Composed by Fryderyk Chopin
Performed by London Symphony Orchestra with Artur Rubinstein
Conducted by Sir John Barbirolli
2. Concerto for piano & orchestra No. 2 in F minor, Op. 21, CT 48
Composed by Fryderyk Chopin
Performed by London Symphony Orchestra with Artur Rubinstein
Conducted by Sir John Barbirolli
3. Nocturne for piano in F minor, Op. 55/1, CT 122
Composed by Fryderyk Chopin
with Artur Rubinstein
4. Nocturne for piano in E flat major, Op. 55/2, CT 123
Composed by Fryderyk Chopin
with Artur Rubinstein
Rubinstein Plays Chopin,Rubinstein,Chopin,Barbirolli,Lso,Grammofono 2000,Chamber Music & Recitals,Classical,Classical Composers
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Arthur Rubinstein plays Chopin [Box Set]
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S59 Release Date: 1994-03-15 |
Tracks:
- Piano Concerto No. 1 In E minor, Op. 11: Allegro maestoso risoluto
- Piano Concerto No. 1 In E minor, Op. 11: Romanze (Larghetto) -
- Piano Concerto No. 1 In E minor, Op. 11: Rondo vivace
- Piano Concerto No. 2 In F minor, Op. 21: Maestoso
- Piano Concerto No. 2 In F minor, Op. 21: Larghetto
- Piano Concerto No. 2 In F minor, Op. 21: Allegro vivace
- Waltz In C Sharp Minor, Op. 64, No. 2
- Nocturne No. 1 In B Flat Minor, Op. 9 No. 1
- Nocturne No. 2 In E Flat Major, Op. 9 No. 2
- Nocturne No. 3 In B Major, Op. 9 No. 3
Tracks:
- Nocturne No. 4 In F Major, Op. 15 No. 1
- Nocturne No. 5 In F Sharp Major, Op. 15 No. 2
- Nocturne No. 6 In G Minor, Op. 15 No. 3
- Nocturne No. 7 In C Sharp Minor, Op. 27 No. 1
- Nocturne No. 8 In D Flat Major, Op. 27 No. 2
- Nocturne No. 9 In B Major, Op. 32 No. 1
- Nocturne No. 10 In A Flat Major, Op. 32 No. 2
- Nocturne No. 11 In G Minor, Op. 37 No. 1
- Nocturne No. 12 In G Major, Op. 37 No. 2
- Nocturne No. 13 In C Minor, Op. 48 No. 1
- Nocturne No. 14 In F Sharp Minor, Op. 48 No. 2
- Nocturne No. 15 In F Minor, Op. 55 No. 1
- Nocturne No. 16 In E Flat Major, Op. 55 No. 2
- Nocturne No. 17 In B Major, Op. 62 No. 1
- Nocturne No. 18 In E Major, Op. 62 No. 2
- Nocturne No. 19 In E Minor, Op. 71 No. 1 (posth.)
