Music for the Theatre

1. Marriage à la Mode Air de ballet
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

2. Merchant of Venice Mascarade
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

3. Toy Cart Romanza
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

4. Dances (4) from the Duenne
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

5. Fountain of Youth, musical Now in Her Westering Flight
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

6. She Stoops to Conquer, musical Ah Me! When Shall I Marry Me?
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

7. Phantom Ride
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

8. Song of Solomon
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

9. Stage Music for the Lady of the Camellias Waltz
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

10. Stage Music for the Lady of the Camellias Valse gracieuse
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

11. Stage Music for the Lady of the Camellias Valse lente
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

12. Stage Music for the Lady of the Camellias Rêverie
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

13. Marriage à la Mode While Alexis Lay Prest
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

14. She-Shanties What's All This Talk About Love?
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

15. Much Ado About Nothing, overture
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

16. Centuries of Love 1570: the Yeoman
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

17. Centuries of Love 1660: the Courtier
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

18. Centuries of Love 1770: the Cynic
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

19. Centuries of Love 1860: the Emigrant
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

20. Centuries of Love 1910: the Motorist
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

21. Sirens of Southend
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

22. Hornpipe for double bass & piano
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

23. 1066 and All that Selections
Composed by Alfred Reynolds
with Donald Maxwell , London Salon Ensemble , Miranda Keys

Music for the Theatre,Reynolds,Keys,Maxwell,London Salon Ensemble,Meridian,Classical,Classical Music

Average customer rating: The Andrew Lloyd Weber Collection Andrew Lloyd Webber The Andrew Lloyd Webber Collection The Best You'll See from Sarah The Angel of Music

The Andrew Lloyd Webber Collection Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Brightman, Sarah | A to B | Featured Performers, A-Z | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2 Sarah Brightman Classics Time to Say Goodbye La Luna Harem ASIN: B00000I0XW Release Date: 1999-06-01

Tracks:

1. The Phantom Of The Opera: The Phantom Of The Opera
2. Song & Dance: Unexpected Song
3. Aspects Of Love: Chanson D'enfance
4. The Phantom Of The Opera: All I Ask Of You
5. Evita: Don't Cry For Me Argentina
6. Evita: Another Suitcase In Another Hall
7. Aspects Of Love: Love Changes Everything
8. Friends For Life
9. Cats: Memory
10. Cats: Gus: The Theatre Cat
11. Aspects Of Love: Anything But Lonely
12. Cats: Macavity: The Mystery Cat
13. Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
14. The Phantom Of The Opera: Wishing You Were Somehow Here Again
15. Requiem: Pie Jesu
16. The Phantom Of The Opera: The Music Of The Night

Amazon.com essential recording

Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Album Details

Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews:

The Andrew Lloyd Weber Collection.......2007-05-12

Sarah Brightman sings in good form classic songs and does a great job!!

Andrew Lloyd Webber .......2007-02-12

Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.

The Andrew Lloyd Webber Collection.......2007-01-05

Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.

The Best You'll See from Sarah.......2006-09-09

This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.

I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!

The Angel of Music.......2006-03-13

This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!

Average customer rating: Love of her home land beautiful music Great CD. I love it when she sings in Russian!! beauty and the beast

Russian Album Anna Netrebko , Orchestra of the Mariinsky Theatre , and Valery Gergiev Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Glinka | Glinka, Mikhail | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music General | International | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Anna Netrebko: Opera Arias Sempre Libera HOMAGE: The Age of the Diva Donizetti - L'Elisir d'Amore / Eschwe, Netrebko, Villazon, Wiener Staatsoper The Mozart Album ASIN: B000IZK4YE Release Date: 2007-01-09

Tracks:

1. Iolanta: "Otago eto preide ne znala ni toski ya" (Iolanta)
2. Twelve Songs op. 21: No. 7: "Zdes' khoroso" ("How beautiful it is here")
3. Six Songs op. 4: No. 4: "Ne poy, krasavica" ("Oh, do not sing to me")
4. The Tale of Tsar Saltan: Aria: "Tï, carevic, moy spasitel" (Swan Princess)
5. The Snow Maiden: Scene and Aria: "A-u, a-u!" - "Akh, bednaya Sneguroaka,
6. The Snow Maiden: Finale: "Velikiy car'! Sprosi menya sto raz" (Snow Maiden, Tsar, Misgir, Chorus)
7. The Tsar's Bride: Scene and Aria: "Ivan Sergeyic, khoces'" (Marfa)
8. Six Romances op. 38: No. 6: Pimpinella - Florentine Song "Yesli tï
9. A Life for the Tsar: Cavatina and Rondo: "V pole, pole, cistoye glyazu" (Antonida)
10. War and Peace: Aria: "Cudo, kak khorosa ona" (Natasha, Anatol, Sonya, Count Rostov)
11. Francesca da Rimini: "O, ne riday, moy Paolo, ne nado ..." (Franceska)
12. Eugene Onegin: Letter Scene: "Puskay pogibnu ya, no prezde" (Tatyana)

Amazon.com

This is a collection of well-to-lesser-known Russian arias by composers from Glinka to Prokofiev, with stops along the way for Tchaikovsky, Rimsky-Korsakov, and Rachmaninov. The lovely Anna Netrebko remains a glamorous singer, pure of voice, with always-musical phrasing and some exquisitely high soft singing. Particularly fine are a little-known Tchaikovsky Romance with castanets, bassoon, and piccolo adding color; the vivid, Italianate selection from Glinka's A Life for the Tsar; two lyrical Rachmaninov songs (here scored for orchestra); and the Letter Scene from Eugene Onegin, which is delivered with the drama of a true singing actress. Otherwise, many of the arias here are slow and have a certain sameness about them. Netrebko sometimes just sings instead of getting inside them. Netrebko's Italian output so far has been far more exciting, but it's great to have this Russian repertoire sung so beautifully on CD. --Robert Levine

