart's violin concertos, often citing Grumaiux's style as the ideal model for Mozart. The recording sound is exceptional too as is typical for most Philips discs. A superb choice for the violin concertos! Anne-Sofie Mutter and Pamela Frank (amongst many) have also recorded some fine performances of these works along with a rather unique version from Baroque specialist, Fabio Biondi (Virgin).

An alternative choice would be the intruiguing 5-CD collector's set of Grumiaux's Historic Philips Recordings from 1953-1962 which has these five concertos plus many and some rarer works from Paganini, Mendelssohn, Faure, Ravel, Debussy, Granados, Sarasate and others. 4/5 discs are in mono but the sound is fine really. If you admire this Belgian legend, then this historic set would probably be very special as it shows Grumiaux at his finest in a beautiful and diverse repertoire.

Track Listings:

  1. Journey to Prague
  2. Knappertsbusch and Bruckner
  3. La Scala of Toscanini
  4. Lauritz Melchior: The German & Italian repertoire
  5. Legendary Recordings 2
  6. Manuel De Falla: La Vida Breve
  7. Masterworks
  8. Mussorgsky/Ravel: Pictures at an Exhibition; Rimsky-Korsakov: Capriccio espagnole; Tchaikovsky: Capriccio italien
  9. Nocturnes Opus 9
  10. Pertile Edition 1

Track Listings

track listings

Track Listings

Continuum

Fughe E Divertimenti for Solo Violin

Here He Comes Again/Lot of Dominos [Import]

Charlie Parker

Kvazar

I'll Always Love You

Heroes and Villains [Soundtrack]

germanbooks88.com Music: A Song From The East

Honeysuckle Rose: Music From The Original Soundtrack [Soundtrack]

Jazz Music: A Day in the Life

Monster (CD + DVD+ A) (Dig)

If These Streets Could Talk

Killababylonkutz

Fill Me

Troika II: Dream Palace