1.
Symphony in F sharp, Op 40
Composed by
Erich Wolfgang Korngold
Performed by
Nordwestdeutsche Philharmonie
Conducted by
Werner Andreas Albert
2.
Theme and Variations for school orchestra, Op 42
Composed by
Erich Wolfgang Korngold
Performed by
Nordwestdeutsche Philharmonie
Conducted by
Werner Andreas Albert
3.
Straussiana
Composed by
Erich Wolfgang Korngold
Performed by
Nordwestdeutsche Philharmonie
Conducted by
Werner Andreas Albert
Orchestral Works 4,Korngold,Albert,Nordwestdeutsche Phil,Cpo Records,Classical,Classical Composers,Orchestral & Symphonic
Average customer rating:
- Excellent Introduction to Spanish Classical Guitar Music
- The guitar is an orchestra in miniature!
- GUITAR MAJESTY
- Sweet, sweet music, an essential addition to your collection
- A True Classic
|
Spanish Guitar Music
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ASIN: B00005YJ4Q
Release Date: 2002-01-29 |
Tracks:
- Albeniz: Asturias
- Albeniz: Tango
- Sanz: Canarios
- Rodrigo: Fandango
- Torroba: Nocturno
- Segreras - El Colibri
- Albeniz: Sonata in D
- De Falla: The Corregidor's Dance
- De Falla: Fisherman's Song
- De Falla: The Miller's Dance
- Torroba: Madronos
- La Nit de Nadal
- El Noy de la Mare
- Granados: Ma Maja de Goya
- Abeniz: Cordoba
- Tarrega: Recuerdos de la Alhambra
- Granados: Spanish Dance No. 5
- El Testamen de Amelia
- Villa-Lobos: Prelude No. 4 in E Minor
- Albeniz: Sevilla
- De Falla: Homanaje
- Mudarra: Fantasia
- Turina: Fandanguillo
Customer Reviews:
Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18
As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
The guitar is an orchestra in miniature!.......2005-02-05
This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
GUITAR MAJESTY.......2004-12-21
John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.
Sweet, sweet music, an essential addition to your collection.......2004-12-07
I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.
A True Classic.......2004-01-26
This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.
Average customer rating:
- hmmmm
- Good Introduction but poor quality
- Tchaikovsky's Greatest Pieces of Music
- great music poorely performed.
- Great!
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25 Tchaikovsky Favorites
Manufacturer: Vox (Classical)
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ASIN: B0000058HZ
Release Date: 1996-08-20 |
Tracks:
- Overture
- Dance Of The Sugar Plum Fairy
- Dance Of The Flutes
- Scene
- Waltz
- Dance of the Swans
- Scene 2
- Hungarian Dance
- III. Scherzo
- I. Adagio; Allegro Non Troppo
- II. Allegro Con Grazia
- III. Allegro Molto Vivace
- II. Andante Cantabile
- Capriccio Italien In A Major, Op. 45
- Marche Slave In B Flat, Op. 31
- June - Michael Ponti
- II. Andantino Simplice - Felicja Blumental
- Coronation March
- Eugen Onegin: Waltz
- Romeo & Juliet: Fantasy-Overture
- Serenade For Strings: II. Waltz
- Sleeping Beauty: Tempo Di Valse
- String Quartet In D Major, Op. 11: Andante Cantabile
- Violin Concerto In D Major, Op. 35: III. Allegro Vivacissimo - Aaron Rosand
- 1812 Overture, Op. 49: Excerpt
Customer Reviews:
hmmmm.......2005-09-14
definitely not the best rendition of the popular suite.on the other hand,try finding another one.
stuff is edited,bludgeoned,rather.
tempos verge on comical.
rather disapointing,I really needed a nice version of the sugar plum faerie dance.
will probably stick to Wendy Carlos's,cheesy,runningly cheesy,blue cheese smelly,even,as it might be,still holds the original pace and campy pomp.
...not nuch of a cheese shop is it?
-it's fairly clean.
certainly not contaminated by Cleese!
Good Introduction but poor quality.......2005-09-12
This is a good introduction to Tchaikovsky for the beginner that gives a broad sampling of his work. Considering the price, it's a good value if someone is just wanting to begin exploring classical music or Tchaikovsky in particular.
However, the sound quality on this albumn is quite poor and there are much higher quality Tchaikovsky recordings available.
