Plays Beethoven & Faure Works for Piano

1. Piano Concerto No. 3 in C minor, Op. 37
Composed by Ludwig van Beethoven
Performed by Paris Conservatory Orchestra with Marguerite Long
Conducted by Felix Weingartner

2. Piano Quartet No. 2 in G minor, Op. 45
Composed by Gabriel Faure
with Pierre Fournier , Marguerite Long , Jacques Thibaud , Maurice Vieux

Plays Beethoven & Faure Works for Piano,Marguerite Long,Enterprise,Classical

Average customer rating: THE GREATEST OF CHOPIN PIANISTS The greatest interpretation Not such a great album Love it. RECORDING QUALITY IS A FACTOR

Arthur Rubinstein plays Chopin [Box Set] Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Chopin, Frédéric | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Arthur Rubinstein: Ludwig Van Beethoven Piano Sonatas Arthur Rubinstein - Chopin 19 Nocturnes (Vol. 49) Great Recordings Of The Century - Dinu Lipatti Schubert: The Piano Sonatas Beethoven: The Complete Symphonies and Piano Concertos ASIN: B000002S59 Release Date: 1994-03-15

Tracks:

1. Piano Concerto No. 1 In E minor, Op. 11: Allegro maestoso risoluto
2. Piano Concerto No. 1 In E minor, Op. 11: Romanze (Larghetto) -
3. Piano Concerto No. 1 In E minor, Op. 11: Rondo vivace
4. Piano Concerto No. 2 In F minor, Op. 21: Maestoso
5. Piano Concerto No. 2 In F minor, Op. 21: Larghetto
6. Piano Concerto No. 2 In F minor, Op. 21: Allegro vivace
7. Waltz In C Sharp Minor, Op. 64, No. 2
8. Nocturne No. 1 In B Flat Minor, Op. 9 No. 1
9. Nocturne No. 2 In E Flat Major, Op. 9 No. 2
10. Nocturne No. 3 In B Major, Op. 9 No. 3

Tracks:

1. Nocturne No. 4 In F Major, Op. 15 No. 1
2. Nocturne No. 5 In F Sharp Major, Op. 15 No. 2
3. Nocturne No. 6 In G Minor, Op. 15 No. 3
4. Nocturne No. 7 In C Sharp Minor, Op. 27 No. 1
5. Nocturne No. 8 In D Flat Major, Op. 27 No. 2
6. Nocturne No. 9 In B Major, Op. 32 No. 1
7. Nocturne No. 10 In A Flat Major, Op. 32 No. 2
8. Nocturne No. 11 In G Minor, Op. 37 No. 1
9. Nocturne No. 12 In G Major, Op. 37 No. 2
10. Nocturne No. 13 In C Minor, Op. 48 No. 1
11. Nocturne No. 14 In F Sharp Minor, Op. 48 No. 2
12. Nocturne No. 15 In F Minor, Op. 55 No. 1
13. Nocturne No. 16 In E Flat Major, Op. 55 No. 2
14. Nocturne No. 17 In B Major, Op. 62 No. 1
15. Nocturne No. 18 In E Major, Op. 62 No. 2
16. Nocturne No. 19 In E Minor, Op. 71 No. 1 (posth.)

Tracks:

1. Waltz In A-Flat Major, Op. 34, No. 1
2. Mazurka In F-Sharp Minor, Op. 6, No.1
3. Mazurka In C-Sharp Minor, Op. 6, No.2
4. Mazurka In E-Major, Op. 6, No.3
5. Mazurka In E-Flat Major, Op.6, No.4
6. Mazurka In B-Flat Major, Op. 7, No. 1
7. Mazurka In A-Minor, Op. 7, No.2
8. Mazurka In F-Minor, Op. 7, No. 3
9. Mazurka In A-Flat Major, Op. 7, No.4
10. Mazurka In C-Major, Op. 7, No. 5
11. Mazurka In B-Flat Major, Op. 17, No.1
12. Mazurka In E-Minor, Op. 17, No. 2
13. Mazurka In A-Flat Major, Op. 17, No. 3
14. Mazurka In A-Minor, Op. 17, No. 4
15. Mazurka In G-Minor, Op. 24, No. 1
16. Mazurka In C-Major, Op. 24, No. 2
17. Mazurka In A-Flat Major, Op. 24, No. 3
18. Mazurka In B-Flat Minor, Op. 24, No. 4
19. Mazurka In C-Minor, Op. 30, No. 1
20. Mazurka In B-Minor, Op. 30, No. 2
21. Mazurka In D-Flat Major, Op. 30, No. 3
22. Mazurka In C-Sharp Minor, Op. 30, No. 4
23. Mazurka In G-Sharp Minor, Op. 33, No. 1
24. Mazurka In D-Major, Op. 33, No. 2
25. Mazurka In C-Minor, Op. 33, No. 3
26. Mazurka In B-Minor, Op. 33, No. 4
27. Mazurka In C-Sharp Minor, Op. 41, No. 1
28. Mazurka In E-Minor, Op. 41, No. 2
29. Mazurka In B-Major, Op. 41, No. 3
30. Mazurka In A-Flat Major, Op. 42, No. 4
31. Mazurka In G-Major, Op. 50, No. 1
32. Mazurka In A-Flat Major, Op. 50, No. 2
33. Mazurka In C-Sharp Minor, Op. 50, No. 3

Tracks:

