Composed by Johann Sebastian Bach
2. Violin Sonata in G minor, Op.1/6, HWV 364a
Composed by George Frideric Handel
with Nikita Magaloff
3. Sonata for violin & continuo in G major, Op 2/12
Composed by Giuseppe Tartini
with Kurt Ruhrseitz
4. Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c)
Composed by Wolfgang Amadeus Mozart
with Nikita Magaloff
5. Sonata for Violin & Piano No. 3 in D minor, Op. 108
Composed by Johannes Brahms
with Egon Petri
6. Sonata for violin & piano No. 5 in F major ("Spring") Op. 24
Composed by Ludwig van Beethoven
with Claudio Arrau
7. Sonata for violin & piano No. 9 in A major ("Kreutzer") Op. 47
Composed by Ludwig van Beethoven
with Claudio Arrau
8. Minuet for piano in G major, WoO 10/2
Composed by Ludwig van Beethoven
with Kurt Ruhrseitz
9. Sonata for violin & piano No. 8 in G major, Op. 30/3 Allegro vivace
Composed by Ludwig van Beethoven
with Kurt Ruhrseitz
Great Violin Sonatas,Szigeti,Magaloff,Ruhrseitz,Petri,Enterprise,Classical,Classical Music
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Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Itzhak Perlman , and Vladimir Ashkenazy Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I7VT Release Date: 1999-03-09 |
Tracks:
- Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
- Violin Sonata No.1 In G, Op.78: II: Adagio
- Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
- Violin Sonata No.2 In A, Op.100: I: Allegro amibile
- Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
- Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
- Violin Sonata No.3 In D Minor, Op.108: I: Allegro
- Violin Sonata No.3 In D Minor, Op.108: II: Adagio
- Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
- Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato
Amazon.com essential recording
Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted LibbeyCustomer Reviews:
Brahms Violin Sonatas.......2007-01-11
these are really good sonatas.......2005-10-10
Brahms.......2005-10-07
Finest Brahms.......2002-05-22
If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.
Perlman and Ashkenazy do it again.......2001-07-24
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Mozart: The Great Violin Sonatas, Vol. 2
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I94G Release Date: 1999-03-09 |
Tracks:
- Sonata In B Flat, KV 378: 1. Allegro moderato
- Sonata In B Flat, KV 378: 2. Andantino sostenuto e cantabile
- Sonata In B Flat, KV 378: 3. Rondeau. Allegro
- Sonato In G, KV 379: 1. Adagio - Allegro
- Sonato In G, KV 379: 2. Tema (con variazioni) Tema - Variazioni I-V - Tema
- Sonata In E Flat, KV 380: 1. Allegro
- Sonata In E Flat, KV 380: 2. Andante con moto
- Sonata In E Flat, KV 380: 3. Rondeau. Allegro
- Sonata In B Flat, KV 454: 1. Largo - Allegro
- Sonata In B Flat, KV 454: 2. Andante
- Sonata In B Flat, KV 454: 3. Allegretto
Tracks:
- Sonata In E Flat, KV 481: 1. Molto allegro
- Sonata In E Flat, KV 481: 2. Adagio
- Sonata In E Flat, KV 481: 3. Allegretto (con variazioni)
- Sonata In A, KV 526: 1. Allegro molto
- Sonata In A, KV 526: 2. Andante
- Sonata In A, KV 526: 3. Presto
- Sonata In F, KV 547 'For Beginners': 1. Andante cantabile
- Sonata In F, KV 547 'For Beginners': 2. Allegro
- Sonata In F, KV 547 'For Beginners': 3. Andante con variazioni
- Six Variations In G Minor, KV 360 On 'Helas, j'ai perdu mon amant': Tema - Variazioni I-VI
Customer Reviews:
Fascinating Mozart.......2007-01-04
They blend very well together. Haebler seems to be the leader of the two.
Her performance is well articulated and convincing.
It is interesting to listen to this interpretation, especially after
the last Mozart jubilee. Everybody has been doing his music and there has been a search for the "real Mozart".
He has once again escaped everybody. But in this now "historic" performance with Haebler and Szeryng he seems to be quite close.
