Strauss: Oboe Concerto; Horn Concerto No. 1

1. Horn Concerto No. 1 in E flat major, Op. 11
Composed by Richard Strauss
Performed by London Philharmonia Orchestra with Dennis Brain
Conducted by Alceo Galliera

2. Oboe Concerto in D major, AV 144
Composed by Richard Strauss
Performed by London Philharmonia Orchestra with Dennis Brain
Conducted by Alceo Galliera

3. Bassoon Concerto in F major, Op.75, J127
Composed by Carl Maria von Weber
Performed by Liverpool Philharmonic Orchestra with Gwydion Brooke
Conducted by Malcolm Sargent

Tracks:

Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
Turkish March - Mozart, Wolfgang Amadeus
Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

Overture No. 4 In Major: Rejouissance - J.S.Bach
Overture No. 3 In D Major: Air - J.S.Bach
Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
Jesu, Joy Of Man's Desiring - J.S.Bach
Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
Prelude In C Major - J.S.Bach
Toccata And Fugue In D Minor - J.S.Bach
Prelude In C Minor - J.S.Bach
Overture No. 1 In C Major: Passepied - J.S.Bach
Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
Violin Concerto In E Major: I. Adagio - J.S.Bach
St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
Fur Elise - Ludwig Van Beethoven
Violin Romance No. 2 - Ludwig Van Beethoven
'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
Minuet - Ludwig Van Beethoven
Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
Coriolan: Overture - Ludwig Van Beethoven
Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
Egmont: Overture - Ludwig Van Beethoven

Tracks:

Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
Wine, Woman And Song - Johann Strauss
Tritsch Tratsch Polka - Johann Strauss
The Blue Danube - Johann Strauss
The Gypsy Baron: Introduction - Johann Strauss
Annen Polka - Johann Strauss
Vienna Blood - Johann Strauss
The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Waltz - Peter Tchaikovsky
Capriccio italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
Siciliano - VIVALDI, Antonio
Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
Waltz In E Flat Major, Op. 18 - Frederic Chopin_
Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

Ave Maria - Franz Schubert
Impromptu In E Flat Major - Franz Schubert
Standchen - Franz Schubert
Trout Quintet: Tema con variazioni - Franz Schubert
'Rosamunde': Entr'acte No. 1 - Franz Schubert
Moment Musical In A Flat Major - Franz Schubert
'Rosamunde': Entr'acte No. 2 - Franz Schubert
Moment Musical No. 3 In F Minor - Franz Schubert
'Rosamunde': Ballet Music No.2 - Franz Schubert
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

Nabucco: Overture - Verdi, Giuseppe
Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
Aida: Prelude - Verdi, Giuseppe
II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
Aroldo: Overture - Verdi, Giuseppe
La Traviata: Prelude - Verdi, Giuseppe
La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Outstanding performances
Reviving a Lost Love
Not for beginners...
One of the very best of all EMI sets! The 2nd coming for all Straussians!
terrible, awful, hideous, lousy

Strauss: Orchestral Works

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Debussy, Ravel: Orchestral Works
Bruckner: The Complete Symphonies
Sibelius: The Complete Symphonies & Tone Poems
Liszt: Works for Piano and Orchestra
Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead

ASIN: B000026D4K
Release Date: 1999-11-16

Tracks:

Horn Concerto No. 1 In E Flat Major, Op. 11: I: Allegro
Horn Concerto No. 1 In E Flat Major, Op. 11: II: Andante
Horn Concerto No. 1 In E Flat Major, Op. 11: III: Allegro
Horn Concerto No. 2 In E Flat Major: I: Allegro
Horn Concerto No. 2 In E Flat Major: II: Andante con moto
Horn Concerto No. 2 In E Flat Major: III: Rondo (Allegro molto)
Oboe Concerto In D Major: I: Allegro moderato
Oboe Concerto In D Major: II: Andante
Oboe Concerto In D Major: III: Vivace
Duett-Concertino: I; Allegro moderato
Duett-Concertino: II: Andante
Duett-Concertino: III: Rondo (Allegro ma non troppo)

Tracks:

Burleske
Parergon zur Sinfonia Domestica, Op. 73
Panathenaenzug, Op. 74

Tracks:

Till Eulenspiegels lustige Streiche, Op. 28
Don Juan, Op. 20
Ein Heldenleben, Op. 40: The Hero
Ein Heldenleben, Op. 40: The Hero's Adversaries
Ein Heldenleben, Op. 40: The Hero's Wife
Ein Heldenleben, Op. 40: Certainty Of Victory
Ein Heldenleben, Op. 40: The Hero's Battlefield
Ein Heldenleben, Op. 40: War Fanfares
Ein Heldenleben, Op. 40: The Hero's Work Of Peace
Ein Heldenleben, Op. 40: The Hero's Withdrawl From The World
Ein Heldenleben, Op. 40: Renunciation

Tracks:

Violin Concerto in D minor, Op. 8: I: Allegro
Violin Concerto in D minor, Op. 8: II: Lento
Violin Concerto in D minor, Op. 8: III: Rondo
Sinfonia Domestica, Op. 53: Bewegt - Thema I - Thema II - Thema III
Sinfonia Domestica, Op. 53: Scherzo (Munter)
Sinfonia Domestica, Op. 53: Wiegenlied - Massig langsam
Sinfonia Domestica, Op. 53: Adagio - (Langsam)
Sinfonia Domestica, Op. 53: Finale (Sehr lebhaft)

Tracks:

Also sprach Zarathustra, Op. 30
Tod und Verklarung, Op. 24
Der Rosenkavalier, Op. 59

Tracks:

Salome, Op. 54: Dance Of The Seven Veils
Le Bourgeois Gentilhomme - Suite, Op. 60: Overture
Le Bourgeois Gentilhomme - Suite, Op. 60: Jourdain - Minuet
Le Bourgeois Gentilhomme - Suite, Op. 60: The Fencing Master
Le Bourgeois Gentilhomme - Suite, Op. 60: Entrance and Dance of the Tailors
Le Bourgeois Gentilhomme - Suite, Op. 60: Minuet of Lully
Le Bourgeois Gentilhomme - Suite, Op. 60: Courante
Le Bourgeois Gentilhomme - Suite, Op. 60: Entry Of Cleonte
Le Bourgeois Gentilhomme - Suite, Op. 60: Intermezzo (Prelude To Act 2)
Le Bourgeois Gentilhomme - Suite, Op. 60: The Dinner
Schlagobers, Op. 70: Waltz
Josephslegende, Op. 63: Symphonic Fragment

Tracks:

Metamorphosen: Study For 23 Solo Strings
Eine Alpensinfonie, Op. 64: Night
Eine Alpensinfonie, Op. 64: Sunrise
Eine Alpensinfonie, Op. 64: The Ascent
Eine Alpensinfonie, Op. 64: Entering The Forest
Eine Alpensinfonie, Op. 64: Strolling By The Stream
Eine Alpensinfonie, Op. 64: By The Waterfall
Eine Alpensinfonie, Op. 64: Apparition
Eine Alpensinfonie, Op. 64: In Flowery Meadows
Eine Alpensinfonie, Op. 64: In A Mountain Pasture
Eine Alpensinfonie, Op. 64: Lost In The Thickets And Undergrowth
Eine Alpensinfonie, Op. 64: On The Glacier
Eine Alpensinfonie, Op. 64: Dangerous Moments
Eine Alpensinfonie, Op. 64: On The Summit
Eine Alpensinfonie, Op. 64: Vision
Eine Alpensinfonie, Op. 64: Mists Rise Up
Eine Alpensinfonie, Op. 64: The Sun Grows Dark
Eine Alpensinfonie, Op. 64: Elegy
Eine Alpensinfonie, Op. 64: Quiet Before The Storm
Eine Alpensinfonie, Op. 64: A Thunderstorm - Descent
Eine Alpensinfonie, Op. 64: Sunset
Eine Alpensinfonie, Op. 64: Conclusion
Eine Alpensinfonie, Op. 64: Night

Tracks:

Aus Italien, Op.16: I: Andante
Aus Italien, Op.16: II: Allegro molto con brio
Aus Italien, Op.16: III: Andantino
Aus Italien, Op.16: IV: Finale (Allegro molto)
Macbeth, Op. 23: Symphonic Poem

Tracks:

Don Quixote, Op. 35: Introduktion (Massiges Zeitmass)
Don Quixote, Op. 35: Massig (Don Quixote)
Don Quixote, Op. 35: Maggiore (Sancho Panza)
Don Quixote, Op. 35: Variation I: The adventure with the windmills
Don Quixote, Op. 35: Variation II: The battle with the sheep
Don Quixote, Op. 35: Variation III: Discourse between knight and squire
Don Quixote, Op. 35: Variation IV: The adventure with the pilgrims
Don Quixote, Op. 35: Variation V: The knight's vigil
Don Quixote, Op. 35: Variation VI: The meeting with Dulcinea
Don Quixote, Op. 35: Variation VII: The ride through the air
Don Quixote, Op. 35: Variation VIII: The voyage in the enchanted boat
Don Quixote, Op. 35: Variation IX: The combat with the two magicians
Don Quixote, Op. 35: Variation X: The defeat of Don Quixote
Don Quixote, Op. 35: Finale (Sehr ruhig)
Dance Suite from harpsichord pieces by Francois Couperin: I: Entree and stately round
Dance Suite from harpsichord pieces by Francois Couperin: II: Courante
Dance Suite from harpsichord pieces by Francois Couperin: III: Carillon
Dance Suite from harpsichord pieces by Francois Couperin: IV: Sarabande
Dance Suite from harpsichord pieces by Francois Couperin: V: Gavotte
Dance Suite from harpsichord pieces by Francois Couperin: VI: Tourbillon - Wirbeltanz
Dance Suite from harpsichord pieces by Francois Couperin: VIII: Allemande
Dance Suite from harpsichord pieces by Francois Couperin: VIII: March

Amazon.com essential recording

When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion.

Back in the 1970s, EMI was able to capitalize on this association when it reunited the Staatskapelle with Rudolf Kempe--a native of Dresden, one of the master conductors of the 20th century, and an absolutely authoritative Straussian--for an integral recording of Strauss's orchestral works and concertos. The cycle was warmly received when it was originally released on LP, and it has become one of the treasures of the CD catalog since EMI reissued it whole, in three volumes, in 1992. With this latest repackaging, the whole impressive enterprise becomes available in one box.

Across the board, Kempe and the Dresdeners give magnificent readings of the music. Their Zarathustra is imposing and grand; their Heldenleben suitably heroic and quite smashingly played; their Till Eulenspiegel and Don Juan delightfully brisk, characterful, and exultant (the latter is dispatched in a blazing 16:06, and receives as ardent and exhilarating a reading as you are ever likely to encounter on disc). One of the finest of all the offerings is the account of Eine Alpensinfonie, a Kempe favorite and still a sonic knockout after nearly three decades.

The less familiar orchestral works are here, as well, including the early tone poems Aus Italien and Macbeth and the admittedly rather frothy ballet scores Josephslegende and Schlagobers. Of special value are the accounts of all Strauss's concerted works, from the early Violin Concerto (played by Ulf Hoelscher) and Burleske for piano and orchestra (with Malcolm Frager as soloist), through Don Quixote (featuring Paul Tortelier in magisterial form) and the two horn concertos, to the Oboe Concerto of 1946 and the final Duett-Concertino for clarinet and bassoon.

It's hard to imagine any label tackling such a project in today's bottom-line environment, or coming up with such definitive readings from today's performers. All the more reason to celebrate the appearance of this compendium. --Ted Libbey

Customer Reviews:

Outstanding performances.......2007-05-13

Rudolf Kempe's interpretations of Richard Strauss orchestral works (almost complete - one miss the orchestral songs) have been classic recordings since they first appeared on record in the early seventies (1970-75).

Especially fine are his interpretations of the core works, e.g., the symphonic poems Also sprach Zarathustra, Ein Heldenleben, Eine Alpensinfonie, Tod und Verklärung, Don Juan, Till Eulenspiegel, Don Quixote. All these are given first rate interpretations.

Furthermore, you get outstanding interpretations of Strauss' two horn concertos as well, with Peter Damm's superb horn playing, and an outstanding performance of Metamorphosen.

There is simply no rival to this collection of "core works of Richard Strauss".

In addition, this box collects also Strauss less interesting orchestral works - see Amazon's listing above. These minor works receive fine interpretations and performances too, but the main attraction is of course the core works above.

Sound quality is very fine - just excellent analogue stereo - and the orchestra, Staatskapelle Dresden, was one of the top orchestras in the world when these sessions were put on record.

Warmly recommended!

