Schumann: Davidsbündlertänze; Fantasie in C; Träumerei

1. Davidsbündlertanz No. 1 (Lebhaft), for piano in G major, Op. 6/1
Composed by Robert Schumann
with Walter Gieseking

2. Davidsbündlertanz No. 2 (Innig), for piano in B minor, Op. 6/2
Composed by Robert Schumann
with Walter Gieseking

3. Davidsbündlertanz No. 3 (Mit Humor), for piano in G major, Op. 6/3
Composed by Robert Schumann
with Walter Gieseking

4. Davidsbündlertanz No. 4 (Ungelduldig), for piano in B minor, Op. 6/4
Composed by Robert Schumann
with Walter Gieseking

5. Davidsbündlertanz No. 5 (Einfach), for piano in D major, Op. 6/5
Composed by Robert Schumann
with Walter Gieseking

6. Davidsbündlertanz No. 6 (Sehr rasch), for piano in D minor, Op. 6/6
Composed by Robert Schumann
with Walter Gieseking

7. Davidsbündlertanz No. 7 (Nicht schnell), for piano in G minor, Op. 6/7
Composed by Robert Schumann
with Walter Gieseking

8. Davidsbündlertanz No. 8 (Frisch), for piano in C minor, Op. 6/8
Composed by Robert Schumann
with Walter Gieseking

9. Davidsbündlertanz No. 9 (Lebhaft), for piano in C major, Op. 6/9
Composed by Robert Schumann
with Walter Gieseking

10. Davidsbündlertanz No. 10 (Balladenmässig: Sehr rasch), for piano in D minor, Op. 6/10
Composed by Robert Schumann
with Walter Gieseking

11. Davidsbündlertanz No. 11 (Einfach), for piano in D major, Op. 6/11
Composed by Robert Schumann
with Walter Gieseking

12. Davidsbündlertanz No. 12 (Mit Humor) for piano in E minor, Op. 6/12
Composed by Robert Schumann
with Walter Gieseking

13. Davidsbündlertanz No. 13 (Wild und lustig), for piano in B minor/B major, Op. 6/13
Composed by Robert Schumann
with Walter Gieseking

14. Davidsbündlertanz No. 14 (Zart und singend), for piano in E flat major, Op. 6/14
Composed by Robert Schumann
with Walter Gieseking

15. Davidsbündlertanz No. 15 (Frisch), for piano in B flat major, Op. 6/15
Composed by Robert Schumann
with Walter Gieseking

16. Davidsbündlertanz No. 16 (Mit gutem Humor), for piano in G major/B minor, Op. 6/16
Composed by Robert Schumann
with Walter Gieseking

17. Davidsbündlertanz No. 17 (Wie aus der Ferne), for piano in B major/B minor, Op. 6/17
Composed by Robert Schumann
with Walter Gieseking

18. Davidsbündlertanz No. 18 (Nicht schnell), for piano in C major, Op. 6/18
Composed by Robert Schumann
with Walter Gieseking

19. Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. 17
Composed by Robert Schumann
with Walter Gieseking

20. Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7
Composed by Robert Schumann
with Walter Gieseking

Tracks:

Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Carnaval, Op.9
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Kreisleriana, Op.16
Pno Son No.1 in f#, Op.11: Intro-Un Poco Adagio-Allegro Vivace
Pno Son No.1 in f#, Op.11: Aria
Pno Son No.1 in f#, Op.11: Scherzo E Intermezzo: Allegrissimo
Pno Son No.1 in f#, Op.11: Finale: Allegro Un Poco Maestoso

Tracks:

Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Davidsbundlertanze, Op.6
Fant in C, Op.17: Il Tutto Fantastico Ed Appassionato-In Modo D'Una Leggenda
Fant in C, Op.17: Moderato Con Ergia-Poco Meno Mosso-Piu Animato
Fant in C, Op.17: Lento Sostenuto-Il Tutto Pno-Poco Piu Animato
Traumerei

Customer Reviews:

passionate pianism with lots of mistakes.......2005-03-24

Gieseking is best known for his Debussy. In these recordings, Gieseking plays pieces from an earlier epoch in Schumann. Most of the heavy-hitting pieces of Schumann are found. I found his playing to be very striking and original. He was definitely not simply just "going through the motions." The dynamics were accentuated quite heavily, and the tempos were also accentuated. In addition, I found that Gieseking has a very sensitive, colorful tone in Schumann that also made him famous in Debussy (in the lyrical sections). Gieseking also captures the white-hot Romanticism and emotionality of these works, displaying Schumann as one of the greatest, red-blooded poets of the Romantic period.

Despite these very good qualities, Gieseking makes tons of mistakes. They are present in every piece. They are little slips, missed notes, and faked chords. I dont know if these errors are due to the Gieseking Method of learning pieces (where one does not practice at the keyboard, but practices away from the keyboard), but they detract from his otherwise intense performance.

I hate to get into recording comparisons, but I would choose Gieseking over several other Schumann interpretations, including Rubinstein and Kissin.

The sound quality of the recordings has quite a lot to be desired. These audio cuts were made in the 1940's, and it shows.

Lastly, my own personal quibble is that Geiseking's breathing is quite audible in every piece. For example, in the Carnaval's Preambule, this breathing is used to count the off-beats between notes. It's an annoyingly small distraction but one nonetheless.

P.S. There is quite a lot of music for two CD's. It's a good buy considering the price.