The musicality is on a very high level and their approach is very
earnest.
Although I prefer Lili Kraus and Szymon Goldberg in these works,
the sound here is much better and Haebler has just as much personality
in her interpretation as Kraus on hers. And they are quite different
from each other.
Summing up, I recommend the recording for everybody who has interest
in these sonatas.
The Mature Violin Sonatas.......2005-06-01
"K.379, 376, 377 and 380 are works of great historic significance: they are the first important chamber works Mozart wrote after his decision to stay in Vienna as a free artist and constitute his visiting card as a composer. The grand style of 'Idomeneo' is still ringing in them and other moments foreshadow `The Abduction from the Seraglio ... They are rich in new ideas, showing traces of musical genius ... very brilliant, and well suited to the instrument. Moreover, the violin accompaniment is so ingeniously combined with the piano ... and thus these sonatas demand a violinist an accomplished as the pianist."
These sonatas are magnificantly played by Szeryng and Haebler - a partnership that was renowned for its seamless musicianship. Music author David Dubal says of the Austrian pianist Ingrid Haebler: "An artist who plays with polish and taste. Her Mozart is especially admired for these qualities. Her playing has refinement and geniality, as well as a very special tone quality." Agreed. Equally, the emaculate playing of Polish violinist, Henrynk Szeryng, finds just the right shape, line and nuance for this music to elicit that 18th-century parlor charm.
I heard an interesting story about Szeryng's choice of instruments that some might find interesting: "Many famous virtuoso violinists have chosen to play Guarnerius rather than Stradivarius violins, a fact not generally known to the public. At one time Polish virtuoso Henryk Szeryng owned two Stradivarius violins and one Guarnerius. Eventually, he donated the two Strads to worthy musical institutions and kept only the Guarnerius. Szeryng treasured his Guarnerius so much that, when he travelled, he bought two seats -- one for himself and one for his Guarnerius."
It is hard to fault much in the wonderful Philips DUO set when the music is so well performed and so typically pleasant and galante Mozart. ABout the only negative thing might be the sound quality - which is clean but lacks a truly satisfying fullness and richness of tone that are found in newer recordings (like Hahn, Steinberg)... but nothing to discourage enjoyment. Penguin Guide gave this set a top 3-star rating as well as listing it as one of their "Recommended Recordings" (for building a collection). Hard to say which to get first - Vol. 1 or 2 - both are recommended and both contain important works. Also, consider the legendary recordings by Arthur Grumiaux or the newer ones Hilary Hahn/Natalie Zhu for this genre if you are comparing choices.
the Musical Version of 1001 Nights.......2003-02-26
This is a musical version of 1001 Nights of the most civilised kind: no one could possibly grow tired of them.
Perlman once said he had problem of finding whom the violinist is though he is good. Quite right, it's because when Szeryng played Mozart, he completely captured the essense of Mozart as demonstrated here, and when he played Bach, even Hilary Hahn said he had got everything she is aiming at.
It's nothing like the later players, always exhibiting themselves, their sentimentality or else "technique" ( in the narrow sense) rather than serving the composer or the violin. Szeryng spoke more languages than Arthur Rubinstein, 7 altogether. Such is his supreme power of self-abnegation, linguistically and musically alike. As such it's quite beyond those egoists who could only speak one language and would complain that the rest of the world don't do the same.
These CDs triggered me to buy Szeryng/Haebler's Beethoven Sonatas. Not quite as good. My preliminary impression : Haebler's Beethoven isn't quite as good. I also tried Szeryng/Rubinstein, but I have problems at times, not always, in taking relish on Rubinstein. Rubinstein did grow with age, but the marks of self-inflicted wastage were always there. Who knows when he is on and when he is not. More often than not, what we we get is a mixed bag.
Don't hesitate, buy them and volume I as well.