Album Description

After astonishing debuts as an unknown young singer, Anna Netrebko is now one of the world's favorite opera heroines. Now, for the first time, she's ready to lavish her pure, powerful voice on composers from her homeland, in a program of some of the most beautiful arias and songs in the Russian repertoire. Russian Songs is a deeply personal recording, made in the opera house where she first found stardom, St. Petersburg's Mariinsky Theatre, and conducted by Anna's mentor and friend who has championed her from the start: Valery Gergiev. This collection includes Anna in her signature role, Natasha from Prokofiev's War and Peace - which launched her career at the Metropolitan Opera in 2002. In addition. Anna gives listeners a taste of roles yet to come with Tatiana's letter scene from Tchaikovsky's Eugene Onegin. Anna Netrebko has made it her mission to bring opera to a wider public. Following the huge success of her last solo recording Sempre Libera and the acclaimed Salzburg La Traviata releases, Anna will show once again that she knows how to captivate audiences.

Album Description

2006 album from this Russian Opera singer who has stunned critics and audiences alike with her good looks and heart-stopping voice. Features Netrebko tackling some of Russia's most esteemed musical works from composers such as Prokofiev, Rimsky-Korsakov, Rachmaninov and more. Universal.

Customer Reviews:

Love of her home land.......2007-05-23

Here at last is the Anna Netrebko that has been some what missing from previous encounters on CD.This is a woman whose deep love and regard for her homeland are much in evidence from the first to the last notes .Often in reviews comments are made a the darkness of her voice ,here it is perfect and at home with the somber tones of the great land that has so much to offer the world of music .
The beautiful warmth of her vocal range gives a brilliant tapestry of sound to the album, bringing to life the various characters she portrays ,with her penultimate portrayal of Natasha in Prokofiev's War and Peace,we can only hope to see her preform it one day for western audiences.
Many feel that Anna Netrebko lacks substance ,this I feel is unfair as she has many years to go to reach her peak ,this album shows that she has the range, the talent and the intelligence to make herself one of the greatest sopranos of all time

beautiful music.......2007-05-17

indeed beautiful music and beautiful russian songs, it's just a "must have" for every music lovers.

Great CD........2007-05-07

This CD combines knowledgeable artists about the subject of Russian music, unsurpassed talent by the singer, and a superb sound production. This is world class stuff you can get just for a few bucks.

I love it when she sings in Russian!!.......2007-04-30

I find myself always using food metaphors to describe voices... Netrebko is amazing in any language certainly (like perfectly oaked chardonnay), but when she sings in Russian... The thing that comes to mind is 'amuse bouche' - it's like every phrase sung is a scrumtious little morsel delicately prepared and bursting with flavour. Ahhhh.... Delicious!

beauty and the beast.......2007-04-12

I haven't come across statistical records of how often beauty,in a women,meets talent,but surely this is the case. Anna's voice is a mirror image of her features: clean and seductive,yet powerful. She controls the beast(that's how I would rename "lirica",as we call opera music) to her pleasure,modulating softeness and power to perfection. If performing russian opera music was intended to be a further test to her capabilities, well singing in her mother language has only confirmed her as really outstanding. Anna has added a touch of russian romanticism to the execution of this beast.

Average customer rating:

Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: In the Real World Famous Opera Duets When I Grow Too Old to Dream A Song of Naples - Neapolitan Songs Send in the Clowns: The Ballads of Stephen Sondheim ASIN: B000003FQQ Release Date: 1994-08-16

Tracks:

1. Song of the Vagabonds
2. I'm Falling in Love With Someone
3. Streets of New York
4. Neapolitan Love Song
5. Desert Song/One Alone
6. Every Day Is Ladies' Day with Me
7. Donkey Serenade
8. Softly, As in a Morning Sunrise
9. Drinking Song
10. When You're Away
11. I Love to Go Swimmin' With Wimmin
12. I Might Be Your Once-In-A-While
13. Marianne
14. Serenade
15. Indian Summer
16. When I Grow Too Old to Dream
17. Gypsy Love Song
18. Golden Days - Jerry Hadley, Mario Lanza

Average customer rating: I hate to be rude, but . . . Outstanding Sacred Songs My favorite of Fleming's CDs so far Inspiring and beautiful

Sacred Songs Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Reger, Max | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Reger, Max | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Berlioz, Hector | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bernstein, Leonard | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Fauré, Gabriel | ( F ) | Composers, A-Z | Classical Music Blowout | Stores | Music Franck, César | ( F ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gounod, Charles | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Humperdinck, Engelbert | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Poulenc, Francis | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Reger, Max | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schubert, Franz | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski Haunted Heart The Inner Voice : The Making of a Singer Bryn Terfel - Simple Gifts HOMAGE: The Age of the Diva ASIN: B000AM6OXK Release Date: 2005-09-27

Tracks:

1. Ave Maria
2. Jesu bleibet meine Freude
3. Dank sei dir, Herr
4. Ave Maria, D839
5. Laudamus te
6. Panis Angelicus
7. Air: "He shall feed his Flock"
8. Simple Song
9. Pie Jesu
10. Domine Deus
11. Laudate Dominum omnes gentes
12. Air: Rejoice greatly, o daughter of Zion
13. Abends will ich schlafen gehn
14. L'Adieu des bergers
15. Mariiegenlied, Op.76/52
16. Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Average customer rating: One of the greats I cannot live without this album. Lenya and Weill at their best! Buy It. "An important landmark in dancing history" "An important landmark in dancing history"

Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al The Threepenny Opera (1954 New York Cast) (Blitzstein Adaptation) September Songs: The Music of Kurt Weill Ute Lemper Sings Kurt Weill Weill - The Threepenny Opera / Kollo · Adorf · Dernesch · Lemper · Milva · Reichmann · Tremper · Boysen · RIAS · Mauceri ASIN: B0000029YI Release Date: 1997-12-09

Tracks:

1. The Seven Deadly Sins: Prologue: Andante sostenuto
2. The Seven Deadly Sins: Idleness: Allegro vivace
3. The Seven Deadly Sins: Pride: Allegretto, quasi andantino - Schneller Walzer
4. The Seven Deadly Sins: Anger: Molto agitato
5. The Seven Deadly Sins: Gluttony: Largo
6. The Seven Deadly Sins: Lust: Moderato
7. The Seven Deadly Sins: Avarice: Allegro giusto
8. The Seven Deadly Sins: Envy: Allegro non troppo - Alla marcia, un poco tenuto
9. The Seven Deadly Sins: Epilogue: Andante sostenuto
10. The Threepenny Opera: 'Moritat vom Mackie Messer'
11. The Threepenny Opera: 'Barbara-Song'
12. The Threepenny Opera: 'Seerauberjenny'
13. Aufstief und Fall der Stadt mahogany: 'Havanna-Lied'
14. Aufstief und Fall der Stadt mahogany: 'Alabama-Song'
15. Aufstief und Fall der Stadt mahogany: 'Denn Wie Man Sich Bettet'
16. Happy End: 'Bilbao-Song'
17. Happy End: 'Surabaya-Johnny'
18. Happy End: 'Was die Herren Matrosen sagen'
19. Das Berliner Requiem: 'Ballade vom ertrunkenen Madchen'
20. Der Silbersee, Ein Wintermarchen: 'Lied der Fennimore'
21. Der Silbersee, Ein Wintermarchen: 'Casar Tod'

Amazon.com essential recording

Whether playing Anna in The Seven Deadly Sins or singing "Moritat vom Mackie Messer" ("Mack the Knife"), Lotte Lenya helped define the music of her husband, Kurt Weill. The duo literally created the soundtrack for the prewar Berlin of our fantasies--an exotic land of nicotine and nightlights--where cabaret, jazz, and the odd American instrumental influence all coexist happily. Now remastered, this collection gathers Lenya's legendary 1957 recordings of Sins and her 1955 recording Sings Berlin Theatre Songs. Forget subtlety--Lenya is all about emotion. On cuts like "Pirate Jenny," Lenya's voice sounds fluttery and frantic, and on "Surabaya-Johnny," her German sounds fragile and sweet, but mostly she's just herself--bittersweet, raw, and (most of all) human. In spirit, Marianne Faithfull, PJ Harvey, and a host of others all kept the torch of Lenya's style going. But after listening to these Berlin theater songs in classic form (and in their original tongue), you'll never hear them the same way again. --Jason Verlinde

Customer Reviews:

One of the greats.......2007-04-17

When I was a student in 1965, the turntable in my college apartment was kept busy spinning The Beatles, Bob Dylan, Broadway show cast albums, Nina Simone and Lotte Lenya. Lotte Lenya? Yes, the widow of German composer Kurt Weill and the star of the legendary 1950s off-Broadway revival of THE THREEPENNY OPERA, who also played James Bond's adversary Rosa Kleb in the movie FROM RUSSIA WITH LOVE. (Rosa Kleb was a martial arts expert with poison knives in the toes of her shoes.) But my theory is that Lotte Lenya enjoyed great cachet with the baby-boomers primarily because of the cover of Bob Dylan's 1965 "Bringing It All Back Home" album. That cover shows Dylan and a brunette woman in a rather elegant setting crammed with books and phonograph records. Prominent among the stack of recordings is Lenya's "Berlin Theatre Songs of Kurt Weill" album. Even though this was the age of "Don't trust anyone over thirty," if Bob Dylan liked Lotte Lenya, then she was okay. I loved everything about her Berlin Theatre Songs album, from the expressionistic cover portrait to all the unfamiliar songs sung in quavery German.

Now that CDs have made phonograph records obsolete, I've wanted to replace my LP version of the Berlin Theatre Songs for some time. Well, I feel that I've hit the jackpot with this Masterworks Heritage CD reissue which is packaged with the Brecht-Weill THE SEVEN DEADLY SINS, an experimental dance-drama that Brecht and Weill created in Paris after fleeing Nazi Germany. I had never heard THE SEVEN DEADLY SINS. It is a revelation. It could have been written by no one else. The haunting melodies, the offbeat orchestrations and the unorthodox subject matter combine to form a Brecht-Weill classic. I love this music and have played it repeatedly for weeks. Lenya's voice during this period had not yet become raspy and her saucy personality shines through. My German is much better now than it was as a college student and I can at last appreciate Lenya's perfectly enunciated German. I find this recording mesmerizing. The CD is packaged as a foldout album/book, rather than a jewel box. It includes a brief essay by Teresa Stratas and helpful notes by Mario R. Mercado. Also included are more than a dozen sepia-toned photos of the recording session and four beautiful color photographs of Lenya in Hamburg in 1956. And of course, that wonderful Saul Bolasni portrait that graced the original LP is included on the inside cover of the jacket.

I think this CD is essential. For me, it conjures up a whole era, maybe a whole century. Five stars.

I cannot live without this album. .......2006-06-09

The Weill/Brecht "Seven Sins" may not be as famous as the Threepenny, and it's certainly not as long. The songs aren't "catchy"-- no Doors or Darin or David Bowie or Dresden Dolls are going to cover any of the ballet's nine pieces. But, in all its operatic beauty, it's one of my favourite musical works on this planet.