Tchaikovsky's Greatest Pieces of Music.......2000-09-04
Here are some of Peter Ilych Tchaikovsky's greatest works. His Nutcraker, Swan Lake and Sleeping Beauty ballets are the most famous in the repoirtaire. The Symphony No. 5 and 6 are very excellent symphonic orchestrations. However, despite all the good stuff in here from the Russian master, the performers and conductors cannot surpass the beauty and artistry that such Tchaikovsky music masters as Dorati, Markevitch and Ormandy are. So if you want quality Tchaikovsky, get those conductor renditions. However, for a Tchaikovsky beginner, these pieces will get you hooked. This is a good cd to begin with for a Tchaikovsky listener. I am a Tchaikovsky listener ever since a friend recommended his glorious works to me. I am a Mozart fan but Tchaikovsky is undoubtedly the greatest Romantic composer of all time. He combines Russian melodies (Russian dances, mazurkas, waltzes) and gives them a definite Western romantic feel. He was friends with such noted Romantic composers as Camille Saint Saens, known to create such marvelous music of the era- Carnival of the Animals (now popular through Dysney) and Danse Macabre, to name only a small portion. Tchaikovsky also adored Mozart and although he is not exactly a Classical composer, he greatly admires the beauty of Mozart's works. Three cheers for Tchaikovsky !
great music poorely performed........1999-09-18
T. is my favourite composer but the interpretation on this CD is rather like a good effort in high shool
Great!.......1999-04-18
I think that Peter Tchaikovsky is one of the greatest composers ever. His Nutcracker suite and Capriccio Italien are wonderful pieces of music, as well as the rest of his pieces! This CD is definetly worth owning if you like classical music.
Average customer rating:
- Gabriela Montero CDs
- Non-professional Review
- Absolutely Magnificent!
- Improvisations Unbelievable!
- A beautiful breath of fresh air!
|
Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009VK0LO
Release Date: 2005-09-13 |
Tracks:
- Moment Musical In E Mino Op. 12 No. 4
- Prelude In G Op.32 No.5
- Etude-Tableau In D Op.39 No.9
- Prelude in D Flat Op.17 No.3
- Prelude In E Flat Minor Op.16 No.4
- Prelude In G Op.13 No.3
- Etude in C Sharp Minor Op.42 No.5
- La Vida Breve: First Spanish Dance - Manuel De Falla
- Goyescas: Quejas O La Maya Y El Ruisenor
- Danza Del Viejo Boyero
- Danza De La Moza Donosa
- Danza Del Gaucho Matrero
- Nocturne In D Flat Op.27 No.2
- Fantaisie-Impromptu In C Sharp Minor Op.66
- Mephisto Waltz No.1
Tracks:
- On Rachmaniov: Vocalise
- On The Theme From Bach 'Goldberg Variations'
- On Chopin: Nocturne In D Flat
- On Rachmaninov: Piano Concerto No.2
- Inspired By Scriabin
- On Duermete Mi Nino
- In The Style Of Tango
- On Granados: 'Quejas O La Maya El Ruisenor'
- In The Style Of Bach
- On Chopin: Prelude In A
- 'Improvisation in Blue (Gabriela Montero)'
- 'Song for Natalia and Isabella (Gabriela Montero)'
Customer Reviews:
Gabriela Montero CDs.......2007-06-12
Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.
Non-professional Review.......2007-03-27
Okay, I listen almost exclusively to classical music, but I do so simply for the pleasure and nothing more. I cannot tell you about Gabriela Montero's technique, and, when she improvises, I have no ability to judge the music's intrinsic value, authenticity, or whatever. I can only tell you this: while I own many dozens of albums, running the full spectrum of the classical genre, I value none of them above Montero's Bach and Beyond and her Piano Recital. Pure listening joy!
Absolutely Magnificent!.......2007-03-09
I first saw Gabriela Montero on 60 Minutes a few months ago and was taken by her playing ability as well as her ability to improvise on the classics. Ms. Montero's fingers fly over the keyboard, playing Rachmaninoff more dramatically and key-perfect than I've heard in a long time. I decided to purchase this CD and have not been disappointed.
Improvisations Unbelievable!.......2007-01-26
Gabriela Montero is a tremendous talent, both in standard classical repertoire, and improvisation. I have know her since she was a young girl, and she was by far the best pianist around, even then. She is an undersung pianist of our age, and should rise to the top very soon!
A beautiful breath of fresh air!.......2007-01-20
What a sheer delight hearing her play. I've never heard anyone quite like her. A phenomenally gifted player, and it's a rare treat to hear someone who defies pigeonholing. I had heard her on the radio, and knew I was onto something when her improvisation on a very simple theme gave me the chills. I love both CD's in this collection.
It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:
1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??
2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.
3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.
4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?
5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....
The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
Average customer rating:
- Picasso in sound
- Great but NOT complete
- There's only one.