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Beethoven: Piano Trios; Violin & Cello Sonatas
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MIZQ Release Date: 2001-11-06 |
Tracks:
- Pno Trio in E flat, Op.1 No.1: I. Allegro
- Pno Trio in E flat, Op.1 No.1: II. Adagio Cantabile
- Pno Trio in E flat, Op.1 No.1: III. Scherzo: Allegro Assai - Trio
- Pno Trio in E flat, Op.1 No.1: IV. Finale: Presto
- Pno Trio in G, Op.1 No.2: I. Adagio - Allegro Vivace
- Pno Trio in G, Op.1 No.2: II. Largo Con Espressione
- Pno Trio in G, Op.1 No.2: III. Scherzo: Allegro - Trio
- Pno Trio in G, Op.1 No.2: IV. Finale: Presto
- Vars On Dittersdorf's 'Ja, Ich Muss Mich Von Ihr Scheiden' in E flat, Op.44
Tracks:
- Pno Trio in c, Op.1 No.3: I. Allegro Con Brio
- Pno Trio in c, Op.1 No.3: II. Andante Con Brio
- Pno Trio in c, Op.1 No.3: III. Menuetto: Quasi Allegro - Trio
- Pno Trio in c, Op.1 No.3: IV. Finale: Prestissimo
- Pno Trio in B flat, Op.97 'Archduke': I. Allegro Moderato
- Pno Trio in B flat, Op.97 'Archduke': II. Scherzo: Allegro - Trio
- Pno Trio in B flat, Op.97 'Archduke': III. Andante Cantabile Ma Pero Con Moto - Poco Piu Adagio...
- Pno Trio in B flat, Op.97 'Archduke': IV. Allegro Moderato - Presto
- Allegretto in B flat, WoO 39
- Allegretto in E flat, Hess 48
Tracks:
- Pno Trio in D, Op.70 No.1 'Ghost': I. Allegro Vivace Con Brio
- Pno Trio in D, Op.70 No.1 'Ghost': II. Largo Assai Ed Espressivo
- Pno Trio in D, Op.70 No.1 'Ghost': III. Presto
- Pno Trio in E flat, Op.70 No.2: I. Poco Sostenuto - Allegro, Ma Non Troppo - Tempo I - Tempo II
- Pno Trio in E flat, Op.70 No.2: II. Allegretto
- Pno Trio in E flat, Op.70 No.2: III. Allegretto, Ma Non Troppo
- Pno Trio in E flat, Op.70 No.2: IV. Finale: Allegro
- Vars On Muller's 'Ich Bin Der Schneider Kakadu' in G, Op.121a: Intro: Adagio Assai - Tema: ...
Tracks:
- Vc Son No.1 in F, Op.5 No.1: I. Adagio Sostenuto -
- Vc Son No.1 in F, Op.5 No.1: Allegro - Adagio - Presto - Tempo I. (Allegro)
- Vc Son No.1 in F, Op.5 No.1: II. Allegro Vivace
- Vc Son No.2 in g, Op.5 No.2: I. Adagio Sostenuto Ed Espressivo -
- Vc Son No.2 in g, Op.5 No.2: Allegro Molto Piu Tosto Presto
- Vc Son No.2 in g, Op.5 No.2: II. Rondo: Allegro
- Vc Son No.3 in A, Op.69: I. Allegro, Ma Non Tanto
- Vc Son No.3 in A, Op.69: II. Scherzo: Allegro Molto
- Vc Son No.3 in A, Op.69: III. Adagio Cantabile - Allegro Vivace
Tracks:
- Vc Son No.4 in C, Op.102 No.1: I. Andante - Allegro Vivace
- Vc Son No.4 in C, Op.102 No.1: II. Adagio - Tempo D'andante - Allegro Vivace
