Composed by Johann Sebastian Bach
with Glenn Gould
2. Well tempered clavier book 2, No. 14 in F sharp minor, BWV 883
Composed by Johann Sebastian Bach
with Glenn Gould
3. Well tempered clavier book 2, No. 7 in E flat major, BWV 876
Composed by Johann Sebastian Bach
with Glenn Gould
4. Well tempered clavier book 2, No. 22 in B flat minor, BWV 891
Composed by Johann Sebastian Bach
with Glenn Gould
5. Well tempered clavier book 2, No. 9 in E major, BWV 878
Composed by Johann Sebastian Bach
with Glenn Gould
Bach: Goldberg Variations; Preludes & Fugues,Johann Sebastian Bach,Glenn Gould,Cbc,Baroque Variations for Keyboard,Chamber Music & Recitals,Classical,Classical Composers,Classical Music,Keyboard,Prelude and Fugue for Keyboard
Average customer rating: |
Best of Bach
Manufacturer: Tomato Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009NZ3H8 Release Date: 2005-10-25 |
Tracks:
- Prelude No.1 In C Major
- Fugue No.25 In C Major
- Praeambulum/Allemande/Corrente
- Aria: Variation 1
- No.1 In C Major/No.5 In E Flat Major
- Allegro Animato
- Allegro
- Sarabande/Gigue
- Prelude: Les Agrements De La Meme Sarabande
- Fantasia In C Minor, BWV 906
- Siciliano
- Toccata In G Major
- Fuga
- Duetto I In E Minor
- Fughetta In C Minor, BWV 961 (Two Versions)
Average customer rating: |
The Very Best of Bach
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B6N640 Release Date: 2005-10-18 |
Tracks:
- Toccata
- Badinerie
- Largo Ma Non Tanto
- Agnus Dei
- Jesu, Joy Of Man's Desiring
- Wachet Auf, Ruft Uns Die Stimme
- Preludio
- Erbarme Dich, Mein Gott
- Allegro
- Prelude And Fugue No.1
- Air
- Aria
- Prelude And Gigue
Tracks:
- Aria
- Prelude
- Gigue
- Allegro
- Minuet
- O Haupt Voll Blut Und Wunden
- Largo
- Allegro
- Schlummert Ein
- Allegro
- Magnificat In D Major
- Allegro Assai
- Allegro
- Jauchzet, Frohlocket
Average customer rating:
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Sony Classical: Great Performances 1903-1998
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K2EX Release Date: 1999-10-12 |
Tracks:
- Il Barbiere di Siviglia: 'Largo Al Factotum'
- Mazurka In G Major, 'Obertass,' Op.19, No.1
- Contrasts For Violin, Clarinet And Piano: II. 'Piheno'
- String Quartet In C Minor, Op.18, No.4: IV. Allegro - Prestissimo
- Bachiana Brasileira No.5: Aria - Cantilena
- Violin Concerto In E Minor, Op. 64: Allegro Molto Vivace
- Rigoletto: 'La Donna E Mobile'
- String Quartet No.4: II. Prestissimo, Con Sordino
- Carnival Of The Animals: 'Fossils'
- Concerto For Violin And Orchestra: III. Rondo. Allegro Spirituoso
- Le tombeau de Couperin: I. Prelude
- Hermit Songs: 'The Desire For Hermitage'
- Variation 30 A 1 Clav. Quodlibet
- From 'Goldberg' Variations: Aria
- The Threepenny Opera: 'Mack The Knife'
- Symphony No. 36 In C Major, K. 425 'Linz': III. Menuetto - Trio
- Piano Concerto No. 21 In C Major: III. Allegro Vivace Assai
