Composed by Johann Sebastian Bach
with Sviatoslav Teofilovich Richter
2. Harpsichord Concerto No. 1 in D minor (or for 2 oboes & organ or for violin) BWV 1052
Composed by Johann Sebastian Bach
Performed by USSR Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kurt Sanderling
3. Concerto for 2 harpsichords & strings in C major (or for 2 keyboards alone), BWV 1061
Composed by Johann Sebastian Bach
with Moscow Chamber Orchestra , Sviatoslav Teofilovich Richter
Conducted by Rudolf Barshai
4. Piano Sonata No. 8 in C minor ("Pathétique") Op. 13
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
5. Bagatelle for piano in F major, Op. 33/3
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
6. Bagatelle for piano in C major, Op. 33/5
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
7. Bagatelle for piano in C major, Op. 119/2
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
8. Bagatelle for piano in C major, Op. 119/7
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
9. Bagatelle for piano in A minor, Op. 119/9
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
10. Bagatelle for piano in G major, Op. 126/1
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
11. Bagatelle for piano in B minor, Op. 126/4
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
12. Bagatelle for piano in E flat major, Op. 126/6
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
13. Piano Sonata No. 23 in F minor ("Appassionata") Op. 57
Composed by Ludwig van Beethoven
with Sviatoslav Teofilovich Richter
14. Träume (Dreams) for violin & small orchestra in A flat major (from Wesendonck Lieder No. 5), WWV 91b
Composed by Richard Wagner
Performed by USSR Radio & TV Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kurt Sanderling
15. Piano Sonata No. 16 in A minor, D. 845 (Op. 42)
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
16. Piano Sonata No. 17 in D major ("Gasteiner"), D. 850 (Op. 53)
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
17. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 01 des Abends
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
18. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 02 Aufschwung
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
19. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 03 Warum?
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
20. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 05 in der Nacht
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
21. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 07 Traumes Wirren
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
22. Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 No 08 Ende vom Lied
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
23. Humoreske for piano in B flat major, Op. 20
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
24. Noveletten (8), for piano, Op. 21 No 01 in F major
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
25. Noveletten (8), for piano, Op. 21 No 02 in D major
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
26. Noveletten (8), for piano, Op. 21 No 08 in F sharp minor
Composed by Robert Schumann
with Sviatoslav Teofilovich Richter
27. Moments musicaux (6) for piano, D. 780 (Op. 94) No 1 in C major
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
28. Moments musicaux (6) for piano, D. 780 (Op. 94) No 3 in F minor
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
29. Moments musicaux (6) for piano, D. 780 (Op. 94) No 6 in A flat minor
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
30. Impromptus (4) for piano, D. 935 (Op. posth. 142) No 02
Composed by Franz Schubert
with Sviatoslav Teofilovich Richter
31. Etude for piano in E major, Op. 10/3, CT 16
Composed by Fryderyk Chopin
with Sviatoslav Teofilovich Richter
32. Etude for piano in E minor, Op. 25/5, CT30
Composed by Fryderyk Chopin
with Sviatoslav Teofilovich Richter
33. Polonaise for piano in C sharp minor, Op. 26/1, CT 150
Composed by Fryderyk Chopin
with Sviatoslav Teofilovich Richter
34. Prélude, choral, et fugue, for piano, M. 21
Composed by Cesar Franck
with Sviatoslav Teofilovich Richter
35. Hungarian Peasant Songs (15), for piano, Sz. 71, BB 79
Composed by Bela Bartok
with Sviatoslav Teofilovich Richter
36. Concerto for piano & orchestra No. 2 in F minor, Op. 21, CT 48
Composed by Fryderyk Chopin
Performed by USSR Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Evgeny Svetlanov
37. Piano Concerto No. 5 ("Egyptian"), in F major, Op. 103
Composed by Camille Saint-Saens
Performed by Moscow Youth Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kiril Kondrashin
38. Les Djinns, symphonic poem for piano & orchestra (also arr. for 2 pianos), M. 45
Composed by Cesar Franck
Performed by Moscow Youth Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kiril Kondrashin
39. Piano Concerto No. 1 in F sharp minor, Op. 1 [Revised Version]
Composed by Sergey Rachmaninov
Performed by USSR Radio & TV Symphony Orchestra with Sviatoslav Teofilovich Richter
40. Piano Concerto No. 2 in C minor, Op. 18
Composed by Sergey Rachmaninov
Performed by Leningrad Philharmonic Orchestra with Sviatoslav Teofilovich Richter
41. Concerto, for piano & orchestra in C-sharp minor, Op. 30
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by Moscow Youth Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kiril Kondrashin
42. Piano Concerto No. 1 in F minor, Op. 92
Composed by Alexander Konstantinovich Glazunov
Performed by Moscow Youth Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kiril Kondrashin
43. Piano Concerto No. 1 in D flat major, Op. 10
Composed by Sergey Prokofiev
Performed by Moscow Youth Symphony Orchestra with Sviatoslav Teofilovich Richter
Conducted by Kiril Kondrashin
44. Piano Sonata in G major, Op. 37
Composed by Pyotr Il'yich Tchaikovsky
with Sviatoslav Teofilovich Richter
45. Pictures at an Exhibition (Kartinki s vïstavski), for piano
Composed by Modest Mussorgsky
with Sviatoslav Teofilovich Richter
46. Etude for piano in C sharp minor, Op. 2/1
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