- Don't forget Satie was an Anti-Romantic
- "Electric Spirit of Eric Satie" fans this is the one !
|
Satie: Piano Works
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B000002SBP
Release Date: 1992-01-23 |
Tracks:
- Oeuvres Pour Piano: Gymnopedie I
- Oeuvres Pour Piano: Gymnopedie II
- Oeuvres Pour Piano: Gymnopedie III
- Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
- Oeuvres Pour Piano: II: Son binocle
- Oeuvres Pour Piano: III: Ses jambes
- Oeuvres Pour Piano: Trois Gnossiennes: I Lent
- Oeuvres Pour Piano: II Avec nnement
- Oeuvres Pour Piano: III Lent
- Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
- Oeuvres Pour Piano: V Mod
- Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
- Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
- Oeuvres Pour Piano: Prolongation du m
- Oeuvres Pour Piano: I
- Oeuvres Pour Piano: II
- Oeuvres Pour Piano: III
- Oeuvres Pour Piano: En plus
- Oeuvres Pour Piano: Redite
- Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
- Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
- Oeuvres Pour Piano: III Espa (Sorte de valse)
- Oeuvres Pour Piano: Sonatine bureaucratique
- Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
- Oeuvres Pour Piano: II Simplement
- Oeuvres Pour Piano: III Un peu mouvement
- Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
- Oeuvres Pour Piano: Air du Grand Maitre
- Oeuvres Pour Piano: Air du Grand Prieur
- Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
- Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
- Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation
Tracks:
- Jack In The Box: Prelude
- Jack In The Box: Entracte
- Jack In The Box: Final
- Sports et Divertissements: Choral inappetissant
- Sports et Divertissements: La Balanre
- Sports et Divertissements: La Chasse
- Sports et Divertissements: La Come italienne
- Sports et Divertissements: Le Ril de la Mari
- Sports et Divertissements: Colin-Maillard
- Sports et Divertissements: La Pe
- Sports et Divertissements: Le Yachting
- Sports et Divertissements: Le Bain de mer
- Sports et Divertissements: Le Carnaval
- Sports et Divertissements: Le Golf
- Sports et Divertissements: La Pieuvre
- Sports et Divertissements: Les Courses
- Sports et Divertissements: Les Quatre-Coins
- Sports et Divertissements: Le pique-nique
- Sports et Divertissements: Le Water-chute
- Sports et Divertissements: Le Tango
- Sports et Divertissements: Le Traau
- Sports et Divertissements: Le Flirt
- Sports et Divertissements: Le Feu d'artifice
- Sports et Divertissements: Le Tennis
- Oeuvres Pour Piano: I D'Holothurie
- Embryons desseches: II D'Edriophtalma
- Embryons desseches: III De Podophtalma
- Preludes flasques (pour un chien): I Voix d'interieur
- Preludes flasques (pour un chien): II. Idylle cynique
- Preludes flasques (pour un chien): III. Chanson canine
- Preludes flasques (pour un chien): IV. Avec camaraderie
- En habit de cheval (a 4 mains): I Choral
- En habit de cheval (a 4 mains): II Fugue litanique
- En habit de cheval (a 4 mains): III Autre chose
- En habit de cheval (a 4 mains): IV Fugue de papier
- Apercus desagreables: I Pastorale
- Apercus desagreables: II Choral
- Apercus desagreables: III Fugue
- Descriptions automatiques: I Sur un vaisseau
- Descriptions automatiques: II Sur une lanterne
- Descriptions automatiques: III Sur un casque
- 3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
- 3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
- 3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
- Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
- Peccadilles importunes: Lui manger sa tartine
- Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
- Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
- Pieces froides - No. 1 Airs a faire fuir: II Modestement
- Pieces froides - No. 1 Airs a faire fuir: III S'inviter
- Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
- Pieces froides - No. 2 Danses de travers: II Passer
- Pieces froides - No. 2 Danses de travers: III Encore
- La Belle Excentrique: I Grande ritournelle
- La Belle Excentrique: II Marche franco-lunaire
- La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
- La Belle Excentrique: IV Can-can grand-mondain
- 3 Sarabandes: No. 1
- 3 Sarabandes: No. 2
- 3 Sarabandes: No. 3
Amazon.com
It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey
Customer Reviews:
Picasso in sound.......2006-02-19
Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.
Great but NOT complete.......2004-12-23
Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.
Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.
There's only one........2004-06-26
If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.
Don't forget Satie was an Anti-Romantic.......2002-02-25
No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.
"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17
Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !
Average customer rating:
- poor sound quality
- SUPERB
- In this case: I'm baroque
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25 Baroque Favorites
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ASIN: B0000058I7
Release Date: 1996-08-20 |
Tracks:
- Canon
- Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
- Water Music: VI. Minuet
- Trumpet Concerto In D: II. Adagio
- Sarabande
- Oboe Concerto In D Minor: II. Adagio
- Concerto In D For Trumpet & Strings: III. Grave
- Air On The G String
- Adagio For Strings In G Minor
- The Four Seasons: Spring, II. Largo
- Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
- Concerto In D For 2 Trumpets & Strings: II. Largo
- Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
- Concerto In D For 6 Trumpets & Strings: II. Adagio
- Ombra mai fu: Handel's Largo
- Trumpet Sonata No. 1 In F: II. Grave
- Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
- Concerto In C For Viola Pomposa & Strings: II. Andante
- Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
- Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
- Sonata For Trumpet & Strings: I. Allegro
- Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
- Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
- Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
- Trumpet Voluntary
Customer Reviews:
poor sound quality.......2004-09-29
a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.
