Composed by Giacomo Puccini
Performed by New Philharmonia Orchestra with Placido Domingo
Conducted by Bruno Bartoletti
2. Manon Lescaut, opera Act 2: in quelle trine morbide
Composed by Giacomo Puccini
Performed by London Symphony Orchestra with Montserrat Caballe
Conducted by Sir Charles Mackerras
3. La bohème, opera Act 1: Che gelida manina
Composed by Giacomo Puccini
Performed by La Scala Theater Orchestra with Giuseppe di Stefano
Conducted by Antonino Votto
4. La bohème, opera Act 1: Sì, mi chiamano Mimì
Composed by Giacomo Puccini
Performed by London Symphony Orchestra with Montserrat Caballe
Conducted by Sir Charles Mackerras
5. La bohème, opera Act 1: O soave fanciulla
Composed by Giacomo Puccini
Performed by Rome Opera Theater Orchestra with Mirella Freni , Nicolai Gedda , Mario Sereni
Conducted by Thomas Schippers
6. La bohème, opera Act 2: Quando me'n vo
Composed by Giacomo Puccini
Performed by London Philharmonia Orchestra with Ghena Dimitrova
Conducted by Anton Guadagno
7. Tosca, opera Act 1: Dammi i colori...Recondita armonia
Composed by Giacomo Puccini
Performed by London Philharmonia Orchestra with Renato Capecchi , Placido Domingo
Conducted by James Levine
8. Tosca, opera Act 1: Tre sbirri, una carrozza
Composed by Giacomo Puccini
Performed by London Philharmonia Orchestra with Renato Bruson , Andrea Vells
Conducted by James Levine
9. Tosca, opera Act 2: Vissi d'arte
Composed by Giacomo Puccini
Performed by London Symphony Orchestra with Montserrat Caballe
Conducted by Sir Charles Mackerras
10. Tosca, opera Act 3: E lucevan le stelle
Composed by Giacomo Puccini
Performed by London Philharmonia Orchestra with Placido Domingo
Conducted by James Levine
11. Madama Butterfly (Madame Butterfly), opera Act 1: Bimba, dagli occhi
Composed by Giacomo Puccini
Performed by Rome Opera Theater Orchestra with Jussi Bjorling , Victoria de Los Angeles
Conducted by Gabriele Santini
12. Madama Butterfly (Madame Butterfly), opera Act 2: un bel dì vedremo
Composed by Giacomo Puccini
Performed by London Symphony Orchestra with Montserrat Caballe
Conducted by Sir Charles Mackerras
13. Gianni Schicchi, opera O mio babbino caro
Composed by Giacomo Puccini
Performed by London Philharmonia Orchestra with Ghena Dimitrova
Conducted by Anton Guadagno
14. Turandot, opera Act 1: Signore, ascolta...Non piangere, Liù...Per l'ultima volta
Composed by Giacomo Puccini
Performed by Rome Opera Theater Orchestra with Franco Corelli , Renata Scotto
Conducted by Francesco Molinari-Pradelli
15. Turandot, opera Act 3: Nessun dorma
Composed by Giacomo Puccini
Performed by Rome Opera Theater Orchestra with Franco Corelli , Renata Scotto
Conducted by Francesco Molinari-Pradelli
16. Turandot, opera Act 3: Tu, che di gel sei cinta
Composed by Giacomo Puccini
Performed by London Symphony Orchestra with Montserrat Caballe
Conducted by Sir Charles Mackerras
Puccini: Arias & Duets,Mario Sereni,Renato Bruson,Renato Capecchi,Giacomo Puccini,Anton Guadagno,Antonino Votto,Bruno Bartoletti,Francesco Molinari-Pradelli,Gabriele Santini,James Levine,Sir Charles Mackerras,Thomas Schippers,L'Orchestra del Teatro alla Scala,London Symphony Orchestra,New Philharmonia Orchestra,Philharmonia Orchestra of London,Rome Opera Theater Orchestra,Ghena Dimitrova,Mirella Freni,Montserrat Caballé,Renata Scotto,Victoria de Los Angeles,Andrea Vells,Franco Corelli,Giuseppe di Stefano,Jussi Björling,Nicolai Gedda,Plácido Domingo,Classics for Pleasur,Classical,Classical Music,Italian 20th/21st Century Opera,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio,Opera/Operetta Collections
Average customer rating:
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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
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The Most Famous Opera Arias
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SCE Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
Mediocre Sound Quality.......2007-03-31
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
The Most Famous Opera Arias.......2007-01-05
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
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The Legendary Enrico Caruso: 21 Favorite Arias
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EOH Release Date: 1990-10-25 |
Tracks:
- Pagliacci: Vesti la giubba
- TOSCA: E lucevan le stelle
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- L'africana: O paradiso
- La Juive: Rachel, quand du Seigneur
- La Boheme: Che gelida manina
- Aida: Se quel guerrier io fossi; Celeste Aida
- Andrea Chenier: Come un bel di di maggio
- La Favorita: Romanza: Spirto gentil, ne' sogni miei
- La forza del destino: O tu che in seno agli angeli
- Otello: Ora e per sempre addio
- Les pecheurs de perles: Je crois entendre encore
- La Gioconda: Cielo e mar!
