Composed by Antonio Vivaldi
with Federico Agostini , Vito Paternoster , Pasquale Pellegrino , Francesco Strano
2. Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532
Composed by Antonio Vivaldi
with Vito Paternoster , Francesco Strano
3. Concerto, for violin, 2 cellos, strings & continuo in C major, RV 561
Composed by Antonio Vivaldi
with Claudio Buccarella , Vito Paternoster , Francesco Strano
4. Concerto, for 3 violins, strings & continuo in F Major, RV 551
Composed by Antonio Vivaldi
with Federico Agostini , Pasquale Pellegrino , Antonio Perez
5. Double Concerto, for violin & organ, strings & continuo in F major, RV 542
Composed by Antonio Vivaldi
with Maria Teresa Garatti , Antonio Perez
6. Double Concerto ("Il Proteo, o sia Il mondo al rovescio"), for violin, cello, strings & continuo in F major, RV 544
Composed by Antonio Vivaldi
with Federico Agostini , Francesco Strano
Vivaldi: Concerto for mandolins & strings in G,Francesco Strano,Vito Paternoster,Antonio Vivaldi,Maria Teresa Garatti,Antonio Perez,Claudio Buccarella,Federico Agostini,Pasquale Pellegrino,Polygram Records,Classical,Classical Music,Concerto,Concerto for Two Solo Instruments,Concerto for Two String Instruments
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The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I93Z Release Date: 1999-03-30 |
Tracks:
- Air 'On the G String' - Academy Of St. Martin In The Fields
- Morning - Academy Of St. Martin In The Fields
- Canon In D - Academy Of St. Martin In The Fields
- Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
- Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
- II. Andante - Stephen Hough
- Viens, Mallika - Mady Mesple
- In Paradisum - Choir Of King's College, Cambridge
- Clair De Lune - Dame Moura Lympany
- II. Andate - Yehudi Menuhin
- The Swan - Osian Ellis
- II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
- II. Andantino - James Galway
- II. Largo - Yehudi Menuhin
- Nimrod - London Symphony Orchestra
- Blow the Wind - Pie Jesu - Jocelyn Pook
- Variation 18 - Cecile Ousset
- Pavane Op.50 - Gareth Morris
Tracks:
- Zion Hort Die Wachter Singen - South German Madrigal Choir
- Adagio In G Minor - Academy Of St. Martin In The Fields
- Minuet - Academy Of St. Martin In The Fields
- II. Largo - Andrei Gavrilov
- Meditation - Hans Kalafusz
- I. Adagio Sostenuto - Dame Moura Lympany
- Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
- II. Andante - Nigel North
- II. Adagio - Jack Brymer
- Intermezzo - Philharmonia Orchestra
- I. Moderato - London Chamber Orchestra
- O Mio Babbino Caro - Montserrat Caballe
- Fantasia On 'Greensleeves' - Sinfonia Of London
- II. Adagio Sostenuto (Opening) - Cecile Ousset
- Nocturne - Academy Of St. Martin In The Fields
- II. Adagio (Opening) - Julian Bream
- Adagio For Strings Op.11a - The Philadelphia Orchestra
- Entr'acte To Act III - Orchestre National De France
Amazon.com
You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward GarabedianCustomer Reviews:
Lives Up To The Title, Fine Variety Of Genre's........2007-02-04
Good for relaxing pregnant women.......2007-01-17
Too much opera.......2007-01-10
Does what it set out to do, very well.......2006-11-15
That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.
Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.
To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.
Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)
So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.
TRULY The most relaxing and beautiful music ever written........2006-11-10
SIMPLY BEAUTIFUL !!!!!!!!!!