SUPERB.......2004-02-19
An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.
If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.
In this case: I'm baroque.......2004-02-07
I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.
Come to laugh and stay to cry.......2003-11-26
Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.
"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".
At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.
Great Introduction to Beautiful Music.......2000-07-08
The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.
This CD is considered an introduction to baroque music. It includes some of the most famous composers and their best songs. For example, Bach, Handel, and Vivaldi each have three songs on this disc. The liner notes are sparse, but a brief history of baroque music is included. Because of the inexpensive price and the huge amount of music (25 songs, 74 minutes of music), I highly recommend this for anyone who already loves the baroque style or wants an excellent introduction to this beautiful music.
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The Story of Tchaikovsky
Pyotr Il'yich Tchaikovsky , Edouard van Remoortel , and Arthur Hannes
Manufacturer: Vox (Classical)
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- The Story of Mozart
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ASIN: B000001KD9
Release Date: 1995-04-16 |
Tracks:
- Finale
- Overture
- June (Barcarolle)
- Andante Cantabile
- Waltz
- Romeo and Juliet (Overture-Fantasy)
- None But The Lonely Heart, Op. 6 No. 6
- Allegro Non Troppo
- Waltz
- Andante cantabile
- Chanson Triste, Op. 40 No. 2
- 'Pathetique' Allegro Con Grazia
- Andante Sostenuto
- Capriccio Italien, Op. 45
- Finale
- Marche Slave, Op. 31
- Excerpts
- 1812 Overture, Op. 49
- 'Pathetique' Excerpts
- Scene
- Valse
- Dance Of The Swans
- Scene
- Hungarian Dance
- Panorama Andantino
- Tempo Di Valse
Average customer rating:
- THE GREATEST OF CHOPIN PIANISTS
- The greatest interpretation
- Not such a great album
- Love it.
- RECORDING QUALITY IS A FACTOR
|
Arthur Rubinstein plays Chopin [Box Set]
Manufacturer: EMI Classics
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ASIN: B000002S59
Release Date: 1994-03-15 |
Tracks:
- Piano Concerto No. 1 In E minor, Op. 11: Allegro maestoso risoluto
- Piano Concerto No. 1 In E minor, Op. 11: Romanze (Larghetto) -
- Piano Concerto No. 1 In E minor, Op. 11: Rondo vivace
- Piano Concerto No. 2 In F minor, Op. 21: Maestoso
- Piano Concerto No. 2 In F minor, Op. 21: Larghetto
- Piano Concerto No. 2 In F minor, Op. 21: Allegro vivace
- Waltz In C Sharp Minor, Op. 64, No. 2
- Nocturne No. 1 In B Flat Minor, Op. 9 No. 1
- Nocturne No. 2 In E Flat Major, Op. 9 No. 2
- Nocturne No. 3 In B Major, Op. 9 No. 3
Tracks:
- Nocturne No. 4 In F Major, Op. 15 No. 1
- Nocturne No. 5 In F Sharp Major, Op. 15 No. 2
- Nocturne No. 6 In G Minor, Op. 15 No. 3
- Nocturne No. 7 In C Sharp Minor, Op. 27 No. 1
- Nocturne No. 8 In D Flat Major, Op. 27 No. 2
- Nocturne No. 9 In B Major, Op. 32 No. 1
- Nocturne No. 10 In A Flat Major, Op. 32 No. 2
- Nocturne No. 11 In G Minor, Op. 37 No. 1
- Nocturne No. 12 In G Major, Op. 37 No. 2
- Nocturne No. 13 In C Minor, Op. 48 No. 1
- Nocturne No. 14 In F Sharp Minor, Op. 48 No. 2
- Nocturne No. 15 In F Minor, Op. 55 No. 1
- Nocturne No. 16 In E Flat Major, Op. 55 No. 2
- Nocturne No. 17 In B Major, Op. 62 No. 1
- Nocturne No. 18 In E Major, Op. 62 No. 2
- Nocturne No. 19 In E Minor, Op. 71 No. 1 (posth.)
