Beethoven: Piano Concerto No.4,Op.58/Symphony No.5,Op.67

1. Piano Concerto No. 4 in G major, Op. 58
Composed by Ludwig van Beethoven
Performed by London Symphony Orchestra Conducted by Gerard Schwarz

2. Symphony No. 5 in C minor ("Fate") Op. 67
Composed by Ludwig van Beethoven
Performed by London Symphony Orchestra Conducted by Gerard Schwarz

Tracks:

Egmont Overture - Ludwig Van Beethoven
Symphony No. 5 In C Minor - Ludwig Van Beethoven
Piano Sonata No. 21 In C Major - Alfred Brendel
Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
Piano Sonata No. 8 In C Minor - Jerome Rose
Piano Sonata No. 23 In F Minor - Jerome Rose
Symphony No. 6 In F Major - Ludwig Van Beethoven
Symphony No. 7 In A Major - Ludwig Van Beethoven
'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
Violin Concerto In D Major - Susanne Lautenbacher
Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
Piano Trio In B Flat - Mannheimer Trio
Fse - Various Artists
Quintet In E Flat For Piano And Winds - Abbey Simon
'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
Piano Concerto No. 2 In B Flat - Alfred Brendel
Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
Piano Concerto No. 4 In G Major - Alfred Brendel
Piano Concerto No. 5 In E Flat - Alfred Brendel
Symphony No. 3 In E Flat - Ludwig Van Beethoven
'The Ruins Of Athens,' - Ludwig Van Beethoven
'Corolian,' - Ludwig Van Beethoven
Ecossaise For Piano - Alfred Brendel
Symphony No. 9 In D Minor - Ludwig Van Beethoven
Symphony No. 9 In D Minor - Ludwig Van Beethoven

Customer Reviews:

Great for the road.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

Beethoven 25 Favorites.......2006-11-21

Very good! I ordered it especially for Piano Sonata No. 8 Pathetique

25 Beethoven Favorites.......2006-11-05

Good overview of his works----an introduction into his depth as a composer

bEtHoVeN mAnIaC.......2005-11-03

[...] Honestly, it isn't THAT THAT great, but its good enough for its price. I'd say that your $ pays off, for a while. I've noticed how after a long time, it gets aggrivating at times. No harm meant, "Beethoven lover". I just mean don't plunge into this cd with all the hopes in the world. Besides, it's just my opinion, so you may like it more than me. All i can say is; a) listen to some samples before you buy, b)know this is not REALLY the great Beethoven himself, and c) enjoy YOUR music, whatever it may be.

Great Price...Not so good itself.......2005-05-19

This a great priced cd, but the content is why it is so cheap. It's a true-amateur album. Beethoven Lover is over her/his head. This is the real world, not a fantasy-everyone-likes-every-type-of-music world. Deal with it and agree with me. It isn't so great.

Beethoven: The Complete Symphonies and Piano Concertos

Average customer rating:

Great Performance
Great Analog Beethoven Cycle
An essential collection
The best value in classical music on CD at the moment...
Wonderful Performances

Beethoven: The Complete Symphonies and Piano Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Beethoven - The Complete String Quartets / Alban Berg Quartet
Mozart:The Complete Piano Sonatas and Variations
Beethoven: Complete Piano Sonatas / Daniel Barenboim
Dvorák: The Symphonies
Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore

ASIN: B00004YA0S
Release Date: 2000-11-07

Tracks:

I: Adagio Molto - Allegro Con Brio
II: Andante Cantabile Con Moto
III: Menuetto & Trio: Allegro Molto E Vivace
IV: Adagio - Allegro Molto E Vivace
I: Allegro Ma Non Troppo
II: Andante Molto Mosso
III: Allegro - In Tempo D'allegro - Tempo I
IV: Allegro
V: Allegretto

Tracks:

I: Allegro Con Brio
II: Marcia Funebre: Adagio Assai
III: Scherzo & Trio: Allegro Vivace
IV: Finale: Allegro Molto - Poco Andante - Presto
Gross Fuge

Tracks:

I: Adagio Molto - Allegro Con Brio
II: Larghetto
III: Scherzo & Trio: Allegro
IV: Allegro Molto
I: Allegro Con Brio
II: Andante Con Moto - Piu Mosso - Tempo I
III: Allegro -
IV: Allegro - Presto