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Dinner Classics: The Italian Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026XP Release Date: 1990-05-17 |
Tracks:
- Canzon Septimi Toni No.2
- Concerto in E Major, Op. 8, No. 1: I-Allegro From Spring (La primavera)
- Overture (Allegro)
- from Concerto in G Major for 2 Guitars: I-Allegro
- from String Quartet in E Major Op. 13, No. 5: Minuetto
- from Sonata for Violin & Guitar: III-Menuetto: Allgretto
- from Sonata Concertata in A Major: III-Rondeau
- Cantabile for Violin & Guitar
- from Concerto for Guitar and Strings Orchestra, Op. 30: II-Andantino Siciliano
- Nocturne: Moderato from the ballet La Boutique Fantasque (after Rossini)
- from the Sebastian Suite: Barcarolle
- Dance for Six (from William Tell)
- La Donna E Mobile (from Rigoletto)
- Musetta's Waltz (from La Boheme)
- O Soave Fanciulla (Love Duet) from La Boheme
- Vissi D'Arte (from Tosca)
- Intermezzo: Andante Cantabile ( from Fedora)
- Introduction to Act I (from La traviata)
- Intermezzo (from Cavalleria rusticana)
- Celeste Aida (from Aida)
- O Mio Babbino Caro (from Gianni Schicchi)
Customer Reviews:
Bravo!.......2000-07-22
Outstanding compilation of the Italian classics,.......1999-05-01
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Vivaldi: Guitar Concertos
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000040WX Release Date: 1990-10-25 |
Tracks:
- Concerto RV 580, In B Minor For 4 Guitars, Strings, And Continuo: Allegro
- Concerto RV 580, In B Minor For 4 Guitars, Strings, And Continuo: Largo - Larghetto - Adagio - Largo
- Concerto RV 580, In B Minor For 4 Guitars, Strings, And Continuo: Allegro
- Concerto RV 532 In G, For 2 Guitars, String And Continuo: Allegro
- Concerto RV 532 In G, For 2 Guitars, Strings, And Continuo: Andante
- Concerto RV 532 In G, For 2 Guitars, Strings, And Continuo: Allegro
- Concerto RV 356 In A Minor For Guitar, Stings, And Continuo: Allegro
- Concerto RV 356 In A Minor For Guitar, Stings, And Continuo: Largo
- Concerto RV 356 In A Minor For Guitar, Stings, And Continuo: Presto
- Concerto RV 425 In C Major For Guitar, Stings, And Continuo: Allegro
- Concerto RV 425 In C Major For Guitar, Stings, And Continuo: Largo
- Concerto RV 425 In C Major For Guitar, Stings, And Continuo: (Allegro)
- Concerto RV 93 In D Major For Guitar, Strings, And Continuo: (Allegro)
- Concerto RV 93 In D Major For Guitar, Strings, And Continuor: Largo
- Concerto RV 93 In D Major For Guitar, Strings, And Continuor: Allegro
Customer Reviews:
Rich and Sensuous!.......2000-11-05
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Hush
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027VR Release Date: 1992-01-28 |
Tracks:
- Grace
- Concerto In D Minor For 2 Mandolins: Andante
- The Legend Of Tsar Saltan: Flight Of The Bumblebee
- Stars
- Hush Little Baby
- Vocalise
- Notebook For Anna Magdalena Bach: Musette
- Coyote
- Sonata For 2 Cellos: Allegro prestissimo
- Ave Maria
- Hoedown!
- Orchestral Suite No. 3: Air
- Good-Bye
Amazon.com
The idea here was to put two masters together--one classical cellist, one improvisational singer/sound-effects performer--and voilà! instant amazing, unique, hip--and, hopefully, hit--record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians' good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin's impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma's highly refined, formalized musicianship. Originally planned as a disc for children, Hush goes far beyond its initial premise, with each of the 13 tracks demonstrating these musicians' unique gifts and showing that, whether it's Vivaldi or jazz, it's all music and it's all a lot of fun. --David VernierCustomer Reviews:
Yo-Yo Ma and Bobby McFerrin.......2007-05-12
Yo-Yo keeps on experimental.......2006-03-04
It's an incredible fusion of strings and vocal strings, in some moments it is not possible to separate them, some times is like a big keyboard directed by a single musician. In a word, they experiment, and the result was incredible.
This is no "Don't Worry, Be Happy".......2005-10-23
Honestly, I could do without the non-classical pieces on this CD...although I enjoy them.
But the classical interpretations are some of the most heavenly, wonderful, beautiful, awe-inspiring things that I have ever heard, on any CD, in any genre! Yes, that good!
McFerrin uses his voice as the perfect instrument and accompanient to Ma's cello. They were made for each other.
Listen to the samples of the classical pieces if you're a doubter...