Tracks:
- Waltz In A-Flat Major, Op. 34, No. 1
- Mazurka In F-Sharp Minor, Op. 6, No.1
- Mazurka In C-Sharp Minor, Op. 6, No.2
- Mazurka In E-Major, Op. 6, No.3
- Mazurka In E-Flat Major, Op.6, No.4
- Mazurka In B-Flat Major, Op. 7, No. 1
- Mazurka In A-Minor, Op. 7, No.2
- Mazurka In F-Minor, Op. 7, No. 3
- Mazurka In A-Flat Major, Op. 7, No.4
- Mazurka In C-Major, Op. 7, No. 5
- Mazurka In B-Flat Major, Op. 17, No.1
- Mazurka In E-Minor, Op. 17, No. 2
- Mazurka In A-Flat Major, Op. 17, No. 3
- Mazurka In A-Minor, Op. 17, No. 4
- Mazurka In G-Minor, Op. 24, No. 1
- Mazurka In C-Major, Op. 24, No. 2
- Mazurka In A-Flat Major, Op. 24, No. 3
- Mazurka In B-Flat Minor, Op. 24, No. 4
- Mazurka In C-Minor, Op. 30, No. 1
- Mazurka In B-Minor, Op. 30, No. 2
- Mazurka In D-Flat Major, Op. 30, No. 3
- Mazurka In C-Sharp Minor, Op. 30, No. 4
- Mazurka In G-Sharp Minor, Op. 33, No. 1
- Mazurka In D-Major, Op. 33, No. 2
- Mazurka In C-Minor, Op. 33, No. 3
- Mazurka In B-Minor, Op. 33, No. 4
- Mazurka In C-Sharp Minor, Op. 41, No. 1
- Mazurka In E-Minor, Op. 41, No. 2
- Mazurka In B-Major, Op. 41, No. 3
- Mazurka In A-Flat Major, Op. 42, No. 4
- Mazurka In G-Major, Op. 50, No. 1
- Mazurka In A-Flat Major, Op. 50, No. 2
- Mazurka In C-Sharp Minor, Op. 50, No. 3
Tracks:
- Mazurka In B-Major, Op. 56, No. 1
- Mazurka In C-Major, Op. 56, No. 2
- Mazurka In C-Minor, Op. 56, No. 3
- Mazurka In A-Minor, Op. 59, No. 1
- Mazurka In A-Flat Major, Op. 56, No. 2
- Mazurka In F-Sharp Minor, Op. 56, No. 3
- Mazurka In B-Major, Op. 63, No. 1
- Mazurka In F-Minor, Op. 63, No. 2
- Mazurka In C-Sharp minor, Op. 63, No. 3
- Mazurka In G-Major, Op. 67, No. 1
- Mazurka In G-Minor, Op. 67, No. 2
- Mazurka In C-Major, Op. 67, No. 3
- Mazurka In A-Minor, Op. 67, No. 4
- Mazurka In C-Major, Op. 68, No. 1
- Mazurka In A-Minor, Op. 68, No. 2
- Mazurka In F-Major, Op. 68, No. 3
- Mazurka In F-Monor, Op. 68, No. 4
- Mazurka In A-Minor, Op. Posth. (A son ami Emile Gaillard)
- Mazurka In A-Minor, Op. posth. (Notre temps)
- Scherzi In B-Minor, Op. 20
- Scherzi In B-Flat Minor, Op. 31
- Scherzi In C-Sharp Minor, Op. 39
- Scherzi In E-Major, Op. 54
Tracks:
- Barcaolle In F-Sharp Major, Op. 60
- Berseuse In D-Flar Major
- Polonaise In C-Sharp Major, Op. 26, No. 1
- Polonaise In E-Flat Major, Op. 26, No.2
- Polonaise In A-Major, Op. 40, No. 1
- Polonaise In C-Minor, Op. 40, No. 2
- Polonaise In F-Sharp Major, Op. 44
- Polonaise In A-Flat Major, Op. 53 (Heroic)
- Polonaise In A-Flat Major, Op. 61 (Polonaise-Fantaisie)
- Andante splanato & polonaise brillante In E-Flat Major, Op. 22
Customer Reviews:
THE GREATEST OF CHOPIN PIANISTS.......2007-03-01
These are the earlier discs of Rubinstein's Chopin, recorded by HMV in London during the 1930's. It is less complete than his later recordings for RCA - no Sonatas, no Ballades, no Etudes. The sound is naturally of its time - but in many ways more natural than the sharply-lit, slightly edgy piano sound RCA favoured in the 50's and 60's. Nevertheless, these are the Chopin performances I return to most.
Rubinstein's natural affinity with Chopin is legendary. He seemed always able to capture precisely the right degree of rubato at exactly the right moment in these pieces. And he had a unique ability in his countryman's music to balance the lyrical with the impassioned, what seems completely spontaneous with what is clearly deeply considered. The Nocturnes here are, I think, the best you'll hear anywhere on disc. In the greatest of them - the Opp.37 & 48 sets, for example - Rubinstein gets the contrast between the dreamy nocturnal outer sections with the darker, more impassioned central sections just right. These are not salon miniatures in his hands but big works, if not in length then in content. And no-one can match Rubinstein in the elusive diversity of this complete set of Mazurkas. The two Concerti both have Barbirolli as the sympathetic conductor, following Rubinstein's lead in the ebb and flow of phrases and whole sections of these gorgeous and often maligned works. Interestingly the recording of Concerto No.2 (actually the first composed) dates from before the pianist's famous withdrawal from public performance to reconstruct his technique and his approach, that of Concerto No.1 from after. Perhaps one can detect a touch more maturity and refinement in his approach to the latter, but they are both ravishing performances.
