Boccherini: String Quartets, Opp. 39 & 41

1. String Quartet in A major, Op.39, G213
Composed by Luigi Boccherini
with Adrian Butterfield , Alison Cracknell , Angela East , Revolutionary Drawing Room , Judith Tarling

2. String Quartet in C minor, Op.41/1, G214
Composed by Luigi Boccherini
with Alison Cracknell , Angela East , Revolutionary Drawing Room , Judith Tarling
Conducted by Graham Cracknell

3. String Quartet in C major, Op.41/2, G215
Composed by Luigi Boccherini
with Alison Cracknell , Angela East , Revolutionary Drawing Room , Judith Tarling
Conducted by Graham Cracknell

Tracks:

Str Qt in A, Op.39, G213: Allegro Moderato
Str Qt in A, Op.39, G213: Minuetto: Allegro
Str Qt in A, Op.39, G213: Grave
Str Qt in A, Op.39, G213: Allegro Giusto
Str Qt in E flat, Op.32 No.1, G201: Allegretto Lentarello E Affettuoso
Str Qt in E flat, Op.32 No.1, G201: Minuetto
Str Qt in E flat, Op.32 No.1, G201: Grave
Str Qt in E flat, Op.32 No.1, G201: Allegro Vivace Assai
Str Qt in e, Op.32 No.2, G202: Largo Sostenuto
Str Qt in e, Op.32 No.2, G202: Minuetto/Larghetto/Minuetto
Str Qt in e, Op.32 No.2, G202: Rondeau Comodo Assai

Customer Reviews:

Elegant Music, Elegantly Performed.......2005-08-14

As with all put-downs, there is a grain of truth to the famous one that attached to Luigi Boccherini. Some wag somewhere or other once called him "Haydn's wife," presumably because his music is less compositionally rigorous than Haydn's. It can't really be because it is less ardent or forceful, because it is often just that, whether in the case of Boccherini's underrated symphonies or in his largely unknown string quarters. Take the Allegro vivace assai finale of the Op. 32, No. 1. This is wonderfully spirited music that happens not to have very distinguished musical building blocks--in fact, it almost sounds more like a progression of interesting bridge material than recognizable melodies strung together by such material. However, because Boccherini writes so skillfully for the string quartet and propels the music with such élan, you hardly notice. You're just happy to be along for the ride.

And then, making a 180-degree turn, is Op. 32, No. 2, which starts with a lovely dark Largo dominated by a noble theme that is entirely memorable. In fact, as you listen to this music, you realize that the finale to Op. 32, No. 1, is an exception; melodiousness is the hallmark of Boccherini's string quartet style. The elegant melodies and the filigree work that Boccherini uses to bridge between them are always much more important than the development of said themes. Thus it's fair to say that his quartets retain more of the Rococo ideal of chamber music than do Haydn's or Mozart's, which use rigorous development as a way to expand the emotional bounds of the string quartet.

Be that as it may, these three quartets of Boccherini are beautiful, beautifully written works that are always entertaining, even if they are never profound. Quartetto Borciani perfectly captures Boccherini's spirit and delivers performances that are the height of elegance and refinement. Beautifully realistic sound rounds out the picture. Recommended to all lovers of 18th-century chamber music.