Composed by Johannes Brahms
with William David Brohn , George Work , Ames Piano Quartet , Laurence Burkhalter , Mahlon Darlington
2. Piano Quartet No. 3 in C minor ("Werther"), Op. 60
Composed by Johannes Brahms
with William David Brohn , George Work , Ames Piano Quartet , Laurence Burkhalter , Mahlon Darlington
Piano Quartets of Brahms,George Work,Johannes Brahms,Ames Piano Quartet,William David Brohn,Laurence Burkhalter,Mahlon Darlington,Dorian Recordings,Chamber,Classical,Classical Composers,Classical Music,Quartet for Keyboard and Three String Instruments
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Piano Quintet in F Min / Complete String Quartets (1, 2, 3)
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGB3DK Release Date: 2007-05-08 |
Tracks:
- Allegro
- Romanze: Poco Adagio
- Allegro Molto Moderato E Comodo-Un Poco Piu Animato
- Allegro
- Allegro Non Troppo
- Andante Moderato
- Quasi Minuetto, Moderato-Allegretto Vivace
- Finale: Allegro Non Assai
Tracks:
- Vivace
- Andante
- Agitato (Allegretto Non Troppo)-Trio
- Poco Allegretto Con Variazioni-Doppio Movimento
- Allegro Non Troppo
- Andante, Un Poco Adagio
- Scherzo: Allegro-Trio
- Finale: Poco Sostenuto-Allegro Non Troppo-Presto, Non Troppo
Amazon.com
This handsome set of Brahms's chamber music features the stunning Emerson Quartet, and in the Piano Quintet, the pianist Leon Fleischer, happily recovered from a very lengthy crippling illness. The Quintet is singingly, lyrically played, with Brahms's long melodies the focal point. It's a beautiful performance, with the Emerson seemingly listening to and following Fleischer. The Quartets are performed with lush tone, with the Op. 51, no. 2, sounding particularly intense, with each dynamic change pointedly underlined. Op. 51's second movement (Romanze) makes the listener wish Brahms had set a text to the music -- it is played with exquisite lyricism. The B-flat major Quartet is vibrant, with the final movement's variations, colored by the viola, so clearly played that one can hear the echoes of the Quartet's first movement. A fine pair of CDs. --Robert LevineCustomer Reviews:
A very fine digital recording of the quartets.......2007-06-25
Best Recording of the Brahms Piano Quintet & Superb Brahms String Quartets Too.......2007-06-21
Overproduced.......2007-05-22
It's not the recording I would have expected given their full blooded Beethoven cycle. In fact, the Brahms production has more in common with their Mendelssohn cycle than the Beethoven. Their Mendelssohn too, was beautiful, but leaning toward the beauty of a still life. There are other performances, in both the Mendelssohn and the Brahms, that better capture the pathos of the music. Compare Emerson's performance of the C Minor Quartet with that of the Alban Berg Quartet, a superior performance. What the Berg may lack in refinement and polish, only in comparison to the Emerson Quartet, they more than make up for in sheer vitality.
And that's the nub of it. The desire, impetuosity, fear, triumph and pathos is missing -- in short, youthfulness. I just read a review, in the New York Review of Books, of some new translations of Casanova's autobiography and one of his statements reminds me of the Emerson. Casanova wrote that throughout his thirties, his vigor faded. I can't help wondering if the same thing hasn't happened to the Emerson quartet. They are more polished than ever, but the vigor has faded. The sexual rush of the great music is missing.
The Piano Quintet becomes an instant classic--Fleisher is incomparable.......2007-05-09
At first I was worried that he wouldn't be a match for the strainless stel Emersons, but they adapt their style to his. In every way they are second to Fleisher's lead, and the microphone placement puts his every note front and center. Often that's a drawback, but here it's what I wanted to hear. The interpretation is more relaxed than the great one from Pollini and the Quartetto Italiano and more emotionally free than Gilels with the Amadeus Qt. (NOt to mention that the Emersons show more technical ability and polish than either ensemble.) Fleisher's touch isn't as rapid and scintillating as it was in youth, but he never drags or blurs the notes. He makes each movement one great expanse of song, and in my experience there has never been a performance to equal his. rahms's broad sweeps of lyric beauty simply take off.