Many of the performances on these 5 discs are the greatest Chopin you're likely to hear. And the ear soon adjusts to the somewhat old-fashioned recorded piano sound. This is a highly desirable set for any lover of Chopin and/or great piano playing.
The greatest interpretation.......2007-02-17
The interpretation is stunning. Mono - but no matter for solo piano - and a wee bit hissy but still quite superb.
Not such a great album.......2007-01-12
This album was recorded from records as you can hear the scratches and skips. Don't recommend it!
Love it........2006-06-22
This is my favorite album. I think that not even Rubinstein's later recordings attain this quality of musical involvment.
There is a fair amount of background noise, but the music helps to forget it rather quickly overall.
RECORDING QUALITY IS A FACTOR.......2005-02-10
Otherwise, I would have given 5 stars. The fact that these have a hiss (and you can practically hear him close the piano on several numbers) should be mentioned. I guess we are spoiled to audio quality, but this is an expensive collection and this fact was glaringly omitted. That said, I have enjoyed the recordings, in spite of the very audible hiss.
Average customer rating:
- Great Performance, disappointing listening experience
- Great Performance, not so great quality recording
- Splendid Introduction to Satie's Piano Music
|
Satie: Gymnopédies No1-3; Gnossiennes No1-6
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Satie: Piano Works
- After the Rain...The Soft Sounds of Erik Satie
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ASIN: B00004R95Q
Release Date: 2000-03-14 |
Tracks:
- Trois Gymnopedies: I. Lent Et Douloureux
- Trois Gymnopedies: II. Lent Et Triste
- Trois Gymnopedies: II. Lent Et Grave
- I. Lent
- Six Gnossiennes: II. Avec Etonnement
- Six Gnossiennes: III. Lent
- Six Gnossiennes: IV. Lent
- Six Gnossiennes: V. Modere
- Six Gnossiennes: VI. Avec Conviction Et Avec Une Tristesse Rigoureuse
- Croquis Et Agaceries D'un Gros Bonhomme En Bois: I. Tyrolienne Turque (Avec Precaution Et Lent)
- Croquis Et Agaceries D'un Gros Bonhomme En Bois: II. Danse Maigre (A La Maniere De Ces Messieurs) (Assez Lent Si Vous Le Voulez Bien)
- Croquis Et Agaceries D'un Gros Bonhomme En Bois: III. Espanana (Sorte De Valse)
- Embryons Desseches: I. - D'Holothurie (Allez Un Peu)
- Embryons Desseches: II. - D'Edriophtalma (Sonore)
- Embryons Desseches: III. - De Podophtalma (Un Peu Vif)
- Sonatine Bureaucratique: Allegro - Andante - Vivace
- Avant-dernieres Pensees: I. Idylle, (A Debussy) (Modere, Je Vous Prie)
- Avant-dernieres Pensees: II. Aubade (A Paul Dukas) (Pa Vite)
- Avant-dernieres Pensees: III. Meditations (A Albert Roussel) (Un Peu Vif)
- Veritables Preludes Flasques (Pour Un Chien): I. Severe Reprimande (Vif [Sans Trop])
- Veritables Preludes Flasques (Pour Un Chien): II. Seul A La Maison (Pas Vite)
- Veritables Preludes Flasques (Pour Un Chien): III. On Joue (Aller)
- Cinq Nocturnes: I. Doux Et Calme
- Cinq Nocturnes: II. Simplement
- Cinq Nocturnes: III. Un Peu Mouvemente
- Cinq Nocturnes: IV. Mysterieux et tendre
- Cinq Nocturnes: V.