Tracks:
- Waltz In A-Flat Major, Op. 34, No. 1
- Mazurka In F-Sharp Minor, Op. 6, No.1
- Mazurka In C-Sharp Minor, Op. 6, No.2
- Mazurka In E-Major, Op. 6, No.3
- Mazurka In E-Flat Major, Op.6, No.4
- Mazurka In B-Flat Major, Op. 7, No. 1
- Mazurka In A-Minor, Op. 7, No.2
- Mazurka In F-Minor, Op. 7, No. 3
- Mazurka In A-Flat Major, Op. 7, No.4
- Mazurka In C-Major, Op. 7, No. 5
- Mazurka In B-Flat Major, Op. 17, No.1
- Mazurka In E-Minor, Op. 17, No. 2
- Mazurka In A-Flat Major, Op. 17, No. 3
- Mazurka In A-Minor, Op. 17, No. 4
- Mazurka In G-Minor, Op. 24, No. 1
- Mazurka In C-Major, Op. 24, No. 2
- Mazurka In A-Flat Major, Op. 24, No. 3
- Mazurka In B-Flat Minor, Op. 24, No. 4
- Mazurka In C-Minor, Op. 30, No. 1
- Mazurka In B-Minor, Op. 30, No. 2
- Mazurka In D-Flat Major, Op. 30, No. 3
- Mazurka In C-Sharp Minor, Op. 30, No. 4
- Mazurka In G-Sharp Minor, Op. 33, No. 1
- Mazurka In D-Major, Op. 33, No. 2
- Mazurka In C-Minor, Op. 33, No. 3
- Mazurka In B-Minor, Op. 33, No. 4
- Mazurka In C-Sharp Minor, Op. 41, No. 1
- Mazurka In E-Minor, Op. 41, No. 2
- Mazurka In B-Major, Op. 41, No. 3
- Mazurka In A-Flat Major, Op. 42, No. 4
- Mazurka In G-Major, Op. 50, No. 1
- Mazurka In A-Flat Major, Op. 50, No. 2
- Mazurka In C-Sharp Minor, Op. 50, No. 3
Tracks:
- Mazurka In B-Major, Op. 56, No. 1
- Mazurka In C-Major, Op. 56, No. 2
- Mazurka In C-Minor, Op. 56, No. 3
- Mazurka In A-Minor, Op. 59, No. 1
- Mazurka In A-Flat Major, Op. 56, No. 2
- Mazurka In F-Sharp Minor, Op. 56, No. 3
- Mazurka In B-Major, Op. 63, No. 1
- Mazurka In F-Minor, Op. 63, No. 2
- Mazurka In C-Sharp minor, Op. 63, No. 3
- Mazurka In G-Major, Op. 67, No. 1
- Mazurka In G-Minor, Op. 67, No. 2
- Mazurka In C-Major, Op. 67, No. 3
- Mazurka In A-Minor, Op. 67, No. 4
- Mazurka In C-Major, Op. 68, No. 1
- Mazurka In A-Minor, Op. 68, No. 2
- Mazurka In F-Major, Op. 68, No. 3
- Mazurka In F-Monor, Op. 68, No. 4
- Mazurka In A-Minor, Op. Posth. (A son ami Emile Gaillard)
- Mazurka In A-Minor, Op. posth. (Notre temps)
- Scherzi In B-Minor, Op. 20
- Scherzi In B-Flat Minor, Op. 31
- Scherzi In C-Sharp Minor, Op. 39
- Scherzi In E-Major, Op. 54
Tracks:
- Barcaolle In F-Sharp Major, Op. 60
- Berseuse In D-Flar Major
- Polonaise In C-Sharp Major, Op. 26, No. 1
- Polonaise In E-Flat Major, Op. 26, No.2
- Polonaise In A-Major, Op. 40, No. 1
- Polonaise In C-Minor, Op. 40, No. 2
- Polonaise In F-Sharp Major, Op. 44
- Polonaise In A-Flat Major, Op. 53 (Heroic)
- Polonaise In A-Flat Major, Op. 61 (Polonaise-Fantaisie)
- Andante splanato & polonaise brillante In E-Flat Major, Op. 22
Customer Reviews:
THE GREATEST OF CHOPIN PIANISTS.......2007-03-01
Rubinstein's natural affinity with Chopin is legendary. He seemed always able to capture precisely the right degree of rubato at exactly the right moment in these pieces. And he had a unique ability in his countryman's music to balance the lyrical with the impassioned, what seems completely spontaneous with what is clearly deeply considered. The Nocturnes here are, I think, the best you'll hear anywhere on disc. In the greatest of them - the Opp.37 & 48 sets, for example - Rubinstein gets the contrast between the dreamy nocturnal outer sections with the darker, more impassioned central sections just right. These are not salon miniatures in his hands but big works, if not in length then in content. And no-one can match Rubinstein in the elusive diversity of this complete set of Mazurkas. The two Concerti both have Barbirolli as the sympathetic conductor, following Rubinstein's lead in the ebb and flow of phrases and whole sections of these gorgeous and often maligned works. Interestingly the recording of Concerto No.2 (actually the first composed) dates from before the pianist's famous withdrawal from public performance to reconstruct his technique and his approach, that of Concerto No.1 from after. Perhaps one can detect a touch more maturity and refinement in his approach to the latter, but they are both ravishing performances.