- Vc Son No.5 in D, Op.102 No.2: I. Allegro Con Brio
- Vc Son No.5 in D, Op.102 No.2: II. Adagio Con Molto Sentimento D'affetto -
- Vc Son No.5 in D, Op.102 No.2: III. Allegro - Allegro Fugato
- Vars On Handel's 'See The Conqu'ring Hero Comes' in G, WoO 45
- Vars On Mozart's 'Bei Mannern, Welche Liebe Fuhlen in E flat, WoO 46
- Vars On Mozart's 'Ein Madchen Oder Weibchen' in F, Op.66
Tracks:
- Vn Son No.1 in D, Op.12 No.1: I. Allegro Con Brio
- Vn Son No.1 in D, Op.12 No.1: II. Tema Con Var: Andante Con Moto
- Vn Son No.1 in D, Op.12 No.1: III. Rondo: Allegro
- Vn Son No.2 in A, Op.12 No.2: I. Allegro Vivace
- Vn Son No.2 in A, Op.12 No.2: II. Andante, Piu Tosto Allegretto
- Vn Son No.2 in A, Op.12 No.2: III. Allegro Piacevole
- Vn Son No.3 in E flat, Op.12 No.3: I. Allegro Con Spirito
- Vn Son No.3 in E flat, Op.12 No.3: II. Adagio Con Molt'espressione
- Vn Son No.3 in E flat, Op.12 No.3: III. Rondo: Allegro Molto
Tracks:
- Vn Son No.4 in a, Op.23: I. Presto
- Vn Son No.4 in a, Op.23: II. Andante Scherzoso Piu Allegretto
- Vn Son No.4 in a, Op.23: III. Allegro Molto
- Vn Son No.5 in F, Op.24 ('Spring'): I. Allegro
- Vn Son No.5 in F, Op.24 ('Spring'): II. Andante Scherzoso Piu Allegretto
- Vn Son No.5 in F, Op.24 ('Spring'): III. Allegro Molto
- Vn Son No.5 in F, Op.24 ('Spring'): IV. Rondo: Allegro Ma Non Troppo
- Vn Son No.6 in A, Op.30 No.1: I. Allegro
- Vn Son No.6 in A, Op.30 No.1: II. Adagio Molto Espressivo
- Vn Son No.6 in A, Op.30 No.1: III. Allegretto Con Var
Tracks:
- Vn Son No.7 in c, Op.30 No.2: I. Allegro Con Brio
- Vn Son No.7 in c, Op.30 No.2: II. Adagio Cantabile
- Vn Son No.7 in c, Op.30 No.2: III. Scherzo: Allegro - Trio
- Vn Son No.7 in c, Op.30 No.2: IV. Finale: Allegro
- Vn Son No.8 in G, Op.30 No.3: I. Allegro Assai
- Vn Son No.8 in G, Op.30 No.3: II. Tempo Di Minuetto, Ma Molto Moderato E Grazioso
- Vn Son No.8 in G, Op.30 No.3: III. Allegro Vivace
- Vn Son No.10 in G, Op.96: I. Allegro Moderato
- Vn Son No.10 in G, Op.96: II. Adagio Espressivo -
- Vn Son No.10 in G, Op.96: III. Scherzo: Allegro - Trio
- Vn Son No.10 in G, Op.96: IV. Poco Allegretto - Adagio - Tempo I. - Allegro - Poco Adagio - Presto
Tracks:
- Vn Son No.9 in A, Op.47 ('Kreutzer'): I. Adagio Sostenuto - Presto
- Vn Son No.9 in A, Op.47 ('Kreutzer'): II. Andante Con Var
- Vn Son No.9 in A, Op.47 ('Kreutzer'): III. Finale: Presto
- Pno Trio in a, Op.50: I. Pezzo elegiaco: Moderato Assai - Allegro Giusto - Adagio Con Duole E ...
- Pno Trio in a, Op.50: IIA. Tema Con Var: Andante Con Moto - Piu Mosso - Allegro Moderato - Tempo...
