Portrait 1

1. Pictures at an Exhibition (Kartinki s vïstavski), for piano
Composed by Modest Mussorgsky
with Benno Moiseiwitsch

2. Piano Concerto No. 1 in G minor, Op. 25
Composed by Felix Mendelssohn
with Benno Moiseiwitsch
Conducted by Sir Landon Ronald

3. Overture zu Tannhäuser, transcripion for piano (after Wagner), S. 442 (LW A146)
Composed by Franz Liszt
with Benno Moiseiwitsch

Tracks:

Theme
Stamping Ground
Symphonique No. 3 (Ode to Venus)
Symphonique No. 6 (Good for Goodie)
Minisym No. 1
Lament, No. 1
Witch of Endor
Symphonique No. 1 (Portrait of a Monarch)
Bells Are Ringing
Voices of Spring
What's the Most Exciting Thing
All Is Loneliness
My Tiny Butterfly
Why Spend a Dark Night With Me
Coffee Beans
Down Is Up
Be a Hobo
Remember
I Love You
Nero's Expedition
No, The Wheel Was Never Invented
With My Wealth
This Student of Life
Some Trust All
Wine, Women and Song
Sadness
Maybe
Each Today Is Yesterday's Tomorrow
Imagine
You the Vandal
Trees Against the Sky
Behold
Sparrow
Pastoral

Customer Reviews:

This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France

Average customer rating:

Great Guitars
A good mix
Great music CD collection for guitar music listeners
This is a really good choice for your morning music CD
Great music played by great musicians

Mad About Guitars

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Mad about Piano
Mad About Violins
Mad About Baroque
Mad about The Classics
Mad About Bach

ASIN: B000001GKH
Release Date: 1993-07-13

Tracks:

Cavatina
Granada
Spanish Dance No. 5
Romance D'Amour
Fantasia For A Gentleman: Adagio
Fantasia For A Gentleman: Danza de las hachas
Malaguena
La Filla Del Marxant
The Three Cornered Hat: The Miller's Dance
Recuerdos de la Alhambra: Andante
Sonata: Presto
Concierto de Aranjuez: Adagio
Concierto de Aranjuez: Allegro gentile
Portrait
Sonata, K. 322: Allegro
Greensleeves
Georgia On My Mind
Fugue In G Minor - Bach

Customer Reviews:

Great Guitars.......2007-03-28

A really spectacular show of top guitarists in famous works
I enjoy it often and it inspires me when I write my columns

Leo Blok
(Journalist from the Netherlands)

A good mix.......2006-11-11

A good collection for someone fairly new to classical guitar. I have over 300 guitar recordings, but I still enjoyed this CD - a good one on the road, for example. Nice pieces and performances.

Great music CD collection for guitar music listeners.......2002-03-15

I really understand that there's no music CD could fulfill our satisfaction of music. But it does. I can find most of my favorite guitar classical songs here, and it's very nice listening them: Cavatina (from the Deer Hunter), Romance D'Amour, Recuerdos de la Alhambra, etc. I have several favorites not included in this album: Capricho Arabe-Lagrima-Adelita, and lucky me I have them on my other CDs. Go get this CD!! By buying this 1 CD, you'll have more than half of classical guitars you've ever wanted!

This is a really good choice for your morning music CD.......2001-11-08

There is something about classical guitar that is just so appropriate to background morning music as "Mad About Guitars" will quickly prove to you. Like most people, I am not overly familiar with classical guitar pieces; once you get past "Granada" I certainly could not name another work that I would expect to hear on such an album. The only other familiar pieces are "Greensleeves" and "Georgia on My Mind," and, yes, now that I think of it "Greensleeves" is a guitar piece, but then this album concludes with Bach's Fugue in G. So this collection is certainly going to broaden your horizons in terms of classical guitar. You will also come away with a great appreciation for Giran Sillscher, who plays the guitar on two-thirds of the selections. In fact, "Portrait," was written for Sillscher by Stanley Myers, which is certainly a nice testimonial to his skill. If you have a CD player in your alarm clock, this is an excellent choice for finding a happy home therein.

Great music played by great musicians.......2000-03-20

I think this CD is the best compilation of classical guitar music that's out there. Deutsche Grammophon has done a great job of picking the best pieces and the best players. Buy this CD!

Average customer rating:

Jacobs was overrated
The Great Arnold Jacobs Captured on C.D.
arnold jacobs
inspiring technician musician artist
Arnold Jacobs - Icon of education and performance

Portrait of an Artist: Arnold Jacobs

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

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Orchestral Excerpts for Tuba
Legacy of an Artist
Bobissimo! The Best of Roger Bobo
The Chicago Principal: First Chair Soloist Play Famous Concertos
Tuba Tracks

ASIN: B00004UDEY
Release Date: 2000-08-15

Tracks:

Buxtehude: Fanfare - Adolph Herseth/Vincent Cichowicz/William Scarlett/Charles Geyer/Dale Clevenger/Jay Friedman...
We Are Enormously Complex
Hn Con No.1 in E flat: 1st Movt: Allegro
Hn Con No.1 in E flat: 2nd Movt: Andante
Hn Con No.1 in E flat: 3rd Movt: Allegro
The Musician Plays The Instrument
Playing For The Audience
Programming The Brain
Czardas
Carnival Of Venice
Con: 1st Movt
Etude No.24
'Czardas' With The Metronome
This Is An Art Form
We Play By Song And Wind
Canzon Per Sonare No.2 - Adolph Herseth/Vincent Cichowicz/Dale Clevenger/Jay Friedman/Arnold Jacobs
Lohengrin: King Heinrich's Call (Exc) - Jay Friedman/Arnold Jacobs
Sym Fantastique: Dies Irae
Become A Singer In Your Brain
There Must Be A Source Of Vibration
Breath As A Motor Force
Sonatine: 1st Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 2nd Movt: Andante Ma Non Troppo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 3rd Movt: Allegro Vivo - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Sonatine: 4th Movt: Largo; Allegro - Adolph Herseth/Vincent Cichowicz/Richard Oldberg/Frank Crisafulli/Arnold Jacobs
Keeping Music As An Art Form
Breathe To Expand
F Tuba Demonstration With Berlioz
Romeo And Juliet (Exc) - Chicago SO/Carlo Maria Giulini
Con: 2nd Movt (Exc) - Chicago SO/Fritz Reiner
Petrouchka (Exc) - Chicago SO/James Levine
Sym No.4: 1st Movt (Exc) - Chicago SO/Jean Martinon
Sym No.4: 1st Movt (Exc) - Chicago SO/Daniel Barenboim
The Key For Communicating In Music
Pictures At An Exhibition: The Great Gate Of Kiev (Exc) - Chicago SO/Fritz Reiner

Customer Reviews:

Jacobs was overrated.......2005-09-28

Arnold Jacobs was a brilliant man who could have succeeded in practically any profession. He was also a fine musical pedagogue, judging from his verbal insights on this CD with respect to the human body as a musical instrument. Yet, I am amazed that he rose to the rank of tubist in a world-class orchestra such as the Chicago Symphony. Frankly, I found his tone quality uninspiring, although he had fine techinque. I have heard at least half a dozen tubists whose tone is far more pleasing musically. Among the bassmen/women of the world, Jacobs has become a semi-divine entity. I believe that he has been somewhat overrated as a result. I felt that his verbal commentaries were highly educational; I was disappointed by his playing overall.

The Great Arnold Jacobs Captured on C.D........2005-04-02

This is a prolific set of audio that captures the historical sound of Arnold Jacobs' playing and teaching. I bought this C.D. because I wanted to explore the limits and capabilities of a tuba player so that I could see if playing music on the tuba was for me. This C.D. banished any doubt that I had about the ability of a tuba player to achieve at the utmost musical level. I have never meet Mr. Jacobs in real life, but this C.D. made me feel as if I was in a master class or recital hall listening to him myself. I would recommend this C.D. to anyone who loves music. As Arnold Jacbos said " It's not about the tuba, it's about music".

arnold jacobs.......2001-05-16

This cd tries to capture arnold jacobs: a prolific teacher, player and above all a great man. while listening, you'll discover the ideals, the methods and ideas that made arnold jacobs the best tuba player that there'll probably ever be. The more complex issues and artistry of brass playing are explained in simple words and sayings. a great deal of jacobs' lectures is also given, and you can also see the importance of understanding the functioning of other body units that help us trough our playing (the brain). a great disc, highly recommended, not only for tuba players, but for all brass players.

inspiring technician musician artist.......2000-09-01

Cannot agree more,this is a wonderful exposition of Jacobs the teacher,for he had developed working concepts any wind player could adopt.His studio in the Fine Arts Building in Chicago was like a mecca for all wind players coming to Jacobs to resolve some deep-rooted performing problem. As he says( my paraphrasing) " they get tied up in knots,worrying about all the motions of the lip. . .you can't think about all those motions for they are thousands of motions from the brain to engage in performing a brass instrument "

As a brass player myself,(trombone & tuba) I have always sensed we have little repertoire to play of any interest,but Jacobs in a lecture here reveals this problem and one way to solve it, is to consciously search for things to play,like an aria from Puccini,or a particular non-tuba passage,to duplicate it,a piano or violin solo. What this approach implies is then for the brass player to develop skills as a consummate musician/ virtuoso,for you are forever challenged then to expand your repertoire endlessly,as much as the instrument or your technique will allow. I now find myself playing Chopin Preludes(Eb-minor,B-minor melodies only) on the trombone,and contrabass orchestral excerpts or trumpet etudes on the tuba,and Jacobs encourages tuba players to learn to read treble clef to be able to read any melody.

There are wonderful examples here from all genres in music from solo etudes in his studio to Berlioz and Wagner excerpts, solo and within the context of the orchestra. It all reveals the seemless consistent sound Jacobs was able to summon from his York tuba. Every attach was uniform,every tone even and pure,at least that is what he heard in his ear. That's another Jacobs credo,you have to have the sound in your head,what do you want your listener to hear. You command that.

The Bozza Sonatine(brass quintet) is also a wonderful performance of great brass music,great use of colours and entrances,breaking down the quintet into smaller duets and trios.This all with Chicago Symphony players makes it all the more interesting,a vintage performance from 1966.I recall those days where solo brass was considered an oddity,and unaccompanied solos even more so.

Jacob's sound should remain in your mind's hearing to duplicate it. Eugene Pokorny (Jacob's Chicago Symphony successor) also provides insightful interesting notes here.

Arnold Jacobs - Icon of education and performance.......2000-08-23

Amazing! For the students who studied directly with Arnold Jacobs, "Protrait of an Artist" will take you back to his studio, sitting right next to him. This excellent collection of lectures (lessons) and demonstrations are a fantastic embodiment of Arnold Jacobs' concepts and teachings. It is certainly a must for any music performer or educator. From the samples of CSO performances at the end of this CD to the practice tapes, the music on this CD is truely inspirational.

