Composed by Johann Sebastian Bach
2. Requiem for soloists, chorus, and orchestra, K. 626 Dies Irae
Composed by Wolfgang Amadeus Mozart
Conducted by Rafael Fruhbeck de Burgos
3. Elias (Elijah), oratorio, Op. 70 And Then Shall Your Light Break Forth
Composed by Felix Mendelssohn
Conducted by Rafael Fruhbeck de Burgos
4. L' Enfance du Christ, oratorio for soprano, 2 tenors, Baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25) Shepherds' Chorus
Composed by Hector Berlioz
Conducted by Andre Cluytens
5. Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & organ in G major Domine Salvum
Composed by Charles Gounod
Conducted by Jean-Claude Hartemann
6. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Sanctus
Composed by Giuseppe Verdi
Conducted by Carlo Maria Giulini
7. Requiem, for 2 solo voices chorus, organ, & orchestra, Op. 48 Sanctus
Composed by Gabriel Faure
Conducted by David Willcocks
8. The Dream of Gerontius, for vocal soloists, chorus, & orchestra, Op. 38 Praise to the Holiest
Composed by Edward Elgar
Conducted by Sir John Barbirolli
9. Mass for soloists & chorus in G minor Kyrie
Composed by Ralph Vaughan Williams
Conducted by David Willcocks
10. Gloria, for soprano, chorus & orchestra, FP 177 Gloria in Excelsis Deo
Composed by Francis Poulenc
Conducted by Georges Pretre
Great Chora Classics,Johann Sebastian Bach,Hector Berlioz,Edward Elgar,Gabriel Faure,Charles Gounod,George Frideric Handel,Felix Mendelssohn,Wolfgang Amadeus Mozart,Francis Poulenc,Ralph Vaughan Williams,Giuseppe Verdi,Andre Cluytens,Carlo Maria Giulini,David Willcocks,Georges Prêtre,Jean-Claude Hartemann,Rafael Frühbeck de Burgos,Sir Charles Mackerras,Sir John Barbirolli,Wolfgang Gonnenwein,Consortium Musicum,English Chamber Orchestra,L'Orchestre National de la Radiodiffusion Francaise,New Philharmonia Orchestra,Paris Conservatory Orchestra,Philharmonia Orchestra of London,Classics for Pleasur,Choral,Classical,Oratorio,Passion,Requiem/Requiem Section,Romantic Mass,Sacred Music for Soloist & Chorus
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Great Choral Classics from King's Choir of King's College, Cambridge
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTQ Release Date: 1998-06-09 |
Tracks:
- Miserere
- Stabat Mater
- Spem In alium
- Sancte Deus
- Ave verum corpus
- Gloria in D Major, RV 589: Gloria in excelsis deo
- Gloria in D Major, RV 589: Et in terra pax
- Gloria in D Major, RV 589: Laudamus te
- Gloria in D Major, RV 589: Gratias agimus tibi
- Gloria in D Major, RV 589: Propter magnam gloriam
- Gloria in D Major, RV 589: Domine Deus
- Gloria in D Major, RV 589: Domine Fili unigenite
- Gloria in D Major, RV 589: Domine Deus, Agnus Dei
- Gloria in D Major, RV 589: Qui tollis peccata mundi
- Gloria in D Major, RV 589: Qui sedes
- Gloria in D Major, RV 589: Quoniam tu solus Sanctus
- Gloria in D Major, RV 589: Cum Sancto Spiritu
Tracks:
- This Is The Record Of John
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Jesu, Priceless Treasure
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: So There Is Now No Condemnation
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: In Thine Arm I Rest Me
- Motet: Jesu, Priceless Treasure, BWV 227: Trio: Thus Then, The Law Of The Spirit Of Life In Christ Abiding
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Death, I Do Not Fear Thee
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Ye Are Not Of The Flesh
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence With Earthly Treasure
- Motet: Jesu, Priceless Treasure, BWV 227: Trio: If Therefore Christ Abide In You
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Fare Thee Weel That Errest
