Composed by Fryderyk Chopin
with Alfred Cortot
2. Waltz for piano in E flat major, Op. 18, CT 207
Composed by Fryderyk Chopin
with Alfred Cortot
3. Waltz for piano in A flat major, Op. 34/1, CT 208
Composed by Fryderyk Chopin
with Alfred Cortot
4. Waltz for piano in A minor, Op. 34/2, CT 208
Composed by Fryderyk Chopin
with Alfred Cortot
5. Waltz for piano in F major, Op. 34/3, CT 209
Composed by Fryderyk Chopin
with Alfred Cortot
6. Waltz for piano in A flat major, Op. 42, CT 211
Composed by Fryderyk Chopin
with Alfred Cortot
7. Waltz for piano in D flat major ("Minute"), Op. 64/1, CT 212
Composed by Fryderyk Chopin
with Alfred Cortot
8. Waltz for piano in C sharp minor, Op. 64/2, CT 213
Composed by Fryderyk Chopin
with Alfred Cortot
9. Waltz for piano in A flat major ("L'adieu") Op. 69/1, CT 215
Composed by Fryderyk Chopin
with Alfred Cortot
10. Waltz for piano in G flat major, Op. 70/1, CT 217
Composed by Fryderyk Chopin
with Alfred Cortot
11. Waltz for piano in F minor, Op. 70/2, CT 218
Composed by Fryderyk Chopin
with Alfred Cortot
12. Waltz for piano in D flat major, Op. 70/3, CT 219
Composed by Fryderyk Chopin
with Alfred Cortot
13. Waltz for piano in E minor, KK IVa/15, CT 222
Composed by Fryderyk Chopin
with Alfred Cortot
14 Waltzes / Piano Sonata 3 in B Minor Op 58,Chopin,Cortot,Enterprise,Classical,Classical Music
Average customer rating:
|
Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating: |
Story Of Chopin In Words And Music
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KCP Release Date: 1995-04-16 |
Tracks:
- Piano Concerto No. 1 In E Minor, Op. 11 (Allegro maestoso)
- Scherzo No. 2 In B-Flat Minor, Op. 31
- Polonaise In A-Flat Major, Op. 53, 'Heroic'
- Mazurka No. 39 In B Major, Op. 63, No. 1
- Variations On A German Theme
- Valse brillante No. 1 In E-Flat Major, Op. 18
- Mazurka No. 23 In D Major, Op. 33, No. 2
- Ballade No. 4 In F Minor, Op. 52
- Prelude No. 20 In C Minor, Op. 28, No. 20
- Piano Concerto No. 1 In E Minor, Op. 11 (Rondo-Vivace)
- Polonaise No. 5 In F-Sharp Minor, Op. 44
- Etude No. 12 In C Minor, Op. 10 'Revolutionary'
- Valse No. 7 In C Minor, Op. 64, No. 2
- Nocturne No. 2 In E-Flat Major, Op. 9, No. 2
- Valse No. 6 In D-Flat Major, Op. 64, No. 1 'Minute'
- Fantasie-Impromptu No. 4 In F-Sharp Minor, Op. 66
- Etude No. 3 In E Major, Op. 10
- Nocturne No. 5 In F-Sharp Minor, Op. 15, No. 2
- Prelude No. 15 In D-Flat Major, Op. 28, No. 15 'Raindrop'
- Polonaise No. 3 In A Major, Op. 40, No. 1 'Polonaise Militaire'
- Ballade No. 1 In G Minor, Op. 23
- Piano Concerto No. 2 In F Minor, Op. 21 (Maestoso)
- Piano Sonata No. 2 In B-Flat Minor, Op. 35 (Marche funebre-lento)
- Piano Sonato No. 3 In B Minor, Op. 58 (Presto ma non tanto)
- Op. 34, No. 2 In A Minor
- Op. 34, No. 3 In F Major
- Op. 42 In A-Flat Major
- Op. 64, No. 1 In D-Flat Major
- Op. 64, No. 2 In C-Sharp Minor
- Op. 64, No. 3 In A-Flat Major
- Op. 69, No. 1 In A-Flat Major
- Op. 69, No. 2 In B Minor
- Op. 70, No. 1 In G-Flat Major
- Op. 70, No. 2 In F Minor
- Op. 70, No. 3 In D-Flat Major
Average customer rating:
|
Dvorák: The Masterworks [Box Set]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLJW Release Date: 2004-11-30 |
Customer Reviews:
breakdown by cd........2007-01-14
CD8:PIANO CONCERTO
CD9:VIOLIN CONCERTO & CELLO CONCERTO
CD10-11:REQUIEM
CD12-13:STABAT MATER
CD14:PIANO TRIOS OP.90 "DUMKY" & 21
CD15:PIANO TRIOS OP.65 & 26
CD16:PIANO QUARTETS
CD17:PIANO QUINTETS
CD18:STRING QUINTETS
CD19-20:MUSIC FOR VIOLIN AND PIANO
C21:SERENADE/HAUSMUSIK
CD22-31:THE COMPLETE STRING QUARTETS
CD32:SLAVONIC DANCES OP.46 & 72
CD33:PIANO DUET SLAVONIC DANCES
CD34:PIANO DUET LEGENDS FROM THE BOHEMIAN FOREST
CD35:PIANO WORKS
CD36-37:RUSALKA
CD38-40:SYMPHONIC POEMS
I'm not a music expert.......2005-08-25
Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
8. Slavonic Dances
9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka
As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.