Average customer rating:

Primo Tenore
Bravo, Cura!

Artist Portrait Jose Cura
Jose Cura
Manufacturer: Warner Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Jose Cura - Puccini Arias / Domingo
Boleros
Anhelo: Argentinian Songs
The Tenor's Passion
Verismo

ASIN: B00006L724
Release Date: 2004-03-16

Tracks:

'Non Piangere, Liu!'
'Se Quel Guerrier Io Fossi!...Celeste Aida'
'Niun Mi Tema'
'Vois Ma Misere'
Addio Alla Madre, 'Mamma, Quel Vino'
'Recitar!... Vesti La Giubba'
'Come Un Bel Di Di Maggio'
'Amor Ti Vieta'
'Ah! Si Ben Mio...Di Quella Pira'
'Io L'ho Perduta'
'L'anima Ho Stanca'
'Che Gelida Manina'
'E Lucevan Le Stelle'
'La Dolcissima Effigie'
'Dimmi Che Vuoi Seguirmi'
'Mon Coeur S'ouvre A Ta Voix'
La Rosa Y El Sauce
Cancion Del Arbol Del Olvido
'Nessun Dorma'

Customer Reviews:

Primo Tenore.......2004-11-03

As the Domingo/Pavarotti era has come to a close, we find that a new generation of tenors awaits their time.
Jose Cura is without a doubt one of the greatest tenors of the new era!

Now I realize this statement will raise quite a few eyebrows, as I know that many, many tenor lovers, particularily those who have a deeply rooted affection for the lyric tenor voices of Pavarotti, Alvarez or Gigli, do not think Mr. Cura's dark and muscular tenor worthy of consideration.

Let it be known that, to date, Mr. Cura IS the foremost operatic tenor of the world.
He has more CD's on the market than any of his contemporaries (Alagna, Licitra, Alvarez), and a wider international appeal.
In fact, I was introduced to the Cura voice in a record store in southern Germany. I was looking for a Bocelli CD and the store clerk advised me to check out this Jose Cura. I bought the Verismo CD and upon hering it, I was convinced that this man would be the successor to the aging Domingo.

Anyhow, this CD is a great sampling of most of Mr. Cura's current CD releases.
His reading of Puccini's "E Lucevan Le Stelle" and " Nessun Dorma" are inspirational. His take on Verdi's "Nun Mi Tema" form "Otello" showcase why Mr. Cura has become the most sought after "Otello" of the post-Domingo era.

The only reason I did not give this CD a 5 star rating, is because of the inclusion of a few tracks from Cura's "Anhelo" which was supposed to be collection of Argentinian "folk" songs. However, the end result sounded more like a Spanish version of German Lieder...which is to say boring beyond imagination.

I would have much preferred to have a few songs from the exquisite "Bolero" CD included. For some reason not one track of what I consider Mr. Cura's finest CD was included in this compilation.

Overall this is a fine compilation of a PRIMO TENORE.

Bravo, Cura!.......2004-10-13

Perhaps MAYBE, Placido Domingo, there isn't a better tenor singing today than Jose Cura. I've even tried to prove myself wrong by listening to an abundance of others. Voices like his just don't come around very often.
I first heard him singing two songs with Sarah Brighman on her "Time to Say Goodbye" CD. By thirsting for THAT voice, I bought lots more of his CD's, DVD's and VHS tapes, and was introduced to the world of opera, and the versatility of this phenomenally gifted man.
This CD is a wonderful sampling of several of his CD's: Puccini Arias (my personal favorite), Verdi Arias, Verismo, Samson & Dalila and Anhelo (a close second). The reasons I'm giving it a 4 instead of a 5, even though I want to, are as follows.
First, there are no selections on the CD from Manon Lescaut (on Puccini Arias), which are just wonderful. The emotion of his performance of those songs is gut wrenching, and I was moved to tears when I first heard them.
Secondly, his artistic talents are widespread; not only can he sing, but also, he can conduct and compose music as well. The songs selected from Anhelo for this CD are beautiful. But his composition skills could have also been showcased if included were Sonetos de Amor y Muerte, which consists of two poems by Pablo Neruda, put to music composed by Maestro Cura. It's just beautiful, particularly the second one. (I read on his website that a future project includes more music composed for Neruda's poems and I, for one, can't wait.)
This CD would be a great addition to anyone's music library, but don't stop there. He's got an abundance of great music...Boleros, Aurora, Song of Love, Dvorak...the list goes on.

Average customer rating:

A rich introduction to a top Baroque specialist
Great Marketing Idea

Portrait

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Bach: Solo & Double Violin Concertos /Manze * Podger * AAM * Manze
The Grand Tour - The Academy of Ancient Music, Andrew Manze, director
Concert for the Prince of Poland
Handel: Complete Violin Sonatas
Handel - Concerti Grossi, op. 6 (Nos. 1, 2, 3, 5, 10, 11) / AAM · Manze

ASIN: B00004UFDH
Release Date: 2000-08-15

Tracks:

The Devils Sonata And Other Works:'La Sonata Del Diavolo' In G Minor: III Andante-Largo-Adagio
Complete Violin Sonatas: Op. III, No. 3, 'La Melana'
Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: I. Presto
Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: II. Largo
Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: III. Presto
Sonatas: Sonata Over Toccata V, Op. IV 'Detta La Laura Rilucente'
Concerti Grossi, Op. 6: ' Twelve Grand Concertos In Seven Parts': Concerto VI In G Minor, HWV 3624: III. Musette
Concerti Grossi, Op. 6: ' Twelve Grand Concertos In Seven Parts': Concerto VI In G Minor, HWV 3624: IV. Allegro
Violin Sonatas:Sonate Sixieme In B Minor: III. Gracieusement
Violin Sonatas:Sonate Sixieme In B Minor: IV. Viste
Violin Sonatas: Toccata And Fugue In A Minor: Toccata and Fugue In A Minor For Unaccompanied Violin, Reconstructed By A. M. From The Organ Work BWV 565 In Minor
Sonata In E Major: I. Adagio
Twelve Fantasias For Violin Solo/Gulliver Suite For Two Violins: Intrada
Twelve Fantasias For Violin Solo/Gulliver Suite For Two Violins: Lilliputsche Chaconne
Curiose & Moderne Inventioni: Sinfonia Sesto Tuono
Curiose & Moderne Inventioni: Balletto Quarto Allemano
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Amazon.com

This is a compendium of pieces drawn from Andrew Manze's recordings past, present, and projected. It includes single movements, groups of movements, and complete works, some unaccompanied, some with one or two supporting instruments, some with the ensemble Romanesca, some with the Academy of Ancient Music, of which Manze is co-director and concertmaster. The selections range from intimate chamber music to brilliant bravura pieces and are well designed to whet the listener's appetite to hear the complete records. They also display Manze's versatility, virtuosity, improvisatory imagination, expressiveness, and communicative power, which have propelled him to the top rank of Baroque violinists. He succeeds in combining rigorous scholarship with adventurous spontaneity, passionate involvement and a sense of humor--all of which are also in evidence in his erudite but entertaining program notes.

Naturally, the most substantial pieces on the program tend to be especially impressive. Vivaldi's Concerto "La tempesta di Mare" is truly tempestuous, with extraordinarily daring harmonies and modulations. Manze's transcription and performance of a famous Bach Toccata and Fugue for organ creates the amazing illusion of an original unaccompanied violin composition. And, taken from Manze's recording with the Academy of Ancient Music, "La Follia," one of 12 Corelli Sonatas orchestrated by Geminiani as Concerti Grossi, is enormously exciting. Also noteworthy are selections by Uccellini and Marini performed with Romanesca, some movements from Bach and Handel sonatas, and part of Tartini's "La Sonata del Diavolo", better known as the "Devil's Trill Sonata," played unaccompanied with diabolical freedom and virtuosity. --Edith Eisler

Customer Reviews:

A rich introduction to a top Baroque specialist.......2005-11-15

Andrew Manze is a Cambridge-educated, early-music scholar, an internationally-famous period violinist, an accomplished chamber musician and director of the prestigious Academy of Ancient Music. His discography is vast - specializing in the early to late Baroque and with a strong affinity to the more unusual, 'quirky' Baroque sonatas such as those by Tartini, Schmelzer and Biber - recordings made with fellow Baroque specialists, John Toll and Nigel North (AKA 'Romanesca').

This sampler CD is a nice compilation of Manze's music - from solo violin to full orchestral music - featuring works from more well-known composers (Telemann, Bach, Handel, Vivaldi) to the more obscure Italian violin virtuoso composers (Tartini, Uccellini, Pandolfi, Geminiani, Marini). The selections spotlight his highly rhythmic, academic-rich style and techniques which have won accolades from the international music press like Gramophone, Penguin Guide, ClassicsToday and BBC Music. Highlights are the concerti grossi from Geminiani, Vivaldi and Handel and the sonatas from Handel and Telemann. One truly delightful work is the Handel Violin Sonata in which Manze illicits a most bouyant, spontaneous manner that is most uplifting. Less inspiring to me were the Bach and Pandolfi sonatas as were the somewhat mundane liner notes written by Manze - although they are not without some fascinating tidbits. But so much more could have been said about Manze, his unique style and his career in the notes by a third party to give a more colorful "portrait" of this artist.

If you are new to Manze's music, this CD is a great place to start to explore his broad discography and his compelling style and will help you sort out which composers/recordings you will most gravitate towards - or equally important ... the ones you don't. While varied and compelling, this one CD is only a smittering of Manze's recordings - unfortunately absent are representation works of his powerful readings of the unusual, free-form and often-meditative sonatas of the German-Catholic composers, Biber and Schmelzer (some of Manze's best recordings in my opinion). ClassicsToday gave this CD a perfect 10/10 if that helpf make your decision easier (the sound quality is consistentyly very vivid too). Harmonia Mundi offers this sampler CD at a "teaser" price (about half price) as a way to introduce listeners to great artists - with the hope of course that you will buy a few of the CD's represented here (at full price) that most catch your interest. Either way it is a win for the classical listener exploring the less-familiar Baroque violin repertoire that Manze specializes in dusting off from the shelves and performing most strikingly.

Great Marketing Idea.......2000-08-29

I had heard of Andrew Manze but never heard him play. This CD is a very inexpensive introduction to an incredible Baroque violinist. He opens your ears to a completely different level of performance in this type of music. Highly recommended as an introduction, but be warned that you will soon be purchasing many more of his CDs.