- Carmen: La fleur que tu m'avais jetee (Flower Song)
- TOSCA: Recondita armonia
- Faust: Salut, demeure chaste et pure
- L'Elisir d'Amore: Una furtiva lagrima
- Martha: M'appari tutt'amor
- Serse: Ombra mai fu (Largo)
- Il Trovatore: Di quella pira
Amazon.com
There's a plethora of single-disc Caruso collections, but this one's the preferred choice for opera fans who treasure this golden- voiced epitome of Golden Age singing. It's a Greatest Hits collection to beat all Greatest Hits collections. Selections span Caruso's career, from the lyric effusions of 1906-7 to the darker-voiced later recordings, including one of his last records, the 1920 La Juive aria, "Rachel, quand du Seigneur," which he invests with a heartbreaking poignancy that hasn't been bettered. Caruso shines brightest in the Italian repertory, capturing the pathos of Vesti la Giubba, the insouciance of the Duke's Rigoletto arias, and the hero's dilemma in Celeste Aida, among much else. But everything here is wonderful--great music, great singing. --Dan DavisCustomer Reviews:
Great to hear the Great Tenor.......2007-04-11
A childhood memory.......2006-05-28
Caruso was then, and I believe still is considered at the very top of operatic singers. And it is a remarkable experience to hear so many years later , and in a stronger and clearer way sounds which one heard long ago in childhood, and have for years only lived in the mind.
Great collection........2000-11-04
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Jose Cura - Puccini Arias / Domingo
Giacomo Puccini , London Philharmonia Orchestra , Plácido Domingo , and Jose Cura Manufacturer: Erato ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005E5L Release Date: 1997-10-28 |
Tracks:
- Turandot (Act III): Nessun dorma
- Turandot (Act I): Non piangere Liu!
- Gianni Schicchi: Avete torto! - Firenze ome un albero fiorito
- Il Tabarro: Hai ben ragione
- Il Tabarro: Io voglio la tua bocca - Folle di gelosia
- La Rondine (Act I): Parigi! a cittei desideri
- La Rondine (ActIII): Dimmi che vuoi seguirmi
- La Fanciulla del West (Act II): Una parola sola - Or son sei mesi
- La Fanciulla del West (Act III): Risparmiate lo scherno - Ch'ella mi creda
- Madame Butterfly (Act I): Dipende dal grado di cottura - Amore o grillo
- Madame Butterfly (Act III): Addio fiorito asil
- Tosca (Act I): Recondita armonia
- Tosca (Act III): E lucevan le stelle
- La Boh (Act I): Che gelida manina
- Manon Lescaut (Act I): Tra voi, belle
- Manon Lescaut (Act I): Donna non vidi mai
- Manon Lescaut (Act II): Ah, Manon mi tradisce
- Manon Lescaut (Act III): Ah! non v'avvicinate! - No, pazzo son
- Manon Lescaut (Act IV): Manon...senti, amor mio - Vedi, son io che piango
- Edgar (Act II): Orgia, chimera dall'occhio vitreo
- Le Villi (Act II): Ecco la casa - Torna ai felici di
Amazon.com essential recording
Good tenors are always in short supply, a particularly lamentable circumstance given the great demand for them in the operatic and symphonic repertoire. Thus, the advent of a good young tenor is always cause for rejoicing. A tenor of the caliber of Jose Cura--a composer, conductor and guitarist as well as a singer--is really good news. There is nothing wimpy about Cura's singing, nothing strained; he sings with baritonal beef and strong, chesty high notes. A protege of Placido Domingo, he shares some qualities with the older tenor, but is definitely an artist with something to say for himself. This is a career to watch. --Sarah Bryan MillerCustomer Reviews:
Very Bad.......2007-03-29
Different is not always bad!.......2006-11-26
Pay special attention to this new promise !.......2006-06-30
A talented artist, a potent and polished voice emerges to satisfy the Opera lovers all over the world.