In short: the Seven Sins is unbelievable. It's Brecht/Weill at their very best. It will latch itself onto your brain, stick its claws into your skull, surpass anything you've ever heard before. From the very start -- just three notes that will, I promise, make you shiver -- to the beautiful, melancholy ending; it's what opera should be like, and it's beyond perfect.

Miss Lotte Lenya, who was the smartest woman in the world for marrying Kurt Weill TWICE, sings what's probably the definitive version of Anna-Anna. Yes, it's two octaves lower than what was intended (but if it's high-pitched warbling you're after, I can highly recommend the lovely Anne Sofie von Otter version), and some people seem to be slightly allergic to Lotte's voice. Which I still fail to understand. She embodies everything Weill writes -- every word out of her mouth feels just right, just exactly the way it was intended.

One other version I'm particularly fond of is the one starring Marianne Faithfull. The differences are easy to spot: Marianne sings in English. Marianne sounds more stoic. Marianne's choir is more overwhelming, but smoother, though the pieces don't fit together quite as well. Marianne is just slightly faster, less emotional, slightly sweeter. Lotte, on the other hand, gives it everything she's got -- never holds back -- and fills the part with emotion. Lotte's choir is tinny, Berlin-y cabaret-y. Lotte's orchestra is much more solid. And Lotte toys more with the lyrics. Both versions are perfect, and I would VERY highly recommend buying both if you can afford it, if just to compare.

Just like Marianne's CD, this album is filled up with as much other Brecht/Weill stuff as would still fit on the disc. The final notes of the Seven Sins epilogue are quickly followed with a gorgeous full Mack The Knife (yes, uncensored), an unbelievable (and definitive) Pirate Jenny, an Alabama Song... pretty much everything these people are famous for, and even some rather obsure songs. The orchestra and background singers mix perfectly with Lotte's vocals on every track. There's not a single flaw -- not in the music, not in the recording quality, nothing -- every bit of it is as perfect as these songs get.

Whether you're just starting out collecting Berlin cabaret, or finally look to complete your collection, this album is simply something you can't NOT buy. So buy it. Buy it. Yes. Excellent. And, if you're searching for more excellent related stuff, here's some other CDs I can recommend:

- Die Dreigroschenoper: 1999 version, starring Nina Hagen, Max Raabe, HK Gruber
- The Threepenny Opera: 1954 Blitzstein adaptation (English softened version)
- Jasperina de Jong - Sieben Rosen hat der Strach (Brecht tribute)
- Cathy Berberian - The Unforgettable
- The Tiger Lillies - Twopenny Opera (It's One Cheaper)

And a final note: avoid the Ute Lemper version at all costs. She's a great singer, absolutely, but will never be Anna-Anna.

Lenya and Weill at their best! Buy It........2005-11-04

'Lotte Lenya sings Kurt Weill's The Seven Deadly Sins and Berlin Theatre Songs' is a single CD combining two separate 1955 LPs recorded in Germany, five years after the death of husband and composer, Kurt Weill.

As a lifelong Weill fan who has heard many different interpretations of these songs most notably from Ute Lemper and Maria Stratas, I was struck by how dramaticly better was Lenya's performance of the lyrics. I think this goes far beyond the fact that many of these works were written specifically to be performed by Lenya in Berlin between 1927 and 1933. It is obvious to my ear that even though Lemper is a great cabaret singer, Lenya trumps this with years of performing on the live stage without the aid of electronic amplification.

Lenya does 'Die Sieben Todsunden' with the version done for a lower voice (same as Lemper) rewritten for her by Weill. As other reviewers have noted, this was originally a combination ballet / song cycle commissioned in Germany by George Balanchine where the singer and the ballerina perform two sisters, both named Anna.

None of the individual songs are nearly as popular on their own as the following collection of songs from the German works, 'The Threepenny Opera', 'Mahagonny', and 'Happy End'.

My first encounter with Lotty Lenya's singing was on a Columbia collection done on vinyl in the 1960s, done, probably following on her appearance in the second James Bond movie, 'From Russia, With Love' as the Russian Colonel Klebb. I think this recording is far superior to that issue or to any other recent recording where Lenya does songs she never performed on the stage.

"An important landmark in dancing history".......2001-06-16

The seven Deadly Sins was commissioned as a dance piece for Les Ballets 1933 with choreography by George Balanchine, Balanchine re-staged it at the New York City Ballet with Lenya at 1958. Anna Sokolow who has difficulties to work with Bertold Brecht to close (Galileo), gave her own independent interpretation to this play as a director with Netherland Dance Theatre in 1967 and at Detroit in 1967 (Cleo Laine).

"An important landmark in dancing history".......2001-06-16

The seven Deadly Sins was commissioned as a dance piece for Les Ballets in 1933 with choreography by George Balanchine. Balanchine restaged it at the New York City Ballet with Lenya in 1958. Anna Sokolow who had difficulties working with Bertold Brecht closely (Galileo), gave her own interpretation to this play as a director with Netherlands Dance Theatre in 1967 and in Detroit in 1976 (Cleo Laine, Mary Hinkson), and in Boston in 1990.