1. Mazurka In B-Major, Op. 56, No. 1
2. Mazurka In C-Major, Op. 56, No. 2
3. Mazurka In C-Minor, Op. 56, No. 3
4. Mazurka In A-Minor, Op. 59, No. 1
5. Mazurka In A-Flat Major, Op. 56, No. 2
6. Mazurka In F-Sharp Minor, Op. 56, No. 3
7. Mazurka In B-Major, Op. 63, No. 1
8. Mazurka In F-Minor, Op. 63, No. 2
9. Mazurka In C-Sharp minor, Op. 63, No. 3
10. Mazurka In G-Major, Op. 67, No. 1
11. Mazurka In G-Minor, Op. 67, No. 2
12. Mazurka In C-Major, Op. 67, No. 3
13. Mazurka In A-Minor, Op. 67, No. 4
14. Mazurka In C-Major, Op. 68, No. 1
15. Mazurka In A-Minor, Op. 68, No. 2
16. Mazurka In F-Major, Op. 68, No. 3
17. Mazurka In F-Monor, Op. 68, No. 4
18. Mazurka In A-Minor, Op. Posth. (A son ami Emile Gaillard)
19. Mazurka In A-Minor, Op. posth. (Notre temps)
20. Scherzi In B-Minor, Op. 20
21. Scherzi In B-Flat Minor, Op. 31
22. Scherzi In C-Sharp Minor, Op. 39
23. Scherzi In E-Major, Op. 54

Tracks:

1. Barcaolle In F-Sharp Major, Op. 60
2. Berseuse In D-Flar Major
3. Polonaise In C-Sharp Major, Op. 26, No. 1
4. Polonaise In E-Flat Major, Op. 26, No.2
5. Polonaise In A-Major, Op. 40, No. 1
6. Polonaise In C-Minor, Op. 40, No. 2
7. Polonaise In F-Sharp Major, Op. 44
8. Polonaise In A-Flat Major, Op. 53 (Heroic)
9. Polonaise In A-Flat Major, Op. 61 (Polonaise-Fantaisie)
10. Andante splanato & polonaise brillante In E-Flat Major, Op. 22

Customer Reviews:

THE GREATEST OF CHOPIN PIANISTS.......2007-03-01

These are the earlier discs of Rubinstein's Chopin, recorded by HMV in London during the 1930's. It is less complete than his later recordings for RCA - no Sonatas, no Ballades, no Etudes. The sound is naturally of its time - but in many ways more natural than the sharply-lit, slightly edgy piano sound RCA favoured in the 50's and 60's. Nevertheless, these are the Chopin performances I return to most.

Rubinstein's natural affinity with Chopin is legendary. He seemed always able to capture precisely the right degree of rubato at exactly the right moment in these pieces. And he had a unique ability in his countryman's music to balance the lyrical with the impassioned, what seems completely spontaneous with what is clearly deeply considered. The Nocturnes here are, I think, the best you'll hear anywhere on disc. In the greatest of them - the Opp.37 & 48 sets, for example - Rubinstein gets the contrast between the dreamy nocturnal outer sections with the darker, more impassioned central sections just right. These are not salon miniatures in his hands but big works, if not in length then in content. And no-one can match Rubinstein in the elusive diversity of this complete set of Mazurkas. The two Concerti both have Barbirolli as the sympathetic conductor, following Rubinstein's lead in the ebb and flow of phrases and whole sections of these gorgeous and often maligned works. Interestingly the recording of Concerto No.2 (actually the first composed) dates from before the pianist's famous withdrawal from public performance to reconstruct his technique and his approach, that of Concerto No.1 from after. Perhaps one can detect a touch more maturity and refinement in his approach to the latter, but they are both ravishing performances.

Many of the performances on these 5 discs are the greatest Chopin you're likely to hear. And the ear soon adjusts to the somewhat old-fashioned recorded piano sound. This is a highly desirable set for any lover of Chopin and/or great piano playing.

The greatest interpretation.......2007-02-17

The interpretation is stunning. Mono - but no matter for solo piano - and a wee bit hissy but still quite superb.

Not such a great album.......2007-01-12

This album was recorded from records as you can hear the scratches and skips. Don't recommend it!

Love it........2006-06-22

This is my favorite album. I think that not even Rubinstein's later recordings attain this quality of musical involvment.

There is a fair amount of background noise, but the music helps to forget it rather quickly overall.

RECORDING QUALITY IS A FACTOR.......2005-02-10

Otherwise, I would have given 5 stars. The fact that these have a hiss (and you can practically hear him close the piano on several numbers) should be mentioned. I guess we are spoiled to audio quality, but this is an expensive collection and this fact was glaringly omitted. That said, I have enjoyed the recordings, in spite of the very audible hiss.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: poor recording Travel to the Old Vienna Only Kreisler Can Play Kreisler ***** Perfection disappointing technical quality

Fritz Kreisler Plays Kreisler Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Kreisler, Fritz | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Kreisler, Fritz | ( K ) | Composers, A-Z | Classical Music Blowout | Stores | Music Kreisler, Fritz | ( K ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Heifetz Showpieces Kreisler plays Kreisler The Kreisler Album Tchaikovsky & Mendelssohn: Violin Concertos The Kreisler Album ASIN: B000003G1K Release Date: 1997-01-14

Tracks:

1. Liebesfreud
2. Liebesleid
3. Tambourin chinois, Op.3
4. Caprice viennois, Op.2
5. Chanson Louis XIII And Pavane
6. Variations On A Theme Of Corelli
7. Rondino On A Theme By Beethoven
8. Schon Rosmarin
9. The Old Refrain - Wiener Volkslied - Le vieux refrain
10. Andantino
11. Berceuse romantique, Op.9
12. Aubade provencale (In The Style Of Couperin)
13. Apple Blossoms: Who Can Tell?
14. Toy Soldiers' March
15. Aucassin And Nicolette (Medieval Canzonetta)
16. Shepherd's Madrigal - Altdeutsches Schafermadrigal - Madrigal du berger
17. Gypsy Caprice - Zigeuner Capriccio
18. Polichinelle
19. La precieuse (In The Style Of Couperin)
20. La gitana
21. Marche miniature viennoise
22. The King Steps Out: Stars In My Eyes
23. Viennese Rhapsodic Fantasietta

Customer Reviews:

poor recording.......2007-04-30

Besides the bacground hiss, I found I had to turn the volume up to max just to hear it. So when you play more than one CD the others will be normal volume but when Kreisler starts you hear nothing and have to turn the volume all the way up to have it at low normal levels. So I recommend passing on this one.