- Symphonie espagnole In D Minor, Op. 21: V. Rondo (Allegro)
- 'Battle Hymn Of The Republic'
- Madama Butterfly: 'Un Bel Di'
Tracks:
- Le Sacre du printemps: 'Danse Sacrale'
- El Amor Brujo: 'Ritual Fire Dance'
- Rodeo (Four Hour Dance): 'Hoe-Down'
- Fugue In G Minor, BWV 578 'Little'
- The Well-Tempered Clavier, Book I: Prelude No. 1 In C Major, BWV 846
- Syphony No. 8 In F Major, Op. 93: II. Allegretto Scherzando
- Slavonic Dance No. 8 In G Minor, Op. 46
- Symphony No.2 In C Minor 'Resurrection': IV. 'Urlicht'
- Chichester Psalms: I. Psalm 108
- Octet In E-Flat Major, Op.20: III. Scherzo: Allegro Ieggierissimo
- Etude In C-Sharp Minor, Op. 2, No.1
- Etude In A-Flat Major, Op. 72, No.11
- Concierto de Aranjuez: I. Allegro Con Spirito
- Karelia Suite, Op.11: III. Alla Marcia. Moderato
- Canzon Septimi Toni No.2
- Fanfare For The Common Man
- 'Beau Soir'
- Suite For Flute And Jazz Piano: 'Baroque And Blue'
- Piano Concerto No. 20 In D Minor, K. 466: III. Rondo. Allegro Assai
- Daphnis et Chloe: 'Danse Generale'
Tracks:
- Eubie's Classical Rag
- Intermezzo In B Minor, Op. 119, No. 1
- III. Alegro
- Behind The Gardens - Behind The Wall - Under The Tree
- Perhaps Love
- Facades
- O mio babbino caro
- Passo pel prat
- III. Finale. Allegro
- I. Allegro
- Promenade (Walking The Dog)
- Sonata No.5 In D Major For Cello And Piano: III. Alegro fugato
- Turangalila II
- IV. Rondo alla Zingarese. Presto
- Mazurka In C Minor , Op. 56, No.3
- String Quartet In D Minor, Op. 56 'Voces intimae': II. Vivace
- Ch'ella mi creda libero e lontano
Tracks:
- Main Theme From Star Wars
- Andante
- Salut d'amour, Op. 12
- Minuet
- Appalachia Waltz
- Appalachia Waltz
- Gershwin,
- All The Delights Of The Season
- Steam Engine
- Summon The Heros
- Prelude To Suite No. 1 In G Major
- Brunnhilde's Battle Cry
- Sonata In A Major
- A Suite For Strings: The Murder
- Flight Of The Bumblebee
- Prelude To Suite No. 3 IN E
- Libertango
- Angel (Lust)
- Theme From Schindler's List
- I. Allegro ben ritmato e deciso
- La donna e mobile
- Gymnopedie No. 3
- Song Of Peace
Customer Reviews:
What I Bought From Sony Companies.......2005-08-20
I list these because I am trying to figure out what of value is in the Columbia, CBS, and Sony sound legacy in case they come back to the U.S. and revive classical music recording in this country.
Duane Crawford
Strange interpretation of "classical".......2005-01-17
I gave the CD 4 stars only because I was happy that I was able to find a few somewhat rare tracks.
An interesting mix..........2002-05-18
While I find some tracks divine (Williams's _Schindler's List_), I find other tracks unsettling (_Beau Soir_ performed by Barbra Streisand). But when you are trying to span 100 years of music, you will (and should) encounter all tastes and styles. Overall, I really enjoy listening to this set. My only regret is that I don't have a CD changer...
