1.
Arabeske for piano in C major, Op. 18
Composed by
Robert Schumann
with
Angela Cheng
2.
Scherzo for piano, No 1, in D minor, Op 10
Composed by
Clara Wieck Schumann
with
Angela Cheng
3.
Pièces Fugitives (4) for piano, Op.15
Composed by
Clara Wieck Schumann
with
Angela Cheng
4.
Preludes and Fugues (3) for piano, Op.16 No. 2 in B flat
Composed by
Clara Wieck Schumann
with
Angela Cheng
5.
Piano Sonata No. 3 in F minor ("Concerto Without Orchestra"), Op. 14 Variations on a theme by Clara Wieck
Composed by
Robert Schumann
with
Angela Cheng
6.
Variations on a Theme by Robert Schumann for piano in F sharp minor, Op 20
Composed by
Clara Wieck Schumann
with
Angela Cheng
7.
Faschingsschwank aus Wien ("Phantasiebilder"), for piano, Op. 26
Composed by
Robert Schumann
with
Angela Cheng
Piano Music of Clara & Robert Schumann,Clara Wieck Schumann,Robert Schumann,Angela Cheng,Cbc,Chamber Music & Recitals,Classical,Classical Composers,Fantasy/Fantasia for Keyboard,Individual Dance for Keyboard,Keyboard,Music for Keyboard,Prelude and Fugue for Keyboard,Romantic Sonata/Sonatina for Keyboard,Romantic Variations for Keyboard,Scherzo for Keyboard
Average customer rating:
- Elegance and precision
- Did not buy this item
- Mysterious, magical, and a little bit maudlin
- Hypnotically Beautiful
- THE ART OF THE THEREMIN
|
The Art Of The Theremin
Manuel de Falla , Alexander Konstantinovich Glazunov , and Henryk Wieniawski
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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- Day the Earth Stood Still (Score)
- Glass Harmonica
ASIN: B0000006U6
Release Date: 1992-12-14 |
Tracks:
- Vocalise
- Song Of Grusia
- The Swan
- Pantomime
- Hebrew Melody
- Romance
- Berceuse
- Piece en forme de Habanera
- Berceuse
- Valse sentimentale
- Serenade melancolique
- Chant du menestrel
Customer Reviews:
Elegance and precision.......2007-06-30
The theramin is, without question, the most difficult instrument in the world to play. Consider: since its invention in 1928 and commercial release in the early 1930s, only one musician - Clara Rockmore - has been able to produce any real music on it. Her performances are spellbinding and, if one sometimes years for, say, a whole sonata or something more substantial than encore pieces, think of how difficult it is to play ANYTHING on this instrument and be glad that we at least have this much.
A one-of-a-kind disc of a one-of-a-kind performer. If you like the samples you can hear on this site. by all means buy it.
Did not buy this item.......2007-05-03
Don't know why this is here as I never purchased this item.
Mysterious, magical, and a little bit maudlin.......2007-03-08
I recently went through a theremin phase after seeing the documetary "Theremin: An Electronic Oddysey" which featured Clara Rockmore prominently. That led me to buy this recording, which seems to be the traditional standard of classical theremin artistry. The story around the instrument is even more bizzare than the music it makes: spooky Cold-War intrigue, sudden disappearances in New York and the USSR, spy gadgets, dead men found alive, old friends reuniting after decades of separation and obscurity... it all fits the eerie ethos of the music. So to really "get" the instrument, you need to know the story behind it. That's the maudlin part.
While the rest of my family violently disagrees, this is indeed lovely music. A careful listening to Mrs. Rockmore's technique reveals, I think, that she's fascinatingly far beyond waving her hands up and down in front of antennas. She makes glissandos and runs happen with discrete pitches in a way that is hard for me to picture on an instrument that can generate any pitch, and every pitch in between. She developed a way to "finger" an instrument you don't touch. That's why it's magical.
A note on the recording: the timbre of the theremin seems to land in a resonant frequency range on most systems/speakers on which I have listened to this recording, leading to the solo instrument badly overbalancing the piano accompaniment.
PS: I have given on someday owning a theremin. Phase over.
Hypnotically Beautiful.......2007-02-28
Classical music, and specifically Theremin music, is not normally my favored listening. But I took a chance on this disc and am very glad I did. Clara Rockmore's mastery of her instrument is astonishing. The music is tastefully chosen and very beautiful. She often mimics violin or human voice in her phrasing, but subtly gives the theremin its own voice and proves its suitability for classical.
I knocked a star off for the lack of arrangement-diversity, but I have to admit that I usually listen to this disc from start to end. Its lyrical qualities are very transfixing and hypnotic. A welcome diversification to my music collection!
THE ART OF THE THEREMIN.......2007-02-24
I HAVE HAD THIS CD FOR YEARS AND HAVE NEVER GOTTEN TIRED OF HEARING IT, ALTHOUGH YOU HAVE TO BE IN THE RIGHT MOOD TO REALLY APPRECIATE WHAT YOU ARE HEARING. THIS IS THE PREEMINENT THERMEIN RECORDING, BY THE PREEMINENT THEREMIN PERFORMER, CLARA ROCKMORE. HAUNTING, STRANGE, HYPNOTIC, YET MELODICAL, THE THERMEIN IS A VERY DIFFICULT INSTRUMENT TO PLAY, AND CLARA ROCKMORE WAS THE ONLY PERSON TO EVER REALLY "MASTER" IT. IF YOU WANT TO HEAR THEREMIN MUSIC, I GUESS THIS IS THE ONE CD YOU NEED TO GET.
