Debussy: Études

On this CD:

1. Estampes, for piano, L. 100
Composed by Claude Debussy
with Louis-Philippe Pelletier

2. L'isle joyeuse, for piano, L. 106
Composed by Claude Debussy
with Louis-Philippe Pelletier

3. Masques, for piano, L. 105
Composed by Claude Debussy
with Louis-Philippe Pelletier

4. Études (12) for piano, L. 136
Composed by Claude Debussy
with Louis-Philippe Pelletier

Debussy: Études,Claude Debussy,Louis-Philippe Pelletier,Cbc,Chamber Music & Recitals,Character/Single-Movement/Miscellaneous Work for Keyboard,Classical,Classical Music,Collection of Etudes, Studies, or Exercises for Keyboard,Keyboard,Keyboard Work with Descriptive or Unclassified Title
Piano Favorites
Average customer rating: 4.5 out of 5 stars
  • Elegance at the piano
  • VALUE FOR MONEY
  • Good bang for the buck.
  • Really good price.
Piano Favorites

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Chopin: Preludes & Nocturnes

ASIN: B000000UVY
Release Date: 1995-10-17

Tracks:

  1. Fantasie Impromptu in C-sharp minor, OP.66
  2. Waltz No.15 in A-flat, Op.39
  3. Rondo all turca from Sonata in A, K.331
  4. Minuet in G
  5. Traumerei Op.15 No.7 (from Kinderzenen)
  6. Un sospiro
  7. Etude in C-sharp minor, Op.10 No.4
  8. Etude in G-flat, Op.10 No.5
  9. Humoresque, Op.101 No.7
  10. 'Fur Elise' (Bagatelle Wo0.59)
  11. Claire de lune (Suite Bergamasque, No.3)
  12. Golliwog's Cakewalk (Coin des enfants, No.6)
  13. Prelude in C-sharp minor, Op.3 No.2
  14. Melody in F, Op.3 No.1
  15. The Cuckoo
  16. La fille aux cheveux de lin (from Preludes Book I)
  17. Waltz in C-sharp minor, Op.64 No.2
  18. Waltz in G-flat, Op.70 No.1
  19. Jeux d'eau
  20. Gymnopedie No.1 (Lent et douloureux)

Customer Reviews:

5 out of 5 stars Elegance at the piano.......2007-06-16

I grew up listening to Moura Lympany's playing, especially Litolff's Scherzo. Never could understand how a person could play with absolute control at high speed. In this recording, most (though not all - the Etude in C# minor an obvious exception)of the music is more laid back, and played with great grace and with the controlled touch of a pianist at the peak of her career.
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.

4 out of 5 stars VALUE FOR MONEY.......2006-08-24

Dame Moura is my favourite pianist. Her great style and sublety of expression comes out in all her recordings. this CD is the best value for money ever!!

4 out of 5 stars Good bang for the buck........2005-12-07

I was killing some time in the store the other day and was in the mood for a cheap CD for the car for the ride home. I ran across this and saw a few recognizable titles so for about $5 I figured I'd take a chance. I'm fairly impressed, I wasn't crazy about some of her dynamics in Un Sospiro plus her little added frill in there but still enjoyed it...I'd learned that piece myself years back, still can't play it and probably never will! Another piece I've known for years is the infamous Rachmaninov Prelude in C#m. Again, I wasn't crazy about some of the dynamics of her style but she still nails it without a hitch. Then I got to some other interesting pieces, I love the Debussy Golliwog's Cakewalk...really sticks in your head. Sort of a classisized (?) ragtime and it's cool enough that I'm going to dig through my music and see if I don't have it somewhere. I thought the Chopin Etude in C#m was absolutely fabulous, she just cooks through it from beginning to end. I probably have the music for that too...I'm not even going to attempt it! ;-) In fact, I liked all the Chopin she plays here, it seems she had a real flair for his music. Without going on forever here I'll just say that there are several tracks I listen to extensively on here and I'm fairly impressed. For a lousy $5 how can you go wrong? Just buy the thing! I'd never heard of her before so I just did a little 'net searching and I'm saddened to find that she just passed away about 8 months ago at age 88, truly a loss to the classical music world. In any case, even at twice the price I doubt anyone would be disappointed with this CD.

5 out of 5 stars Really good price........2002-06-15

This is a great CD and you can't beat the price. These piano compositions are great for restful backgroud music after a hard day. I want to get a second one for when this one wears out.
Horowitz Encores
Average customer rating: 4.5 out of 5 stars
  • Irresistable
  • true to its title
  • Suffers much from poor quality
  • The Encore is more important than you might think!
  • Rave Review!
Horowitz Encores

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. Horowitz in Moscow

ASIN: B000003ER2
Release Date: 1990-02-22

Tracks:

  1. Horowitz Variations on a theme from Carmen
  2. Danse macabre
  3. Sonata No.11, K.331: Rondo alla turca
  4. Wedding march and variations: Liszt - Horowitz Wedding march and variations
  5. Elegie Op.85 No.4: Songs without words - Elegie
  6. Spring Song,Op.62, No 6: Mendelssohn: Spring Song
  7. The Sheperd's Complaint,Op.67,No.5: Mendelssohn: The Sheperd's Complaint
  8. Serenade of the doll: Debussy - Serenade of the doll
  9. Etude In A-flat
  10. Etude,Op.72 No.6 in F: Etude In F
  11. Op.36,No.6: Etincelles
  12. polonaise, Op. 53 In A-flat
  13. C- Traumerei Op.15 No.7: Traumerei
  14. Scherzo a capriccio
  15. Rakoczy March Hungarian Rhapsody No.15: Rakoczy March
  16. Valse oubliee #1: Valse oubliee No. 1
  17. Prelude in G Minor Op.23,No.5: Prelude In G Minor
  18. The Stars And Stripes Forever

Amazon.com

Whether you love Vladimir Horowitz or not, you had to admit that in some showpieces he is incomparable. Here are lots of them: his own Variations on a Theme from Carmen, his souped-up versions of the Danse Macabre and Rakoczy March, and Moszkowski's Sparks. Stars and Stripes Forever sounds as though the pianist had at least three hands--and good ones at that. I never cared for Horowitz's Chopin, and I'm afraid he beats the hell out of the Chopin Polonaise he plays here. But when you want to hear Horowitz the great showman, this is definitely the disc to play. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Irresistable.......2006-02-17

Vladimir Horowitz was a master programmer, for the formal recital, and for an informal recital of encores after the printed program was finished. His first encore would invariably be a restful, contemplative piece, with contrasting fireworks to follow. Not every piece on this CD, recorded from 1942-1981, was used by Horowitz for encore material, and the emphasis here is on fireworks.

The works on this CD can be divided into three categories: Horowitz's arrangements of orchestra pieces, double hyphenated elaborations by Horowitz of Liszt transcriptions, and "straight" piano music.

Horowitz's Variations on a Theme from Bizet's Carmen followed him throughout most of his career. None of Horowitz's seven recordings (including two piano roles, three studio recordings [1928 this one from 1947, and 1957], and two televised performances) are quite the same, as Horowitz was constantly revising and refining this piece.

As an expression of gratitude and pride at becoming an American citizen, Horowitz concocted an arrangement of Sousa's Stars and Stripes Forever--which he premiered in 1945 at I Am An American Day in New York's Central Park. By playing the piece at a true march tempo (rather than the scherzo-like tempo used in most orchestral performances) Horowitz is able to perform nearly very detail of Sousa's orchestration--including the piccolo flourishes at the climax.

Both Saint-Saëns' Danse Macabre and the Mendelsson-Liszt Wedding March are enhancements of Liszt's arrangements which would have made even that 19th Century titan gasp. Likewise Horowitz's total reworking of Liszt's Rakóczy March (which really sounds more like an arrangement of Berlioz's orchestral version), which takes demonism to new levels.

Yet there is an intimate side to Horowitz's playing which can be forgotten in the virtuosic sound & fury. The three Mendelssohn Songs Without Words are played with a lyrical simplicity. The inner voices of Schumann's Träumerai wake up and stretch while the piece dreams away. Horowitz's performance of Debussy's Serenade of the Doll makes one wish he had recorded the entire Children's Corner. He did record the complete Mozart Sonata in A, K. 331 years after the exerpt included here, and unlike the standard performance here, played the Rondo alla turca at a true march tempo.

Horowitz's performances of Moszkowski are so well known that it's difficult to think of the composer without thinking of the pianist. Yet he only recorded three pieces, all included here. Over fifty years after their issue, they remain benchmarks among piano recordings.

Not every performance on this CD shows Horowitz at his best. Chopin's A-flat Polonaise is effortlessly tossed-off, yet somehow misses the majesty Rubinstein brought to this piece. Both Mendelssohn's Scherzo a capriccio and Rachmaninoff's G minor Prelude have labored moments. Yet even off form Horowitz is better than many another pianist's best efforts.

The sound varies on this CD, and most of it is in mono. Many of these pieces had been dropped from Horowitz's repertoire by the stereo era. But as examples of masterful exploitation of the piano's resources, exciting interpretation, and brilliant--even manic--performance, this compilation transcends any sonic limitations.

5 out of 5 stars true to its title.......2005-03-24

Horowitz plays these gems with the brilliance that can only come from his hands. "Technique" is the operative word here, and you can find it in abundance. Several of these pieces are Horowitz arrangements of pieces in the classical repertory (ie, Variations on a theme from Carmen, Danse Macabre, Wedding March, Racokzy March, Stars and Stripes, etc.). It is in these arrangements that Horowitz' technique flames overwhelmingly. Others are performances of pieces in their original form (Alla Turca March, Chopin Polonaise, Elegy, Midsummer Night's Dream, etc.). It is in these latter pieces that one finds light, sweet treats that tantalize our auditory "taste buds."