A touch of history...........2002-01-28
A touch of history...........2002-01-28
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The Gould Variations: The Best of Glenn Gould's Bach
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004WK47 Release Date: 2000-08-29 |
Tracks:
- Aria
- Invention No.1 In C Major, BWV 772
- Invention No.3 In D Major, BWV 774
- Invention No.8 In F Major, BWV 779
- I. Praeambulum
- II. Allemande
- III. Courante
- IV. Sarabande
- V. Tempo Di Minuetto
- VI. Passepied
- VII. Gigue
- 'Aria Variata Alla Maniera Italiana' In A Minor, BWV 989
- Prelude
- Fugue
- Prelude
- Fugue
- Praeambulum In C Major, BWV 924
- Praeambulum In F Major, BWV 927
- Praeludium In D Minor, BWV 926
- Praeludium In D Major, BWV 925
- Praeludium In F Major, BWV 928
- Praeambulum In G Minor, BWV 930
- First Movement
- I. Allemande
- IV. Gavotte
- VII. Gigue
- Praeludium In C Major, BWV 933 From 6 Little Preludes, BWV 933-938
- Chromatic Fantasy In D Minor, BWV 903a
- I. Sinfonia
- X. Gigue
- I. ( )
- II. Adagio
- III. Presto
- Variation 5 A 1 Ovvero 2 Clav.
- Variation 30 A 1 Clav. Quodlibet
- Aria Da Capo
Tracks:
- Contrapunctus I
- Contrapunctus II
- Contrapunctus III
- Contrapunctus IV
- Contrapunctus V
- Contrapunctus VI (A 4, Im Stile Francese)
- Contrapunctus VII (A 4, Per Augmentationem Et Diminutionem)
- Contrapunctus VIII (A 3)
- Contrapunctus IX (A 4, Alla Duodecima)
Customer Reviews:
Gould selections for music newcomers!.......2006-02-21
Since his awful vanishing in 1982, a whole generation of new listeners, his name has become as cult pattern. So that is the mainreason to acquire this album, becuase it contains the minimum facets in the intrepretative art of the musician of musicians: Johann Sebastian Bach.
A Great CD..........2004-06-10
An odd assortment of Gould's "best" Bach.......2001-08-07
a gould sampling.......2000-12-03
Average customer rating: |
J.S. Bach: Goldberg Variations; Partitas; Italian Concerto; Preludes & Fugues
Maria Tipo Manufacturer: EMI ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FOTHGY Release Date: 2006-09-07 |
Tracks:
- Transcriptions Busoni: Chaconne In D Minor (Partita Bwv1004)
- Toccata & Fugue Bwv 565
- Toccata, Adagio & Fugue Bwv 564
- Prelude & Fugue Bwv 532
- Prelude & Fugue Bwv 552
- Goldberg Variations Bwv 988
- Jesus, Que Ma Jole Demeure (Arrgt, Myra Hess)
- Fantasy Chromatic & Fugue Bwv 903
- Petite Preludes From The Clavichord Book By W.F. Bach Bwv 924-928 & 930
- 6 Petite Preludes Bwv 933-938
- Petite Fugues & Preludes With Fughettes Bwv 902, 902a, 952, 953 & 961
- Prelude & Fughetta Bwv 899
- Prelude & Fughetta Bwv 900
- Prelude & Fugue Bwv 895
- Concerto Italian Bwv 971
- Partita No.1 Bwv 825
- Partita No.2 Bwv 826
- Partita No.4 Bwv 828
- Partita No.3 Bwv 827
- Partita No.5 Bwv 829
- Partita No.6 Bwv 830
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Bach: Goldberg Variations; Preludes & Fugues
Manufacturer: Cbc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003XTO Release Date: 1995-06-19 |
Tracks:
- Goldberg Variations: Aria
- Goldberg Variations: Variatio 1 a 1 Clav.
- Goldberg Variations: Varatio 2 a 1 Clav.
- Goldberg Variations: Variatio 3 a 1 Clav. Canone all'Unisono
- Goldberg Variations: Variatio 4 a 1 Clav.
- Goldberg Variations: Variatio 5 a 1 ovvero Clav.
- Goldberg Variations: Variatio 6 a 1 Clav. Canone alla Seconda
- Goldberg Variations: Variatio 7 a 1 ovvero 2 Clav.
- Goldberg Variations: Variatio 8 a 2 Clav.