Average customer rating:
- A great Schumann, a very good Brahms, good value
- Again, Some Interesting Programme from Ms. Grimaud
- Understanding the Intricacies of the Schumann/Brahms Love Triangle
- Reflection
- Heart and Head
|
Reflection
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000C5RRL8
Release Date: 2006-09-12 |
Tracks:
- Allegro affettuoso
- Intermezzo (Andantino grazioso)
- Allegro vivace
- Er is gekommen in Sturm und Regen
- Warum willst du and're fragen?
- Am Strande
- Allegro non troppo
- Allegretto quasi minuetto
- Allegro - Pisto
- No.1 in B minor, op.79/1
- No.2 in G minor, op.79/2
Amazon.com
Titled Reflection, this CD program examines one of classical music's most fascinating triangles: the love between Robert Schumann and his wife, Clara, and their friend Johannes Brahms, who loved them both. There is music by all three composers here, and the almost 80-minute program is varied and fascinating. Robert's popular, stunning A minor Piano Concerto is played by Grimaud with romantic abandon but little sentiment; when it is showy, it comes from the music itself and is not an affectation. The first movement is filled with poetic vs. dramatic contrasts; there is a subtle but noble transition on piano and winds from the gently presented second movement to the springy, dramatically energetic third. Esa-Pekka Salonen is the remarkable conductor of the superb Staatskapelle Dresden. Grimaud then joins with mezzo-soprano Anne Sofie von Otter in three songs by Clara. Two, with texts by Rückert, are poems to connubial love and the third, "Am Strande," was composed as a gift for Robert's 40th birthday. Brahms's Sonata for Cello and Piano No. 1 in E minor is given a strong but lyrical and well-balanced reading by Grimaud and cellist Truls Mørk; both play with passion. Brahms's two Rhapsodies for piano complete the program; Grimaud gathers the darkness of the second and gives a fervent performance. What a beautiful CD! --Robert Levine
Customer Reviews:
A great Schumann, a very good Brahms, good value.......2007-05-30
If you are looking for a Schumann piano concerto that is not coupled with the Grieg, you've come to the right place. At first, this coupling may seem strange, but there is a compelling logic to it. Brahms was an intimate friend of the Schumanns (perhaps in more ways than one although there is no clear evidence to support this view). Clara Schumann was a fine composer in her own right, but has been overshadowed by her more famous husband (both she and Fanny Mendelssohn). Helene Grimaud proves herself to be up to the task here and she delivers a sparkling concerto performance as does the Dresden Staatskapelle orchestra (the same orchestra that premiered the work with Clara as the soloist). Five stars for her performance, five stars for the orchesta and five stars for the sound. Truls Mork recorded the Brahms E minor cello sonata previously, but coupled with the F major which is the usual coupling. The sonata was written in Brahms' youth and is full of energy, passion and stunningly beautiful melodies. Mork does not disappoint and Helene Grimaud is more than a competent partner. Her piano sings without overpowering the cello. A lovely performance, although I must confess that I am slightly more partial to Starker/Buchbinder. Very good recorded sound in the sonata. The two lieder are not familiar to me so I have no point of reference and can only say that Anne Sofie von Otter sings like an angel. (German and English texts are provided for the lieder.) The two piano rhapsodies are also unknown to me. They make a nice filler for this very fine disk but the piano gets a little clangy in the rhapsodies and I wish the engineering had been better. But no one will be buying this CD for the filler. Notes in English only. All in all, a very musical and well thought out and executed program.
Again, Some Interesting Programme from Ms. Grimaud.......2007-02-06
After the rather controversial latest release of Chopin and Rachmaninoff's Sonatas, Grimaud is back on the scene. This time with the music of the Schumanns and Brahms, the latter being the composer this pianist is often associated with. The result is an eclectic, engaging program - even though it may not be perfect. The programme is also designed to show listeners the different sides of Grimaud: as a soloist in a concerto, an accompanist, and a solo performer.
A famous work of the standard repertoire, Robert Schumann's "Concerto in A minor for Piano and Orchestra" is performed with unassuming clarity, pleasant balance, and most notably impeccable articulation. Grimaud, known for her adherrence to the original score and 'composer's intention' again gives a very sensitive rendition of this work. Although personally I think she lacks contrasts, color, and warmth in timbre, this rendition is logical and structurally well-built. Salonen provides great accompaniment to Grimaud, very sensitive although the relationship between piano-orchestra may not be developed to the point of say, Argerich-Rostropovich. When compared to Argerich's playing, Grimaud falls heavily on the conservative side. Her tempi are definitely slower than Argerich's both in the first and third movt. The downfall is that she does not utilize this moderate tempi to allow more interpretations and variation of tone color which Argerich does despite her quick tempi. Hers is then probably closer to that of Katchen's or Zimerman's - elegant, well-articulated, but unfortunately somewhat lacking fire and fluidity. Most praiseworthy in this recording is Grimaud's clean touch and articulation. There is a sense of control and confidence in every passages of this concerto, probably facilitated by her moderate tempi. Thanks to the great piano sound and recording, it is not hard to listen to all the voices she is trying to emphasize, an evidence of perfect articulation. You can easily hear all the notes in her quintuplet in the first minute of the piece without sounding 'busy' or dirty.