Dont expect anything heavy, profound, or deep-thinking. Encores were meant to be light, showy, brilliant gems of limited significance musically.

2 out of 5 stars Suffers much from poor quality.......2002-09-02

Its a shame that Horowitz was in retirement through most of the "golden age" of recording in the 60's. I didn't discover 'til I had it unwrapped (and non-returnable) that most of the pieces on this disk are simply transfers from old 78's, and Horowitz's magical piano dynamics are simply gone. This one is only for the true afficianados, scholars, and historical buffs. Buy it for the historic value, but not the sound; which is terrible.

5 out of 5 stars The Encore is more important than you might think!.......2002-07-09

These are famous Horowitz encores. They are not the titanic pieces he became famous or historically important for, but they are the pieces that made him popular with the public. Some are his own transcriptions, and every performance is his own.

As one reviewer below said well, the encore was a special part of the recital that had its own demands and expectations. Having attended many recitals in my life I can tell you that it is a part of the recital art form that could use some revival. It isn't enough to simply flash and toss off little musical candies. That isn't what these are.

Nor do you want to lay on something with too much weight that detracts from what you did during the main recital. However, you want to send the audience away happy, impressed, and with a sense of delight with the performer and their recital experience.

Each of these pieces accomplished those goals. And Horowitz has a lot to teach all of us.

Plus these are wonderful and spectacular performances. I am so glad to have them on disk.

5 out of 5 stars Rave Review!.......2000-03-19

As a lifetime student and advanced coach of the piano I highly recommend this recording to all, who would like to here music of a bygone era. This album features encores of a pianistic style seldom heard in our day, recorded by the last of the truly great masters of the art of keyboard science. Though most are flashy in appearance (such as his 1940's recording of The Stars and Stripes Forever), some reveal an elegant simplicity (Schumann's Traumerei), and all display a technical mastery of the keyboard rarely achieved in the pianistic art. Trully all of these recordings reflect the art form of the encore, which was an intricate part of the 19th century concert stage. The Horowitz recordings contained on this CD are historic and will be a real treat for all who appreciate fine music.
Debussy: The Complete Piano Music
Average customer rating: 4 out of 5 stars
  • Debussy with a difference!
  • One Star for Charity's Sake
  • Beautifully interpreted
  • Complete Debussy
Debussy: The Complete Piano Music

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Z2RSM
Release Date: 2004-08-24

Tracks:

  1. Reverie
  2. Prelude
  3. Menuet
  4. Clair De Lune
  5. Passepied
  6. Lent (Melancolique Et Doux)
  7. Tres Vite
  8. Prelude
  9. Sarabande
  10. Toccata
  11. Reflets Dans L'eau
  12. Hommage A Rameau
  13. Mouvement
  14. Cloches A Travers Les Feuilles
  15. Et La Lune Descend Sur Le Temple Qui Fut
  16. Poissons D'or

Tracks:

  1. Arabesque No.1
  2. Arabesque No.2
  3. Danse Bohemienne
  4. Ballade Slave
  5. Tarantelle Styrienne
  6. Valse Romantique
  7. Mazurka
  8. Nocturne
  9. Danseuses De Delphes
  10. Voiles
  11. Le Vent Dans La Plaine
  12. Les Sons Et Les Parfums
  13. Les Collines D'Anacapri
  14. Des Pas Sur La Neige
  15. Ce Qu'a Vu Le Vent D'Ouest
  16. La Fille Aux Cheveux De Lin
  17. La Serenade Interrompue
  18. La Cathedrale Engloutie
  19. La Danse De Puck
  20. Minstrels

Tracks:

  1. L'isle Joyeuse
  2. Pagodes
  3. La Soiree Dans Grenade
  4. Jardins Sous La Pluie
  5. D'un Cahier D'esquisses
  6. Morceau De Concours
  7. Masques
  8. Brouillards
  9. Feuilles Mortes
  10. La Puerta Del Vino
  11. Les Fees Sont D'exquises Danseuses
  12. Bruyeres
  13. General Lavine - Eccentric
  14. Les Terraces Des Audiences
  15. Ondine
  16. Hommage A S. Pickwick Esq. PPMPC
  17. Canope
  18. Les Tierces Alternees
  19. Feux D'artifice

Tracks:

  1. Doctor Gradus Ad Parnassum
  2. Jimbo's Lullaby
  3. Serenade For The Doll
  4. The Snow Is Dancing
  5. The Little Shepherd
  6. Golliwog's Cake-Walk
  7. Hommage A Haydn
  8. Le Petit Negre
  9. La Plus Que Lente
  10. Berceuse Heroique
  11. Elegie
  12. Page D'album (Piece Pour Le Vetement Du Blesse)
  13. Pour Les Cinq Doigts
  14. Pour Les Tierces
  15. Pour Les Quartes
  16. Pour Les Sixtes
  17. Pour Les Octaves
  18. Pour Les Huit Doigts
  19. Pour Les Degres Chromatiques
  20. Pour Les Agrements
  21. Pour Les Notes Repetees
  22. Pour Les Sonoritees Opposees
  23. Pour Les Arpeges Composes
  24. Pour Les Accords

Customer Reviews:

5 out of 5 stars Debussy with a difference!.......2007-03-10


Do not let the dismissive review below make you dismiss this amazing and breath taking complete set. Like his Scriabin recordings, Gordon Fergus-Thompson works wonder with the well known piece like Clair de Lune, Arabesque and Reverie, and breathes new life into the music by his keen sense of tonal colours and delicacy. When it comes to impressionist music, no pianists can match Richter, who played Clair de Lune, Pavane or miroirs like a miracle, but Fergus-Thompson creats his own unique soundscape.

He is one of very few pianists alive who pay careful attention to how a note produced on the instrument decays and merges with other notes, while most of pianist nowadays focus mostly on starting point of the sound. That's a secret of the richness of colours and expression in his pianism.

He is often criticised for lack of technical prowess, compared to past masters like Gieseking or Michelangeli, but I can not detect even a hint of technical weakness or instability in this set. This is simply a different and highly personal interpretation, and it is a shame to miss out this magical music making simply because it is different from the mainstream interpretation.

1 out of 5 stars One Star for Charity's Sake.......2007-03-01

Avoid this set!!! The man is a gifted pianist but has no understanding on how to interpret the music. This is the nadir of all the Debussy piano sets. With Walter Gieseking's superlative set available why would you want dog food when you can eat supreme cuisine!!!

5 out of 5 stars Beautifully interpreted.......2007-02-13

Gordon Fergus-Thompson does an amazing job of playing and interpreting Debussy's music. I have been playing piano for years--especially Debussy--and this CD really captures the essence of the music. I'd recommend this to anyone.

5 out of 5 stars Complete Debussy.......2006-12-13

These recordings are some of the highest quality Debussy you'll find. There is a freedom that comes across in Fergus-Thompson's playing that you won't find in other so-called great recordings. Instead of trying to sound "Debussy-like", the music is played naturally while maintaining accuracy and original intent of the composer. Recording quality is up to date. Box set is 4 discs, with the body nicely separated into larger works with dates included.
Horowitz Live and Unedited [includes Bonus DVD]
Average customer rating: 5 out of 5 stars
  • A historical legacy!
  • Masterpieces played by the great Horowitz
  • Insert Here Any Superlative You Can Think Of
  • WHAT IS GOING ON?
  • Just the Facts...
Horowitz Live and Unedited [includes Bonus DVD]

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Magic of Horowitz
  2. Horowitz: The Last Recording
  3. Horowitz in Moscow
  4. Horowitz in Moscow
  5. Horowitz Encores

ASIN: B0000CF314
Release Date: 2003-09-30

Tracks:

  1. Organ Toccata, Adagio And Fugue In C Major, BWV 564 I. - J.S. Bach
  2. Organ Toccata, Adagio And Fugue In C Major, BWV 564 II. - J.S. Bach
  3. Organ Toccata, Adagio And Fugue In C Major, BWV 564 III. - J.S. Bach
  4. Fantasy In C Major, Op.17 (I)
  5. Fantasy In C Major, Op.17 (II)
  6. Fantasy In C Major, Op.17 (III)
  7. Piano Sonata No. 9 In F Major, Op. 68 'Black Mass' - Scriabin
  8. Poeme In F-Sharp Major, Op. 32, No. 1 - Scriabin

Tracks:

  1. Mazurka In C-Sharp Minor, Op. 30, No.4 - Chopin
  2. Etude No. 8 In F Major, Op. 10 - Chopin
  3. Ballade in G Minor, Op. 23, No.1 - Chopin
  4. Serenade For The Doll No.3 - DeBussy
  5. Etude In C-Sharp Minor, Op.2, No.1 - Scriabin
  6. Etude No. 11 In A-Flat Major, Op.72 - Moszkowski
  7. Traumerei
  8. Kinderszenen, Op. 15 (1)
  9. Kinderszenen, Op. 15 (2)
  10. Kinderszenen, Op. 15 (3)
  11. Kinderszenen, Op. 15 (4)
  12. Kinderszenen, Op. 15 (5)
  13. Kinderszenen, Op. 15 (6)
  14. Kinderszenen, Op. 15 (7)
  15. Kinderszenen, Op. 15 (8)
  16. Kinderszenen, Op. 15 (9)
  17. Kinderszenen, Op. 15 (10)
  18. Kinderszenen, Op. 15 (11)
  19. Kinderszenen, Op. 15 (12)
  20. Kinderszenen, Op. 15 (13)

Customer Reviews:

5 out of 5 stars A historical legacy!.......2006-03-28

Despite I am not a Horowitz admirer, it 's worthy to underline and emphasize the colossal pianism and thunderous fingering around every one of its different performances.