Tracks:

I: Adagio - Allegro Vivace
II: Adagio
III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
IV: Allegro Ma Non Troppo
I: Poco Sostenuto - Vivace
II: Allegretto
III: Presto - Assai Meno Presto
IV: Allegro Con Brio

Tracks:

I: Allegro Vivace Con Brio
II: Allegretto Scherzando
III: Tempo Di Menuetto
IV: Allegro Vivace
Overture
Overture
Overture
Overture

Tracks:

I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
II: Molto Vivace - Presto - Christa Ludwig
III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
Overture - Christa Ludwig

Tracks:

I: Allegro Con Brio
II: Largo
III: Rondo: Allegro Scherzando
I: Allegro Con Brio
II: Adagio
III: Rondo: Molto Allegro

Tracks:

I: Allegro Con Brio
II: Largo
III: Rondo: Allegro
I: Allegro Moderato
II: Andante Con Moto
III: Rondo: Vivace

Tracks:

Fantasia For Piano, Chorus And Orchestra
I: Allegro
II: Adagio Un Poco Mosso -
III: Rondo: Allegro

Amazon.com essential recording

Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David Hurwitz

Customer Reviews:

Great Performance.......2007-07-07

There are many different ways to perform Beethoven and each one is valid.
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!

Great Analog Beethoven Cycle.......2007-05-07

This Klemperer cycle is just one of a dozen or so GREAT analog Beethoven symphony cycles that were recorded during Analog's golden age starting about 1958. These cycles are easily a match for digital and they should still be around for another 1,000 years, if the Lord tarries. These sets include: Karajan (twice, early 60s and late 70s) Bohm, Krips, Jochum, Bruno Walter, Leinsdorf, Rene Leibowitz, Szell, Ormandy, Bernstein, Steinberg, and Solti. This morning I listened to the Klemperer recordings of Beethoven's symphonies 5, 6, & 7. Very enjoyable, I got my Beethoven RDA fix.

Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.

You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).

Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!

An essential collection.......2007-04-25

How best to describe Otto Klemperer's perspective on Beethoven's symphonies: grand, heroic, intense, insightful, stubborn, obstinate, detailed, dramatic, monumental, granitic, deeply emotional, never sentimental. This boxed set of the complete symphonies and concerti embodies all of these elements as stands as one of the great achievements of recorded music.

These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).

By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.

Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.

You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.

That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.

Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.

As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.

Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.

The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.

The best value in classical music on CD at the moment..........2007-01-02

What is the best value in classical discs available today ? Who knows, but I defy anyone to beat the EMI compilation of Klemperer' recordings of the complete Beethoven Symphonies, Piano Concertos (with Barenboim), several overtures the Choral Fantasia etc etc. 9 discs for only $44 ( well that was the price I paid). You have got to be kidding... I only had two concerns with buying this. First on the age of the recordings, all more than 40 years old. No worry at all. This is a masterpiece of reconstruction. The sound quality indistinguishable from any modern recording. Secondly , the performances themselves. I had been warned that Klemperer notoriously chose rather slow tempi. Again I needn't have worried. I immediately went to the slow movements of the 2nd piano concerto and the fourth symphony, where many slow tempists have in the past come unstuck. The piano concerto was an absolute revelation. The combination of the youthful Barenboim and the Philharmonia's masterful playing time and gain had me on the edge of my seat. " Yes,go on, well...." Slow it may have been. Boring, never. The same applies in spades to the slow movement of the fourth. Right from the eerie opening, which is yes, very slow indeed, I knew this movement would be a revelation and I can honestly say I have never hear it better played. Follow this with a scherzo bounding in energy and thumping finale and you will never get a better performance of this, one of Beethoven's "lesser" symphonies. And I haven't even got round to the "biggies" yet! The box set looks unattractive and the portrait of Klemperer makes him appear a first class nerd. Pay absolutely no attention to this....