Oh yes, and there are three string quartets in addition. I have never warmed to Brahms's quartet writing, much as I love his other chamber music. The Emersons play with their usual amazing unanimity, and they capture Brahms's full-scale romanticism without reserve. This isn't one of their attempts to redo a classic composer in modern style. As in the Quntet, DG's sonics are wonderful, giving us the best string sonority I've heard in a long time. I'll leave it to other reviewers to detail the individual performances here. For me, the glory of this set will always be Fleisher and his amazing autumnal rebirth.
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Brahms: Complete Piano Quartets
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041EI Release Date: 1996-04-09 |
Tracks:
- Piano Quartet In G Minor, Op. 25: 1. Allegro - J. Brahms
- Piano Quartet In G Minor, Op. 25: 2. Intermezzo. Allegro ma non troppo - J. Brahms
- Piano Quartet In G Minor, Op. 25: 3. Andante con moto - J. Brahms
- Piano Quartet In G Minor, Op. 25: 4. Rondo alla Zingarese. Presto - J. Brahms
- Piano Quartet in C minor, Op. 60: 1. Allegro ma non troppo - J. Brahms
- Piano Quartet in C minor, Op. 60: 2. Scherzo. Allegro - J. Brahms
- Piano Quartet in C minor, Op. 60: 3. Andante - J. Brahms
- Piano Quartet in C minor, Op. 60: Finale. Allegro - J. Brahms
Tracks:
- Piano Quartet in A, Op. 26: 1. Allegro non troppo - Brahms
- Piano Quartet in A, Op. 26: 2. Poco adagio - Brahms
- Piano Quartet in A, Op. 26: 3. Scherzo. Poco allegro - Brahms
- Piano Quartet in A, Op. 26: 4. Finale. Allegro - Brahms
- Piano Trio in A, Op. posth.: 1. Moderato - Brahms
- Piano Trio in A, Op. posth.: 2. Vivace - Brahms
- Piano Trio in A, Op. posth.: 3. Lento - Brahms
- Piano Trio in A, Op. posth.: 4. Presto - Brahms
Customer Reviews:
great musicians.......2005-10-09
An older recording, but still amazing.......2002-06-23
I like to say about Brahms' music that it is airtight. There is never a wasted note. Every bit of melody, every nuance and texture in the harmony are masterfully crafted and serve a purpose. There is never a moment when you look at your watch and wonder when the composer is going to get around to wrapping this or that section up and get to the exciting stuff.
The Beaux Arts Trio along with Walter Trampler do a commendable job of bringing every moment of beauty and excitement out. They balance the sweetness of the slow movements and melodies well with the aggression and rhythmic complexities of the quicker movements. My current favorite quartet is the A Major. There is a singable melody or rhythmic puzzle in every movement. I listened to the final movement four times today (excessive I know, but it's just so much fun to try to figure out how Brahms manipulates those melodies within the time signatures)!
great recording.......2002-05-17
Very good!.......2001-04-01
stirring!.......2000-01-10
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Brahms: Complete String Quartets, Quintets & Sextets
Karl Leister , Johannes Brahms , Christoph Eschenbach , Cecil Aronowitz , Norbert Brainin , Siegmund Nissel , and Amadeus Quartet Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RWRG Release Date: 2003-10-14 |
Customer Reviews:
Very Good, but beware technical problems.......2007-05-26
1. In the first movement of the Brahms G Major Op.111, the string quintet elects not to take the repeat in m.56, so you will never hear the first ending on this recording and thus only get one shot at the awesome cello opening. I haven't listened closely enough to the other pieces on this set to discern if they avoided other repeats or not, but for the most part, they appear to be there.
2. There are technical printing problems. Though the recording is so live that you can hear the breath of the musicians and their fingers fall on the strings, there are some actual technical pops in the recording. Perhaps it was a transfer problem from analog to digital, as the recordings are old. Most of these pops are minor, but they are dissapointing for an audiophile such as myself. My CDs are pristine (no scratches at all), and even the first time playing them these pops were there. So, here's the list of what I've found thus far:
CD 3:
Track 6: Pops & clicks at 1:19 & 1:22.
