Composed by George Frideric Handel
Conducted by Owain Arwel Hughes
2. Adagio, for violin, strings & organ in G minor (composed by Remo Giazotto; not by Albinoni), T. Mi 26
Composed by Tomaso Giovanni Albinoni
Conducted by Maurice Handford
3. Flute Concerto ("Il gardellino"), for flute, strings & continuo in D major, Op. 10/3, RV 428 Allegro
Composed by Antonio Vivaldi
with William Bennett , George Malcolm
Conducted by George Malcolm
4. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323
Composed by Henry Purcell
with Oliver Brookes , London Early Music Consort , Christopher Hogwood , Christopher Hogwood
Conducted by David Munrow
5. Canon and Gigue for 3 violins & continuo in D major Canon in D major
Composed by Johann Pachelbel
Conducted by Maurice Handford
6. Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269
Composed by Antonio Vivaldi
with Kenneth Sillito , Virtuosi of England
Conducted by Arthur Davison
7. Suite for orchestra No 3 in D major, BWV 1068 Air
Composed by Johann Sebastian Bach
Conducted by Owain Arwel Hughes
8. Water Music Suite, No.2 for orchestra in D major, HWV 349
Composed by George Frideric Handel
with Virtuosi of England
Conducted by Arthur Davison
9. Dance of the Blessed Spirits (Melody) (from "Orfeo ed Euridice"), various arrangements Dance of the Blessed Spirits
Composed by Christoph Willibald Gluck
with Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
10. Brandenburg Concerto No. 2 in F major, BWV 1047 Allegro
Composed by Johann Sebastian Bach
with Hanover Band
11. Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8 Largo
Composed by Arcangelo Corelli
Conducted by Louis Auriacombe
12. Thy hand, Belinda...When I am laid in Earth (from "Dido and Aeneas"), soprano aria, Z. 626/37 Act III: When I am Laid in Earth
Composed by Henry Purcell
with Victoria de Los Angeles
Conducted by Sir John Barbirolli
13. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 Allegro
Composed by Wolfgang Amadeus Mozart
with London Mozart Players
Conducted by Jane Glover
Favourite Baroque,Favourite Baroque Classics,Classics for Pleasur,Classical
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Your Favourite Classics
Manufacturer: Bis ProductGroup: Music Binding: Audio CD ASIN: B0000016N5 Release Date: 1995-08-07 |
Tracks:
- Toccata in d, BWV 565 - Hans Fagius
- Spring From 'The Four Seasons', Op.8: I. Allegro - Nils-Erik Sparf
- Spring From 'The Four Seasons', Op.8: II. Largo E Pianissimo Sempre - Nils-Erik Sparf
- Spring From 'The Four Seasons', Op.8: III. Allegro - Nils-Erik Sparf
- Air From Ste No.3 in D - Gunilla Von Bahr
- Vivace From Double Con, BWV 1043 - Okko Kamu & Leif Segerstam
- Largo From Lute Con in D - Jakob Lindberg
- Badinerie From Ste No.2 in b - Gunilla Von Bahr
- Canon - Gunilla Von Bahr
- Largo From Piccolo Con In C, PV 79 - Gunilla Von Bahr
- Jesu Bleibet Meine Freude - Hans Fagius
- From Double Con In B Flat: III. Tendrement - Clas Pehrsson/Dan Laurin
- From Double Con In B Flat: IV. Gayment - Clas Pehrsson/Dan Laurin
- Second Mvt From 'Dixit Dominus' - Anne Sofie Von Otter
- Andante Grazioso From Con in F - Annika Wallin/Arne Nilsson
- Giazotto, Remo: Adagio - Gunilla Von Bahr
- Excerpts From Les Folies D'Espagne - Manuela Wiesler
- Dance Of The Blessed Spirits - Gunilla Von Bahr
- Toccata From 'Suite Gothique', Op.25 - Hans Fagius
Tracks:
- The Rite Of Spring (Beginning) - Swedish RSO/Sixten Ehrling
- Fur Elise - Dag Achatz
- The Flight Of The Bumble-Bee - Christian Lindberg/Roland Pontinen
- To Music, Op.88 No.4 - Hakan Hagegard/Thomas Schuback
- The Swan From 'Carnival Of The Animals' - Bengt Ericson/Karin Langebo
- Traumerei - Roland Pontinen