Excellent CD!.......2005-09-22
Bobby uses his voice as a fantastic sounding 'instrument' to sing notes much like an instrument playing a duet with Yo-Yo; sometimes his voice sounds so much like a real instrument that you even forget that you are hearing vocals--I don't even know what other vocalist could pull this off. It is a fascinating experiment. I recommend it highly!
My 1st introduction to Bobby McFerrin (3.5-4 stars).......2005-05-29
Anyway as I was gonna say this was the 1st album I got introduced a bit by Bobby McFerrin. Not SIMPLE PLEASURES nor SPONTANEOUS INVENTIONS. Just this 1. I hope to hear more from him and collect all of his albums incl. Yo Yo Ma's. They still sound good. No doubt.
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Essential Vivaldi: 20 Greatest Masterpieces
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068C7Y Release Date: 2002-06-11 |
Tracks:
- I. Allegro - Silvia Ochi
- II. Largo - Silvia Ochi
- III. Allegro - Silvia Ochi
- I. Allegro Giusto - Pepe Romero
- II. Largo - Pepe Romero
- III. Allegro - Pepe Romero
- I. Allegro - Patrick Gallois
- II. Without Tempo Indication - Patrick Gallois
- III. Allegro - Patrick Gallois
- I. Allegro - Maurice Andre
- II. Largo - Maurice Andre
- III. Allegro - Maurice Andre
- I. Allegro - James Tyler
- II. Andante - James Tyler
- III. Allegro - James Tyler
- I. Allegro - Salvatore Accardo
- II. Largo - Salvatore Accardo
- III. Allegro - Salvatore Accardo
- I. Presto - The English Concert
- II. Adagio - The English Concert
- III. Allegro - The English Concert
- I. Allegro - Anner Bylsma
- I. Gloris In Excelsis Deo - Regensburger Domspatzen
- VII. Domine Fili Unigenite - Regensburger Domspatzen
- XII. Cum Sancto Spiritu - Regensburger Domspatzen
Tracks:
- I. Allegro - Alan Loveday
- II. Largo - Alan Loveday
- III. Allegro - Alan Loveday
- I. Allegro Non Molto - Alan Loveday
- II. Adagio-Presto - Alan Loveday
- III. Presto - Alan Loveday
- I. Allegro - Alan Loveday
- II. Adagio Molto - Alan Loveday
- III. Allegro - Alan Loveday
- I. Allegro Non Molto - Alan Loveday
- II. Largo - Alan Loveday
- III. Allegro - Alan Loveday
- III. Allegro - Pina Carmirelli
- I. Allegro-Adagio-Allegro - I Musici
- II. Andante Molto - I Musici
- I. Allegro - Simon Standage
- II. Cantabile - Simon Standage
- III. Allegro - Simon Standage
- II. Largo - Lisa Beznosiuk
- I. Allegro (Moderato) - Heinz Holliger
- II. Largo - Heinz Holliger
- III. Allegro - Heinz Holliger
- II. Largo Non Molto - Franco Gulli
Customer Reviews:
Well Done Collection of Vivaldi Concertos.......2006-10-21
This is it then. Especially enjoy the mandolin concertos (two of them here) and the Two Cellos, as well as Holliger in Oboe work. Also, the Cum Sancto Spiritu is powerful and shows range of this tireless composer who influenced so many and still does. This is nice for someone looking to add a litte Vivaldi to their playing collection. Sheer enjoyment!