Grimaud's collaboration with von Otter on Clara Schumann's lieder are also praiseworthy. While some says Grimaud often overpowers von Otter, I personally don't think she does. Although I am not familiar with these lieder, they really are great songs. The piano accompaniment is utilized to its greatest potential and the melody is haunting. Both soloist and accompanist provide a passionate rendition. It is obvious that Grimaud chose a great order for these lieder, as the three forms a sonata-like combination - the outer lieder (Er is gekommen and Am Strande) being fiery while 'Warum' is serene and beautiful. The fact that the next work is Brahms' cello sonata gives a psychological effect that the album actually has three sonatas. However, it is in the Brahms' cello sonatas that Grimaud actually overpowers Mork in a quite obtruding manner. Grimaud the soloist seems to step over Grimaud the accompanist.
The Rhapsodies serve as the 'encores' but are actually my favorite pieces in the album. In both these Rhapsodies, Grimaud not only provides convincing, confident, and unique interpretation but also fire and passion which makes up for the cool Schumann Concerto. Although she maintains the same sense of control and balance, the first Rhapsody has great contrasts and tone color despite rather quick tempo. The second Rhapsody is relatively heavy and took on slow tempo but accurately conveys the 'agitato'. Very well done.
The booklet is somewhat rather disappointing despite the great photography works. While in 'Credo' and the Chopin-Rachmaninoff sonata album she offers great written insights and ideas, in 'Reflection', there is only a foreword (which I think is written by her, but not written so I'm sure) and a historical background of the composer. Pretty dull, considering you can find those stories in any music history books or Wikipedia even! These weaknesses are somewhat, although not completely, compensated by the beautiful photographs of Grimaud, especially when she wears white and the one in which she is playing the piano. Gorgeous!
All in all, definitely give this album a try. Besides the fact that it has an awesome rendition of Brahms' Rhapsodies, Clara Schumann's lieder, and Robert Schumann's concerto, it is also very generous (80 min) and has awesome pictures of Grimaud inside the booklet. It may not be your favorite rendition of the works, but it still has an addictive quality.
Understanding the Intricacies of the Schumann/Brahms Love Triangle.......2006-12-26
Whispers, poems, and pages have been floating around for years about the strangely romantic triangle that bound the composers Robert Schumann, Clara Wieck Schumann and Johannes Brahms - secrets that will be forever the purview of intuitive writers and philosophers and historians. This very intelligent and tender CD REFLECTION is one way of examining the closeness of these three remarkable and very human artists. And it is a complete success, musically and thoughtfully.
Incorporating some the finest artists available today this CD is the brainchild of the remarkable Hélène Grimaud, a pianist who not only is a remarkably fine artist but who also looks for more in her musical thoughts than merely the notes on the score. She offers here a collaboration with Esa-Pekka Salonen conducting the Dresden Staatskapelle in an elegant and wistful performance of Robert Schumann's Piano Concerto in A minor, rich in subtleties and deeply felt melodic line.
Grimaud then partners with Anne Sofie von Otter in three songs by Clara Schumann: 'Er is gekommen in Sturm und Regen', 'Warum willst du and're fragen?', and 'Am Strande' - songs that give both artists the opportunity to remind us how gifted Clara was with song writing.
The third member of this remembered and honored triad is Johannes Brahms and his 'Sonata for Cello and Piano No. 1 in E minor' is performed with passion and grand scale by Grimaud and the gifted cellist Truls Mørk. Grimaud then closes the recital with Brahms' 'Rhapsodies for Piano Nos. 1 (B minor) and 2 (G minor)', sublime works that not only serve as a fitting closure to this thoughtful program but that also leave us with the desire for more Brahms from Hélène Grimaud! This is a very special recording, well produced technically, and one with which we are left with the feeling that both the Schumanns and Brahms would have warmly applauded. Highly recommended as one of the important issues of the year. Grady Harp, December 06
Reflection.......2006-12-23
When reflection makes Clara alive I applaud Helene for her spirits to bring to us such a wonderful design. This CD is carefully crafted to engage the listener to the colors of the sonatas and what they express.
After listening to this CD I had a remarkable experience. I was approaching a friend at the hallway. The shadows from the overhead lights created a magical experience. I was seeing Helene just like she appears on the CD cover. As I was getting closer and closer I realized Helene was really my mentor.
This was so strange and also so remarkable I am making a note in my poetry log.
Heart and Head.......2006-11-15
Lovely and committed playing by Grimaud and all concerned combined with an inspired selection. I'm usually not a fan of "concept" albums but this recording makes its musical and intellectual point deftly and with great musicality. Highly recommended.