- Andante From Piano Con No.21, 'Elvira Madigan' - Staffan Scheja
- Clair De Lune - Roland Pontinen
- The Cats' Duet - Elisabeth Soderstrom
- Bydlo From 'Pictures At An Exhibition' - Janos Solyom
- Minuet (From String Quintet in E) - Gunilla Von Bahr
- Slavonic Dance No.8 in g (Furiant), Op.46 No.8 - STAATSPHILHARMONIE RHEINLAND-PFALZ/LEIF SEGERSTAM
- Syrinx For Flute Solo - Manuela Wiesler
- First Mvt (Adagio Sostenuto) From 'Moonlight' Sonata, Op.27 No.2 - Yukie Nagai
- First Mvt (Allegro) From 'Eine Kleine Nachtmusik' - Drottingholm Baroque Ensemble
- Recuerdos De La Alhambra - Diego Blanco
- Third Mvt (Adagio) From Cello Con in e, Op.86 - Torleif Thedeen
- Champagne Galop - Stockholm Sinfonietta/Jan Olav Wedin
Tracks:
- To Spring From 'Lyric Pieces', Book III - Eva Knardahl
- The Swan Of Tuonela, Op.22 No.3 - Gothenburg SO/Neeme Jarvi
- Sin in F - Niols-Erik Sparf
- Kjempevise-Slatten (Balad Of Revolt) From 'Slatter Og Stev Fra Siljustol', Ste 2, Op.22 - Jan Henrik Kayser
- Flicken Kom Ifran Sin Alsklings Mote (The Tryst), Op.37 No.5 - Anne Sofie Von Otter
- Second Mvt (Adagio) From Pno Con in a, Op.16 - Roland Pontinen
- Valse Triste, Op.44 No.1 - Gothenburg SO/Neeme Jarvi
- Taagen Letter (The Fog Is Lifting) - Gunilla Von Bahr
- Spring From 'Two Elegiac Melodies', Op.34 - Norwegian Chamber Orch/Terje Tonnesen
- Herdmaiden's Dance From 'The Mountain King' - Stockholm Sinfonietta/Esa Pekka Salonen
- Romance (Adagio) From 'Pastoral Ste', Op.19 - Hans Fagius
- Fourth Mvt (Marcia) From Ser For Str Orch, Op.11 - Stockholm Sinfonietta/Esa Pekka Salonen
- Gammal Fabodpsalm Fran Dalarna (Old Pastoral Hymn) - Hans Fagius
- Midsummer Vigil, Op.19 - Royal Stockholm Phil Orch/Neeme Jarvi
- Du Gamla, Du Friska, Du Fjellhoga Nord (Swedish National Anthem) - Gothenburg SO/Neeme Jarvi
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Antonio Vivaldi: Farnace (Favourite Aires)
Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009OKOT Release Date: 2003-10-14 |
Customer Reviews:
Beautiful!.......2005-12-25
Average customer rating: |
Handel: Recorder Sonatas, Op. 1 Nos. 2, 4, 7 and 11; Fitzwilliam Sonata No. 2
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013WL Release Date: 1994-01-28 |
Tracks:
- Son in g, Op.1, Nr.2, HV 360: Larghetto
- Son in g, Op.1, Nr.2, HV 360: Andante
- Son in g, Op.1, Nr.2, HV 360: Adagio
- Son in g, Op.1, Nr.2, HV 360: Presto
- Son in a, Op.1, Nr.4, HV 362: Larghetto
- Son in a, Op.1, Nr.4, HV 362: Allegro
- Son in a, Op.1, Nr.4, HV 362: Adagio
- Son in a, Op.1, Nr.4, HV 362: Allegro
- Son in C, Op.1, Nr.7, HV 365: Larghetto
- Son in C, Op.1, Nr.7, HV 365: Allegro
- Son in C, Op.1, Nr.7, HV 365: Larghetto
- Son in C, Op.1, Nr.7, HV 365: A tempo di Gavotti
- Son in C, Op.1, Nr.7, HV 365: Allegro
- Son in F, Op.1, Nr.11, HV 369: Larghetto
- Son in F, Op.1, Nr.11, HV 369: Allegro
- Son in F, Op.1, Nr.11, HV 369: Siciliana
- Son in F, Op.1, Nr.11, HV 369: Allegro
- Son in d, HV 367a: A tempo di Menuetto
- Son in d, HV 367a: Andante-Allegro
- Son in d, HV 367a: Menuet, HV 603
- Son in d, HV 367a: Gavotte, HV 604
- Son in d, HV 367a: Gigue, HV 599
- Son in d, HV 367a: Favourite Air (from Scipione-Aria of Lelio)
- Trio Son in F, HV 405: Allegro
- Trio Son in F, HV 405: Grave
- Trio Son in F, HV 405: Allegro
Average customer rating: |
The Harmonious Blacksmith: Favourite Harpischord Pieces
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B0000057CH Release Date: 1990-10-25 |
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Bach: Favourite Organ Works
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B0000041Z1 Release Date: 1992-06-16 |
Tracks:
- Toccata And Fugue In D Minor, BWV 565