Average customer rating:
|
Brahms: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLIS Release Date: 2004-11-30 |
Customer Reviews:
The "Clinker" of the bunch.......2006-12-19
Average customer rating:
|
William Kapell Edition (Box Set)
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000B9MR Release Date: 1998-09-29 |
Tracks:
- Mazurkas: Op. 6, No. 2
- Mazurkas: Op. 7, No. 2
- Mazurkas: Op. 7, No. 5
- Mazurkas: Op. 17, No. 2
- Mazurkas: Op 17, No 3
- Mazurkas: Op. 17, No. 4
- Mazurkas: Op. 24, No. 1
- Mazurkas: Op. 24, No. 3
- Mazurkas: Op. 30, No. 3
- Mazurkas: Op. 33, No. 1
- Mazurkas: Op. 33, No. 3
- Mazurkas: Op. 33, No. 4
- Mazurkas: Op. 41, No. 1
- Mazurkas: Op. 41, No. 2
- Mazurkas: Op. 50, No. 2
- Mazurkas: Op. 50, No. 3
- Mazurkas: Op. 56, No. 3
- Mazurkas: Op. 59, No. 1
- Mazurkas: Op. 59, No. 2
- Mazurkas: Op. 63, No. 2
- Mazurkas: Op. 63, No. 3
- Mazurkas: Op. 67, No. 2
- Mazurkas: Op. 67, No. 3
- Mazurkas: Op. 67, No. 4
- Mazurkas: Op. 68, No. 2
- Mazurkas: Op. 68, No. 3
- Mazurkas: Op. 68, No. 4
- Mazurkas: Op posth. - 'Notre temps'
- Mazurkas: Op posth - In B Flat
Tracks:
- Sonata No. 3, Op. 58 In B Minor: Allegro maestoso
- Sonata No. 3, Op. 58 In B Minor: Scherzo: Molto vivace
- Sonata No. 3, Op. 58 In B Minor: Largo
- Sonata No. 3, Op. 58 In B Minor: Finale: Presto, non tanto
- Waltz, Op. 18 In E Flat Major
- Sonata No. 2, Op. 35 In B-Flat Minor: Grave; Doppio movimento
- Sonata No. 2, Op. 35 In B-Flat Minor: Scherzo
- Sonata No. 2, Op. 35 In B-Flat Minor: Marche funebre
- Sonata No. 2, Op. 35 In B-Flat Minor: Presto
- Nocture, Op. 9, No. 1 In B Flat Minor
- The Sheperd's Complaint: No. 5, Songs Without Words, Op. 67
- Romance, Op. 28, No. 2 In F Sharp
- Sonata No. 16, K. 570 In B Flat: II. Adagio
Tracks:
- Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace; Variation I: (Precedente)
- Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation II: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation III: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation IV: Piu Vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation V: Tempo precedente
- Rhapsody On A Theme Of Paganini, Op. 43: Varation VI: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation VII: Meno mosso, a tempo moderato
- Rhapsody On A Theme Of Paganini, Op. 43:: Varation VII: Tempo 1
- Rhapsody On A Theme Of Paganini, Op. 43: Varation IX: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation X: Poco marcato
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XI: Moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XII: Tempo di minuetto
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIII: Allegro
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43:: Varation XV: Piu vivo scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVI: Allegretto
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVII: [Allegretto]
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVIII: Andante cantabile
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIX: A tempo vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XX: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXI: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXII: Un poco piu vivo (Alla breve)
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXIII: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: A tempo un poco meno mosso
- Concero No. 2, Op. 18 In C Minor: Moderato; Allegro
- Concero No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concero No. 2, Op. 18 In C Minor: Allegro scherzando
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Preludes, Op. 34: No. 24 In D Minor
- Preludes, Op. 34: No. 10 In C Sharp Minor
- Preludes, Op. 34: No. 5 In D Major
Tracks:
- Concerto No. 3, Op. 26 In C: Andante; Allegro
- Concerto No. 3, Op. 26 In C: Tema: Andantino
- Concerto No. 3, Op. 26 In C: Variation I: Listesso tempo
- Concerto No. 3, Op. 26 In C: Variation II: Allegro
- Concerto No. 3, Op. 26 In C: Variation III: Allegro moderato (poco meno mosso)
- Concerto No. 3, Op. 26 In C: Variation IV: Andante meditativo
- Concerto No. 3, Op. 26 In C: Variation V: Allegro giusto
- Concerto No. 3, Op. 26 In C: Tema: Listesso tempo
- Concerto No. 3, Op. 26 In C: Allegro ma non troppo
- Concerto: Allegro mastoso
- Concerto: Andante con anima
- Concerto: Allegro brillante
- Preludes, Op. 34: No. 14 In E Flat Minor
- Preludes, Op. 34: No. 10 In C Sharp Minor
- Preludes, Op. 34: No. 5 In D Major
Tracks:
- Concerto No. 2, Op. 19 In B Flat Major: Allegro con brio
- Concerto No. 2, Op. 19 In B Flat Major: Largo
- Concerto No. 2, Op. 19 In B Flat Major: Rondo: Allegro scherzando
- Moment Musical: Moment Musical In F Minor, D. 780, No. 3
- Waltz: Waltz In B Major, D. 145, No. 2
- Waltz: Waltz In B Major, D. 145, No. 6
- Waltz: Waltz In E Major, D. 365, No. 26