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: If By His Spirit
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence All Fears And Sadness
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Zadok The Priest
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: My Heart Is Inditing
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings' Daughters
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Upon They Right Hand
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings Shall Be Thy Nursing Fathers
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Let Thy Hand Be Strengthened
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Let Justice And Judgement
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Alleluia
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: The King Shall Rejoice
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Exceeding Glad Shall He Be
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Glory And Great Worship... Thou Hast Prevented Him
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Alleluia
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Haydn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLJM Release Date: 2004-11-30 |
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Bruckner: Masses #2 & 3, Te Deum, 5 Motets
Anton Bruckner , Daniel Barenboim , Wilhelm Pitz , New Philharmonia Orchestra & Chorus , English Chamber Orchestra , and John Alldis Choir Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CE7FN Release Date: 2004-06-01 |
Tracks:
- I. Kyrie - John Alldis Choir
- II.: Gloria - John Alldis Choir
- III. Credo - John Alldis Choir
- IV. Sanctus - John Alldis Choir
- V. Benedictus - John Alldis Choir
- VI. Agnus Dei - John Alldis Choir
- Te Deum Laudamus
- Te Ergo Quaesumus
- Aeterna Fac Cum Sanctis Tuis
- Salvum Fac Populum Tuum
- In Te, Domine, Speravi
Tracks:
- I. Kyrie
- II. Gloria
- III. Credo
- IV. Sanctus
- V. Benedictus
- VI. Agnus Dei
- Ave Maria - New Philharmonia Chorus
- Christus Factus Est - New Philharmonia Chorus
- Locus Iste - New Philharmonia Chorus
- Os Justi - New Philharmonia Chorus
- Virga Jesse - New Philharmonia Chorus
Customer Reviews:
Massive Music.......2004-10-26
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Great Recordings Of The Century - Humperdinck: Hansel Und Gretel / Karajan, Schwarzkopf, Grummer, Metternich, et al
Herbert von Karajan , Loughton Girls School Chorus , Bancroft School Boys' Choir , Elisabeth Schwarzkopf , Josef Metternich , Maria von Ilosvay , Else Schurhoff , and Anny Felbermayer Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K4FQ Release Date: 1999-09-21 |
Tracks:
- Overture
- Suse, Liebe Suse, Was Raschelt Im Stroh?
- So Recht! Und Willst Du Nun Nicht Mehr Klagen
- Bruderchen, Komm, Tanz Mit Mir
- Holla!...Himmel!
- Marsch! Fort In Den Wald!
- Ral La La La...Heissa, Mutter, Ich Bin Da!
- Ho Ho! Wer Spek-Spekta-Kelt Mir
- Doch Halt, Wo Bleiben Die Kinder?
- Wenn Sie Sich Verirrten Im Walde Dort
- Eine Hex', Steinalt
- Witch's Ride
- Ein Mannlein Steht Im Walde
- Mein Erbelkorbchen Ist Voll Bis Oben!
- Gretel, Ich Weiss Den Weg Nicht Mehr!
- Der Kleine Sandmann Bin Ich, S-t!
- Abends, Will Ich Schlafen Gehn
- Dream Pantomime
Tracks:
- Prelude
- Der Kleine Taumann Heiss' Ich
- Wo Bin Ich?
- Bleib Steh'n!
- Wie Duftet's Von Dorten
- Knusper, Knusper Knauschen
- Ich Bin Rosina Leckermaul
- Halt!...Hokuspokus
- Nun, Gretel, Sei Vernunftig Und Nett!
- Hurr Hopp Hopp Hopp
- Auf! Wach Auf, Mein Jungelchen
- Juchhei! Nun Ist Die Hexe Tot
- Erlost, Befreit, Fur Alle Zeit!
- Vater! Mutter!