- Trois Morceaux En Forme De Poire: I. Maniere De Commencement (Allez Moderement) - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: II. Prolongation Du Meme (Au Pas) - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: 1. Lentement - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: 2. Enleve - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: 3. Brutal - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: III. En Plus (Calme) - Gabriel Tacchino
- Trois Morceaux En Forme De Poire: IV. Redite (Dans Le Lent) - Gabriel Tacchino
- La Belle Excentrique: I. Grand Ritournelle - Gabriel Tacchino
- La Belle Excentrique: II. Marche 'Franco-Lunaire' - Gabriel Tacchino
- La Belle Excentrique: III. Valse Du 'Mysterieux Baiser Dans L'oeil' (Mouvement De Valse) - Gabriel Tacchino
- La Belle Excentrique: IV. Cancan Grand-Mondain (Galop) - Gabriel Tacchino
Amazon.com
Aldo Ciccolini's late-1960s survey devoted to Erik Satie's piano music helped spawn new interest in the idiosyncratic French composer. The pianist rerecorded the cycle digitally, and it is from these remakes that the present reissue stems. While the performances are refreshingly pert, stylish, and perceptive, the rather glassy, treble-heavy engineering can't hold a candle to EMI's warmer analog sound for the earlier recordings. Be that as it may, this disc covers a spectrum of Satie's creative moods (to say nothing of his bizarre titles), from the pensive Gymnopédies, Gnossiennes, and Nocturnes to the upbeat irony inherent in the character pieces. Gabriel Tacchino joins Ciccolini for a balletic romp through La belle excentrique. Happily, this duo will have none of the fussy rubato with which a handful of world-class pianists distort Trois Morceaux en forme de poire. If warm, rounded piano sound is not an issue, then this disc will do just fine as your basic Satie starter kit. --Jed Distler
Customer Reviews:
Great Performance, disappointing listening experience.......2007-05-06
The performance of all of the pieces on this disk are exceptional, and the recording of the piano itself is well done. Unfortunately, both are almost irreparably marred by a loud recording hiss throughout the performances. The fact that this hiss fades to zero between sets only serves to highlight the hiss and make it distracting again. I am stunned that this disk advertises itself as a DDD recording, the engineers and producers should be ashamed. If you know how to process hiss out of a recording, go for it. Otherwise, be warned, you may be disappointed.
Great Performance, not so great quality recording.......2006-01-19
I think that the interpretation of Satie's work here is really good, but my complain is that the recording has a lot of noise in it, is not just the noise of a life performance (which I don't mind), but there is a clear white noise in the background that spoils the overall effect. Still, as I said the interpretation is just great, but the noise issue forces me to give a 3 start rating.
Splendid Introduction to Satie's Piano Music.......2004-05-29
I must confess my ignorance with respect to Satie and his music, so this fine CD was a revelation. Satie clearly falls in the same group of "Impressionist" composers such as Debussy, but still remains an enigmatic figure, in part because of the satirical content of his music, as well as his personality. In Aldo Ciccolini, Satie had one of his foremost champions. This CD is replete with graceful, lyrical playing of Satie's works. I am truly surprised that Satie was neglected until the 1960's, when Ciccolini began championing his music. The sound quality isn't nearly as warm as earlier EMI analogue recordings, but this isn't a major disappointment in what is otherwise a splendid introduction to Satie's music.
Average customer rating:
- Worth Getting Just For the Granados Spanish Dance Alone
- Together, first time
- Masters
- Very excellent CD.
|
Together/Julian Bream & John Williams
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Pavanes
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ASIN: B000003FDM
Release Date: 1993-05-25 |
Tracks:
- Suite For Two Guitars: Corant I
- Suite For Two Guitars: Alman
- Suite For Two Guitars: Corant II
- Duo In G, Op. 34: Largo
- Duo In G, Op. 34: Rondo
- L'encouragement, Op. 34: Cantabile
- L'encouragement, Op. 34: Theme and Variations
- L'encouragement, Op. 34: Waltz
- Cantos de Espana, Op. 232, No. 4: Cordoba
- Goyescas: Intermezzo
- La vida breve: Spanish Dance No. 1
- Pavane For A Dead Princess
- Dolly, Op. 56: Berceuse
- Dolly, Op. 56: Mi-a-ou
- Dolly, Op. 56: Dolly's Garden
- Dolly, Op. 56: Kitty-Valse
- Dolly, Op. 56: Tendresse
- Dolly, Op. 56: Spanish Dance
- Danzas Espanolas, Op. 37, No. 2: Oriental
Customer Reviews:
Worth Getting Just For the Granados Spanish Dance Alone.......2006-02-12
Both Julian Bream and John Williams have been two of my favorites when it comes to classical guitar. Having them together on the same album, playing some of my favorite music is more than a treat; it is pure joy.
What I love is the fact that even though both are masters in their own rights, they were able to blend together their individual styles into an ensemble to create a set of moods which enhances the musical experience. All are wonderful, but they saved the best for last, the hauntingly beautiful Spanish Dance No. 2 of Granados. This is music that will have you stopping what you are doing just to listen to it. (If you are listening to this in the car, pull over please!) Although I have heard this piece before done by other greats, in the hands of Bream and Williams, it has been raised to heavenly heights, leaving the listener in a state between tears and great joy.
In summary, if you wish to own just one guitar album in your collection, this would be the one. My greatest regret is that I never had the pleasure of hearing either of them live on stage. The next best thing is this album.
Together, first time.......2002-07-22
Two of the classical guitar's brightest masters together for traditional as well as transcribed works from a number of different composers. Either of the guitarists at their peak (this was recorded in '71 and '78) would have been good enough to amaze you if you are a follower of the guitar and its traditional music, both of them together is something that must be heard. The recording is excellent (ADD - remastered, I believe, in '93) and the selection of music plays to their strengths as individual musicians. To hear these two rivals play together at the same time is enlightening. Essential.