Aaron Copland: Lincoln Portrait; Old American Songs

Average customer rating:

Vintage Americana

Aaron Copland: Lincoln Portrait; Old American Songs

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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Portraits Of Freedom: Music of Aaron Copland and Roy Harris
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Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
Christmas with the Pops

ASIN: B00000E8NJ
Release Date: 1990-10-25

Tracks:

A Railroad Ballad For Orchestra
Lincoln Portrait
The Promise Of Living
The Boatmen's Dance/The Dodger/Long Time Ago/Simple Gifts/I Bought Me A Cat
Jubilee Variations
Ceremonial Fanfare
An Outdoor Overture

Customer Reviews:

Vintage Americana.......2006-09-08

This album is a wonderful collection of lesser heard Copland gems. The performances have the excitement one always expects from Kunzel and the Cincinnati Pops, and it is ever a special treat to hear Sherrill Milnes. A very enjoyable CD.

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin

Average customer rating:

Essential for the chansom junkie. Buy It.
Almost completely wonderful
Indisputable Gallic flair
Idiomatic, fresh, cleanly recorded
the best songs ever ruined by uneven performing

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Songs of Henri Duparc

ASIN: B000002S31
Release Date: 1992-01-23

Tracks:

LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
COCARDES: I - Miel De Narbonne
COCARDES: II - Bonne D'enfant
COCARDES: III - Enfant De Troupe
5 POEMES DE RONSARD: I - Attributs
5 POEMES DE RONSARD: II - Le Tombeau
5 POEMES DE RONSARD: III - Ballet
5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
5 POEMES DE RONSARD: V - A Son Page
CHANSONS GAILLARDES: I - La Maitresse Volage
CHANSONS GAILLARDES: II - Chanson A Boire
CHANSONS GAILLARDES: III - Madrigal
CHANSONS GAILLARDES: IV - Invocation Aux Parques
CHANSONS GAILLARDES: V - Couplets Bachiques
CHANSONS GAILLARDES: VI - L'offrande
CHANSONS GAILLARDES: VII - La Belle Jeunesse
CHANSONS GAILLARDES: VIII - Serenade
AIRS CHANTES: I - Air Romantique
AIRS CHANTES: II - Air Champetre
AIRS CHANTES: III - Air Grave
AIRS CHANTES: IV - Air Vif
Epitaphe
3 POEMES DE LOUISE LALANNE: I - Le Present
3 POEMES DE LOUISE LALANNE: II - Chanson
3 POEMES DE LOUISE LALANNE: III - Hier
4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
5 POEMES DE MAX JACOB: I - Chanson Bretonne
5 POEMES DE MAX JACOB: II - Cimetiere
5 POEMES DE MAX JACOB: III - La Petite Servante
5 POEMES DE MAX JACOB: IV - Berceuse
5 POEMES DE MAX JACOB: V - Souric Et Mouric
8 CHANSONS POLONAISES: I - La Couronne
8 CHANSONS POLONAISES: II - Le Depart
8 CHANSONS POLONAISES: III - Les Gars Polonais
8 CHANSONS POLONAISES: IV - Le Dernier Mazour
8 CHANSONS POLONAISES: V - L'adieu
8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
8 CHANSONS POLONAISES: VII - La Vistule
8 CHANSONS POLONAISES: VIII - Le Lac

Tracks:

5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
5 POEMES DE PAUL ELUARD: V - Amoureuses
A Sa Guitare
TEL JOUR, TELLE NUIT: I - Bonne Journee
TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
TEL JOUR, TELLE NUIT: V - A Toutes Brides
TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
MIROIRS BRULANTS: II - Je Nommerai Ton Front
Le Portrait
La Grenouillere
Priez Pour Paix
Ce Doux Petit Visage
Bleuet
FIANCAILLES POUR RIRE: I - La Dame D'andre
FIANCAILLES POUR RIRE: II - Dans L'herbe
FIANCAILLES POUR RIRE: III - Il Vole
FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
FIANCAILLES POUR RIRE: V - Violon
FIANCAILLES POUR RIRE: VI - Fleurs

Tracks:

BANALITES: I - Chanson D'orkenise
BANALITES: II - Hotel
BANALITES: III - Fagnes De Wallonie
BANALITES: IV - Voyage A Paris
BANALITES: V - Sanglots
CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
CHANSONS VILLAGEOISES: IV - Le Mendiant
CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
METAMORPHOSES: I - Reine Des Mouettes
METAMORPHOSES: II - C'est Ainsi Que Tu Es
METAMORPHOSES: III - Paganini
2 POEMES DE LOUIS ARAGON: I - C
2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
Paul Et Virginie
Mais Mourir
Hymne
3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
Le Disparu
Main Dominee Par Le Coeur
CALLIGRAMMES: I - L'espionne
CALLIGRAMMES: II - Mutation
CALLIGRAMMES: III - Vers Le Sud
CALLIGRAMMES: IV - Il Pleut
CALLIGRAMMES: V - La Grace Exilee
CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
CALLIGRAMMES: VII - Voyage

Tracks:

Mazurka
LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
LA FRAICHEUR ET LE FEU: III - Tout Disparut...
LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
PARISIANA: Le Joueur De Bugle
PARISIANA: Vous N'ecrivez Plus?
Rosemonde
LE TRAVAIL DU PEINTRE: I - Pablo Picasso
LE TRAVAIL DU PEINTRE: II - Marc Chagall
LE TRAVAIL DU PEINTRE: III - Georges Braque
LE TRAVAIL DU PEINTRE: IV - Juan Gris
LE TRAVAIL DU PEINTRE: V - Paul Klee
LE TRAVAIL DU PEINTRE: VI - Joan Miro
LE TRAVAIL DU PEINTRE: VII - Jacques Villon
La Souris
Nuage
Dernier Poeme
Une Chanson De Porcelaine
LA COURTE PAILLE: I - Le Sommeil
LA COURTE PAILLE: II - Quelle Aventure!
LA COURTE PAILLE: III - La Reine De Coeur
LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
LA COURTE PAILLE: V - Les Anges Musiciens
LA COURTE PAILLE: VI - Le Carafon
LA COURTE PAILLE: VII - Lune D'avril
Toreador
4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
Fancy
Colloque

Customer Reviews:

Essential for the chansom junkie. Buy It........2006-10-25

'Poulenc Melodies' performed by a really impressive lineup of vocal talent including Elly Ameling and Nicolai Gedda is exactly the kind of recording you need if you are compulsive about having 'complete' collections of things. This shows a range of composition which smaller releases such as single CD 'Voyage a Paris' (Hyperion, with Felicity Lott and Graham Johnson)can give us. For starters, many of these chansom showed a lot more evidence of more modern stylings and a far greater range of interpretation. In fact, I even had to check the lyrics in the included booklet to verify that on some songs, the performers were singing in French. Even though I have a smattering of knowledge of French, I would have sworn that the singers were performing songs in Russian.

I am happy that all four discs run for more than 60 minutes. No cheap short changing here. If you don't want to spring for the large set, the Hyperion release is great, but this is worth every penny.

Almost completely wonderful.......2005-04-29

Its very considerable advantage lies in its completeness. Poulenc was one of the very greatest songwriters of any era. If you have no Poulenc songs in your collection, start here. The recommendation of Kruysen is a fine one, but only after you have heard this as a basis of comparison. Of Ameling, Senechal, Souzay, Gedda, and Parker, the only disappointment is Parker, who - I'll just say it - sings with his usual bleat. Souzay is a shade past it in vocal quality, but he still understands these songs as well as anybody, with great declamation (and that, after all, is what most of French singing is about). The dryness of the voice is nowhere close to disastrous, as it might have been in Italian opera. Indeed, it lends an air of life lived, without excuses. Gedda is okay. The standouts are Souzay, Ameling, and Senechal. Baldwin accompanies superbly.

Indisputable Gallic flair.......2004-06-06

These performances are piquant and stylistically right on target. Even if Souzay is past his best here, he brings a lifetime of experience to bear and the other performers are wonderful. Ignore the curmudgeon who blasted this set. You will enjoy this tremendously if you love Poulenc.

Idiomatic, fresh, cleanly recorded.......2001-05-12

This is a fine set. Dalton Baldwin accompanies each singer with clarity and zest. And who can resist the affectionate singing of the likes of Nicolai Gedda and Elly Ameling? The "melodies" themselves are magnificent--among Poulenc's finest creations. Whether you have other performances of these works or not, I think you'd be pleased with this beautifully recorded set. Certainly the 70's-vintage performances are more individual in profile, more "romantic," if you will, than those conjured by most of the "anonymous" singers of our own age. Recommended with enthusiasm.

the best songs ever ruined by uneven performing.......2001-05-05

This is a warning for all Poulenc fans NOT to take the bargain route and purchase this immense collection -- you might think you're getting a great deal but: the singing and pianism is substandard and doesn't do the music justice (remotely). Songs like Bonne Journe'e or Ho^tel are all but ruined... Here's what to buy: Bernard Kruysen's CD of selected Poulenc masterpieces (favoring the Elouard settings)... nobody will ever come close to Kruysen in interpreting Poulenc. Avoid THIS CD. They still get 2 stars for (1) being encyclical and (2) delivering clear and even sound quality.

Average customer rating:

Not the best performances, but still a pretty good collection
A Written and Sound Portrait of One of Our Most Important Composers

Arvo Pärt: A Portrait

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Instructional | Miscellaneous | Styles | Music
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Arvo Pärt - A Tribute
Lamentate
Alina - Arvo Part
Arvo Pärt: Passio
Arvo Part: 24 Preludes for a Fugue

ASIN: B00093O6OY
Release Date: 2005-06-21

Customer Reviews:

Not the best performances, but still a pretty good collection.......2007-04-20

Naxos has never provided the best performances of the music of Arvo Part--the long line of ECM recordings were made under the composer's supervision and thus may be seen as definitive--but the collection ARVO PART: A PORTRAIT is a nice effort indeed. Issued in 2005, the year of the Estonian composer's 70th birthday, this package features selections from nearly his entire career over two discs, in recordings drawn from the Naxos, BIS, and Nimbus labels, and also contains a 78-page booklet with Nick Kimberley's essay "Arvo Part: A Musical Journey".

Arvo Part came to worldwide attention through the minimalistic and overtly spiritual music he began composing in the mid-1970s, but ARVO PART: A Portrait features some music from his early career as well. Part was something of an enfant terrible in the Soviet music world, and in the 1960s he infuriated the socialist realist musical establishment by producing dodecaphonic and collage works through the 1960s. From this era we get the second movement of the Symphony No. 1, the "Collage ueber B-A-C-H", and the cello concerto "Pro et Contra". One does regret, however, that his important piece "Credo", discussed at some length in Kimberley's piece, is not featured here, but perhaps Naxos could not find a recording that could be licensed for inclusion here.