Reviving a Lost Love.......2006-08-07

The highest praise for any conductor must be that he rekindles enthusiasm and love for music that had been recently abandoned. In his autobiography, the conductor Felix Weingartner confesses that he had grown out of touch with Strauss' music; until hearing this set, I had felt the same, with only a few exceptions. But Rudolf Kempe and his really great Staatskapelle Dresden have won me back to Richard's orchestral music. So far, I have only heard part of the set: Zarathustra, Heldenleben, Till, Tod und Verklaerung, Der Buerger als Edelmann, Don Juan, Burleske, and Sinfonia Domestica, but my appetite is whet for more. Because of the refined, subtle, and yet intense conducting of Kempe, what used to strike me as cheap and taudry now strikes me as profound and moving. And the sheer musical skill of Strauss in thematic invention and counterpoint never ceases to amaze. Kempe was truly, in my not so humble opinion, the greatest conductor of the German classics following Furtwaengler; Karajan was empty and shallow by comparison. Kempe brings to this music the same passion and dignity that he brought to Beethoven, Brahms, Wagner, Schumann, and other of "his" composers. To make just one comparison, Reiner's Zarathustra, once hallowed by me as by most listeners, now sounds like overripe, rotting fruit as compared to the passionate yet thoughtful quality that Kempe brings to it. The Staatskapelle Dresden, by the way, sounds like the greatest orchestra in the world, only matched by the Berlin Philharmonic under Kempe or Furtwaengler, an orchestra that produces incidentally beautiful sounds but whose main goal is the projection and characterization of the music. No virtuosity for its own sake, just musicianship, musicianship, and more musicianship. EMI's sound is the very epitome of how to record an orchestra: Impactful, yet smooth and detailed, with natural perspectives and no spotlighting. This set belongs in every music lover's library.

Not for beginners..........2006-07-16

Most boxed sets have their ups and downs because no conductor is equally sympathetic to all of a composer's works. Kempe is no exception to this rule.

The masterpieces, Zarathustra, Heldenleben, and Quixote, are superb here. Kempe clarifies Strauss' complex textures in a way that other conductors like Karajan don't. Most of the time, I prefer to hear these works Karajan's way, but it's nice to hear what Kempe does with them, too. No one does Sinfonia Domestica the way Kempe does it...with such gentleness and humor. I listened to Reiner's recording for years, but I put it up for sale on amazon after I heard the Kempe. With all four of these large tone poems, Kempe and Karajan are all I really need.

The Don Juan is just about the best I've ever heard. It is so vital and exciting! Better than Karajan or any other I know. It is hard to imagine that Macbeth will ever be done better than this either. Macbeth is one of the reasons I own this set, but it's hardly one of Strauss' masterpieces. Speaking of non-masterpieces, I also treasure Kempe's recordings of Strauss' strange works for piano and orchestra. The Burleske has more poetry but less excitement than the classic Byron Janis/Reiner recording.

Kempe's recordings of the Horn Concertos are truly awful. Listen to the weak, watery tones of the first-chair horn player stepping into the solo spotlight. One listen to the mono recordings of Dennis Brain conducted by Sawallisch shows what is missing: bold, ringing tone and lots of excitement. If I only knew Kempe's recordings, I wouldn't even care about these pieces.

The bad news continues with the Oboe Concerto (weak oboist) and the charming Duet Concertino (weak bassoon).

Kempe misses the raucous fun that charges the best recordings of Till Eulenspiegel. This is a limp dishrag of a performance (until the last few minutes). At the very start of the performance, you will hear a familiar sound -- our weak horn player from the concertos playing a solo -- and you will long to stop the CD and reach for a different recording.

Metamorphosen is one of my favorite pieces by Strauss. Kempe, as is his wont, tries mightily to clarify Strauss' dense counterpoint here, and I appreciate the effort. I hear things here that I miss in other recordings. But this reading does not move me the way others have. Ormandy, to name just one. Death and Transfiguration is another one that Ormandy did better. Kempe is too fast at times! Really fast!

My greatest disappointment with this set is a recording that has been acclaimed by many as one of the greatest Strauss recordings ever made...Kempe's take on Eine Alpensinfonie. I have lived for many years with the Karajan recording, and I must say that Kempe misses many of the moments that I have come to treasure in Karajan's version. One example would be those 20 horns playing! Karajan makes this absolutely thrilling, which I'm sure is what Strauss intended. With Kempe, this telling touch by Strauss passes by unremarkably. The slow, quiet passage at the summit lacks magic. The apotheosis at the top of the mountain is certainly thrilling in Kempe's hands, but he misses too much on the way up. By the way, his cowbells sound almost comically bad. He certainly does bring out the beauty of the closing sections of the work, though.