Wonderful Performances.......2006-04-07

I have admittedly not made it through the entire set as of yet, but feel sufficiently blown away by the First Symphony and the Eroica - particularly the second movement of the latter - to weigh in here. With respect to the tempo issue, I must - at least so far - argue in favor of Klemperer's decision to slow things down a bit. I think the effect is, as someone else has observed, a clearer and more visceral experience of Beethoven's composition. It brings out the feeling. The sound comes up a little short on the low end, but it isn't a major distraction. My only problem lies in EMI's inexplicable lack of any discussion of the performances. The notes are bland, dry descriptions of the pieces themselves, with some basic history thrown in. Given the fact that there are probably hundreds of different CDs of Beethoven's symphonies out there, all with similar explanatory notes, it is infuriating that nothing is said about these particular performances. This is in contrast with the EMI Bach set (with Yehudi Menuhin) in which there is a wonderful essay that discusses Menuhin's work in historical context.

Average customer rating:

Mostly good
Look at the List of Performers First
this "masterworks" series is available much more cheaply from Amazon France
You heard guy below: Beethoven needs the royality checks!
Buy my box Set!

Beethoven: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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Bach: Complete Works - 155 CD Box Set
Vivaldi: The Masterworks (Box Set)
Mendelssohn: The Masterworks [Box Set]
Brahms: The Masterworks (Box Set)

ASIN: B00062FLHE
Release Date: 2004-11-30

Customer Reviews:

Mostly good.......2007-05-26

A bit of a mixed bag. The symphonies are superb. This is one of the great symphony cycles. The piano sonatas are good, very good (analog) sound. The quartets are well recorded indeed, but there are better cycles out there. The rest is OK, and the sound is genrally good.

Look at the List of Performers First.......2006-11-17

If you want most of Beethoven sitting on one bookshelf, this is a great bargain (especially if you shop for it on amazon.de). But few if any of the performances represent the pinnacles of interpretation that most listeners demand when Beethoven is the composer. The symphonies for instance: can Blomstedt be compared to Furtwangler or (if you lean toward historically informed instrumentation) Gardiner? Most amazingly, the artists who perform the quartets -- the heart of Beethoven's music -- are not even named in the listing.
On the other hand: Vivaldi: The Masterworks is a collection including the very best interpreters, such as Fabio Biondi! Bach Edition (complete Bach) is a fabulous selection of recordings made over 20 years, and almost the same praise can be given the Complete Mozart.

this "masterworks" series is available much more cheaply from Amazon France.......2006-05-28

there are several sets in this series and it's much cheaper to buy these from Amazon France.

included are bach, beethoven, vivaldi, brahms, dvorak, schubert, handel, hayden, and mendelssohn.

they're even cheaper than the list price once u go through the checkout (VAT is removed for overseas (out-of-france) purchases).

**also, the 'complete works of mozart' set is much cheaper there (or at Amazon Germany), too. the 'complete works of bach' is due out later this year.

You heard guy below: Beethoven needs the royality checks! .......2006-04-07

There is quality beyond the Austrian green cardboard (which is lovely to look at, to say the least). In fact, the performance of the symphonies (Dresden Staatskapelle and Herbert Blomstedt) is alone worth the price. The Staatskapelle is a solid group, and Blomstedt, although less wellknown, holds his own. It should be mentioned that Blomstedt recorded many of the most celebrated 20th composition CDs on the market, and definitely knows his stuff. Peter Wohlert recorded mostly for compiliation lables, but to be selected by the Berlin Phil shows that he is a formdiable conductor in rank as well.

Should you buy this collection then? Given the fact that each CD cost $1.75, there is definitely the bargin factor. However, Beethoven's music desveres the top interpreters and musicians of our time - and this applies for all of his music, not just the symphonic. If you are into bargins, then proceed to buy this collection. However, if you save up a bit more, you can buy Karajan's 1963 Beethovens symphonies along with Kempff's 1956 sonata cycles for just a bit more than 70 bucks. Shop around for the string quartets, and the complete overtures should range anywhere from 15 to 30 bucks depending on the conductor/ensemble.

Overall, this is certainly an exceptional bargin. However, quality matter more than money. Besides, chicks dig people with sophisticated tastes.

Buy my box Set!.......2006-03-21

Awesome deal, 40 CD box set of me, Beethoven! There are 3 principle reasons you should buy this box set:

This box is QUALITY my friend, made of the finest, Austrian cardboard with a lovely green finish, it is made to last! You can just set it on your dresser and whenever you need a Beethoven fix you can just pull a CD out. But don't you hate getting your CDs out of order so you can't find what the hell you're looking for?! Not with this set! They are well organized into symphonies, concerti, sonatas and such, so you can find EXACTLY what your looking for, and they have big numbers on them so you can put them right back where they belong.

