Elgar:Symphony No.1/Romance/Overture

1. Symphony No. 1 in A flat major, Op. 55
Composed by Edward Elgar
Performed by London Philharmonic Orchestra Conducted by Daniel Barenboim

2. Romance for bassoon & orchestra/piano, Op.62
Composed by Edward Elgar
with English Chamber Orchestra , Martin Gatt
Conducted by Daniel Barenboim

3. Cockaigne Overture ("In London Town") for orchestra, Op. 40
Composed by Edward Elgar
Performed by London Philharmonic Orchestra Conducted by Daniel Barenboim

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Violin Concerto In A Minor, BWV 1041, Andante
Concerto For 2 Violins In D Minor, BWV 1043, Largo Ma Non Tanto
Sinfonia Decima A 7 For 2 Trumpets and Strings, Op. 3, Adagio, Grave, Adagio
Cello Concerto In C, Adagio
Cello Concerto In D, Op. 101, Adagio
String Symphony No. 4, Andante
Capriol Suite Pieds-En-Lair
Violin Concerto No. 4 In D, K. 218 Andante Cantabile
Concerto In F Major, F VII 2, RV. 455, Grave
Concerto In A Minor, F VII 5, RV. 461 Larghetto
Symphony No. 6 In F Major Op. 68, 'Pastoral' Szene Am Bach/Scene By The Brook, Andante Molto Mosso

Tracks:

Concerto In D For 2 Trumpets, Strings, And Continuo
Sonata In D For 2 Trumpets, Strings, And Continuo
Violin Concerto In A Minor, BWV 104 First Movement
Cello Concerto In C, Moderato
Oboe Concerto In B-Flat, Op. 7, No. 6 Allegros I & II
Oboe Concerto In D Major, Op. 7, No. 6 Allegros I & II
Oboe Concerto In D Major, F VII 10 RV. 453 Allegro, Largo, Allegro
Symphony No. 40 In G Minor, K. 550 Andante
Basset Clarinet Concerto In A, K. 622 Allegro

Tracks:

The Planets Suite: Venus, Bringer Of Peace
The Planets Suite, Neptune, The Mystic
Adagio For Strings
Adagio In G Minor
Symphony No. 4 In C Minor, Andante
Symphony No. 5 In B-Flat Major, Andante
Violin Concerto In E Minor, Andante
Lady Radnor's Suite, Slow Minuet
Sospiri, Op. 70
Suite For String Orchestra, Nocturne
Marche Funevre, Lento, Excerpt
Calm Sea & Prosperous Voyage Op. 27

Tracks:

Fantasia On A Theme By Tomas Tallis
Lark Ascending
Eclogue For Piano And Strings
Clair De Lune
Clarinet Concerto, Adagio
Variations On A Theme Of Frank Bridge, Op. 10, Adagio
Variations On A Theme Of Frank Bridge, Op. 10, Chant

Album Description

BRAINWAVE SYMPHONY combines carefully selected music from the baroque, classical, romantic, impressionistic, and twentieth-century eras with breakthrough audio technology to give you the best of classical wisdom and modern science.

We all experience many states of consciousness, from ordinary waking and sleeping states to extraordinary states in which we are more at peace, particularly aware, or unusually creative. Each state has a unique pattern of brainwaves that can be mapped and measured. Brainwave Symphony uses of inaudible pulses of sound, based on these brain maps, to trigger your brain to produce the state you want to experience.

Combining this powerful new recording process with carefully selected works of Mozart, Beethoven, Haydn, Bach, and other masters offers a beautiful and unique listening experience as well as a powerful tool for personal transformation.

Orchestrate Your State of Mind

CD1 Alpha Relax & Let Go Alert Meditation, Tranquillity, and Active Relaxation. Mozart, Bach, Haydn, Mendelssohn, Warlock, Vivaldi, Bononcini, and Beethoven

CD2 Beta Energize & Focus Heightened Focus, Enhanced Energy, and Peak Performance. Mozart, Bach, Alberti, Haydn, Albinoni, and Vivaldi

CD3 Delta Unwind & Sleep Deep Relaxation, Rejuvenation, and Restful Sleep Holst, Barber, Albinoni, Parry, Elgar, Bridge, Mendelssohn, and Chopin

CD4 Theta Meditate & Create Deep Meditation, Heightened Intuition and Enhanced Creativity.