If you are really serious about getting to know Strauss' music, this is a necessary purchase for the rarities that will probably never be done better like the Violin Concerto and the pieces I've already mentioned. If you just want Strauss' most famous works, this is a waste of your money (no matter how cheap it is!)because there's a lot of stuff here that either isn't very good or that you probably won't want to listen to that often. You would be better off buying Karajan's recordings (the 1970s recordings, not the remakes from the 80s) of the big three tone poems and then filling in the smaller ones as your interests dictate. Casual listeners will never need to hear pieces like Macbeth or the piano works that make this set so vital to Strauss-aholics like me!

One of the very best of all EMI sets! The 2nd coming for all Straussians!.......2006-02-10

The great Strauss tone poems soar to the highest level imaginable! With Kempe's genius, the lesser works become great! Kempe resists all temptation to be banal or bombastic. He directs the Staatskappele Dresden with a silken, burnished tone yet with restraint that has a radiant glow that never sacrifices the inherent capacity of the music to thrill, deeply move, or elevate to another plain. Each work played is in itself the guide: conductor and orchestra let the works deliver their own brilliance. The Don Juan and Dead and Transfiguration are soul piercing, along with Ein Heldenleben, and....... The Staatskapelle Dresden has always been an inspired ensemble and in Kempe's hands they are simply put, magnificent, delivering one thrilling performance after another. Like Wagner and Faith, you get Strauss or you don't. If you do get it, this set is beyond self recommendation; Buy this set before it disappears from the shelves. Classical Cd shelves these days have hidden boomerangs. One minute here, next minute.....boing going gone)...! The concert hall may never hear greater performances of Strauss' orchestral works as we hear on these nine disks. The sound is nothing short of a rich, full timber as Kempe leads then with inspired and interpretive genius . This all may sound over the edge but I don't think so and I don't think you will be disappointed. Strauss has been served in splendor by the Dresden musicians under Kempe's baton. [Although in an aside I must say that Raphael Fruhbeck de Burgos and the Tanglewood Music Center Orchestra's performance this past summer of Don Juan and the Rosenkavalier suite were superb.] Then I think of the BSO with Levine...., their Strauss should be something else. Bravo and kudos to all for bringing us this gift. Booklet is very well done with one exception. There is not a word in the booklet about Rudolf Kempe and/or the orchestra itself. 10 stars anyway!!

terrible, awful, hideous, lousy.......2005-04-22

The problem with the "classics" is that too many hacks have hacked them to pieces. My opinion of these recordings, for whatever it is worth, is that they simply do not do justice to Strauss's magnificent music.

There is a reason they are a "bargain". I would avoid this set.
Sometimes a boxed set is a good deal, but this one is not. I find the entire set unspeakably dull and literally unlistenable.

In any event, this is merely my opinion. The majority of the other reviewers think its terrific.

Average customer rating:

Perfection!
Odd compilation, but stunningly performed
Captivating Concerto Masterpiece!
Amazing solo talent
A Spellbinding Recording Of Strauss' Lesser Known Wind Works

Strauss: Wind Concertos

Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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ASIN: B000059TL6
Release Date: 2001-04-03

Tracks:

Hn Con No.1 in E flat, Op.11: Allegro - Dale Clevenger
Hn Con No.1 in E flat, Op.11: Andante - Dale Clevenger
Hn Con No.1 in E flat, Op.11: Allegro - Dale Clevenger
Duett-Concertino in F, AV 147: Allegro Moderato - Andante - Larry Combs/David McGill
Duett-Concertino in F, AV 147: Rondo: Allegro Ma Non Troppo - Larry Combs/David McGill
Con in D, AV 144: Allegro Moderato - Alex Klein
Con in D, AV 144: Andante - Alex Klein
Con in D, AV 144: Vivace - Alex Klein D
Andante in C, AV 86A - Dale Clevenger/Daniel Barenboim
Stimmungsbilder, Op.9: No.2 in A flat: An Einsamer Quelle - Daniel Barenboim
Stimmungsbilder, Op.9: No.4 in B: Traumerei - Daniel Barenboim

Amazon.com

This is an enchanting record. It presents several unfamiliar but beautiful works by Richard Strauss, and it showcases the principal wind players of the Chicago Symphony, who, not surprisingly, are fabulous. Moreover, they have the benefit of an equally fabulous backup band, and the hornist even gets to play a piece with the conductor, Daniel Barenboim, at the piano.