And the music! Need we go into this, composed through the inspiration of God himself and penned by the greatest composer who ever walked the streets of Vienna, me, Beethoven! Top notch, all done by top performers and recorded at high, clear, digital quality, stick one in your stereo and rock out man! All of my great and mighty works are here, absolutely sublime!

Lastly, you'll be supporting me, I need those royalty checks to keep rolling in!

Buy it if you love me or just buy it if you want people to think that you're sophisticated (the chicks also dig it, I should know: Antonie Brentano, giggity!), you can't go wrong!

Average customer rating:

The Very Best of Beethoven

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000B6N64A
Release Date: 2005-10-18

Tracks:

Allegro Con Brio
Egmont Overture
Adagio Sostenuto
Allegro Molto
Rondo
Abscheulicher!
Adagio Cantabile
Allegro Ma Non Troppo
Finale
Rondo

Tracks:

Scherzo
Bagatelle In A Minor 'Fur Elise'
Sanctus-Benedictus
Adagio Molto Espressivo
Rondo
Andante Favori
Allegretto
Scherzo
Adagio Cantabile & Allegro Vivace
Ode To Joy

Average customer rating:

Great Orchestral Melodies

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

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General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

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Marches | Miscellaneous | Styles | Music

Tracks:

'Solomon': Arrival Of The Queen Of Sheba
'The Four Seasons': The Spring: Allegro
Canon In D
Orchestra Suite No.2: Minuet And Badinerie
Bach: Allegro
Symphony No.104: Adagio; Allegro
Divertimento For Strings, No.1: Allegro
Piano Concerto No.5: Adagio un poco mosso
'The Ruins Of Athens': Turkish March
Eine kleine Nachtmusik: Romanze: Andante
Marche Militaire No.1
'The Hebrides' ('Fingla's Cave'): Overture
'The Valkyrie': Ride Of The Valkyries

Tracks:

Slavonic Dances: No. 1: Presto
Slavonic Dances: No. 3: Poco Allegro
Slavonic Dances: No. 7: Allegro Assai
Slavonic Dances: No. 8: Presto
Coronation March
Entry Of The Gladiators
Serenade For Strings: Waltz
Samson And Delilah: Bacchanale
Piano Concerto No. 2: Adagio sostenuto
Russian And Ludmilla: Overture
Also sprach Zarathustra: Introduction
Symphonie Fantastique: March To The Scaffold
On The Beautiful, Blue Danube
The Firebird: The Palace Of Kashchei And His Enchantments Vanish - Dallas Symphony Orchestra

Tracks:

'Pictures at an Exhibition': Promenade
'Pictures at an Exhibition': Gnomes
'Pictures at an Exhibition': The Hut On Fowl's Legs (Baba Yaga)
'Pictures at an Exhibition': The Great Gate Of Kiev
A Night On Bald Mountain
'The Planets': Mars: The Bringer Of War
'The Pines Of Rome': The Pines Of The Appian Way
Pavan For A Dead Princess
The Sorcerer's Apprentice
'The Three-Cornered Hat': Dance Of The Miller's Wife
Scheherazade: Festival At Baghda; The Sea; The Ship Goes To Pieces Against A Rock Surmounted By A Bronze Warrior

Tracks:

Fanfare For The Common Man
'Appalachian Spring': Variations On A Shaker Melody
'Candide': Overture
'West Side Story': Suite: I Feel Pretty; Maria; Something's Coming; Tonight; One Hand, One Heart; Cool; America
Rhapsody In Blue
Adagio For Strings
'America': Variations
'Rodeo': Hoe-down
Pomp And Circumstance: March No. 1
'Gayane': Sabre Dance
'Lieutenant Kije': Troika
'The Love Of Three Oranges': March
'Hary Janos': The Viennese Musical Clock

Beethoven: The Complete Masterworks [Box Set]

Average customer rating:

Beethoven: The Complete Masterworks [Box Set]

Manufacturer: Mastertone Brilliant
ProductGroup: Music
Binding: Audio CD

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Album Description

Import exclusive box-set includes Complete Symphonies, Piano Concertos, Violin Concerto, Piano Sonatas, Violin Sonatas, Cello Sonatas, String Quartets, Piano Trios, Masses, & Overtures performed by various artists including London Symphony Orchestra, Berliner Symphoniker, pianists Shoko Sugitani, John Lill, & more. Standard jewel cases housed in a flip-top box approx. 16 x 6 x 5''. Brilliant Classics.

