Composed by Gaetano Donizetti
with Aureliano Pertile
2. La favorita, opera Una vergine un Angel di Dio
Composed by Gaetano Donizetti
with Aureliano Pertile
3. La favorita, opera Spirto gentil
Composed by Gaetano Donizetti
with Aureliano Pertile
4. I Puritani, opera A te o cara amor talora
Composed by Vincenzo Bellini
with Aureliano Pertile
5. Martha, opera M'appari tutt' amor
Composed by Friedrich von Flotow
with Aureliano Pertile
6. Luisa Miller, opera Quando le sere al placido
Composed by Giuseppe Verdi
with Aureliano Pertile
7. Il Trovatore, opera Ah si ben mio
Composed by Giuseppe Verdi
with Aureliano Pertile
8. La forza del destino, opera Le minacce i fieri accenti
Composed by Giuseppe Verdi
with Benvenuto Franci , Aureliano Pertile
9. Otello, opera Si pel ciel marmoreo giuro
Composed by Giuseppe Verdi
with Benvenuto Franci , Aureliano Pertile
10. Lohengrin, opera, WWV 75 Merce cigno gentil
Composed by Richard Wagner
with Aureliano Pertile
11. Lohengrin, opera, WWV 75 Da voi lontano
Composed by Richard Wagner
with Aureliano Pertile
12. Mefistofele, opera Dai campi dai prati
Composed by Arrigo Boito
with Aureliano Pertile
13. Pagliacci, opera Vesti la giubba
Composed by Ruggiero Leoncavallo
with Aureliano Pertile
14. Manon Lescaut, opera Ah! Manon mi tradisce
Composed by Giacomo Puccini
with Aureliano Pertile
15. Manon Lescaut, opera No! Pazzo son!
Composed by Giacomo Puccini
with Aureliano Pertile
16. Tosca, opera E lucevan le stelle
Composed by Giacomo Puccini
with Aureliano Pertile
Edition 2,Pertile,Grammofono 2000,Classical
Average customer rating:
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Hannah Montana: 2-Disc Special Edition Soundtrack
Original TV Soundtrack Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N4SA8W Release Date: 2007-03-20 |
Tracks:
- Best of Both Worlds - Hannah Montana
- Who Said - Hannah Montana
- Just Like You - Hannah Montana
- Pumpin' Up the Party - Hannah Montana
- If We Were a Movie - Hannah Montana
- I Got Nerve - Hannah Montana
- The Other Side of Me - Hannah Montana
- This Is the Life - Hannah Montana
- Pop Princess - The Click Five
- She's No You - Jesse McCartney
- Find Yourself in You - Everlife
- Shining Star - B5
- I Learned from You - Miley Cyrus and Billy Ray Cyrus
- BONUS TRACK - Nobody's Perfect - Hannah Montana
Tracks:
- Exclusive Hannah Montana Backstage Secrets (30 min.)
- Live Performance of "Nobody's Perfect"
Amazon.com
The Hannah Montana special edition soundtrack arrives so coolly p ackaged and with such a bonanza of extras that it might even induce budget-conscious tweens who already own the original to break open their piggy banks a second time. All the same hyper-charged, deliriously fun songs are here--the Radio Disney hit "If We Were a Movie" and the speaker-hazardous "Pumpin' up the Party" included--but so is a new number, "Nobody's Perfect," that again reaches out with a message from Miley Cyrus, a.k.a. Hannah, without mitigating the sky-high mood. Toe-tapping, indeed, is mandatory. Throughout. Other deluxe-edition tack-ons include signed snaps of the double-life-leading superstar, a certificate for a free "This Is the Life" ringtone, and a starter course of celebrity dish: in addition to a concert sliver featuring "Nobody's Perfect" on disc two (the DVD), Miss Cyrus leads her breathless fans on chummy, if minimally revealing, backstage tour. --Tammy La Gorce Hannah Montana Photos
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Customer Reviews:
Excellent.......2007-07-06
A Great CD for Tweens and Teens.......2007-06-13
Can't Go Wrong.......2007-06-04
This is a must buy!
HANNAH MONTANA CD TOTALLY 5 STAR.......2007-05-25
fun filled and awesome music. GREAT JOB !!!