The program begins and ends with pieces Strauss wrote as a teenager, flanking two written late in his life. The former include an Andante for horn and piano--a love song reminiscent of Wagner--two dreamy, poetic piano pieces reminiscent of Liszt, and the popular first Horn Concerto, a bravura piece written for his horn-virtuoso father. Though Strauss was still finding his voice, this work no longer seems to lean on other composers and the orchestration is already masterful. The concerto is youthfully ardent and exuberant, its second movement very lyrical and a bit melancholy, the finale a brilliant hunting call. Like the other two, late concertos, it has three connected but strongly contrasting movements. The Duet-Concertino for clarinet and bassoon has an elusive quality, but the finale is delightful, the coda a Viennese waltz. The orchestration for strings and harp is rich and luscious, with several soloists who interact with the clarinet and bassoon.

The highlight is the Oboe Concerto. Serene and romantic, it has an ecstatic, gorgeous slow movement; a brilliant, florid, rhapsodic solo part full of inventive cadenzas; and rich orchestration for a small orchestra. The neglect of this work is inexplicable. Both late pieces are so haunted by echoes of all Strauss's earlier symphonic poems and operas as to invite a game of "Name That Tune's First Cousin!" --Edith Eisler

Customer Reviews:

Perfection!.......2004-09-16

This is a recording worth listening to over and over again. The peerless playing of these CSO principals as well as the excellent conducting from Barenboim make this CD the best there is in this repetoire. The Oboist Mr. Klein is sadly no longer playing much anymore due to a rare case of focal dystonia...he is an incredible musician and this performance of the Oboe Concerto is absolutely flawless with superb range in the bass register as well.

Odd compilation, but stunningly performed.......2002-08-08

I orignially purchased this CD to hear Alex Klein's rendition of the oboe concerto, but was simply delighted by the mastery given to every one of the pieces on this disc.

Dale Clevenger's performance of the first horn concerto is outstaning. From the opening fanfare, he plays through it all with spirit, sensitivity, and beautiful phrasing--not letting us down in his stature as one of the most formidable American horn players in this half of the twentieth century. My one problem is that his tone is a bit thin, which may be simply a product of the American school of playing.

Perhaps the hightlight of this album is the Duett-concertino for clarinet, bassoon and strings. Not only is it an absolutely charming piece, it is beautifully played by Combs and McGill, who weave in and out of each other with a luscious tone and gorgeously silky phrasing.

As an oboist, Alex Klein has never failed to knock me backwards with his flying fingers, incredible breathing and unique musicality. This recording is simply frightening. The first movement is taken at its true "Allegro moderato" tempo, and the opening, restless fifty-seven bars are played entirely unflinchingly and absolutely beautifully...I don't know how he does it. The rest of the piece is played just as incredibly, and the last movement sparkles with gusto and virtuosity. All throughout the piece, Klein and the orchestra connect absolutely perfectly (listen to the clarinet in the first movement).

I don't particularly like the selection of the Andante for horn and piano and the two piano pieces at the end...they just don't seem to go very well with the full orchestral pieces before them. Sill, they are very nicely played, particularly the Träumerei from the last set.

Captivating Concerto Masterpiece!.......2002-03-30

From the opening Horn Concerto, this Straussian rendering of his wind compositions is simply put, exhilirating listening! I can't get enough of hearing it, and I propose that likely many of you music conisseurs will as well. Recorded by members of the famed Chicago Symphony, it is very well done.

This collection features five compositions, his Horn Concerto No. 1 in E flat major and a second horn piece, this a Andante for Horn and Piano. As Strauss' father was a renown horn player himself and young Richard was made to accompany him at home much on the piano, that these pieces were of special import to him.
Dale Clevenger provides the solo work here, done with richness of tone and gusto in phrasing. I become enchanted more with the Horn Concerto with each listening. A great opener to this strong CD.

Next comes my favorite piece, even though I am partial to oboe numbers. This delightful Duet-Concertino for Clarinet and Bassoon is magnificently rendered by Larry Combs and David McGill. It bubbles and percolates with brilliant exhanges between the two instruments. Seductive and subtle, with magnificent light string accompanyment, this truly has become my favorite piece.