- Waltz: Waltz In F Major, D. 365, No. 32
- German Dances: German Dance In B Flat Major, D. 783, No. 6
- German Dances: German Dance In B Flat Major, D. 783, No. 7
- Waltz: Waltz, In F Major, D. 365, No. 34
- Landler: Landler, In G Major, D. 734, No. 1
- Landler: Landler, In D Major, D. 734, No. 2
- Impromptu: Impromptu In A Flat Major, D. 935, No. 2
- Romance: Romance In F Sharp Major, Op. 28, No. 2
- Intermezzo: Intermezzo In E Major, Op. 116, No. 6
- Sonetto No. 104 del Petrarca - Liszt
- Hungarian Rhapsody No. 11 - Liszt
- Mephisto Waltz No. 1 - Liszt
Tracks:
- Partita No. 4 In D Major, BWV 828: Ouverture
- Partita No. 4 In D Major, BWV 828: Allemande
- Partita No. 4 In D Major, BWV 828: Courante
- Partita No. 4 In D Major, BWV 828: Aria
- Partita No. 4 In D Major, BWV 828: Sarabande
- Partita No. 4 In D Major, BWV 828: Menuet
- Suite In A Minor, BWV 818: Allemande
- Suite In A Minor, BWV 818: Courante
- Suite In A Minor, BWV 818: Sarabandes 1 & 2
- Suite In A Minor, BWV 818: Gigue
- Sonata In E Flat Major, K. 380 - L. 23
- Sonata In B Flat Major, K. 570: 2. Adagio
- From Iberia: Evocacion
- Piano Playtime: No. 1: Waltz Of The Rainbow
- Piano Playtime: No. 4: By The Brook
- Piano Playtime: No. 5: Dancing Bagpipes
- Piano Playtime: No. 6: Tricky Trumpet
- Children's Corner: Dr. Gradus ad Parnassum
- Children's Corner: Jimbo's Lullaby
- Children's Corner: Serenade For The Doll
- Children's Corner: The Snow Is Dancing
- Children's Corner: The Little Shepherd
- Children's Corner: Golliwog's Cakewalk
- Toccata ostinato
Tracks:
- Sonata In G Minor, Op. 19: Lento; Allegro moderato
- Sonata In G Minor, Op. 19: Allegro scherzando
- Sonata In G Minor, Op. 19: Andante
- Sonata In G Minor, Op. 19: Allegro mosso; Meno mosso; Moderato; Piu vivo
- Sonata In F Minor, Op. 120, No. 1: Allegro appassionato
- Sonata In F Minor, Op. 120, No. 1: Andante un poco adagio
- Sonata In F Minor, Op. 120, No. 1: Allegretto grazioso
- Sonata In F Minor, Op. 120, No. 1: Vivace
- Sonata In D Minor, No. 3, Op. 108: Allegro
- Sonata In D Minor, No. 3, Op. 108: Adagio
- Sonata In D Minor, No. 3, Op. 108: Un poco presto e con sentimento
- Sonata In D Minor, No. 3, Op. 108: Presto agitato
Tracks:
- Piano Sonata (1941): Molto moderato
- Piano Sonata (1941): Vivace
- Piano Sonata (1941): Andante sostenuto
- Nocturne In E - Flat - Op 55, 2
- Mazurka In C - Op 33, 3
- Polonaise-Fantasie In A - Flat - Op 61
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: The Gnome
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: The Old Castle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Tuileries
- Pictures At An Exhibition: Bydlo
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Ballet Of The Unhatched Chicks
- Pictures At An Exhibition: Samuel Goldenberg And Schmuyle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Limoges - The Market
- Pictures At An Exhibition: Catacombs
- Pictures At An Exhibition: Con mortuis In lingua Mortua
- Pictures At An Exhibition: The Hut On Fowl's Legs
- Pictures At An Exhibition: The Great Gate At Kiev
- No 1 - Kinderszenen: About Foreign Lands And People
- Sonata In E (K 380) - L. 23
Tracks:
- Partita No. 4 In D Major, BWV. 828: Allemande (Beginning)
- Sonata No. 10 In C Major, K. 330: 1. Allegro moderato (Beginning)
- Sonata No. 3 In B Minor, Op. 58: 1. Allegro maestoso (Beginning)
- Sonata No. 3 In B Minor, Op. 58: 3. Largo
- Mazurka In A Flat Major, Op. 17, No. 3
- Sonata No. 3 In D Minor, Op. 108: 2. Adagio
- No. 4, Songs Without Words, Op. 67: Spinning Song
- Interview With William Kapell
Amazon.com essential recording
Blessed with transcendent technique and an affinity for big, bold Romantic works, William Kapell has been hailed as America's greatest homegrown pianist. This comprehensive collection of his complete recorded output, previously unreleased recordings, and broadcast tapes adds luster to a reputation that's become legendary since his tragic death in a plane crash at age 31. The earliest recordings, from the mid-1940s, bristle with raw energy and virtuosic flourishes tempered by an innate musicality that rises above mere display.The disc coupling Khachaturian and Prokofiev concertos is charged with excitement; the Rachmaninoff pairing of the Paganini Variations and the Concerto No. 2 weds the Grand Romantic style to poetic lyricism; and an inspired Liszt group is charged with dynamic energy. Best may be the two Chopin discs: spontaneous, rhythmically flexible sonatas and mazurkas. The later recordings demonstrate the repose that comes with artistic maturity, and the "live" broadcasts reveal Kapell's warmth and spontaneity in concert. Splendid transfers help make this long-awaited set appealing to music lovers in general, as well as piano buffs. --Dan Davis
Customer Reviews:
Very touched.......2006-09-24