CD 5:
Track 1: Pops at 6:01.
Track 2: Pops & clicks at 0:13, 3:56, & 6:16.
Track 5: Pop at 12:07.
Track 7: Pop & clicks at 6:11, 7:45, 7:51-7:52 (these are quite noticable), 7:59, 8:03, 8:11.
Track 8: Pop at 7:34.
It is a well-played set; hopefully they will get the printing correct on the next batch.
This is how all Brahms should be played!.......2007-02-14
Mastery and joy.......2006-12-12
Because they lasted such a long time and toward the end didn't play at their best, I found reasons to overlook the Madeus Qt. But in this 9-CD set of the complete chamber music of Brahms, there are some sublime performances--I would especially point to both String Sextets, for example. In every instance the style of the Amadeus is full of vibrancy and joy, and their ensemble isn't baased on technical perfection but rather a kinship of musical taste and feeling (this puts them poles apart from the Emerson Qt., for me at least). I also love the Brahms chamber performances on Sony with Yo-Yo Ma, Isaac Stern, emanuel Ax, and friends, but this DG set is altogether sweeter and more lyrical.
Since Amazon neglects to list the additional players who join the Amadeus for the works that aren't soely for a string quartet, here's the run-down from Tower:
1. Quartet for Strings no 1 in C minor, Op. 51 no 1
Ensemble: Amadeus String Quartet
2. Quartet for Strings no 2 in A minor, Op. 51 no 2
Ensemble: Amadeus String Quartet
3. Quartet for Strings no 3 in B flat major, Op. 67
Ensemble: Amadeus String Quartet
4. Quintet for Piano and Strings in F minor, Op. 34
Ensemble: Amadeus String Quartet
Performer: Eschenbach, Christoph
5. Quintet for Strings no 1 in F major, Op. 88
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
6. Quintet for Strings no 2 in G major, Op. 111
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
7. Trio for Clarinet, Cello and Piano in A minor, Op. 114
Performer: Leister, Karl; Eschenbach, Christoph; Donderer, Georg
8. Quintet for Clarinet and Strings in B minor, Op. 115
Ensemble: Amadeus String Quartet
Performer: Leister, Karl
9. Sextet for Strings no 1 in B flat major, Op. 18
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
10. Sextet for Strings no 2 in G major, Op. 36
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
9 CDs with THE AMADEUS: WHAT A BARGAN!.......2005-10-04
This is a really nice set at a bargan price.
Exquisite music performed with exquisite artistry.......2005-05-20
3 string quartets;
2 string quintets;
2 string sextets;
a quintet for piano, 2 violins, viola, and violoncello;
a trio for piano, clarinet, and violoncello;
and a quintet for clarinet, 2 violins, viola, and violoncello.
All this wealth of extraordinary music is in a 5 CD set, performed by one of the finest chamber music ensembles in the world, with the added artistry of Christoph Eschenbach (piano), Cecil Aronowitz (viola), and Karl Leister (clarinet).
One CD is 50' 36 in length, 2 are in the low 60's, and 2 are in the low 70's.
I have an inexpensive CD player, but this music emerges from it with the sharpness of etched glass, the smoothness of warmed honey, and the softness of rivers of silver in moonlight.
This is music to celebrate the joy and the pathos of life, played with soul, sensitivity, and power. Buy it and treasure this gift to yourself.
