Composed by Johann Sebastian Bach
Performed by St. Petersburg Classic Music Studio Orchestra Conducted by Alexander Titov
2. Brandenburg Concerto No. 4 in G major, BWV 1049
Composed by Johann Sebastian Bach
Performed by St. Petersburg Classic Music Studio Orchestra Conducted by Alexander Titov
3. Brandenburg Concerto No. 6 in B flat major, BWV 1051
Composed by Johann Sebastian Bach
Performed by St. Petersburg Classic Music Studio Orchestra Conducted by Alexander Titov
Bach:Brandenburg Concertos,Johann Sebastian Bach,Alexander Titov,St. Petersburg Classic Music Studio Orchestra,Sony,Classical,Classical Composers,Classical Music,Concerto,Concerto Grosso
Average customer rating:
|
Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields
Johann Sebastian Bach , Sir Neville Marriner , and Academy of St. Martin in the Fields Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000239B7S Release Date: 2004-07-13 |
Tracks:
- I: (Allegro)
- II: Adagio
- III: Allegro
- IV: Menuet & Trio
- I: (Allegro)
- II: Andante
- III: Allegro Assai
- I: Allegro
- II: Adagio (By George Malcolm)
- III: Allegro
- I: Allegro - Iona Brown
- II: Andante
- III: Presto
Customer Reviews:
The epitome of Baroque.......2007-06-26
Yes, you've got the infamous 3rd Brandenburg Concerto, and yes, this CD is played wonderfully. It's true that this is a fabulous bargain, but to really love it, a person needs to love Bach and Baroque music. I simply like this CD. I find it a purely enjoyable listen (and personally think that some of the other Brandenburg Concertos are better than no. 3, just saying) that I come back to quite often.
Really, the great playing and wonderful bargain scream "BUY ME". It's a friendly buy that is a great deal. You won't regret it, even if you find that the style isn't quite your favorite.
Recommended.
Wonderful recording of this marvelous Bach's masterpiece.......2007-06-12
Best modern instrument performances in my opinion.......2007-03-26
Bach at his best.......2007-02-08
This recording is especially worth buying because Marriner and the Academy produce a well-balanced and well-played interpretation. The instruments are not period instruments, and I think that that adds to the overall flavor of this recording. Although Boston Baroque offer recordings using period pieces, they don't match the interpretive genius of Neville Marriner.
Overall, this disc is a great buy -- only a few dollars for some of my favorite pieces by Bach. Don't let the low price fool you into believing that that somehow is an indication of quality.
Easy to Enjoy.......2006-11-25
Bach's concertos are relaxing and very enjoyable. The Academy performs under the sure hand of Sir Marriner at the highest level. Each CD is just over an hour, the sound is clear and as Gramophone says "these performances are easy to enjoy".
This review refers to both the CD for concertos Nos. 1-4 and the CD for concertos Nos. 5 & & with Orchestral Suite No. 1.
Average customer rating:
|
Bach: Brandenburg Concertos No. 5 & 6/Orchestral Suite No. 1; Neville Marriner; Academy of St. Martin in the Fields
Johann Sebastian Bach , Sir Neville Marriner , and Academy of St. Martin in the Fields Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000239B82 Release Date: 2004-07-13 |
Tracks:
- I: Allegro - George Malcolm
- II: Affettuoso - George Malcolm
- III: Allegro - George Malcolm
- I: Allegro - Stephen Shingles
- II: Adagio Ma Non Tanto - Stephen Shingles
- III: Allegro - Stephen Shingles
- I: Ouverture
- II: Courante
- III: Gavotte I & II
- IV: Forlane
- V: Menuet I & II
- VI: Bourree I & II
- VII: Passepied I & II
Customer Reviews:
Wonderful recording of these Bach's masterpieces.......2007-06-08
The best modern instrument performances I have heard.......2007-03-26
Easy to Enjoy.......2006-11-25
Bach's concertos are relaxing and very enjoyable. The Academy performs under the sure hand of Sir Marriner at the highest level. Each CD is just over an hour, the sound is clear and as Gramophone says "these performances are easy to enjoy".
This review refers to both the CD for concertos Nos. 1-4 and the CD for concertos Nos. 5 & & with Orchestral Suite No. 1.