In Memorium.......2005-10-29
A few years later, in the middle 50's, I bought Kapell's recording of the same work, with Fritz Reiner and the Robin Hood Dell Orchestra (alias of The Philadelphia Orchestra). I still have that LP, though I wore it out long ago. It was the beginning of my musical education. But since 1998, we have had this wonderful box of reissues from the vaults of RCA. The sound is mostly excellent, considering the age of the monophonic originals. To this day, Kapell's Rachmaninov Rhapsody remains-in my opinion-the most impassioned, yet the most musical, reading of the piece ever recorded. No one had, or has, Kapell's combination of white-hot temperament, technical brilliance, and musical insight. We have had musical geniuses; technical wizards abound. It is the combination of these gifts, as Kapell possessed them in particular, married to his incendiary passion, that made him unique.
He was still learning, and he was learning at such an astounding rate! He had moved from Khachaturian to the most unforgettable Chopin B minor Sonata ever recorded in little more than a decade. His deep throated, noble, and articulate Bach has caused some to speculate that Glenn Gould might have found his inspiration in Kapell. One Gould biographer, and a New York critic, wrote that the reverse was true. The critic acknowledged the error, in print, noting that Kapell could not have been influenced by Gould's style since he had been dead for two years by the time of Gould's debut recital in New York City in 1955.
The lyrical side of romantic music is not what Kapell was or is known for, not his "style" as people remember him now. But listening to the lyrical music in this set shows a side of him that was, nevertheless, as real as any, and perhaps more revealing. It also gives us a notion of what we might have expected of William Kapell had he lived a normal span of years and played a normal variety of music. In a live performance, he plays Chopin's Nocturne, Op. 9, No. 1, with melting legato and exquisite timing: his innate sense about when to tug on the beat and when to surge forward makes the music breathe. His use of dynamic variety demands the greatest respect: at one point, the repetition of a melodic phrase is but a pale echo of its first statement. His tonal palette is no less wondrous. When a deep bass note suddenly appears, early in the A section of the ABA structure, it sounds-not loud nor quiet, not muffled nor distinct-but awesomely subterranean. Kapell begins the piece without much sustaining pedal, but in the B section, he subtly adds more and more. Then, when the A section returns near the end, the pedal disappears. This dramatic change in color-along with Chopin's change of key-seems like the parting of clouds. We are in the hands of two masters here, Chopin and Kapell. Kapell gave this performance in Carnegie Hall in February of 1945, when he was twenty-two years old.
In the Bach and Chopin works I've discussed, the steely, percussive tone that some speak of is nowhere to be heard. Rather, we hear a full, rich, and complex piano tone. In the Chopin Sonatas, the Debussy pieces, and the Schubert, Schumann, Mendelssohn, Debussy, and Albeniz, the sound Kapell produces is beautiful and varied.
He was a chamber musician of the first order, as his collaborations with Heifetz prove. (He was one of the very few musicians who had the force of personality to make Heifetz accompany HIM. And you can hear it.) And if you've never heard Rachmaninov's great Cello Sonata, played here with the grand Russian/German cellist Edmund Kurtz, you're in for a treat. There are several fine, modern stereo recordings, but this one is special. The piano part is very important-Rachmaninov did write it, after all-and Kapell is magnificent. This was Rachmaninov's next published work after the 2nd Piano Concerto, to give you an idea of its melodic grandeur. If there is a flaw here, it is that the piano is recorded too far back, relative to the cello.
Kapell died on October 30, 1953. He had just turned thirty-three. He played his last recital in Geelong, Australia, on the 22nd. It included the Chopin 2nd Piano Sonata which contains the well-known "Marche funèbre." That performance is included here, transferred from the original acetates. It is a great performance but very hard to listen to now, in light of what was to follow just over a week later. I am writing this one day short of the 52nd anniversary of Kapell's death. Had he lived until today, he would be younger than either Earl Wild or Ivan Moravec, both of whom are still making magnificent music. For those of us who love William Kapell's music, it is heartbreaking to consider, and fruitless. Thank Heaven we have recordings like the ones in this set. They are essential for any lover of good music.