Jose Cura is nowadays, one the most prominent figures of the Bel Canto. His charismatic presence and his timber have deserved him the best praises all over the world.
In this opportunity we may listen him singing a selection of Puccini's Arias, accompanied by Placido Domingo with the Philharmonia orchestra, a magnificent occasion to enjoy his art and impeccable timber.
A tenor who wishes he were a baritone.......2005-12-14
Finally, a SPINTO tenor!!!.......2005-10-14
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Amore II ~ Great Italian Love Arias
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004C4MX Release Date: 2000-02-01 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- La rondine: Chi il bel sogno di Doretta
- La Boheme: Quando m'en vo
- La Boheme: Mi chiamano Mimi
- La Boheme: Che gelida manina
- TOSCA: Vissi d'arte
- Madama Butterfly: Un bel di
- Madama Butterfly: Bimba dagli occhi pieni di malia
- Turandot: Tu, che di gel sei cinta
- Rigoletto: La donna e mobile
- Rigoletto: Caro nome
- La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
- Aida: Celeste Aida
- L'Elisir d'Amore: Prendi, per me sei libero
- L'Elisir d'Amore: Una furtiva lagrima
- Don Pasquale: Quel guardo il cavaliere
- Fedora: Amor ti vieta
- Turandot: Nessun dorma
Customer Reviews:
heywhattsamattayou.......2007-06-12
full of passion and love.......2007-03-31
Absolutely Beautiful!.......2002-03-02
Where is Amore I?.......2001-02-16
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Puccini: Great Opera Arias
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YQLA Release Date: 2002-01-29 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- Gianni Schicchi: Firenze e come un albero fiorito
- La Rondine: Chi il bel sogno di Doretta
- La Boheme: Si, mi chiamano Mimi
- La Boheme: Quando m'en vo
- Madama Butterfly: Un bel di vedremo
- Madama Butterfly: The Flower Duet
- Madama Butterfly: The Humming Chorus
- Madama Butterfly: Tu? tu? Piccolo iddio
- Tosca: Dammi i colori
- Tosca: Vissi d'arte
- Tosca: E lucevan le stelle
- Turandot: Signore, ascolta!
- Turandot: In questa reggia
- Turandot: Nessun dorma
- La Fanciulla Del West: Ch'ella mi creda libero e lontano
- Suor Angelica: Senza mamma, o bimbo
- Le Villi: Se come voi piccina io fossi
- Manon Lescaut: In quelle trine morbide
- Manon Lescaut: Sola, perduta, abbandonata
Customer Reviews:
The best opera album ever.......2007-01-26
Beautiful Music, Nice price.......2007-01-04
A wonderful collection for a terrific price, super fast shipping too- as always.
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The Puccini Album: Arias for Piano
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SKC Release Date: 1993-08-17 |
Tracks:
- Prelude
- La Boheme: Che gelida manina (How Cold Your Little Hand Is!)
- La Boheme: Si, Mi chiamano Mimi (Yes. The Call Me Mimi)
- La Boheme: O soave fanciulla! (Oh, Sweet Maiden!)
- La Boheme: Quando me'n vo... (Musetta's Waltz)
- La Boheme: Son andati? (Have they gone?)
- Turandot: Non piangere Liu! (Don't cry Liu!)
- Gianni Schicchi: O mio babbino caro (Oh, My Dear Daddy), Chi il bel sogno di Doretta (Doretta's Song)
- Madama Butterfly: Un bel di (One Fine Day)
- Madama Butterfly: Scuoti quella fronda di ciliegio (Blossom Duet)
- Madama Butterfly: Coro a bocca chiusa (Humming Chorus)
- Madama Butterfly: Tu, tu piccolo Iddio! (You, You Little God!)