47. Etudes (12) for piano, Op. 8 Etude in E major, Op 8 No 05
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
48. Etudes (8) for piano, Op. 42 Etude in F sharp minor, Op 42 No 02
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
49. Etudes (8) for piano, Op. 42 Etude in F sharp major, Op 42 No 03
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
50. Etudes (8) for piano, Op. 42 Etude in F sharp major, Op 42 No 04
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
51. Etudes (8) for piano, Op. 42 Etude in C sharp minor, Op 42 No 05
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
52. Etudes (8) for piano, Op. 42 Etude in D flat major, Op 42 No 06
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
53. Etudes (12) for piano, Op. 8 Etude in B flat minor, Op 8 No 11
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
54. Etudes (8) for piano, Op. 42 Etude in E flat major, Op 42 No 08
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
55. Etudes (3) for piano, Op. 65 Allegro fantastico, Op 65 No 01
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
56. Etudes (3) for piano, Op. 65 Allegretto, Op 65 No 02
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
57. Etudes (3) for piano, Op. 65 Molto vivace, Op 65 No 03
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
58. Piano Sonata No. 6 in G major, Op. 62
Composed by Alexander Nikolayevich Skryabin
with Sviatoslav Teofilovich Richter
59. Sonata for piano No. 3 in C minor, Op. 19
Composed by Nikolay Myaskovsky
with Sviatoslav Teofilovich Richter
60. Sonata for piano No. 7 in C major, Op. 82
Composed by Nikolay Myaskovsky
with Sviatoslav Teofilovich Richter
Product Description
BMG's Melodiya project has gathered together many of Sviatoslav Richter's best Soviet recordings here. Among highlights are the live Beethoven Appassionata Sonata, the live Alexander Scriabin performances, the exquisite Schubert Sonatas, the wonderfully idiomatic Chopin Second Concerto, and such rarities as Franck's Les Djinns and a previously unpublished Miaskovsky Sonata. There are superior Western remakes and live performances of some of these studio recordings, so some pianophiles might want to pick and choose among the separately available discs. But as a boxed treasury of great piano playing this set ranks as a memorable bargain. --Leslie Gerber
Richter,Johann Sebastian Bach,Bela Bartok,Ludwig van Beethoven,Fryderyk Chopin,Cesar Franck,Alexander Konstantinovich Glazunov,Modest Mussorgsky,Nikolay Myaskovsky,Sergey Prokofiev,Sergey Rachmaninov,Nikolay Andreyevich Rimsky-Korsakov,Camille Saint-Saens,Franz Schubert,Robert Schumann,Alexander Scriabin,Pyotr Il'yich Tchaikovsky,Richard Wagner,Evgeny Svetlanov,Kiril Kondrashin,Kurt Sanderling,Rudolf Barshai,Moscow Chamber Orchestra,Leningrad Philharmonic Orchestra,Moscow Youth Symphony Orchestra,USSR Radio & TV Symphony Orchestra,USSR Symphony Orchestra,Sviatoslav Teofilovich Richter,Melodiya,20th/21st Century Sonata/Sonatina for Keyboard,Bagatelle for Keyboard,Box Sets (Audio Only),Chamber Music & Recitals,Classical,Classical Music,Concerto,Concerto for Two Pianos,Etude for Keyboard,Impromptu for Keyboard,Keyboard,Keyboard Concerto,Keyboard Work with Descriptive or Unclassified Title,Moment Musical for Keyboard,Orchestral,Orchestral Music,Piano Concerto,Polonaise for Keyboard,Prelude and Fugue for Keyboard,Romantic Sonata/Sonatina for Keyboard
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Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
David Oistrakh , Mstislav Rostropovich , Sviatoslav Richter , Herbert von Karajan , and George Szell Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I7VO Release Date: 1999-03-09 |
Tracks:
- Triple Concerto For Violin, Cello & Piano In C, Op. 56: I Allegro
- Triple Concerto For Violin, Cello & Piano In C, Op. 56: II Largo
- Triple Concerto For Violin, Cello & Piano In C, Op. 56: III Rondo alla polacca
- Double Concerto For Violin & Cello In A Minor, Op. 102: I Allegro
- Double Concerto For Violin & Cello In A Minor, Op. 102: II Andante
- Double Concerto For Violin & Cello In A Minor, Op. 102: III Vivace non troppo
Amazon.com
Among the concertos of Beethoven and Brahms, these two have always been stepchildren. One reason is their extreme difficulty; both composers were pianists, so Beethoven wrote an idiomatic part only for the piano. Brahms's friend Joseph Joachim offered advice for the violin concerto, but not for the Double Concerto, which was written as a peace offering after a falling-out. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The piano ripples, the cello sings gorgeously, the violin soars ecstatically, the tone is intoxicatingly beautiful. The Finale is wistful, charming, lyrical, gently humorous; the ending is a big joke, with the cello and piano rumbling in the bass, while the violin whistles forlornly in the dark until they all join together. The Brahms is grand, majestic, dreamy, radiant, triumphant; the slow movement warm as dark velvet, the Finale genial and relaxed. Though the orchestra never covers the soloists, it explodes in the tutti passages, especially in the Beethoven, so you might keep a finger on the volume control. --Edith EislerCustomer Reviews:
There can't be any better!.......2007-05-17
I think it is a performance as Beethoven probably had in mind.
Wonderful smooth rendition.......2007-04-26
Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter.......2007-01-18
Beethoven? Brahms? Karajan? Oistrakh? Richter? Rostropovich? Szell? On One CD? Talk About Star Power!.......2006-09-09
The Brahms Double Concerto is just as fine, now we have the two string instrumentalists side by side. Oistrakh and Rostropovich communicate wonderfully together in this major Brahms piece. Szell backs them up every step of the way with his precise yet passionate conducting of the Cleveland Orchestra. The EMI recording sounds very good too in both works and the price is quite nice. An outstanding bargain.
Glorious.......2006-01-30
The remastering captures this warmth, with more brightness than my LP copy of the Brahms ever had, at least after the initial playings.