Hannah Montana 2 Disc Special CD/DVD pack.......2007-05-21
Average customer rating:
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Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition]
Original Soundtrack Manufacturer: Col/Urban Soundtrax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JLQQ2G Release Date: 2006-12-05 |
Tracks:
- I'm Lookin' For Something- Performed by Maxi Anderson, Charlene Carmon,
- Goin' Downtown-Performed by Durrell Babbs, Luke Boyd, Eric Dawkins,
- Takin' The Long Way Home-Performed by Michael Leon Wooley
- Move-Performed by Jennifer Hudson, Beyoncé Knowles, Anika Noni Rose
- Fake Your Way To The Top-Performed by Jennifer Hudson, Beyoncé Knowles,
- Big (Jazz Instrumental)
- Cadillac Car-Performed by Laura Bell Bundy, Jennifer Hudson, Beyoncé
- Steppin' To The Bad Side -Performed by Hinton Battle, Jamie Foxx,
- Love You I Do-Performed by Jennifer Hudson
- I Want You Baby -Performed by Jennifer Hudson, Beyoncé Knowles, Eddie
- Family- Performed by Jamie Foxx, Jennifer Hudson, Beyoncé Knowles,
- Dreamgirls -Performed by Jennifer Hudson, Beyoncé Knowles, Anika Noni
- Heavy-Performed by Jennifer Hudson, Beyoncé Knowles, Anika Noni Rose
- It's All Over-Performed by Jamie Foxx, Jennifer Hudson, Beyoncé
- And I Am Telling You I'm Not Going -Performed by Jennifer Hudson
Tracks:
- I'm Somebody-Performed by Beyoncé Knowles, Sharon Leal, Anika Noni Rose
- When I First Saw You-Performed by Jamie Foxx
- Patience-Performed by Eddie Murphy, Keith Robinson, Anika Noni Rose
- I Am Changing-Performed by Jennifer Hudson
- Perfect World-Performed by Steve Russell
- I Meant You No Harm/Jimmy's Rap-Performed by Eddie Murphy
- Lorrell Loves Jimmy/Family (Reprise)-Performed by Beyoncé Knowles,
- Step On Over-Performed by Beyoncé Knowles, Sharon Leal, Anika Noni Rose
- I Miss You Old Friend-Performed by Loretta Devine
- Effie, Sing My Song *-Performed by Jennifer Hudson, Keith Robinson
- One Night Only-Performed by Jennifer Hudson
- One Night Only (Disco)-Performed by Beyoncé Knowles, Sharon Leal,
- Listen-Performed by Beyoncé Knowles
- Hard To Say Goodbye-Performed by Beyoncé Knowles, Sharon Leal, Anika
- Dreamgirls (Finale)-Performed by Jennifer Hudson, Beyoncé Knowles,
- Curtain Call
- Family (End Title)- Performed by Jamie Foxx, Jennifer Hudson, Beyoncé
- When I First Saw You (Duet)-Performed by Jamie Foxx, Beyoncé Knowles
- One Night Only (Dance Mix) *-Performed by Beyoncé Knowles, Sharon
- And I Am Telling You I'm Not Going (Dance Mix) *-Performed by Jennifer
- Patience (Composer Demo) *-Performed by Henry Krieger* Bonus Tracks
Amazon.com
The big question about this soundtrack is: how's she doing? No, not Beyoncé, silly--how's Jennifer Hudson doing? And more specifically, how's she doing by "And I Am Telling You I'm Not Going"? To this reviewer's ears, she doesn't top the original Effie, Jennifer Holliday--or even Lillias White, from the 2001 Dreamgirls in Concert. On the other hand, Hudson isn't afraid to pullout all the stops, whipping herself up into a total diva frenzy as the song gets caught up in an unstoppable crescendo. As for Beyoncé, she adapts superbly to the 1960s- and 1970s-tinged material, though "Listen"--a ballad that also appears on her own B'day album--lacks the spirit that infuses the classic tunes on this album. For make no mistake: this is hard-hitting, high-octane music, infused with an urgency and passion that makes most contemporary R&B albums sound timid. When Hudson and Beyoncé duke it out on "It's All Over," or when the "One Night Only" ballad gets reinvented as the dance-floor burner "One Night Only (Disco)," the sheer energy flowing from the speakers is transporting.Note that this two-CD Deluxe Edition features a larger booklet and additional tracks, including dance remixes of "One Night Only" and "And I Am Telling You I'm Not Going," as well as composer Henry Krieger's demo of "Patience." --Elisabeth Vincentelli
More from the Dreamgirls Cast
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Album Description
Dreamgirls Deluxe Edition features cast performances by Beyonce' Knowles, Jamie Foxx, Jennifer Hudson & Eddie Murphy which includes: 2 CD-Set * 36 songs * 36 page lyric and photo bookletCustomer Reviews:
"You Will LOVE This CD!!!".......2007-06-27
Just Purchase it and you will not be disappointed.!!!!!
Your Goin' To Love this!.......2007-06-20
In answer to T.T.'s remarks. RENT THE MOVIE! Gosh, a movie cost 4 bucks at the rental store. And there is very little talking. Most f the songs are like they are in the movie. But anyways...
THe performance is atstounding. I think that this album goes right up there with The Sound of Music and the Wizard of Oz and Chicago (never seenthis one, too young).
The songs are movig and the add ons are amazing. Listen is my Favorite, but more of that latter.
The Performances:
Beyonce- Beyonce was born to be Deena. Infact she mirrors Denna a whole lot (see Wikipedia - Destiny's Child). She delivers a superb performance, better that the original Bway Deena. Dreamgirls is phenominal.
Jennifer Hudson - Well what can I say but SIMON COWELL YOU WERE WRONG! And as she sings in I am Changin' AND NOTHING IS GOING TO STOP[HER]
Anikki Nonni Rose - Sorry if I spell her name wrong, but it is very odd. Honey if there was n unsung heroe of this film it would be her. Her phenominal and most of the time hilarious performance is what adds character to the film. Esp. when they brake Jimmy up with them she delivers a hilarious speech.
