Composed by Richard Strauss
Performed by La Scala Theater Orchestra & Chorus with Maria Amadini , Attilio Barbesi , Enrico Campi , Lisa della Casa , Hughes Cuenod , Gino DelSignore , Otto Edelmann , Sena Jurinac , Erich Kunz , Ilva Ligabue
Conducted by Herbert von Karajan
2. Hänsel und Gretel, opera Act I: Suse liebe Suse was reaschelt im Stroh
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
3. Hänsel und Gretel, opera Act II: ein Mannlein steht im Walde ganz still und Stumm
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
4. Hänsel und Gretel, opera Act II: Abends will ich schlafen gehn
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
5. Hänsel und Gretel, opera Act III: Wo bin ich? Wach ich?
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
6. Hänsel und Gretel, opera Act III: und bist du dann drin-schwaps
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
7. Hänsel und Gretel, opera Act III: DienEnglein haben's im Traum gesagt
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
8. Hänsel und Gretel, opera Act III: Schaut o schaut das Wunder an
Composed by Engelbert Humperdinck
Performed by Milan Radio Symphony Orchestra & Chorus with Sena Jurinac , Rolando Panerai , Elisabeth Schwarzkopf , Vittoria Palombini
Conducted by Herbert von Karajan
Der Rosenkavalier,Engelbert Humperdinck,Richard Strauss,Herbert von Karajan,L'Orchestra et Coro del Teatro alla Scala,Milan Radio Symphony Orchestra & Chorus,Antonio Pirino,Attilio Barbesi,Bruno Fichtinger,Elisabeth Schwarzkopf,Else Schurhoff,Enrico Campi,Erich Kunz,Erich Majkut,Franco Taino,Gino DelSignore,Gino del Signore,Giuseppe Nessi,Hughes Cuénod,Ilva Ligabue,Jarmila Barton,Joszi Trojan Regar,Joszy Trojan-Regar,Lisa della Casa,Luciano della Pergola,Luisa Villa,Maria Amadini,Otto Edelmann,Paolo Pedani,Pina Carrillo,Rolando Panerai,Sena Jurinac,Vittoria Palombini,Legato Classics,Classical,German/Austrian Romantic Opera,Opera,Opera / Operetta / Oratorio
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The Most Famous Opera Duets
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SCA Release Date: 1994-04-12 |
Tracks:
- Les Peurs des perles Act 1 - Au fond du temple saint
- Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
- Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
- La Traviata Act I - Un di, felice, eterea
- Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
- Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
- Carmen Act I - Parle-moi de m
- Die ZauberflAct I - Bei Mern, welche Liebe F
- Lakmct I - Viens, Mallika
- Rigoletto Act I - il sol dell'anima
- Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
- Don Giovanni Act I - Li darem la mano
- La Boh Act IV - O Mimi, tu pi torni
- Il Trovatore Act IV - Miserere...Quel suon, quelle preci
Amazon.com
This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert LevineCustomer Reviews:
Can't go wrong.......2007-07-14
Most Famous???.......2007-05-14
Only one song knew well.......2007-05-14
The Most Famous Opera Duets.......2007-01-05
Thanks again!!!!!
Good selection of opera highlights.......2006-11-04
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Andrea Bocelli - The Opera Album ~ Aria
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000069CO Release Date: 1998-04-07 |
Tracks:
- Rigoletto: Questa o quella
- La Boheme: Che gelida manina
- TOSCA: Recondita armonia
- TOSCA: E lucevan le stelle
- Madama Butterfly: Addio, fiorito asil
- Andrea Chenier: Come un bel di di maggio
- I Puritani: A te, o cara
- Der Rosenkavalier: Di rigori armato il seno
- Fedora: Amor ti vieta
- La Fanciulla del West: Ch'ella mi creda
- La Gioconda: Cielo e mar!