Masters.......1999-06-09
Whoever would like to study or interest in classical guitar must listen to this record. They are the greatest masters.
ALGIN EROZAN
Very excellent CD........1999-04-27
I have heard this CD before, and ordered it from Amazon.com last Wednesday, Overnight shipping. This is Monday night, and it hasn't even shipped yet. Great CD, but go somewhere to buy it if you want it this century!
Average customer rating:
- The very best
- Sublime
- An excellent CD for anyone who loves the classical guitar
|
Together Again/ Julian Bream & John Williams
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Duets
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- Together/Julian Bream & John Williams
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ASIN: B000003FDN
Release Date: 1993-05-25 |
Tracks:
- Largo maestoso; Allegro moderato
- Larghetto
- Serenade In A, Op. 96: Finale
- Rondella aragonesa
- Spanish Songs, Op. 232, No.3: Beneath The Palm Tree
- Zambra
- Variazioni concertanti, Op. 130
- Evocacion
- Pavan
- Galliard
- Ouverture
- Harlequinade
- Laughter
- Rigidon
- The Fighters
- Gigue
- Reverie
- Golliwog's Cakewalk
- Clair de lune
Customer Reviews:
The very best.......2007-01-11
I have a large collection of classical guitar recordings. Quite simply, "Together Again" is the finest,best recordings of its genre ever made. It features arrangements that had never been before heard and that a big plus, for the normal repertoire for guitar is fairly small and we soon tire of hearng the same pieces again and again. The virtuosity of both Williams and Bream is unqustionalble. Bream sounds a bit steely at times. whereas Williams is soft. Together, they produce a magnificent sound.
Sublime.......2006-03-14
The two foremost virtuosos of our time have come together once again to produce this sublime album.
What John Williams lacks in lyricism is easily compensated for by Bream and the result is outstanding.
Their chemistry is so amazing and the pieces come to life in such a cohesive way that I sometimes think it is one person with 10 fingers on each hand playing the pieces.
Not every piece is easily accessible, so give it time.
Highly recommended.
An excellent CD for anyone who loves the classical guitar.......2000-06-12
This CD is a must have for all lovers of the classical guitar. As is the case of the first album, aptly named "Together", the modern masters of the classical guitar, Bream & Williams, join forces again in order to achieve some spectacular results.
The main problem of playing a classical guitar is the genuine lack of material, apart from those (relatively few) pieces which were originally written for the guitar. Furthermore, being a fairly limited instrument, the guitar limits severely the possibilities of adapting various classical pieces which were not written originally for the guitar. Thus, Bream & Williams, set out on a mission - to achieve what is not possible on one guitar, by playing a duet of classical guitars. Hence, almost all the compositions here are adaptations, but this is by no means a bad thing - the arrangements very cleverly hides the limits of the instruments, while emphasizing it's intimate and warm nature.
Two of the most notable of these adaptations are "Evocacion", from Albeniz "Suite Iberia" and "Bajo la palmera" from "Cantos de Espana", both of which were written for piano. It is well worth mentioning that many of Albeniz compositions were based on traditional spanish tunes, played originally on guitars. Thus, by playing these truly great pieces on classical guitars, Bream & Williams are restoring some of the magic which allured Albeniz to these tunes in the first place. One might also feel these tunes sound actually more natural played on two guitars rather than on a piano.
Other interesting adaptations are the three pieces by Debussy, which are very melodic and are very suitable to be played on guitars.
I warmly recommend this excellent album for anyone who appreciates classical music played by very able musicians. I guess it's also ideal as a gift for those who like good music which isn't classical, and are interested in exploring new grounds, as this album is very communicative, although it hasn't lost any of it's integrity.
Track Listings:
- Organ Music Of America II
- Passio Domini Gregorian Chant from St. Gall 2
- Piano Quartets of Brahms
- Piano Sonata in B
- Piano Trio Op 17 / Piano Trio 1, Op 18
- Pierre Fournier: Dvorák Cello Concerto
- Quartet in E Flat for Piano Violin Viola & Cello
- Resurrexi and Other Works by Gerald Near
- Robert Volkmann: Piano Trios, Opp. 3 & 5
- Robert Volkmann: String Quartets Nos. 1 & 4
Track Listings
track listings
Track Listings
NYC Man: Greatest Hits [Limited Edition] [Import]
Solo Works 69-96
Television
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Skip
Songs in the Key of Life [Import]
Sounds of a Better World: Can You Hear
Origins
Spirit of America
Seven Steps to Heaven
Soft Like Me, Pt. 2 [CD-single] [Import]
Strange Bird [Import]
Residenza [Import]
Classical Music for Children: A Toddler's Introduction to Classical Music
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