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Vivaldi for Relaxation
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059SV2 Release Date: 2001-03-06 |
Tracks:
- Concerto in D, RV 93: Largo
- Concerto in G, Op. 10 No. 4: Largo
- Concerto in F, RV 544: Largo
- Trio in C, RV 82: Larghetto
- Concerto in G minor, Op. 10 No. 2: Largo
- Concerto in A minor, RV 357: Largo e sempre piano
- Concerto in G, RV 413: Largo
- Concerto in D minor, RV 535: Largo
- Concerto in G, RV 436: Largo
- Concerto in C minor, RV 197: Adagio
- Concerto in D minor, RV 540: Largo
- Concerto in A minor, RV 419: Andante
- Concerto in A minor, F.I. No. 61: Largo
- Concerto in G, RV 532: Andante
- Concerto in D, RV 403: Andante e spiritoso
- Concerto in D, RV 429: Andante
- Concerto in E flat, RV 408: Largo
- The Four Seasons, Op. 8: Winter: Largo
Customer Reviews:
Nectar of the Gods.......2007-05-12
So Soothing.......2006-12-28
An excellent addition to your collection.......2001-08-27
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Julian Bream: The Ultimate Guitar Collection-Volume 2
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UEH6 Release Date: 2000-08-08 |
Tracks:
- I: Allegretto
- Capricho Arabe
- A Fancy
- Etude No. 5 In C
- I. Allegretto
- I. Allegretto
- I. Allegro
- The Wood So Wild
- Adante; Molto Adagio; Adante
- Fandango
- Segovia, Op. 29
- Fantasia XXII
- II. Andante
- Preludio
- II. Andantino Grazioso
- Fantasia
- Bourree
- Gigue
- Polonaise, Op.2, No.2
- Canario
Customer Reviews:
Not ultimate- but wonderful, none-the-less.......2007-04-14
Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.
Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.
The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.
Very Nice Bream Collection.......2005-03-03
Overall, this CD consists of a good variety of masterfully played music. I only wish most of Bream's recordings were recorded using later technology, which would make his playing shine even more.
Not what I thought!.......2004-11-08
Ultimately Satisfying.......2004-02-03
Spectacular.......2002-02-11
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Vivaldi: Concerti per mandolini
Antonio Vivaldi , Fabio Biondi , and Europa Galante Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UV9F Release Date: 2003-01-07 |
Tracks:
- I. Allegro
- II. Andante
- III. Allegro
- I. Allegro Molto
- II. Andante Molto
- III. Allegro
- I. [Allegro]
- II. Larghetto
- III. Allegro
- I. Allegro
- II. Largo
- III. Allegro
- I. Allegro
- II. [Lento]
- III. Allegro
- I. [Allegro]
- II. Largo
- III. [Allegro]
- I. Allegro
- II. Largo A Piacimento
- III. Allegro
Amazon.com
The seven Concerti per Mandolini are diverse enough to disprove the frequently heard accusation that all Vivaldi concertos sound alike. Though they are cast in the same three-movement structure, each has its own character, from playful, ingratiating charm to ardor, high drama, and lamentatious intensity. The fast movements are stately and brilliant with scintillating running passages; the slow ones are songful, pleading, and melancholy. Though at times Vivaldi succumbs to his predilection for sequences, these pieces have an incredible variety of tonality, mood, and color, employing a large number of instruments in many arresting combinations; the final one requires 17 instruments. In addition to the solo mandolins, there are standard and unusual strings and winds, including such rarities as chalumeaux, theorbo, viole all'inglese, and violini in tromba marina. The performances, at lowered pitch, are splendid throughout: brilliant in the fast, virtuosic movements, perfect in intonation and balance, pure in sound, invariably expressive, often passionate. The players use vibrato sparingly and add elegant ornamentation and cadenzas. Biondi, director and concertmaster, has a wonderfully sweet tone and leads without dominating the group. One cavil: the musicians get louder on all ascending passages and softer on all descending ones, and they make a long pause before every final note. This approach may be stylistically "authentic," but it becomes an annoying mannerism through overuse and exaggeration. --Edith EislerCustomer Reviews:
Finally, Fast Enough!!!!.......2007-02-17
Study in Color.......2006-03-25
A word about these instruments, working backwards. The theorbo is an obsolete but astonishingly lovely member of the lute family; it's something like a cross between a harp (with 8 unfretted bass strings that can sound only a single note) and a twelve string guitar (with 6 pairs of fretted strings) but pitched low--the upper two strings are not considerably higher than the two strings below them, which makes for ease of fingering but limits the upper range. The chalemeaux are precursors of the clarinet and are aurally difficult to distinguish from their progeny. Mandolins are plucked/strummed stringed instruments with 4 pairs of strings tuned like a violin, and these instruments were most likely played by violinists. The violins in trombe marina are somewhat controversial; Europa Galante come down firmly on the side of the score that these are essentially regular violins fixed with an asymmetric bridge which causes a sort of buzzing or rattling sound rather similar to the buzziness of the harpsichord, oddly enough, and which was thought to imitate the sound of the obsolete and incredibly bizarre tromba marina. But other scholars have argued that the parts were meant for performance on actual trombe marina. The "Sea Trumpet" was in fact a stringed instrument thought to sound like a trumpet but be more agile (trumpets in those times did not have valves and so had a very limited pitch choice--they were essentially bugles.). It has only a single melodic string, rather long, but up to 50 strings that resonate with sympathetic vibration with the melodic string. To make things even more curious, only harmonics were played on the instrument, throwing the intonation of certain pitches completely out of the norm. The tromba marina gets its name in part because it was said to be heard best at a distance, as over a body of water. I can testify that this is true--it's really a hideous sound that you wouldn't want to hear close up, something like a viola being scratched against a chalkboard. It's hard for me to believe that Vivaldi really composed this piece not just for one tromba marina, but for two; beyond the horror of the noise lies the fact that the parts probably aren't even close to possible on the tromba marina, but lie perfectly well on the violin.