- Turandot: Signore, ascolta! (Lord, Listen!)
- TOSCA: E lucevan le stelle... (And The Stars Were Shining...)
- Turandot: Nessun dorma! (No Man Shall Sleep!)
- Turandot: In questa Reggia (In This Palace)
- Postlude
Customer Reviews:
Beautiful Piano Arias.......2006-03-19
cocktails at La Scala.......2004-01-23
Puccini once told a soprano to "walk in clouds of melody", and on this disc we have a celestial feast, making one realize how starved we are in today's world of great melodies, with so much of popular music very uninspired in this area, and classical music ignoring it.
Perhaps my favorite track is the gentle and passionate interpretation of one of opera's best loved arias, "E Lucevan le Stelle" from Tosca.
The way Bayless has transcribed this music and improvised on it is a stroke of genius, and very clever marketing as well, giving us a new, unique take on "opera lite", and one of the most enjoyable I've heard; his virtuoso technique is up to the task, and he manages to get a myriad of sounds and colorations out of the instrument.
This enthralling presentation of operatic themes is lighthearted and would make great background music, but is also much more; it's inventive and beautifully performed, is true to the emotional content of the original, and oh ! those glorious melodies.
The sound is crisp and clear, and total playing time 78'28.
Liberace lives!.......2002-11-15
Outstanding.......2000-12-18
Gorgeous music magnificently played with technique to spare.......2000-01-30
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Jussi Bjorling: Opera Arias
Giacomo Puccini , Umberto Giordano , Francesco Cilea , Giacomo Meyerbeer , Charles Gounod , Jules Massenet , Friedrich von Flotow , Gioachino Rossini , Nils Grevillius , and Jussi Bjorling Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S05 Release Date: 2002-11-05 |
Tracks:
- Act II: 'Una furtiva lagrima': L'Elisir d'Amore
- Act III: 'Ah! si ben mio coll'essere': Verdi: Il Trovatore
- Act I: Di tu se fedele': Un Ballo in Maschera
- Act I: 'Se quel guerrier': Aida
- Act I: 'Recitar!...Vesti la giubba': I Pagliacci
- Act I: 'Che gelida manina': La Boh
- Act I: 'O soave fanciulla': La Boh
- Act I: 'Recondita armonia': Tosca
- Act Three: 'E lucevan le stelle': Tosca
- Act Three: 'Ch'ella mi creda libero': La Fanciulla del West
- Act Three: 'Nessun dorma!': Turandot
- Act Three: 'Amor ti vieta': Fedora
- Act II: 'E la solita storia': L'Arlesiana
- 'Mi batte, il cor... O paradiso': L'Africaine
- Act III: 'Salut! demeure chaste et pure': Faust
- Act III: 'Je suis seul!...Ah, fuyez, douce image': Manon
- Act III: 'M appari tutt'amor': Martha
- Cujus animan: Stabat Mater
Customer Reviews:
Voice of the 20th Century.........2000-07-13
This collection is a wonderful presentation of the young Björling. His voice was said to have a direct appeal to emotions. Listen to "Ch'ella mi creda libero" with its almost extraterrestial "lift" and try to keep the lump in your throat from growing!
The-37 "O Paradiso" is a fantastic display of power blended with beauty - which is also the case with the Tosca arias presented here.
"Che Gelida Manina" is by many regarded as Björling's signature aria, just as "La Boheme" was said to be his signature opera. The -36 version here shows Björling aged 25 with wonderful silvery tone and grasp of message, problems with Italian pronounciation or not.
Björling never lapsed into self parodic sobbing or exaggerated shouts or gliding "loops" to get a message across. He insisted on sticking to what the composer actually had written down...and within these vocal restraints, Björling still managed to portray an unexplored universe of human feelings. "Vesti La Giubba" is a good example of this: no sobbing or bitter laughter but downright hartbreaking nonetheless. True art!
His -44 studio version of "Nessun Dorma" makes an interesting comparison with his -59 recording from the complete Turandot. Touch and go which one to go for as the second or third best version of "...Dorma" ever in recording history. The shining beacon is in my opinion from a radio concert in Sweden in 1944, where Björling for once actually DOES go beyond the strict readings of the work. His final B just stretches on and on and on into eternity - read heaven.
As for his famous ringing high notes, his final D flat on Cujus Animan may be THE one most beautiful sound I've ever heard from a human being!