Rediscovery of some favorites.......2006-08-20
Average customer rating:
|
Bach - The Complete Brandenburg Concertos / Pearlman, Boston Baroque
Johann Sebastian Bach , Martin Pearlman , Boston Baroque , Christopher Krueger , Marc Schachman , Daniel Stepner , and Friedemann Immer Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D1F Release Date: 1996-07-23 |
Tracks:
- I. (Allegro)
- II. Adagio
- III. Allegro
- IV. Menuetto; Trio; Polonaise; Trio
- I. (Allegro)
- II. Andante
- III. Allegro Assai
- I. (Allegro)
- II. Adagio
- III. Allegro
Tracks:
- I. Allegro
- II. Andante
- III. Presto
- I. Allegro
- II. Affettuoso
- III. Allegro
- I. (Allegro)
- II. Adagio Ma Non Tanto
- III. Allegro
Amazon.com
Boston Baroque and Martin Pearlman recorded a splendid set of the Brandenburg Concertos on period instruments in 1993 and 1994. Made entirely in the US, these snappy, crisply articulated, and fluent performances rely heavily on the talents of violinist Daniel Stepner (who doubles as one of the two solo violists in Concerto No. 6). Among the highlights are the joyous finale to Concerto No. 4 and the superb cembalo cadenza in No. 5, played by Pearlman. Along with outstanding sound, there's a winning sense of freshness and discovery in these performances. --Ted LibbeyCustomer Reviews:
nobody tops Boston Baroque.......2007-05-12
posthorn problems.......2006-09-29
He was a german baroque father.......2005-03-18
The six Concertos are bizarre dimension from Bach. Because the concertos 1, 3, 5 are dance-menuett sätze. The concertos 2, 4, 6 are fugue forms. The concerto 5 is very special because the Cemballo/Hapsichord was represented or played in a solo instrument. this might be the oldest piano concert in the music history.
PS: this CD is only dedicated to the intelligent music listeners! not to the crappy fans who love Britney Spears or Tina Alquiera.....
A Great Set.......2005-03-17
Great Pair of CDs.......2004-07-14
Average customer rating:
|
Johann Sebastian Bach: 6 Brandenburg Concertos / 4 Orchestral Suites - The English Concert / Trevor Pinnock
The English Concert , Trevor Pinnock , and Johann Sebastian Bach Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000057D8 Release Date: 1989-05-09 |
Tracks:
- Concerto No.1 BWV 1046: ohne Satzbezeichnung
- Concerto No.1 BWV 1046: Adagio
- Concerto No.1 BWV 1046: Allegro
- Concerto No.1 BWV 1046: Menuetto - Trio 1 - Polacca - Trio 2
- Concert No.2 BWV 1047: ohne Satzbezeichnung
- Concert No.2 BWV 1047: Andante
- Concert No.2 BWV 1047: Allegro assai
- Concerto No.3 BWV 1048: ohne Satzbezeichnung
- Concerto No.3 BWV 1048: Adagio
- Concerto No.3 BWV 1048: Allegro
- Concerto No.4 BWV 1049: Allegro
- Concerto No.4 BWV 1049: Andante
- Concerto No.4 BWV 1049: Presto
Tracks:
- Concerto No.5 BWV 1050: Allegro
- Concerto No.5 BWV 1050: Affettuoso
- Concerto No.5 BWV 1050: Allegro
- Concerto No.6 BWV 1051: ohne Satzbezeichnung
- Concerto No.6 BWV 1051: Adagio ma non tanto
- Concerto No.6 BWV 1051: Allegro
- Ouvertures No.1 BWV 1066: Ouverture
- Ouvertures No.1 BWV 1066: Courante
- Ouvertures No.1 BWV 1066: Gavotte 1-2
- Ouvertures No.1 BWV 1066: Forlane
- Ouvertures No.1 BWV 1066: Menuet 1-2
- Ouvertures No.1 BWV 1066: Bourree 1-2
- Ouvertures No.1 BWV 1066: Passepied 1-2
Tracks:
- Ouverture No.2 BWV 1067: Ouverture
- Ouverture No.2 BWV 1067: Rondeau
- Ouverture No.2 BWV 1067: Sarabande
- Ouverture No.2 BWV 1067: Bourree 1-2
- Ouverture No.2 BWV 1067: Polonaise
- Ouverture No.2 BWV 1067: Menuet
- Ouverture No.2 BWV 1067: Badinerie
- Ouverture No.3 BWV 1068: Ouverture
- Ouverture No.3 BWV 1068: Air
- Ouverture No.3 BWV 1068: Gavotte 1-2
- Ouverture No.3 BWV 1068: Bourree
- Ouverture No.3 BWV 1068: Gigue
- Ouverture No.4 BWV 1069: Ouverture
- Ouverture No.4 BWV 1069: Bourree 1-2
- Ouverture No.4 BWV 1069: Gavotte
- Ouverture No.4 BWV 1069: Menuet 1-2
- Ouverture No.4 BWV 1069: Rejouissance
Customer Reviews:
Another five-star review.......2007-03-27
A wonderful and lifting experience.......2007-03-02
I also recomend the version of Reinhard Goebel guiding the Música Antiqua Köln: it's awsome with its fabolous recreation of the baroque sounds.