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Don't be fooled; the Chopin is the real highlight!
Horwitz is the best pianist!
Rachmaninov for the ages!
Lacking in Rachmaninoff's Concerto, Otherwise really good...
Great Pianist of the 20th Century - Vladimir Horowitz III

Vladimir Horowitz 3

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Julius Katchen 2
Artur Rubinstein 3
Walter Gieseking
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Alfred Cortot Plays Chopin, Liszt, Ravel, Schumann

ASIN: B00001X5AG
Release Date: 1999-10-12

Tracks:

Barcarolle In F sharp, Op. 60
Mazurka In C Sharp Minor, Op. 30 No. 4
Mazurka In F Minor, Op. 7 No. 3
Mazurka In E Minor, Op. 41 No. 2
Mazurka In C Sharp Minor, Op. 50 No. 3
Etude In C Sharp Minor, Op. 10 No. 4
Etude In G Flat, Op. 10 No. 5, 'Black Keys'
Etude In F, Op. 10 No. 8
Etude In F, Op. 25 No. 3
Etude In E, Op. 10 No. 3, 'Tristesse'
Etude In C Sharp Minor, Op. 10 No. 4
Etude In C Sharp Minor, Op. 25 No. 7
Etude In G Flat, Op. 10 No. 5, 'Black Keys'
Mazurka In B Flat Minor, Op. 24 No. 4
Mazurka In B Minor, Op. 30 No. 2
Mazurka In C Sharp Minor, Op. 30 No. 4
Mazurka In D Flat, Op. 30 No. 3
Mazurka In F Sharp Minor, Op. 59 No. 3
Mazurka In C Sharp Minor, Op. 41 No. 1
Mazurka In C Sharp Minor, Op. 50 No. 3
Mazurka In F Minor, Op. 7 No. 3
Mazurka In C Sharp Minor, Op. 63 No. 3
Mazurka In F Minor, Op. 63 No. 2
Polonaise In A Flat, Op. 53, 'Heroic'

Tracks:

Piano Concerto No. 5 In E Flat, Op. 73, 'Emperor': Allegro - Ludwig Van Beethoven
Piano Concerto No. 5 In E Flat, Op. 73, 'Emperor': Adagio un poco mosso - Ludwig Van Beethoven
Piano Concerto No. 5 In E Flat, Op. 73, 'Emperor': Rondo. Allegro - Ludwig Van Beethoven
Piano Concerto No. 3 In D Minor, Op. 30: Allegro ma non tanto - Sergei Rachmaninoff
Piano Concerto No. 3 In D Minor, Op. 30: Intermezzo. Adagio - Sergei Rachmaninoff
Piano Concerto No. 3 In D Minor, Op. 30: Finale. Alla breve - Sergei Rachmaninoff

Amazon.com Classical Music Reviews

Even with the end-of-century hindsight Philips's mammoth piano pantheon affords, Vladimir Horowitz merits the maximum number of volumes (three) allotted to any single artist. And there's still a giant fan base willing to declare him the "greatest pianist" (whatever that means) of the 20th century. The series has magnificently culled from the enormous recorded catalog to include portraits of the quintessential as well as the lesser-known Horowitz. Volume I allows you to trace this legend's evolution, from start to finish of a remarkably lengthy career, in interpreting one composer: Robert Schumann. This third volume does something similar with Chopin (filling up the first disc), while also including one of Horowitz's signature pieces, the Rachmaninoff Piano Concerto No. 3, and a once-reigning "Emperor" that has since been more or less crowded out of the field.