If you do not have any Björling CDs, this may be a perfect introduction to his art.
And where to go from there? Well,"O Paradiso" is one of many excellent collections from the 50s. There's also a Norwegian compilation called "jussi's Beste" (which sold to platinum in Norway 35 years after his death...). This CD contains among other highlights the wonderful Christmas song "O Helga Natt", in which the final high note is sung with such force that it threatens to blow your speakers to oblivion, never mind your ears...(if it is the last sound I will ever hear, it is OK by me...).
If you want a complete opera recording, you just have to invest your hard earned cash (or bank credit as is the case with me) on Beechams "La Boheme".
Someone said elsewhere that once you have listened to Björling, you may never want to listen to any other tenor...ever: HOW VERY TRUE!
The OTHER essential Bjoerling CD; 10 stars! 20!.......1999-03-15
The "Vesti" is completely heartbreaking, maybe because there's none of the histrionic sobbing that usually accompanies it. And of course there is that 1945 recording of "Nessun dorma!", which I have seen referred to as one of the 5 greatest recordings of all time. The arias from Tosca are also outstanding. The only addition that would make this perfect CD "even more perfect" would be the inclusion of the Gonoud "Ah! Leve-toi, soleil!"
Although I have loved classical music since I was a kid, until Jussi every tenor I ever heard sounded like an opera parody. Jussi is different; he doesn't make you think "Now there's a guy taking a deep breath and singing loud." To steal a line from Amadeus, when he opens his mouth you "hear the voice of God"; absolute, divine beauty, untainted by ego or eccentricity. that seems to flow without strain or effort.
The only risk in listening to this (or, perhaps, any other Bjoerling) CD? You may never, ever be satisfied with any other voice.
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Arias [Hybrid SACD]
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002TKFRW Release Date: 2004-09-14 |
Tracks:
- Ritorna Vincitor!
- Qui Radames Verra!
- O Patria Mia
- Che Piu T'arresti?
- Tacea La Notte Placida
- Di Tale Amor Che Dirsi
- Timor Di Me?; D'amor Sull'ali Rosee
- Un Bel Di Vedremo
- Tu? Tu? Piccolo Iddio! (Morte Di Butterfly)
- Chi Il Bel Sogno Di Doretta
- Vissi D'Arte
- Signore, Ascolta!
- Tu Che Di Gel Sei Cinta
Customer Reviews:
A Legendary Masterpiece is Available Once Again:LEONTYNE PRICE's Operatic Studio recording debut - The "Blue ALbum".......2006-08-27
For those Opera-lovers who first encountered America's Diva assoluta, soprano LEONTYNE PRICE's magical vocalism from the recording studio, this collection comprises the entire legendary "Blue Album" which many operaphile consider to be one of the finest recordings ever. For Opera neophytes, there can be no more fitting introduction to vocal splendor than the singing on this disc. The selections gathered here vividly demonstrate the reason why Leontyne Price is regarded as the supreme VERDI soprano of her generation (30 years to date) a renowned PUCCINI specialist, and one of the greatest artists of all time. Recorded in the early 60's, Ms. Price's instrument was, in her own words "a juicy lyric". The intrinsic lyricism of her voice was aligned to warm, lustrous tone that pulsated in the middle voice, yielded a dark, uniquely sensuous sound in the lower regions, and gleamed with a distinctive, fast, liquid vibrato in the upper voice. That unique vibrato was elemental to this diva's ability to infuse Verdi and Puccini's most dramatic phrases with surging power (without pushing), and still produce lovely pianos in alt - soaring there with an ease that was singular to her, and that continued to her retirement in the 2002. All of those remarkable elements are on display in this seminal recording.