If you like Bach and if you had the I Musici version of these Concertos, throw them away and get this Pinnock's: you won't regret a bit and you will be skyrocketed to Heaven.
Outstanding period performances.......2007-02-21
In spite of the fact that the Brandeburg concertos were recorded using early digital technology, the intimate setting of these small ensembles neutralizes many of the problems of tinny, hollow sound that plagued the digital format in its early years. As for the Orchestral Suites, these were recorded using analog technology and sound fantastic.
These recordings are integral for those who prefer period instrument performances, and this is one of the great pioneering period instrument ensembles out there. Recommended.
Good Recordings!.......2007-01-15
Top Notch Brandenburg.......2007-01-07
Average customer rating:
|
Bach: Brandenburg Concertos (Complete)
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004164 Release Date: 1993-08-10 |
Tracks:
- Brandenburg Concerto No. 1 In F, BWV 1046: Allegro
- Brandenburg Concerto No. 1 In F, BWV 1046: Adagio
- Brandenburg Concerto No. 1 In F, BWV 1046: Allegro
- Brandenburg Concerto No. 1 In F, BWV 1046: Menuetto Polacca
- Brandenburg Concerto No. 2 In F, BWV 1047: Allegro
- Brandenburg Concerto No. 2 In F, BWV 1047: Andante
- Brandenburg Concerto No. 2 In F, BWV 1047: Allegro assai
- Brandenburg Concerto No. 3 In G, BWV 1048: Allegro
- Brandenburg Concerto No. 3 In G, BWV 1048: Andante
- Brandenburg Concerto No. 3 In G, BWV 1048: Allegro
- Violin Concerto In E, BWV 1042: Allegro
- Violin Concerto In E, BWV 1042: Adagio
- Violin Concerto In E, BWV 1042: Allegro assai
Tracks:
- Brandenburg Concerto No. 4 in G, BWV 1049: Allegro
- Brandenburg Concerto No. 4 in G, BWV 1049: Andante
- Brandenburg Concerto No. 4 in G, BWV 1049: Presto
- Brandenburg Concerto No. 5 in D, BWV 1050: Allegro
- Brandenburg Concerto No. 5 in D, BWV 1050: Affetuoso
- Brandenburg Concerto No. 5 in D, BWV 1050: Allegro
- Brandenburg Concerto No. 6 in B flat, BWV 1051: Allegro
- Brandenburg Concerto No. 6 in B flat, BWV 1051: Adagio ma non tanto
- Brandenburg Concerto No. 6 in B flat, BWV 1051: Allegro
- Violin Concerto In A Minor, BWV 1041: Allegro
- Violin Concerto In A Minor, BWV 1041: Andante
- Violin Concerto In A Minor, BWV 1041: Allegro assai
Customer Reviews:
COMPLETE Brandenburg Concertos . . ........2006-02-24
Wundebar!.......2005-11-20
If you are looking for the historical kind of recording, this probably is not the ideal choice. The tempos tend to be on the slower side, and mostly modern instruments are used. Nevertheless, if you are not primarily interested in a historically accurate recording, this is wonderful.
All of the pieces have their own distinct character. I personally enjoy Concerto number 4: the recorders give it a light, almost "adorable" kind a feel, as ridiculous as that may sound. Number 5 has a great presentation of the harpsichord. Number 6 is also a rather interesting piece because it involves no violins. Don't underestimate that concerto's poignancy and ability however; the lower strings are more than capable of expression on their own.
I could go on about this recording extensively, but, for the reader's sake as well as mine, I'll end it now. In short, it's a great recording, and I highly recommend it.