John Pendley
Priceless Souvenirs from a Rare Genius: Ave Atque Vale.......2005-10-28
William Kapell is still considered by most as the America's greatest pianist, even fifty odd years after his death at the age of 31 in a plane crash. Those who heard him perform still rhapsodize over the magic he created. Those of us who are left with only recordings, such as this spectacular boxed set of all of his recordings, can only be uplifted by the man's genius, his extraordinary technical facility, and his intuitive, profound approach to the great works of music.
All styles of music were easily accessible to Kapell. Listen to the Mozart, Bach, Scarlatti, Paganini and Mendelssohn and try to imagine performances of more clarity and finesse than these. His Chopin is well represented in this set and glows with the uncanny power and tenderness that Chopin combined in his works. His works for solo piano by Rachmaninov and Shostakovich are the gold standard, and yet his Schubert, Schumann, Brahms, Mussorgsky and Liszt raise the bar for excellence that has since not been excelled. Joyously this set includes concerti including Prokofiev, Beethoven, Khachaturian, and Rachmaninov with the various conductors who saw Kapell's gifts and championed them.
The memory of this great artist is felt throughout the year, but never as acutely as on October 29th which marks the date of his cruel death. The world was brightened for too short a time by William Kapell, yet because of his recorded legacy his legend lives on. This is an impossibly fine box set of treasures. Highly Recommended. Grady Harp, October 05
Poetry without words.......2004-12-14
What Is Technically Difficult Is Not Always Pleasant To Hear.......2004-10-02
Average customer rating:
|
Chopin: Complete Edition
Krystian Zimerman , Claudio Arrau , Stefan Askenase , Anatol Ugorski , Maurizio Pollini , Jean-Marc Luisada , and Zilberstein, Lilya Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001X58Z Release Date: 1999-10-12 |
Amazon.com
On the 150th anniversary of his death, Deutsche Grammophon released this impressive box set featuring the complete works of Frédéric Chopin. Spread out over 17 CDs, it contains some truly big-name artists--Argerich, Pollini, Barenboim, and Ashkenazy--and a few you've probably never heard of. The majority of the set's nine volumes contain some music newly produced for this undertaking, and a few items (Chopin's songs, for instance) were recorded specifically for this collection. A well-illustrated book is included--it contains an essay, dateline, and illustrations--and each volume in the set gets its own liner notes. The music? It varies from great to less than great, but most of it is worth hearing. Those accustomed to Rubinstein's readings of the Mazurkas will find those played by Jean-Marc Luisada less fluid and lacking Rubinstein's power. Chopin's songs, seldom heard and filled with elements of Polish folk dances and the less-than-stellar lyrics of the composer's friend Stefan Witwicki, get a college try here by soprano Elzbieta Szmytka. They sound as good as you'll hear anywhere (if you can find them). It probably goes without saying that Martha Argerich's rousing 26 Préludes are some of the set's more exciting moments. But, really, the entire collection is solid. It should be noted that budget label Naxos has released its own Chopin edition at less than half the price of this set. With Idil Biret as the only performer on that set, you miss out on some of the diverse performances and personalities found here. Also, to please those of us who already own favorite performances of these works, each two-CD volume in the Complete Chopin Edition can be purchased individually. Bravo. --Jason VerlindeCustomer Reviews:
At least 16 / 19 well spent hours.......2004-10-11
Rubinstein recorded the preludes (op.28) in their entirety only once, in 1946, which means that they aren't available in RCA's collection with preferable sound quality, but on this set Martha Argerich delivers a great performance of the 26 preludes (no.1-24, op.28, plus 25, op.45, and 26, op. 35,) recorded in 1975. One prelude that in my opinion should always be played as slow and gentle as possible is no.15 (a.k.a. "The Raindrop Prelude.") What I'd like to describe as a prefect version of the piece is performed by--despite my having done a lot of research--a, to me unknown performer, but runs at 6:08 minutes. Argerich rushes the whole piece a bit (the drops fall too closely -) the fact that her version runs at 4:51 should say a lot. Of the approximately 20 different performances I've heard of this particular prelude (obviously one of my favorites,) Argerich's is the shortest, and lays somewhere in the swamp among other "medium integral" versions. She delivers exciting performances of the other preludes, though - the first time I heard them, I hit repeat on my CD player, and listened to nothing else for three days.
The Mazurkas, here performed by Jean-Marc Luisada and Lilya Zilberstein, are performed--while beautifully--quite carefully and loosely. For those who'd like a more restrained performance of the pieces, RCA's Rubinstein Collection, vol. 50, is recommended.