Leontyne Price recorded arias and scenas from every standard repertory VERDI opera with few exceptions (Nabucco/Luisa Miller/Vespri/Falstaff) in superlative fashion. Her onstage roles included the IL TROVATORE Leonora, the role of her sensational MET debut (that resulted in a record 42 minute ovation), thrice recorded by her (with Basile, Mehta, and Von Karajan respectively), and a signature role throughout her career. The first selections represented the sum of onstage VERDI roles that the soprano has sung at that time: Leonora from IL TROVATORE and the title-role of AIDA. Ms. Price soars effortlessly to the heights repeatedly in "Tacea la notte", aligned to sensuously throbbing tone, singing the inexplicably rushed cabaletta fluently. "D'amor sull ali rosee" (once the sole property of Ms. Price's Verdian predecessor Zinka Milanov) is enhanced by the soprano's expert trills, other musical nuances, and the glorious vibrato that carries her gossamer tones to a floated high C in alt. The leading newspaper of Italy said of Leontyne Price that "..our great Verdi would have her the ideal Aida", and that sentiment has been adopted the world over. The "Aida" selections here are the first ones recorded by the American diva, and remain a revelation. She recorded this opera twice, most famously with Sir Georg Solti and Jon Vickers, then triumphantly with Erich Leinsdorf and Placido Domingo. In "Ritorna vincitor" the soprano's lyric instrument is quite "juicy" indeed, declaiming Aida's fierce opposition to the Egyptian invaders of her Ethiopian homeland with energetic and powerful vocalism. She then masterfully delineates the young princess' dilemma with plaintive and youthful passion, ending with a prayerful "Numi pieta" suffused by warm, sable-colored tone. "O Patria mia" is another of Ms. Price's most revered performances, indeed the aria that garnered her a (5) five minute ovation on live television at her "farewell to Opera" (1985) performance in the same opera. The soprano injects Aida's farewell to her homeland with rich, smoky, plangent tones that rise effortlessly to a shining high C that bedeviled some of her most illustrous rivals, and would be bettered in the future only by the wonderful Spanish soprano Montserrat Caballe - and Ms. Price herself!!
Leontyne Price performed the veristic music of PUCCINI onstage in a number of his operas that included "MANON LESCAUT/TOSCA/MADAMA BUTTERFLY/LA FANICULLA DEL WEST/IL TABARRO/and TURANDOT, albeit with less frequency than with Verdi. She brought a luminous, womanly quality to all of the composer's music. Here, she sings with particular intensity and emotion as the geisha girl Cio-Cio San, her favorite Puccini role onstage, and superbly recorded complete on RCA with tenor Richard Tucker. "Un bel di" is sung fervently with glowing tone, while "Tu, tu piccolo Iddio" moves the listener to tears at the pain-laden urgency and commanding vocalism Ms. Price summons in this poignant scena. In "Vissi d'arte" the jealous and fiery Roman prima donna Floria Tosca is reduced to lamentation, which in Ms. Price's hands translates into limpid, melting tone, complete with a stunning high C followed by her trademark diminuendo on Aflat. While the complete opera is twice-recorded by the soprano (with Von Karajan and Mehta respectively),both highly-acclaimed, this aria became one of Ms. Price's most requested and performed encores. Puccini's music for the doomed Chinese slave-girl Liu is exquisitely sung. "Signore ascolta" is imbued with sweet lyricism and dulcet tones that spin on the top. "Tu che di gel sei cinta" once again displays the great soprano's ability to illuminate a scene and therein touch the heart -with sublime vocalism.The most outstanding qualities of this diva in Puccini's music were a warm femininity and profound humanity, inherent in all of her singing, but most pronounced with this composer. She also fearlessly sang his highest phrases with a vocal splendor and freedom unrivalled by anyone, nowhere more than as the tragic Butterfly. However, until she retired from public singing, one aria remained a 'sine qua non' for this diva and her public: "Chi bel sogno di Doretta" from Puccini's rarely performed operetta LA RONDINE. The performance here was her first recording of it, and is a classic in its own right. Ms. Price's voice shimmers throughout, singing the high C with astonishing purity, and caressing, velvety tone elsewhere.
For years, this "album" was unbelievably out-of-print. RCA has done a wonderful job in re-mastering this masterpiece, complete with the original Blue artwork This "Blue Album" will leave you felling anything but!!
Savor the marvellous youthful artistry of "La Splendissima" LEONTYNE PRICE.
Note:This review was written for the initial re-release of the digitally re-mastered disc. I'm sure those reviewers who've experienced the SACD version are quite accurate in their estimation of any improvements yielded by this relatively new technology. I hope to experience it soon myself.
truely one of the best compilations.......2006-06-20
The full version of the Il Travatore by Karajan-Berlin Philharmony- Price is not as good a recording technically as this one since you can hear the age of the recording. This SACD disc is very very good indeed.
You can feel her singing in such detail that is extraordinary.