- Goldberg Variations: Variatio 9 a 1 Clav. Canone all Terza
- Goldberg Variations: Variatio 10 a Clav. Fughetta
- Goldberg Variations: Variatio 11 a 2 Clav.
- Goldberg Variations: Variatio 12 Canone alla Quarta
- Goldberg Variations: Variatio 13 a 2 Clav.
- Goldberg Variations: Variatio 14 aa 2 Clav.
- Goldberg Variations: Variatio 15 a 1 Clav. Canone alla Quinta. Andante
- Goldberg Variations: Variatio 16 a 1 Clav. Ouverture
- Goldberg Variations: Variatio 17 a 2 Clav.
- Goldberg Variations: Variatio 18 a 1 Clav. Canone alla Sesta
- Goldberg Variations: Variatio 19 a 1 Clav.
- Goldberg Variations: Variatio 20 a 2 Clav.
- Goldberg Variations: Variatio 21 Canone alla Settima
- Goldberg Variations: Varatio 22 a 1 Clav. Alla breve
- Goldberg Variations: Variatio 23 a 2 Clav.
- Goldberg Variations: Variatio 24 a 1 Clav. Canone all'Ottava
- Goldberg Variations: Variatio 25 a 2 Clav.
- Goldberg Variations: Variatio 26 a 2 Clav.
- Goldberg Variations: Variatio 27 a 2 Clav. Canone alla Nona
- Goldberg Variations: Variatio 28 a 2 Clav.
- Goldberg Variations: Variatio 29 a 1 ovvero 2 Clav.
- Goldberg Variations: Variatio 30 a Clav. quodlibet
- Goldberg Variations: Aria de capo - Four Excerpts
- 'The Well-Tempered Clavier': Prelude And Fugue No. 14 In F Sharp Minor, BWV 883
- 'The Well-Tempered Clavier': Prelude And Fugue No. 14 In F Sharp Minor, BWV 883
- 'The Well-Tempered Clavier': Prelude And Fugue No. 7 In E Flat Major, BWV 876
- 'The Well-Tempered Clavier': Prelude And Fugue No. 7 In E Flat Major, BWV 876
- 'The Well-Tempered Clavier': Prelude And Fugue No. 22 In B Flat Minor, BWV 891
- 'The Well-Tempered Clavier': Prelude And Fugue No. 22 In B Flat Minor, BWV 891
- 'The Well-Tempered Clavier': Prelude And Fugue No. 9 In E Major, BWV 878
- 'The Well-Tempered Clavier': Prelude And Fugue No. 9 In E Major, BWV 878
Customer Reviews:
Mercurial vitality! .......2007-02-07
Gould's Goldberg have developed an autonomous existence. Possibly no other piece of monumental transcendence has penetrated with such vehemence several generations of listeners. Gould emerged from the ashes of the WW2 and somehow, represented the flaming torch of the rebel generation of young musicians. But beneath this myth, there was a profound artist that seemed to understand the status of his genius,
free of conventionalisms who established patterns, his approach about Goldberg were the stuff of myth; but also his personal landmark, a sort of spiritual helmet that allowed him to explore and even to live in this Bach's universe with epic tenacity. He recorded at least I know, five versions, the first one from the files of CBC Broadcast, the second, from 1955, the Goldberg' s Salzburg' s Festival of 1959 and finally his swan song in Bach in 1982.
So, considering the pyramidal importance of these variations one may state they were if I may, his genesis and nemesis. So, under no pretext you should miss this fundamental musical treasure.
THE FIRST OF THE FOUR GOLDBERG's WE HAVE BY GG..........2006-06-19
This June 1954 recording is the first recorded Goldberg cycle we have by GG. (It was done in the studio of CBC for radio broadcast.) The second is the famous 1955 Columbia recording. The third is the live performance recorded in Salzburg, Austria in 1959. And the last of course is the magnificent 1981 reading.