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Happy Birthday
Gidon Kremer , and Kremerata Baltica Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JP2B Release Date: 2003-01-28 |
Tracks:
- Polka
- Thema
- Variation Nach Joseph Haydn
- Variation Nach Wolfgang Amadeus Mozart
- Variation Nach Ludwig Van Beethoven
- Variation Nach Johannes Brahms
- Variation Nach Robert Schumann
- Variation Nach Antonin Dvorak
- Polka/Valse
- Variation Im Stil Von Filmmusik
- Ragtime
- Tango
- Czardas
- Adagio
- Allegretto
- Ad Libitum
- Allegro. Presto
- Variations Brillantes Et Concertantes Sur L'air 'God Save The King,' Op.38
- Elegy
- McMozart's Eine Kleine Bricht Moonlicht Nicht Musik
- I. Eine Kleine Nichtmusik
- II. Moonlight Concerto
- III. Chaconne A Son Gout
- IV. Hommage To Shostakofiev
- Souvenir
Amazon.com
To celebrate its sixth anniversary as an ensemble, Kremerata Baltica presents a light, loving, and musically interesting confection. After an opening polka by Schnittke (who knew he could be so frothy?), we get 11 variations on the song "Happy Birthday" by Peter Heidrich, à la Haydn, Mozart, Beethoven, and Brahms, and some dance movements. Delightful. Elsewhere, Franz Waxman's Variations on "Auld lang syne" are as clever as they are unexpected and charming. More variations--this time on "God save the King" by the 19th century composers Ghys and Servais--afford Kremer and cellist Marta Sudraba a fine time, and Teddy Bor's brief riff on Mozart's omnipresent "Eine kleine nachtmusik" is a hoot. There's more, but the point is made: Classical music can be fun and sophisticated, and Kremer and his group remain virtuosi, one and all. --Robert LevineAlbum Description
These young Baltic musicians possess a vivid spectrum of string color, thoroughly polished execution, and a direction of effort in service to the composer... There is no violinist with greater versatility and commitment to musical truth than Kremer. Slipcase. Nonesuch. 2003.Customer Reviews:
A well chosen album title.......2007-01-10
But this is a bit unfair for this excellent orchestra.
If what you are looking for is innovations on the romantic classicals... well this could be it. The point is that this is an album for listeners who know their way into classical music.
Other than that I should suggest that innovation regarding any classical music "playful" album would be to capture the listener's interest with more daring ways than that.
Happy Birthday by Gidon Kremer.......2007-01-09
A perfect birthday gift.......2006-01-26
Jest with Zest.......2005-11-26
I want to play the variations myself!.......2004-07-22
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Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLIS Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
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Brahms: The Piano Quartets
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JCDRZY Release Date: 2006-12-12 |
Tracks:
- Allegro
- Intermezzo: Allegro Ma Non Troppo - Trio: Animato
- Andante Con Moto
- Rondo Alla Zingarese: Presto
- Allegro Non Troppo
- Scherzo: Allegro
- Andante
- Finale: Allegro Comodo
Tracks:
- Allegro Non Troppo
- Poco Adagio
- Scherzo: Poco Allegro - Trio
- Finale: Allegro
- Andante Moderato
- Andante Non Troppo E Con Molto Espressione
- Andante Con Moto
Customer Reviews:
The best available?.......2007-04-03
It is as near perfection as can be imagined. There is no hint of strain in any of the parts of these exceptionally demanding works. It is a joy to hear such ensemble playing with Hamelin leading - but not dominating the ensemble.
The addition of the late Brahms pieces enhances the issue and hopefully there will be more to come!
If you have any doubts - try the samples and then I am sure you will buy!
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Brahms: Piano Trios Nos. 1, 2 & 3; Piano Quartets Nos. 1, 2 & 3
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A8T Release Date: 1995-12-05 |
Tracks:
- Trio For Violin, Violincello, And Piano No. 1 In B Major, Op. 8: I. Allegro Con Brio - J. Brahms
- Trio For Violin, Violincello, And Piano No. 1 In B Major, Op. 8: II. Scherzo. Allegro Molto - Trio. Meno Allegro - J. Brahms
- Trio For Violin, Violincello, And Piano No. 1 In B Major, Op. 8: III. Adagio - J. Brahms
- Trio For Violin, Violincello, And Piano No. 1 In B Major, Op. 8: IV. Finale. Allegro - J. Brahms
- Trio For Violin, Violincello, And Piano No. 2 In C Major, Op. 87: I. Allegro - J. Brahms
- Trio For Violin, Violincello, And Piano No. 2 In C Major, Op. 87: II. Adante Con Moto - J. Brahms
- Trio For Violin, Violincello, And Piano No. 2 In C Major, Op. 87: III. Scherzo. Presto - Poco Meno Presto - J. Brahms
- Trio For Violin, Violincello, And Piano No. 2 In C Major, Op. 87: IV. Finale. Allegro Giocoso - J. Brahms
Tracks:
- Trio For Violin, Violincello And Piano No. 3 In C Minor, Op. 101: I. Allegro Energico - J. Brahms
- Trio For Violin, Violincello And Piano No. 3 In C Minor, Op. 101: II. Presto Non Assai - J. Brahms
- Trio For Violin, Violincello And Piano No. 3 In C Minor, Op. 101: III. Andante Grazioso - J. Brahms
- Trio For Violin, Violincello And Piano No. 3 In C Minor, Op. 101: IV. Allegro Molto - J. Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 2 In A Major, Op. 26: I. Allegro Non Troppo - J. Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 2 In A Major, Op. 26: II. Poco Adagio - J. Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 2 In A Major, Op. 26: III. Scherzo. Poco Allegro - Trio - J. Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 2 In A Major, Op. 26: IV. Finale. Allegro - J. Brahms
Tracks:
- Quartet For Violin, Viola, Violincello And Piano No. 1 In G Minor, Op. 25: I. Allegro - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 1 In G Minor, Op. 25: II. Intermezzo. Allegro Ma Non Troppo - Trio. Animato - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 1 In G Minor, Op. 25: III. Andante Con Moto - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 1 In G Minor, Op. 25: IV. Rondo All Zingarese. Presto - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 3 In C Minor, Op. 60: I. Allegro Non Troppo - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 3 In C Minor, Op. 60: II. Scherzo. Allegro - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 3 In C Minor, Op. 60: III. Andante - Brahms
- Quartet For Violin, Viola, Violincello And Piano No. 3 In C Minor, Op. 60: IV. Finale. Allegro Comodo - Brahms
Customer Reviews:
This is TRUE chamber music.......2005-10-18
Each member of the ensemble seems to fit in without ever dominating.
If you want to hear how chamber music should be played - get these discs!
Gorgeous music, great performance.......2003-05-13
Brilliant Recording, Excellent Deal.......2000-04-19
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Brahms: Piano Quartets Op. 25 & Op. 60, Rubinstein Collection, Vol. 65
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005427M Release Date: 2001-08-07 |
Tracks:
- Pno Qt No.1 in g, Op.25: Allegro
- Pno Qt No.1 in g, Op.25: Intermezzo: Allegro Ma Non Troppo - Trio: Animato
- Pno Qt No.1 in g, Op.25: Andante Con Moto - Animato
- Pno Qt No.1 in g, Op.25: Rondo Alla Zingarese: Presto - Meno Presto - Molto Presto
- Pno Qt No.3 in c, Op.60: Allegro Ma NonTroppo
- Pno Qt No.3 in c, Op.60: Scherzo: Allegro
- Pno Qt No.3 in c, Op.60: Andante
- Pno Qt No.3 in c, Op.60: Allegro
Customer Reviews:
A sage performance.......2004-09-17
This recording is no different. The performances of the piano quartets presented here demonstrate every such trait, with added touches of brilliance most discernable in the final movement of the Op. 25....and to play so at such an age! With the redoubtable Guarneris as his partners, Rubinstein produces deeply satisfying accounts of this wonderful repertoire. Indeed the works are a good match for Rubinstein, for Brahms was another man who valued character and quality of craft over ephemera. This disc is magnificent. In every way here is a match made in heaven.