Travel to the Old Vienna.......2006-01-26

Sometimes the author isn`t the best performer of his own works. That`s not the case. I completely agree with the previous reviewer: yes, only Kreisler can play Kreisler.
While listening to this music you so wounderfully feel the spirit of the old Vienna, that most technically perfect record couldn`t compare with this impressions. Treat surface noise of the records made in 1912-1946 as the scent of that distant time (by the way, nearly the age gone) - and you would be completely satisfied, because the playing by Kreisler is so scincere and soulful. So if you like Kreisler - don`t think twice. This is CD for you.

Only Kreisler Can Play Kreisler *****.......2005-05-08

What can I say? Only Kreisler can play Kreisler. Get a discography of Fritz Kreisler and start hunting down everything you can find by this man. You can compare violinists; Heifetz has astounding technique, Milstein's always wonderful, Oistrakh is a favorite of many, Kogan can play anything, etc., etc., etc.. But Kreisler... is a unique personality of the violin. Yehudi Menuhin said of him in his autobiography, there are many great violinists with perhaps greater technique in this area or that; but "Kreisler mystifies me." Bruno Walter, the great conductor, said of Kreisler, "He did not play the violin; he BECAME the violin." and this is true. There is something special about Kreisler that transcends violin playing itself. Something heavenly is communicated by him with his instrument. Transfers from old disks are always of varying quality. Kreisler lived a long time ago and recording techniques were very primitive; but Kreisler even seems to rise above the pops and the clicks. Other artists are drowned out by them but Kreisler soars above them and makes one forget they are there. You're focused on the beauty and the background noise seems to disappear entirely. Other violinists have tried
to play Kreisler and perhaps get the notes right, most notably among them, Zino Francescatti (who plays Kreisler better than any other man except Kreisler), but only Kreisler can play Kreisler.
If you want to hear it best, put up with the background hiss. It's worth it. If you want a modern recording, see if you can find Francescatti's tribute album to Fritz Kreisler. it's OOP, but an LP in mint condition sometimes appears on an online auction service. Why the Francescatti album ever went OOP I do not know. He is the only modern violinist that ever really tapped into the soul of 'Fritz' when he plays Kreisler. If the disk is ever again released, snap it up before it goes OOP again. In the final analysis, modern violinists, at most, will give you a representative selection of only about 16 tracks and usually you get the worn chestnuts over and over again. Enough of Kreislers own recordings are still available that you can still get the whole gamut of his discography if you just look. Do so!

Perfection.......2004-03-08

No crap...really? OF COURSE THIS RECORDING IS A TRANSFER! YOU THINK THEY HAVE DIGITAL RECORDING TECHNOLOGY BACK THEN???? Man, that review from Delaware annoys me.

Go with the first review. This recording is a must. It is one of the great violin recordings. Even my old violin teacher advise me to play some of Kreisler stuff to improve techniques. Kreisler is a legend. Lesson and appreciate the beauties of the violin.

disappointing technical quality.......2000-08-29

I realize that this cd was a transfer, but I have other music that was transferred from old recordings, and they sound much better than this. The disappointing technical quality of the sound on this CD disturbs me. In fact, it sounds worse than the vinyl I already own. Very loud hissing, some popping. The music doesn't actually sound like it's been recorded in a tunnel, but the sound is not as full as I had hoped.

On the other hand, I bought this after comparing Kreisler's performance with Joshua Bell on the samples; and I find I always prefer Kreisler. With no disrespect to Mr. Bell, I find I prefer the composer performing his own music.

Average customer rating: Five stars for the performance, 2 stars for the product Bought on referral - everything promised and more! HE HAS THE TOUCH! remarkable playing This is Beethoven as Beethoven would have played it.

Alfred Brendel Plays Beethoven Piano Sonatas, Vol. 2 Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Sonatas | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Sonatas | Classical | Today's Deals in Music | Formats | Music Similar Items: Alfred Brendel plays Beethoven Piano Sonatas, Vol. 1 Alfred Brendel Plays Beethoven Piano Sonatas, Vol. III Alfred Brendel Plays Beethoven, Vol. 4 Beethoven: The Late Piano Sonatas Beethoven: Variations & Vignettes ASIN: B000001K2S Release Date: 1992-11-04

Tracks:

1. Sonata No. 23 In F Minor, Op. 57 'Appassionata': I. Allegro assai
2. Sonata No. 23 In F Minor, Op. 57 'Appassionata': II. Andante con moto
3. Sonata No. 23 In F Minor, Op. 57 'Appassionata': III. Allegro ma non troppo
4. Sonata No. 22 In F Major, Op. 54: I. In tempo d'un Menuetto
5. Sonata No. 22 In F Major, Op. 54: II. Allegretto
6. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': I. Les Adieux: Adagio-Allegro
7. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': II. L'Absence: Andante espressivo
8. Sonata No. 26 In E-Flat Major, Op.81a 'Les Adieux': III. Le Retour: Vivacisimamente
9. Sonata No. 16 In G Major, Op.31, No. 1: I. Allegro vivace
10. Sonata No. 16 In G Major, Op.31, No. 1: II. Adagio grazioso
11. Sonata No. 16 In G Major, Op.31, No. 1: III. Rondo: Allegretto