Amazon.com
In the main, the youthful Beethoven chamber music collaborations between Daniel Barenboim, Pinchas Zuckerman, and the late Jacqueline du Pré are characterized by broad, liberally fluctuating tempos, ripeness of tone, and a tendency to place expression ahead of stylistic considerations. Zuckerman's sweet vibrato, for instance, seems misplaced in Beethoven's terse, combative syntax (the earlier trios and violin sonatas, for example). Likewise, du Pré's throbbing solo lines impose a late-Romantic patina on the music that some listeners will find more appropriate to Arensky or Glazunov. More often than not, Daniel Barenboim's piano provides the decisive voice, by way of setting tempos and effecting transitions.While the leaner, more economically expressive Abegg Trio (Tacet) and Vienna Piano Trio (Nimbus) Beethoven Trio offerings better reflect the composer's headlong brio and nervous energy, the Barenboim-Zuckerman-Du Pré team oozes sheer musicality and involvement in every bar. For this reason, one might well prefer Zuckerman and Barenboim's overwrought rapport in the Violin Sonatas to the violinist's tighter RCA remakes with Marc Neikrug at the piano. Du Pré's tragic illness prevented her and Barenboim from tackling the Cello Sonatas in the studio. Happily, their exciting, communicative live 1970 Edinburgh Festival traversals (plus the variation sets) were broadcast by the BBC and captured in excellent sound. So was a touchingly indulgent Tchaikovsky Trio preserved from one of Du Pré's final concerts, included as both a bonus and a memento. Tully Potter's excellent booklet notes give equal time to music and artists, and rightly discuss the performances in the context of their time. It's good to have these recordings gathered in a budget-priced, space-saving box. --Jed Distler
Customer Reviews:
With minor reservations, "excellent".......2004-05-16
Sadly, du Pre's illness (she had MS, forcing her retirement in 1973 and ultimately causing her untimely death) seriously limited the collaboration. Because her illness prevented a studio recording, the cello sonatas are from 1970 live recordings taped by the BBC. The audience noise is distracting, and I simply cannot understand why the coughs and chair scrapings could not have been edited out.
Barenboim and co really do drag out the slow movements; sometimes to good effect, and sometimes too much in my view. For example, the third movement of the Archduke Trio goes for 12:07 on the Naxos recording but extends to 16:02 here (but this one is still a better rendition).
To fill out the last CD, EMI includes Tchaikovsky's Piano Trio Op 50 (taped from a live performance in Tel Aviv in 1972), which is not in the same league as Beethoven's (but I guess they had to do something with the space).
My main complaint is that the thick 3-language info booklet is devoted entirely to the history of the performers and includes not a single word about the music itself!
That said, I am still very glad that I bought this set.
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Hooked on Classics 4: Baroque
Manufacturer: K-Tel ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000RYV Release Date: 1992-05-08 |
Tracks:
- Hooked On Baroque 2
- Hooked On Adagio
- Hooked On Gigue
- Hooked On Fugue
- Hooked On Handel
- Hooked On Vivaldi
- Hooked On Scarlatti
- Hooked On Baroque 2 (Reprise)
Customer Reviews:
Pretty Damn Good.......2004-07-06
Great CD, specially the adagio........2004-01-28
It's No Louis Clark & the Royal Philharmonic... But it's ok.......2003-12-07
So would I say this volume 4 has the same effect? I'd answer no, but I did like tracks 2 & 7.
No So Great.......2003-10-29
Average customer rating:
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Mozart: Great Violin Sonatas, Vol. 1
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTK Release Date: 1998-06-09 |
Tracks:
- Sonata For Piano And Violin In C, KV 296: Allegro Vivace
- Sonata For Piano And Violin In C, KV 296: Andante Sostenuto
- Sonata For Piano And Violin In C, KV 296: Rondo. Andante Grazioso
- Sonata For Piano And Violin In G, KV 301: Allegro Con Spirito
- Sonata For Piano And Violin In G, KV 301: Allegro
- Sonata For Piano And Violin In E Flat, KV 302: Allegro
- Sonata For Piano And Violin In E Flat, KV 302: Rondo. Andante Grazioso
- Sonata For Piano And Violin In E Minor, KV 304: Adagio - Molto Allegro
- Sonata For Piano And Violin In C, KV 303: Tempo Di Minuetto
- Sonata For Piano And Violin In E Minor, K V 304: Allegro
- Sonata For Piano And Violin In E Minor, K V 304: Tempo Di Minuetto
- Variations For Piano And Violin In G, KV 359 On -La Bergere Celimene: 12 VaThema. Allegretto - Variations I-XII
Tracks:
- Sonata For Piano And Violin In A, KV 305: Allegro Di Molto
- Sonata For Piano And Violin In A, KV 305: Tema: Tema - Variazioni I - VI
- Sonata For Piano And Violin In D, KV 306: Allegro Con Spirito
- Sonata For Piano And Violin In D, KV 306: Andantino Cantabile
- Sonata For Piano And Violin In D, KV 306: Allegretto
- Sonata For Piano And Violin In F, KV 376: Allegro
- Sonata For Piano And Violin In F, KV 376: Andante
- Sonata For Piano And Violin In F, KV 376: Rondo. Allegretto Grazioso
- Sonata For Piano And Violin In F, KV 377: Allegro
- Sonata For Piano And Violin In F, KV 377: Tema. Andante: TEma - Variazioni I - VI
- Sonata For Piano And Violin In F, KV 377: Tempo Di Minuetto
Customer Reviews:
Great music experience.......2006-03-22
a great performance.