Eddie Murphie - Wonderful, Who knew he could sing.
Jamie Fox - GREAT!
Best Songs:
Move - Amazing! Wonderful beat. And SHAKE IT ON!
Cadilac Car - Wonderful song, esp. If you have a crappy car or a real Cadilac car
Steppin' To the bad Side - WONDERFUL, BEST SONG OF THE WHO MOVIE
I Love you I Do-lovely
Dreamgirls-Just hair raising
IT's All Over - Cuss a lot, I know, but amazing adittude though. Don't let little ones listen to this one.
And I am Telling You I'm Not Going - Just bye the CD for this song. I can't put in words the emotions in this song.
I Am Changing- Beautiful
Effie Sing my Song-Not in the movie but amazing
One Night Only- great
Disco version- great, but would have loved the wooshing like in the movie. A little too long, but when you see the extended version you will get the longer version and think WHY DID THEY CUT IT????!?!?!?
Listen - AMAZING SPECTACULAR! SUPER! IENIBOIWEBWEJKFDIVLEFB!
Dreamgirls Finale - " " (same as above)
Family (End Credits)- Better than the ordinary version for reasons I can't explain.
1 Dissapointment:
When I first saw you was a gereat song in the film, but in the original cast it was after Dreamgirls (To Sig. that Deena and Curtis were Together)
and it was reprised with an argument about Deena's Dreams. IT WAS ONE OF THE BEST SONGS! but they cut out Deena and the purpose of the song was lost, but it is still wonderful.
My Only Thin is Get the Orginal Bway Cast and this CD. The Orig. Bway cast has a cool One Night Only Too. Try Them both. They have diff. textures, but are both truly amazing.
Ok.......2007-06-03
Quite forgettable.......2007-05-15
Dreamgirls.......2007-05-12
Average customer rating:
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Headquarters (Deluxe Edition, 2 CD)
The Monkees Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GIWS5G Release Date: 2007-07-10 |
Tracks:
- You Told Me [1]
- I'll Spend My Life With You [1]
- Forget That Girl [1]
- Band 6 [1]
- You Just May Be The One [1]
- Shades of Gray [1]
- I Can't Get Her Off My Mind [1]
- For Pete's Sake [1]
- Mr. Webster [1]
- Sunny Girlfriend [1]
- Zilch [1]
- No Time [1]
- Early Morning Blues and Greens [1]
- Randy Scouse Git [1]
- All of Your Toys [1]
- The Girl I Knew Somewhere [1]
- A Little Bit Me, A Little Bit You [1]
- She Hangs Out [1]
- Love To Love [1]
- You Can't Tie A Mustang Down [1]
- If I Learned to Play the Violin [1]
- 99 Pounds [1]
- The Girl I Knew Somewhere [1]
- Randy Scouse Git (Alternate Version) [1]
- Tema dei Monkees [1]
Tracks:
- All of Your Toys (Mono) [2]
- The Girl I Knew Somewhere (Alternate Version)[2]
- A Little Bit Me, A Little Bit You (Mono)[2]
- She Hangs Out (Mono)[2]
- The Girl That I Knew Somewhere (Mono)[2]
- Nine Times Blue [2]
- She'll Be There [2]
- Midnight Train [2]
- Peter Gunn's Gun [2]
- Pillow Time [2]
Album Description
In an effort to restore and remaster the music of The Monkees, Headquarters is back in a new and improved way! Featuring "The Girl I Knew Somewhere," "You Just May Be The One," and "Randy Scouse Git," this album is a great addition to any Monkees fan's collection.Customer Reviews:
My 1st Monkee LP!.......2007-07-19
I wanted to write a nasty review, but it's really superb .......2007-07-16
The sound quality is great in both mono & stereo. It's very similar in sound quality to the Beatles Capitol Records releases that just came out recently. The bonus material is entertaining, as well as strong, I also loved some of the stuff I'd never heard before. The booklet is also really good, with lots of rare photos and the in depth story of the making of this album.
The overall packaging is very classy. It makes me hope that The Beatles get this kind of treatment through Apple records, or my favorite band, Deep Purple get this sort of stunning re-packaging from Rhino.
I grew up on the mono versions of the Monkees albums, all the way up to their fifth album "The Birds, The Bees & The Monkees" in April 1968, so I was really thrilled to see that mono finally made it to CD. I've always thought that the mono mixes were better overall, giving an overall impression of a heavier rock band sound. Though, I got the feeling that the Headquarters mono mix was a fold down of the stereo mix. As for the stereo mastering, it sounded brighter than the original Rhino CD's, with some added compression, and the signal might have been pushed harder than the older Rhino discs. But on the whole, a wonderful job. Let's hope the next two albums (released in mono & stereo) get this same kind of royal treatment.
Sure they seem to be milking the Monkee-cow, but when it's this strong, milk it baby. Next up, The Birds, The Bees & The Monkees?