Average customer rating:
- Excellent, I love it
- Clara Haskil Returns!
|
Clara Haskil: Philips Recordings, 1951-1960
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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ASIN: B000G6BJK8
Release Date: 2007-01-09 |
Tracks:
- Sonata In E Flat Major, KK 193
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- 9 Variations On A Minuet By Jean-Pierre Duport, K 573
- I Allegro Moderato
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- III Allegretto
- I Modere
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- III Anime
- I Nicht Schnell, Mit Innigkeit
- II Sehr Rasch
- III Frisch
- IV Ziemlich Langsam
- V Schnell
- VI Ziemlich Langsam, Sehr Gesangvoll
- VII Langsam
- VIII Sehr Langsam
- Variations On The Name Abegg, Op. 1
Tracks:
- I Von Fremden Landern Und Menschen
- II Kuriose Geschichte
- III Hasche-Mann
- V Bittendes Kind
- V Gluckes Genug
- VI Wichtige Begebenheit
- VII Traumerei
- VIII Am Kamin
- IX Ritter Vom Steckenpferd
- X Fast Zu Ernst
- XI Furchtenmachen
- XII Kind Im Einschlummern
- XIII Der Dichter Spricht
- I Eintritt
- II Jager Auf Der Lauer
- III Einsame Blumen
- IV Verrufene Stelle
- V Freundliche Landschaft
- VI Herberge
- VII Vogel Als Prophet
- VIII Jagdlied
- IX Abschied
- I Largo - Allegro
- II Adagio
- III Allegretto
- I Allegro
- II Scherzo: Allegretto Vivace
- III Menuetto: Moderato E Grazioso
- IV Presto Con Fuoco
Tracks:
- I Molto Moderato
- II Andante Sostenuto
- III Scherzo: Allegro Vivace Con Delicatezza
- IV Allegro Ma Non Troppo
- I Largo - Allegro
- II Adagio
- III Allegretto
- I Allegro
- II Scherzo: Allegretto Vivace
- III Menuetto: Moderato E Grazioso
- IV Presto Con Fuoco
Tracks:
- I Allegro
- II Andantino
- III Rondeau: Presto
- I Allegro
- II Romance
- III (Allegro Assai)
- Rondo In A Major For Piano And Orchestra, K386
Tracks:
- I Allegro
- II Romance
- III (Allegro Assai)
- I Allegro
- II (Larghetto)
- III (Allegretto)
- I Allegro Con Brio
Tracks:
- II Largo
- III Rondo: Allegro
- I Allegro
- II Adagio
- III Allegro Assai
- I Allegro Affettuoso
- II Intermezzo: Andantino Graziosos
- III Allegro Vivace
Tracks:
- En El Generalife
- Danza Lejana
- En Los Jardines De La Sierra De Cordoba
- I Maestoso
- II Larghetto
- III Allegro Vivace
Customer Reviews:
Excellent, I love it.......2007-03-01
For anyone who likes to relive the golden era of pianists, a time when music itself was the core of a performance, this collection is a must have. The serene loneliness in Clara Haskil's interpretation of Mozart and Schubert was simply heartbreaking. Honest, elegant, and never self-centered, these memorable recordings deserve 5 solid stars.
Clara Haskil Returns!.......2007-02-04
Like many of the recent "Original Masters" reissues, this 7CD set of music performed by pianist Clara Haskil has been available since last July as an import, and now has finally been released in the U.S. In fact, all of the music contained on "Clara Haskil: Philips Recordings 1951-1960" has been reissued previously on CD, in two different box sets in the now out-of-print "Clara Haskil Legacy" series. Despite this, it is wonderful to have these classic performances back, particularly because those "Legacy" volumes were fetching outrageous prices as rare collector's items. Haskil was one of the legendary interpreters of Mozart and her Concerto recordings presented here of Nos. 9, 20 (two versions, mono & stereo), 23 & 24 (along with those she made for Westminster and DG -- see my reviews) are not to be missed. But also her Beethoven, Schumann and Chopin renditions are so delicately light and breathtaking, they cannot be overlooked, and they provide such a nice contrast to all the romantic ivory pounders out there. The first three CDs capture her sensitivity in various Sonatas, and they are most excellent. If you love great piano music and didn't have a chance to get these marvelous performances the first time around, don't miss out now!
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- carousel
- The Ideal Merry-Go-Round
|
Carousel Memories
Manufacturer: Dynamic Recording
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Similar Items:
- Good Old USA Carousel Music Vol. 1
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ASIN: B00005V7GA
Release Date: 2002-01-01 |
Tracks:
- A Smile Will Go A Long, Long Way
- The Petite Waltz
- Die Regimentskinder
- With The Wind and Rain In Your Hair
- Nights Of Gladness
- Espanita Waltz
- Three Little Fishes
- Scatter Brain
- Beer Barrel Polka
- Over The Top
- Royal Trumpeters
- Say It Again
- Georgia On My mind
- After the Ball
- Unter Dem Siegesbanner
- Just A Gigolo
- The Sidewalks of New York
- Deep Purple
- Liberty Bell
- Trisch-Trasch
- The Kings Horses and The Kings Men
- Sweet Rosie O' Grady
- The Carousel Waltz (Recorded on Moving Carousel)
Album Description
More marches, waltzes, and fox trots in this recording of the New Verbeeck Band Organ at Seabreeze Park in Upstate New York. On a hill above scenic Lake Ontario, the music of the band organ can be heard on the breezes drifting over the blue water. Twenty-three tunes bring back the sounds of summer from Seabreeze Park - the whirling carousel and prancing horses spin around to the music of childhood, and this fabulous recording captures the wonderful memories. Grab the popcorn, and come for a ride! This completely digital recording is crystal clear and an oversized insert includes pictures and fond memories of Merrick Price - to whom the album is dedicated. The last song was recorded on the carousel while it was moving - an innovative idea that captures the sensation of really being on the ride is enhanced by wearing headphones. This piece of Americana in music - a must for the audio collector, carousel enthusiast, or fan of mechanical music, is a one-of-a-kind gift item.