The special distinction around this album is the fresh inspiration and notable musicality emanated in this Recital, that deserves to be catalogued as a cult recording among the impressive and even excellent live recordings in the Sixties.

A bravura performance and a genuine expression make of this album a very special recommendation.

5 out of 5 stars Masterpieces played by the great Horowitz.......2004-12-12

This Carnegie Hall return recital is one of the greatest recordings by Horowitz. With a huge audience, Horowitz did not disappoint. He plays the Bach/Busoni as only he can play; it is eternally beautiful. Schumann has some mistakes, but those mistakes make the playing even more fascinating. The Scriabin is also excellent.

I am confident in saying that Horowitz's mazurka here is the best recording of op. 30 no. 4. Horowitz takes his time and does not rush the tempo, which is soooo easy to do with this piece. The etude is played awesomely, but the real treat is the Ballade no. 1. Horowitz played this piece all his life and played it very different many times, but this ballade is the best, most musical he ever played, mistakes and all.

The encores are also a treat, and the complete Kinderszenen bonus is another reason to buy this cd. The bonus dvd contains Liszt's Au Bord D'une Source, Chopin's Black key etude, and Moszkowski's etude in f major, op. 72, no.6.

This cd is my favorite, and I have a lot...

5 out of 5 stars Insert Here Any Superlative You Can Think Of.......2004-06-10

For those of you who don't enjoy reading long drawn-out reviews: This is the best CD set I could possibly imagine buying before I bought it. After I bought it, I wept twice in the first listening of just the second disc. The Chopin recordings on this disc are simply legendary, definitive, and indescribably beautiful.

Horowitz out-did even himself at this concert. Sure, wow, wrong notes, even in the first couple measures. Who cares. You had better not. I noticed two exposed wrong notes in my first listen of this disc. It is by far the best CD set I own.

Toccata, Adagio and Fugue in C Major: Sure, wrong note. Grand. I'm not too large a fan of this piece, but, regardless, if you like Bach, you like Horowitz for this recording.

Fantasy in C Major: True to its title, this performance was indeed fantastic. Horowitz is acclaimed most for his different tones on the piano. Let me tell you, that is for a reason.

Scriaban: I, personally, do not like Scriaban. An acquired taste. If you do like him, however, you will by all means enjoy these two recordings of the Black Mass Sonata and the Poeme in F-sharp Major.

The Chopin: The Mazurka is the greatest mazurka recording I have ever heard, period. The Etude is technically flawless and musically flawless. The Ballade. One of my favorite pieces of all time. This is my favorite recording, simply. It is quite, quite unbelievable. I wept. Every theme Chopin includes, Horowitz includes with care. This piece is one that takes a long long long time to figure out. Musically, it is one of the hardest. Horowitz seems to finally understand it after having played it for almost forty years undoubtedly. I have heard roughly 10 or 12 recordings of this piece, and Horowitz's trumps all.

The encores: Debussy, Scriaban, Moszkowski are all wonderful in their own right, but Traumerei is practically Horowitz's child. People in the audience were weeping when they heard this piece. I went in with the intention of not weeping, and failed miserably. It is the singly most beautiful performance I have ever heard.

Buy this set. You will absolutely not regret it.

5 out of 5 stars WHAT IS GOING ON?.......2003-12-27

WHAT IS WRONG WITH YOU PEOPLE? WHY CANT YOU JUST LEAVE THE POOR MAN ALONE? I AM A PIANO STUDENT WHO JUST FINISHED A CONCERT SERIES OUTSIDE OF MY OWN COUNTRY AND I HAVE JUST READ SOME OF THE OTHER REIEWS ABOUT HOROWITZ HERE AND I AM FRANKLY DIGUSTED.
ARE WRONG NOTES ALL YOU PEOPLE LISTEN TO?
HOROWITZ WAS BRILLIANT, YES, BUT HE WAS ALSO HUMAN LIKE ALL OF US. I MAKE MY FAIR SHARE OF WRONG NOTES AND WOULD HATE TO THINK THAT THEY WOULD BE THE ONLY THING THAT AN AUDIENCE WOULD REMEMBER AFTER A CONCERT. WRONG NOTES ARE A PART OF LIFE AND SOMETIMES ITS MORE IMPORTANT TO TAKE RISKS, EVEN IF IT RESULTS IN FAILIURE. ITS WHAT BREATHES LIFE INTO A PERSONS PLAYING, KNOWING THAT ONE SPLIT NOTE OR TWO IS NOT THE END OF THE WORLD. GIVEN THE CHOICE BETWEEN BEING MORE MUSICAL OR MORE TECHNICAL, I WOULD RATHER BE A MUSICIAN AND NOT A ROBOT.
IN HOROWITZ'S PLAYING, THERE ARE MORE IMPORTANT THINGS TO LISTEN TO. SO NEXT TIME YOU SWITCH ON ONE OF HIS RECORDINGS, WHY NOT TRY TO FORGET EVERYTHING YOU HAVE HAD BRAINWASHED INTO YOU ABOUT PERFECTION AND JUST LISTEN WITH YOUR HEART INSTEAD OF YOUR HEAD.

HOROWITZ WOULD HAVE BEEN THE FIRST PERSON TO TELL YOU THAT A PERFECT TECHNIQUE IS A COMPLETE MYTH. EVERYONE MAKES MISTAKES, WE CANT BE PERFECT FOR YOU ALL THE TIME, SO JUST GIVE US A BREAK.

5 out of 5 stars Just the Facts..........2003-11-29

This is not a review per se. My review is elsewhere on this page. But I wanted to follow-up and correct a few errors, which have been circulated in regard to this recording.

First, the corrections used on the original version of Horowitz at Carnegie Hall were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.

Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as the anonymous reviewer from Baltimore states.

Here is a (mostly) complete list of the patches on the original album, which have been removed from this new edition:

Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.

Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.

Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26

Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.

None of the encores were edited.

Patched or not, the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.
Essential Hyperion, Vol. 2
Average customer rating: 4 out of 5 stars
  • Nothing but hits
Essential Hyperion, Vol. 2

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004RITB
Release Date: 2001-01-09

Customer Reviews:

4 out of 5 stars Nothing but hits.......2001-01-31

As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
Van Cliburn - My Favorite Debussy
Average customer rating: 4.5 out of 5 stars
  • rather dry and unevocative playing
  • Van Cliburn at his best.
  • Cliburn's Debussy and Ravel
  • Romantic Impressions
Van Cliburn - My Favorite Debussy

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. The World's Favorite Piano Music

ASIN: B00002JXEM
Release Date: 1999-11-09

Tracks:

  1. Douze Etudes, Book I, No. 5: Etude In Octaves
  2. Douze Preludes, Book II, No. 7: The Terrace For Moonlight Audiences
  3. Suite Bergamasque, No. 3: Clair de lune
  4. La plus que lente
  5. Estampes, No. 3: Gardens In The Rain
  6. Reverie
  7. Images, Set I, No. 1: Reflections In The Water
  8. Douze Preludes, Book II, No. 12: Fireworks
  9. Douze Preludes, Book I, No. 8: The Girl With The Flaxen Hair
  10. Estampes, No. 2: Evening In Grenada
  11. The Isle Of Joy
  12. Pavane For A Dead Princess
  13. Le Tombeau de Couperin, No. 6: Toccata

Customer Reviews:

3 out of 5 stars rather dry and unevocative playing.......2006-10-04

I feel that Debussy's music requires a very sensitive and free (lots of "rubato") approach that I do not find in Van Cliburn's performances. Unfortunately, I rarely hear a Debussy performance that really sounds "Impressionistic," so perhaps I am expecting too much. But, I can listen to this entire CD and feel that I have not yet heard a single note of Debussy. It is not mysterious, sensitive, and evocative enough for my taste.

5 out of 5 stars Van Cliburn at his best........2006-03-17

As a lover of Debussy's music, I've had a hard time finding recordings that I liked, or that I thought did justice to his work. This album, for me, stands above the rest. Mr. Cliburn gives the best performance of "Clair de Lune" I've ever heard (which is the piece most people will recognize). Others that stood out for me were "Reverie" and "Reflections In the Water." This is a first-class album. It sounds wonderful, with breathtaking performances by a true virtuosic genius.

5 out of 5 stars Cliburn's Debussy and Ravel.......2001-08-20

This beautiful and transporting CD is a "rainy day" favorite of mine. Van Cliburn has created a gorgeous, shimmering watercolor for his listeners' ears. In May of 1998, I heard Maestro Cliburn play many of these works in recital. The two hour recital was sold out and I don't recall hearing a single cough, a rustle of paper or squeak of a chair - we were all completely riveted, completely absorbed in the mood and the music. Maestro Cliburn's gossamer arpeggios in "Reflets dan l'eau" are so liquid, so seamless, one envisions water rippling on a stream; and his sensitive and melancholy "Girl with the Flaxen Hair" is the most beautiful and heart-felt interpretation of this piece that I have heard. Mr. Cliburn makes these pieces look absolutely effortless, yet they are among the most difficult in piano repertoire. I look upon each of these tracks as a mini-masterpiece. No one plays the Impressionists with the sensitivity, the poetry of Van Cliburn. Although the overall mood is one of melancholy, Cliburn never lets the music become too sweet. In fact, just as Maestro Cliburn's beautiful music lulls one into a sleepy reverie, his powerful and spine-chilling keyboard run in Debussy's "Fireworks" catapults one right of it - a playful "Gotcha!" from one of the truly Great Pianists.