Average customer rating:
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Greatest Hits 2 [Regular Edition]
Alan Jackson Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000BV1HH Release Date: 2004-03-23 |
Tracks:
- Little Bitty
- Everything I Love
- Who's Cheatin' Who
- There Goes
- I'll Go On Loving You
- Right On The Money
- Gone Crazy
- Little Man
- Pop A Top
- The Blues Man
- It Must Be Love
- www.memory
- When Somebody Loves You
- Where I Come From
- Where Were You (When The World Stopped Turning)
- Drive (For Daddy Gene)
- It's Five O' Clock Somewhere
- Remember When
Amazon.com
You don't have to get very far into Alan Jackson's splendid second anthology of hits before you're struck by how well the rangy Georgian has built his catalogue and how beautifully Keith Stegall continually produces his songs, filling the instrumental breaks with unexpectedly creative solos. While Jackson's choice of cover songs is usually inspired ("Pop-A-Top," "Little Bitty"), he's a deft writer, alternating his tongue-in-cheek, Sheriff Andy Taylor persona with his "just a singer of simple songs" earnestness, lacing it all with an unfettered delivery and a Haggardesque dedication to the bedrock honky-tonk sound. There are times when he edges too close to formula, running the romanticized, small-town, cornbread-and-chicken conceits ("Where I Come From") into the ground. But then he quickly redeems himself with a lip-tremblingly good "Drive" or "Where Were You (When the World Stopped Turning)." This package consists of two discs, 16 hits and two new cuts filling the first and an unnecessary and somewhat inferior eight album tracks occupying the second. Of the two new songs, the emotional husband-and-wife ballad "Remember When" handily outdistances the too-trite "It's Five O'Clock Somewhere" with perennial smart-ass Jimmy Buffett. Jackson's too good an artist to settle for such an easy reach, but hey, let's cut him a little slack. He's paid his dues. --Alanna NashCustomer Reviews:
One of My Favorites.......2007-03-10
Always great service........2007-01-11
Alan Jackson Greatest Hits Volume II.......2007-01-10
remarkable.......2006-11-02
AWESOME... review by a musician.......2006-10-21
Average customer rating:
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Oral Fixation Volumes 1 & 2 [SPECIAL EDITION w/Bonus DVD]
Shakira Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BUE5BY Release Date: 2006-12-05 |
Tracks:
- En Tus Pupilas
- La Pared
- La Tortura
- Obtener Un Si
- Dia Especial (Artista Invitado Gustavo Cerati)
- Escondite Ingles
- No (Artista Invitado Gustavo Cerati)
- Las de la Intuición
- Dia de Enero
- Lo Imprescindible
- La Pared
- La Tortura
Tracks:
- How Do You Do
- Illegal (featuring Carlos Santana)
- Hips Don't Lie (featuring Wyclef Jean)
- Animal City
- Don't Bother
- The Day and the Time (featuring Gustavo Cerati)
- Dreams for Plans
- Hey You
- Your Embrace
- Costume Makes the Clown
- Something
- Timor
- La Tortura
Tracks:
- La Tortura (video)
- Don't Bother (video)
- No (video)
- Hips Dont Lie (video)
- Dia De Enero (video)
- Hey You(MTV 5 Star Live Performance)
- Illegal (MTV 5 Star Live Performance)
- La Tortura (MTV 5 Star Live Performance)
Album Description
Bonus DVD Content includes: Videos: La Tortura Dont Bother No Hips Dont Lie Dia De EneroMTV 5 Star Live Performance: Hey You Illegal La Tortura
Customer Reviews:
Inevitable Cds.......2007-04-13
Mejores canciones de Fijacion Oral vol.1:
En Tus Pupilas
La Pared
La Tortura
Dia Especial
No
Las De La Intuicion
Lo Imprescindible
Best songs of Oral Fixation vol.2:
How Do You Do
Illegal (featuring Carlos Santana)
Animal City
Dreams for Plans
Your Embrace
Costume Makes the Clown
Timor
For having waited 5 years for a CD to come out I think she did a good job, but nothing really blew my mind other than La Tortura, No, and Hips Don't Lie. I'm glad que yo espere antes de comprar los dos Cds individualmente because the deluxe edition comes with all the songs plus a bonus DVD with all the videos for the two albums except La Pared and Illegal.
The best...EVER.......2007-03-27
SO I WILL TELL YOU ABOUT THE DVD. The DVD is a must have for Shaki fans, It has so many great videos and for real fans... they gotta get it. It sucks watching your old VHS recordings off of fuse doesn't it? NOW you can have it DVD quality.. IT's the greatest. VERY GOOD DVD... The La tortura video is great kicks off the DVD.. FROM THERE ON IT's just amazing until the end! Her live performances are the best she has ever done.
I'm done with my bad review lol.