Many of the performances on these 5 discs are the greatest Chopin you're likely to hear. And the ear soon adjusts to the somewhat old-fashioned recorded piano sound. This is a highly desirable set for any lover of Chopin and/or great piano playing.
The greatest interpretation.......2007-02-17
Not such a great album.......2007-01-12
Love it........2006-06-22
There is a fair amount of background noise, but the music helps to forget it rather quickly overall.
RECORDING QUALITY IS A FACTOR.......2005-02-10
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Plays Chopin Nocturnes 1-16
Manufacturer: Classica D'oro ProductGroup: Music Binding: Audio CD ASIN: B00005JI4Y Release Date: 2001-08-07 |
Tracks:
- Nocturne No.1 in b flat, Op.9 No.1
- Nocturne No.2 in E flat, Op.9 No.2
- Nocturne No.3 in B, Op.9 No.3
- Nocturne No.4 in F, Op.15 No.1
- Nocturne No.5 in F#, Op.15 No.2
- Nocturne No.6 in g, Op.15 No.3
- Nocturne No.7 in c#, Op.27 No.1
- Nocturne No.8 in D flat, Op.27 No.2
- Nocturne No.9 in B, Op.32 No.1
- Nocturne No.10 in A flat, Op.32 No.2
- Nocturne No.11 in g, Op.37 No.1
- Nocturne No.12 in G, Op.37 No.2
- Nocturne No.13 in c, Op.48 No.1
- Nocturne No.14 in f#, Op.48 No.2
- Nocturne No.15 in f, Op.55 No.1
- Nocturne No.16 in E flat, Op.55 No.2
Customer Reviews:
Glad to have this in my collection.......2002-11-20
Chopin at his best.......2001-06-26
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Great Pianists (series) - Ignaz Friedman plays Beethoven, Chopin, Hummel, Mendelssohn, etc.
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IX8J Release Date: 1999-06-01 |
Tracks:
- Ballade No.3 In A Flat, Op.47
- Impromptu No.2 In F Sharp, Op.36
- Polonaise No.6 In A Flat, Op.53 'Heroic'
- Polonaise No.9 In B Flat, Op.71 No.2
- Prelude In D Flat, Op.28 No.15 'Raindrop'
- Prelude In E Flat, Op.28 No.19
- Nocturne No.16 In E Flat, Op.55 No.2
- Mazurkas: In B Flat, Op.7 No.1
- Mazurkas: In A Minor, Op.7 No.2
- Mazurkas: In F Minor, Op.7 No.3
- Mazurkas: In D, Op.33 No.2
- Mazurkas: In B Flat Minor, Op.24 No.4
- Mazurkas: In B Minor, Op.33 No.4
- Mazurkas: In C Sharp Minor, Op.41 No.1
- Mazurkas: In A Flat, Op.50 No.2
- Mazurkas: In C Sharp Minor, Op.63 No.3
- Mazurkas: In C, Op.67 No.3
- Mazurkas: In A Minor, Op.67 No.4
- Mazurkas: In A Minor, Op.68 No.2
- Berceuse In D Flat, Op.57
- Waltz In A Minor, Op.34 No.2
- Piano Sonata No.2 In B Flat Minor, Op.35: Marche funebre. Lento
- Piano Sonata No.2 In B Flat Minor, Op.35: Finale. Presto
Tracks:
- Waltz In D Flat, Op.64 No.1 'Minute'
- Etudes: In G Sharp Minor, Op.25 No.6
- Etudes: In G Flat, Op.10 No.5 'Black Keys'
- Etudes: In G Flat, Op.25 No.9 'Butterfly'
- Etudes: In C, Op.10 No.7
- In C Minor, Op.10 No.12 'Revolutionary'
- Hark! Hark! The Lark
- La campanella
- Hungarian Rhapsody No.2
- Rondo favori In E flat, Op.11
- Valse caprice
- Aufforderung zum Tanz
- Lieder ohne Worte: Op.19 No.3 'Jagerlied'
- Lieder ohne Worte: Op.19 No.6 'Venezianisches Gondellied'
- Lieder ohne Worte: Op.102 No.5
- Lieder ohne Worte: Op.30 No.6 'Venezianisches Gondellied'
- Lieder ohne Worte: Op. 38 No.2
- Lieder ohne Worte: Op.38 No.6
- Lieder ohne Worte: Op.53 No.2 'Widmung'
- Lieder ohne Worte: Op.53 No.4
- Lieder ohne Worte: Op.67 No.2
- Scherzo In E Minor, Op.16 No.2
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
- Piano Sonata In C Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato
Customer Reviews:
Romantic Pianism.......2004-01-29