Brahms and Rubinstein At Their Best..........2002-08-18
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Brahms: Liebeslieder Waltzes
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CZ2 Release Date: 1993-04-27 |
Tracks:
- No.1 Rede, Madchen, Allzu Liebes
- No.2 Am Gesteine Rauscht Die Flut
- Liebeslieder-Walzerm, Op. 52: O die Frauen
- No.4 Wie Des Abends Shone Rote
- No.5 Die Grune Hopfenranke
- No.6 Ein Kleiner, Hubscher Vogel
- No.7 Wohl Schon Bewandt War Es
- No.8 Wenn So Lind Dein Auge Mir
- No.9 Am Donaustrande
- No.10 O, Wie Sanft Die Quelle
- No.11 Nein, Es Ist Nicht Auszukommen
- No.12 Schlosser Auf, Und Mache Schlosser
- No.13 Vogelein
- No.14 Sieh, Wie Ist Die Welle Klar
- No.15 Nachtigall, Sie Singt So Schon
- No.16 Ein Dunkeler Schacht Ist Leibe
- No.17 Nicht Wandle, Mein Licht
- No.18 Es Bebet Das Gestrauche
- No.1 Vezicht, O Herz, Auf Rettung
- No.2 Finstere Schatten Der Nacht
- No.3 An Jeder Hand Die Finger
- No.4 Ihr Schwarzen Augen
- No.5 Wahre, Wahre Deinen Sohn
- No.6 Rosen Steckt Mir An Die Mutter
- No.7 Vom Gebirge Well Auf Well
- No.8 Weiche Graser Im Revier
- No.9 Nagen A Herzen Fuhl Ich
- No.10 Ich Kose Suss Mit Der Und Der
- No.11 Alles, Alles In Den Wind
- No.12 Schwarzer Wald
- No.13 Nein, Geliebter, Setze Dich
- No.14 Flammenauge, Dunkles Haar
- No.15 Nun, Ihr Musen, Genug!
- Waldesnacht, Op.62 Nr.3
- Der Abend, Op.64 Nr.2
- Nachtens, Op.112 Nr.2
- Abendstandchen, Op. 42 Nr. 1
- O Schone Nacht, Op.92 Nr.1
- Abendlied, Op.92 Nr.3
- Rote Abendwolken, Op.103 Nr.11
Customer Reviews:
Simply Amazing.......2007-02-14
Brahms Waltzes.......2006-03-31
Brahms' Liebeslieder Waltzer are made up of 18 settings of texts by Georg Friederich Daumer; the texts usually speak of courtly love in various moods. Written for two pianos and voices ad libitum, Robert Shaw chooses the choral route, as opposed to solo voices. Most are SATB settings with women and men often answering each other, waltzes for just women and just men alone, as well as the occasional solo. There are many points of interest in these waltzes: the first being the great variety of settings; they never get old or repetitive. A gift of melodic writing and daring harmonic progressions, along with formulaic hemiolas; each are very descriptive of the moods they are portraying. Both the classical chamber settings and the lush Romantic sweep of the harmonies and melodies are evident in these charming works; the entirety at about 23 minutes, each waltz, none much over 2 minutes each. The popularity of the Liebeslieder Waltzer led to more: Neue Liebeslieder Waltzer. 14 of the texts are by Daumer, the final setting is by Goethe. The texts are a bit more serious, unrequited love and the dichotomy of misery and joy involved with love. The change in tone of text is apparent in the musical setting; less fluffy waltzes, and more emotionally-wrought settings. Again, there are advanced Romantic harmonies, but less chatting between men's and women's voices, but still featuring solos and gender waltzes. Again for two pianos, the quality of composition seems to rise in this new set of waltzes, less formulaic hemiolas and more singing qualities. Of particular note is the amazingly beautiful, haunting Waltz No. 13 for women's voices and the emotional final waltz, the only waltz not set in 3/4, with a cappella moments, evoking the depth of Romanticism and the clean classicism Brahms represented. At 21 minutes, each waltz continues the standard form: opening idea, contrasting idea, with an occasional return of the opening.
Also on this disk are seven part songs written by Brahms on the theme of Evening, filling out the CD with an additional 17 minutes: Waldesnacht, Der Abend, Nachtens, Abendstandchen, O Schone Nacht, Abendlied, and Rote Abendwolken. Spanning from Opus 42-112, these works represent Brahms' great choral writing in the German tradition. Each feature vivid and descriptive poetry about the night, along with sumptuous choral writing.
Robert Shaw and the Robert Shaw Festival Singers present an outstanding recording of the two sets of Liebeslieder Waltzer. Shaw does not add any over-Romanticized techniques, and rubato is nearly non-existent, for some clear choral renderings of these works. The textures and moods are brought out of the score by simply following Brahms' score markings, not by manufacturing interpretations. The addition of lieder experts John Wustman and Norman Mackenzie at the pianos, makes this a first-class performance. While the Zigeunerlieder would have been a better coupling, the seven evening songs are a welcome addition to the disk, and beautifully sung. The vocal quality is spot-on, and achieves expressiveness as well as clarity; the Festival Singers succeed here as opposed to other OK Festival Singers recordings. For solo editions of the Waltzes, look to EMI or DG, but for choral versions, this beats all. While a total of 62 minutes seems slim for a CD, these works have never sounded so fresh and committed; a must-have.