There seems to be two dominant Brandenburg styles.......2002-09-30
Brandenburg Gems.......2001-01-01
Excelente versión de los Brandenburgo.......2000-09-07
Average customer rating:
|
Trumpet Concertos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SDO Release Date: 1992-09-29 |
Tracks:
- Brandenburg Concerto No. 2 In F Major: Allegro
- Brandenburg Concerto No. 2 In F Major: Andante
- Brandenburg Concerto No. 2 In F Major: Allegro assai
- Suite For Trumpet In D Major: Overture
- Suite For Trumpet In D Major: Gigue (allegro)
- Suite For Trumpet In D Major: Air
- Suite For Trumpet In D Major: Bourree
- Suite For Trumpet In D Major: Marche
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In D Major: Grave
- Trumpet Concerto In D Major: Arie
- Trumpet Concerto In D Major: Grave
- Trumpet Concerto In D Major: Vivace
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In D Minor: Andante
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In D Major: Adagio
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In E Flat Major: Allegro
- Trumpet Concerto In E Flat Major: Andante
- Trumpet Concerto In E Flat Major: Allergo
Tracks:
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In D Major: Adagio - Presto - Adagio
- Trumpet Concerto In D Major: Allegro
- Concerto In D Minor Op. 9 No. 2: Allegro e non presto
- Concerto In D Minor Op. 9 No. 2: Adagio
- Concerto In D Minor Op. 9 No. 2: Allegro
- Trumpet Concerto In D Major: Allegro
- Trumpet Concerto In D Major: Andante
- Trumpet Concerto In D Major: Allegro grazioso
- Concerto For 2 trumpets Op. 46 No.1: Allegro
- Concerto For 2 trumpets Op. 46 No.1: Largo
- Concerto For 2 trumpets Op. 46 No.1: Allegro
- Trumpet Concerto In C Major: Allegro moderato
- Trumpet Concerto In C Major: Adagio
- Trumpet Concerto In C Major: Allegro
- Trumpet Concerto In C Major: Introduction: larghetto
- Trumpet Concerto In C Major: Allegro
- Trumpet Concerto In C Major: Siciliana
- Trumpet Concerto In C Major: Allegro giusto
Customer Reviews:
Heavenly........2003-09-20
A must have album!.......2001-09-17
Pyrotechnics.......2001-06-21
A must for the trumpet player's library!.......1999-09-23
Average customer rating:
|
Bach - Brandenburg Concertos / Il Giardino armonico
Johann Sebastian Bach , Giovanni Antonini , Il Giardino armonico , Stefano Barneschi , Paolo Beschi , Marco Bianchi , Marco Cera , Duilio Galfetti , Alberto Grazzi , Paolo Grazzi , and Michele Barchi Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SRC Release Date: 1997-09-16 |
Tracks:
- Brandenburg Concertos: Concerto No. I In F Major: Allegro
- Brandenburg Concertos: Concerto No. I In F Major: Adagio
- Brandenburg Concertos: Concerto No. I In F Major: Allegro
- Brandenburg Concertos: Concerto No. I In F Major: Menuetto
- Brandenburg Concertos: Concerto No. II In F Major: Allegro
- Brandenburg Concertos: Concerto No. II In F Major: Andante
- Brandenburg Concertos: Concerto No. II In F Major: Allegro Assai
- Brandenburg Concertos: Concerto No. III In G Major: Allegro
- Brandenburg Concertos: Concerto No. III In G Major: Adagio
- Brandenburg Concertos: Concerto No. III In G Major: Allegro
Tracks:
- Brandenburg Concertos: Concerto No. IV In G Major: Allegro
- Brandenburg Concertos: Concerto No. IV In G Major: Adante
- Brandenburg Concertos: Concerto No. IV In G Major: Presto
- Brandenburg Concertos: Concerto No. V In D Major: Allegro
- Brandenburg Concertos: Concerto No. V In D Major: Affettuoso
- Brandenburg Concertos: Concerto No. V In D Major: Allegro
- Brandenburg Concertos: Concerto No. VI In B Major: Allegro
- Brandenburg Concertos: Concerto No. VI In B Major: Adagio ma non tanto
- Brandenburg Concertos: Concerto No. VI In B Major: Allegro
Amazon.com essential recording
Il Giardino Armonico is an original instruments group made up of skilled young Italian specialists in Baroque music. They bring a light, airy touch to the Brandenburg Concertos, with deeply felt slow movements, sprightly Allegros, and blistering Prestos. Unlike some of their ilk, they play with vitality while avoiding interpretive extremes; the finale of No.3, for example, is taken at a blistering pace but never feels too fast for the music. Solos are highly accomplished, with scintillating violin and wind contributions, along with charmingly blatty period horns in No. 1. The engineering is a big plus, helping to make this one of the best period performances of these perennial favorites. --Dan DavisCustomer Reviews:
Lush, melodic, beautiful.......2006-09-10
Hmm.......2006-04-23
Teldec's marketing of this music has nothing to do with the musicians, the performance, or the composer. If you've ever spent an afternoon in a meeting with marketing "people" you'd know that their contact with anything we would know of as "reality" is tenuous. Current hot imbecilic maxims are about selling sizzles and not steaks, or boxes and not what's inside the boxes. Corporations actually think it's a good idea these days to hire marketing people who aren't fans of the product as it interferes with their spinning, lying, and duplicities, even if they aren't needed. Marketing people should all be carefully placed in a big sizzling box and the lid should be nailed shut.