This 1954 realization has its own unique flavor and textures. It's interesting to hear GG realize BWV 988 as a single concert piece in toto, as opposed to 32 individual pieces played and re-played for a record. The recorded sound is not bad. Considering that GG had to play a piano with an heavier action than his later beloved CD318, Gould does a pretty darned good job here. Definitely worth having.
Doubleplus bonus 4 preludes & fugues from WTC bk II.
Gould's Best Version.......2006-05-19
Very fine performance, hideous recording.......2002-11-05
The Best "Gouldberg Variations"?.......2001-02-09
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Bach: The Masterworks [Box Set]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLII Release Date: 2004-11-30 |
Customer Reviews:
You get what you pay for.......2004-12-04
That covers the first 2 of 40 CDs. Don't know if I can bring myself to listen to the rest. Somebody who didn't know Bach would wonder what the attraction is after listening to this.
Average customer rating:
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Panorama: Passion for Piano
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YMTL Release Date: 2001-01-23 |
Tracks:
- Tango, Op.165 No.2 - Shura Cherkassky
- Iberia (Exc): El Corpus Christi En Sevilla - Alicia De Larrocha
- Goldberg Vars: Aria - Rosalyn Tureck
- Das Wohltemperierte Klavier I: Prld & Fugue in C, BWV 846: Prld in C - Wilhelm Kempff
- Das Wohltemperierte Klavier I: Prld & Fugue in C, BWV 846: Fugue - Wilhelm Kempff
- Islamey - Julius Katchen
- Romanian Folk Dances, Sz 56: 1. Stick Dance - Zoltan Kocsis
- Romanian Folk Dances, Sz 56: 2. Sash Dance - Zoltan Kocsis
- Romanian Folk Dances, Sz 56: 3. Stamping Dance - Zoltan Kocsis
- Romanian Folk Dances, Sz 56: 4. Hn Dance - Zoltan Kocsis
- Romanian Folk Dances, Sz 56: 5. Romanian Polka - Zoltan Kocsis
- Romanian Folk Dances, Sz 56: 6. Fast Dance - Zoltan Kocsis
- Rondo in G, Op.51 No.2 - Wilhelm Kempff
- Fur Elise, WoO 59 - Wilhelm Kempff
- Capriccio in b, Op.76 No.2 - John Lill
- Intermezzo in E flat, Op.117 No.1 - Wilhelm Kempff
- Intermezzo in C, Op.119 No.3 - Wilhelm Kempff
- Waltz in A, Op.39 No.15 - Andor Foldes
- Etude in G flat, Op.10 No.5 - Vladimir Ashkenazy
- Etude in G flat, Op.25 No.9 - Vladimir Ashkenazy
- Etude in c, Op.10 No.12 - Vladimir Ashkenazy
- Etude in A flat, Op.25 No.1 - Vladimir Ashkenazy
- Etude in E, Op.10 No.3 - Vladimir Ashkenazy
- Fant-Impromptu in c#, Op. Posth.66 - Roberto Szidon
- Waltz in D flat, Op.64 No.1 - Jean-Marc Luisada
- Nocturne in E flat, Op.9 No.2 - Daniel Barenboim
Tracks:
- Polonaise in A flat, Op.53 - Martha Argerich
- Prld in A, Op.28 No.7 - Martha Argerich
- Prld in D flat, Op.28 No.15 - Martha Argerich
- Waltz in A flat, Op. 42 - Jean-Marc Luisada
- Waltz in c#, Op.64 No.2 - Jean-Marc Luisada
- Grande Valse Brilliante in E flat, Op.18 - Jean-Marc Luisada
- Ste Bergamasque: Clair De Lune - Alexis Weissenberg
- Children's Corner: Golliwogg's Cakewalk - Arturo Benedetti Michelangeli
- Estampes: Jardins Sous La Pluie - Alexis Weissenberg
- Prlds I: La Cathedrale Engloutie - Arturo Benedetti Michelangeli
- Prlds I: La Fille Aux Cheveux De Lin - Arturo Benedetti Michelangeli
- 3 Prlds: 1. Allegro Ben Ritmato E Deciso - Werner Haas
- 3 Prlds: 2. Andante Con Moto E Poco Rubato - Werner Haas
- 3 Prlds: 3. Allegro Ben Ritmato E Deciso - Werner Haas
- Souvenir De Porto Rico - Ivan Davis
- Goyescas: Quejas A La Maja Y El Ruisenor - Alicia De Larrocha
- Butterfly, Op.43 No.1 - Emil Gilels
- Wedding Day At Troldhaugen, Op.65 No.6 - Andrei Gavrilov
- Ste No.5 in E: Air Con Vars 'The Harmonious Blacksmith' - Alicia De Larrocha
Amazon.com