Customer Reviews:
carousel.......2007-01-03
Carousel Memories does not have the luster that I had expected. The music is not as clear as I would have liked, however, it does have some good qualities that make it worth while to listen.
The Ideal Merry-Go-Round.......2005-07-18
This is a recording by and for merry-go-round lovers. It assembles 23 tracks of mostly characteristic carousel music, played upon a newly constructed band organ handmade by Belgian Johnny Verbeeck to replicate the old Wurlitzer 165 destroyed by a fire around 1995. The fire also claimed most of the carousel itself, which was rebuilt using some restored parts from the original (PTC#36). The recording site is Seabreeze Park on Lake Ontario in upper New York.
In another review I mentioned that that CD offered a partial and rather idealized carousel experience, for it could only provide the sound, and that sound was much more refined and free of ambient noise than would be encountered during an actual carousel ride. That comment applies as well to this recording, and perhaps more so, for the band organ in a typical operating carousel never sounded so good as the one here. This instrument has a remarkably lovely, sweet tone and, being brand new, is in perfect condition. The rolls used were obtained from no less a source than the Library of Congress, and represent a very choice selection.
The music itself includes mostly waltzes, marches, polkas, and one-time popular songs, such as Beer Barrel Polka, Sweet Rosie O'Grady, Liberty Bell, and Scatter-Brain. Less to be expected, but supremely apt, is the fine waltz from Richard Rodger's overture to the musical show Carousel. This last was experimentally recorded on the moving carousel, and thus provides an especially realistic auditory image.
For merry-go-round and band organ enthusiasts this recording might well occupy a place of honor in their CD collection. For those who desire a more realistic, though less ideal, recording I would recommend the old 1973 Takoma Records release "Last Chance on the Merry-Go-Round" (# A 1038), which I believe is no longer in the catalog. (Takoma Records was acquired in 1995 by Fantasy Records.) My personal copy of A 1038 is an LP, and I suspect no CD version was ever released. That recording was made at the carousel on the pier at Santa Monica, California, shortly before the pier was to be demolished. (Thus the title of the recording.) Since it was made while the carousel was actually in operation, the sounds of bystanders and children, along with the carousel drive motor are included. I don't know what ever became of that carousel or its band organ, but would guess they were moved to some collection somewhere. In any case, I have fond memories of wandering along the pier on a fine Saturday afternoon and watching and listening to the carousel and its excited young customers.
Average customer rating:
- A WONDERFUL ALBUM LEAF FALLING FROM THE FAMILY TREE
- Clara Schumann's Piano Concerto and Piano Trio
|
Clara Schumann: Piano Concerto; Piano Trio
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ASIN: B0007XHL0W
Release Date: 2005-04-19 |
Tracks:
- Allegro Maestoso
- Romanze: Andante Non Troppo Con Grazia
- Finale: Allegro Non Troppo - Allegro Molto
- Allegro Moderato
- Scherzo: Tempo De Menuetto
- Andante
- Allegretto
Customer Reviews:
A WONDERFUL ALBUM LEAF FALLING FROM THE FAMILY TREE.......2007-01-01
THIS IS AN ENJOYABLE CONCERTO AND IT IS ON MY CHOPIN LISZT.
Clara Schumann's Piano Concerto and Piano Trio.......2005-04-20
Of all the women pianists of the age, Clara Schumann was the paragon. She had a successful career almost alone among women pianists in the mid-19th century. But she did not have a particularly successful career as a composer, although she was certainly talented enough. In those days, it wasn't considered seemly (or, in some quarters, even possible) for a woman to be a composer, and getting performances outside the family circle was nigh impossible. Clara was able to play her piano concerto a few times largely because of her clout as a pianist, but neither it nor the piano trio recorded here was widely known.
The two works recorded here are as different as day and night. The Piano Concerto, written when Clara was only fourteen, is an apprentice work. It feels awkward and cobbled together. Even the first entrance of the piano sounds diffident because the first notes it plays are the passage-work that comprises the second half of the work's initial theme. It's almost as if the pianist has to make its entrance through a side door. The musical language of the concerto is a combination of that of Mendelssohn and of a kind of proto-Chopin. The latter similarity, I suspect, actually draws more from the bel canto melodies of Bellini than from Chopin. In this performance pianist Francesco Nicolosi does as much as can be expected with the work, and he is ably, if just a bit tentatively, accompanied by the Alma Mahler Sinfonietta, conducted by Stefania Rinaldi. The Sinfonietta is an orchestra made up entirely of women musicians.
The Piano Trio, on the other hand, is quite on a par with other great chamber pieces of the time that include piano. It was written ten years after the Concerto and is both assured and original. In four movements, it is marked by memorable melodies and easy polyphony used to make a classically balanced work. The fluid contrapuntal weaving of lines is masterful. Indeed, the fugato in the middle of the fourth movement is possibly more assured than that in a similar spot in her husband's more familiar Piano Quintet. Nicolosi is joined by violinist Rodolfo Bonucci and cellist Andrea Noferini in a decent performance. I must comment, though, that the recording of this work by the Dartington Trio (and which also includes Fanny Mendelssohn's Piano Trio) trumps this one with its grace and fire.