At any rate, the piece is about color in a way that probably no one other than Bach conceived of for a very long time. And herein lies my complaint (a minor one); the performance is lovely, but I sometimes find the harpsichord overwhelming. It's especially difficult to hear the theorbos--they're so low; and to distinguish the violins in trombe marina sometimes--they match the harpsichord sound too much. Granted, in the Concerto RV 555, the two harpsichords are solo instruments and should be treated as such. But how RV 558 would flourish with less harpsichord--it would be such a treat.
At any rate, these are all delightful pieces, really some of Vivaldi at his best if you're tired of the Four Seasons, and certainly worthwhile performances.
Vivaldi and Europa Galante Make a Joyful Noise.......2004-04-27
Now that we've disposed of the chestnut about the sameness of the concerti, we can talk about the performances of Biondi and Europa Galante. I find them enthrallingly virtuosic in the Bach-like noodlings required of the two violins and two cellos in RV 564, a truly captivating work reminiscent, for me, of the Third Brandenburg. On the other hand, Biondi captures perfectly the sober mood of RV 319, where sentiment overrules virtuosity.
The two concertos for mandolins (RV 532 and RV 425) are some of Vivaldi's most genial, and they emerge with the right sense of dash and wit, while the two concerti RV 558 and RV 555 for "molti strumenti" make a grand noise, especially those raspy, rattling violini in tromba marina! On the other hand, the recorders, chalumeaux, theorbos, and cellos add a tenderness and grace in their solos that balance out the acerbity of these strange instruments. RV 555 increases the stereophonic effects with two harpsichords and with three violins against two viole all'inglese and the aforementioned cellos. In all, it's a remarkable sound world Vivaldi created in these two works, like nothing else in the concerto literature, and the virtuosi of Europa Galante make the music sound every bit as important as it should.
The recording, made in a church, is both close-up and highly reverberant, which takes a little getting used to, but once the ear adjusts, it reveals the dividends paid by the close miking. The solos all emerge with crystal clarity and timbral purity, while the ensemble playing is detailed and analytical without being clinical, thanks to that reverb. Though the recording tends to highlight the high end of things, it is probably true to the big, bright sound picture Vivaldi "saw" when he conducted his all-girl orchestra at the Ospedale della Pieta.
An exciting CD indeed.
Who says baroque stuff can't be electrifying?.......2004-01-13
- Biondi is still surprising- Grâce à Pisendel.......2003-02-14
Fabio Biondi is at his best in the "Concerto en sol mineur" (dédié à Pisendel(RV 319)". In "Concerto en ut majeur" (RV 558), Jean-Christophe Spinosi (do you know him and his ensemble "Matheus" (Naive)) was able to gave more surrealistic moments. But the Europa Galante version is very interesting.
I give Biondi credits to let the other members of his "formidable" Europa Galante free to play like it was some "concertos grossos". A very good CD full of vitality. Virgin Veritas does it better than it was the case in the concertos grossos of Scarlatti (father and son.)Better sound. Biondi is a great virtuose. I am waiting for his next challenge. Vivaldi again ?