5 out of 5 stars Romantic Impressions.......2000-08-01

When one thinks of Van Cliburn one usually thinks of the power of Rachmaninoff or Tchaikovsky. Fortunately, this beautifully remasterd collection of impressionistic pieces from Debussy and Ravel done in the 1970's gives us a look at a different side of his virtuosity. The power is there but tempered in a beautiful way. The dynamics are more sensitive than I have heard before and so I'm hearing new views of this music. I purchased this out of curiosity, and the music is not my favorite, but it is wonderfully executed and not cloying as these pieces are sometimes played. I would highly recommend this recording.
Steinway Legends: Grand Edition/Various  (Box)
Average customer rating: 5 out of 5 stars
  • What results do you get when you mix Decca, Philips, Deutsche Grammophone, and Steinway????.....I'd call them GRAND!!
  • Steinway Ledgends
Steinway Legends: Grand Edition/Various (Box)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ICLSWO
Release Date: 2006-10-24

Tracks:

  1. Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven. Performer: Hélène Grimaud (Piano)
  2. Andante spianato et Grand polonaise brillante in E flat major, Op. 22 by Frédéric Chopin. Performer: Yundi Li (Piano)
  3. Hungarian Rhapsodies (19) for Piano, S 244: no 2 in C sharp minor by Franz Liszt. Performer: Lang Lang (Piano)
  4. Nun komm, der Heiden Heiland, BWV 659 by Johann Sebastian Bach. Performer: Vladimir Horowitz (Piano)
  5. Valses oubliées (4) for Piano, S 215: no 1 in F sharp major by Franz Liszt. Performer: Vladimir Horowitz (Piano)
  6. Sonata for Piano no 13 in B flat major, K 333 (315c) by Wolfgang Amadeus Mozart. Performer: Vladimir Horowitz (Piano)
  7. Moments musicaux (6) for Piano, D 780/Op. 94: no 3 in F minor by Franz Schubert. Performer: Vladimir Horowitz (Piano)
  8. Consolations (6) for Piano, S 172: no 3 in D flat major, Lento placido by Franz Liszt. Performer: Vladimir Horowitz (Piano)
  9. Polonaise for Piano in A flat major, B 147/Op. 53 "Heroic" by Frédéric Chopin. Performer: Vladimir Horowitz (Piano)
  10. Mazurkas (4) for Piano, B 77/Op. 17: no 4 in A minor by Frédéric Chopin. Performer: Vladimir Horowitz (Piano)
  11. Scherzo for Piano no 1 in B minor, B 65/Op. 20 by Frédéric Chopin. Performer: Vladimir Horowitz (Piano)
  12. Schwanengesang (Schubert), S 560: no 7, Ständchen "Leise flehen" by Franz Liszt. Performer: Vladimir Horowitz (Piano)
  13. Impromptu for Piano in F sharp major, S 191 "Nocturne" by Franz Liszt. Performer: Vladimir Horowitz (Piano)
  14. Etudes (15) de virtuosité, Op. 72 "Per aspera ad astra": no 6 in F major by Moritz Moszkowski. Performer: Vladimir Horowitz (Piano)
  15. Characteristic Pieces (8), Op. 36: no 6, Etincelles by Moritz Moszkowski. Performer: Vladimir Horowitz (Piano)
  16. Military Marches (3) for Piano 4 hands, D 733/Op. 51: no 1 in D major by Franz Schubert. Performer: Vladimir Horowitz (Piano)
  17. Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart. Performer: Vladimir Horowitz (Piano)
  18. Impromptus (4) for Piano, D 935/Op. 142: no 3 in B flat major by Franz Schubert. Performer: Vladimir Horowitz (Piano)
  19. Impromptus (4) for Piano, D 899/Op. 90: no 4 in A flat major by Franz Schubert. Performer: Vladimir Horowitz (Piano)
  20. Kreisleriana, Op. 16 by Robert Schumann. Performer: Vladimir Horowitz (Piano)
  21. Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor by Alexander Scriabin. Performer: Vladimir Horowitz (Piano)
  22. Etudes (12) for Piano, Op. 8: no 12 in D sharp minor by Alexander Scriabin. Performer: Vladimir Horowitz (Piano)
  23. Preludes (13) for Piano, Op. 32: no 5 in G major, Moderato by Sergei Rachmaninov. Performer: Vladimir Horowitz (Piano)
  24. Preludes (13) for Piano, Op. 32: no 12 in G sharp minor, Allegro by Sergei Rachmaninov. Performer: Vladimir Horowitz (Piano)
  25. Lachtäubchen (Behr) "Polka de W.R." by Sergei Rachmaninov. Performer: Vladimir Horowitz (Piano)
  26. Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti. Performer: Vladimir Horowitz (Piano)
  27. Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" by Ludwig van Beethoven. Performer: Claudio Arrau (Piano)
  28. Rondo for Piano no 3 in A minor, K 511 by Wolfgang Amadeus Mozart. Performer: Claudio Arrau (Piano)
  29. Allegretto for Piano in C minor, D 915 by Franz Schubert. Performer: Claudio Arrau (Piano)
  30. Sonata for Piano in B minor, S 178 by Franz Liszt. Performer: Claudio Arrau (Piano)
  31. Oriental Fantasy for Piano, Op. 18 "Islamey" by Mily Balakirev. Performer: Claudio Arrau (Piano)
  32. Impromptu for Piano no 1 in A flat major, B 110/Op. 29 by Frédéric Chopin. Performer: Claudio Arrau (Piano)
  33. Impromptu for Piano no 2 in F sharp major, B 129/Op. 36 by Frédéric Chopin. Performer: Claudio Arrau (Piano)
  34. Impromptu for Piano no 3 in G flat major, b 149/Op. 51 by Frédéric Chopin. Performer: Claudio Arrau (Piano)
  35. Impromptu for Piano no 4 in C sharp minor, B 87/Op. 66 "Fantaisie-Impromptu" by Frédéric Chopin. Performer: Claudio Arrau (Piano)
  36. Faschingsschwank aus Wien, Op. 26 by Robert Schumann. Performer: Claudio Arrau (Piano)
  37. Variations (15) and Fugue for Piano in E flat major, Op. 35 "Eroica" by Ludwig van Beethoven. Performer: Claudio Arrau (Piano)
  38. Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van
  39. Symphonic Etudes for Piano, Op. 13 by Robert Schumann. Performer: Maurizio Pollini (Piano)
  40. Pétrouchka: Three movements for Piano by Igor Stravinsky. Performer: Maurizio Pollini (Piano)
  41. Variations for Piano, Op. 27 by Anton von Webern. Performer: Maurizio Pollini (Piano)
  42. Arabeske for Piano in C major, Op. 18 by Robert Schumann. Performer: Maurizio Pollini (Piano)
  43. Berceuse for Piano in D flat major, B 154/Op. 57 by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  44. Etudes (12) for Piano, Op. 25: no 1 in A flat major by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  45. Etudes (12) for Piano, Op. 25: no 7 in C sharp minor by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  46. Etudes (12) for Piano, Op. 25: no 9 in G flat major by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  47. Etudes (12) for Piano, Op. 25: no 10 in B minor by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  48. Etudes (12) for Piano, Op. 25: no 11 in A minor by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  49. Etudes (12) for Piano, Op. 25: no 12 in C minor by Frédéric Chopin. Performer: Maurizio Pollini (Piano)
  50. Sonata for Piano in B minor, S 178 by Franz Liszt. Performer: Maurizio Pollini (Piano)
  51. Etudes (12) for Piano, Book 2: no 9, Pour les notes répétées by Claude Debussy. Performer: Maurizio Pollini (Piano)
  52. Etudes (12) for Piano, Book 2: no 10, Pour les sonorités opposées by Claude Debussy. Performer: Maurizio Pollini (Piano)
  53. Etudes (12) for Piano, Book 2: no 11, Pour les arpèges composées by Claude Debussy. Performer: Maurizio Pollini (Piano)
  54. Etudes (12) for Piano, Book 2: no 12, Pour les accords by Claude Debussy. Performer: Maurizio Pollini (Piano)
  55. Sonata for 2 Pianos in D major, K 448 (375a) by Wolfgang Amadeus Mozart. Performer: Vladimir Ashkenazy (Piano)
  56. Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin. Performer: Vladimir Ashkenazy (Piano)
  57. Scherzo for Piano no 4 in E major, B 148/Op. 54 by Frédéric Chopin. Performer: Vladimir Ashkenazy (Piano)
  58. Mazurkas (3) for Piano, B 157/Op. 59: no 2 in A flat major by Frédéric Chopin. Performer: Vladimir Ashkenazy (Piano)
  59. Dumka for Piano in C minor, Op. 59 "Russian rustic scene" by Peter Ilyich Tchaikovsky. Performer: Vladimir Ashkenazy (Piano)
  60. Sonata for Piano no 5 in F sharp major, Op. 53 by Alexander Scriabin. Performer: Vladimir Ashkenazy (Piano)
  61. Etudes-tableaux (9) for Piano, Op. 39: no 1 in C minor by Sergei Rachmaninov. Performer: Vladimir Ashkenazy (Piano)
  62. Etudes-tableaux (9) for Piano, Op. 39: no 2 in A minor by Sergei Rachmaninov. Performer: Vladimir Ashkenazy (Piano)
  63. Etudes-tableaux (9) for Piano, Op. 39: no 5 in E flat minor by Sergei Rachmaninov. Performer: Vladimir Ashkenazy (Piano)
  64. Sonata for Piano no 30 in E major, Op. 109 by Ludwig van Beethoven. Performer: Vladimir Ashkenazy (Piano)
  65. Sonata for Piano in D major, D 850/Op. 53 "Gasteiner" by Franz Schubert. Performer: Vladimir Ashkenazy (Piano)
  66. Pieces (10) for Piano from "Romeo and Juliet", Op. 75: no 10, Romeo and
  67. Pieces (10) for Piano from "Romeo and Juliet", Op. 75: no 5, Masks by Sergei Prokofiev. Performer: Vladimir Ashkenazy (Piano)
  68. Prelude and Fugue in G sharp minor, Op. 29 by Sergei Taneyev. Performer: Vladimir Ashkenazy (Piano)
  69. Rondo for Piano no 3 in A minor, K 511 by Wolfgang Amadeus Mozart. Performer: Mitsuko Uchida (Piano)