Average customer rating: Great compilation - and that's just the first half. The best of Elfman!!! Great Collection, A LIttle Too Eclectic What Great Music super

Music for a Darkened Theatre, Vol. 1: Film & Television Music Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1980s | By Decade | Pop | Styles | Music 1990s | By Decade | Pop | Styles | Music 1980-1989 | Decades | Compilations | Miscellaneous | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music The Simpsons | Specialty Stores | Music Music | The Simpsons | Amazon.com Stores | us-stores Similar Items: Music for a Darkened Theatre, Vol. 2: Film & Television Music Serenada Schizophrana So Lo Sleepy Hollow: Music from the Motion Picture Beetlejuice: Original Motion Picture Soundtrack ASIN: B000002OEB Release Date: 1990-10-15

Tracks:

1. Excerpts From: Pee Wee's Big Adventure
2. Excerpts From: Batman
3. Excerpts From: Dick Tracy
4. Excerpts From: Beetlejuice
5. Excerpts From: Nightbreed
6. Excerpts From: Darkman
7. Excerpts From: Back To School
8. Excerpts From: Midnight Run
9. Excerpts From: Wisdom
10. Excerpts From: Hot To Trot
11. Excerpts From: Big Top Pee Wee
12. Excerpts From: The Simpsons
13. Excerpts From: Alfred Hitchcock Presents: The Jar
14. Excerpts From: Tales From The Crypt
15. Excerpts From: Face Like A Frog
16. Excerpts From: Forbidden Zone
17. Excerpts From: Scrooged

Customer Reviews:

Great compilation - and that's just the first half........2005-09-14

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it

The best of Elfman!!!.......2005-09-05

I was obsessed about getting this CD right from when I heard about it. I found it at the library and was so excited about it, and it didn't let me down. In fact, it was a lot better than I expected. It's a fun and creepy (strange mix, but it really works!) collection of Danny Elfman's film and television soundtracks. The first track, Pee Wee's Big Adventure, is probably my favorite. Also, I really like Batman and Wisdom. Batman is creepy and dark, and Wisdom is just weird, in the best possible way.
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!

Great Collection, A LIttle Too Eclectic.......2003-08-19

You should be able to tell from the movies and TV shows listed here whether or not you'd be interested in this collection. It's a little too eclectic for my tastes (hence only 4 stars) but better than volume 2. I think thatthe miscellaneous collected ites here along with the previously unreleased stuff should make this worth buying. Especially if you're a fan of Elfman's movie soundtrack work.

What Great Music.......2003-05-11

I fell in love with the music of Danny Elfman when Beetlejuice came out. There was something different about the music that he made. When Edward Scissorhands, and then Nightmare Before Christmas - I knew this man was a musical master. Its the verbal form of surrealism.

super.......2003-04-17

What a great CD. Danny's music is so original and inventive. this CD contains his pre 90's quirky, gothic music. it's all very well written and beautifully orchestrated. batman and darkman contain some really excellent long, dark, gothic cues that really take u away from reality. in my opinion no one, apart from howard shore, is as inventive and original as danny in the world of filmmusic. he far surpasses the repetitive works of williams or horner. buy this, and volume two, and keep supporting one of the greatest film composers of all time.ohh...and buy fellowship of the ring and two towers by howard shore....amazing work!

Average customer rating: Priceless, at any price Good overview Great Music!!!!!!!!! Very nice for a Danny Elfman collection Bring on Volume 3

Music for a Darkened Theatre, Vol. 2: Film & Television Music Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Music for a Darkened Theatre, Vol. 1: Film & Television Music Serenada Schizophrana So Lo Sleepy Hollow: Music from the Motion Picture Edward Scissorhands: Original Motion Picture Soundtrack ASIN: B000002P4P Release Date: 1996-12-03

Tracks:

1. Edward Scissorhands Suite: Main Titles
2. Edward Scissorhands Suite: Storytime
3. Edward Scissorhands Suite: Suite
4. Edward Scissorhands Suite: Suburbia-Barber
5. Edward Scissorhands Suite: The Grand Finale
6. Dolores Claiborne Suite: Main Titles
7. Dolores Claiborne Suite: Vera's World
8. Dolores Claiborne Suite: Flashback
9. Dolores Claiborne Suite: Sad Room
10. Dolores Claiborne Suite: End Titles
11. To Die For Suite: Main Titles
12. To Die For Suite: Suzie's Theme
13. To Die For Suite: Busted
14. To Die For Suite: Wheepy Donuts
15. To Die For Suite: Finale
16. Black Beauty Suite: Main Titles
17. Black Beauty Suite: Baby Beauty
18. Black Beauty Suite: Jump For Joy
19. Black Beauty Suite: Frolick-Sick
20. Black Beauty Suite: Bye Bye Jerry
21. Black Beauty Suite: Memories
22. Black Beauty Suite: End Titles
23. Batman Returns Suite:Birth Of A Penguin
24. Batman Returns Suite: Trouble Suite
25. Batman Returns Suite: The Finale
26. Batman Returns Suite: End Titles

Tracks:

1. Mission Impossible Suite: Trouble
2. Mission Impossible Suite: Looking For Job
3. Mission Impossible Suite: Betrayal
4. Sommersby Suite: Main Titles
5. Sommersby Suite: Return Montage
6. Sommersby Suite: Finale-End Titles
7. Dead Presidents Suite: Main Titles
8. Dead Presidents Suite: Daughter
9. Dead Presidents Suite: Montage
10. Dead Presidents Suite: Nam
11. Dead Presidents Suite: Nightmare
12. Nightmare Before Christmas Suite: Overture
13. Nightmare Before Christmas Suite: Jack And Sally Suite
14. Nightmare Before Christmas Suite: Christmas Eve Montage
15. Freeway Suite: Main Titles
16. Freeway Suite: On The Road
17. Freeway Suite: Back In The Car
18. Shrunken Heads Suite: Main Titles
19. Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
20. Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
21. Television Odds 'N Ends Suite: Amazing Stories 'Mummy, Daddy
22. Television Odds 'N Ends Suite: Barkley Superhero 'Nike Commercial'
23. Television Odds 'N Ends Suite: The Flash 'Theme'
24. Television Odds 'N Ends Suite: Pee Wee's Playhouse
25. Television Odds 'N Ends Suite: Beetlejuice - Animated Tv Series 'Theme'
26. Untitled
27. Untitled
28. Untitled
29. This Is Halloween (Original Demo For Nightmare Before Christmas)