- Adriana Lecouvreur: La dolcissima effigie
- La Boheme: Musetta! - Testa adorata
- Lucia di Lammermoor: Tombe degli avi miei - Fra poco a me ricovero
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- La Fille Du Regiment: Pour mon ame
Amazon.com
Andre Bocelli is no opera singer, but he shows far more potential in this album than does another pop-vocalist tenor-wannabe, Michael Bolton. For one thing, he can shake off the crooner mannerisms and really sing when performing music that calls for it. At his best, he has a rich, dark timbre and an easy, unforced top. At other times, however, the tone turns dry and thin and the high notes are constricted, the inconsistency suggesting a lack of technique. Never does one get the impression that he could be heard over a medium-sized orchestra without amplification. This isn't bad singing per se, but there is much better out there, readily available on disc. --Sarah Bryan MillerAlbum Description
Exclusive Australian Gold pressing released to coincide with his first public appearance in Australia. He'll be performing at the opening ceremonies and then onto to tour the land down under. His back catalogue will be released & re-packaged in slipcases with his signature on them as well as all of them pressed on gold plated CD's. This pressing includes 17 tracks, all sung in his native Italian Tongue. 1998 release. Standard jewel case.Customer Reviews:
Andrea Bocelli - Sogno.......2007-06-27
Not bad!.......2007-04-09
"Questa O quella" is a nice romp. His smooth voice moves through this aria nicely. His voice is not a big one. On the other hand, his musicianship seems fine (thank goodness none of the sobbing and catches that some tenors adopt).
In Puccini's "Che gelida manina" (from "La Boheme"), he again sings smoothly. He has a nice sound to his voice. The high note is a bit thin, but certainly not as bad as some critics would have it. A serviceable version, in short.
Then, the twin arias from "Tosca"--"Recondita armonia" and "E lucevan le stelle." Both are well sung. His version of "Recondita armonia" compares well with other versions. He certainly has no reason to hang his head. When he amps up the volume, his voice is not quite as rich as many other tenors, bit it is still fine. Top notes, as observed before, are a bit thin, but--again--hardly reason for lamentation. This is nicely sung. My notes for "E lucevan le stelle" simply say "Ibid." That is, one could write a very similar set of comments.
The last piece is from a different tradition--a selection from Donizetti's "Lucia di Lammermoor," "Tome degli avi miei." Smoothly sung. A bit thin on higher notes. Overall, though, a nice job.
As I listen to his work, I think that Bocelli does a good job in the standard tenor repertoire. Is he a great tenor? No. Is he a good tenor? Yes.
pleasure to lilsten.......2007-01-19
Bocelli - Aria.......2006-11-05
quite beautiful. As usual, Bocelli does not fail.
Why...?.......2006-03-13
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Strauss - Der Rosenkavalier / Schwarzkopf · Ludwig · Karajan
Richard Strauss , Herbert von Karajan , Elisabeth Schwarzkopf , Christa Ludwig , Anny Felbermayer , Karl Friedrich , Nicolai Gedda , Paul Kuen , Otto Edelmann , Erich Majkut , Kerstin Meyer , and Franz Bierbach Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NW0B Release Date: 2001-09-11 |
Tracks:
- Act One: Intro - Philharmonia Orch/Herbert Von Karajan
- Act One: Wie Du Warst! Wie Du Bist! - Christa Edelmann/Elisabeth Schwarzkopf
- Act One: Lachst Du Mich Aus? ...Lach' Ich Dich Aus? - Christa Edelmann/Elisabeth Schwarzkopf
- Act One: Der Feldmarschall Sitzt Im Krowatischen Wald - Christa Edelmann/Elisabeth Schwarzkopf
- Act One: Quinquin, Es Ist Ein Besuch - Elisabeth Schwarzkopf/Erich Mjkut/Gerhard Unger/Otto Edelmann/Christa Ludwig
- Act One: Selbstverstandlich Empfangt Mich Ihro Gnaden - Otto Edelmann/Gerhard Unger/Erich Majkut/Eberhard Wachter/Harald Proglhof
- Act One: Euer Gnaden Werden Vielleicht Verwundert Sein - Otto Edelmann/Elisabeth Schwarzkopf
- Act One: Dann Ziehen Wir Ins Palais Von Faninal - Otto Edelmann/Elisabeth Schwarzkopf/Erich Majkut/Gerhard Unger
- Act One: Hat Sie Schon Einmal Mit Einem Kavalier - Otto Edelmann/Christa Ludwig/Elisabeth Schwarzkopf
- Act One: Geben Mir Euer Gnaden Den Grasaff' Da - Otto Edelmann/Christa Ludwig/Elisabeth Schwarzkopf
- Act One: I Komm' Glei'... Drei Arme, Adelige Waisen - Christa Ludwig/Elisabeth Schwarzkopf/Christa Ludwig/Kerstin Meyer/Anny Felbermayer/Gerhard Unger...