The bulk of the collection, however, is dedicated to Part's "holy minimalism" output, a style which he calls "tintinnabuli" for its bell-like tones. Two selections from his hour-long masterpiece "Passio" are included here, one begin four minutes long and the other twelve. Of the "Berliner Messe" we have the Kyrie and Credo, and the other late pieces here are included full-length.

"Fur Alina", the exceedingly simple piano piece he wrote in 1976, breaking a silence of nearly a decade, is featured here in its scored form in performance by Alexei Lubimov. The ECM recording of this piece is a much longer improvisation by Alexander Malter, so this Naxos collection (or the BIS disc the selection was drawn from) is a good way to hear the piece at its most simple.

Over the last decade or so, Part has began reconciling his tintinnabuli style to the more fiery spirit of his youth. However, none of those pieces, such as "Como cieva sedienta" are represented here, which is regrettable.

While the Naxos performances of Part's music are not the best available, only the Naxos recording of "Tabula Rasa" by the Ulster Orchestra and Takuo Yuasa is outright unlistenable. The rest are acceptable, and this collection makes a more more economical introduction to Part's career than the many full-price ECM discs. And for established Part fans, the included essay by Nick Kimberley is interesting reading, especially when the only other major English-language coverage of Part, Paul Hillier's Arvo Part (Oxford Studies of Composers), is difficult to find.

A Written and Sound Portrait of One of Our Most Important Composers.......2005-07-13

"Contemporary classical music which genuinely touches people is rare, but the rapt, contemplative music of Arvo Pärt communicates readily, and without pandering to the demands of a mass audience." -- Nick Kimberley

"It is enough when a single note is beautifully played." -- Arvo Pärt

These two comments shed light on Arvo Pärt, both the music and the man. An intensely private man who came of age in repressive Stalinist Soviet Estonia but who always maintained his stalwart religious beliefs, against all fashion, and who, though he started out as an avant-gardist, became the prophet of what has been called 'the new simplicity,' Arvo Pärt is perhaps the most beloved composer of classical music in the world. His music is known by people who have almost no interest otherwise in classical music, largely because of the effect it has on even the casual listener, as reflected in Nick Kimberley's comment above. It also has devoted followers among the musical cognoscenti. His piece 'Fratres,' in its myriad forms, is his most widely performed work, but it is probably his ecstatic 'Passio' that has created the most devoted following, particularly following its first recording by the Hilliard Ensemble on the ECM label.

This release has two CDs chockfull of unfailingly beautiful performances of Pärt's music, generally in complete movements taken from releases by Naxos and other labels. Such disparate works as his spare piano piece, 'Für Alina,' movements of his Symphonies Nos. 1 & 3, the 'Berliner Messe,' the 'Magnificat,' 'Collage über B-A-C-H,' 'Spiegel im Spiegel,' and 'Triodion,' are represented here. Two versions of 'Fratres' are included, one for cello and piano, the other for percussion and strings. His cello and orchestra work, 'Pro et Contra,' is performed by Frans Helmerson and the Bamberg Symphony under Neeme Järvi. Excerpts from 'Passio' ('Passion According to the Gospel of St. John') from the recording by Antony Pitts, Pärt expert and a composer in his own right, and his choral group Tonus Peregrinus are particularly haunting. Celebrated organist Kevin Bowyer is heard playing Pärt's 'Annum per annum.'

The illuminating accompanying essay, 70 pages long, is by Nick Kimberley, a noted British arts critic. All of this is in a glossy booklet enclosed in a cardboard box, typical of Naxos's classy presentation of both recorded music and booklet notes.

This release is for all those who are already devotees of Pärt's music and for those who are just coming to admire his music. The budget price makes it all the more attractive.

2 CDs TT=164mins

Scott Morrison

Average customer rating:

Terrific vocal talents for Copland's music
finally sandburg's lincoln portrait
Wow! Pretty Good Deal

A Copland Celebration Vol. 2

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

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A Copland Celebration Vol. 1
A Copland Celebration Vol. 3
The Copland Collection: Orchestral Works, 1948-1971
Copland Conducts Copland
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000050HWT
Release Date: 2000-11-07

Tracks:

Vitebsk, Study On A Jewish Theme
Sextet For Clarinet, Piano And String Quartet: I. Allegro vivace
Sextet For Clarinet, Piano And String Quartet: II. Lento
Sextet For Clarinet, Piano And String Quartet: III. Finale
Piano Quartet: I. Adagio serio
Piano Quartet: II. Allegro giusto
Piano Quartet: III. Non troppo lento
Duo For Flute And Piano: I. Flowing
Duo For Flute And Piano: II. Poetic, Somewhat Mournful
Duo For Flute And Piano: III. Lively, With Bounce

Tracks:

Lincoln Portrait - CARL SANDBURG
Twelve Poems Of Emily Dickinson: I. Nature, The Greatest Mother
Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle
Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven?
Twelve Poems Of Emily Dickinson: The World Feels Dusty
Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him
Twelve Poems Of Emily Dickinson: VI. Dear March, Come In!
Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be
Twelve Poems Of Emily Dickinson: VIII. When They Come Back
Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain
Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes
Twelve Poems Of Emily Dickinson: XI. Going To Heaven!
Twelve Poems Of Emily Dickinson: XII. The Chariot
Old American Songs (Set 1): The Boatmen's Dance (Minstrel Song, 1843)
Old American Songs (Set 1): The Dodger (Campaign Song)
Old American Songs (Set 1): Long Time Ago
Old American Songs (Set 1): Simple Gifts (Shaker Song)
Old American Songs (Set 1): I Bought Me A Cat
Old American Songs (Set 2): The Little Horses (Lullaby)
Old American Songs (Set 2): Zion's Walls (Revivalist Song)
Old American Songs (Set 2): The Golden Willow Tree
Old American Songs (Set 2): At The River (Hymn Tune)
Old American Songs (Set 2): Ching-A-Ring Chaw (Minstrel Song)
Billy The Kid: I. The Open Prairie - Oscar Levant
Billy The Kid: II. Street In A Frontier Town - Oscar Levant
Billy The Kid: V. Celebration Dance (After Billy's Capture) - Oscar Levant