  70. Fantasia for Piano in D minor, K 397 (385g) by Wolfgang Amadeus Mozart. Performer: Mitsuko Uchida (Piano)
  71. Impromptus (4) for Piano, D 899/Op. 90: no 4 in A flat major by Franz Schubert. Performer: Mitsuko Uchida (Piano)
  72. Variations (32) for Piano in C minor on an Original Theme, WoO 80 by Ludwig van Beethoven. Performer: Mitsuko Uchida (Piano)
  73. Kreisleriana, Op. 16 by Robert Schumann. Performer: Mitsuko Uchida (Piano)
  74. Etudes (12) for Piano, Book 2: no 11, Pour les arpèges composées by Claude Debussy. Performer: Mitsuko Uchida (Piano)
  75. Etudes (12) for Piano, Book 2: no 10, Pour les sonorités opposées by Claude Debussy. Performer: Mitsuko Uchida (Piano)
  76. Etudes (12) for Piano, Book 2: no 9, Pour les notes répétées by Claude Debussy. Performer: Mitsuko Uchida (Piano)
  77. Etudes (12) for Piano, Book 2: no 8, Pour les agréments by Claude Debussy. Performer: Mitsuko Uchida (Piano)
  78. Sonata for Piano, Op. 1 by Alban Berg. Performer: Mitsuko Uchida (Piano)
  79. Sonata for Piano no 18 in D major, K 576 "Hunt" by Wolfgang Amadeus Mozart. Performer: Mitsuko Uchida (Piano)
  80. Sonata for Piano in C major, D 840 "Reliquie" by Franz Schubert. Performer: Mitsuko Uchida (Piano)
  81. Sonata for Harpsichord in C minor, K 11/L 352 by Domenico Scarlatti. Performer: Arturo Benedetti Michelangeli (Piano)
  82. Sonata for Harpsichord in A major, K 322/L 483 by Domenico Scarlatti. Performer: Arturo Benedetti Michelangeli (Piano)
  83. Sonata for Harpsichord in C major, K 159/L 104 by Domenico Scarlatti. Performer: Arturo Benedetti Michelangeli (Piano)
  84. Sonata for Piano no 4 in E flat major, Op. 7 by Ludwig van Beethoven. Performer: Arturo Benedetti Michelangeli (Piano)
  85. Ballades (4) for Piano, Op. 10: no 1 in D minor "Edward" by Johannes Brahms. Performer: Arturo Benedetti Michelangeli (Piano)
  86. Images for Piano, Set 1: no 1, Reflets dans l'eau by Claude Debussy. Performer: Arturo Benedetti Michelangeli (Piano)
  87. Images for Piano, Set 2: no 2, Et la lune descend sur le temple qui fût by Claude Debussy. Performer: Arturo Benedetti Michelangeli (Piano)
  88. Images for Piano, Set 2: no 3, Poissons d'or by Claude Debussy. Performer: Arturo Benedetti Michelangeli (Piano)
  89. Children's Corner by Claude Debussy. Performer: Arturo Benedetti Michelangeli (Piano)
  90. Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin. Performer: Arturo Benedetti Michelangeli (Piano)
  91. Scherzo for Piano no 2 in B flat minor/D flat major, B 111/Op. 31 by Frédéric Chopin. Performer: Arturo Benedetti Michelangeli (Piano)
  92. Mazurkas (4) for Piano, B 115/Op. 33: no 4 in B minor by Frédéric Chopin. Performer: Arturo Benedetti Michelangeli (Piano)
  93. Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin. Performer: Arturo Benedetti Michelangeli (Piano)
  94. Faschingsschwank aus Wien, Op. 26 by Robert Schumann. Performer: Arturo Benedetti Michelangeli (Piano)
  95. Sonata for Piano in A minor, D 537/Op. 164 by Franz Schubert. Performer: Arturo Benedetti Michelangeli (Piano)
  96. Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach. Performer: Wilhelm Kempff (Piano)
  97. Fantasy for Piano in C minor, K 475 by Wolfgang Amadeus Mozart. Performer: Wilhelm Kempff (Piano)
  98. Sonata for Piano no 26 in E flat major, Op. 81a "Les Adieux" by Ludwig van Beethoven. Performer: Wilhelm Kempff (Piano)
  99. Pieces (3) for Piano, D 946 by Franz Schubert. Performer: Wilhelm Kempff (Piano)
  100. Nocturnes (3) for Piano, B 54/Op. 9: no 3 in B major by Frédéric Chopin. Performer: Wilhelm Kempff (Piano)
  101. Impromptu for Piano no 3 in G flat major, b 149/Op. 51 by Frédéric Chopin. Performer: Wilhelm Kempff (Piano)
  102. Kinderszenen, Op. 15 by Robert Schumann. Performer: Wilhelm Kempff (Piano)
  103. Scherzo for Piano in E flat minor, Op. 4 by Johannes Brahms. Performer: Wilhelm Kempff (Piano)
  104. Pieces (4) for Piano, Op. 119 by Johannes Brahms. Performer: Wilhelm Kempff (Piano)
  105. Legends of St Francis (2), S 354 by Franz Liszt. Performer: Wilhelm Kempff (Piano)
  106. Sonata for Piano no 8 in C minor, Op. 13 "Pathétique" by Ludwig van Beethoven. Performer: Wilhelm Kempff (Piano)
  107. Wachet auf, ruft uns die Stimme, BWV 140: Wachet auf ruft uns die Stimme by Johann Sebastian Bach. Performer: Wilhelm Kempff (Piano)
  108. Sonata for Piano no 18 in E flat major, Op. 31 no 3 by Ludwig van Beethoven. Performer: Emil Gilels (Piano)
  109. Fantasy for Piano 4 hands in F minor, D 940/Op. 103 by Franz Schubert. Performer: Elena Gilels (Piano), Emil Gilels (Piano)
  110. Sonata for Piano in G minor, Op. 22 by Nikolai Medtner. Performer: Emil Gilels (Piano)
  111. Ballades (4) for Piano, Op. 10: no 1 in D minor "Edward" by Johannes Brahms. Performer: Emil Gilels (Piano)
  112. Ballades (4) for Piano, Op. 10: no 2 in D major by Johannes Brahms. Performer: Emil Gilels (Piano)
  113. Fantasia for Piano in D minor, K 397 (385g) by Wolfgang Amadeus Mozart. Performer: Emil Gilels (Piano)
  114. Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin. Performer: Emil Gilels (Piano)
  115. Lyric Pieces (8), Book 2, Op. 38: no 1, Berceuse by Edvard Grieg. Performer: Emil Gilels (Piano)
  116. Lyric Pieces (6), Book 3, Op. 43: no 1, Butterfly by Edvard Grieg. Performer: Emil Gilels (Piano)
  117. Lyric Pieces (7), Book 4, Op. 47: no 2, Albumblatt by Edvard Grieg. Performer: Emil Gilels (Piano)
  118. Lyric Pieces (7), Book 4, Op. 47: no 4, Halling by Edvard Grieg. Performer: Emil Gilels (Piano)
  119. Lyric Pieces (6), Book 5, Op. 54: no 4, Notturno by Edvard Grieg. Performer: Emil Gilels (Piano)
  120. Lyric Pieces (6), Book 9, Op. 68: no 2, Grandmother's Minuet by Edvard Grieg. Performer: Emil Gilels (Piano)
  121. Lyric Pieces (6), Book 9, Op. 68: no 3, At Your Feet by Edvard Grieg. Performer: Emil Gilels (Piano)
  122. Lyric Pieces (7), Book 10, Op. 71: no 1, Once upon a Time by Edvard Grieg. Performer: Emil Gilels (Piano)
  123. Lyric Pieces (7), Book 10, Op. 71: no 3, Puck by Edvard Grieg. Performer: Emil Gilels (Piano)
  124. Sonata for Piano no 3 in B flat major, K 281 (189f) by Wolfgang Amadeus Mozart. Performer: Emil Gilels (Piano)
  125. Toccata in C minor, BWV 911 by Johann Sebastian Bach. Performer: Martha Argerich (Piano)
  126. Sonata for Piano no 2 in G minor, Op. 22 by Robert Schumann. Performer: Martha Argerich (Piano)
  127. Rhapsodies (2) for Piano, Op. 79 by Johannes Brahms. Performer: Martha Argerich (Piano)
  128. Hungarian Themes and Rhapsodies (21) for Piano, S 242: no 6 in G minor, Lento by Franz Liszt. Performer: Martha Argerich (Piano)
  129. Sonata for Piano in B minor, S 178 by Franz Liszt. Performer: Martha Argerich (Piano)
  130. Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin. Performer: Martha Argerich (Piano)
  131. Barcarolle for Piano in F sharp major, B 158/Op. 60 by Frédéric Chopin. Performer: Martha Argerich (Piano)
  132. Scherzo for Piano no 3 in C sharp minor, B 125/Op. 39 by Frédéric Chopin. Performer: Martha Argerich (Piano)
  133. Prelude for Piano in A flat major, B 86 by Frédéric Chopin. Performer: Martha Argerich (Piano)
  134. Jeux d'eau by Maurice Ravel. Performer: Martha Argerich (Piano)
  135. Gaspard de la nuit by Maurice Ravel. Performer: Martha Argerich (Piano)
  136. Toccata for Piano in D minor, Op. 11 by Sergei Prokofiev. Performer: Martha Argerich (Piano)
  137. Symphonic Dances, Op. 45: no 1, Non allegro by Sergei Rachmaninov. Performer: Martha Argerich (Piano)
  138. Andante spianato et Grand polonaise brillante in E flat major, Op. 22 by Frédéric Chopin. Performer: Martha Argerich (Piano)
  139. Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach. Performer: Alfred Brendel (Piano)
  140. Sonata for Keyboard no 60 in C major, H 16 no 50 by Franz Joseph Haydn. Performer: Alfred Brendel (Piano)
  141. Fantasia for Piano in C minor, K 396 (385f) by Wolfgang Amadeus Mozart. Performer: Alfred Brendel (Piano)
  142. Pieces (3) for Piano, D 946: no 2 in E flat major by Franz Schubert. Performer: Alfred Brendel (Piano)
  143. Nuages gris for Piano, S 199 by Franz Liszt. Performer: Alfred Brendel (Piano)
  144. Nocturne for Piano, S 207 "En rêve" by Franz Liszt. Performer: Alfred Brendel (Piano)
  145. R. W. - Venezia, S 201 by Franz Liszt. Performer: Alfred Brendel (Piano)
  146. Années de pèlerinage, deuxième année, S 161 "Italie": no 7, Après une lecture du Dante by Franz Liszt. Performer: Alfred Brendel (Piano)
  147. Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven. Performer: Alfred Brendel (Piano)
  148. Bagatelle for Piano in A minor, WoO 59 "Für Elise" by Ludwig van Beethoven. Performer: Alfred Brendel (Piano)
  149. Phantasiestücke (8) for Piano, Op. 12 by Robert Schumann. Performer: Alfred Brendel (Piano)
  150. Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart. Performer: Alfred Brendel (Piano)