Amazon.com

A delightfully buoyant, mock-creepy collection of film scores from Hollywood's first and best call for quirk, strangeness, and charm. Focusing on Elfman's post-1992 work (much of it for director Tim Burton), this 2 CD set features excerpts from Edward Scissorhands, To Die For, and Batman Returns, among other lesser items. -- Jeff Bateman

Customer Reviews:

Priceless, at any price.......2007-07-06

Years ago, watching peter Jennings cover the funeral procession of Princess Diana, my soul was captured by some hauntingly beautiful music that at times played in the background. So began my mission to find out what it was, who wrote it and how I could get it. After some correspondence with the network I was put in touch with the woman who "put together" that part of the programming. All she could remember is that it came from the movie "Black Beauty". THEN I found out how many versions of that had been made lol. With determination, I finally found it, and had a local music store order it for me.
There are no words to describe what this music does to me. I did try listening to some of the other tracks, but they didn't even come close. I rate this music right up there with the 1971 score for "Jane Eyre" by John Willams... and that's pretty high :D

Good overview.......2007-04-18

Very nice overview of Elfman work. Insufficient by itself but worth having along with the full soundtracks. Bonus disc is a nice extra.

Great Music!!!!!!!!!.......2005-09-08

I Love Danny Elfman's music so much that I have started my own collection of the soundtracks that he composed. For a while, I was trying to find the "Beetlejuice" theme song from the TV show, but thanks to this release, I finally have it!!! Keep up the good work Elfman!

Very nice for a Danny Elfman collection.......2005-08-02

Music For A Darkened Theater, Vol.2 is a great cd!!! I love all of the tracks on both cd's,but my fav. ones are the t.v. scores and the This Is Halloween demo!!! If you love this,then i recomend looking at all the actually albums on this cd and his other works!!!! good job,Danny Elfman.

Bring on Volume 3.......2005-05-04

The liner notes and "This is Halloween Demo" on this compilation are well worth the CD price by themselves. Danny comments on each of the tracks on the CDs which is a rare and ego-free look at what a composer thinks of his own work.

Edward Scissorhands is magical, Black Beauty is a rollercoaster of emotion, and Dolores Claiborne makes me want to find the nearest piano. This is not a "Most Popular" compilation, rather it aptly showcases Danny Elfman's (and Orchestrator, Steve Bartek's) brilliance and wide range of style.

Every suite has an Elfman signature, such as the layered complexity which never sounds overdone, or the use of a choir as an instrument.

This (and Volume 1) are examples of the work of a modern day composer who consistently stands out as one of the best.

If you like this and have the spare cash, grab the individual scores from some of the movies he has worked on, including "Men In Black", "Spiderman", "Batman", "Batman Returns", "Nightmare Before Christmas", "Edward Scissorhands", "Mars Attacks" and so many more.

Average customer rating: a great combination, part and hilliard Beautiful and Profound Power and Grace Rich, lovely, unmatched music Classical music is not dead

Arvo Pärt: De Profundis Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Part | Part, Arvo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music A Cappella | Folk | Styles | Music Classical | Imports | Stores | Music Similar Items: Arvo Part: Te Deum / Kaljuste, Estonian Philharmonic Chamber Choir Alina - Arvo Part Lamentate Arvo Pärt Sanctuary Tabula Rasa ASIN: B0000007FL Release Date: 1997-03-10

Tracks:

1. De Profundis (Psalm 129)
2. Missa Sillabica: Kyrie
3. Missa Sillabica: Gloria
4. Missa Sillabica: Credo
5. Missa Sillabica: Sanctus
6. Missa Sillabica: Angus Dei
7. Missa Sillabica: Ite missa est
8. Solfeggio
9. 'And One Of The Pharisees'
10. Cantate Domino (Psalm 95)
11. Summa (Credo)
12. Seven Magnificat Antiphons: O Weisheit
13. Seven Magnificat Antiphons: O Adonai
14. Seven Magnificat Antiphons: O Spross
15. Seven Magnificat Antiphons: O Schlussel
16. Seven Magnificat Antiphons: O Morgenstern
17. Seven Magnificat Antiphons: O Konig
18. Seven Magnificat Antiphons: O Immanuel
19. The Beatitudes
20. Magnificat

Amazon.com

Marx and Lenin probably would not have appreciated the irony, but after decades of Communist repression of religion, the former Soviet bloc is the source of a profound outpouring of explicitly Christian expression. This is manifested in the music of such composers as Henryk Gorecki, a Pole, and Arvo Pärt, an Estonian. Part, a refugee from serialism, here writes in a quasi-minimalist style that he calls "tintinnabuli," a sound that echoes medieval composition. A fan of vocal music ("The human voice is the most perfect instrument of all"), he uses choruses to superb effect. This disc includes some of his best work, including the popular Magnificat, beautifully rendered by the Theatre of Voices under Paul Hillier. --Sarah Bryan Miller

Customer Reviews:

a great combination, part and hilliard.......2004-06-21

i purchased this CD recently and was a bit worried. i enjoy part and hillard, but the length of the pieces was often so short. i really enjoy it when part writes long, epic pieces and the vocal work really explores all types of music.

instead, what i found was a collection of many small gems, each of which combine to form the larger work i was looking for. i'm not particularily religious, but i find the deep spiritualism in part's work to be profound and soothing. this disc is no exception, as part and hillaird explore religion, theology and philosophy through music and voice.

this CD is well arranged and orchestrated, and ranks among the best of any of part's works. i've been leary of hearing part work outside of the ECM new series of recordings, but i'm happy i explored. few pairings work as well as hillaird and part, i'm thankful they share their work.