Amazon.com
Humperdinck's supremely ingratiating opera has an astoundingly starry recorded history. Its singable, easily learned roles have become sort of a drop-in-for-divas occasion (as in the recording by Christa Ludwig and Frederica von Stade, for example), often with extremely big names singing minor roles. This pre-stereo recording starring Elisabeth Schwarzkopf and Elisabeth Grümmer in the titles roles with the youngish Herbert von Karajan would seem to be a forerunner to that, though, in fact, those starry names prove to be window dressing. All the secondary roles are sung by names not familiar to us now, but give us something the starrier casts don't: thoughtful characterizations rather than somewhat-indulgent star turns. Else Schurhoff not only sings the Witch pretty much as written but without mugging--and still manages to be funny. Anny Felbermayer's Sandman is an imaginative piece of vocal characterization that suggests what such an otherworldly creature might actually sound like. Karajan and the Philharmonia Orchestra supply all the orchestral color one could hope for in a mono recording, but without turning it into a showpiece. --David Patrick StearnsCustomer Reviews:
HANSEL GRETEL AND UNCLE HERBERT.......2007-03-06
The only names among the singers that I have stayed familiar with down the years are those of the Hansel and Gretel themselves, Elisabeth Gruemmer and Elisabeth Schwarzkopf. However the entire cast is, to my own way of thinking, something close to ideal. Shwarzkopf and Gruemmer do not attempt any childlike vocal tone, and thank goodness for that. These vocal roles are written for adult sopranos and they call for a good deal of power on occasions. It is the music itself that evokes childhood with its innocent and beautiful tunes, a number of which are songs that that would remain as songs if this opera were given as a spoken stage-play. The other singers all seem to me to understand their parts very well too. What they bring to them is what this music calls for - tact, sensitivity, beauty of tone and musicianship first last and always. Fairy tales only involve simple and schematic characterisation. The witch obviously has to sound witchy to a certain extent, and I find the effect nicely judged here and not overdone. Similarly with the jovial father after a good day's trading and a few drinks to celebrate. Perhaps Maria von Isolvay could have suggested a little more annoyance when she knocks over the milk-jug and have sounded a trifle more aghast when she becomes aware of the danger from the witch. However even if so I still prefer restraint to exaggeration. This is not grand opera, after all.
It is singularly beautiful opera. The witty and stylish, though desperately shallow, Viennese critic Hanslick quotes with rueful agreement someone's statement that Hansel and Gretel is the finest opera since Wagner. I sincerely hope that, superficial though he was, he meant German opera - Verdi's Otello was only from a few years earlier, and Falstaff must have been premiered at something like the same time as Hansel and Gretel was. Assuming this interpretation, I guess I would have to agree as well.
I like the composer's photograph, with his innocent, vulnerable features. I would have liked another, of Karajan as he was in 1953, and I'm trying to recall him as he was then with his hair brushed back from his temples as if in the slipstream of his powerboat. The years have softened a certain antipathy I used to feel towards his showman's approach, and I am coming increasingly to admire some of his earlier work. This is a reissue that I recommend cordially, but please be aware that at a budget price the full libretto is not included. However the German liner-notes on the work and the composer are translated into English, the story must be familiar to everyone and it is easy enough to follow what is happening. All these years later it is still as fresh as the strawberries that the children picked in the forest.
Great performance of a great opera........2002-02-20
Perhaps the reviewer who called the music mundane was the victim of mundane performances. I've heard pianists make the Appassionata and the F-minor ballade sound mundane.
Many years ago, and old lady very close to me, a lady who in the 1920s and early 1930s had sung Puccini, Verdi, and Mozart throughout Europe and North America opposite some of the greatest singers of the day, told me that she believed Hansel and Gretel to be a great opera indeed. In its own way, she maintained, it is quite profound, but we so often hear it sung without emotional commitment.
Is it subliminal fear of Hansel and Gretel that leads people to belittle and disparage it? Why does just a mention of the title sometimes evoke laughter? Is there a little nervousness in that laughter? How many of us divorced parents have figuratively abandoned our trusting children to the wilderness? How many other listeners find themselves identifying uncomfortably closely with the two waifs? I couldn't listen to this opera for eight years after my divorce. Traviata? Boheme? No problem. I could handle tragedy for Violetta or Mimi, but seeing the effect of divorce on my 10-year-old boy and 9-year-old girl made Hansel and Gretel too much to bear. And is the witch with the cannibalistic designs any worse than what's really out there, just released by some judge or parole board, awaiting the innocent?
I put the Karajan on recently-my first try in eight years-and the hair on the back of my neck unexpectedly stood up with the first few notes. This performance cast a magic spell from first note to last, and neither the 1953 sound nor the mono recording was the least distraction. The singers are fine, their voices beautiful, and the sound is actually quite passable, but the greatness of this performance derives from the players' total commitment: they sing Hansel and Gretel as if it were Tosca or Trovatore. Perhaps Karajan's direction was a factor. This performance isn't some matinee for the kiddies. It's serious, and deadly so.
One reviewer mentioned slow tempos in places. Yes, but they're right for this performance. Listen to the Eichhorn for a superbly sung, high-fidelity, spirited performance that's lots of fun. It really is wonderful. The Karajan? Beware.