If you are interested to hear the Piano Concerto, this is the only easily available recorded version. If you are particularly drawn to hear the Piano Trio, I'd suggest you investigate the Dartington's recording, although I will warn you that the latter costs several dollars more than this one.
TT=54:00
Scott Morrison
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- Add it to your collection
- Another "Original Masters" Gem
|
Philips Recordings, 1967-1974 (Limited Edition)
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Similar Items:
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ASIN: B0000B0A0R
Release Date: 2003-11-25 |
Customer Reviews:
Add it to your collection.......2006-09-18
Uniformly great playing on recordings spanning eight years, eleven compositions, and two violinists is not an easy feat, but the BAT does it admirably here. Excellent also is the sound: analog to digital remastering sounds like an LP to my ears, and the balance of the three instruments is always even and well tempered. True, I am on more than one compostion drawn to Pressler's beautiful cantabile touch more than the other instruments, but the violin and cello are always first rate.
Nine of the pieces are 19th century, Romantic works which are paired with two from the 20th: Ives and Shostakovich. They deftly and successfully handle the disparate styles.
Thirty dollars will get you over five hours of pleasure on four discs. Highly recommended.
Another "Original Masters" Gem.......2005-05-22
Those familiar with my reviews on Amazon know of my love for Universal's "Original Masters" box set series, but at first I passed on purchasing this title. It's not that I don't enjoy the Beaux Arts Trio, for I do, and I own their recordings of the Piano Trios of Beethoven, Haydn, Dvorak, and Mozart among others. Mainly it had to the with the fact that I don't collect chamber performances the way I do concertos and symphonies, and I already had other renditions of many of the works collected here -- Chopin, Mendelssohn, Schumann, Shostakovich, Tchaikovsky, etc. However, after stumbling upon this set at my local library, it took only one listen to know that I had to add this limited edition box to my shelves. These recordings, made between 1967 and 1974, capture Beaux Arts in their prime in glorious, crisp analog stereo sound. Many of their accounts, particularly of the Chopin, Shostakovich and Tchaikovsky, are superior to the other versions I own (in this case trios featuring Ma and Argerich respectively). Also, there are several compositions I had never heard before, including trios by Smetana, Ives and Clara Schumann, which are all delightful. Overall, this is a wonderful box set and another gem in the "Original Masters" series.
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- Horowitz: good. Amazon: good. Sony Classical: BAD.
- ARE YOU CRAZY RICH OR CRAZY STUPID?
- merely spectacular!
- I have never regretted buying this...
- The greatest 20th Cent. pianist at his best!
|
Complete Masterworks Recordings, 1962-1973
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ASIN: B000002909
Release Date: 1993-10-05 |
Tracks:
- Sonata In E Major, K 531 (L430): Allegro
- Sonata In A Major, K322 (L483): Allegro
- Sonata In G Major K455 (L209): Allegro
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
- Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
- Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
- Etude in C minor, Op. 10 No. 12: Allegro con fuoco
- Etude In C-sharp Minor, Op. 25 No. 7: Lento
- Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
- 3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
- 3 Preludes - From Book II: V. Bruyeres. Calme
- 3 Preludes - From Book II: VI. General Lavine - eccentric.
- Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
- Etude In C-Sharp Minor, Op. 2 No. 1: Andante
- Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Tracks:
- Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
- Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
- Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
- Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
- Etude-Tableau In C, Op.33 No.2: Allegro
- Etude-Tableau In C, Op.33 No.2: Appassionato
- Arabeske In C, Op.18: Leicht und zart
- Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
- KINDERSZENEN, OP.15: 2. Kuriose Geschichte
- KINDERSZENEN, OP.15: 3. Hansche-Mann
- KINDERSZENEN, OP.15: 4. Bittendes Kind
- KINDERSZENEN, OP.15: 5. Gluckes genug
- KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
- KINDERSZENEN, OP.15: 7. Traumerei
- KINDERSZENEN, OP.15: 8. Am Kamin
- KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
- KINDERSZENEN, OP.15: 10. Fast zu ernst
- KINDERSZENEN, OP.15: 11. Furchtenmachen
- KINDERSZENEN, OP.15: 12. Kind im Einschlummern
- KINDERSZENEN, OP.15: 13. Der Dichter spricht
- Toccata In C, Op.7: Allegro
- Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)
Tracks:
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante moderato
- Keyboard Sonatas: Allegretto
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante
- Keyboard Sonatas: Andante e cantabile
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante e cantabile
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante
- Keyboard Sonatas: Allegro
- Keyboard Sonatas: Andante moderato
- Keyboard Sonatas: Vivo
- Keyboard Sonatas: Allegro
Tracks:
- Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
- Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
- Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
- Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
- Fantasie In C, Op.17: II. Massig. Durchaus energisch
- Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
- Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
- Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile
Tracks:
- Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
- Etude In F major, Op. 10 No. 8: Allegro
- Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
- Serenade For The Doll. Allegro ma non troppo
- Etude In C-Sharp Minor, Op. 2 No. 1: Andante
- Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
- Traumerei
- Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
- Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
- Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
- Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso
Tracks:
- Mazurka In B minor, Op. 33 No. 4: Mesto
- Nocturne In E Minor, Op. 72 No. 1: Andante
- Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
- Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
- Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
- Piano Sonata In F Major, Hob. XVI: 23: III. Finale
- Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
- L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
- Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento
Tracks:
- Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
- Nocturne In F Minor, Op. 55 No. 1: Andante
- Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
- Sonata In E major, K 380 (L23): Andante commodo
- Sonata In G major, K 55 (L335): Allegro
- Arabeske In C Major, Op. 18: Leicht und zart
- Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
- Traumerei
- Variations On A Theme From Bizet's Opera 'Carmen'
Tracks:
- Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
- Adagio sostenuto In F Major
- Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
- Sonata In A Major, Op. 50 No. 1: II. Adagio
- Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
- Sonata In F-Sharp Major, K 319 (L35): Allegro
- Sonata In G Major, K 260 (L124): Allegro
- Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
- Sonata In C major, Hob. XVI:48: II. Rondo
- Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
- Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
- Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro
Tracks:
- Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
- II. Allegretto
- Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
- Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
- Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto
Tracks:
- Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
- Etude in G-flat major, Op. 10 No. 5: Vivace
- Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
- Waltz in A minor, Op. 34 No. 2: Lento
- Polonaise in A-flat Major, Op. 53: Maestoso
- Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
- Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
- Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
- Mazurka in E minor, Op. 41 No. 2: Andantino
- Mazurka in D major, Op. 33 No. 2: Vivace
- Etude in C-sharp minor, Op. 10 No. 4: Presto
- Etude in E major, Op. 10 No. 3: Lento, ma non troppo
- Etude in C minor, Op. 10 No. 12: Allegro con fuoco
- Prelidu In B Minor, Op. 28 No. 6: Lento assai
Tracks:
- Posonaise in A major, Op. 40 No. 1: Allegro con brio
- Prelude in D-flat major, Op. 28 No. 15: Sostenuto
- Etude in E-flat minor, Op. 10 No. 6: Andante
- Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
- Mazurka In F Minor, Op. 7 No. 3
- Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
- Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
- Kreisleriana, Op. 16: I. Ausserst bewegt
- Kreisleriana, Op. 16: II.Sehr innig
- Kreisleriana, Op. 16: III. Sehr aufgeregt
- Kreisleriana, Op. 16: IV. Sehr langsam
- Kreisleriana, Op. 16: V. Sehr lebhaft
- Kreisleriana, Op. 16: VI. Sehr langsam
- Kreisleriana, Op. 16: VII. Sehr rasch
- Kreisleriana, Op. 16: VIII. Schnell und spielend
Tracks:
- Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
- Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
- Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
- Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
- Consolation In E Major S. 172 (R.12) No. 2
- Pour les arpeges composes: Dolce e lusingando
- La terrasse des audiences du clair de lune: Lent
- Etude In A Minor Op. 104b No. 3: Allegro vivace
- Scherzo & March S. 177 (R.20)
Tracks:
- Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
- Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
- Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
- Etude In D-Flat Major Op. 8 No. 10: Allegro
- Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
- Etude In F-Sharp Major Op. 42 No 3: Prestissimo
- Etude In F-Sharp Major Op. 42 No. 4: Andante
- Etude In C-Sharp Minor Op. 42 No. 5: Affannato
- Etude Op. 65 No. 3: Molto vivace
- No. 1: Allegretto
- 2 Poemes Op. 69: No. 2: Allegretto
- Vers la flamme Op. 72: Allegro moderato
- Feuillet d'album Op. 58
- Fairy Tale In A Major Op. 51 No. 3
- Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
- Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
- Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
- Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
- Moment musical In B Minor Op. 16 No. 3: Andante cantabile
- Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
- Etude-Tableau In C Major Op. 33 No. 2: Allegro
- Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)
Amazon.com
It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz
Customer Reviews:
Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24
I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!
When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.
Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.
And kudos to you Amazon; you're really looking out for your customers!
ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25
Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.
merely spectacular!.......2001-03-10
I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.
I have never regretted buying this..........2000-08-22
Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.
For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.
And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.
For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.
The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.
Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.
The greatest 20th Cent. pianist at his best!.......2000-04-15
If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!
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- Brava Bonney!