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Beethoven for Babies
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OU6 Release Date: 1998-08-11 |
Tracks:
- Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
- Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
- Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
- Six National Airs With Variations, Op. 105: English Bulls (Irish)
- Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
- Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
- Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
- Ten National Airs With Variations, Op. 107: Fur Elise
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
- Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
- Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
- Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
- Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy
- Ten National Airs With Variations, Op. 107: Piano Sonata No. 15 In D ('Pastoral') - Rondo (Allegro ma non troppo)
- Ten National Airs With Variations, Op. 107: Symphony No. 6 In F ('Pastoral') - Hymn Of Thanksgiving
Amazon.com
For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew BartlettCustomer Reviews:
Beethoven for Babies.......2007-05-21
Nicest classical CD I have found for my baby (& me).......2005-09-01
Ode To Beethoven.......2005-05-13
Pseudoscientific crap, but some of the music is good here.......2004-05-27
That having been said, if you are stupid enough to believe any of this "Mozart Effect" horse manure --- which continues to have no support in any sort of controlled test environment --- then your babies will probably inherit your limited intellectual capacities & no amount of Beethoven & Mozart will ever be able to help them.
If, on the other hand, you are introducing Junior to classical music, you could do worse --- but you could also do better. Go get Arrau's complete Beethoven sonatas & concerti, get the Berg Quartett's complete Beethoven quartet cycle, and get John Eliot Gardiner's complete Beethoven symphonies --- just for a start. Also, don't stop with Beethoven & Mozart. My 9-month old daughter gets a diverse exposure to a thousand years of music, and very little is off limits. She got acquainted with the Bartok Quartets within her first couple of months, and it doesn't look like we have created an axe murderer or anything like that.
Anyway, if you want to create a classical music lover, do it right and go the distance, rather than doing it piecemeal with CDs like this. Your baby may still be a moron, but at least will be a moron with exquisite taste.
Nicest classical music CD I've found for my baby (& me).......2003-11-23
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Bach for Babies
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IIYV Release Date: 1999-04-13 |
Tracks:
- Partita No. 1 in B-Flat: Praeludium
- Partita No. 1 in B-Flat: Menuets I & II
- English Suite No. 3 In G Minor: Gavotte I - Gavotte II Ou La Musette
- French Suite No. 6 In E: Allemande
- Suite No. 3 In D For Cello: Bourree I & II
- Suite No. 6 For Cello: Gavottes I-II
- Prelude In D Minor
- Orchestral Suite No. 2 In B Minor For Flutes And Strings: Badinerie
- Brandenburg Concerto No. 5 In D: Allegro
- Well-Tempered Clavier, Book I: Prelude No. 3
- Well-Tempered Clavier, Book I: Fugue No. 3
- (Prelude No. 2 from Well-Tempered Clavier, Book I): Be-Bop Bach
- (Fugue No. 2 From Well-Tempered Clavier, Book I): Dixie Bach
- Brandenburg Concerto No. 3 In G: Allegro
- Suite No. 4 For Cello: Bourree
- Partita No. 1 in B-Flat: Giga
- 'Little' Fugue In G Minor
- Brandenburg Concerto No. 4 In G: Presto
- Well-Tempered Clavier, Book 1: Prelude No. 1 In C
- Concerto In D Minor For Oboe And Strings: Sicliano
- Suite In E-Flat For Flute And Harp: Gavotte en rondeau
- Sonata In E-Flat For Flute And Harp: Sicliano
- Minuet In D Minor
- Bist Du Bei Mir (When Thou Art Near)
Amazon.com
Programmed similarly to the Beethoven for Babies collection, this set of Bach compositions runs the emotional gamut, from the gently eye opening to the jumpy arm raising, collecting each set of pieces under a thematic header. The first several selections ("Waking Up") feature solo piano works that come directly from Bach's more pedagogic works, compositions intended for students to use as exercises to loosen their touch. Played superbly by pianist Sviatoslav Richter, as well as the Romero brothers (Pepe and Celedonio) on warm guitar, these compositions urge the ear to open. And then you come the pieces gathered under the "Playtime" heading: jazz pianist John Lewis picks up a couple pieces, as do the folks in Canadian Brass. Then the mood shift heads back to the sleepyhead state with "Winding Down" and "And So to Bed," each of which slows the tempo and quiets the passion to a doze. This is a fine set of Bach works. --Andrew BartlettCustomer Reviews:
Our favorite CD for all occasions.......2005-05-15
Bach and Roll!.......2004-04-26
My daughter loves this CD.......2003-02-24
Soothing.......2002-07-29
Classical, Jazz and Opera Bach all in one.......2001-05-30
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Liszt: The Two Piano Concertos; The Piano Sonata
Franz Liszt , Kiril Kondrashin , London Symphony Orchestra , and Sviatoslav Richter Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041C4 Release Date: 1995-07-18 |
Tracks:
- Piano Concerto No. 1 In E flat: 1. Allegro maestoso
- Piano Concerto No. 1 In E flat: 2. Quasi adagio
- Piano Concerto No. 1 In E flat: 3. Allegretto vivace - Allegro animato
- Piano Concerto No. 1 In E flat: 4. Allegro marziale animato
- Piano Concerto No. 2 In A: Adagio sostenuto assai - Allegro agitato assai
- Piano Concerto No. 2 In A: Allegro moderato
- Piano Concerto No. 2 In A: Allegro deciso - Marziale un poco meno allegro
- Piano Concerto No. 2 In A: Allegro animato
- Sonata In B Minor: Lento assai - Allegro energico
- Sonata In B Minor: Andante sostenuto
- Sonata In B Minor: Allegro energico - Andante sostenuto - Lento assai
Amazon.com
Since they were first issued, Sviatoslov Richter's Liszt Piano Concertos have been widely admired as the finest performances available, and for most listeners they still are. Now they have been remastered by none other than Wilma Cozart Fine, Mercury Living Presence's goddess of the sound console, and they have come up sounding better than ever. To make matters even more exciting, you also get Richter's well-nigh definitive performance of the massive Sonata in B Minor--and all for only mid-price! Even if you hate Liszt, hate concertos, hate pianos, hate Russians, hate music in general, you should own and treasure (or punish yourself regularly) with this recording. --David HurwitzAmazon.com
Although Sviatoslav Richter's account has power and authority, it's best in the meditative moments, which are almost balletic in their grace. The Russian pianist achieves seamless transitions from one mood to the next, and his countryman on the podium sees to it that there is a wonderful dovetailing of the accompaniment around the solo. Richter is especially magical at the end of the Adagio, where he anticipates the shadings of Liszt's late style. This was originally a Mercury "Living Presence" recording; it has been tellingly remastered by its original producer, and sounds remarkably more vivid than when Philips first issued it on CD. --Ted LibbeyCustomer Reviews:
Great But Not The Greatest.......2007-06-14
On the Lizst piano sonata.......2007-02-28
There is also a performance in the Chopin/Liszt box from the Authorised Recordings collection, Phillips again, 438 620-2. The minimal information claims it was recorded in 1988 but I believe it is the Livorno 1966 version.