Besides all the music for only piano(s,) Chopin also composed 80 minutes worth of chamber music, which here is performed by Beaux Arts Trio, et al. He also wrote 45+ minutes worth of songs, which here is performed by soprano Elzbieta Szmytka and pianist Malcolm Martineau on a 1999 performance. I don't feel qualified to comment on solo singing in Polish, but while I don't care for the occasional close-to-full effect vibrato, I like Martineau's piano playing and the almost folksy melodies and arrangements. This music distinguishes itself by far from the rest of the music in the set. Translations to several languages of the lyrics to the 19 songs are included.
The stereophony on all recordings is great, the overall sound quality on all discs (when considering the years of the recordings) I'd give a 4/5, but still rate the whole package 9/10 - I'd think that some (both older and newer) recordings could have been transferred better, while some sound superior to what you'd dare dream of. This is definitely the best complete edition of Chopin's music available, and perhaps the best collection of works available on disc by any classical composer. A lot of work has been put into the set's design, the sound, and certainly the amount and accuracy of interesting info given in the enclosed illustrated 140 page hard-cover book (of which a fifth is written in English) and in the 40-60 page booklets (also illustrated) included in each volume; practically everything you'll ever need to know about the composer (and these recordings) is included here along with all the music he wrote. Well worthy of your time and money.
Enlightening but slighly blemished.......2004-07-05
The greatest virtue of this collection is the opportunity to hear more obscure elements of Chopin's collected ouevre. He wrote some lovely chamber music and wrote highly effective variations with and without orchestra. Among his 17 songs are a few gems.
As for the strength of the performances, some of them are rightly considered definitive. I love Zimerman in the piano concerti, Argerich owns the Op. 28 preludes, and I find in Pollini's scherzos the unbridled energy and interpretive depth required by these challenging pieces. Even if Daniel Barenboim's nocturnes do not set any records, they are well-done and completely satisfying.
I was less enthusiastic about Pollini's readings of the latter 2 piano sonatas, which I find prosaic on the whole. I was equally underwhelmed by Bunin's impromptus, which again betray interpretive rather than technical deficiencies. My greatest disappointment is Jean-Marc Luisada's controversial readings of the mazurkas. An unwieldy rubato rules the day here, and distorts the harmonic language to the point that it sounds like Debussy or Ravel's frequent (and unshakeably French-sounding) evocations of Spain. I much prefer any of the Rubinstein mazurka sets, which are colorful but rhythmically mindful of their namesakes.
Properly supplemented in the more familiar repertory (mazurkas, impromptus, sonatas, in particular), I believe this set is indispensable to anyone who appreciates or seeks a broader understanding of Chopin the composer. I recommend it highly.
Chopin - Luisada, Jean-Marc.......2002-04-14
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
Chopin - Luisada, Jean-Marc.......2002-04-14
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
Learn, learn, learn!.......2000-10-16
DG deserves praise for coming with an excellent set of records as well as presentation of the booklets. It is breathtaking to have the opportunity to really know Chopin so well.