Friedman had a virtuoso, powerhouse technique and a romantic playing style. He played with a great sense of rhythmic freedom and individuality. Notoriously, he did not always follow strictly the notes in the score but improvised and added. His style was controversial then and, more so, today. I recently read a review of a variety of Chopin recordings which criticized Friedman's rendition of Chopin's "heroic" polonaise, opus 53, included in this collection, as mostly empty thumping. I listened and listened again to the recording and couldn't bring myself to agree.
This set includes a great variety of Chopin but none of the complete sets (say complete mazurkas, nocturnes) common in modern recordings. The sound as as good as can be expected given the age of the pressings, but undoubtedly much of Friedman's beauty of tone fails to come through. The highlight of the collection is the recording of 12 Chopin mazurkas with Friedman's intensity, rhythmic idiosyncracy, and sense of melancholy which pervades most of these pieces. They are a beautiful introduction to Chopin.
I also enjoyed the selection of 5 Chopin etudes, particularly the devilish "study in thirds", opus 25 no. 6 which captures Friedman's masterly technique. The Berceuse, opus 57 with its fluttering thirds, and the two movements presented here of Chopin's second piano sonata, opus 35 also are fine performances and show Friedman at his best.
The other major highlight of this disc for me was Friedman's performance of 9 of Mendelsson's "Songs without Words". This music is frequently underestimated. Friedman takes these pieces seriously and performs them with thought and individuality, making it difficult to conceive of these pieces as mere parlor-music.
The disc also includes several works that are infrequently heard today. I enjoyed the piano rendition of Weber's "Invitation to the Dance" which is heard most often nowadays in orchestral transcription. The short pieces by Anton Rubenstein and Hummel were also unfamiliar to me and idiomatically played.
The only large-scale work performed in full on this disc is Beethoven's "Moonlight" sonata, opus 27 no. 2. Friedman takes the first movement very slowly and the second movement somewhat ponderously. The third movement is all speed and lightening, with the long prestissimo passages blurred in some cases.
Friedman was a virtuoso performer who played in a romantic style that was greatly influential two or three generations ago but is mostly out of fashion today. But it is still a beautiful way to make music. The listener unfamiliar with this music will be moved by it and by Friedman's pianism. Listeners who know and love the piano will enjoy this great performer of the past.
The No.1 in Moiseiwitsch's Eyes.......2003-05-13
Rosenthal was simply too old when he made his first record ( Pupils of Liszt contains excellent transfer of his); and Horszowski or even Moiseiwitsch are not quite as interesting as the other three. Hofmann's superb legato touch is stunning ( only Sauer's Blue Danube was any better): piano in his hands sounds like a small but extremely refined orchestra. Some, including Rachmaninoff, ranked him the No.1 pianist of the century.
Rachmaninoff as a pianist on the other hand lacked Hofmann's glamour, but he was armed with the depth and insight of a composer, the so-called "a heart of gold", something which he compared favourably with Hofmann.