Still the recommended version........2001-11-22
Amongst these splendid productions, this 1953 recording of "Hänsel und Gretel" has inspired great affection and received many reissues. Early reviewers, writing in the "Record Guide" thought the heroes of the occasion were Elisabeth Grümmer and Herbert von Karajan. Later reviewers have praised Schwarzkopf and Grümmer for their skill at "acting with the voice". Currently this EMI set is still the recommended version of the opera listed in the "Gramophone".
If these are some of the recommendations, are there any cautions? I offer only one. Don't expect 1953 mono recording to deliver the luscious listening experience that modern technology provides.
Listening to the long orchestral introduction to Act Two, you could be excused for thinking that the score was ghost-written by Wagner. In fact the reverse is partly true. In his younger years Humperdinck became strongly influenced and actively associated with Wagner at Bayreuth. Wagner called on his young disciple to help put the finishing touches to "Parsifal".
Exelent.......2000-10-23
High quality and captivating characterizations.......2000-02-17
Firstly, mention must be made of the exceptional cast assembled here: virtually everyone is excellent. Pride of place must go to Elisabeth Grummer's excellent Hansel. While this is a part normally assumed by mezzos, Grummer's lovely soprano has enough weight in the lower range to present no problems with the low tessitura. The higher-lying passages are, predictably, no problem for her. Her voice remains radiantly beautiful throughout, and her characterization is sweetly boyish without being cloying (a trap many interpreters of these roles fall into).
Elisabeth Schwarzkopf is a singer whose recordings continue to fascinate decades after they were made. Casting her as Gretel is an unusual choice (she normally took on slightly weightier roles -- she and Grummer, in fact, sang many of the same parts) and while she has to work to sound childlike, her way with the text is unmatched by any recorded Gretel. Her minx-like teasing of Hansel or her gauzy wonder at the appearance of the gingerbread house are just two notable examples. She also sings her Act 2 opening solo with a hushed innocence: for once, Gretel actually sounds like she's singing a folk tune to herself.
The rest of the cast is quite good, if without the obvious excellence of the two leads. Else Schurhoff's Witch is fine; she really sounds like an old crone, but manages to sound frighteningly imposing when casting her spell. Maria von Ilsovay and Josef Metternich are both good, and Anny Felbermayer's soft-grained, childlike tone is right-on for her otherworldly assignments. She is marginally better as the Dew Fairy. What really sets the entire cast apart, however, is their scrupulous attention to the text and the interplay between characters. Everyone seems to be listening to each other, and that concentration and involvement really shines through.
The sound, particularly in this remastered version, is excellent: not a digital sonic spectacular, true, but you'll probably forget you're listening to a mono recording.
I'm not crazy about Herbert von Karajan's conducting in this piece. The loftier sections are really wonderful, but the lighter moments lack the propulsion and fleetness to really sweep us along (the awakening scene seemed interminable here).
For the best recording of Hansel and Gretel, I'd recommend the Kurt Eichorn recording with Helen Donath and Anna Moffo. It also contains the best Sandman, Dew Fairy, and Witch (Christa Ludwig) on records. But if you have room for another classic recording, don't pass this one up.
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Hallelujah: Great Choral Classics
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000423S Release Date: 1994-10-11 |
Tracks:
- Messiah: Hallejuah Chorus
- Aver Verum Corpus, K618
- Elijah: Thanks Be To God
- Madama Butterfly: Humming Chorus
- Coronation Anthem: Zadok The Priest
- Psalm 150
- Nabucoo: Va, Pensiero (Chorus of The Hebrew Slaves)
- Christ On The Mount Of Olives: Hallelujah
- Come, Come, Ye Saints
- Simple Gifts
- Deep River
- The Battle Hymn Of The Republic
Customer Reviews:
A touch of the holy.......2001-11-25
They do a remarkable job singing the Humming Chorus, an absolutely oddball piece of classical music, reminiscent of the Magic Flute's Papageno singing with the padlock on his mouth! No, there is nothing wrong with your hi-fi; the choir is just humming the music.
The choir does a magnificent job signing the Battle Hymn of the Republic, which, along with Messiah's Hallelujah Chorus, is one of the Mormon Tabernacle Choir's signature pieces.
They did an exceptional job of transferring the old analogue recordings to CD, so there is minimal hiss and fading.
This is great music for Sunday, or for Easter and Christmas. It is nice to have a touch of the holy in your life, if not for a day, at least for a few minutes.