The silly reputation of this particular group of performers is not the issue here, especially if we're worrying about whether this is going to be "rock and roll" Bach or not. Refer to the previous paragraph and welcome to the Brave New World.
This is a period instrument recording, meaning I, at least, expected blatting horns and fast speeds. Sometimes with recordings like this I expect speeds that many would deem psychotic. I once read that conductors in the early 1800s played like they were at a race track. No less a light than Felix Mendelssohn was mentioned as being a speed freak--the same Mendlessohn who was no taker of risks and thought his good friend Berlioz was a nut case. I assume this happened because there may have been something traditional about it. Classical music slowed down when its audience stopped being younger passionate artists and intellectuals and started being blue-haired ladies living in Philadelphia, middle-aged white guys, and modern Cherubinis. Big Band music used to be played at crazy speeds until it became nursing home music. Henry Rollins stopped shouting and now sounds like he's running for selectman. Slower speeds usually indicate the audience wants to be lulled to sleep and not energized.
The harpsichord sounds metallic because harpsichords often sound metallic. That's why Mr. Piano invented the piano some years later on and why Chopin did not write etudes for harpsichord.
If I've owned only four or five different recordings of a major work I don't tend to get all hot and heavy pro or con on a newer version. Reason? Well, zowie wowie, exposure to that few recordings hardly qualifies me as an expert. I'd feel like a fool pronouncing, say, Kleiber the Younger's Beethoven Fifth the all-time best or worst recording of that symphony based on that kind of meager sampling. Plus, in a crowded field there really is no best, just a clump of standouts near the top of the list.
All this said, let's actually look at this recording for real. First, sonically, it's a marvel. Beautifully engineered with stupendous presence. Second, these kids--punk rockers, rappers, Scientologists, or whatever the marketing jerks portray them as--clearly know how to play their instruments with style, accuracy, and panache. Third, the conductor knows how to make Baroque music breath and wiggle and surge and flow without making it sound like Klemperer and his big-arsed orchestra back in the 1960s (a recording I dearly love). On the other hand this interpretation thoroughly lacks the sewing machine quality that was a deep problem with many period instrument performances, coincidentally during the reign of Philip Glass and Steve Reich.
This recording struck me immediately as a well-reasoned and balanced performance--hardly academically correct (AC not PC), barely delightfully psycho like Goebel's on DGG, and not exactly likeably parlor and wine-and-cheese party safe like older versions by Marriner. I'd call this a vibrant and accomplished set of Brandenburgs perfect for those that want a modern period instrument recording, that are not interested in musico-political cat fights, and that are above needing the juvenile imprimaturs of "all-time greatest" or "best Brandenburg concertos ever!!!"
I'm giving this five stars because I like it a lot, it'll probably be my most frequently played one for a while (of the 756 recordings of this work that I own), and it does everything right. Aesthete below has it nailed.
I can hardly believe that many of us reviewers listened to the same recording.......2006-02-05
With that in mind, I've heard more recordings of the Brandenburgs than I care to name. And I'm just as tired of the anemic sound and too-fast tempi of ensembles like Hogwood's as I am of the too slow, syrupy interpretations of Furtwangler and Karajan. This recording by Il Giardino Armonico is the only recording I've heard that manages to make these extraordinary works really speak.
Antonini bridges the gap between rich lyricism and crisp articulation better than anyone I can think of who performs this repertoire. My favorite of all the Brandenburgs is #4, and the five-voice fugue in the last movement is the standard by which I judge all the best interpretations of this work. Antonini does the most remarkable things with this piece. The subject is rendered by each voice in the most song-like, tuneful, vocal manner. Instead of thumpy, fast, dry (for most period recordings) or wobbly, incoherent, unintelligible (for most modern instrument recordings) here is great legato playing without any loss of crispness or transparency of texture. Where the line may jump a fifth, he connects the lines where most conductors demand extreme separation, and then creates the most astonishing, perfectly shaped messe di voce you can imagine. That said, all the entrances of the fugue subject are completely distinguishable, and no entrance has the same quality as any other. All the instruments are allowed to let their unique color and texture come forth, and Bach surely understood how important this was when he orchestrated the work. Furthermore, all of the silences in the work are sharply drawn by the ensemble and as dramatic as you might hear in any Beethoven symphony. I could hardly believe what I was hearing, and I was enormously grateful that, finally, someone got it right.
The other great measure of a high-quality period recording of this work is the natural horn playing on the Brandenburg #2. While it's a hair rough and decidedly masculine (the latter not being a bad thing), it's extremely powerful and expressive, and the player (Gabriele Cassone) understands how to make his instrument speak and dazzle, rather than just hammering out a technically perfect performance, which is all that most natural horn players can hope for.