Full 5 stars!
A great soprano caught in sublime form.......2005-10-10
A famous recording revisited.......2005-06-25
i take this to work.......2005-03-02
this is opera!!! what cd is this from
that voice and that emotion and that crying for love and your child and your sense of BEING A WOMEN
Average customer rating:
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Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JMH3 Release Date: 2001-10-08 |
Tracks:
- Celeste Aida
- Amor Ti Vieta
- Di All'azzurro Spazio [From "Andrea Chenier]
- O Soave Fanciulla
- Fleur Que Tu M'Avais Jetee
- O Paradiso
- Tal Giocco/Vesti la Giubba
- Stolta Paura l'Amor - Mario Lanza,
- Donna E Mobile
- Vesti la Giubba
- M'Appari
- Nessun Dorma
- Testa Adorata
- Come un Bel Di Maggio
- Lamento Di Federico
- Dio Ti Giocondi - Licia Albanese, Mario Lanza
Customer Reviews:
Mario Lanza Opera.......2007-05-12
Outstanding.......2006-11-06
Unsurpassed!.......2005-12-13
True, musically Mario made some mistakes....but so has every other great tenor in history....from Caruso to Pavarotti and beyond!
And perhaps he sang some arias with too much fortissimo....so what?
Every single song on here, be it among his best or worst work, is a masterpiece when compared to renditions of the same arias by other, more legit and operatically acclaimed tenors.
In order to "get" Lanza one must discard all notions of "finesse", "grace" and " elegance" for Lanza operated, and sang on raw, unadulterated, gut wrenching emotion.
THAT was the genious of Mario Lanza.
We can argue for another 40 years as to his operatic legitimacy...for nought!
Lanza was a VOCAL master and his approach to song was as unconventional and idiosyncratic as was his life.
That's what makes these songs so special and unique.
No one other than perhaps Corelli had the voice and the balls to sing with such uninhibited emotion and that's what this CD is all about.
It is a testament of a great voice.
The fact that Lanza did not have the benefit of a great conductor or teacher guiding him through most of his career, makes these recordings all the more great.
He sang the music as he felt it and that's a big no-no in the stuffy, overbearing and self-righteous world of opera.
Lanza earned millions of dollars because his voice touched all who heard it. His art brought more people to opera than all the leading tenors of his day combined....and this during the golden age of tenors and opera as a whole!
The only word of lesser praise I can offer is the inclusion of the duets. Mario did not have the temprament for duet singing, and subsequently he ended up drowning his partners out, or engaging in a sort of vocal warfare which was the case with much of what he and Grayson recorded during his MGM days.
The arias are great....the duets are medicore on all accounts.
In closing, I apologize for not having spen time on the actual songs. It's been done to death.
All I can say is that, if you wish to hear opera arias sung in a way such as will never be heard again in our lifetime, then this is a CD for you.
If you want proper, technically proficient opera, sung by some big name opera jerk, then stick to that....you'll only end up feeling like all the other good people who have so much negative to say about this CD.
BMG Needs to hire Folks in the Know.......2004-06-15
Mario Lanza WAS a trained opera singer.......2003-11-13
Mario had extensive operatic training from some top teachers. He was sought after by many opera companies, including the Met in New York.
It is true that some of Mario's recordings are not as good as others. He did various versions of much of his material, both live and studio, so of course you will find some you prefer to others. But the beauty, power and expressiveness of his voice is unmatched by any tenor I have ever heard.
Track Listings:
- Reger: Piano Works
- Requiem / Messe Basse
- Rhythm 'n' Flute
- Rimsky-Korsakov: Scheherazade for orchestra Op35; Prokofiev: Lieutenant Kijé
- Rodrigo: Orchestral Works, Vol. 1
- Stephen Montague: Orchestral and Chamber Works
- Taverner Song And Mass: The Western Wynde/Tallis: Missa Salve Intemerata Virgo
- Tchaikovsky: Symphony No. 5/Marche Slave/1812 Overture
- These You Have Loved 2
- These You Have Loved 4
Track Listings
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The Powerpuff Girls: Power Pop [Enhanced]
The Green CD: Environmentally Friendly Australian Choral Music
Tuff and Stringy Sessions 1966-68
The Sweetest Punch: Songs Of Elvis Costello And Burt Bacharach