Performers are first rate and speak for themselves, and for the price of 8 CD's you get the whole collection. Yes, you can get in some cases better performances, but overall you can find a better compilation. Naxos has its own, and I am going to exchange it with a friend, problem will be to get mine back!
Buy it without hesitation.
Average customer rating:
|
Frédéric Chopin: Piano Works
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SBV Release Date: 2002-08-05 |
Tracks:
- Berceuse En Rl Majeur In D Flat Major, Op.57
- Chant Plonais N 12 'Moja Piesczotka'
- Etude En Sol Bl Majeur In G Flat, Op.10 N 5
- Etude En Sol Bl Majeur In G Flat, Op.25 N 9
- Etude En La Mineur In A Minor, Op.25 N 11
- Impromtu N 1 En La Bl Majeur In A Flat Major, Op.29
- Impromtu N 2 En Fa Di Majeur In F Sharp, Op.36
- Etude En La Bl Majeur In A Flat Major, Op.25 N 1
- Valse N 7 En Ut Diineur In C Sharp Minor, Op.64 N 2
- Berceuse En Rl Majeur In D Flat, Op. 57
- Ballade N 1 En Sol Mineur In G Minor, Op.23
- Prdes Op.28 N 1 En Ut Majeur In C
- Prdes Op.28 N 4 En Mi Mineur In Minor
- Prdes Op.28 N 8 En Fa Di Mineur In F Sharp
- Prdes Op.28 N 12 En Sol Di Mineur In G Sharp Minor
- Prdes Op.28 N 17 En La Bl Majeur In A Flat Major
- Prdes Op.28 N 19 En La Bl Majeur In E Flat Major
- Prdes Op.28 N 24 En Rineur In D Minor
- Sonate N 3 En Si Mineur In B Minor, Op.58 I Allegro Maestoso
- Sonate N 3 En Si Mineur In B Minor, Op.58 II Scherzo (Allegro vvace)
- Sonate N 3 En Si Mineur In B Minor, Op.58 III Largo
- Sonate N 3 En Si Mineur In B Minor, Op.58IV Finale (Presto Non Tanto)
Tracks:
- Prde En Sol Di Mineur In G Sharp Minor, Op.28 N 12
- Nocturne En Mi Bl Majeur In E Flat, Op.9 N 2
- Sonate N 2 En Si Bl Majeur In B Flat Major, Op.35: I Grave-Allegro
- Sonate N 2 En Si Bl Majeur In B Flat Major, Op.35: II Scherzo
- Sonate N 2 En Si Bl Majeur In B Flat Major, Op.35: III Marche Fune
- Sonate N 2 En Si Bl Majeur In B Flat Major, Op.35: IV Finale (Presto)
- Polonaise N 6 En La Bl Majeur In A Flat Major, Op.53
- 4 Ballades N 1 En Sol Mineur In G Minor, Op.23
- 4 Ballades N 2 En Fa Majeur In F MajorOp, 38
- 4 Ballades N 3 En La Bl Majeur In A Flat Major Op,47
- 4 Ballades N 4 En Fa Mineur In F Minor, Op.52
- Fantaisie En Fa Mineur In F Minor, Op.49
- Tarentelle En La Bl Majeur In A Flat, Op.43
Tracks:
- Barcarolle En Fa Di Majeur In F Sharp, Op.60
- 12 Etudes Op.10 N 1 In C
- 12 Etudes Op.10 N 2 In A
- 12 Etudes Op.10 N 3 In E
- 12 Etudes Op.10 N 4 In c Sharp
- 12 Etudes Op.10 N 5 In G Flat
- 12 Etudes Op.10 N 6 In G Flat
- 12 Etudes Op.10 N 7 In E Flat
- 12 Etudes Op.10 N 8 In F
- 12 Etudes Op.10 N 9 In f
- 12 Etudes Op.10 N 10 In A Flat
- 12 Etudes Op.10 N 11 E Flat
- 12 Etudes Op.10 N 12 In C
- 12 Etudes Op.25 N 1 In A Flat
- 12 Etudes Op.25 N 2 In f
- 12 Etudes Op.25 N 3 In F
- 12 Etudes Op.25 N 4 In a
- 12 Etudes Op.25 N 5 In e
- 12 Etudes Op.25 N 6 In g Sharp
- 12 Etudes Op.25 N 7 In c Sharp
- 12 Etudes Op.25 N 8 In D Flat
- 12 Etudes Op.25 N 9 In G Flat
- 12 Etudes Op.25 N 10 In B Flat
- 12 Etudes Op.25 N 11 In a
- 12 Etudes Op.25 N 12 In c
- Valses N 1 In E Flat, Op.18
- Valses N 5 In A Flat, Op.42
- Valses N 10 In b, Op.69 N 2
- Valses N 14 In e, Op. Posth.
Tracks:
- Piano Con No. 2 En f Op.21 I Allegro
- Piano Con No. 2 En f Op.21 II Larghetto
- Piano Con No. 2 En f Op.21 III Allegro Vivace
- Impromptu No.3 In G Flat, Op.51
- 14 Valses No.1 In E Flat, Op.18
- 14 Valses No.2 In A Flat, Op.34 No.1
- 14 Valses No.3 In a, Op.34 No.2
- 14 Valses No.4 In F, Op.34 No.3
- 14 Valses No.5 In A Flat, Op.42
- 14 Valses No.6 In D Flat, Op.64 No.1
- 14 Valses No.7 In c Sharp, Op.64 No.2
- 14 Valses No.8 In A Flat, Op.64 No.3
- 14 Valses No.9 In A Flat, Op.69 No.1
- 14 Valses No.10 In b, Op.69 No.2
- 14 Valses No.11 In G Flat, Op.70 No.1
- 14 Valses No.12 In f, Op.70 No.2
- 14 Valses No.13 In D Flat, Op.70 No.3
- 14 Valses No.14 In e, Op. Posth.