- Act One: Di Rigori Armato Il Seno - Nicolai Gedda
- Act One: Als Morgengabe, Ganz Separatim Jedoch - Otto Edelmann/Harald Proglhof/Nicolai Gedda
- Act One: Mein Lieber Hippolyte - Elisabeth Schwarzkopf/Kerstin Meyer/Christa Ludwig/Kerstin Meyer
- Act One: Da Geht Er Hin, Der Aufgeblasene Schlechte Kerl - Elisabeth Schwarzkopf
- Act One: Ach, Du Bist Wieder Da? - Elisabeth Schwarzkopf/Eberhard Wachter
- Act One: Oh, Sei Er Gut, Quinquin - Elisabeth Schwarzkopf/Eberhard Wachter
- Act One: Die Zeit Im Grunde, Quinquin - Elisabeth Schwarzkopf
- Act One: Mein Schoner Schatz - Christa Ludwig/Elisabeth Schwarzkopf
- Act One: Quinquin, Er Soll Jetzt Geh'n - Christa Ludwig/Elisabeth Schwarzkopf
- Act One: Ich Hab' Ihn Nicht Einmal Gekusst! - Elisabeth Schwarzkopf/Gerhard Unger/Erich Majkut/Eberhard Wachter/Harald Proglhof
Tracks:
- Act Two: Ein Ernster Tag, Ein Grosser Tag - Eberhard Wachter/Ljuba Welitsch/Erich Majkut/Gerhard Unger
- Act Two: In Dieser Feierlichen Stunde Der Prufung - Teresa Stich-Randall/Ljuba Welitsch
- Act Two: Mir Ist Die Ehre Widerfahren - Eberhard Wachter/Teresa Stich-Randall
- Act Two: Hat Einen Starken Geruch Wie Rosen - Eberhard Wachter/Teresa Stich-Randall
- Act Two: Wo War Ich Schon Einmal Und War So Selig? - Eberhard Wachter/Teresa Stich-Randall
- Act Two: Ich Kenn' Ihn Doch Recht Wohl - Eberhard Wachter/Teresa Stich-Randall
- Act Two: Jetzt Aber Kommt Mein Herr Zukunftiger - Teresa Stich-Randall/Eberhard Wachter/Otto Edelmann/Christa Ludwig
- Act Two: Belieben Jetzt VVielleicht... Ist Ein Alter Tokaier - Teresa Stich-Randall/Eberhard Wachter/Otto Edelmann/Christa Ludwig
- Act Two: Mocht' Wissen, Was Ihm Dunkt Von Mir Und Ihm - Teresa Stich-Randall/Eberhard Wachter/Otto Edelmann/Christa Ludwig
- Act Two: Wird Sie Das Mannsbild Da Heiraten - Otto Edelmann/Christa Ludwig/Teresa Stich-Randall/Eberhard Wachter/Erich Majkut/Gerhard Unger
- Act Two: Mit Ihren Augen Voll Tranen - Christa Ludwig/Teresa Stich-Randall
- Act Two: Herr Baron Von Lerchenau! - Kerstin Meyer/Paul Kuen/Otto Edelmann/Teresa Stich-Randall/Christa Ludwig
- Act Two: Ich Hoff', Er Kommt Vielmehr Jetzt Mit Mir Hinters Haus - Christa Ludwig/Otto Edelmann/Teresa Stich-Randall/Kerstin Meyer/Eberhard Wachter
- Act Two: Er Muss Mich Pardonieren - Christa Ludwig/Eberhard Wachter/Teresa Stich-Randall
- Act Two: Heirat' Den Herrn Dort Nicht Lebendig Und Nicht Tot! - Teresa Stich-Randall/Eberhard Wachter/Christa Ludwig/Ljuba Welitsch
- Act Two: Da Lieg' Ich! - Otto Edelmann
- Act Two: Und Doch, Muss Lachen, Wie Sich So Ein Luder - Otto Edelmann
- Act Two: Ohne Mich, Ohne Mich Jeder Tag Dir Zu Bang - Otto Edelmann/Kerstin Meyer
- Act Two: Ganz Zu Befehl, Herr Kavalier - Otto Edelmann/Kerstin Meyer
Tracks:
- Act Three: Intro - Philharmonia Orch/Herbert Von Karajan
- Act Three: Pantomime - Philharmonia Orch/Herbert Von Karajan
- Act Three: Hab'n Euer Gnaden Noch Witre Befehle? - Karl Friedrich/Erich Majkut/Gerhard Unger/Eberhard Wachter/Franz Bierbach
- Act Three: Nein, Nein, Nein, Nein! I Trink' Kein Wein - Christa Ludwig/Otto Edelmann
- Act Three: Die Schone Musi! - Christa Ludwig/Otto Edelmann
- Act Three: Macht Sie Der Wein Leicht Immer So? - Otto Edelmann
- Act Three: Er Ist Es! Es Ist Mein Mann! - Kerstin Meyer/Otto Edelmann/Christa Ludwig/Karl Friedrich/Erich Majkut/Gerhard Unger...
- Act Three: Halt! Keiner Ruhrt Sich! - Franz Bierbach/Paul Kuen/Christa Ludwig/Otto Edelmann/Karl Friedrich
- Act Three: Zur Stelle! Was Wird Von Mir Gewunscht? - Eberhard Wachter/Otto Edelmann/Franz Bierbach
- Act Three: Die Braut! Oh Was Fur Ein Skandal! - Children's Chor From Loughton High School For Girls And Bancroft's School/Philharmonia Cho...
- Act Three: Sind Desto Eher Im Klaren! - Otto Edelmann/Fraz Bierbach/Christa Ludwig/Karl Friedrich
- Act Three: Bin Glucklich Uber Massen - Otto Edelmann/Christa Ludwig/Franz Bierbach/Elisabeth Schwarzkopf/Teresa Stich-Randall
- Act Three: Er Sieht, Herr Kommissar, Das Ganze War Halt Eine Farce - Elisabeth Schwarzkopf/Franz Bierbach/Teresa Stich-Randall/Otto Edelmann/Christa Ludwig
- Act Three: Bin Von So Viel Finesse Charmiert - Otto Edelmann/Elisabeth Schwarzkopf/Teresa Stich-Randall
- Act Three: Leupold, Wir Geh'n! - Otto Edelmann/Kerstin Meyer/Erich Majkut/Gerhard Unger/Eberhard Wachter/Franz Bierbach
- Act Three: Mein Gott, Es War Nicht Mehr Als Eine Farce - Teresa Stich-Randall/Christa Ludwig/Elisabeth Schwarzkopf
- Act Three: Heut Oder Morgen Oder Den Ubernachsten Tag - Teresa Stich-Randall/Christa Ludwig/Elisabeth Schwarzkopf
- Act Three: So Schnell Hat Sie Ihn Gar So Lieb? - Teresa Stich-Randall/Christa Ludwig/Elisabeth Schwarzkopf
- Act Three: Marie Theres'!... Hab' Mir's Gelobt - Teresa Stich-Randall/Christa Ludwig/Elisabeth Schwarzkopf
- Act Three: Ist Ein Traum, Kann Nicht Wirklich Sein... Spur' Nur Dich Allein - Teresa Stich-Randall/Christa Ludwig
- Act Three: Sind Halt Aso, Die Jungen Leut'! - Eberhard Wachter/Elisabeth Schwarzkopf
- Act Three: Ist Ein Traum, Kann Nicht Wirklich Sein... Spur' Nur Dich Allein - Teresa Stich-Randall/Christa Ludwig
Customer Reviews:
Waltz me around again.......2007-05-07
Listen to the waltz music a few times and you can't get it out of your head. Nor do you want to.
Discovering Strauss.......2007-03-08
I find some of the "comedy" a little tedious but parts of it are exquisite.
I love Schwarzkopf's rendition of the " monologue", she conveys so much emotion and brings this character to life perfectly. Brava!!