The Oboe Concerto was inspired by a visiting American oboeist, John deLancie. Amazingly, deLancie of the Pittsburgh and Philadelphia Orchestras, only played this piece once, at Interlochen, Michigan with Eugene Ormandy and the Philadelphia Orchestra. It is demanding for the oboeist, requiring 57 solid measures without rest. Strauss reputedly recommended a mechanical breathing device for this, however, contemporary oboeists insist on overcoming the breathing issue with circular breathing. Here Alex Klein proves his rating as one of tops in the world with a brilliant sinuous and lovely expression. The gentle Adante finish with its subdivision of beats results in a brilliant finish.

A lover and collector of such Concertos, I am delighted to have discovered this one which has captivated my listening and will yours.

Amazing solo talent.......2001-08-17

I originally bought this CD simply for Alex Klein's version of the Strauss Oboe concerto, but found everything else to also be superb. Klein's performance is the best that is out there. His sound is absoultely gorgeous and unparalled by anyone. Matching this sound with his technical mastery, smooth and singing phrases, as well as full dynamic range makes him simply the best oboist around. His interpretation of Strauss's concerto is absolutely breath-taking. I can listen to it over and over again.

The Horn concerto is brilliantly done by Clevenger. His sound rings brilliantly true with the spirit of the instrument. A radiant interpretation of this jubilant concerto.

Combs, McGill, and Barenboim also do excellent work on this CD; however these are the pieces that I listen to less. Nonetheless, their talent shines through and make for stunning performances.

This CD is a prime example of the wealth of talent that the CSO has. Truly a must own CD.

A Spellbinding Recording Of Strauss' Lesser Known Wind Works.......2001-06-16

This is indeed an enchanting recording, showing a Classical side of Richard Strauss little known to most lovers of classical music. And these elegant pieces offer further proof that Barenboim is among our finest interpreters of Strauss' music; either at the podium or at the keyboard. Dale Clevenger, the principal of the Chicago Symphony Orchestra's horn section gives a brilliant, lyrical performance of the 1st Horn Concerto that easily conjurs up magnificient performances from the likes of Baumann and Brain. It is indeed a pity that the 2nd Horn Concerto wasn't recorded; instead we hear a great performance of the Oboe Concerto, with the Chicago Sympphony Orchestra's Principal Oboeist Alex Klein that is ravishingly beautiful. Once more Teldec engineers have produced a recording of highest sound quality. It should be regarded as yet another artistic triumph for Daniel Barenboim and the Chicago Symphony Orchestra.

Average customer rating:

Mark Lawrence
David Read
Great Stuff
Brilliant

Trombonology

Manufacturer: D'note Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
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ASIN: B000003YNG
Release Date: 1996-06-18

Tracks:

Deux Danses: Danse Sacree
Deux Danses: Danse prosane
Nocturno
Ballade
Con in d, Op.9, No.2: Allegro e non presto
Con in d, Op.9, No.2: Adagio
Con in d, Op.9, No.2: Allegro
Son No.3: Adagio
Son No.3: Allegro
Son No.3: Largo
Son No.3: Allegro
Meditation from Thais
Fant
Son: Allegro vivo
Son: Andante Sostenuto
Son: Allegro
Trombonology

Customer Reviews:

Mark Lawrence.......2006-07-02

Lawrence's great strength as a trombonist is the simple loveliness of his sound, which comes through beautifully on some of the older, simpler melodies.

David Read.......2002-05-01

Mark Lawrence really has something special here. His interpretations are supremely rewarding, yet beautifully restrained. The Albinoni and Mediatation on the alto trombone are just gorgeous - in my mind well ahead of Alessi recordings of classic string pieces like The Swan. And the Marcello is a formidable interpretation, up there with the best string players, although he doesn't really get the baroque sound sometimes. In general the tone isn't quite as wide and gorgeous as Alessi, but he's picked the repertoire well so this isn't a problem. All in all, an awesome disc, up there with my top three best and complementary recordings out there for trombone (Joe Alessi's NY Legends and Lindberg's Virtuoso Trombone are the others).

Great Stuff.......2001-09-09

This is a terrific CD. Mark Lawrence demstrates complete mastery of the trombone. This CD covers just about every type of music for the trombone, from very melodic, to 20th Century, to Jazz. Buy this CD. You'll be glad you did.