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Kastalsky: Liturgy of St. John of Chrysostom
Manufacturer: Collins Classics ProductGroup: Music Binding: Audio CD ASIN: B000003VYR Release Date: 1995-05-23 |
Tracks:
- The Liturgy of St. John Chrysostom: The Great Litany
- The Liturgy of St. John Chrysostom: In Thy Kingdom
- The Liturgy of St. John Chrysostom: Holy God
- The Liturgy of St. John Chrysostom: Augmented Litany
- The Liturgy of St. John Chrysostom: Cherubimic Hymn
- The Liturgy of St. John Chrysostom: Litany of Supplication
- The Liturgy of St. John Chrysostom: The Grace of Peace
- The Liturgy of St. John Chrysostom: It is Meet, in Truth, to Bless Thee
- The Liturgy of St. John Chrysostom: Our Father
- The Liturgy of St. John Chrysostom: In Place of Communion
- Easter Stikhira 'Christ has Risen'
- Easter Stikhiras of the 16th-18th centuries: Beautiful Easter
- Easter Stikhiras of the 16th-18th centuries: Come Let Us Worship, Your Cross
- Easter Stikhiras of the 16th-18th centuries: Rise O Lord, Jesus has Arisen from the Tomb
- Bless the Lord, O My Soul from the All NIght Vigil, Op.9, No.18
- Come, Let Us Entreat Joseph from the All NIght Vigil, Op.9, No.9
- Joyous Light, Op.9, No.21
- Let Us, Mystically Representing the Cherubim from the Liturgy, Op.16
- Praise Ye in the Name of the Lord in Heaven from the Liturgy, Op.16
- From My Youth - Andrew Orekhov/The Bolshoi Theatre Children's Chor/Andrey Zaboronok
- Stikhira to the Russian Holymen
- The Lord, Our God (Prayer of Macarius the Great)
- I Have Called on You, O Lord - vladimir Silayev/The Bolshoi Theatre Children's Chor/Andrey Zaboronok
- Many Years
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The Best Of Beethoven
Manufacturer: Romantic Classics ProductGroup: Music Binding: Audio CD ASIN: B00005YB3L Release Date: 1996-02-16 |
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The Great Composers: George Frideric Handel [DVD + 2 CDs]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD ASIN: B000AYELQU Release Date: 2005-09-27 |
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Verdi: Great Opera Choruses
Rizzi , and Choir Academie National St Cecile Manufacturer: Teldec/Warner Classics ProductGroup: Music Binding: Audio CD ASIN: B00004VKTY Release Date: 2002-08-12 |
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The Great Organ of the Ulm Cathedral
Manufacturer: Hanssler Classics ProductGroup: Music Binding: Audio CD ASIN: B000009KFP Release Date: 2001-06-12 |
Tracks:
- Son in a, Op.98: Fant
- Prld Und Fuge in A, BWV 536: Prld
- Prld Und Fuge in A, BWV 536: Fuge (Allegro)
- Schlaf Wohl, Du Himmelsknabe Du, Op.93: Noel Alsacien
- Grand Jeu Et Duo: Noel (Allegretto)
- O Mensch, Bewein Dein Sunde Gross, BWV 622
- Toccata Un Fuge in E: Toccata
- Toccata Un Fuge in E: Fuge
- Choralvariationen Uber 'Veni Creator Spiritus' Op.4
- Prld Et Danse Fugee
- Was Gott Tut, Das Ist Wohlgetan: Orgelchor/Dolce
- Choraphantasie 'Wachet Auf, Ruft Uns Die Stimme', Op.52/2: Gloria Sei Dir Gesungen
Customer Reviews:
excellent.......2007-01-09
Track Listings:
- Hans Pfitzner: Symphonies, Op. 44 & Op. 46
- Harpischord Music
- Hermann Goetz: Piano Chamber Music
- Hold: Piano Music
- J. S. Bach: Brandenburg Concertos V, ll, Vl
- Karajan Conducts Opera
- Korngold: Orchestral Works, Vol. 3
- Lyell Cresswell: Orchestral Music I
- Maurice Emmanuel: Six Sonatines
- Modern Times-Dutch Jewish Composers
Track Listings
Highway Rock Classics [Import]
Magic Mozart (Baby Genius Classical Series)
Seek & Destroy: 16 Nu-Metal Extremes [Import]
Sister Act 2: Back In The Habit - Songs From The Motion Picture Soundtrack