Tracks:
- 24 Prdes Op.28 No.1 In C
- 24 Prdes Op.28 No.2 In a
- 24 Prdes Op.28 No.3 In G
- 24 Prdes Op.28 No.4 In e
- 24 Prdes Op.28 No.5 In D
- 24 Prdes Op.28 No.6 In b
- 24 Prdes Op.28 No.7 In A
- 24 Prdes Op.28 No.8 In f Sharp
- 24 Prdes Op.28 No.9 In E
- 24 Prdes Op.28 No.10 In c Sharp
- 24 Prdes Op.28 No.11 In B
- 24 Prdes Op.28 No.12 In g Sharp
- 24 Prdes Op.28 No.13 In F Sharp
- 24 Prdes Op.28 No.14 In e Flat
- 24 Prdes Op.28 No.15 In D Sharp
- 24 Prdes Op.28 No.16 In B Flat
- 24 Prdes Op.28 No.17 In A Flat
- 24 Prdes Op.28 No.18 In f
- 24 Prdes Op.28 No.19 In E Flat
- 24 Prdes Op.28 No.20 In c
- 24 Prdes Op.28 No.21 In B Flat
- 24 Prdes Op.28 No.22 In g
- 24 Prdes Op.28 No.23 In F
- 24 Prdes Op.28 No.24 In d
- 12 Etudes Op.10 No.1 In C
- 12 Etudes Op.10 No.2 In a
- 12 Etudes Op.10 No.3 In E
- 12 Etudes Op.10 No.4 In c Sharp
- 12 Etudes Op.10 No.5 In G Flat
- 12 Etudes Op.10 No.6 In e Flat
- 12 Etudes Op.10 No.7 In C
- 12 Etudes Op.10 No.8 In F
- 12 Etudes Op.10 No.9 In f
- 12 Etudes Op.10 No.10 In A Flat
- 12 Etudes Op.10 No.11 In E Flat
- 12 Etudes Op.10 No.12 In c
Tracks:
- 12 Etudes Op.25 No.1 In A Flat
- 12 Etudes Op.25 No.2 In f
- 12 Etudes Op.25 No.3 In F
- 12 Etudes Op.25 No.4 In a
- 12 Etudes Op.25 No.5 In e
- 12 Etudes Op.25 No.6 In g Sharp
- 12 Etudes Op.25 No.7 c Sharp
- 12 Etudes Op.25 No.8 In D Flat
- 12 Etudes Op.25 No.9 In G Flat
- 12 Etudes Op.25 No.10 In b
- 12 Etudes Op.25 No.11 In a
- 12 Etudes Op.25 No.12 in c
- 2 ChantsPolonais Op.75 (Transcription F.Liszt):Printemps ('Wiosna')
- 2 ChantsPolonais Op.75 (Transcription F.Liszt):L'Anneau ('Pierscien')
- Nocturnes No.4 In F, Op.15 No.1
- Nocturnes No.5 In F Sharp, Op.15 No.2
- Nocturnes No.7 In c Sharp, Op.27 No.1
- Nocturnes No.15 In f, Op.55 No.1
- Nocturnes No.16 In E Flat, Op.55 No.2
- 3 Nouvelles Etudes Pour La Mode De Moscheles & Fs No.1 In f
- 3 Nouvelles Etudes Pour La Mode De Moscheles & Fs No.2 In D Flat
- 3 Nouvelles Etudes Pour La Mode De Moscheles & Fs No.3 In A Flat
- Prde In c SHarp, Op.45
Customer Reviews:
hmmmmm.......2005-11-28
Be prepared for lesser quality recording.......2005-11-15
I cannot write about his musicianship compared with other artists--please read the other reviews. But I will say that if you're planning to purchase this set, be prepared that the quality of the recording is really not that good. I did not heed the warnings of the other reviewers. It sounds like Cortot is performing in the middle of a waterfall.
Perhaps this recording will grow on me, but I'm going to look elsewhere for a set of Chopin works that I would listen to on a regular basis.
Thanks for reading.
You haven't really heard Chopin if you haven't heard Cortot!.......2005-09-21
Cortot had won open admiration of Schiff, Cziffra, Michelangeli, Arrau, Solti... just to name a few. His pianism and his Chopin included is so incisive, with myriad of hues from coming from his subtle touch. And the poignancy is such that it is pure poetic ecstasy all through.
Talking about this album, despite the fact that Cortot had a long performing and recording career, the real obstacle is the archive sound. In this album we can have almost the best recording possible, with better transfer than most other trade names by far, be it Naxos or Aura, or whatever for the price of something like Naxos!
Note however that there is some grumble that EMI should instead chose his Preludes recorded in the 30s rather than those of the 40s, and EMI shouldn't have chosen his B Minor Sonata of recorded in the 50s when Cortot was declining... But in the latters we have better recordings and they are more bewitching even if slightless less staggering. Likewise, Barbirolli's accompaniment here may not be the most ideal, yet it is so fresh and so alive to say the least. On the whole, the recording and transfer is much better than what we have in Rachmaninov's box set by RCA.
Enormously enjoybale with so much to learn. And for those find the archive sound hard to bear with, do bear in mind that the pianist whom Schiff listen to most is Cortot, and before Cortot, it was Schnabel!
A must for both Chopin lovers and piano enthusiasts.......2004-10-17
Any enthusiast of Chopin must listen to these recordings with an open mind. At first you will shun them, unaccustomed to the way the pieces differ from today, but soon they will grow on you and you hear each piece as if for the first time, and yo realize how far off our modern pianists are from the truth of the music. Most are more tachnically perfect than Cortot, he was often missing or hitting wrong notes, but the emotion behind those notes is what is the real importance of the music, something lost in todays pianists. Someone once said I would rather hear a good pianists wrong notes than a bad pianists right ones. And I cannot think of a more perfect personification of that comment than Cortot. In my mind he ranks as one of the top five pianists of the recording era, along with Hofmann, Richter, Horowitz, Gilels, and Moiseiwitsch. But honestly, I find more enjoyment listening to Cortot than any other single pianist on record, and this cortot box set covers almost three fourths of his Chopin output, so if you enjoy this find his Emi References of the Impromptus, the two great pianists disc are wonderful transfers, the chamber music trio with Thibaudet and Casals, and for the real enthusiast with money, the prades festival contains his last recording which a perfectly flawed rendition of the Third Cello Sonata by Beethoven and a version of Bei Mannern(different than the naxos.)
Must have!.......2003-07-24
Average customer rating:
|