To unbalance for rebalance! .......2006-08-23
It's far to be a mere casualty, the fact Richter and Francois have become the most important performers in which concern the major achievement of Franz Liszt `s Piano Concertos. Both pianists have some similarities, first and foremost, they possessed a nonchalant respect for the objective rules of interpretation so frequently watched until the 60's. Additionally, they created atmospheres every time they played and the glorious musical intuition, logic consequence of that irreverent posture before the rational way of playing the piano, permitted them to discover and explore new horizons around these well known and many times neglected works. They caught the entire attention of the public, because the Dionysian spirit made they considered these Op. as transient works between an agonic Romanticism and an emerging musical Impressionist. That explains why composers such Bartok, Respighi or Reger decided to undertake new musical paths.
The main difference between Richter, Francois and the rest is they illuminated and explored new facets of the score. Go for this unavoidable album an then you will agree with me.
The performance of the Sonata in B minor is mesmerizing.
Consummate Mastery In The Liszt Concertos.......2005-04-25
However, for Richter collectors, the situation is a little more complicated. These concertos are sensibly coupled with a "live" 1966 concert reading (from Livorno) of Liszt's Piano Sonata. Recently, Philips has re-issued these same concertos (minus the Liszt Sonata) in a coupling with three Beethoven sonatas (#10, 19 & 20). The sound on the newer disc is SLIGHTLY better than what is heard on this less expensive CD. Of course, Richter completists will want to have both.
Further complicating the situation, BBC Legends has issued the "live" 1961 Richter/Kondrashin concerto accounts (Royal Albert Hall, London) that preceded these studio recordings. While I generally prefer the "spontaneity" of actual concert performances, I think the studio accounts here are a little better realized and have superior sound. But again, the compleat Richterphile will need to own both: the BBC CD also has a "live" Liszt Hungarian Fantasia and Chopin's "Andante Spianato & Grande Polonaise." The Chopin is a personal favorite, along with the Czerny-Stefanska/Smetacek version on Supraphon (see my review). So, in short, I own both Philips releases as well as the BBC concert CD.
That brings us back to the Liszt Sonata, which Richter never recorded in the studio. This 1966 account is one of four "live" recordings by Richter (all of which have some wrong notes). It's superior to the 1965 Aldeburgh (Classica d'Oro), which is very messy and rushed, and about on a par with the 1965 Moscow (Brilliant Classics). All in all, it's a rather analytical reading, and I would rank it just behind historic recordings by Simon Barere (mine's on Turnabout LP) and Ernst Levy (on a wonderful Marston CD that includes a great account of Beethoven's "Hammerklavier" Sonata).
Unfortunately, Richter's GREATEST account of the Liszt Sonata is the only one that is currently un-available: a stupendously well-controlled, supremely poetic 18 May 1965 concert performance from Carnegie Hall. This was first issued on a rare LP (Private Edition P-101, apparently the only record issued by that label). I bought a copy in Manhattan back around 1974 for $20 - a princely sum in those days for a sole LP (adjusted for inflation, it's likely the most I have ever paid for a single disc). It also included the most awesomely well-played Mendelssohn "Variations Serieuses" I have ever heard (22 April 1965, Brooklyn), plus Richter's finest version of Beethoven's Op. 101 Sonata (3 May 1965, Carnegie Hall). This stunning Liszt Sonata was briefly available on a "Legendary Pianists" CD (Philips 422137, now deleted).
So, to summarize: 1) This Philips disc contains the greatest studio accounts of Liszt's piano concertos known to me, 2) You may want to supplement it with Richter's "live" BBC accounts, and 3) Hopefully, Philips will re-issue that fabulous "live" 1965 Liszt Sonata from Carnegie Hall. The latter is the greatest account of the Liszt Sonata I have ever heard, and just possibly Richter's greatest-ever recording, period. Philips, are you listening? [Nov. 2005 update: the 1965 Carnegie Hall reading of the Liszt Sonata has recently been re-issued on a Palexa CD, which is available here at Amazon]
Highly recommended.
The best CD of Liszt's major piano works.......2004-10-22
When talk about Liszt, people often think about V. Horowitz, J. Bolet, E. Szegedi, or G. Cziffra. Even some famous pianists said "Noone can't play Liszt like Horowitz". It could be true, but not with these concertos and sonata. Richter had made a legendary record with outstanding technique. Comparing to Argerich, Cziffra in concertos and Horowitz in sonata in B, Richter played more dramatically and gently. Especially in concerto N. 1, Adagios, every notes like drops of crystal. Performed with Kiril Kondrashin and London Symphony Orchestra, this is a must have CD in your collection. Another CD of Liszt's concertos you could consider is Boris Berezovsky - Liszt concerto and sonata in B (Leonskaya). Boris Berezovsky is a young pianist (1969) with briliant talen and won Tchaikovsky competition in 1990.