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Concert for the Prince of Poland
Vivaldi , Manze , and Academy of Ancient Music Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006644L Release Date: 2002-07-09 |
Tracks:
- Sinfonia in G major: Allegro molto
- Sinfonia in G major: Andante
- Sinfonia in G major: Allegro
- Violin Concerto in E-flat major: Presto
- Violin Concerto in E-flat major: Largo
- Violin Concerto in E-flat major: Presto
- Concerto in D minor: Allegro
- Concerto in D minor: Largo
- Concerto in D minor: Allegro
- Concerto in A major: Allegro
- Concerto in A major: Larghetto
- Concerto in A major: Allegro
- Violin Concerto in C major: Allegro
- Violin Concerto in C major: Largo e cantabile
- Violin Concerto in C major: Allegro
- Concerto in C major: Allegro molto
- Concerto in C major: Andante
- Concerto in C major: Allegro
Amazon.com
Here, at a bargain price, is a real treat: the lively, elegant, musically alert Andrew Manze leading and playing a handful of wonderful Vivaldi concerti preceded by a little Sinfonia. The concerti, all backed up by the usual strings, are for various combinations of instruments. Two are straight violin concerti (playful and bright). One is for violin and three echo violins that repeat what the lead violin has done, but at a distance from the other performers (very entertaining). The most beautiful is for lute and viola d'amore (a gentle, dark texture). The CD ends with one scored for recorders, chalumeaux, mandolins, therobos, cello, and special violins, which is a riot of sound, with a particularly jaunty first movement. The disc's title refers to a visit to Venice in 1740 by Frederick Christian, the Prince Elector of Saxony, during which Vivaldi's music was performed. He was a lucky prince, and we're lucky to have this CD. As usual, Manze and the Academy of Ancient Music are superb. --Robert LevineCustomer Reviews:
Music for a historical event.......2007-01-13
The evening's program included a vocal piece--a serenata called "The Chorus of Muses" by the great playwright Carlo Goldoni--with its sections introduced by four concertos composed by Vivaldi. (The music of the serenata is lost, and even the name of the composer is unknown.)
Vivaldi's contribution to the evening was commissioned by the Pietà, the orphanage whose all-female orchestra he had made famous earlier in his career. These concertos may very well be his last works, because soon after the festive performance, he moved to Vienna, where he died in poverty the following year.
So listening to this recording not only lets us hear fine performances of some late Vivaldi works (still amazing for the variety of scoring and compositional approaches after having composed so much music over so many years), but it also transports us, in a kind of musical time machine, to a period and lifestyle that has certainly disappeared in the last 250 years. We know from his diary that the Prince particularly enjoyed one "echo" concerto (in which several instruments were seated at a distance for special echo effects).
It is an unusual and delightful way to encounter Vivaldi.
What elegance and grace is contained here.......2005-10-12
Sinfonia in G major dazzles us with joyful pomp. The third movement echoes the Autumn section of the Four Seasons by capturing the sound of the harvest folk dance.
Violin Concerto in E-flat major is incredibly well constructed, almost mathematical in composition, with passages building one upon the other. The first movement builds gradually but the third movement slips and slides like children in a playground.
Concerto in D minor has courtly beinnings. Like much of Vivaldi, the violins sometimes are allowed to take the foreground with a somewhat rustic power, yet they are usually balanced by the pure elegance of the other instruments and melodies that echo with intensity. The lute accompanies the violin and other string instruments with its Renaissance sound. Lute strings individually plucked slow the piece and increase the intensity of anticipation in the second movement.
In Concerto in A major, Vivaldi uses violins with three echo violins. In the CD program they explain that when this piece was played for the Polish Prince, the primary violinist was visible but that they echo violinists were hidden around the concert hall, which I can only guess was a delightful and playful game to play with the listening audience of the time. In this concerto, the violins sound so birdlike as they echo each other's songs back and forth. In the final movement, Allegro, the violins boldly and sweetly play their echo game, no longer playing birds but mellowing into instruments of joy.
In Violin Concerto in C Major we hear graceful refrains that build like the Spring section of the Four Seasons.
In the Concerto in C Major we hear the finest piece on the whole CD in terms of complexity and orchestration. The recorder is used along with instruments called chalumeaux and theorbos. The grand march sound of the Allegro molto subsides long enough to hear the wonderful wind instruments complimented by mandolins, giving a delightful break from the violins. I think this concerto is my favorite on the CD, with the warm sounds of rare instruments permeating the piece.Yet, how can one pick a favorite from this wonderful collection of music.