Excellent !!.......2007-03-26
ORAL FIXATION 1&2.......2007-03-22
Shakira has become a master at her craft........2007-02-21
Average customer rating:
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Art of the Fugue - 70th Anniversary Edition
Glenn Gould , and Bach Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006FI8C Release Date: 2002-09-03 |
Customer Reviews:
Gould's Most Errant Interpretation.......2007-02-13
Or, if you are attracted to the Art of Fugue rather than the Artist, you might listen to the performance of the Amsterdam Loeki Stardust Quartet, also available on CD. Though there is no historical justification for playing Bach's harpsichord music on recorders, the LSQ makes fine and insightful music on their wooden flutes, large and small. At times they sound more organistic than Mr. Gould on his modern behemoth.
THE VERY SOUL OF MUSIC.......2006-09-08
Gould's organ renderings ran into critical flak at the time, and whether for that reason or because organ-playing aggravated a shoulder condition that the maestro suffered from he never completed the project. The sound of the piano is a little below standard in C), with some background hiss and a slightly emaciated tone, but even it is not really bad, B) and D) are better, and E) better still sound-wise. The sound of the organs has been criticised, but I do not criticise it and indeed it suits me very well. Nothing in the sound-quality from start to finish interferes in any way with my appreciation of Gould's wonderful, visionary and unique Bach-playing.
This disc does not offer you the complete Art of Fugue, so anyone who wants what's here is going to want it for something special in the performance. Gould is always special I guess, but not special in ways that suit everyone. My feeling is that if you are of the school that wants the Art of Fugue played `expressively' you can probably leave this offering alone. Once Gould sets a tempo he sticks to it unflinchingly without rubato, and except for some build-up in the tone as D) progresses there is a very restricted range of dynamics within each piece, although the individual pieces are strongly contrasted in respect of both volume-level and pace. Interestingly, in those numbers which he gives in two different performances, he takes a markedly different approach each time. Conrapunctus II IV and IX are very much faster in the piano version than on the organ, but contrapunctus I on the piano is taken very slowly indeed, lasting nearly twice as long as in the organ account. It is a matter of one's own concept of the work basically. For me, the Art of Fugue is the ultimate in abstract `absolute' music. It is a monument of remote sublimity like pure mathematics or like the stars in the sky, and it is just there for us to wonder at and does not reach out to us or `express' anything. The player's task is to convey its grandeur, and for me Gould does that as no other version, (on any instruments whatsoever - Bach specifies none) has ever done for me, and I feel this most acutely in his much-criticised organ renderings. The organs he uses are not giants, and there is only limited use of the pedals. He uses mainly a detached fingering, although embracing a more legato style in contrapunctus VI. However it stands to reason that the parts in long sustained notes do not admit of the detached treatment, and I love Gould's selection of strongly contrasted stops to assist clarity further. These are the means he adopts. What these means are in furtherance of is an impression of utter grandeur in the sublime march of Bach's polyphony. It is even a privilege to be shown how this grandeur can be viewed from startlingly different angles in his alternative interpretations of 4 of the fugues.
The last fugue from the Art, the unfinished contrapunctus XIV, is taken at a very slow pace and ends abruptly where the dying composer left it. In the normal way of things I detest this procedure - whatever Bach intended it wasn't that, and in a composition that is the ne plus ultra of method many competent musicians have supplied conclusions that must, in the very nature of the case, approximate to what Bach himself would have done. However this was a television performance, and I gather that the camera was made to freeze at this point with Gould's right hand poised dramatically in mid-air. Gould, who kicked Ravel's piano transcription of La Valse into touch and wrote his own, is having none of that when it comes to Bach, and under the circumstances I stifle my own normal reaction to this abrupt hiatus.
One of the most extraordinary things about Bach is how popular he manages to be for all his seeming severity. The Art of Fugue is innocent of the lyricism that was also part of Bach's infinite musical gift, it makes no compromises with us, but I would say to newcomers to the work that Gould's accounts, partial as they are, would be the best place to start to know this unique and towering masterpiece. It is not any indivisible entity in any case. Better, to start with, to hear some of it presented like this than the entire set in many another, perhaps indeed in any other, version.
Worth getting for Contrapunctus XIV, but for full performance look elsewhere.......2005-08-07
If you want a complete Art of Fugue on piano that's as close to Gould as it gets, go with Tatiana Nikolayeva's stellar 2 CD-recording on Hyperion (CDA66631/2). I have 9 AoF performances in my collection (piano, organ, string quartet, Hermann Scherchen's orchestral arrangement), and Nikolayeva's set is my favorite by far. (It also includes the two Ricercars from The Musical Offering BWV1079 and the four Duets BWV 802-805, originally for organ.)
However, if you're as much of a Bach nut as I am, the Gould CD is worth getting just for Gould's incredible performance of Contrapunctus XIV (the final unfinished fugue).