Moreover, there are many valuable albums of Richter you can find if you want to explore more about this pianist, like Richter in Prague, Rediscovery - with Prokofiev's sonata No. 6 played in Carnegie Hall, Schumann's works...
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Bach for Relaxation
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003G7C Release Date: 1998-01-13 |
Tracks:
- Jesu, Joy Of Man's Desiring
- Suite BWV1012: Allemande
- Brandenburg Concerto No. 6: Adagio ma non tanto
- The Well Tempered Clavier, Book 1: Prelude In C
- Trio Sonata No. 4, BWV1079: Andante
- Violino solo e Basso l'accompagnato
- Sonata BWV1005: Largo
- Brandenburg Concerto No. 4: Andante
- Violin Concerto BWV1041: Andante
- Flute Sonata BWV1034: Andante
- The Goldberg Variations: Aria
- Lute Suite No. 1 BWV996: Courante
- Sonata No. 1 For Violin And Harpsichord BWV1014: Andante
- The Well Tempered Clavier, Book 1: Prelude In E - Flat Minor (excerpt)
- Concerto For Flute, Violin, And Harpsicord BMV 1044: Adagio
- Brandenburg Concerto No. 2: Andante
- Sonata BWV1001: Siciliano
- Prelude In D Minor BWV999
- Orchestral Suite No. 3 BWV1068: Air On The G-String
Customer Reviews:
Bach for Relaxation.......2007-03-09
Peaceful and Beautiful.......2002-11-01
Bach to knit up your raveled sleeve of care.......2001-12-19
This is Bach in his most serene, mathematically perfect form. None of his mighty organ or choral works will disturb your contemplative mood as you drift through the sixty-eight minutes of this CD.
I'm usually asleep by track fifteen, the adagio from "Concerto for Flute, Violin & Harpsichord BWV 1044."
Another very good CD in this 'relaxation' series from BMG RCAVictor is "Cello for Relaxation."
My favorite..........2000-11-21
Wonderful for baby!.......1999-12-04
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The Sofia Recital 1958
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000523QI Release Date: 2001-03-13 |
Tracks:
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: I Gnomus
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: II II vecchio castello - Promenade
- Pictures At An Exhibition: III Tuileries
- Pictures At An Exhibition: IV Bydlo
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Ballet des poussins dans leurs coques
- Pictures At An Exhibition: VI Samuel Goldenberg und Schmuyle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: VII Limoges: le marche'
- Pictures At An Exhibition: VIII Catacombae: Sepulchrum romanum - Cum mortius in lingua mortua
- Pictures At An Exhibition: La Cabe sur des pattes de poule
- Pictures At An Exhibition: La Grande Porte de Kiev
- Moment Musical in C Major, D780 no.1
- Impromptu In E Flat Major, D899 No,2
- Impromptu in A Flat Major
- Etude In E Major, Op.10 no.3
- Valse oubliee No.1 In F Sharp Major
- Valse oubliee No.2 In A Flat Major
- Etude d'execution transcendante No.5
- Etude d'execution transcendante No.11
- Prelude In G Sharp Minor, op.32 no.13
Customer Reviews:
The definitive "Pictures at an Exhibition".......2007-04-30
Nobody else understands "Pictures" as well as Richter and in his hands time melts and you are taken on a journey you will not soon forget. Richter pushes and pulls this piece wherever he wants and we the listeners are happy to follow him where he chooses to take us.
The piano sound is quite good for its time. Fairly full and with a good dynamic range. Unfortunately the audience seems to have a case of infectious coughing. Similar to the live Wartime recordings of Furtwangler in that respect. You get used to it though, and either way it doesn't matter in the hands of a performance of this stature.
There's a reason that you can still buy this nearly 50(?!) years after it was recorded. Not only are people still talking about this recital, but we are still waiting for a recording to match it in modern sound without audience interruptions. I suspect we may have to wait a long, long time.
terrible coughs........2006-11-16
jesus. i'm not one to complain about coughing, but we have issues here. was it communism?? really, were russians this worse off???????
things set aside, the performance itself.. is magical.
i can't add much more to previous reviewers except this: expect one of the worst recordings from the 1950's... if you brainwash yourself into believing this is one of those naxos or pearl remastered 1920s recordings, you'll find yourself much more pleased.
The Most Memorialand Quoted Piano Recital from the 1950's .......2005-12-15
The best interpretation of "Pictures at an Exhibition" I have heard.......2005-11-17
If the vivid imagery Richter creates in this live performance isn't enough to bring tears to your eyes, the technical prowess will certainly send you searching for the "repeat" button on your cd player.
Richter, as always, delivers an emotional and monumental performance.
Great but the worst recording i hear.......2005-10-01
A concert recording can't be perfect, this is the worst i hear. All the people are ill and the record man was probably far as 50m of the piano behind a door.
So, Why three stars ?
because i love this music and nobody play it as Richter this day.
Great music, Great moment...