Customer Reviews:

Terrific vocal talents for Copland's music.......2002-08-08

This second Copland collection focuses on unique talents of veteran performers.

William Warfield lends his voice and his interpretations of Copland's Old American Songs, and he sings them as they were meant to be, not as classical diletantes felt they should be. You have authenticity here.

Martha Lipton likewise contributes an older world charm and charisma to Copland's settings for Emily Dickenson's words.

Carl Sandberg's resonant reading of his own words is worth the full price of this set.

And then the inimitable Oscar Levant's piano treatment of the orchestral pieces...Levant had a wry touch to his interpretations that gave him a voice all his own.

There's much more here, quite a bit that's less than familiar and therefore increases one's familiarity with Copland.

finally sandburg's lincoln portrait.......2001-08-17

For all those like myself who have waited a decade for "A Lincoln Portrait" with Carl Sandburg's narration on CD, here it is finally! Sandburg's heartfelt reading of Lincoln's words is easily the most inspired and inspiring of the legions of others whose voices have been recorded. The orchestration by Kostelanetz also vastly surpasses others. Compare Henry Fonda's reading for example to see a poorly mixed tape where the narrator's voice is overwhelmed by the orchestra.

Wow! Pretty Good Deal.......2001-03-13

I was surprised to find two CDs of such quality being sold for the price of one. It also contained many hard to find Copland works.

Vitebsk is exciting. Strings do much of the work here. The music is very unique to any other Copland works. Definitely here a sample of this.

The Sextet is very interesting. The combination of strings and piano is a prefect balance along with the clarinet doing much of the harmony. It is the same song though as Copland's 2nd symphony, the 'short' one.

Duo for Flute and Piano is fun and happy. The 1st movement fluctuates quite a bit in the feeling but is a very nice combination. The second movement is slightly morbid but the feeling of happy hi ho is not lost. The 3rd movement is light and bouncy and can be described as typical Copland.

Lincoln Portrait is powerful. Though I don't see how it fits on this CD has a rarity or a chamber work. It is the besy Lincoln P. I've ever heard though.

Old American Songs and Poems of Emily Dickinson are not that good though. It's a vocalist and a piano accompanyingthe vocalist. The vocalists are not that good and I felt needed to feel the music a little more. Thomas Hampson and Dawn Upshaw made a CD with these songs which is much better (the only problem is that that CD only has 8 of the 12 Emily Dickinson Songs).

Billy the Kid was a nice way to finish off. It's just a few excerpts played on solo piano. It was interesting hearing the piece performed this way.

Tracks:

Piece D'Orgue In G Major BWV 572 A 6
Wenn Wir In Hochsten Noten Sein BWV 641 A 4
Prelude & Fugue XVI In G Minor BWV 885 A 4
Passacaglia In C Minor BWV 582 A 5
Kyrie, Gott Vater In Ewigkeit (Unaccompanied Chorale Tune)
Christe, Aller Welt Trost (Harmonization From Riemenschneider Chorale No. 132)
Kyrie, Gott Heiliger Geist BWV 671 A 5
Dies Sind Die Heiligen Zehen Gebot BWV 678 A 6
Dies Sind Die Heiligen (Alio Modo) BWV 679 A 4
Prelude & Fugue XXII In A Minor (Originally, B-flat) BWV 867 A 5
Aus Tiefer Not Schrei Ich Zu Dir BWV 686 A 6
Fugue In E Flat Major, 'St Anne' BWV 552.2 A 5
Von Deinen Thron Tret Ich Hiermit BWV 668 A 4
Prelude & Fugue XI In F Major BWV 880 A 5/A 3
Wir Glauben All An Einen Gott BWV 680 A 5
Fugue IV In D Minor (Originally, C-sharp) BWV 849 A 5
Ricercar BWV 1079 A 6
Canon Triplex BWV 1076 A 6 (Pictured In The Haussman Portrait Of Bach, See P. 4)

Customer Reviews:

Superb!.......2006-03-20

If you like the complexities of melody and rythm, this recording of Bach using only viols will take you away. Beautifully recorded too. You can hear everything.

Dark, rich clarity. Intricate detail and very listenable!.......2005-12-24

I was somewhat apprehensive about buying this CD because of a previous Fretwork CD entitled "Art of the Fugue". I was not only very happy with this but CD, but very impressed. Instead of using modern instruments, the music is arranged using groups of Viols (instruments that were already long obsolete even by Bach's time). You might think that such a choice of instrumentation might make this CD more austere than rich, but you will be pleasantly suprised. I will concede that the viols grouped in the music here do produce a dark sound, they nonetheless lend a particuliar intricacy (especially in C Minor) that cannot be otherwise heard in Bach's original organ arrangements.

Track Listings:

Track Listings

track listings

Track Listings

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