Beautiful and Profound.......2004-02-06

I picked up this wonderful gem on a whim. As sacristan for my Jesuit university campus ministry, I was looking for good and movintg religious music. This surpasses anything being marketed as "liturgical" music for churches.

Part creates music that is beatiful, moving and profound. It transported me to another world; it is a deeply moving experience. Some of these tracks have already become my favorite works of musical art as well as meditative prayers.

Power and Grace.......2002-01-10

Hillier's Theatre of Voices gives an absolutely wonderful rendering of Pärt's work. The music is amazing, recalling medieval choral music as well as contemporary ideas in musical composition. Pärt manages to touch on a wide range of feeling throughout all of these compositions, conveying emotion while maintaining the kind of austerity of sound found in medieval chant. Ultimately, the CD provides a moving and enjoyable listening experience. I would recommend it to both seasoned fans of choral music and neophytes alike.

Rich, lovely, unmatched music.......2001-07-23

This music is gorgeous, whether you think you like choral music or not.

The first time I heard Arvo Part, I was browsing in a music store and stopped to listen with a pair of crummy headphones. The sounds and tone drew me into another world, one made lovely by the rich and carefully-worked composition of a master.

The recording is perfect. The music is like nothing else I've heard, more deeply-felt and inspiring than anything I'm familiar with. I would not call myself a fan of choruses, but Part's work is extraordinary.

Classical music is not dead.......2000-05-18

For anyone who thought that "classical" music had been killed by atonal dissonance or kidnapped into the absurd esoteria of academic abstraction, I recommend the music of Avro Part. Similar in style to another (some would say 'THE' other) great modern composer Gorecki, the music is heavy and religious in tone and absolutely beautiful. I was an immediate convert to Part's music, and, from what I can tell, I am not alone.

Average customer rating: Outstanding An embarrassment An interesting approach to the Christian faith... Albert Batarse You've got to listen in surround...

Mass Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Bernstein: Symphony No. 3 ("Kaddish"); Chichester Psalms Leonard Bernstein Mass at the Vatican City Peter Pan (2005 Studio Cast) - Leonard Bernstein Bernstein: Candide; West Side Story; On the Waterfront; Fancy Free Bernstein Century - Symphony No. 1 "Jeremiah" & Symphony No. 2 "The Age of Anxiety" ASIN: B0000029XM Release Date: 1997-10-28

Tracks:

1. Mass: I. Devotions Before Mass; 1. Antiphon: Kyrie eleison
2. Mass: I. Devotions Before Mass; 2. Hymn And Psalm: 'A Simple Song'
3. Mass: I. Devotions Before Mass; Responsory: Alleluia
4. Mass: II. First Introit (Rondo); 1. Prefatory Prayers
5. Mass: II. First Introit (Rondo); 2. Thrice-Triple Canon: Dominus vobiscum
6. Mass: III. Second Introit: 1. In nomine Patris
7. Mass: III. Second Introit; 2. Prayer for the Congregation (Chorale: 'Almighty Father')
8. Mass: III. Second Introit; 3. Epiphany
9. Mass: IV. Confession; 1. Confiteor
10. Mass: IV. Confession; 2. Trope: 'I Don't Know'
11. Mass: IV. Confession; 3. Trope: 'Easy'
12. Mass: V. Meditation No. 1; Orchestra Alone
13. Mass: VI. Gloria; 1. Gloria Tibi
14. Mass: VI. Gloria; 2. Gloria in excelsis
15. Mass: VI. Gloria; 3. Trope; 'Half Of The People
16. Mass: VI. Gloria; 4. Trope: 'Thank You'
17. Mass: VII. Meditation No. 2; Orchestra Alone
18. Mass: VIII. Epistle; 'The Word Of The Lord'
19. Mass: IX. Gospel-Sermon; 'God Said'

Tracks:

1. Mass: X. Credo: 1. Credo in unum Deum
2. Mass: X. Credo: 2. Trope: 'Non Credo'
3. Mass: X. Credo: 3. Trope: 'Hurry'
4. Mass: X. Credo: 4. Trope: 'World Without End'
5. Mass: X. Credo: 5. Trope: 'I Believe In God'
6. Mass: XI. Meditation No. 3: (De profundis, part 1)
7. Mass: XII. Offertory: (De profundis, part 2)
8. Mass: XIII. The Lord's Prayer: 1. 'Our Father...'
9. Mass: XIII. The Lord's Prayer: 2. Trope: 'I Go On'
10. Mass: XIV. Sanctus: 'Hol y! Holy! Holy!...'
11. Mass: XV. Agnus Dei: 'Agnus Dei...'
12. Mass: XVI. Fraction: 'Things Get Broken'
13. Mass: XVII. Pax: Communion: 'Secret Songs

Amazon.com

While critics at the 1971 premiere found the work derivative and even tasteless, audiences loved this ardent, resourceful, somewhat brazen, ultimately moving Theatre Piece for Singers, Players, and Dancers. Leonard Bernstein's affinity for his public and for the age in which he lived enabled him to successfully outfit his Mass with a stylish mix of contemporary and ancient modes--rock, jazz, electronic music, Gregorian chant--and place it in a context somewhere between Broadway and opera. Though it lacks the visual component of a live performance, the work holds up well on this Bernstein-led recording, the only complete version on disc. From the popular "Simple Song" to the Stravinskian rhythmic devices and abundant, memorable melodies, the vital creative force of Bernstein is never absent. --David Vernier

Customer Reviews:

Outstanding.......2007-05-24

An excellent cd sung in english with a libretto to guide you. This two cd set is very much worth owning and is conducted by the composer. It is not like the usual mass in that it employs two orchestras, singers, dancers and two choruses.