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Rachmaninov, Tchaikovsky: Piano Concertos / Richter
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GQD Release Date: 1996-02-13 |
Tracks:
- Concerto for Piano and Orchestra No. 2 in C Minor: 1. Moderato
- Concerto for Piano and Orchestra No. 2 in C Minor: 2. Adagio sostenuto
- Concerto for Piano and Orchestra No. 2 in C Minor: 3. Allegro scherzando
- Concerto for Piano and Orchestra No. 1 in B Flat Minor: 1. Allegro non troppo e molto maestoso - Allegro con spirito
- Concerto for Piano and Orchestra No. 1 in B Flat Minor: 2. Andantino semplice - Prestissimo -Tempo I
- Concerto for Piano and Orchestra No. 1 in B Flat Minor: 3. Allegro con fuoco
Amazon.com essential recording
Although the late Sviatoslav Richter spent his later years concentrating on Bach, Beethoven, and Haydn, he never completely abandoned the music of his native country. His reading of Rachmaninov's most popular concerto, captured in fine late-'50s stereo, is one of the most glorious ever recorded. Richter's amazing technique is completely up to the demands of Rachmaninov's difficult writing, and he plays the heart-on-sleeve melodies with such refined intensity that they never sound sentimental. This performance is a truly amazing example of great pianism, very strongly supported by the fine orchestra and its little-known conductor. Unfortunately, the accompanying Tchaikovsky is a dud. Karajan and Richter recorded this work together as a favor to a record-company executive, but they don't seem to be in sympathy. The conductor's excessive refinement holds the pianist back, and the result is much too restrained for the music. Never mind. The Rachmaninov alone is easily worth the price of this disc. --Leslie GerberCustomer Reviews:
Great performance, poor remastering.......2007-02-19
Eloquence with hands of steel and a heart of fire.......2006-07-09
A performance that will live as long as recorded music.......2006-01-19
Reviewers here echo the Amazon critic in disparaging the Tchaikovsky First from 1963, although it is in better sound than the Rchmaninov and played better by the orchestra, too--Karajan had a special relationship with the Vienna Sym., a sorry ensemble under most conductors. I like this performance a great deal. Richter isn't highly individual--he plays for strength and dignity in the first movement, not for Horowitz's burn-down-the-house virtuosity, and in the last movement he applies restrained delicacy. Since the Tchaikovsky First is the deadest of dead horses to me, I liked hearing such thoughtful musicality. As for Richter and Karajan being on different pages, they sound together to me. Taste, what can you say? Five stars for both performances.
Idyosincratic Tchaikovsky , enigmatic Rachmaninov!.......2004-08-17
This idea is extremely remarkable since you muts notice the fact the three first symphonies are deeply imperials , epic and surrounded for the epic majesty and russian pride .
But since the four till the sixth , the conception changes completely . We see the man and his inner sorrows and his fears.
In this sense the most of the western pianist play Tchaikovsky , as the wounded man tired due his personal tragedy .
Richter turns around the clock and reveals Tchaikovsky with the same spirit that we know in his first Symphny , radian and filled with vitality and fierce.
The slow tempo does not mean a rendition but a clever statement about a transition between the youth and the mature age . Karajan in this sense did not make any special contributtion in this case . He respected Richter and knew about his special rapport for Tchaikovsky . I mean you will feel the required histamina in the last bars but as a natural consequence of the musical language and not a simple firework exercise.
In the case of Rachmaninov , Richter keeps the romantic mood , and he avoids the excesive self indulgence so typical of Rachmaninov .
The emphasis turns around another levels , such as the epic nosthalgy for the land he will never see again and obviosuly the hidden homagge to his beloved friend the hypnotist doctor Dahl who rescued him from the alcohol hell .
Rowicki was one of the best polish conductors in any age . He understood perfectly this rapture feeling and the key was simply overwhelming .
Fundamental issue in your personal collection.
POWER.......2004-05-20
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Famous Classical Trumpet Concertos
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002DDWM Release Date: 2000-01-11 |
Tracks:
- Trumpet Concerto In E: 1. Allegro Con Spirito
- Trumpet Concerto In E: 2. Andante
- Trumpet Concerto In E: 3. Rondo
- Trumpet Concerto In D: 1. Allegro Non Troppo
- Trumpet Concerto In D: 2. Largo
- Trumpet Concerto In D: 3. Vivace
- Trumpet Concerto In D: 1. Allegro Non Troppo Presto
- Trumpet Concerto In D: 2. Adagio
- Trumpet Concerto In D: 3. Allegro Molto
- Trumpet Concerto In E Flat, Hob. VIIIe:1: 1. Allegro
- Trumpet Concerto In E Flat, Hob. VIIIe:1: 2. Andante
- Trumpet Concerto In E Flat, Hob. VIIIe:1: 3. Allegro
- Trumpet Concerto In D: 1. Allegro Moderato
- Trumpet Concerto In D: 2. Andante
- Trumpet Concerto In D: 3. Allegro
Tracks:
- Trumpet Concerto In D: 1. Andante
- Trumpet Concerto In D: 2. Allegro Moderato
- Trumpet Concerto No. 1 In E Flat: 1. Allegro
- Trumpet Concerto No. 1 In E Flat: 2. Adagio
- Trumpet Concerto No. 1 In E Flat: 3. Vivace
- Trumpet Concerto No. 1 In D: 1. Allegro
- Trumpet Concerto No. 1 In D: 2. Adagio
- Trumpet Concerto No. 1 In D: 3. Allegro
- Trumpet Concerto No. 2 In C: 1. Adagio
- Trumpet Concerto No. 2 In C: 2. Allegro Molto
- Sonata In D For Trumpet, Two Violins And Continuo: 1. Grave
- Sonata In D For Trumpet, Two Violins And Continuo: 2. Allegro
- Sonata In D For Trumpet, Two Violins And Continuo: 3. Grave
- Sonata In D For Trumpet, Two Violins And Continuo: 4. Allegro
- Sonata In D For Trumpet, Two Violins And Continuo: 5. Allegro
- Concerto In B Flat, Op. 7 No. 3: 1. Allegro
- Concerto In B Flat, Op. 7 No. 3: 2. Adagio
- Concerto In B Flat, Op. 7 No. 3: 3. Allegro
- Adagio In G Minor
- Trumpet Tune
- Chorale Preludes: 'Erbarm Dich Mein, O Herre Gott' BWN 721
- Chorale Preludes: 'Ich Ruf' Zu Dir, Herr Jesu Christ' BWV 639
- Chorale Preludes: 'Herzlich Tut Mich Verlangen' BWV 727
- Ave Maria
Customer Reviews:
Virtuosic Trumpet: Baroque And Classical Showcase.......2004-02-22
The cd opens with the Trumpet Concerto In E Flat Major by Johann Hummel. This colorful piece is particularily impressive as it really explores the dynamic potential for the trumpet. It's third movement, the Rondo, is very exciting music, as it is played very fast and in a bouncy, dance-like manner. The Trumpet Concerto by Stamitz, Hertel and Richter are very stylish and must have been highly admired in the Baroque Era. The Trumpet concerto in E by Franz Joseph Haydn, who influenced Mozart, is beautiful, especially in its serenade-style andante second movement. In the last cd, Leopold Mozart's trumpet concerto is featured, and it's a good work. Perhaps his son Mozart greatly admired it, though Mozart did'nt really expand on trumpet concerti himself nor really ever showcased the instrument greatly. There are trumpet arrangements for the famous Albinoni Adagio in G, which on this version, sounds chilling, dark and dramatic. The cd concludes with trumpet versions of Bach's Organ Preludes and the Bach/Gounod Ave Maria.