The Best Bach Interpreter of the Century.......2003-11-29
Who am I to judge Glenn? I just have had the privilege to listen closely to titans like S. Richter, E. Gilels, A. Rubinstein, A.Schnabel, S. Rachmaninoff, V. Horowitz, and many others. Not to mention that so far I have listened to the complete works of over 40 composers. Again, Glenn Gould plays beautifully, especially Bach's faster pieces, where even Emil Gilels and Sviatoslav Richter can't do such a precise and concise interpretation. But we must remember that Glenn is a great pianist, but a pianist that can't even match with the Genius of Johann Sebastian Bach (I have heard Glenn's compositions). It is ironic that listeners give so much credit to Gould that they absolutely forget that the only reason that he is able to play such beautiful pieces is because Bach has created them in the first place! With this in mind, we still can accept new ways of interpretation of Bach, BUT NOT TO THE POINT THAT IT DECREASES THE INTRINSIC VALUE OF BACH'S COMPOSITIONS. Glenn does not do this often, but it is shocking that he chose to show his over-interpretation on a work that is considered to be the most important one in the entire classical repertoire. If Glenn was made to play these pieces by his contractors then the flaws can be partially forgiven.
It all comes down to this: this work should by no means put Gould's abilities in question, since he is indeed the best Bach interpreter of this century. However, one must not be blinded and be focused on any singular performer for the interpretation of all the pieces in the classical repertoire - Gould might outdo Horowitz in performing the `Emperor Concerto' (Beethoven) and Gilels in playing Bach's `French Suites', but when it comes to pieces like Beethoven's "The Tempest," his staccato is not in its right medium and becomes a cat's play compared to the powerful fingers of Richter.
(I have heard over one hundred pieces by Gould and could barely notice his humming. Why? Because I hum with him! So please do not complain since a real classical listener should not even notice the humming. Imagine listening to someone talking and at the same time listening to Bach. As far as I am concerned, you shouldn't even be able to notice that that person even exists)
Excellent Rendition of the Art of the Fugue.......2003-03-08
Average customer rating:
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French Suites - 70th Anniversary Edition
Glenn Gould , and Bach Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006FI81 Release Date: 2002-09-03 |
Customer Reviews:
So many insights.......2007-07-11
realy, really fast.......2007-02-09
I much more prefer gould playing bach's fugues, he use to be more slow
Controversial, yet unsurpassed.......2006-08-03
I can, however, share with you my intense appreciation of these suites. This is absolutely the work of a genius. His rendering of Bach's music for keyboard is utterly original, superbly balanced, deliciously nuanced, and stand alone as an untouched benchmark.
Listen carefully to his wise melancholy in the First Suite, especially the 2 menuettos. This is an interpretation which would astonish Bach himself, I am sure. No other performer will give you what you will hear in (at least) these specific two movements: such living beauty, such exquisite heartbreak... vibrant and fragile, an absolute joy.
Worth Owning.......2005-11-15
Excellent!.......2005-05-18
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Walt Disney's Fantasia: Remastered Original Soundtrack Edition
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001M4K Release Date: 2001-07-31 |
Tracks:
- Toccata And Fugue In D Minor - (by Bach)
- The Nutcracker Suite Op.71A: Dance Of The Sugar Plum Fairy
- The Nutcracker Suite Op.71A: Chinese Dance
- The Nutcracker Suite Op.71A: Dance Of The Reed Flutes
- The Nutcracker Suite Op.71A: Arabian Dance
- The Nutcracker Suite Op.71A: Russian Dance
- The Nutcracker Suite Op.71A: Waltz Of The Flowers
- The Sorcerer's Apprentice
- Rite Of Spring
Tracks:
- Symphony No.6 ('Pastoral') Op.68: I. Allegro Ma Non Troppo
- Symphony No.6 ('Pastoral') Op.68: II. Andante Molto Mosso
- Symphony No.6 ('Pastoral') Op.68: III. Allegro/IV. Allegro/V. Allegretto
- Dance Of The Hours (From The Opera 'La Gioconda')
- A Night On Bald Mountain
- Ave Maria Op.52 No.6
Amazon.com essential recording
It's hard to believe now that Walt Disney's bold 1940 impressionistic experiment in wedding then-state-of-the-art animation with classical music was a rather resounding failure upon its release. The cliché proves the rule: Fantasia was decades ahead of its time (Disney even launched a "psychedelic"-themed rerelease campaign in the late '60s). It's even harder to fathom that then-Disney management spent over a million dollars in the early '80s replacing the muscular Leopold Stokowski score with a digitally recorded clone, then another undisclosed fortune to digitize Leo and put him back alongside Mickey at the conductor's podium in the '90s! This much-traveled Stokowski score will gain no points for subtlety (a symphonic Shaq attack is more like it), but it was Walt's first--and only!--choice and has never sounded better. --Jerry McCulleyCustomer Reviews:
Mickey mouse on cover, elevator music for 70 year olds.......2007-06-04
Optical soundtrack recording limitations.......2007-03-05
to the theaters of 1940 as optical tracks on the side
of the film being shown. Such recordings cannot be
compared to the magnetic tape recordings made after WWII
(using captured or "liberated" German machines at first),
to say nothing of the current digital technology.
An analog optical soundtrack on motion picture film was
bad enough, but the film itself was nitrate, notorious
for disintegrating over a relatively short period of time,
as well as for its flammability. The prints in
circulation wore out until "the sound had gotten so bad,
theaters were refusing to book the film" according to a
Disney spokesman quoted in the New York Times of March
11, 1982.