Brilliant.......2000-06-19

This CD shows the capability of Mark Lawrence as compared to other popular trombonists, like Christian Lindberg and Joseph Alessi. Lawrence has the soloistic feel of Lindberg (which is my only complaint against Alessi), and can play convincingly in all the styles exhibited on this disc (which is one of Lindberg's problems). This is a must buy for all trombone enthusiasts!

Average customer rating:

Classical Masters (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00005YAZ5
Release Date: 2000-07-10

Average customer rating:

Great Performance
Poor recording quality
Great interpretations
Tuckwell Does a Great One on This Album

Strauss Concertos

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Sonatas by Beethoven, Hindemith and Heiden
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ASIN: B00000IX7U
Release Date: 1999-05-11

Tracks:

Horn Concerto No. 1 In E Flat Major, Op.11: I. Allegro
Horn Concerto No. 1 In E Flat Major, Op.11: II. Andante
Horn Concerto No. 1 In E Flat Major, Op.11: III. Allegro
Horn Concerto In C Minor, Op.8: I. Allegro molto
Horn Concerto In C Minor, Op.8: II. Andante
Horn Concerto In C Minor, Op.8: III. Allegro molto
Horn Concerto No.2 In E Flat Major, AV 132: I. Allegro -
Horn Concerto No.2 In E Flat Major, AV 132: II. Andante con molto
Horn Concerto No.2 In E Flat Major, AV 132: III. Rondo
Burleske, AV 85 For Piano And Orchestra

Tracks:

Violin Concerto in D minor, Op.8: I. Allegro
Violin Concerto in D minor, Op.8: II. Lento ma non troppo
Violin Concerto in D minor, Op.8: III. Rondo: Presto
Oboe Concerto, AV 144: I. Allegro moderato
Oboe Concerto, AV 144: II. Andante
Oboe Concerto, AV 144: III. Vivace-Allegro
Duett-Concertino, AV 147: I. Allegro moderato
Duett-Concertino, AV 147: II. Andante
Duett-Concertino, AV 147: III. Rondo: Presto

Customer Reviews:

Great Performance.......2005-05-12

Richard Strauss' concertos date back to his earlier days and one can easily sense the youth and the freshness in these works.True to this concept,the artists featured on this disc have given the listeners a glimpse on the early style of Richard Strauss.The highlights are the performances of the Horn Concertos,which appeal to me as outstanding performances.But the other works,notably the Violin and Oboe Concertos are also excellently performed.The recording quality is not that excellent,making some notes blend together,but in overall worth-collecting performances.

Poor recording quality.......2002-01-13

While the interpretation of these pieces are just fine--very good even--the impact is totally ruined by the poor recording quality, particularily on the Burleske. Hissing is loud and grainy, echos blur the sound together, and little pops and clicks are alarmingly common. If you care to rip the tracks and remaster them manually then this CD is worth your time, especially for the horn concertos, since the Herman Baumann versions of the horn concertos are very hard to find now, especially the second. If you just want the CD for a CD player, then I recommend finding another CD.

Great interpretations.......2001-12-03

This CD is great! It is certainly one of my favorites, and I come back to it again and again for great listening. The horn concertos, here performed by Tuckwell, are wonderful pieces all on their own, and coupled with Tuckwell's incredible virtuosity, they make for a fantastic listening experience. The Burleske for Piano and Orchestra is an equally charming piece, here done quite well. The Duett-Concertino and the Violin Concerto are also performed splendidly, the former being an almost comic representation of the Clarinet and Bassoon's innate qualities. The oboe concerto, played expertly by Gordon Hunt, is a fantastic piece. The gorgeous orchestrations and somewhat unusual chord progressions highlight this CD beautifully. The only small criticism I could offer would be Hunt's interpretation of the cadenzas; they are taken a bit too fast, so that the notes almost blur together. Besides that small factor, though, this piece and this CD are an excellent buy, and are a must-have for the Strauss lover.

Tuckwell Does a Great One on This Album.......2001-02-23

While in most instances I do not care for Tuckwell's style of playing, I must say that after hearing him play the Franz Strauss Concerto I was quite impressed. He adds delicate phrasing to the little-known concerto and it (out of the few cd publications of this piece) is the best recording I have heard of the work. I would advise any horn admirer to purchase this one.

Average customer rating:

Movie Classics: Music from Famous Films

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Z331
Release Date: 2001-03-27

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