superb playing.......2003-10-30
The Best Trumpeter in the Business.......2003-05-25
Hardenberger is a Swedish trumpeter who made his first recording (Haydn, Hummel, Hertel, and Stamitz trumpet concertos, with the Academy of St. Martin in the Fields under Neville Marriner, on Philips) in 1986 when he was only 25 years old (in the cover photo of the original CD he looks like a boy). The first time I played this debut CD of his, my jaw dropped and I could hardly believe my ears. His playing was a revelation--absolutely stunning. I'd never heard trumpet playing to compare with it. In my opinion, with his first two CDs young Hardenberger not only moved into the top rank of trumpeters; he swept right past his competitors to the head of the class. I've compared a number of his baroque concerto performances, here and elsewhere, with those of other famous trumpeters, and he always comes out on top. I believe him to be in a league of his own. He has everything: virtuosity and technique to burn, dead-on intonation, clean trills, smooth legato, expressive shading, beauty of tone, brilliant high notes, enormous dynamic range. He is also a sound musician, with taste and a sense of style. His arsenal is complete and unassailable; there is no chink in his armor.
Everything that was on that debut CD is now in this Philips Duo set, which is a much better value, because it offers two generously filled CDs--72:55 and 78:27--for the price of one, adding most of the contents of two later Hardenberger CDs of baroque music for trumpet (the recordings here were made from 1986 through 1993). It's a good buy, and if you're going to own only one collection of baroque trumpet music, this is the one I'd recommend.
The trumpet has always been a difficult instrument to record and reproduce accurately. Here, although the consistently excellent digital recording presents Hardenberger very much front and center, it captures the timbre, "bite," and wide dynamic range of his trumpet with exemplary vividness and fidelity. On a top-quality playback system, he sounds like he's standing right between the speakers playing for you. And what playing it is! Not to be missed.
Hardenberger's second CD, of Telemann Trumpet Concertos, also accompanied by the ASMF, this time under Iona Brown, was recorded in 1987 (again on Philips). It too is marvelous, fully as impressive as his first CD, but unfortunately none of it is included in the Philips Duo reviewed here, so you have to acquire it separately. It's well worth it.
Long live the king!
Virtuosic... Incredible.......2001-08-06
A non-trumpet player's view..........2001-02-12
The current reviewed recording, on the other hand, is quite a piece of gem. Even though I have never heard of Hardenberger before (you trumpet players out there please excuse my ignorance), he delivers precisely what I am looking for. Hardenberger has the centered tone that most trumpeters would envy, yet he lacked none of the technical virtuosity needed for the music. His vibrato is light and very classical (as opposed to the wider jazz vibrato). On top of all that, he shows much understanding and affinity for the various works on these two CDs.
All of this for the price of 1 CD. An excellent introduction to the core trumpet repertoire.
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Songs from Before
Max Richter Manufacturer: Fat Cat ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HDR9B8 Release Date: 2006-11-28 |
Tracks:
- Song
- Flowers For Yulia
- Fragment
- Harmonium
- Ionosphere
- Autumn Music
- Time Passing
- Sunlight
- Lullaby
- Autumn Music
- Verses
- From the Rue Vilin
Customer Reviews:
Picks up where The Blue Notebooks left off.......2007-03-09
His electronic treatment of classical sounds and overall ambient feel is very interesting. The only parts that I could live without (and the ones that make it loose a star) are those where Robert Wyatt reads passages ("Flowers...", "Time Passing", "Lullaby" and "Verses"). It's not quite that his reading kills them: it's just that Wyatt's voice doesn't seem to add much to them, and distracts the listener away from an otherwise exceptional instrumental album.
Another nice neo classical release from Richter.......2006-12-09
Songs From Before is his latest full length album and it sounds like a very logical sequel to The Blue Notebooks. In fact, it has so much in common with that release that it feels more like the second chapter in a larger over-arching saga, than a large step forward into new territory. The lush string arrangements are back, along with some spoken word bits that filter in (Robert Wyatt reading short passages from Haruki Murakami this time out). If there's any difference, it's that more overt electronics play less of a roll in this recording, although Richter does incorporate more lo-fi electronic touches through the use of shortwave radio noises.
The simply titled "Song" opens the album on a strong note, as some repetitive organ melodies mix with some subtle strings while distant percussion sends deep reverberations through the mix. "Flowers For Yula" opens with some disembodied radio chatter and a few passages from Wyatt before slow swells of strings rise up from the crackling depths and crest without ever getting very loud. "Harmonium" may very well be the most haunting track on the entire release, again starting with a couple evocative sentences from Wyatt before some deep, filtered swirls of what may very well be the title instrument are offset with sparkling bells and chimes. It's a gorgeous track that works wonders at high volumes.