And I think I've listened to "Presentation...Rose" about a 1000 times already. Ear candy if there ever was.
I think the story is intriguing and addictive.
Love Christa Ludwig's Octavion, wow! (I like von Otter too)
The Ochs is stayed before it tramples the rosegarden.......2006-12-13
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Panthéon Sorbonne
ROSES AND RAPTURES.......2006-10-02
What we have here is a memorial to two epochs. One epoch is the world that was heading for destruction in the wars of the 20th century. Part of that world was the society of the idle rich, the gilded butterflies with their servants and silver roses, a kind of Wellsian Eloi marking time until the advent of their own Morlocks in 1914 and 1917. By the date of this performance in 1956 the world had had enough nemesis and catharsis to be going on with, and was trying to retrieve something of what had been lost while re-establishing itself in a new form. The technology of musical recording had made enormous advances, the discerning musical public was ready for some added spice to the standard fare of Mozart Beethoven and Brahms, and the imagination and opportunism of Walter Legge was well vindicated in the reception given to his production of Rosenkavalier. Both the story and the music of Rosenkavalier were ostentatiously and provocatively reactionary in 1911, the very year of Stravinsky's Rite of Spring, and Legge's instinct was right in sensing that this evocation of a vanished and irresponsible culture would be welcomed in a society yearning to put austerity and dull dutifulness behind it. In the 50's the number of classical recordings had not yet exceeded what could be annually reviewed in a leisurely way in a hardback book called The Record Year, and I can still remember what a landmark production it saw this Rosenkavalier as being.
Another factor was Karajan. This was a new kind of orchestral maestro, flamboyant in his lifestyle and a `society' figure. It would be perverse to deny that he was an outstanding musician nevertheless, and this Rosenkavalier is as good a test-case as any for how one finally rates him. To me he seems to have done nearly everything very well without ever attaining the outright greatness of Fuertwaengler Toscanini or Beecham. He was outstandingly professional and even in his way perfectionistic, just as Legge was, but he had a soul and deep sensibility as well, and there is no way this performance can be faulted for failure to understand the music or the composer. And that takes us back to the performers. Schwarzkopf, for me, is ideal as the Marschallin, her voice coming over as the right kind of thirtysomething as well as having the authority and poise that the role demands. I think it would be possible to quibble endlessly over the right sort of voices for Octavian and Sophie without coming to any firm conclusion. I wouldn't claim that Teresa Stich-Randall has a vocal quality to rival, say, Janowitz or Ameling, but Sophie is an innocent and unsophisticated young girl, not Princess Margaret or Joanna Lumley, and I have no difficulty with Stich-Randall in the part. As for Octavian, how does the singer act the part of a youth who can pass for feminine to Ochs not only by his looks but apparently by his voice as well? Ludwig is a great singer and a great musician and that will do for me. I particularly like the way Edelmann handles the part of Ochs, partly Austria's answer to Squire Western but also with the right air of second-tier aristocracy to him. It would be hard to think of anything Waechter did not sing well, and there is an unlooked-for bonus in the form of Gedda, no less, as the Italian tenor.
The recording has benefited from some digital remastering, and it would be unreasonable to complain that it is not and cannot be quite the equal of productions dating from 30 and 40 years later. The booklet is excellent too, with a fine essay by Karajan's biographer Richard Osborne; and Legge, husband of Schwarzkopf, supplies the English translation of the libretto. This is not, I should say, an absolutely transcendental performance in the sense that one might say that of Fuertwaengler's Tristan or of Parsifal from Knappertsbusch, the kind of reading that has never been fully equalled and never seems likely to be. It's more on the level, eminent indeed but not out of sight, occupied by Karajan's own fine Mastersingers, which I also own and highly value. If the performance and recording are your exclusive preoccupation there are certainly rivals to this account and there is plenty of informed commentary on those to guide your choice. For me, as I suppose I've indicated, this is a set that I want just for itself regardless of comparisons. I shall be very surprised if it ever disappoints anyone else either.
Five stars, but not for Karajan.......2006-08-29
My criticism is both for the sound and the conducting. The orchestral sound *is* a bit unfocussed, although my pressing has one less remastering than the current one, so this problem may have lessened somewhat.