But Friedman had got the strong points of both of them. Like Hofmann, he was a child prodigy who was later landed with a Degree from Leizig University in Composition, Philosophy and Esthetics. He soon become a pupil of and later the assistant of Leschetisky.
He had composed over 100 works and had made extensive scholarly editions of music scores! And above all, he was also an enormously successful performer since his early 20's-- with a success much bigger than Horowitz. If one ever finds Schnabel ( his fellow Leschetiskian ) interesting or musically illuminating, do not miss out Friedman: Schnabel's playing tells you WHAT IS MUSIC, but Friedman's tells you WHAT MUSIC IS!
What Friedman undertook and succeeded in doing was most challenging: he didn't just capture life but recreated it in his music. (Cortot did that too but only in a different way.) This involves a lot of originality and imagination. His rhythm is full of life. (Cortot's was instead full of dreams and adventures!) His Mazurkas well illustrated this point: the beats are organized in accordance with the movements of the dancers, not with the metronome. The balance of both his hands are so subtle and again so full of life. Pedal was so sparingly and carefully used...
Needless to say, other pieces including his own are equally interesting. There is so much drama in his music, more than either Hofmann or Rachmaninoff. The rhythm,the skeleton of music is astoundingly under control and the colour, the so called flesh and blood of music, is amazingly beyond the imagination of Horowitz on whom his influence was quite strong. ( But Horowitz simply lacked one whole dimension! ) He had a technique even more colossal than Rachmaninoff: his repertoire is virtually limitless, and he could play, especially his left hand, as daring as Cziffra plus Rachmaninoff's depth and above all, with more colours! It's as if his ten fingers are literally independent, each capble of creating a different timbre, a different rhythm and yet the whole thing is as subtle and breathing as if with life. Yes, you can really feel the breath and pulses of his music: a four-dimensional playing something which so far on record ONLY a few like D'albert, De Greef and Erno Dohnanyi were capble of ( but the colour of the latters are not so well captured ). And he played music more from a performer's ( like Horowitz ) rather than from a composer's point of view like Rachmaninoff.
That helps to explain why Friedman's playing is so fresh and exciting and why Moiseiwitsch ranked him the No.1.
A Pianist of the Highest Calibre.......2003-02-13
Friedman was most imaginative in breathing life into music and his mazurkas are particularly vivid and exciting. Some may criticise him for taking the liberty of some more notee and another octave here and there to bring out more colour and sensation. But each performer has his own whims and hence showmanship. In Europe Friedman was a huge success having given literally thousands of concerts so much so that even Horowitz felt flattered to have him attending one of his recitals, and Casal often teamed up with him playing chamber music.
In terms of talents, he compares favourably with Horowitz as he had a colossal musical background very much parallel to Hofmann save that he had a decent education something which both Hofmann and Horowitz lacked. The result, he arranged and composed so much music with such ease that Horowitz could only dream of. Even in terms of technique, no matter it was sight-reading or memory, Friedman was even more exciting. But the American audience for some obscure reason was not particularly impressed.
In this regard, Friedman wasn't alone. Arrau and even Cortot until very recently weren't very popular either. Even then, Dohnanyi, Egon Petri, Backhaus and quite a few more were allowed to go into oblivion!! Brendel is more fortunate but not as much as he deserves. Thus being the fate of the artists. Yes, most preposterous and that partly explains the need and worth of showmanship.
Poor marketing these CDs may be, but there are some who are not sure who Ignaz Friedman was, nor Leschetizky nor even Czerny. How can we expect them to buy a 4CD box set, when a 2 CD set is already too much a luxury! Buy them unless you can afford the 4CD set, they are such a treasure.