Vivaldi is so elegant, so graceful and balanced. I love his music because it puts demands only on my ear the way Matisse puts demands only on my eyes. He transports me.
Diversity is your best bet.......2005-09-03
Just sublime.......2004-11-05
Great Music as expected from Andrew Manze.......2003-06-23
again in this recording doing a wonderful job
the performances are splendid, the acoustics
are also wonderful. The Academy of Ancient Music
plays with clarity. Indeed, with this recording
the music of Vivaldi reached perfection!
Highly recomended!
Average customer rating:
|
Vivaldi: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLHY Release Date: 2004-11-30 |
Customer Reviews:
Focus on the Recordings.......2007-07-23
The price is killer and you HAVE to buy it, but be warned: these are not the best recordings, you get what you pay for.
First of all, I'm not a Vivaldi expert, but I've heard his compositions throughout my life in so many different places and recordings and have a vague idea of how some have to be played. Secondly, I'm not a classical music connoisseur, but I love it and have over 300 discs of various composers and styles. Third, I know what a good audio recording should sound like and this will influence my critique of some discs in the collection. Finally, it's easy to get lost among all the tracks contained, so in some cases I will give you my favorite tracks in a disc.
I'm sorry, but I've only reached disc 20 of the box-set, as I listen to more this review will be expanded.
DISC 1:
Why would you use an AAD recording as a first impression for a 40 disc box-set and for the "Four Seasons", which is probably Vivaldi's best know work. The concertos are played enthusiastically, but lack any additional virtuosity to put it ahead of other much better recordings out there.
DISC 2:
Same as DISC 1, played and recorded by the same people.
DISC 3:
The pieces in this disc are VERY well played, nonetheless, you can hear heavy breathing from the soloist which can be a bit annoying.
DISC 4:
Very well performed as well, heavy breathing is less present.
DISC 5:
A very good recording, excellent execution by the hapsichord and good by the recorder.
Tracks 4, 6, 7 and the whole "La Notte" are extraordinary.
DISC 6:
Exquisitely recorded and performed by the Budapest Strings.
DISC 7:
Marvelous performance on the whole disc.
Tracks 22 & 24 are non-plus-ultra.
DISC 8:
Great performance too.
Suggested tracks: 7, 12, 15, 24
DISC 9:
To have an original baroque organ playing is a plus.
Solo strings are lacking in quality (for example: tracks 6 & 7).
Suggested tracks: 1, 4, 8, 15
DISC 10:
Despite being and ADD recording, the quality is fairly good. The cello is very well played.
Suggested tracks: 3, 4, 12
Excellent track: 13
DISC 11:
Same musical group and soloist as DISC 10. The contrabass is extremely distorted sometimes, and if you take into consideration that this is an ADD recording, it can get pretty bad. Some background noise is perceived.
Suggested tracks: 3, 6, 9
DISC 12:
The compositions are somewhat boring, either way the performance is plain decent.
Suggested tracks: 10, 12
DISC 13:
Good performance and sound quality.
Suggested tracks: 1, 4, 6, 7
Excellent track: 12
DISC 14:
Good performance and sound quality too.
Suggested tracks: 10, 14, 16
Excellent track: 5
DISC 15:
Badly mixed, the basoon is blocking the whole ensamble by being in the foreground.
The playing precision is lacking.
An AWEFUL thing about this recording is that you can hear the basson key-sticking with the instrument and the saliva. It's horrible.
Such a pity, the sound of the basson with other instruments can be pretty interesting.
DISC 16:
Violins sound a bit off tempo.
Suggested tracks: 4, 8
DISC 17:
Good sound quality and performance.
Suggested tracks: 1, 7, 9
DISC 18:
Despite being an old recording, it is a very welcome one.
The performance is very well above par. Tempo is fantastic.
The quality of the recording could have been better due to some string plucking that is heard and which can become bothersome.
These are some of Vivaldi's best know tunes.
Suggested tracks: 4, 6, 13
Excellent tracks: 1, 3
DISC 19:
Lively recording.
Track 6 is the same piece found in another disc in the collection, but with a better performance.
DISC 20:
By now you've heard all of this pieces before in the other discs. Nothing new here, nor better.
This is a fantastic deal!.......2007-02-25
With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are
The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance
This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!
If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me
So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in m