It's rare that I don't have a complaint about a recording, but this is that exception. I recommend this piece heartily and unqualifiedly.
Not the Best Brandenberg.......2005-03-07
If you want a great new recording, get either the Tafelmusik recording under the direction of Jeanne Lamon (which has the best Concerto No. 5 around), or Jordi Savall's recording directing Le Concert des Nations/La Capella Real de Catalunya. Both of those recordings far outshine this one and make it sound like the work of amateurs.
I love to hate them.......2003-02-19
Average customer rating:
|
Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment
Johann Sebastian Bach , Orchestra of the Age of Enlightenment , Paul Goodwin , Catherine Mackintosh , Rachel Beckett , Mark Bennett , Monica Huggett , Alison Bury , Marion Scott , Lisa Beznosiuk , Malcolm Proud , Elizabeth Wallfisch , Pavlo Beznosiuk , Richard Campbell , Sarah Cunningham , William Hunt , John Toll , Richard Tunnicliffe , Timothy Brown , and Susan Dent Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J2PP Release Date: 1999-06-08 |
Tracks:
- Concerti No.1 in F Major: I. No Tempo Indication
- Concerti No.1 in F Major: II. Adagio
- Concerti No.1 in F Major: III. Allegro
- Concerti No.1 in F Major: IV. Menueto - Trio I - Polacca - Trio II
- Concerto No.2 In F Major: I. No Tempo Indicated
- Concerto No.2 In F Major: II. Andante
- Concerto No.2 In F Major: III. Allegro assai
- Concerto No.3 In G Major: I. No Tempo Indicated
- Concerto No.3 In G Major: II. Adagio - Allegro
Tracks:
- Concerto No.4 In G Major: I. Allegro
- Concerto No.4 In G Major: II. Andante
- Concerto No.4 In G Major: III. Presto
- Concerto No.5 in D major: I. Allegro
- Concerto No.5 in D major: II. Affetuoso
- Concerto No.5 In D Major: III. Allegro
- Conceto No.6 In B-flat Major: I. No Tempo Indicated
- Conceto No.6 In B-flat Major: II. Adagio na non tanto
- Concerto No.6 In B-flat Major: III. Allegro
Amazon.com
The Brandenburg Concertos seem to be Bach's most popular works by far, and there are so many recordings of them out there--on period instruments and "modern," and at all price ranges. Of course, it's hard to pick out one or even two to call the "best"--but this reissue of a 1989 recording by the Orchestra of the Age of Enlightenment has a good claim for the title of "Best Buy Brandenburgs." These performances don't have the splashy extroversion of Il Giardino Armonico or the caffeine-pumped, high-velocity thrill of Musica Antiqua Köln, but they're not overly reserved or dull, as some English ensembles are accused of being. The OAE's instrumental playing is very skillful indeed, with particularly nice work from the horns in the third movement of the First Concerto, and from trumpeter Mark Bennett in the Second; and the tempos are moderately quick (which means that they would have been considered rather fast before 1980 or so), but without being breathless. The slow movements sing sweetly--the viola playing of Monica Huggett and Pavlo Besnosiuk in the slow movement of the Sixth Concerto is especially lovely--and the quick outer movements have an infectiously bouncy pulse. If money is no object, you might want to consider Il Giardino Armonico or the Akademie für Alte Musik Berlin, but these here are surely the best Brandenburgs available at such a low price. --Matthew WestphalCustomer Reviews:
One of the best recordings of Branderburg concertos.......2006-03-06
There is an evident feel of musical joy coming out of this recording. I can't find other ways to describe it.
The musicians are enthusiastic about the work they are playing, restrained most of the time but when it is called for they give their best.
Highly recommended.
my copy was ok.......2006-02-09
Could be great........2006-01-02
Very Dissapointing.
Production Error.......2005-12-08
In other ways this is a spectacular recording. The Orchestra of the Age of Enlightenment gives a graceful and articulate reading of the concertos, and the recorded sound is clear, warm, and spacious. But, despite the bargain price, it's not worth it just to get two copies of concertos 4-6.
Try before you buy.......2005-11-23
Average customer rating:
|
Bach: Brandenburg Concertos
Johann Sebastian Bach , Concerto Italiano , and Rinaldo Alessandrini Manufacturer: Opus 111 ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ALCFYI Release Date: 2005-10-18 |
Tracks:
- (...)