Anything that starts off with Shura Cherkassky's delicious account of a Tango by Albéniz has got to have something going for it, and this set seems to score over and over again. It's an interesting piece of programming, since having got off to a Spanish start, we are led through Bach (traditionally the starter), Balakirev (his famously unplayable Islamey thrown off coolly by Julius Katchen), Bartók, Beethoven, Brahms, Chopin, Debussy, Gershwin, Gottschalk, Granados, Grieg, and Handel. One thing they certainly all have in common is the passion of the title, and they are well served by our guides, who include Tureck, Kempff, Kocsis, Lill, Barenboim, Argerich, Michelangeli, De Larrocha, Gilels, and Gavrilov. It is worth mentioning so many, since these are top names in their respective fields and it gives an indication of what you can expect from this set. And while you would rightly expect veteran Spanish pianist Alicia de Larrocha to give us the full treatment in Albéniz and Granados, listen to her delightful piece of Handel, which concludes the set. Recordings range in time from 1955 to 1998, and the freshness of the playing transcends changes in recording technology during those years. --Keith ClarkeCustomer Reviews:
Great Classical Piano.......2005-08-04
The renditions on these discs are terrific. And every single selection is really worth listening to- this is some of the best classical piano out there. If you're like me and aren't really concerned about owning the complete Bach, Brahms, Chopin, etc, this is the disc to pick up for a good sampling of it all.
And it's a good value too. Two discs for the price of one!
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Largo I - A Special 2 1/2 Hour Collection Of Piano Classics
Manufacturer: Celestial Harmonies ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000007ZV Release Date: 1992-11-03 |
Tracks:
- Aria from Goldberg Variations BMV 988 - Chen Pi-Hsien
- Adagio cantabile from Son No.8 in c, Op.13 (Pathetique)
- Impromptu No.2 in A flat, Op.142
- Consolation No.3 in D flat
- Andante cantabile con espressione from Son in a, KV 310
- Intermezzo in a, from Fantasias Op.116 - Idil Biret
- Nuages gris
- Andante from Son No.25 in G, Op.79
- Die Friedeker Muttergottes from On the Overgrown Path
- Lob der Tranen
- Impromptu No.3 in G flat, Op.90
- Etude in E, Op.10 No.3 (Tristesse) - Idil Biret
- La lugubre gondola (First version)
- Et la lune descend sur le temple qui fut from Images Vol.2 - Klara Kormendi
- On Wings of Song Op.34 No.2 - Peter Nagy
Tracks:
- Andante cantabile from Poeme No.1 Op.32
- Pajaro triste from Impresiones Intimas
- In Tranen from On the Overgrown Path
- Clair de lune from Ste bergamasque - Klara Komendi
- Un sospiro from Etude de Con No.3 in D flat
- Nocturne in c, Op.48 No.1 - Sandor Falvay
- Les Larmes from Fantasie tableaux Ste No.1, Op.5 - Jeno Jando/Ilona Prunyi
- Pagodes from Estampes
- Prelude in c sharp from Morceaux de fantasie Op.3 - Idil Biret
- Adagio from Son for Pn (From the Street)
- Andante sognando
- Traumerei from Kinderszenen Op.15
- Modere from Scaramouche Op.165b - Ilona Prunyi/Jeno Jando
- Oiseaux tristes from Miroirs
- Voiles Preludes Vol.1
- Regard du silence from Vingt regards sur l'enfant Jesus
Customer Reviews:
great compilation to relax to.......2005-04-18
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Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set)
Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas Manufacturer: Teldec ProductGroup: Music Binding: Audio CD ASIN: B00001IV8B Release Date: 1999-09-14 |
Tracks:
- Wie schon leuchtet der Morgenstern
- Du Wahrer Gottes und Marien Sohn
- Erfuellet, ihr himmlischen goettlichen Flammen
- Ein irdscher Glanz, wein leiblich Licht
- Unser Mund und Ton der Saiten
- Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
Tracks:
- Ich elender Mensch, wer wird mich erloesen
- O Schmerz, o Elend, so mich trifft
- Solls ja so sein
- Ach lege das Sodom der suendlichen Glieder
- Hier aber tut des Heilands Hand
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
- Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber
Tracks:
- (Caro) Was Gott tut, das ist wohlgetan