Album Description

THE STEINWAY LEGENDS GRAND EDITION Steinway & Sons, for over 150 years the maker of the world's finest pianos and the symbol of quality and excellence to generations, joins forces with Universal Classics, home to history's greatest pianists on the Deutsche Grammophon, Decca and Philips labels, to present the Steinway Legends Grand Edition, an impressive box that holds all 10 Steinway Legends packages in the series in a unique "Steinway Series D" Piano Box. Boxed set includes the complete Steinway Legends series on 20 compact discs (that's 301 tracks!) plus a special bonus CD. Each title features "spot-on" repertoire choices of legendary pianists that have strong associations with Steinway & Sons, along with informative notes and unique packaging. Each album includes two long-playing CDs housed in high gloss black digipacks with Steinway & Sons logo & iconography embossed in gold brass on the cover--just like on the real Steinway piano! Bonus CD--Steinway Legends in the Making--features three great pianists from the current generation of Steinway artists--Hèléne Grimaud, Yundi Li and Lang Lang. Only available as part of the Grand Edition boxed set. Souvenir Photo Album--Boxed set includes a big (10˝ x 6˝), full color 40-page booklet that offers a rare glimpse into the world of Steinway & Sons - chock full of rare photos, unique memorabilia, autograph reproductions and testimonials all from the personal archive of Steinway & Sons and more! Packaging--CDs and booklet housed in a beautiful reproduction of a Steinway Series D Grand Piano--with incredible detail--including full keyboard, working piano lid and sweeping body that is the unmistakable look of a Steinway. Grand Edition includes these great titles: Steinway Legends Martha Argerich, Steinway Legends Claudio Arrau, Steinway Legends Vladimir Ashkenazy, Steinway Legends Alfred Brendel, Steinway Legends Emil Gilels, Steinway Legends Vladimir Horowitz, Steinway Legends Wilhelm Kempff, Steinway Legends Arturo Benedetti Michelangeli, Steinway Legends Maurizio Pollini, Steinway Legends Mitsuko Uchida, and Steinway Legends in the Making.

Customer Reviews:

5 out of 5 stars What results do you get when you mix Decca, Philips, Deutsche Grammophone, and Steinway????.....I'd call them GRAND!!.......2007-04-16

Yes, GRAND, indeed is the word for this spectacular collection of solo piano recordings by the creme-de-la-creme of Decca's, Deutsche Grammophone's, and Philips' vaults.........AWESOME by ALL measure!

Two discs each, in individual deluxe folders, from the archives of Decca, DGG, and Philips........featuring Claudio Arrau, Mitsuko Uchida, Vladimir Horowitz, Maurizio Pollini, Vladimir Ashkenazy, Emil Gilels, Martha Argerich, Wilhelm Kempff, Arturo Benedetti Michelangeli, and Alfred Brendel........what a list, huh?

And, Wait!.....It gets Better!!! Included on each individual collection are rare, long out of print, recordings....the best of each artist's familiar recordings, and....unknown, never-released recordings.....could it get any better than this???

YES! A bonus disc of "Steinway Legends in the Making".......featuring the incredibly gifted artists Lang Lang, Helene Grimaud, and Yundi Li....how great it is to hear these young artists against their towering predecessors of keyboard artistry.

Also included is a forty page deluxe book with tons of photos and memorabilia from Steinway. Remember, all these pianists were solid, dedicated, Steinway artists, and would not play anything else.

While the presentation of these recordings simply could never match or meet the level of the performances themselves (lucky us that they were recorded and preserved so we may hear them again and again, just as fresh and wonderful as the first time), the package IS pretty darned AWESOME!!! The whole collection, book included, fits inside a perfectly proportioned Steinway Piano shaped box, complete with opening lid and support to hold it up, revealing the frame and strings below, which also lifts up to reveal the booklet and individual folders and discs beneath. The entire "piano" itself slips into an oversized slipcase.

What a unique and beautiful set this truly is. Sadly, it was released as a deluxe set in very few numbers. But, luckily, the individual two disc sets by each artist are available separately, so at least the recordings are available still to those who want them.***

Luckily, I knew about this collection many many months before it's limited release and had pre-ordered my set (very happy bear, indeed). It's a joy just to look at this set, and also to know that these "performances" are here in my home for me to enjoy over and over again and again.

To my knowledge, I am unaware of individual companies working together before (Decca, DGG, Philips, and Steinway in this case) to present this type of collection as a "unified" set, and we truly are very lucky beneficiaries of this wonderful partnership of these companies.

My only "complaint"......the outer slipcase that the "piano box" slides into is made of a very inferior weight of paperboard to support such a heavy presentation as this, and is so flimsy that it will not stand up to much use before it simply disintigrates. Sort of too bad, as the rest of the set/presentation is so first rate...shame on you folks...I can't think of anybody who would not have paid a few dollars more for a suitable slipcase for this beautiful set. ~operabruin

***June 22, 2007...I just found out that this set is now, once again, available! Do yourself a favor, and get a copy NOW, before it is gone again! I just found it on another site [classical only online seller], and when I came back here to amazon to make this notation, I also see that they have it in stock again!!! What a stroke of luck for those of you who want this set. Trust me, it is just beautiful, and one of the most unique items you have ever seen! ~operabruin

5 out of 5 stars Steinway Ledgends.......2007-03-09

The quality of the pianos and recording is breath taking says my friend, a professional tuner and former buyer of American & European pianos . And I was just stunned by the playing of these masters...the Liszt pieces of Kempff were were a revelation as was Gilels, and the supreme Horowitz..What is astounding to me is the presence of the piano ( played with a moderately good system only); it is as if they were there in the room.
Jean-Yves Thibaudet - Debussy · images, études ~ complete works for piano, vol. 2
Average customer rating: 5 out of 5 stars
  • Superior recordings and performances
  • BEAUTIFUL
  • Evocative and mesmerizing if a little distorted in places
  • Mesmerising and musically imaginative performances
Jean-Yves Thibaudet - Debussy · images, études ~ complete works for piano, vol. 2

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SDRF
Release Date: 2000-05-09

Tracks:

  1. Images - Serie I
  2. Images - Serie I
  3. Images - Serie I
  4. Images - Serie II
  5. Images - Serie II
  6. Images - Serie II
  7. Le Petit Negre
  8. Children's Corner
  9. Children's Corner
  10. Children's Corner
  11. Children's Corner
  12. Children's Corner
  13. Children's Corner
  14. La plus que lente
  15. Valse romantique
  16. Ballade
  17. Danse (Tarantelle styrienne)
  18. Mazurka

Tracks:

  1. Suite bergamesque
  2. Suite bergamesque
  3. Suite bergamesque
  4. Suite bergamesque
  5. Hommage a Haydn
  6. Elegie
  7. Berceuse heroique
  8. page d'album
  9. Etudes - Livre I
  10. Etudes - LIvre II
  11. Etudes - LIvre II
  12. Etudes - LIvre II
  13. Etudes - LIvre II
  14. Etudes - LIvre II
  15. Etudes - Livre II
  16. Etudes - Livre II
  17. Etudes - Livre II
  18. Etudes - Livre II
  19. Etudes - Livre II
  20. Etudes - Livre II
  21. Etude retrouvee

Amazon.com

Jean-Yves Thibaudet is not a pianist to be pigeonholed. Alongside the recordings of his fellow countrymen Debussy and Ravel, he has recorded a tribute to a jazz giant, Conversations with Bill Evans, and he plays on the soundtrack of the film Portrait of a Lady. Perhaps this catholic approach accounts for the freshness of his Debussy playing. Not for him the "stick the pedal down and make an impressionistic wash of sound" approach. His playing is clean and refreshing without losing any of the voluptuous sensuality of Debussy at his most beguiling. There are lollipops to be found among the extensive repertory on these two discs, including the celebrated "Clair de Lune" from the Suite Bergamasque and the "Golliwogg's Cake-Walk" from Children's Corner. The mainstay of the release is the two sets of Images and the two books of Études, 12 studies whose demands are not for the faint of heart. Luckily for us, Thibaudet's heart is strong. He offers virtuosic, thoughtful performances of pieces that, while written to help develop pianists' technique, stand up magnificently as music to be listened to. --Keith Clarke

Customer Reviews:

5 out of 5 stars Superior recordings and performances.......2005-09-18

The Penguin Guide to CDs and DVDs has Thibaudet's sets of the complete Debussy solo piano music at the top of the digital recordings, and this is certainly high quality.