Tracks:

1. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': I. Largo-Allegro-Adagio
2. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': II. Adagio
3. Sonata No. 17 In D Minor, Op. 31 No. 2 'Tempest': III. Allegretto
4. I. Allegro
5. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: II. Scherzo: Allegretto vivace
6. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: III. Minuetto: Moderato e grazioso
7. Sonata No. 18 In E-Flat Major, Op. 31 No. 3: IV. Presto con fuoco
8. Sonata No. 21 In C, Op. 53 'Waldstein': I. Allegro con brio
9. Sonata No. 21 In C, Op. 53 'Waldstein': II. Introduzione: Adagio molto
10. Sonata No. 21 In C, Op. 53 'Waldstein': III. Rondo: Allegretto moderato-Prestissimo
11. Sonata No. 19 In Gm, Op. 49 No. 1: I. Andante
12. Sonata No. 19 In Gm, Op. 49 No. 1: II. Rondo: Allegro

Customer Reviews:

Five stars for the performance, 2 stars for the product.......2007-05-18

These CDs contain typical Alfred Brendel; somewhat workmanlike but technically brilliant performances of some wonderful works.

But when you put the CDs in your PC and click on a track, you don't hear what is labelled. The listings seem to be a little off. The discs contain all the music, but not in the same order listed on your computer screen. It's a pain to fix, but once it's fixed, these CDs are a bargain.

Bought on referral - everything promised and more!.......2007-04-11

Hujgh Nissenson's book, Days of Awe, inspired me to buy this particular recording of the Waldstein - it is fully "as advertised" in his novel - Brendel brought me back to Beethoven.

HE HAS THE TOUCH!.......2005-02-07

On the Vox 2-CD collections - vols. 1&2:
Alfred Brendel is the one.
He can illuminate even the Hammerklavier Sonata of Beethoven. That one being so difficult, with so many runs, trills, and effects I can't even name. But A.B. plays with such light, agile fluidity that the piece makes sense. He communicates it by - somehow - taking his time; being in control, being on top of the situation. The complication of LVB now makes sense - I imagine it's become easy for A.B. (after the years of practice, his gift is to render LVB's music as just "a snap.") He reanimates it with such clarity of mind and lightspeed of finger that we can hear our way into it. A resonant sound - all brought within hearing distance by a player who knows how to pause and how to get soft at the right moments in any complex piece.
Some of the most exciting and beautiful music available. Highly recommended.
- - -

remarkable playing.......2004-04-25

Beethoven the Titan (as described by radio commentator Karl Haas) is played by Brendel with many, many good characteristics. There is something very transcendant and seminal about Brendel and this composer. You can tell that Brendel is very, very attentive when he practices. Every note (just about) is cared for very lovingly. I think Brendel tries to play every note true to the overall scheme of the piece, as well as the individual phrase in which it lies. For example, it's exhilarating to hear Brendel go at "full steam" during the last movement of the "Appassionata" combining an awe-inspiring technique, clarity, tempo, expressivity, dynamism, and intelligence.

I dont know how Brendel's later recordings sound compared to this youthful one, but this one is simply terrific.

This is Beethoven as Beethoven would have played it........2003-04-12

These Brendel recordings of Beethoven are powerful, sensitive, poignant, subtle, clear, clean, and transparent. The phrasing, tempo, volume, peddling, and legato are perfect. The sound quality leaves nothing to be desired. I find myself comparing all other performances of Beethoven sonatas to the Brendel recordings, and have heard none better. In my mind, this is the standard. I'm buying the entire set.

Average customer rating: AMONG THE BEST! Brendel plays Bethoven in his own way early Beethoven played sweetly

Alfred Brendel Plays Beethoven Piano Sonatas, Vol. III Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Sonatas | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Sonatas | Classical | Today's Deals in Music | Formats | Music Similar Items: Alfred Brendel Plays Beethoven, Vol. 4 Alfred Brendel Plays Beethoven Piano Sonatas, Vol. 2 Alfred Brendel plays Beethoven Piano Sonatas, Vol. 1 Beethoven: Variations & Vignettes Beethoven: The Late Piano Sonatas ASIN: B000001K34 Release Date: 1992-11-04

Tracks:

1. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement I: Allegro
2. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement II: Adagio
3. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement III: Minuetto-Allegretto
4. Sonata No. 1 In F Minor, Op. 2, No. 1: Movement IV: Prestissimo
5. Sonata No. 25 In G Major, Op. 79: Movement I: Presto alla tedesca
6. Sonata No. 25 In G Major, Op. 79: Movement II: Andante
7. Sonata No. 25 In G Major, Op. 79: Movement III: Vivace
8. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement I: Allegro molto e con brio
9. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement II: Adagio molto
10. Sonata No. 5 In C Minor, Op. 10, No. 1: Movement III: Finale, Prestissimo
11. Sonata No. 6 In F Major, Op. 10, No. 2: Movement I: Allegro
12. Sonata No. 6 In F Major, Op. 10, No. 2: Movement II: Allegretto
13. Sonata No. 6 In F Major, Op. 10, No. 2: Movement III: Finale, Presto
14. Sonata No. 9 In E Major, Op. 14, No. 1: Movement I: Allegro
15. Sonata No. 9 In E Major, Op. 14, No. 1: Movement II: Allegretto
16. Sonata No. 9 In E Major, Op. 14, No. 1: Movement III: Rondo; Allegro commodo