- Adagio
- Allegro
- Menuet
- Trio A 2 Hautbois E Bassono. Corni E Vile Tacent
- Menuet Repetat
- Poloinesse. Tutti Violini E Viole Ma Piano. Violino Piccolo Tacet
- Menuet Ab Inizio
- Trio A 2 Corni & 3 Hautbois In Unissono
- Menuet (...) Ab Inizio/Avec Grande Reprise
- (...)
- Andante
- Allegro Assai
- (...)
- Adagio. Allegro
- Sinfonia
Tracks:
- Allegro
- Andante
- Presto
- Allegro
- Affettuoso
- Allegro
- Cadenza (First Version; 1st Movement: Bars 147-180)
- (...)
- Adagio, Ma Non Tanto
- Allegro
Amazon.com
If you're familiar with Alessandrini and his sparkling period instrument ensemble you expect interpretations featuring rhythmic drive, colorful playing, and original insights. Those characteristics are what help make this version of Bach's perennial and oft-recorded Brandenburg Concertos so compelling. Tempos are generally on the fast side, but never overly swift, while slow movements have just the right touch of soulfulness. Virtually without exception, the solo bits are done with imaginative, fluent expertise, and Gabriele Cassone's rendition of the famous trumpet part of the Second Brandenburg provides musical thrills, as well as virtuoso ones. Alessandrini himself takes us on a wild ride through the Fifth Concerto's brilliant harpsichord cadenza. In addition to the complete Brandenburgs, this set includes another, earlier version of the Fifth's harpsichord solo, a cantata Sinfonia drawn from the Third's opening movement, and a 43' DVD film featuring scenes from the recording sessions and an interview with Alessandrini about Bach. Add Naïve's superb sonics and this set zooms into the preferred handful of Brandenburg Concerto recordings. --Dan DavisCustomer Reviews:
Impeccable yet Lusty Performances of the Beloved Brandenburg Concerti.......2006-02-04
While there are numerous recordings, both in the archives and in the seemingly yearly new releases, this 2 CD set is, for this listener, the most rewarding. And for those who like to get the feel of the backstage machinations of just how music flows from the page to the CD there is a DVD that is interesting to see once, but in no way is it as important an incentive to buying this set as the performances themselves. Highly Recommended - even it you have multiple other recordings of this timelessly delightful music. Grady Harp, February 06
Italianate Brandenburgs - and a bonus DVD.......2005-11-10
The next thing one notices, and this is more important, is that the musicians -- one to a part in the ripieno group -- are swinging the music in a loose and somehow very Italianate manner. This is fitting, of course, considering that the concerto grosso was invented in Italy by the likes of Corelli and Vivaldi, whose music Bach knew (and copied) very well. One tends to think of the Brandenburgs as very German, but indeed they have more than a little Italian influence in addition to their Teutonic contrapuntal mastery. And all these performances are first-rate. There are jillions of recordings of the Brandenburgs, many of them excellent, but Rinaldo Alessandrini and Concerto Italiano have something rather new to say about them in that they bring that Italian joie de vivre to their traversal. The woodwinds are fruity and a little raw, the strings have suavity and lively phrasing. Of course, the six Brandenburgs feature all manner of solo instruments and there is not a weak soloist amongst them. I particularly liked the sound of the two recorders (designated 'fiauti d'echo' in the Italian headnote) in Concerto No. 4; they are complemented by the wonderful solo violinist, Antonio de Secondi, in that concerto. I also liked the corni di caccia in Concerto No. 1, and the marvelous harpsichord solos, done by Alessandrini (a real virtuoso) in the grandfather of all keyboard concerti, the Concerto No. 5. The dark mahogany tone of the violin-less No. 6 is impressive. The virtuosity of the trumpet soloist in No. 2 (Gabriele Cassone) takes one's breath away with its élan and brilliance. All in all these are marvelous performances worthy of shelf space with all those other terrific Brandenburgs; my own favorites include the Trevor Pinnock/English Concerto, the second set by Harnoncourt/Concentus Musicus, and Jeanne Lamon/Tafelmusik.
There is a bonus DVD (making three discs in all - 2 CDs, 1 DVD), filmed by Philippe Béziat, that shows Alessandrini and Concerto Italiano rehearsing (and featuring long uninterrupted chunks of the music) as well as a lengthy conversation with Alessandrini concerning his thoughts on the Brandenburgs: a worthy addition and quite informative, as are Alessandrini's extensive notes in the booklet.
This set deserves a place in anyone's library.