Stokowski knew what a difference stereo recording made,
compared to mono, because almost a decade earlier, he and
the Philadelphia Orchestra participated (without the
players' knowledge) in a series of experimental high
fidelity and stereo disc recordings made by Bell
Telephone Labs. At the time, Bell Labs and Western
Electric tried to interest several manufacturers of
phonographs in the new technology, but the Great
Depression was underway, and the idea of marketing
phonographs with two stylii and two loudspeakers was
deemed unfeasible. (The Bell system had 33-1/3 rpm
discs with two parallel grooves, requiring two stylii
for playback.)
The Fantasound process, as I understand it, required a
theater to install a single loudspeaker behind the screen
and three loudspeakers along each of the two side walls,
resembling somewhat today's "surround sound." But the
idea was not to produce true stereo sound, but rather
the "ping-pong" stereo concept, with the sounds from the
loudspeakers following the cartoon characters as they
moved back and forth across the screen.
I sometimes wonder if the original recordings were made
with discs, not on soundtrack film -- in which case they
might still exist somewhere in the Disney archives. The
many thousands of original cartoon animation cels used to
create the film images were not treated as archival
material, such as the original Technicolor negatives
of "Gone With The Wind" which were stored in underground
Kansas caves, where the temperature remained steady for
decade after decade. Instead, the cels were either
destroyed or individually distributed to interested
parties. All told, it's remarkable that the film and
soundtrack have survived almost seventy years in the
shape they're in.
Stokowski was not thrilled with the end product
of "Fantasia" because, reportedly, Disney engineers
played with his recording, snipping off beats to match
the animation and enhancing crescendos. Stravinsky --
the only composer represented who was still living at
the time -- also was appalled at Stokowski's rearrangement
of his work (which Stravinsky sold to Disney for $5,000
because he needed the money at the time), to say nothing
of the dinosaurs prancing about to his ballet. The 1940
audiences were either outraged (the purists), puzzled or
bored (the general public), or snickering that Disney
had "lost it" (the film industry). But some of us loved it.
Yet "Fantasia," like "The Rite of Spring," proved far
more durable than its critics could imagine. At the
time, I was familiar with the music of Beethoven's Sixth
Symphony, Tchaikovsky's "Nutcracker", Bach's "Ave Maria,"
and even Ponchielli's "Dance of the Hours," but "The Rite
of Spring," and "The Sorceror's Apprentice," and "Night on
Bald Mountain" as well as Bach's "Toccata and Fugue" were
revelations for me. I didn't know then that Stokowski
tinkered with those scores, but now I have a large number
of various performances of all of them in my recording
collection. My "Fantasia" recordings were issued on LPs
in the 1970s and are treasured as historic artifacts.
In effect, that is what this two-CD album is. It's a
mistake to listen to it as performances comparable to
modern digital recordings. Enjoy them for what they are
- historical efforts to popularize classical music.
Richard Q. Hofacker, Jr., Basking Ridge, NJ
Review of soundtrack Fantasia issues.......2007-02-16
Fantasia.......2007-01-10
low-fi fantasia.......2007-01-10
Average customer rating:
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György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
Gyorgy Ligeti , David Alberman , Irvine Arditti , Garth Knox , Rohan deSaram , and Arditti String Quartet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029OY Release Date: 1997-01-21 |
Tracks:
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegro Grazioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Vivace, Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Adagio, Mesto
- String Quartet No. 1 'Metamorphoses Nocturnes': Presto
- String Quartet No. 1 'Metamorphoses Nocturnes': Andante Tranquillo
- String Quartet No. 1 'Metamorphoses Nocturnes': Tempo Di Valse, Moderato, Con Eleganza, Un Poco Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegretto, Un Poco Gioviale
- String Quartet No. 1 'Metamorphoses Nocturnes': Prestissimo
- String Quartet No. 2: Allegro Nervoso
- String Quartet No. 2: Sostenuto, Molto Calmo
- String Quartet No. 2: Come Un Meccanismo Di Precisione
- String Quartet No. 2: Presto Furioso, Brutale, Tumultuoso
- String Quartet No. 2: Allegro Con Delicatezza
- Hommage A Hilding Rosenberg
- Balada Si Joc: Balada Andante
- Balada Si Joc: Allegro Vivace
- Andante And Allegretto: Andante Cantabile
- Andante And Allegretto: Allegretto Poco Capriccioso
Amazon.com essential recording
This is a fine collection of moving, muscular performances by this seminal postwar composer. Surely the best known of the works on this disc is the Second String Quartet, one of the masterpieces of 20th-century music--although you might not know it's a masterpiece until the heartbreaking last movement. But the First String Quartet, written before Ligeti emigrated from Hungary to the West, is fascinating: it shows Ligeti working through the influence of Bartók, particularly Bartók's Third and Fourth Quartets--music Ligeti knew only silently, from the score, since performances of Bartók's music were banned by the Hungarian communist regime. This excellent recording provides a complete overview of Ligeti's compositional career through the medium of string chamber music, from homages to Bartók to the achievement of Ligeti's own groundbreaking style. --Joshua CodyCustomer Reviews:
Important, but not as interesting as the vocal works........2006-08-30
To me, the average amateur 'classical music' consumer, it is interesting, imaginative, and certainly 'new' when compared to 19th and early 20th century music, but it just doesn't seem to have the same cachet as the vocal works. While I would sooner listen to Ligeti's vocal works than most other modern music, I actually prefer Bartok, Berg, and Schoenberg for their instrumental works.