Tracks:

1. Sonata No. 10 In G Major, Op. 14, No. 2: Movement I: Allegro
2. Sonata No. 10 In G Major, Op. 14, No. 2: Movement II: Andante
3. Sonata No. 10 In G Major, Op. 14, No. 2: Movement III: Scherzo: Allegro assai
4. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement I: Andante-Allegro-Andante
5. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement II: Allegro molto vivace
6. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement III: Adagio
7. Sonata No. 13 In E-Flat Major, Op. 27. No. 1: Movement IV: Finale: Allegro vivace
8. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement I: Adagio sostenuto
9. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement II: Allegretto
10. Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': Movement III: Presto agitato
11. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement I: Allegro
12. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement II: Andante
13. Sonata No. 15 In D Major, Op. 28 'Pastoral': Movement III: Scherzo: Allegro vivace-Trio; Movement IV: Rondo: Allegro non troppo

Customer Reviews:

AMONG THE BEST!.......2006-05-08

One man's viewpoint: Brendel again shows his wonderful, steady sense of rhythm. The miracle is that he can keep it rock-steady or slow it a bit for dramatic effect - only if he wants to. He has control and a clarity of vision/purpose with each piece. So of course he transmits this to us. I also notice the lightness of touch he has. And his limber agility (hard-won, no doubt).
I suggest picking up on all four of Mr. Brendel's Vox recordings of the LVB sonatas. Absolutely wonderful stuff. Also consider his fine, fine Diabelli Variations on Vox. Also I suggest checking out John O'Conor's set. Fantastic! Also Claude Frank has a highly praised set; I may buy this one next (a real bargain).
There are many fine players, so enjoy the search through these piano pieces of such incredible character, nobility, beauty, and boldness. They help develop a love of sound and the fine arts.

Brendel plays Bethoven in his own way.......2006-02-24

He may not have a lyricism of Gilels or force and precision of Sokolov, but along these greatest I love the way he plays No.10 G Major and NO. 15 D Major "Pastoral" and others from this album

early Beethoven played sweetly.......2004-04-25

Brendel always seems to have a penchant for never over-doing things. He's never too loud, never too soft, never too harsh (even with this composer). In all the lyrical sections of these early sonatas, I find this disciplined sense of moderation to be soothing yet intense. For example in the first movement of the "Moonlight" Sonata, the soft and double soft marking are observed with assiduousness. It's subtle and not overly dramatic.

Brendel's technique is more than adequate. I wonder why he is not more of a perfectionist when he plays (as he has said about his playing- "I am not a perfectionist.")

All the dynamic and phrasing markings are observed diligently. He's very true to the intentions of the composer even in the little pieces such as these. And as always, he puts the composer before himself when playing.

Average customer rating: A huge dissapointment Underrated Early Brendel lukewarm Best Bang for the Buck Great Value, Great Performances

Alfred Brendel plays Beethoven Piano Sonatas, Vol. 1 Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Alfred Brendel Plays Beethoven Piano Sonatas, Vol. 2 Alfred Brendel Plays Beethoven Piano Sonatas, Vol. III Alfred Brendel Plays Beethoven, Vol. 4 Beethoven: Variations & Vignettes Beethoven: The Late Piano Sonatas ASIN: B000001K2I Release Date: 1992-11-04

Tracks:

1. I. Allegro
2. II. Scherzo
3. III. Adagio Sostenuto
4. IV. Largo; Allegro Risoluto
5. I. Maestoso; Allegro Con Brio E Appassionato
6. II. Arietta: Adagio Molto, Semplice E Cantabile

Tracks:

1. I. Allegretto Ma Non Troppo
2. II. Vivace Alla Marcia
3. III. Adagio Ma Non Troppo Con Affetto; Presto
4. I. Vivace Ma Non Troppo; Adagio Espressivo
5. II. Prestissimo
6. III. Tema Con Variazioni
7. I. Moderato Cantabile, Molto Espressivo
8. II. Allegro Molto - III. Adagio Ma Non Troppo
9. Fuga: Allegro Ma Non Troppo
10. I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
11. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen

Customer Reviews:

A huge dissapointment.......2006-11-10

I am big fan of Brendel. However, these CDs are a huge dissapointment. The sounds is very metallic and high pitched, whether it is due to the recording or the piano, I do not know. Brendel's interpretation is nowhere near the the subtlety, perfection and beauty I am used to. This is probably due to the fact that the recording was made in the early 60' when Brendel was still young and his play not as mature and experienced as it became later. i deeply regret purchasing these CDs (and Vol 2 too!).

Underrated Early Brendel.......2006-10-30

I think that Brendel's early Beethoven recordings are underrated and have not been given the credit they deserve. Some of the bad reviews here at Amazon are unwarranted. Brendel's playing here is excellent. I compared these recordings with Goode's "Late Sonatas" CD and found Goode to be lacking in every respect. Brendel has a wonderful understanding of all the nuances of the score, and contrary to what Brendel's detractors say, his playing is not cold and aloof. To the contrary, I found his playing lively and great attention to detail is seen throughout this entire cycle. The numerous shifts in tone and feel that Beethoven put into each peice are picked up by Brendel. The sound is very good also. The mic is close to the piano and there is hardly any echoing, which means the sound is clear and direct. Everyone may not like this set, but I am very happy with it and I believe it is one of the best Beethoven cycles around.

lukewarm.......2005-01-14

For late Beethoven piano sonatas, Pollini and Solomon far excel Brendel, although Solomon's recordings are often of terrible sound quality. But Brendel's playing of Beethoven verges on urbane. Perhaps his predisposition to Mozart slightly infected his interpretation of other composers. Indeed, Brendel is best for Mozart and Schubert, not for Beethoven.