The latter two-thirds of the album is a bit more spotty, and after listening to the release a bunch of times, I still have a hard time pin-pointing why. There are a lot of shorter tracks (like "Ionosphere" and "Lullaby") that add nothing to the release, while a familiar melodic theme is used in "Autumn Music 1," "Autumn Music 2," and the album closer of "From The Rue Vilin." Considering Songs From Before is only about thirty-seven minutes long, it's probably safe to say that the effort suffers a bit from being really good on the front end and then not offering up as much in variety from there out. Richter is still a heck of a composer, and the twelve-track release is always pretty at the very least, but unfortunately it seems like a slight step backwards considering his previous album.
(from almost cool music reviews)
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Schumann: Piano Concerto / Sviatoslav Richter
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GQS Release Date: 1996-04-09 |
Tracks:
- Konzert Fur Klavier Und Orchestera - Op. 54: 1. Allegro Affettuoso
- Konzert Fur Klavier Und Orchestera - Op. 54: 2. Intermezzo Andantino - Attacca
- Konzert Fur Klavier Und Orchestera - Op. 54: 3. Allegro Vivace
- Introduction Und Allegro Appassionato G - Dur Op. 92
- Novellette F - Dur Op. 21 No. 1
- Toccata C - Dur Op. 7
- Waldszenen Op. 82: Entry
- Waldszenen Op. 82: Hunters On The Lookout
- Waldszenen Op. 82: Lonely Flowers
- Waldszenen Op. 82: Place Of Evil Fame
- Waldszenen Op. 82: Friendly Landscape
- Waldszenen Op. 82: Shelter
- Waldszenen Op. 82: Bird As Prophet
- Waldszenen Op. 82: Hunting Song
- Waldszenen Op. 82: Farewell
Amazon.com essential recording
If you want to judge a pianist's versatility, listen to his or her recording of the Schumann Piano Concerto. It requires virtually everything a pianist should have to offer: poetry, virtuosity, expansive expression alternating with poised restraint. What a glorious test piece this is. Richter, who was famous for his Schumann playing, passes every test here. His meltingly beautiful delivery of Schumann's melodies touches the heart, and his execution of the most difficult passages is so smooth and effortless that it never calls a bit of attention to itself. In this piece and the Introduction and Allegro, the excellent orchestra also covers itself with glory. The solo pieces are no less wonderful. The way Richter plays the difficult Toccata is almost scary in its combination of power and velocity. The Forest Scenes is a slightly older recording (1956) than the others (1958), but it still sounds lovely. Catch Richter's whirlwind playing of "Traumes-Wirren" and you'll understand right away why other pianists had such respect for his technique. Listen to his "Prophet Bird" and he'll touch your heart. --Leslie GerberCustomer Reviews:
Robert Schumann piano Sviatoslav Richter.......2007-03-08
Richter plays Schumann.......2005-12-05
This version remained indeed, as one the most prominent in the market for years; but there were many more: Lipatti, Michelangeli, Rubinstein, Cortot ,Van Cliburn, Yves Nat among many others, we should wait until the most elegant, expressive, eloquent and committed performance ever recorded : Ivan Moravec with the Czech Philharmonic conducted by Vaclav Neumann (a very hard to find CD).
That fact established more than just a line; a true frontier, a reference pattern, very hard to surpass until this date. Richter 's performance is something inexpressive, he could make a major and best performance. But despite of it, remains among the ten best available and trustable versions.
The rest of the CD is absolutely perfect .I don't know about any other version of Introduction and Allegro capable to match with it. His Novelette is very expressive and sensitive with the only exception of the monumental version of Wilhelm Kempff and one register of Emil Gilels.
The Toccata is simply memorable; there are , however two very remarkable version: Martha Argerich and Vladimir Horowitz. The Waldzsenen Op. 82 is a a very genuine jewel.
Go for this, keeping in mind there are better options respect the piano Concerto.
& I thought Tchaikovsky's Piano Concerto #1 was my favorite!.......2004-11-04
schumann's chamber concerto.......2003-07-17
Best of the best.......2002-09-20
If you listen to this recording repeatedly, and then compare it with other good or very good recordings (Lipatti, Serkin, Moravec, Staier), you'll notice the differences: you will be aware how these latter pianists search for the correct interpretation of certain passages, and often they succeed. You'll be also aware, however, that Richter does not interpret. He simply plays it the way Schumann must have intended the work, i.e. the way it has to be played. It's not a matter of technique - in this respect, many(but not too many) pianists are as good as Richter. It's just like Schumann's spirit has penetrated Richter's nervous system and guides his fingers.
When you're not listening to the concerto for a long time, and then try to "play" it in your head, you will reckognize that it "sounds" like the Richter-Rowicki recording. And you will notice flaws in all other recordings.
Summarized: Best recording of Richter, best recording of Schumann's piano concerto, and my all-time favorite recording.
Track Listings:
- Rimsky-Korsakov: Piano Concerto/Glazunov: Piano Concerto No.1/Prokofiev: Piano Concerto No.1
- Ring in the U.S. At the End of Wwii
- Robert Merrill on Radio - Unpublished Broadcasts from 1940 to 1946
- Schubert: Moments Musical/Chopin: Etudes/Bartok: Hungarian Peasant Songs
- Schubert: Sonata, D.845 and D.850
- Schubert: Sym #9; Rosamunde Over / Ballet Music
- Schumann: Kinderszenen/Carnaval/Faschingsschwank aus Wien
- Singphonic Concert Collection 2
- Sings Famous Opera Arias
- Stravinsky: The Soldier's Tale/Shostakovich: Piano Concerto No.1/Prokofiev: Classical Symphony
Track Listings
Quiet Nights [Enhanced] [SACD]
Tribute to Burt Bacharach and Hal David [Import]
Ugly Ego [Original recording remastered] [Import]
The Best of: Ultimate Collection
Top Tunes M Series Karaoke Multiplex CDG Elivis Presley Volume 2 TTM-069