I agree with the top reviewer that the String Quartet No. 2 is the hit of the disk, but it doesn't blow me away in the same way that 'Lux Aeterna' does. That may be just the '2001' factor at work, but there you have it.
Still excellent and still evocative of other modernists, not the least of whom is Frank Zappa.
Not really my style..........2006-08-23
I bought the CD but I am returning it. Ligeti is very talented but his music (to me) is only tolerable in short bursts. I couldn't see myself listening to the whole CD time and again.
String works, includes his must-have glorious Second Quartet.......2004-12-07
String Quartet No. 1 ("Metamorphoses nocturnes") was written between 1953 and 1954, as the composer was struggling to express himself creatively in Stalinist Hungary. The work shows clear inspiration from Bartok's third and fourth quartets, which Ligeti knew only from their score as they had been suppressed. Similarly, Ligeti had no hope his own work would be performed, and it was written essentially "for his desk drawer". Ironically, when Ligeti submitted the piece to a Western competition, it was deemed too traditional for recognition. This first string quartet is a study in the juxtaposition of unlike sections; under a thin verneer of normality, the music is heterogenous. I think this is a fine work, and it is one of the composer's few pre-emigration pieces that do not sound like juvenalia in comparison with his later works.
String Quartet No. 2 (1968) was composed long after Ligeti's move to the West and so is entirely avant-garde, linked with the techniques of his other works of the 1960's. Ligeti was quite proud of this piece, claiming it as his favourite of his works of the time, and feeling that he had made a permanent contribution to the string quartet tradition. The work is indeed a part of his micropolyphonic style of the 1960's, but there is a great deal more here. It is a twitching, paranoid, nervous, neurotic piece with a grimy, constantly shifting texture, like the soundtrack to a Kafka story. It really must be heard to be believed, and this second quartet is the high point of this disc.
"Hommage a Hilding Rosenburg" for violin and cello (1982) is a short birthday greeting to that Swedish composer. It is the least important work on the disc and is really nothing more than something of a fanfare.
"Balada si joc" for two violins (Romanian "Ballad and dance", 1950) is a short string duet inspired by Ligeti's time spent in Romania collecting folk music during his music studies. The result uses no actual folk material, but is an authentic imitation of the music Ligeti encountered both in his boyhood and in his return to Transylvania at this later time. When it was later expanded to use an orchestra, it became the first two movements of his "Concert Romanesc" (found on "The Ligeti Project II"). The string duet, however, manages to create with but two instruments nearly the same moving passion as the later orchestration. The following "Andante and Allegretto" for string quartet (1950) is another early work, again inspired by folk music. It is not as successful as "Balada si joc", indeed even forgettable.
While there are other recordings of these works available, such as the recent recordings reissued in Deutsche Grammaphon's "Echo 20/21" series, this performance by the Arditti Quartet can certainly be seen as definitive. It takes a lot of talent to please Ligeti, one of the most demanding composers, especially in a crushingly difficult work like the second string quartet.
While I think "Gyorgy Ligeti Edition 3: Piano Works" or "The Ligeti Project IV" are better places to begin on this series of Ligeti's collected works, this set of string works should be one of the first Ligeti works you buy, especially for the String Quartet No. 2.
Great Recordings of Modern String Quartets.......2004-08-07
The recording of the 2nd quartet is, as usual with the Arditti Quartet, phenomenal, but what makes this recording is their production of his 1st quartet. The performance is very clean and precise, yet still very musical. Most impressive of all, Arditti stays true to Ligeti's tempi, including the blistering tempo of the end!
As an added bonus, there are two very delightful duets for violins, which are very tonal and based on Hungarian folk tunes (these were written as part of graduation from the Budapest Academy of Music).
you must listen to Ligeti........2004-03-06
Average customer rating:
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Track Listings:
- Elgar: Enigma Variations/Military Marches (5)/The Crown of India
- Enescu: String Quartets Op.22
- First Recordings 3
- First Recordings 4
- First Recordings 5
- First Recordings 6
- Franz Joseph Haydn: Symphonies Nos. 6, 7 & 8
- French and Italian Opera Arias
- French Canadien Composers
- German Tenor
Track Listings
DOWLAND: Lachrimae - Norwegian Baroque Orchestra - (SACD)
A Flat Inside a Fog: The Cat That Was a Dog
Dream Lover: The Platinum Collection [Original recording remastered] [Import]
Green Is Blues [Original recording remastered] [Import]
Gustav Mahler: Symphony No.4 In G Major
Don't, Pt. 2 [CD-single] [Enhanced] [Import]