- (Alto, Tenore) Was Gott tut, das ist wohlgetan
- (Soprano) Was Gott tut, das ist wohlgetan
- (Basso) Was Gott tut, das ist wohlgetan
- (Alto) Was Gott tut, das ist wohlgetan
- Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
- Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
- Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sinfonia
- Nach dir, Herr, verlanget mich
- Doch bin und bleibe ich vergnuegt
- Leite mich in deiner Wahrheit
- Zedern muessen von den Winden
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
- Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
- Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
- Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
- Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
- Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
- Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
- Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
Tracks:
- Die Zeit, die Tag und Jahre macht
- Auf, Sterbliche, lasset ein Jauchzen ertoenen
- So bald, als dir die Sternen hold
- Es streiten, es siegen die kuenftigen Zeiten
- Bedenke nur, begluecktes Land
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
- Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
- Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
- Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens
Tracks:
- Kyrie eleison
- Christe eleison
- Kyrie eleison
- Gloria in excelsis Deo
- Laudamus te
- Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
- Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
- Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
- Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner
Tracks:
- Singet dem Herrn ein neres Lied
- Der Geist hilft unser Schwachheit auf
- Komm, Jesu, komm
- Jesu, meine Freude
- Fuerchte dich nicht, ich bin bei dir
- Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall
Tracks:
- Fantasia et Fuga in g BWV 542
- Fuga in g BWV 578
- Canzona in d BWV 588
- Praeludium et Fuga in h BWV 544
- Praeludium et Fuga in a BWV 543
- Fant in c, BWV 562 - Ton Koopman
- Prld Et Fuga in C, BWV 531 - Ton Koopman
- Fant in G, BWV 572 - Ton Koopman
- Fant in C, BWV 570 - Ton Koopman
- Passacaglia in c, BWV 582 - Ton Koopman
Tracks:
- Inventio 1 BWV 772
- Inventio 2 BWV 773
- Inventio 3 BWV 774
- Inventio 4 BWV 775
- Inventio 5 BWV 776
- Inventio 6 in E, BWV 777 - Zuzana Ruzickova
- Inventio 7 in e, BWV 778 - Zuzana Ruzickova
- Inventio 8 in F, BWV 779 - Zuzana Ruzickova
- Inventio 9 in f, BWV 780 - Zuzana Ruzickova
- Inventio 10 in G, BWV 781 - Zuzana Ruzickova
- Inventio 11 in g, BWV 782 - Zuzana Ruzickova
- Inventio 12 in A, BWV 783 - Zuzana Ruzickova
- Inventio 13 in a, BWV 784 - Zuzana Ruzickova
- Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
- Inventio 15 in b, BWV 786 - Zuzana Ruzickova
- Sinf 1 in C, BWV 787 - Zuzana Ruzickova
- Sinf 2 in c, BWV 788 - Zuzana Ruzickova
- Sinf 3 in D, BWV 789 - Zuzana Ruzickova
- Sinf 4 in d, BWV 790 - Zuzana Ruzickova
- Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
- Sinf 6 in E, BWV 792 - Zuzana Ruzickova
- Sinf 7 in e, BWV 793 - Zuzana Ruzickova
- Sinf 8 in F, BWV 794 - Zuzana Ruzickova
- Sinf 9 in f, BWV 795 - Zuzana Ruzickova
- Sinf 10 in G, BWV 796 - Zuzana Ruzickova
- Sinf 11 in g, BWV 797 - Zuzana Ruzickova
- Sinf 12 in A, BWV 798 - Zuzana Ruzickova
- Sinf 13 in a, BWV 799 - Zuzana Ruzickova
- Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
- Sinf 15 in b, BWV 801 - Zuzana Ruzickova
Tracks:
- Prelude and Fugue in A minor: Praeludium
- Prelude and Fugue in A minor: Fuga
- Prelude and Fughetta in E minor: Praeludium
- Prelude and Fughetta in E minor: Fuga
- Prelude in G major BWV 902a
- Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
- Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
- Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
- Prld in E, BWV 937 - Zuzana Ruzickova
- Prld in C, BWV 939 - Zuzana Ruzickova