Best Bang for the Buck.......2000-12-10

The question is what you are after. If it's bang for the buck you are after, look no further. If it's the bang that you are after, read on. These 1962 recordings of Beethoven's late sonatas are Brendel's first. He was already a great pianist but what he learned since then is immeasurable! Since then he recorded Beethoven's late sonatas 2 more times; in the seventies (which I have not listen to) and then in December of 1995 (by Philips). His 1995 recording is the closest to perfection you would ever get. A great pianist is one who never stops learning. Brendel is exactly that.

Great Value, Great Performances.......2000-07-03

I have all 3 volumes in this cycle of Beethoven Sonatas recorded in the early 60's by Brendel. They are truly an exceptional value as each package contains 2 discs worth of music. The sound is very good overall and the performances are masterful. This particular volume offers Beethoven's late Sonata's along with the tour-de-force Hammerklavier. The riches unfold with each hearing and the performances of all these great works is at a very high level. A great purchase!

Average customer rating: Fine Retrospective From Warner Classics Of Helene Grimaud's Best Recordings For This Label

Hélène Grimaud plays Beethoven, Brahms, Gershwin and others Manufacturer: Warner Classics ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Grimaud, Hélène | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Wild Harmonies: A Life of Music and Wolves Reflection Hélène Grimaud plays Chopin & Rachmaninov Credo The Very Best of Hélène Grimaud ASIN: B000FPYNVM Release Date: 2006-10-17

Tracks:

1. I. Allegro Affettuoso
2. II. Intermezzo: Andantino Grazioso
3. III. Allegro Vivace
4. Allegro Vivace
5. Tranquillo
6. A Tempo. Sostenuto
7. Un Poco Animato. Quasi Cadenza

Tracks:

1. I. Capriccio - Presto Energico
2. II. Intermezzo - Andante
3. III. Capriccio - Allegro Passionato
4. IV. Intermezzo - Adagio
5. V. Intermezzo - Andante Con Grazia
6. VI. Intermezzo - Andantino Teneramente
7. VII. Capriccio - Allegro Agitato
8. I. Andante Moderato
9. II. Andante Non Troppo
10. III. Andante Con Moto
11. I. Intermezzo - Allegro Non Assai
12. II. Intermezzo - Andante Teneramente
13. III. Ballade - Allegro Energico
14. IV. Intermezzo - Alegretto Un Poco Agitato
15. V. Romanze - Andante
16. VI. Intermezzo - Andante, Largo E Mesto
17. I. Intermezzo - Adagio
18. II. Intermezzo - Andantino Un Poco Agitato
19. III. Intermezzo - Grazioso E Giocoso
20. IV. Rhapsodie - Allegro Risoluto

Tracks:

1. I. Allegro
2. II. Adagio - Andante Con Moto
3. III. Allegro Agitato
4. I. Allegramente
5. II. Adagio Assai
6. III. Presto

Tracks:

1. I. Maestoso
2. II. Adagio
3. III. Rondo - Allegro Non Troppo
4. Applause - Applaudissements - Applaus

Tracks:

1. I. Allegro Moderato
2. II. Andante Con Moto
3. III. Rondo: Vivace
4. I. Vivace Ma Non Troppo
5. II. Prestissimo
6. III. Gesangvoll, Mit Innigster Empfindung (Andante Molto Cantabile Ed Espressivo)
7. I. Moderato Cantabile, Molto Espressivo
8. II. Allegro Molto
9. III. Adagio Ma Non Troppo - Fuga - Allegro Ma Non Troppo

Tracks:

1. I. Moderato
2. II. Adagio Sostenuto
3. III. Allegro Scherzando
4. Allegro
5. No. 1: Allegro Non Troppo F Minor
6. No. 2: Allegro C Major
7. No. 9: Grave C Sharp Minor
8. Variations On A Theme Of Corelli, Op. 42

Customer Reviews:

Fine Retrospective From Warner Classics Of Helene Grimaud's Best Recordings For This Label.......2007-05-26

Warner Classics has turned once more to its vaults, hoping to reap some additional financial rewards from legendary young French pianist Helene Grimaud, who has now an exclusive recording contract with Deutsche Grammophon. While cynics may criticize this latest compilation from Warner Classics, serious fans of classical music may find much that is rewarding here. Grimaud's disciplined, yet emotionally intense performances have been compared favorably to the likes of Martha Argerich and Claudio Arrau. Many critics and fans have observed that she performs with the wisdom and maturity of an artist who is far more advanced in age than hers (This is an interesting observation in light of the recent success earned by another Deutsche Grammophon recording artist, Lang Lang, who has yet to attain the artistic maturity which Grimaud has demonstrated for years.). In these recordings made for Teldec in the mid to late 1990s, Grimaud was fortunate to work closely with such eminent conductors as David Zinman, Kurt Sanderling and Kurt Masur, and with excellent symphony orchestras in North America and Europe, including the Berliner Staatskapelle, New York Philharmonic and Baltimore Symphony orchestras. Among my favorites is her fiery performance of the Schumann Piano Concerto, which sounds remarkably fresh in her capable hands and in the excellent muscianship demonstrated from the Deutsches-Symphonie-Orchester Berlin and conductor David Zinman. Yet another favorite is an exquisitely well-played performance of the Brahms 1st Piano Concerto, in which she is accompanied by Kurt Sanderling and the Berliner Staatskapelle. Not surprisingly, yet another highlight is her excellent, rather vibrant, performance of the Gershwin Piano Concerto with David Zinman conducting the Baltimore Symphony Orchestra. If you've wondered why Helene Grimaud has received such ample praise from critics and fans alike, then hopefully you'll find this CD set as an important reason why she has earned such warm adulation from critics and classical music fans across the globe.