We have several recordings of the Preludes and some other works, but there is nothing to come close to Thibaudet for great performances and superior recording quality.

The liner notes are very helpful, and in the first set you get different articles in English, French, German and Italian. Great if you are multilingual, but only of marginal interest to me. The second set has one article and translations, not separate articles.

Well worth purchasing.

5 out of 5 stars BEAUTIFUL.......2002-11-17

AAAAAH Beautiful This guy is awesome. He is the first piano player with whom I experienced Debussy's work.I am happy with this cd.

4 out of 5 stars Evocative and mesmerizing if a little distorted in places.......2001-04-21

I shall try to be as brief as possible. My standards in Debussy are Alfred Cortot and Walter Gieseking, but unfortunately they didn't record everything and the sound of their recordings is getting a little dated. I own Cortot's recordings of Debussy songs with Maggie Teyte and Gieseking's recordings of the Preludes, but was looking for good modern recordings of "La plus que lente," "Suite Bergamesque," "Images" and the "Children's Corner Suite." After listening to excerpts on the Amazon site, I bought this recording.

Thibaudet has a gorgeous tone and touch. His musical styling, however, is sometimes accurate, sometimes phlegmatic. He plays the Song of the Doll in "Children's Corner" a little too fast, and in both "Golliwog's Cakewalk" and "Clair de lune" he employs an odd sort of rubato that seems to add a half-beat to certain measures. (In these pieces I know because I used to play them). Despite these quirks, however, his playing has charm, color and a dashing technique reminiscent of Gieseking. The reason I only gave this set 4 stars instead of 5 is because the Etudes are trashy music, mere technical exercises without any redeeming (to me) musical value. If you feel differently, however, I suppose you will rate this as a 5-star album, but to me it was a half-hour of listening time totally wasted. Otherwise, a beautiful album that you will listen to again and again.

5 out of 5 stars Mesmerising and musically imaginative performances.......2000-06-30

Jean-Yves Thibaudet may not be the ideal pianist for every kind of music that he plays. His Rachmaninoff is disappointingly tepid and his Chopin uninteresting. His Liszt recordings, while being technically assured, often lacks a sense of abandon and frisson (or should I say "showmanship") which, in my view, is an indispensable element in that kind of music, and his Schubert (as heard in the soundtrack for ) sounds contrived and mannered.

However, he is definitely a force to be reckoned with in his native French repertoire, as shown by his marvellous traversal of Ravel's piano pieces in 1992, a set which has won lots of accolades and unanimous praise from critics. He then embarked on a project to record all the solo piano works of Debussy and, in 1996, released the first instalment thereof, a 2-CD set which includes the Preludes, Estampes and Pour le piano. While these recordings aren't able to efface one's memory of the legendary recordings of Walter Gieseking, they're convincing interpretations which further confirm Thibaudet's stature in this repertoire.

Decca has now released the 2nd (and concluding) volume of Debussy's solo piano pieces with Thibaudet, and the results are, if anything, even better. As Thibaudet employs the pedal comparatively sparingly, he doesn't perhaps command the magically luminous and shimmering tone which is the hallmark of Gieseking's Debussy recordings (as can be heard in a 4-CD set released by EMI). Nevertheless, Thibaudet offers here an extraordinary wide range of tonal colours (mostly achieved by the pianist's fingers alone, and is therefore no less impressive from a technical perspective), as well as great sensitivity in phrasing and tempo adjustments that always sound natural and even enchanting while at the same time bringing out the music's many possibilities. Besides, in certain instances (for example in some of the pieces in Children's Corner and the Valse romantique), there exist a degree of charm, wit and sarcastic humour which are mostly absent in Gieseking's recordings of the same pieces.

Thibaudet's performance of the Images is mesmerising. His reading is wonderfully evocative and deeply atmospheric and his tonal gradations and sense of control are both cause for marvel. Under Thibaudet's crisp fingers and sensitive hands, the Etudes are not merely virtuosic pieces composed in an innovative idiom, but are also subtly expressive and musically imaginative vignettes, making one wonder why these gems of the keyboard aren't being performed (and recorded) more often. Indeed, such is the standard of the performances here that, besides some faster than average tempo choices for a few of the pieces (which, however, still sound convincing even if they may not actually be sanctioned by Debussy's markings in the relevant scores), this reviewer has hardly any reservation throughout the 151 minutes of music on offer in this 2-CD set. In fact, the recordings, which are well supported by the Decca engineers, are so musically fascinating and tonally alluring that this reviewer was immediately transported to a trance like state when listening to them for the very first time! This, surely, is one of the most enjoyable new piano releases that have come out in the past few years.

Highly recommended and definitely a set worthy of being investigated by pianophiles.
Debussy: 12 Etudes
Average customer rating: 5 out of 5 stars
  • ABSTRACT IMPRESSIONIST
Debussy: 12 Etudes

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B000E8N7Q2
Release Date: 2006-07-04

Tracks:

  1. I. Pour Les 'Cinq Doigts' D'apres Monsieur Czerny
  2. II. Pour Les Tirces
  3. III. Pour Les Quartes
  4. IV. Pour Les Sixtes
  5. V. Pour Les Octaves
  6. VI. Pour Les Hits Doigts
  7. VII. Pour Les Degres Chromatiques
  8. VIII. Pour Les Agrements
  9. IX. Pour Les Notes Repetees
  10. X. Pour Les Sonorites Opposees
  11. XI. Pour Les Arpeges Composees
  12. XII. Pour Les Accords

Customer Reviews:

5 out of 5 stars ABSTRACT IMPRESSIONIST.......2006-12-31

Debussy attached no picturesque captions to his etudes. Each of the 12 has only a functional description from him - thirds, octaves, repeated notes and so forth. Even the phrases he attached to his preludes (at the end of each piece, be it remembered, not as titles) don't seem to me to define the pieces (except for the one called `alternate thirds'). Debussy's piano music always sounds to me to be largely abstract in inspiration, and when it comes to his last set of pieces, the 12 etudes, he is not even pretending otherwise. To my ears, this is the greatest of his piano music, and it will stand with the greatest of anyone's.

It is also the most difficult to play, purely at the technical level. When the works are avowedly `studies' what would you expect? I once took encouragement from a remark in Arthur Hedley's book on Chopin to the effect that there is no difficulty in Chopin's other work that is not prepared for in the studies. Only after I bought the studies did I realise that this really meant that if you could play those you could play anything else. What is Brahms's most difficult work for piano solo? Most competent pianists will tell you `The Paganini Variations', subtitled, of course, `studies'. So too with Debussy, and this view colours my idea of how these works should be played. They will not sound as if they stretch a player with enough technique, but they ought to be made to sound daunting for most of us, and that convinces me that Uchida's interpretation is the right one in all essentials. She takes a highlighted approach, with the more spectacular effects played up. I find her tempi to be reasonable implementations of the composer's markings, which are clear enough except in the second study - what in all the world is `moderato, ma non troppo'? Uchida takes a fastish speed, and so would I have if I could play the piece. Where the prescribed speed is slow without qualification, as in the `sixths' piece, that is how she does it, and I find her memorable in the great `pour les Agrements', expressing fine solemnity as it ends.

Uchida's tone-colouring is vivid without being overdone for my own taste, and the compass of her volume is surely about right for music of this period and of this style -- not as in Rachmaninov but with a good strong tone when the composer asks for that, and also the faint and remote pianissimo that is so central to Debussy's expression. Whatever one thinks about her fast speeds here and there, she does not set any records for high coloration in the tone. We have all long been used to the way Michelangeli handles the first book of the preludes, and Uchida is not trying to emulate that.