Chopin may well be among the more controversial areas of "Horowitzian" interpretation, particularly apt at showing up certain stylistically dated qualities--or perhaps it's that we'd like to think ourselves more immune to the thrills of pianistic hyperathleticism and showy dazzle (witness the hurly-burly at the end of the middle section in the Opus 10, No. 3 Etude, from 1951). Already in the tinny mono of 1934's "Black Keys" Etude, there's an indelible sparkle, the pride of a lionized and risk-hungry young star. But for all the extroverted demeanor Horowitz brings to Chopin's poetry--who can after all resist the firestorming confidence and stage effects he brings to the A-flat Polonaise (from a 1945 recording)?--the artist also grew to encompass a subtler, more fractured, and more hauntingly interior view, as in the C-sharp Minor Etude (from a live Boston performance in 1980). The solo pieces make a fascinating contrast with the two concertos, both led by Fritz Reiner. The Beethoven, curiously, ends up sorely lacking some of the very Horowitzian qualities that get overdone elsewhere--too tame in the rondo above all--but it's still a vastly compelling interpretation with a regal, broad view of the first movement and much gentle poetry in the Adagio. Horowitz was indeed the first ever to record the Rachmaninoff Third, and the kaleidoscopic 1951 account included here still holds its ground for virtuosity, burning intensity, and musical conviction. All told, this finale to the Philips portrait of the artist is appropriately many-faceted--full of insights for the initiated and an engrossing introduction if you're just discovering this crucial figure. --Thomas May

Customer Reviews:

Don't be fooled; the Chopin is the real highlight!.......2000-11-08

One may look at this CD and be immediately attached to the Rachmaninoff Third, but that isn't the real highlight of this collection. The Chopin is absolutely wonderful. Some of the mazurkas are simply wonderful, especially the mazurka in c#, Op.50 No.3. The etudes take your breath away. The only complaint is that many of the mazurkas and etudes are repeated, and although they provide a view of Horowitz's musical evolution. The polanaise is simply heroic.

The Rach 3 is full of the pyrotechnics that we have come to expect. Reiner and the RCA Orchestra provide a very good accompaniment, especially in the second movement of the concerto. The Emperor is good but nothing special when compared to other pianists.

Horwitz is the best pianist!.......2000-06-03

What are wonderful playing of Rach3, I think no one can replace horwitz playing! If you can listen musical(not only technique), you will agree with me!

Rachmaninov for the ages!.......2000-01-08

Next to the Rachmaninov of pianist John McArthur and his versions on the album, HIDDEN, this is the best Rach I have heard recorded.

Lacking in Rachmaninoff's Concerto, Otherwise really good..........1999-12-30

This CD is rather good. The individual recordings of the piano solo were really nice, but what threw the CD off is the recording of Rachmaninoff's Third Concerto. Maybe it is just because I am a pianist that only expects the best from a concerto recording, but this recording of the Third lacks compared to some of Horowitz' others, especially his recording with Zubin Metha. Besides the poor performance of the Third Concerto, this CD is worth it.

Great Pianist of the 20th Century - Vladimir Horowitz III.......1999-12-01

This CD contains an absolutely wonderful recording of Rachmaninovs' Piano Concerto #3. If you enjoy Rach 3 this CD will not disapoint you, it is worth the money!

Beethoven Symphony No. 5, Piano Concerto No. 4

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Beethoven Symphony No. 5, Piano Concerto No. 4

Manufacturer: Musically Speaking
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Indie Music | Stores | Music
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ASIN: B0000B383B
Release Date: 1995-09-01

Album Description

Includes Symphony NO. 5 and Piano Concerto No. 4. The work of Ludwig van Beethoven has been called the culmination of the Classical era or the wellspring of the Romantic era in European music. Historians today see him as the heir of Haydn and Mozart, carrying their musical discoveries to a new level of complexity and integration. No composer in the nineteenth century could aspire to the creation of a symphony without taking into account the example of Beethoven. In his Symphony No. 5, Beethoven achieved an unprecedented degree of unity and coherence through the use of a short musical phrase called a "movite" which recurs a number of times throughout the piece. In Piano Concerto No. 4, Beethoven breaks with tradition by beginning with an understated piano solo rather than a substantial orchestral introduction. Each CD package includes two CDs. The first, a Musical Performance Disk, features the top performers and symphony orchestras in the world, performing the best-loved music from the classical music Greats.

Accompanying the Musical Performance Disc is a Conductor's Guide on a separate CD. Here, Maestro Gerard Schwarz discusses the musical performances in depth--movement by movement, section by section--using examples from the recorded performances. There's no better, more enjoyable way to get a basic education in classical music.