- Prld in d, BWV 940 - Zuzana Ruzickova
- Applicatio in C, BWV 994 - Zuzana Ruzickova
Tracks:
- Suite in G minor BWV 995: Prelude
- Suite in G minor BWV 995: Allemande
- Suite in G minor BWV 995: Courante
- Suite in G minor BWV 995: Sarabande
- Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
- Ste in g, BWV 995: Gigue - Luca Pianca
- Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
- Ste in e, BWV 996: Allemande - Michele Barchi
- Ste in e, BWV 996: Courante - Michele Barchi
- Ste in e, BWV 996: Sarabande - Michele Barchi
- Ste in e, BWV 996: Bourree - Michele Barchi
- Ste in e, BWV 996: Gigue - Michele Barchi
- Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
- Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca
Tracks:
- Concerto for two violins BWV 1043: Vivace
- Concerto for two violins BWV 1043: Largo, ma non tanto
- Concerto for two violins BWV 1043: Allegro
- Concerto BWV 1042: Allegro
- Concerto BWV 1042: Adagio
- Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
- Con in a, BWV 1041: Allegro - Alice Harnoncourt
- Con in a, BWV 1041: Andante - Alice Harnoncourt
- Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
- Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
- Con in g, BWV 1056R: Largo - Alice Harnoncourt
- Con in g, BWV 1056R: Presto - Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
- Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
Amazon.com
The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).
Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.
The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).
Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.
The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May
Album Description
Volume 1, 15 DiscsSacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt
Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt
Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt
Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt
Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others
Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others
Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet
Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman
Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova
Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others
Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others
Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt
Customer Reviews:
Bach is priceless.......2006-11-10
Buy the works you like...........2006-01-11
Poor Bach.......2005-11-26
I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.
The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)
Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?
If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.
A Treasure Trove.......2004-03-07
147 out of 153 ain't bad!.......2001-04-29
If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.
In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!
I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].
The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.
We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.
It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.
If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.
Track Listings:
- Bach to Nature: Three Suites Performed in the Wilderness
- Ballad Stories
- BBC Recordings 1937-39
- Beethoven: Variations in F Op66; Variations in Ef WoO46
- Boccherini: String Quartets, Op. 33
- Boccherini: String Quartets, Opp. 39 & 41
- Boccherini: Symphony No19; Symphony in Cm
- Brazilian and Spanish Piano Works
- Canadian Music For Strings
- Celestial Litanies-The Ultimate Journey To Mystical Russian Soundscapes
Track Listings
Bruises You Can Touch/Forget the Sun [Import]
Concertgebouw Orchestra (1940-1958): Eduard van Beinum, Conductor [Box set]
1958 [Original recording remastered]
Corteccia: Responsori per la Settimana Santa