Comparisons might be more important if these great compositions were better known than they seem to be. I can't account for their neglect except to admit that I have been guilty of ignoring them too. When a range of top-flight interpretations, such as we are accustomed to throughout the major piano repertory, is available that will be the time to take a microscope to Uchida's version and give fine and minute weighting to the details. For the time being I shall just say that I consider this a major set of renderings, one that is likely to stand comparison with anything else that may be coming along. The sound dates originally from 1990, and it does not interfere with my appreciation of the subtlety of touch that matters almost more in Debussy than in any other composer for the piano. The English liner-note is by the ever-dependable Misha Donat, and I have not bothered to read the French offering or its translation into German. Donat predictably shows insight into this marvellous music, Uchida shows the same where it matters more, I shall work to catch up with them as best I can and I urge everyone else to do likewise.
Complete Masterworks Recordings, 1962-1973
Average customer rating: 4.5 out of 5 stars
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Complete Masterworks Recordings, 1962-1973

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002909
Release Date: 1993-10-05

Tracks:

  1. Sonata In E Major, K 531 (L430): Allegro
  2. Sonata In A Major, K322 (L483): Allegro
  3. Sonata In G Major K455 (L209): Allegro
  4. Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
  5. Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
  6. Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
  7. Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
  8. Etude in C minor, Op. 10 No. 12: Allegro con fuoco
  9. Etude In C-sharp Minor, Op. 25 No. 7: Lento
  10. Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
  11. 3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
  12. 3 Preludes - From Book II: V. Bruyeres. Calme
  13. 3 Preludes - From Book II: VI. General Lavine - eccentric.
  14. Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
  15. Etude In C-Sharp Minor, Op. 2 No. 1: Andante
  16. Etude In D-Sharp Minor, Op. 8 No. 12: Patetico

Tracks:

  1. Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
  2. Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
  3. Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
  4. Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
  5. Etude-Tableau In C, Op.33 No.2: Allegro
  6. Etude-Tableau In C, Op.33 No.2: Appassionato
  7. Arabeske In C, Op.18: Leicht und zart
  8. Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
  9. KINDERSZENEN, OP.15: 2. Kuriose Geschichte
  10. KINDERSZENEN, OP.15: 3. Hansche-Mann
  11. KINDERSZENEN, OP.15: 4. Bittendes Kind
  12. KINDERSZENEN, OP.15: 5. Gluckes genug
  13. KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
  14. KINDERSZENEN, OP.15: 7. Traumerei
  15. KINDERSZENEN, OP.15: 8. Am Kamin
  16. KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
  17. KINDERSZENEN, OP.15: 10. Fast zu ernst
  18. KINDERSZENEN, OP.15: 11. Furchtenmachen
  19. KINDERSZENEN, OP.15: 12. Kind im Einschlummern
  20. KINDERSZENEN, OP.15: 13. Der Dichter spricht
  21. Toccata In C, Op.7: Allegro
  22. Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)

Tracks:

  1. Keyboard Sonatas: Allegro
  2. Keyboard Sonatas: Allegro
  3. Keyboard Sonatas: Allegro
  4. Keyboard Sonatas: Andante moderato
  5. Keyboard Sonatas: Allegretto
  6. Keyboard Sonatas: Allegro
  7. Keyboard Sonatas: Andante
  8. Keyboard Sonatas: Andante e cantabile
  9. Keyboard Sonatas: Allegro
  10. Keyboard Sonatas: Allegro
  11. Keyboard Sonatas: Andante e cantabile
  12. Keyboard Sonatas: Allegro
  13. Keyboard Sonatas: Allegro
  14. Keyboard Sonatas: Andante
  15. Keyboard Sonatas: Allegro
  16. Keyboard Sonatas: Andante moderato
  17. Keyboard Sonatas: Vivo
  18. Keyboard Sonatas: Allegro

Tracks:

  1. Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
  2. Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
  3. Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
  4. Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
  5. Fantasie In C, Op.17: II. Massig. Durchaus energisch
  6. Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
  7. Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
  8. Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile

Tracks:

  1. Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
  2. Etude In F major, Op. 10 No. 8: Allegro
  3. Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
  4. Serenade For The Doll. Allegro ma non troppo
  5. Etude In C-Sharp Minor, Op. 2 No. 1: Andante
  6. Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
  7. Traumerei
  8. Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
  9. Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
  10. Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
  11. Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso

Tracks:

  1. Mazurka In B minor, Op. 33 No. 4: Mesto
  2. Nocturne In E Minor, Op. 72 No. 1: Andante
  3. Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
  4. Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
  5. Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
  6. Piano Sonata In F Major, Hob. XVI: 23: III. Finale
  7. Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
  8. L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
  9. Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

Tracks:

  1. Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
  2. Nocturne In F Minor, Op. 55 No. 1: Andante
  3. Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
  4. Sonata In E major, K 380 (L23): Andante commodo
  5. Sonata In G major, K 55 (L335): Allegro
  6. Arabeske In C Major, Op. 18: Leicht und zart
  7. Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
  8. Traumerei
  9. Variations On A Theme From Bizet's Opera 'Carmen'

Tracks:

  1. Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
  2. Adagio sostenuto In F Major
  3. Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
  4. Sonata In A Major, Op. 50 No. 1: II. Adagio
  5. Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
  6. Sonata In F-Sharp Major, K 319 (L35): Allegro
  7. Sonata In G Major, K 260 (L124): Allegro
  8. Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
  9. Sonata In C major, Hob. XVI:48: II. Rondo
  10. Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
  11. Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
  12. Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro

Tracks:

  1. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
  2. II. Allegretto
  3. Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
  4. Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
  5. Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
  6. Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
  7. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
  8. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
  9. Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto

Tracks:

  1. Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
  2. Etude in G-flat major, Op. 10 No. 5: Vivace
  3. Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
  4. Waltz in A minor, Op. 34 No. 2: Lento
  5. Polonaise in A-flat Major, Op. 53: Maestoso
  6. Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
  7. Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
  8. Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
  9. Mazurka in E minor, Op. 41 No. 2: Andantino
  10. Mazurka in D major, Op. 33 No. 2: Vivace
  11. Etude in C-sharp minor, Op. 10 No. 4: Presto
  12. Etude in E major, Op. 10 No. 3: Lento, ma non troppo
  13. Etude in C minor, Op. 10 No. 12: Allegro con fuoco
  14. Prelidu In B Minor, Op. 28 No. 6: Lento assai

Tracks:

  1. Posonaise in A major, Op. 40 No. 1: Allegro con brio
  2. Prelude in D-flat major, Op. 28 No. 15: Sostenuto
  3. Etude in E-flat minor, Op. 10 No. 6: Andante
  4. Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
  5. Mazurka In F Minor, Op. 7 No. 3
  6. Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
  7. Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
  8. Kreisleriana, Op. 16: I. Ausserst bewegt
  9. Kreisleriana, Op. 16: II.Sehr innig
  10. Kreisleriana, Op. 16: III. Sehr aufgeregt
  11. Kreisleriana, Op. 16: IV. Sehr langsam
  12. Kreisleriana, Op. 16: V. Sehr lebhaft
  13. Kreisleriana, Op. 16: VI. Sehr langsam
  14. Kreisleriana, Op. 16: VII. Sehr rasch
  15. Kreisleriana, Op. 16: VIII. Schnell und spielend

Tracks:

  1. Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
  2. Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
  3. Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
  4. Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
  5. Consolation In E Major S. 172 (R.12) No. 2
  6. Pour les arpeges composes: Dolce e lusingando
  7. La terrasse des audiences du clair de lune: Lent
  8. Etude In A Minor Op. 104b No. 3: Allegro vivace
  9. Scherzo & March S. 177 (R.20)

Tracks:

  1. Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
  2. Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
  3. Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
  4. Etude In D-Flat Major Op. 8 No. 10: Allegro
  5. Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
  6. Etude In F-Sharp Major Op. 42 No 3: Prestissimo
  7. Etude In F-Sharp Major Op. 42 No. 4: Andante
  8. Etude In C-Sharp Minor Op. 42 No. 5: Affannato
  9. Etude Op. 65 No. 3: Molto vivace
  10. No. 1: Allegretto
  11. 2 Poemes Op. 69: No. 2: Allegretto
  12. Vers la flamme Op. 72: Allegro moderato
  13. Feuillet d'album Op. 58
  14. Fairy Tale In A Major Op. 51 No. 3
  15. Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
  16. Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
  17. Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
  18. Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
  19. Moment musical In B Minor Op. 16 No. 3: Andante cantabile
  20. Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
  21. Etude-Tableau In C Major Op. 33 No. 2: Allegro
  22. Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)

Amazon.com

It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz

Customer Reviews:

3 out of 5 stars Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24

I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!

When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.

Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.

And kudos to you Amazon; you're really looking out for your customers!

3 out of 5 stars ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25

Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.

5 out of 5 stars merely spectacular!.......2001-03-10

I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.

5 out of 5 stars I have never regretted buying this..........2000-08-22

Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.

For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.

And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.

For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.

The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.

Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.

5 out of 5 stars The greatest 20th Cent. pianist at his best!.......2000-04-15

If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!

Track Listings:

  1. Eleanor Steber: In Memoriam
  2. Electric Music
  3. Franz Berwald: Piano Trios in E flat Major (No. 1) & D Minor (No. 3) & Piano Quintet in C Minor
  4. Franz Berwald: Sinfonie No. 4 "Naïve" / Sinfonie Singulière (No. 3) - Swedish Radio Symphony Orchestra / Esa-Pekka Salonen
  5. From Cloister to Cluster
  6. Gunter Bialas: From The Mattress Crypt
  7. Hns Werner Henze: Voices
  8. I Concerti "Live" di Maria Callas 2
  9. Instead Of Caffeine
  10. Joaquin Rodrigo: Music for Violin

Track Listings

track listings

Track Listings

Icky Flix

Keyboard Fantasies

Live in Europe (Mlps) [Import] [Limited Edition] [Original recording remastered]

Forecast: Sonny & Red/Partners

Major Fancy [Import]

Lookin' for a Love [Import]

Lilo & Stitch

Germaine Lubin

Legends Of The Incredible Lap Steel Guitar

Jazz Music: 30 Grandes Exitos

Learn to Fly, Pt. 1 [CD-single] [Import]

Like a Ship Sailing

Journey: The Very Best of [Import]

Schubert: The String Quartets

Singin' in the Rain (1952 Film Soundtrack)