But then there's Karajan. I am not a fan of his work in general, although his Strauss is sometimes very effective. In this case, I find that Strauss's orchestral brilliance is dimmed because of Karajan's aesthetic of instrumental blending in which some of the distinctive qualities of the instruments are lost in the attempt to interlace them. Sometimes this works for Strauss (e.g. K's version of Four Last Songs), but here it interferes with the play among instruments, in my opinion.
Still, this gets five star for the quality of the singing, in particular Schwartzkopf's.
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K1C9 Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.Customer Reviews:
Mill. Classical review.......2007-05-13
classical music for the unitiated.......2007-04-01
Some little gems there that I had forgotten!.......2007-03-30
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
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Favorite Waltzes
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000UVT Release Date: 1995-10-17 |
Tracks:
- The Blue Danube
- Tales From The Vienna Woods
- Artist's Life
- Voices Of Spring
- You And You (From Die Fledermaus)
- Vienna Life
- Emperor Waltz
- Live, Laugh And Love
- Skaters Waltz
- The Waves Of The Danube
- Waltzes (From Der Rosenkavalier)
Customer Reviews:
FAVORITE WALTZES .......2007-05-12
Dream Away.......2007-02-16
What a wonderful CD!!!.......2006-10-24
I had to add to this because I just purchased my third CD of this!! I have already given away two as gifts. This is so delightful and you really listen on a headset in a quiet room. You will be swept away by the beauty of these waltzes!!!
Wonderful Waltzes.......2005-05-04
[poor quality].......2003-02-25
Needless to say, I was very disappointed in it's quality. I actually paid more than the current asking price for the CD expecting much more. Yes, I am a fool.
Average customer rating:
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The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000HXKX Release Date: 1999-01-12 |
Tracks:
- Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
- Waltz Fom Der Rosenkavalier Suite
- 'Von der Schonheit' From Das Lied von der Erde
- 'De l'aube a midi sur la mer' From La Mer
- Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
- L'histoire du soldat Suite - IV. The Royal March
- L'histoire du soldat Suite - V. The Little Concert
- Le tombeau de Couperin - V. Menuet
- Le tombeau de Couperin - VI. Toccata
- Sinfonia From Pulcinella Suite
- Walzer From Funf Klavierstucke, Op. 23
- Interlude From Wozzeck, Act III
- Prologue From Music Ffor The Theatre
- 'Shine On Harvest Moon'
- 'Alexander's Ragtime Band' - Irving Berlin
- 'Over There'
- 'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
- 'The Man I Love' From Stride Up The Band
- 'West End Blues'
Amazon.com
The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie GerberCustomer Reviews:
Music and the Great War.......2007-05-14
How a Century Has Change Our Perception of War.......2005-10-29
Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.
The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.
The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05
Excellent Recording!.......1999-03-13
I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.
Good music, bad title.......1999-02-11
Average customer rating:
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25 Classical Dance Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058IQ Release Date: 1997-07-01 |
Tracks:
- Blue Danube Waltz
- Midsummer's Night Dream: Scherzo
- Sleeping Beauty: Introduction
- Sleeping Beauty: Adagio pas d'action
- Annen Polka
- Tales From The Vienna Woods
- Turkish March
- Bella Bolka Polka
- Les Patineurs: Pas de Duex From Les Patineurs
- Les Patineurs: Finale From Les Patineurs
- Dance Of the Nubian Slave Girls
- Samson: Ballet Music From Samson
- Entry Of The Gladiators
- La Gioconda: Dance Of The Hours
- Washington Post
- Peaches & Cream
- Polovtsian Dances (Extract)
- Slavic Dance In G Minor, Op.46 No. 8
- Der Rosenkavalier Waltz
- Galop (La Vie Parisienne)
- Orpheus: Can Can (Orpheus)
- Sabre Dance
- Gavotta Choro
- Faust: Ballet (Extract)
- Bolero
Customer Reviews:
Half the tracks are march or played like one.......2007-06-05
decent for dancing.......2006-12-31
Recommended.......2005-10-03
Wonderful selection, but not really dancing music.......2000-06-27
This Will Keep You Dancing<