Williams, Finzi, Debussy and Britten

All brainwave frequencies were scored by Dr. Jeffrey Thompson whose innovative work, based on over 20 years of clinical research, is used by healthcare professionals in 26 countries. Dr. Thompson is currently on the faculty of, and has research and clinical offices at, the California Institute for Human Science.

Music was selected and sequenced by Pat Moffitt Cook, M.M., Ph.Dc., AMI Fellow, a pioneer in the use of music in health care. Pat is the founder and director of the Open Ear Center for Music in Healthcare and Education, where she trains professionals, musicians, and laypeople in the use of healing music.

Customer Reviews:

Took a nap during labor.......2007-01-16

I used the first CD in this collection (Alpha) to assist me during the labor and delivery of our daughter. I put it on our ipod and listened to it over and over during the labor process. I actually managed a light nap during active labor and had very little pain throughout the process. It that doesn't tell you that it keeps you relaxed and able to meditate, I don't know whatelse might convince you. The recording is great, the music lovely, and it does what it claims to do. I highly recommend it!

Awesome!.......2006-03-17

These really work! Ever wonder why listening to classical music may make you more up-tight than relaxing you? Here's the reason...

Induces great relaxation, pair with noise-cancelling headphones and sleep on plane........2005-12-30

So far I have only really used the relaxation CD, which works amazingly well. I have been flying more red-eyes lately in part because I know I can sleep on the plane from as soon as I get on. However, I have always slept pretty well on airplanes!

I keep forgetting to try out the rest of the CD collection.

Recommended for first rate relaxation and sleep!.......2005-06-06

These cds sound like simple classical music, but they do indeed assist you to enter different states of mind. For best effect, wear stereo headphones. But even without, you will find it easier to relax, sleep and meditate. If you don't like classical, the Brainwaves Suite has a new age/environmental sound.

Worth the listen.......2004-10-17

My curiousity was well rewarded when I first listened to these four CDs. The symphonic music is seamlessly recorded, accented with tone notations that are easy on the ear and peaceful on the mind. This set is at the office, on the iPod and the home computer, and loaned to others on a regular basis. They have flavored prayer services and supported pastoral conversations. Make good presents, too. Worried about subliminal suggestion? Well, if clearer thinking and thoughtful reflection is subliminal thinking, then you will get the message each time you listen to these recordings. Other recordings by Dr. Thompson deliver just as these do.

Average customer rating:

Super-Budget Way to Gain Some Understanding of Romantic Era

Discover: Music of the Romantic Era

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
Similar Items:

Discover Music of the Classical Era
Discover Music of the 20th Century
Discover Music of the Baroque Era
Discover Early Music
A History of Musical Style

ASIN: B0006OL5EU
Release Date: 2005-01-18

Tracks:

Movement 1: Allegro Con Brio - Bela Drahos
Movement 4: Marche Au Supplice (March To The Scaffold) - San Diego Symphony Orchestra
Movement 1: Allegor Maestoso - Tempo Giusto - Joseph Banowetz
Polonaise In D Minor, Op.71 No.1 - Idil Biret
Gretchen At The Spinning Wheel - Lynda Russell
The Hebrides - Slovak Philharmonic Orchestra
Movement 4: Allegro, Ma Non Troppo - Jeno Jando
Intermezzo In A Major, Op.118 No.2 - Idil Biret
Nacqui All'affanno E Al Pianto - Hungarian State Opera Chorus
Spargi D'amaro Pianto - Luba Orgonasova
E Lui... Dio Che Nell'alma Infondere - Giacomo Aragall

Tracks:

Prelude And Liebstod - Johannes Wildner
Kamarinskaya - Anthony Bramall
Movement 1: Allegro - Stephen Gunzenhauser
Movement 2: Allegro Con Grazia - Polish National Radio Symphony Orchestra
Vltava - Polish National Radio Symphony Orchestra
Slavonic Dance In C Major, Op.46 No.1 - Slovak Philharmonic Orchestra
Romance In B Flat For Violin And Piano - Pascal Devoyon
In The Hall Of The Mountain King - Jerzy Maksymiuk
Solemn And Measured, Without Dragging - Michael Halasz
Prelude In C Sharp Minor, Op.3 No.2 - Idil Biret
Variation 9: Nimrod - Bournemouth Symphony Orchestra

Customer Reviews:

Super-Budget Way to Gain Some Understanding of Romantic Era.......2005-03-05

This 2CD set from Naxos at super-budget price is a wonderful way for teens or adults to acquaint themselves with the Romantic Era of classical music. It contains complete movements from works ranging from Beethoven (the 'Eroica' Symphony that started the Romantic era) to Elgar (the Nimrod variation from the 'Enigma Variations'). And pegged to those selections is an extensive and clearly-written 100-page essay by David McCleery that gives all kinds of background information as well as blow-by-blow descriptions of the pieces being played [e.g., in Schubert's song, 'Gretchen at the Spinning Wheel', "when she imagines kissing him the piano stops its repetitive spinning motif, indicating that she is so overcome by the thought that she has stopped working."]. Accompanying the text are pictures of the composers as well a quotation from most of them, from the sober [Mahler: 'To write a symphony is, for me, to construct the world.'] to the humorous [Grieg: 'I am sure my music has the taste of codfish in it.']. Also, there are reproductions of historical documents that illustrate the social currents of each period of time, from the Declaration of Independence, illustrating the spread of the idea of democracy, to a letter from Dvorák to his music publisher taking him to task for his anti-Czech sentiments.

Composers represented by their music are Beethoven, Berlioz, Liszt, Chopin, Schubert, Mendelssohn, Schumann, Brahms, Rossini, Donizetti, Verdi, Wagner, Glinka, Borodin, Tchaikovsky, Smetana, Dvorák, Fauré, Grieg, Mahler, Rachmaninov and Elgar. Among the musical selections are all sorts of music, from the Beethoven symphony movement, chamber music of Schumann, a song by Schubert, an operatic duet (from 'Don Carlo') by Verdi, Fauré's Romance for Violin and Piano, the first movement of Mahler's First Symphony, a Chopin polonaise, and a Liszt piano concerto. The recordings of all these works are excerpted from Naxos's huge library of releases of classical music, and the performances are universally quite acceptable and in good stereo sound.

Provided as a kind of background for the newcomer to classical music is a Timeline of the Romantic Era (music, history, art, literature) so they can place various composers and their works in a cultural context. There are extensive suggestions for further listening, a listing of Romantic era composers including many more than those whose works are included here, and a helpful glossary of musical terms written in everyday language.

This is a very thoughtfully done short-course in the Romantic era that will not only answer questions of casual classical music listeners but also stimulate interest in further exploration. I recommend it highly.

2 CDs TT=2hrs30mins and 161 page booklet in a slipcase

Scott Morrison

Average customer rating:

Romantic Classics

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B0007KTIJM
Release Date: 2005-03-22

Tracks:

Intermezzo
Pavane
Largo Ma Non Tanto
Nocturne
Romance No. 2 In F Sharp
Salut D' Amour, Op. 12
Largo
Meditation
Clair De Lune
Prelude
Liebestod

Tracks:

Scene No. 1
Rhapsody On A Theme Of Paganini
Adagio Moderato
Fantaisie-Impromptu
Adagio Sostenuto
Pavane Pour Une Infante Defunte
Larghetto
Berceuse
Adagio Sostenuto
Liebestraum
Andante

Tracks:

Canon
Adagio
Air On A G String
Gymnopedie
The Girl With The Flaxen Hair (La Fille Aux Cheveux Lin)
Andante Semplice
Adagio
The Swan
Elegy
Traumerei
Romeo And Juliet
Adagio
Adagio For Strings

Average customer rating:

Desire: Music for Romance

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

Easy Listening & Lounge | Box Sets | Stores | Music

Easy Listening | Pop | Indie Music | Stores | Music

Tracks:

Canon in D - Collegium Aureum
Arioso - St Louis Brass Qnt
Water Music: Air - Bamberg PO
Pno Con No.21: Andante (Elvira Madigan Theme) - Martha Bergerich/Camerata Academica Salzburg
Str Qnt in E, Op.13 No.5: Minuet - John Arpin Palm Court
Romeo And Juliet Fant-Ov - Philharmonia Orch Of London
La Boheme 'What A Cold, Little Hand' - Jose Perez
Samson and Deliah: Bacchanal - National Opr Orch
Trois Gymnopedies: Lent Et Douloureux - Raymond Spasovski
Tristan And Isolde: Prld And Liebstod (Love-Death) - National Opr Orch

Tracks:

Air For The 'G' String - RPO
Ob Con: Adagio - Collegium Aureum
Ob Con: Presto - Collegium Aureum
Adagio - Toronto SO
Moonlight Son: Adagio Sostenuto - Dubravka Tomsic
Emperor Str Qt, No.3: Poco Adagio - Melos Qt
Swan Lake: Enchanted Lake - London Festival Orch
Cavalleria Rusticana: Intermezzo - London Festival Orch
Turandot: No Man Shall Sleep - National Opr Orch
Enigma Vars: Nimrod - RPO
Con De Aranjuez: Adagio - Carlos Bonell
Daphnis And Chloe - Slavonic PO

Tracks:

Prld And Fugue in C - Christine Jaccottet
Flute Con, Op.44 No.11: Largo - Collegium Aureum
Con: Adagio - Collegium Aureum
Con: Allegro - Collegium Aureum
Cl Con: Adagio - Jose Ostrac/Mozart Festival Orch
'Pathetique' Son: Adagio Cantabile - Sylvia Capova
Horn Con No.3 Romanze: Larghetto - Jeffrey Bryant
Impromptu in A flat - Sylvia Capova
Polovstian Dance No.17: Excerpt - Ljubljana Radio SO
Tosca: 'I Have Lived For Art, I Have Lived For Love' - Bozena Ruk-Focic
Giselle: Waltz, Adagio - Philharmonia Orch Of London
Fedora: Intermezzo - RPO
Claire De Lune - Anna Lelkes
Fant On A Theme By Thomas Tallis - RPO

Tracks:

Xerxes: Largo - London Festival Orch
Con 'Double' : Largo Ma Non Tanto - Joseph Brezina /Feliz Elias/Camerata Romana
Pno Con No. 20 'Romance' - Svetlana Stanceva/Mozart Festival Orch
Fur Elise - Sylvia Capova
Sym No.4 'Italian': Con Moto Moderato - RPO
Pno Con No.2: Adagio Sostenuto - Garrison Kent
Madama Butterfly: 'One Fine Day' - Vanda Gerlovic/Slavonic PO
24 Prlds Op.28 No.4 in e - Russell Sherman
24 Prlds Op.28 No.7 in A - Russell Sherman
24 PrldsOp.28 No.20 in c - Russell Sherman
Mignon: Ov - RPO
Bolero - RSO

The Most Beautiful Melodies of Classical Music (Collectors Edition) (Box Set)

Average customer rating:

The Most Beautiful Melodies of Classical Music (Collectors Edition) (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B00008L42A
Release Date: 2003-02-13

Average customer rating:

Outstanding

Discover the Classics, Vol. 2

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Discover the Classics
Discover the Classics 3: The Concerto
Discover the Symphony
Discover Music of the Baroque Era
Classical Music Start-Up Kit, Vol. 1 (1500-1825)

ASIN: B0000014H0
Release Date: 1998-09-29

Tracks:

Romeo & Juliet, Op.64 - Dance Of The Knights
The Gadfly, Op. 97a - Romance
Swan Lake, Op. 20 - Spanish Dance
The Tale Of Tsar Saltan: The Tale Of Tsar Saltan - Flight Of The Bumble Bee
Spartacus Suite No. 4 - Masquerade - Circus - Dance Suite: Masquerade - Waltz
Symphony No. 1 - Islamey - Tamara: Islamey - Oriental Fantasy
The Three Cornered Hat: The Three Cornered Hat - Miller's Dance
Symphony In C - Jeux d'enfants - Scenes Bohemiennes: Jeux d'enfants (Petite Suite) - Duo
Orpheus In The Underworld: Orpheus In The Underworld - Overture
Carnival Of The Animals, No.13 - The Swan
Coppelia: Coppelia - Valse
Gymnopedie No. 2
Joyeuse marche
Cinderella: Cinderella - Overture
La Traviata: La Traviata - Prelude - Act 3
Pines Of Rome, No. 4 - The Pines Of The Appian Way

Tracks:

Les Sylphides: Les Sylphides - Polonaise In A, Op. 40 No. 1
Egmont: Egmont - Overture, Op. 84
Piano Concerto No. 1 In C, Op. 11: Piano Concerto No. 1 In C, Op. 11 - Adagio
Hungarian Dance No. 1 In G Minor
Finlandia - Tone Poem, Op. 26
Sinfonietta: Sinfonietta - 4th Movement - Allegretto
Czech Suite In D, Op. 39: Czech Suite In D, Op. 39 - Polka
The Bartered Bride: The Bartered Bride - Dance Of The Comedians - Act 3
Symphony No. 5 In C Sharp Minor: Symphony No. 5 In C Sharp Minor - Adagietto
Concerto For Orchestra - Music For Strings, Percussion And Celesta: Concerto For Orchestra - Intermezzo interrotto - Allegretto
English Dance No. 7, Op. 33 No. 3 - Set 2
Koanga: Koanga - La Calinda
Serenade in E Minor for Strings, Op. 20: Serenade In E Minor For Strings, Op. 20 - Larghetto
The Planets, Op. 32: The Planets, Op. 32 - Mars, The Bringer Of War

Customer Reviews:

Outstanding.......1999-11-01

This CD is worth the money. It offers a great mix of the classics taken from a variety of composers and sources.

Average customer rating:

Great British Orchestral Classics

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000AA4JCA
Release Date: 2005-09-20

Tracks:

Prelude - Academy Of St Martin In The Fields
Fugue - Academy Of St Martin In The Fields
The Lark Ascending - Michael Davis
Jig - City Of London Sinfonia
The Banks Of Green Willow - London Symphony Orchestra
Chanson De Matin - Bournemouth Sinfonietta
Popular Song - London Philharmonic Orchestra
633 Squadron - BBC Philharmonic
March - BBC Philharmonic
Tam O' Shanter - BBC Philharmonic
Salut D'Amour - Bournemouth Sinfonietta
Fantasia on 'Greensleeves' - London Symphony Orchestra
On Hearing The First Cuckoo in Spring - London Philharmonic Orchestra
Jupiter - Royal Scottish National Orchestra
Fugue - Bournemouth Sinfonietta

Tracks:

Crown Imperial (Coronation March) - Philharmonia Orchestra
Cello Concerto, Movement I (Extract) - Ralph Kirshbaum
Playful Pizzicato - I Musici De Montreal
The Holy Boy - English Chamber Orchestra
Nimrod - Royal Scottish National Orchestra
Seascape - Ulster Orchestra
Basse-Danse - Bournemouth Sinfonietta
The Londonderry Air - Ulster Orchestra
Allegro Piacevole - Bournemouth Sinfonietta
Summer Night On The River - London Philharmonic Orchestra
Dawn - Ulster Orchestra
Tintagel - Ulster Orchestra
March - BBC Philharmonic
Pomp And Circumstance March No.1 - Royal Scottish National Orchestra

Average customer rating:

Good, But Go For Boult

Elgar:Symphony No.1/Romance/Overture

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000002913
Release Date: 1994-05-03

Tracks:

Symphony No. 1 in A Flat Major, Op. 55: Andante. Nobilmente e semplice - Allegro
Symphony No. 1 in A Flat Major, Op. 55: Allegro molto
Symphony No. 1 in A Flat Major, Op. 55: Adagio
Symphony No. 1 in A Flat Major, Op. 55: Lento - Allegro
Romance, Op. 62
Overture 'Cockaigne' (In London Town), Op. 40

Customer Reviews:

Good, But Go For Boult.......2001-03-05

Sony Essential Classics has become my favorite classical CD line -- great performances by virtuoso musicians and conductors at budget prices. I owe much of that to my local library, where years ago I began my classical self-education. The librarian in the music department must have had a preference for the Sony titles. I began checking out and taping great titles like George Szell's definitive recordings of the late Haydn Symphonies and the Brahms Symphony Cycle, and this recording of Elgar's First Symphony by Daniel Barenboim. All of the best titles I eventually bought for myself on disc, but for some reason I always put this one on the backburner. I always felt that the sound was not very remarkable considering it was recorded in the 1970s. Then a knowledgeable friend recommended Sir Adrian Boult's recordings of the first two Elgar Symphonies on EMI. He indicated that Barenboim's tempo could drag a bit, and that the Boult recordings really captured the power and pace of this great symphony. Boy was he right! Just to provide an example of Barenboim's plodding ways, his third movement of Elgar's First logs in at more than 12 minutes, while Boult's is only 10 1/2 minutes! Not that all Barenboim recordings get stuck in the quagmire, I love his recordings of Tchaikovsky's Symphonies 4 & 6, but when it comes to Elgar go for Boult.