- A Beautiful Blend of Passion and Poetry
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Songs by Robert & Clara Schumann
Manufacturer: Decca
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ASIN: B0000042G4
Release Date: 1997-05-13 |
Tracks:
- Myrthen, op.25: Widmung
- Myrthen, op.25: Der Nussbaum
- Myrthen, op.25: Die Lotosblume
- Myrthen, op.25: Lied der Suleika
- Er ist gekommen in Sturm und Regen
- Liebst du um Schonheit
- Das Veilchen
- Lorelei
- Mein Stern
- Frauenliebe und -leben, op.42: Seit ich ihn gesehen
- Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
- Frauenliebe und -leben, op.42: Ich kann's nicht fassen, nicht glauben
- Frauenliebe und -leben, op.42: Du Ring an meinem Finger
- Frauenliebe und -leben, op.42: Helft mir, iht Schwestern
- Frauenliebe und -leben, op.42: SFreund, du blickest
- Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
- 6 Lieder, op.13: Ich stand in dunklen Traumen
- 6 Lieder, op.13: Sie liebten sich beide
- 6 Lieder, op.13: Liebeszauber
- 6 Lieder, op.13: Der Mond kommt still gegangen
- 6 Lieder, op.13: Ich hab' in deinem Auge
- 6 Lieder, op.13: Die stille Lotosblume
- Liederkreis, op.39: Waldesgesprach
- Liederkreis, op.39: Mondnacht
- Liederkreis, op.39: Er ist's, op. 79 no.24
- Liederkreis, op.39: Sehnsucht, op. 51 no.1
- Liederkreis, op.39: Mein Sch Stern!, op. 101 no.4
- Liederkreis, op.39: Mignon, op 79 no. 29
Customer Reviews:
Brava Bonney!.......1999-12-04
I've listened to many recordings of "Fraunliebe", and although I still would not give up my precious disc with Lucia Popp's interpretation (now out of print), Bonney's interpretation is so moving on account of it's very convincing use of rubato. I listened to Bonney sing these songs (meaning "Fraunliebe" and some of Clara Schumann's) in Vienna. Her interpretation (especially through rubato) gave me the impression that she was not singing but speaking -- more specifically, speaking to *me*, about all the joys and sorrows of life. Of course I'm aware that she wasn't really doing so, but the effect was just magical. And now I enjoy that same impression every time I listen to this CD! Ashkenazy accompanies with utmost sensitivity, bringing out some voices which one doesn't usually hear. And yes, Clara Schumann's Lieder are beautiful in their own right. Has anyone noticed that "Er ist gekommen" resembles the D minor episode of the last movement of Robert's "Kreisleriana"? Also, Clara's "Mein Stern" resembles the chorale-like theme from the end of the penultimate movement of "Kreisleriana." Any musicologists out there who might know what to make of this? I know Clara and Robert were fond of quoting each other in their own compositions, so it's hard to imagine these cases being mere coincidences of musical invention...
A Beautiful Blend of Passion and Poetry.......1999-01-08
This CD is one of the most beautiful recordings of Schumann lieder I have heard to date. I recently wrote a paper for a music history class about Robert Schumann's use of "musical code" (imagery through musical motives) in the song cycle "Frauenliebe und Leben." During my research, I fell in love with the song cycle, which is a perfect blend of passion and poetry. I had listened to several recordings, but none paired piano and voice so well as Bonney and Ashkenazy have. "Frauenliebe und Leben" was meant to be a vocal/piano duet rather than merely a vocal solo with piano accompaniment, and they have captured the essence of the song cycle in that respect. Bonney's gorgeous, mellow voice and Ashkenazy's perfectly complementary, soulful interpretation give this album a truly "romantic" feel--both emotionally and musically. I highly recommend this album for lovers of "Frauenliebe und Leben." I plan to share this album with my accompanist as we prepare for my upcoming senior recital, in which I will perform this song cycle. Bonney and Ashkenazy's portrayal of "woman's love and life" is inspirational. Five stars, three thumbs up, and a big "WOW!" for this album.
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Prokofiev: Piano Concerto No. 3; Rachmaninoff: Piano Concerto No. 1 [Hybrid SACD]
Manufacturer: Philips
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ASIN: B0007YP0UE
Release Date: 2005-05-10 |
Tracks:
- I. Andante-Allegro
- II. Tema Con Variazione
- III. Allegro Ma Non Troppo
- I. Vivace
- II. Andante
- III. Allegro Vivace
- Toccata
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Customer Reviews:
Sunny.......2007-02-05
I consider myself supremely unqualified to rate any musical item. I am more than happy to criticize literature. Ironically, I have a degree in music and no such thing in literature. But, then again, my literature professor never smacked my hands with a ruler and told me to stop despoiling his piano with my clumsy touch. I wonder if there was anyway to write that last sentence without the suggestion of piano-human sex.
So take this with the salt it deserves--this album is top-notch.
There is something about Janis's playing that I can't put my finger on: somehow, no matter the piece, there is a feeling of cheerfulness. One would expect this in the Prokofiev, but we find it even in the melancholy Rachmaninoff, even slivers of it in the morose Schumann excerpt. It's no cause for complaint: one still gets all the emotion these works deserve. Somehow, still, everything seems so bright and sunny in Janis's hands.
His playing is above any criticism.
This is, perhaps, not my favorite recording of the Rach 1, but that may simply be because I'm used to a more somber sound. Nonetheless, it is a remarkable rendition, clear as a bell. The Prokofiev 3rd is breathtaking, the typical sarcasm and snide humor of the composer.
The Op. 11 Tocatta must be heard to be believed.
The Pinto pieces are charming little bits of dessert.
My only complaint, and this goes not to Janis, is that the album is somewhat old and thus suffers from a kind of dusty grain in the sound. That detracts not a bit from the music itself, however.
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Mozart, Beethoven, Schubert: Piano Sonatas
Manufacturer: Orfeo D'or
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ASIN: B000MX7T04
Release Date: 2007-02-27 |
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track listings
Track Listings
Road Leads Where It's Led [CD-single] [Enhanced] [Import]
Sylvio Lazzari: Symphony/Tableaux Maritimes
Truckload of Lovin': Best of Albert King
Refresh
The History: Pop Muzik -- The 25th Anniversary
Tiana
Times 3
Strauss, R.: Daphne / Kleiber, Bampton, Svanholm, Dermota, Kinderman, et al
This Woman's Heart
Shakira: MTV Unplugged [Live]
The Sky Is Too High
The Songs of Jack Medicine, Daniel Johnston & Ron English
Tribal House, Vol. 3 [Import]
Vivica Genaux - Handel/Hasse: Opera Arias
99 Luftballons