Brahms's choral music done by Shaw - YOU KNOW IT IS GREAT!.......2002-07-19
They are short, charming, and emotionally satisfying pieces. The technical demands are not severe, but require performers of some experience if not extensive training. The kind of people who would have existed in some quantity in Germany at the time these were written. Remember, Brahms actually made a living from the sales of his published music! That is very rare in the history of music. But the relative sophistication of the time created the demand for such pieces and Brahms provided them with absolute gems.
This disk contains both sets of the Liebeslieder Waltzes (love-song waltzes) and the set of seven Abendlieder (evening songs).
As you would expect the Robert Shaw Festival Singers sing beautifully and the pianists support the singing very well. The Liebeslieder sets are charming and fun and BEAUTIFUL. I was fortunate to sing the second set with the Ann Arbor Cantata Singers this past year. It is quite fun. There is nice variety in the character of the pieces and there is enough solo work for the strong voices in the group to step out (NOT ME!).
The Abendlieder are utterly gorgeous. Emotionally rich and lush in sound and texture. A nice end to the disk.
The disk also includes a nice booklet with the lyrics of the songs and provides an English translation.
My only quibble, and it is a small one - and is getting smaller upon each re-hearing is that the recording sounds a bit too wet for my tastes. I would have like to have heard the parts a tad more clearly. But you will love this disk. So, don't worry about my little squawk.
Feel free to let me know what you think of the music and the disk.
The Songs Are Truly Stunning -- A Treasure Trove.......2001-02-28
But listen, do you want to know a secret? It's the final seven tracks, which Shaw has called "Evening Songs." You can immediately hear that these are REAL choral pieces (that is to say, they wouldn't work at all with solo voices). They were selected from different eras in Brahms' life, and taken together they make a stunning impression. They have as their unifier texts about nighttime reveries and meditations. They stand with the best music Brahms ever wrote. You may find yourself cool to the frothy delights of the Waltzes (I don't; I think they're grand!), but you will not be able to deny the wonder of Brahms' - and Shaw's - achievement in these seven songs. Only 17 minutes they are, but they occupy a lifetime of taste!
Average customer rating:
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Brahms: Piano Quartets
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026CIE Release Date: 2000-02-01 |
Tracks:
- Pno Qt No.1 in g, Op.25: I. Allegro
- Pno Qt No.1 in g, Op.25: II. Intermezzo. Allegro (Ma Non Troppo)
- Pno Qt No.1 in g, Op.25: III. Andante Con Moto
- Pno Qt No.1 in g, Op.25: IV. Rondo Alla Zingarese. Presto
- Pno Qt No.3 in c, Op.60: I. Allegro Non Troppo
- Pno Qt No.3 in c, Op.60: II. Scherzo. Allegro
- Pno Qt No.3 in c, Op.60: III. Andante
- Pno Qt No.3 in c, Op.60: IV. Finale. Allegro Comodo
Tracks:
- Pno Qt No.2 in A, Op.26: I. Allegro Non Tropo
- Pno Qt No.2 in A, Op.26: II. Poco Adagio
- Pno Qt No.2 in A, Op.26: III. Scherzo: Poco Allegro
- Pno Qt No.2 in A, Op.26: IV. Finale: Allegro
- Pno Qt Movt
Customer Reviews:
Brahms Well Served by Domus.......2004-04-27
It's a devastating musical portrait, magnificently sustained. The movement builds slowly to a great, quasi-symphonic climax at the start of the development section. Domus prepares this climax perfectly, unleashing it with all the fury and anguish it should have. In fact, they are in touch with all the emotions of this work, including the cooler, more Olympian drama of the scherzo, one of Brahms's very best, where the play of minor and major keys is like that of some lithe forest creatures chasing through sunlight and shadow. Maybe I wax too romantic here, but this is a beautiful movement and a beautiful performance of it. So, too, with the achingly nostalgic slow movement and the subdued passion of the finale. Gorgeous music beautifully played. Despite the huge popularity of the First Piano Quartet, in a performance like this it's clear the Third Quartet is the great work among Brahms's Quartets. In fact, I find it more commanding overall than the celebrated Piano Quintet, whose drama seems canned by comparison. The Quintet has always struck me (...)unsubtle, especially compared to this wonderful Third Quartet.