Worth it for the mazurkas.......2001-07-17
GREAT playing, bad marketing.......2001-03-20
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Arthur Rubinstein plays Chopin [Germany]
Rubentstein , Wallenstein , and Symphony of the Air Manufacturer: RCA Red Seal ProductGroup: Music Binding: Audio CD ASIN: B000024HI6 Release Date: 1997-03-03 |
Tracks:
- Waltz, Op.34/1 In A Flat Major, 'Valse Brilliante'
- Scherzo No.2 Op.31 In B Flat Minor
- Polonaise, Op.40/1 In A Major, 'Militare'
- Mazurka, Op.68/2 In A Minor
- Ballade No.1, Op.23 In G Minor
- Mazurka, Op.7 No.1 In B Flat Major
- Nocturne, Op.9 No.2 In E Flat Major
- Impromptu No.4 Op.66 In C Sharp Minor 'Fantasie-Impromptu'
- Waltz, Op.Post. In E Minor
- Sonata No.2, Op.35 In B Flat Minor, 'Funeral March'
- Waltz, Op.64/1 In D Flat Major, 'Minute'
- Barcarolle, Op.60 In F Sharp Major
- Mazurka, Op.33 No.2 In D Major
- Nocturne, Op.37/1 In G Minor
- Polonaise, Op.53in A Flat Major, 'Heroique'
- Berceuse, Op.57 In D Flat Major
- Concerto For Piano And Orchestra No.2 In F Minor
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Arthur Rubinstein Plays Chopin
Chopin , and Rubinstein Manufacturer: Enterprise ProductGroup: Music Binding: Audio CD ASIN: B000003UBD Release Date: 2005-09-02 |
Tracks:
- I. Allegro Maestoso E Risoluto
- II. Romanza (Larghetto)
- III. Rondo Vivace
- I. Maestoso
- II. Larghetto
- III. Allegro Vivace
- Nocturne No.15 In F Minor Op.55 No.1
- Nocturne No.16 In E Flat Major Op.55 No.2
Customer Reviews:
The Authentic stuff !.......2001-03-01
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Arthur Rubinstein Plays Chopin
Manufacturer: Fabula Classica ProductGroup: Music Binding: Audio CD ASIN: B000GGSM12 Release Date: 2006-07-25 |
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Arthur Rubinstein Plays Chopin
Manufacturer: Grammofono 2000 ProductGroup: Music Binding: Audio CD ASIN: B000003UG8 Release Date: 1995-06-20 |
Tracks:
- Pno Con No.1 in e, Op.11: I. Allegro Maestoso E Risoluto
- Pno Con No.1 in e, Op.11: II. Romanza. Larghetto
- Pno Con No.1 in e, Op.11: III. Rondo Vivace
- Pno Con No.2 in f, Op.21: I. Maestoso
- Pno Con No.2 in f, Op.21: II. Larghetto
- Pno Con No.2 in f, Op.21: III. Allegro Vivace
- Nocturne No.15 in f, Op.55, No.1
- Nocturne No.16 in E flat, Op.55, No.2
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Volume. 1-Plays Chopin Concerto Piano 1/2
Artur Rubinstein Manufacturer: Hpc ProductGroup: Music Binding: Audio CD ASIN: B00000HZFA Release Date: 1999-01-19 |
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Rubinstein Plays Chopin (Box Set)
Chopin , Rubinstein , Lso , and Barbirolli Manufacturer: Classica D'oro ProductGroup: Music Binding: Audio CD ASIN: B00006HCVU Release Date: 2002-09-03 |
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Leo Sirota plays Chopin, Schumann & Others
Manufacturer: Dante ProductGroup: Music Binding: Audio CD ASIN: B00000G293 Release Date: 1998-10-27 |
Track Listings:
- Schumann: Davidsbündlertänze; Fantasie in C; Träumerei
- Schumann: The Chamber Music with Piano, Vol. 1
- Soloman Plays Brahms & Beethoven
- Song Before Sunrise
- Souvenirs From Verismo Operas, Volume 2
- Symphonies 1, 2 & 8
- Symphony 1 / Leonore 3 Overture
- Symphony 4 / Symphony 5
- The Authentic Voice of Caruso
- The Blue Flame
Track Listings
Stravinsky: Symphony of Psalms; L'histoire du soldat
Stille Nacht - A German Christmas
The Park Avenue Hillbillie Sings Feudin & Fightin