Average customer rating: Really, Really Good. A smart musician Hey this Bach Guys Pretty Good! Check Him Out! An instant classic

Piotr Anderszewski Plays Bach: English Suite BWV 811/Beethoven: Piano Sonata Op. 110/Webern: Variations Op. 27 J.S. Bach , Ludwig van Beethoven , Anton Webern , and Piotr Anderszewski Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Webern | Webern, Anton von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Chopin: Ballades, Mazurkas, Polonaises Bach: Partitas Nos. 1, 3, 6 J.S. Bach: Suite Francaise No. 5 / Ouverture Dans Le Style Francais Mozart: Piano Concertos Nos. 21 & 24 Piotr Anderszewski - Beethoven: Diabelli Variations ASIN: B000239ABU Release Date: 2004-07-13

Tracks:

1. Prelude
2. Allemande
3. Courante
4. Sarabande
5. Double
6. Gavotte I
7. Gavotte II - Gavotte I Da Capo
8. Gigue
9. I. Moderato Cantabile
10. II. Allegro Molto
11. III. Adagio Ma Non Troppo
12. Arioso Dolente
13. Fuga. Allegro, Ma Non Troppo
14. L'Istesso Tempo Dell'arioso
15. L'Istesso Tempo Della Fuga, Poi Di Nuovo Vivente
16. I. Sehr Massig, Eighth Note = Ca 40
17. II. Sehr Schnell, Eighth Note = Ca 160
18. III. Ruhig, Fliessend, Eighth Note = Ca 80

Amazon.com

Usually it's the dazzling moments in a piano recital that first catch your attention. But although Anderszewski plays the opening of the Bach with plenty of brio and energy, it's the haunting playing of the Sarabande that first demonstrates that you are in the presence of pianistic greatness. The subdued, songful opening of the Beethoven Sonata Op. 110 promises another revelatory performance, promise amply fulfilled by Anderszewski's subtle, thoughtful playing. He then goes on the play the often-puzzling Webern as more of Beethoven's lyricism with weirder notes. This music actually isn't hard to understand when it's played with this kind of musical assurance. It isn't until you start reading the booklet--which is, alas, not very helpful--that you discover this recital is a reissue, first recorded for the Polish Accord label in 1996. The information should have been more prominently displayed, but the performances of this engrossing program are still well worth the price of the disc and continue to convince that Anderszewski is one of the most interesting, rewarding pianists of our time. --Leslie Gerber

Customer Reviews:

Really, Really Good........2005-10-14

Andersewski is truly amazing, and anyone who loves piano and hasn't heard this CD is really missing out. Lets forget for a moment about the Bach that leads off the disc- Andersweski could well be a Bach specialist if he wanted to in my opinion, except that he's so damn good at other things as well. Let me just say that the Bach is totally excellent, as all his recorded Bach is, incidentally: check out his disc of the partitas or the french suite. Lets also not concentrate on the Webern, which ends the disc- it's also good, if an odd pairing.

The centerpiece of this disc is the Beethoven: this is the best Beethoven Op. 110 that I have ever heard, period. Andersewski has a sense of structure that I have heard in few if any pianists, and he brings his style across with just about everything I have ever heard him play. He is, for me, the best of the worlds of Brendel (for intellect) and Pollini (for emotion). His readings are always worthwhile, steady, and totally musical. Urgently recommended.

A smart musician.......2005-08-15

What a pleasure to listen to this intelligent program.
Anderszewski doesn't live in the past and bring a contemporary flair to his playing: this no Gould caricature nor academic Beethoven. This is simply a sensitive musician who offers you a glimpse at the composers' genius.

Still, this is not an ego trip and he respects the style of the periods. His Bach is superb but really the Beethoven just was amazing. I did not find in his playing the hints of contriveness that in my opinion appear in his earlier recordings. Sometimes his intelligence got in the way of romantic music when a simplier approach would have carried the day. But even then Anderszewski was interesting and you may or not have agreed with him but you can't take him for a Lang Lang...

Here beethiven is everything, sensitive, brutal, modern... and one can feel a deep connection with this music for the pianist.

Let's not now forget Webern. I am not a great fan of his music but when Boulez conducts or Anderszewski the music comes alive and opens up.

My only criticism would go to the sound engineer who allowed to much reverb (natural or not) to cloud the clarity of the upper register.

The program chosen by Anderszewski and not by some gready producer shows the same ideas through a Baroque, Classical and Modern prism.

Bravo!

Hey this Bach Guys Pretty Good! Check Him Out!.......2005-03-26

no foolin'. i was toolin' around amazon the other night and was blown away by this dude. the way he blends those instruments and takes it up and down and then out. its the bomb. he's the real deal and i know he's going places. don't be the last one of the Bach bandwagon. he's the bishizzel!!

An instant classic.......2004-08-20

This recital is extremely impressive. I've heard plenty Beethoven opus 110's so far, but Anderszewski's version may be the best of them all. His pianistic abilities are tremendous, whether it is his very wide dynamic range or a superb tonal control. It results in a breathtakingly beautiful first movement, a ferocious Allegro Molto (perhaps even too much, but you'll forgive him), and an Adagio-Fugue that is so tremendously sustained and coloured in every phrase that you could hardly wish for anything better. The Bach suite, too, has all these qualities. Many seem to prefer Perahia in this repertoire, but frankly, I find him rather dull in comparison with what Anderszewski does here. As for the Webern, these are played so convincingly that you'd hardly have trouble understanding it - I strongly agree with the Amazon reviewer here. In all, a superb disc that completely belies the cliche that we don't have really great pianists around nowadays. Already a classic!