An embarrassment.......2007-05-17

This is one of the biggest embarrassments of Bernstein's career. In the late 60s/early 70s, everyone was trying to make Catholicism "hip and cool and relevant" in an attempt to appeal to the youth culture of that time. That's why we have time pieces like Jesus Christ Superstar and songs like "Put Your Hand in the Hand" -- a song which would fit nicely here, by the way, so you get the picture. The fact that Bernstein is Jewish, and therefore non-Catholic, didn't seem to deter or bother anyone involved in this ridiculous project. With its dippy-hippy lyrics ("God said it's good to be poor") and mindnumbingly dumb "theological" reflections ("I believe in one God, but I believe in three" huh?) this "mass" is hopelessly dated. This, after all, is a theater piece, not a liturgical mass in the great tradition of Catholic composers such as Beethoven Bruckner and Mozart. As it tries so hard to fit into the youth culture of the early 70's, it ultimately rests there and never transcends into anything musically interesting, spiritually uplifiting, or spiritually challenging. Strong point: "A Simple Song" which is, a simples song from the Psalms sung by Alan Titus without -- mercifully -- any cynical interpolations. Otherwise, file this with the Godspell movie soundtrack.

An interesting approach to the Christian faith..........2007-04-28

Even though I always considered L. Bernstien to be my favorite conductor, it took me a long time to like his "Mass". I would listen to it every year or two and gradually it grew on me. Though Bernstien's music is unmistakable, he draws on Mahler, Stravinsky, Ives, Copland and Gershwin. This piece reveals musical genius and also presents an interesting approach to the Christian faith.

P.S. Bernstien also wrote a symphony called "Kaddish" which is based on Jewish prayers. Like Gustav Mahler, Bernstien must have been quite a seeker and we are to benefit from his variety of religious experiences.

Albert Batarse.......2005-07-22

A Bernstein classic. You feel like singing it
over and over and never get tired of it.
An excellent musical way to communicate with God.

You've got to listen in surround..........2005-04-01

If you have have a home theater system with very good speakers, listen to this CD in surround. Leonard Bernstein conceived the music in quad, using the space intelligently, and it still holds up.

Hats off to original recording engineer Don Puluse (quad was bleeding edge back then) and to CD remixing engineer John McClure.

Average customer rating: Music and the Great War How a Century Has Change Our Perception of War Excellent Recording! Good music, bad title

The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Septets | Chamber Music | Classical | Styles | Music All Works by Berg | Berg, Alban | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schoenberg | Schoenberg, Arnold | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Great War Over There - Songs From America's Wars Words and Music of World War II The Roaring Twenties Songs That Got Us Through WWII ASIN: B00000HXKX Release Date: 1999-01-12

Tracks:

1. Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
2. Waltz Fom Der Rosenkavalier Suite
3. 'Von der Schonheit' From Das Lied von der Erde
4. 'De l'aube a midi sur la mer' From La Mer
5. Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
6. L'histoire du soldat Suite - IV. The Royal March
7. L'histoire du soldat Suite - V. The Little Concert
8. Le tombeau de Couperin - V. Menuet
9. Le tombeau de Couperin - VI. Toccata
10. Sinfonia From Pulcinella Suite
11. Walzer From Funf Klavierstucke, Op. 23
12. Interlude From Wozzeck, Act III
13. Prologue From Music Ffor The Theatre
14. 'Shine On Harvest Moon'
15. 'Alexander's Ragtime Band' - Irving Berlin
16. 'Over There'
17. 'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
18. 'The Man I Love' From Stride Up The Band
19. 'West End Blues'

Amazon.com

The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie Gerber

Customer Reviews:

Music and the Great War.......2007-05-14

This is a fascinating compendium of popular and classical music from the World War One period. It evokes all the turmoil, anguish, and also humor, of the age, and is a vital CD to own if you have an interest in the Great War and the music it inspired or was inspired by.

How a Century Has Change Our Perception of War.......2005-10-29

War. Tough subject these days - tough subject since the beginning of time. Yet Americans tend to mend wounds and gradually allow the atrocities of yesteryear to fade into coated cases that signal more memories of 'how things used to be' rather than learning from the tragedies with which war has scarred the planet. National Public Radio issued this excellent memoir at the turn of the millennium and one wonders if it now has the same response that greeted it in 1999.

Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.

The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.

The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05

Excellent Recording!.......1999-03-13

(It was called The "Great" War, because nobody knew about WWII at the time and it was the biggest war anyone had ever seen.)

I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.

Good music, bad title.......1999-02-11

Since when is war great? Life in the trenches waiting for the germans to attack you worrying about whether mustard gas is gonna loft your way isn't exactly like sipping chablis.

Track Listings:

1. Nicolai Malko Conducts Russian Music
2. Orchestral Works 4
3. Organ Music Of America II
4. Passio Domini Gregorian Chant from St. Gall 2
5. Piano Quartets of Brahms
6. Piano Sonata in B
7. Piano Trio Op 17 / Piano Trio 1, Op 18
8. Pierre Fournier: Dvorák Cello Concerto
9. Quartet in E Flat for Piano Violin Viola & Cello
10. Resurrexi and Other Works by Gerald Near

Track Listings

track listings

Track Listings

Montigola Underground [EP]

Sergej Larin - Tchaikovsky Songs

Still Making Rain

My Experiments with Groove

Seeds Turn to Flowers Turn to Dust

Secret Is Out

Songs To Blather By

Nielsen: String Quartets Vol 1 / Oslo String Quartet

Semi-True Stories

Really I Do

Smart

Skyline [Import]

Progressive House Ep V.1 [CD-single] [Import]

Carmine Meo

Guys & Dolls (1950 Original Broadway Cast)