But the First Quartet is wonderfully entertaining, especially that gypsy finale, and Domus give it their all, too, in a performance and recording that are generally excellent, except that the piano seems occasionally to get swallowed in the reverberant acoustic, which tends only to beautify the playing of the other instruments. This is especially true in the last movement of Quartet No. 1, though it's something of a problem throughout the quartet. Still, the sound that Domus produces is both ample and homogeneous, unlike that of some more stellar quartets, who can't seem to help sounding like the individual stars the members are. This homogeneity also helps create a suave rendition of the Second Quartet, the Cinderella of the Brahms piano quartet canon, here given a lovely reading that makes a compelling case for this less assertive work, whose sixteen-minute first movement and ten-and-a-half-minute scherzo recall Schubert in temperament, melodic fecundity--and indifference to structural conciseness.
The early Mahler Quartet Movement is an interesting rarity and a nice makeweight for the second CD (the two disks together offer a very ample 137 minutes' worth of music). In fact, it's rather reminiscent of the first movement of Brahms's C Minor Quartet since Mahler, like Brahms, waits for the development section to unleash the decibels; it's all pretty restrained till then. But you won't return to this little piece often. No, you'll stick with the Brahms Quartets and, I think, enjoy them all thanks to Domus' superlative music-making. I also believe you'll agree with me that far and away the greatest of the Quartets is No. 3. Domus helps make that abundantly clear.
Voluptuous music and glorious ensemble.......2003-03-10
Brahms' chamber music is so voluptuous in its melody, harmony and couterpoint, and so richly evocative of his emotional world. His music evokes the widest spectrum of emotions ranging all the way from despair, poignancy and resignation to strength, resolve and festive joy. This recording does complete justice to Brahms' world.
What stands out in this recording is Domus' absolutely glorious ensemble. These players play as one. Where there are individual contributions, it is clear that these are talented individual instrumentalists. The string players' intonation is perfect and their solos are self-assured and sensitive, but their glory is how well they work together. The performers, the venue and the recorded sound all work together to create such incredible richness and immediacy. It's unfortunate that the sample tracks on this web page do not include the third movement of the 3rd quartet. I continue to listen to that single track over and over again. Once you hear Brahms in this kind of medium, it is difficult to go back to listen to anything with fewer instruments (for example his solo piano works).
I purchased another recording of the piano quartets for comparison (Ax, Stern, Laredo and Ma) and I expected to enjoy this recording more than the Domus recording as I am an avid admirer of each of these musicians. I came away preferring the Domus recording.
This is a 2-disc set. The first disc contains the 1st and 3rd piano quartets, while the 2nd disc contains the 2nd piano quartet and a movement of an unfinished quartet by Mahler. The Mahler piece is interesting for its historical value, but the real worthwhile pieces are the Brahms works. It is possible to get just the first disc of this set, but you pay full price for it. This set is available at a budget price and includes all the piano quartets. I recommend this 2-disc set in the strongest terms. Knowing what I now know about it, I would have paid full price for it.
Track Listings:
- Piano Sonata in B
- Piano Trio Op 17 / Piano Trio 1, Op 18
- Pierre Fournier: Dvorák Cello Concerto
- Quartet in E Flat for Piano Violin Viola & Cello
- Resurrexi and Other Works by Gerald Near
- Robert Volkmann: Piano Trios, Opp. 3 & 5
- Robert Volkmann: String Quartets Nos. 1 & 4
- San Marco 1527-1740
- Scarlatti: Sonatas/Handel: Suite No.7 In G Minor/Chaconne No.1 In G Major
- Secret Whispers
Track Listings
Strauss: Sinfonia Domestica; Suite for Winds, Op. 4
The Big Bear Sessions [Import]
Passaggio Per Il Paradiso [Import]
Prokofiev: Prodigal Son/Symphony 4