Average customer rating: Muscular, willful pianism from a big prize-winner Ingrid Fliter and Beethoven

Ingrid Fliter Plays Beethoven & Chopin Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Ingrid Fliter Plays Chopin Ingrid Fliter: Live in Recital Vienna Recital Horizons - Leif Ove Andsnes Evgeny Kissin & James Levine: The Carnegie Hall Concert ASIN: B000CS45XS Release Date: 2006-01-24

Customer Reviews:

Muscular, willful pianism from a big prize-winner.......2006-03-19

Since the Gilmore Prize carries a cash award of $300,000, Ingrid Fliter finds herself instantly thrust into the bi leagues, joining previous winners Piotr Anderszewski, an undeniably inspired pianist, and Leif Ove Andsnes, who has an even bigger career, although not one that has brought me much insight or excitement. With her fame being so sudden, one can't predict how Fliter will turn out. On the evidence of this CD, she seems to be a powerhouse like Helene Grimaud, Noriko Ogawa, Olga Kern, and the firebrand who started it all, Martha Argerich (like Fliter a native of Argentina).

The prevailing style among these artists is the opposite of the lady pianist--they go for crash-and-bang attacks, willful rubato that pulls the melodic line around drastically, and attention-grabbing volatility. I won't review this CD in detail, because where others are excited by this kind of reckless, unpredictable playing, I find myself repelled. Barnstorming pianism has a venerable tradition, and we all pick and choose among the daredevils. Horowitz could be just as ugly in his interpretations as Argerich and was even more lionized. Clearly Fliter wants to make the same impression. Her Beethoven and Chopin are miles away form natural musicality, they are seized by the throat and controlled every second.

Enough--Fliter has a better chance at stardom than most, and if I hear a future CD that shows real poetry and insight, I will happily join her cheerleaders.

Ingrid Fliter and Beethoven.......2006-03-18

Once a promising artist's name gains talk then all available recordings are rapidly searched. For those who have yet to hear this amazingly gifted young Argentinean pianist, there are two recordings available at present, both taken from live performances at Amsterdam's acoustically perfect Concertgebouw. Playing such as this is a rare find and when a recording is taken as successfully from a live performance as is this one, the added dimension of drama that happens between an artist and audience rounds out the experience for those unfamiliar with that artist's gifts.

And gifted Ingrid Fliter is. This CD offers a recital recorded on February 14, 2005 and includes Beethoven: Sonatas No. 7 in D Major and No.18 in E-Flat Major. Chopin: 6 Waltzes: Op.42, No.1; Op. 64, No.2; Op.64, No.3; Op.34, No.1; Op.34, No.3; Op.42 "Grande Valse", and the Andante spianato and Grande Polonaise, Op.22. Fliter's Chopin may be more resonant with many, but it is her Beethoven that demands more from the artist, tracing the lines of the sonata through the movements does offer a better sense of how the artist conceives an entire long work. At all times she is in full command of the pieces, and she gives the feeling as though she were pulling forth the works from the piano for the first time. Her phrasing is impeccable, her timing is pure, and her technique is immaculate. But more important, Fliter plays from the heart as well as the mind. This manner of music making is rare and welcome. Ingrid Fliter will be around for a long time!

Average customer rating:

Harris Goldsmith Plays Beethoven Beethoven , and Goldsmith Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Appassionato Peter Lieberson: Neruda Songs Not Too Late ASIN: B000KHYO5A Release Date: 2007-01-16

Tracks:

1. Allegro Molto E Con Brio
2. Adagio Molto
3. Silent
4. Finale, Prestissimo
5. Allegro Con Brio
6. Introduzione, Adagio Molto
7. Rondo, Allegretto Moderato-Prestissimo
8. Moderato Cantabile Molto Espressivo
9. Allegro Molto
10. Adagio Ma Non Troppo
11. Fuga, Allegro Ma Non Troppo-L'istesso Tempo Della Fuga-Meno Allegro Poi A Poi Di Nuovo Vivente

Tracks:

1. Largo-Allegro
2. Adagio
3. Allegretto
4. Ziemlich Lebhaft In B Flat Major
5. Allegretto Fur Piringer In B Minor
6. Albumblatt In A Minor, 'Fur Elise'
7. No.1 In G Major
8. No.2 In G Minor
9. No.3 In E Flat Major
10. No.4 In B Minor
11. No.5 In G Major
12. No.6 In E Flat Major

Album Description

A rare opportunity to hear Harris Goldsmith's brilliant Beethoven interpretations. His is an unusual approach to some of these classical sonatas. Especially remarkable is the large-scale overall concept on which his interpretations are based.

New Yorker Goldsmith has a versatile talent. He is not just a pianist, but also an author, a critic and a musicologist. For quite some years he has been teaching chamber music as well at the Mannes College of Music in New York. Also he regularly writes reviews.

The recordings on these two CD's were made between 1970 and 1981.

Track Listings:

1. Plays Beethoven's Romantic Piano Sonatas
2. Plays Brahms Chamber Music
3. Plays Chopin 2
4. Plays Chopin Liszt Schumann & Brahms
5. Plays Keisler 1
6. Portrait 1
7. Pre-Wartime 1
8. Rachmaninov's Chopin Recordings
9. Rarest Recordings 1923-29
10. Recordings 1911-1930

Track Listings

track listings

Track Listings

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