Scott Morrison
Average customer rating:
|
Bach - Brandenburg Concertos / Britten, ECO
Johann Sebastian Bach , Benjamin Britten , English Chamber Orchestra , Neville Marriner , Ifor James , Peter Graeme , Anthony Randall , Richard Adeney , David Mason , Philip Ledger , Norman Knight , Christopher Hogwood , Carmel Kaine , Nicholas Kraemer , Tess Miller , William Bennett , and Emanuel Hurwitz Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000425M Release Date: 1995-05-16 |
Tracks:
- Brandenburg Concerto No.1 In F Major, BWV 1046: l Allegro
- Brandenburg Concerto No.1 In F Major, BWV 1046: ll Adagio
- Brandenburg Concerto No.1 In F Major, BWV 1046: lll Allegro
- Brandenburg Concerto No.1 In F Major, BWV 1046: lV Menuetto: Trio l
- Brandenburg Concerto No.1 In F Major, BWV 1046: V Polacca: Trio ll
- Brandenburg Concerto No.2 In F Major, BWV 1047: l Allegro
- Brandenburg Concerto No.2 In F Major, BWV 1047: ll Andante
- Brandenburg Concerto No.2 In F Major, BWV 1047: lll Allegro assai
- Brandenburg Concerto No.3 In G Major, BWV 1048: l Allegro
- Brandenburg Concerto No.3 In G Major, BWV 1048: ll Allegro
- Brandenburg Concerto No.4 In G Major, BWV 1049: l Allegro
- Brandenburg Concerto No.4 In G Major, BWV 1049: ll Andante
- Brandenburg Concerto No.4 In G Major, BWV 1049: lll Presto
Tracks:
- Brandenburg Concerto No.5 In D Major, BWV 1050: l Allegro
- Brandenburg Concerto No.5 In D Major, BWV 1050: ll Affettuoso
- Brandenburg Concerto No.5 In D Major, BWV 1050: lll Allegro
- Brandenburg Concerto No.6 In B Flat Major, BWV 1051: l Allegro
- Brandenburg Concerto No.6 In B Flat Major, BWV 1051: ll Adagio ma non Troppo
- Brandenburg Concerto No.6 In B Flat Major, BWV 1051: lll Allegro
- Concerto for violin, oboe & strings in D Minor (from BWV 1060): l Allegro
- Concerto for violin, oboe & strings in D Minor (from BWV 1060): ll Adagio
- Concerto for violin, oboe & strings in D Minor (from BWV 1060): lll Allegro
- Concerto For flute And Strings In G Minor (From BWV 1056): l Allegro
- Concerto For flute And Strings In G Minor (From BWV 1056): ll Largo
- Concerto For flute And Strings In G Minor (From BWV 1056): lll Presto
Amazon.com
Benjamin Britten's Bach is a "middle-of-the-road" version of these delightful works. They offer no startling departures from the Baroque style favored in the 1960s, but are ripe, polished performances with a fearless trumpet soloist in No. 2, and outstanding flute and violin solos throughout. Modern instruments and moderate tempos may seem stodgy these days, but there's integrity in Britten's music-making and this set, recorded in 1968, still sounds fresh, easily holding its own against more recent versions. As an added attraction, London includes concerti for violin and oboe, and flute and strings, both done in the 1970s with Neville Marriner leading light and springy readings of distinction. --Dan DavisCustomer Reviews:
Bach for Aristocrats.......2007-07-08
I play these for a change-up on music that can become overly familiar, but that almost no one doesn't like at least once in a while.
ladida, ladida.......2007-03-09
Authentic - In The Sense of True Authenticity.......2005-03-28
Excellent Bach.......2004-07-02
Overall, an outstanding recording that i highly recommend!!!!!!
Good modern recording.......2004-06-14
There are some movements (mvt 1 of concerto 1, mvt 2 of concerto 3, for example) that sound a bit heavy, either because of tempo or the intrumentation. They don't have the light, lively sound I think Bach intended.
Though there are better recordings of the Brandenburgs, this is an excellent collection for someone who wants to save a little money.
Track Listings:
- Bach: Christmas Oratorio
- Bartok: The Miraculous Mandarin/Kodály: Háry Janos/Dances Of Galánta
- Beethoven: Piano Sonatas "Pathétique" & "Appassionata"
- Beethoven: String Trio Op 3, Serenade-L'Archibudelli
- Beethoven: Symphony No. 3 "Eroica"; Overtures
- Beethoven: Symphony No. 5; Overtures
- Beethoven: Symphony No. 6 "Pastoral"; Coriolan & Egmont Overtures
- Beethoven: The Complete Quartets, Vol.VIII
- Berthold Goldschmidt: Orchestral Works
- Biber: Arminio
Track Listings
All Tomorrow's Parties [Import]
Double Concertos for Violin and Clarinet
Elektronic Dancefloor [Import]