- Toccata & Fugue In D Major, BWV 565
- Air
- Fugue In G Minor 'The Little', BWV 578
- Jesu, Joy Of Man's Desiring
- Toccata, Adagio & Fugue In C Major
- Toccata, Adagio & Fugue In C Major, BWV 564
- Toccata, Adagio & Fugue In C Major, BWV 564
- Prelude & Fugue In A Minor 'The Great', BWV 543
- Prelude & Fugue In A Minor 'The Great', BWV 543
- Liebster Jesu, Wir Sind Hier, BWV 373
- Sinfonia In D Major
- Arioso
- Awake Thou Wintry Earth
- Wachet Auf, Ruft Uns Die Stimme ('Sleepers Wake')
- Wir Glauben All ('The Giant Fugue' In D Minor), BWV 680
Customer Reviews:
A Curley Classic........2001-11-07
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Favourite Baroque Classics
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD ASIN: B00000JPZC Release Date: 1999-08-10 |
Customer Reviews:
Another great Baroque compilation disc!.......2002-02-15
Average customer rating:
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Thomas Arne: Six Favourite Concertos
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7XJNS Release Date: 2005-11-08 |
Tracks:
- Largo Ma Con Spirito
- Andante
- Allegro
- Minuetto
- Allegro
- Slow
- Moderato
- Allegro
- Giga (Allegro Con Spirito)
- Con Spirito
- Con Spirito
- Minuetto
- Moderato
- Largo, Ma Con Spirito
- Minuetto
- Giga (Moderato)
- Largo
- Allegro Con Spirto
- Adagio
- Vivace
- Allegro Moderato
- Largo - Veloce
- Allegro
- Minuetto
Customer Reviews:
Arne is worth knowing.......2007-07-06
Average customer rating:
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Kyung-Wha Chung - Souvenirs ~ A collection of favourite violin pieces
Pablo de Sarasate , Sergei Rachmaninov , and Itamar Golan Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D02 Release Date: 1999-11-02 |
Tracks:
- Humoreske In G Flat, Op. 101 No. 7
- Romantic Pieces, Op. 75: No. 1
- Romantic Pieces, Op. 75: No. 2
- Romantic Pieces, Op. 75: No. 3
- Romantic Pieces, Op. 75: No. 4
- Notturno E Tarantella, Op. 28: Notturne
- Notturno E Tarantella, Op. 28: Tarantella
- Suite No. 3 In D, BWV 1068: II. Air
- Duo Concertant V: V. Dithyrambe
- Le petit Ane blanc
- Schon Rosmarin
- Caprice Viennois
- Tamborin Chinois
- Ave Maria
- Romance, Op. 6 No. 1
- Dance Hongroise, Op. 6 No. 2
- 'Thais': Meditation
- Beau Soir
- Zigeunerweigen, Op. 20
Customer Reviews:
She is still passionate.......2001-12-07
This is her recording of recital pieces since her sensational recording 'Con Amore' more than a decade ago.
Her sound is beautiful on this recording. Not Sarah Chang or Gil Shaham beautiful, She is making Kyung-Wha Chung sound, Which no violinists can make. She made us cry, she made us freeze, and she now makes us laugh with these light pieces. Listen to her Bach Air on G. And if you feel her, you will cry for sure.
Really beautiful........2001-09-21
Anyway, I love the Vivaldi CD even more. It's really superb. It calms you down while at the same time motivates and excites you from the bottom of your heart. She's a great artist.
Chung at her best.......2000-08-07
Heavenly beauty.......2000-03-11
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Bach: Favourite Melodies
Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD ASIN: B000009JZ3 Release Date: 1993-08-27 |
Customer Reviews:
rare, remarkable performances.......2004-07-04
Track Listings:
- Favourite Classics 2
- Favourite Collection
- Favourite Debussy
- Favourite Elgar
- Favourite Gershwin
- Favourite Tchaikovsky
- Favourite Tenors
- Flowers in Music
- Flute Concerti 1
- Flute Quartets 6, 7, 9 & 16
Track Listings
Jazz 'Round Midnight: Duke Ellington & Strayhorn Songbook
If It Ain't Been In A Pawn Shop, Then It Can't Play The Blues [Explicit Lyrics]