excellent violin sonatas No. 17-25.......2006-03-02
The Mozart Sonatas for Piano and Violin.......2006-01-20
The evening inspired me to rehear violinist Henryk Szerying and pianist Ingrid Haebler playing the earlier of Mozart's mature violin sonatas on a two CD Phillips set. The music I heard on the town was drawn from the works on this CD, which is justly renowned. Haebler in particular is an unparalleled interpreter of Mozart. The duo's equally famous recording of the Beethoven violin sonatas is also available on Phillips.
The sonatas on this compilation fall into two groups. First, there is the series of seven sonatas Mozart composed at the age of about 22 while living in Mannheim. These are sometimes called the "Palatinate" sonatas. The sonatas are written in an early classical style and show the great influence of J.C. Bach. In fact, the lovely slow movement of the first of these sonatas, K 296, uses a theme that Mozart probably borrowed from him. There is a tendency to exaggerate the degree to which the piano is the dominant partner in these sonatas. Mozart frequently passes his themes back and forth between the two instruments, and the violin sings eloquently with plenty to do.
Only two of these sonatas, in C major K.296, and D major, K. 306, have three movements. The remaining five works are in two movements. The works typically feature lively first movements with a minuet or variation movement to conclude. They provide a great deal of variety. Only one work, in C major, K 303, opens with a slow introduction to a fast opening movement. The finest of these early works is the two-movement sonata in E minor, K.304. The first movement is a work of true fire, and the trio of the second movement is one of the great, hidden moments in all Mozart. Alfred Einstein describes it as "a brief glimpse of bliss."
The second group of sonatas, both in F major and consisting of three movements, K. 376 and K.377, were composed about three years after the first group and are part of a larger set of six. (The remaining four works are on the second volume of Szerying/Haebler.) These works are more ambitious in scope than the earlier set and show a closer collaboration between the two instruments. Although the works are in the same key, they are markedly different in character. K. 376 is a joyful, extroverted piece with a jubilant first movement, a quiet, singing slow movement, and a whimsical rondo. Its companion, K. 377, is one of Mozart's masterpieces. The opening movement, in a major key, is passionate and disquieting. The second movement is a slow theme and variations in the key of D minor. It is in a mood of deep sadness which only intensifies as the variations progress. The finale, is a rare and bittersweet moment of peace. This work together with the E minor sonata discussed above are two buried masterpieces in Mozart's output. Einstein says of the finale to K. 377 that it is the "only one of this kind not alone in Mozart's time, but among all the music that has come after him as well." In addition to the sonatas, this CD includes a set of galant and spirited variations on a French song, K. 359.
I enjoyed the spontaniety and ease of hearing these works performed informally, delightfully, and atmospherically over dinner. But I enjoyed as well the opportunity to hear this music repeatedly at leisure and in private in order to explore its beauties in detail. This is a first-rate CD for those who love Mozart or chamber music.
The quotations above are drawn from Alfred Einstein's famous study "Mozart, His Character,His Work," pp.255, 257.
Robin Friedman
Gems hidden in the shadows of Mozart's larger works.......2005-03-19
The partnership of Szeryng and Haebler was renowned during their time and this marvelous collection is evidence of that. Music author David Dubal says of the Austrian pianist Ingrid Haebler: "An artist who plays with polish and taste. Her Mozart is especially admired for these qualities. Her playing has refinement and geniality, as well as a special tone quality." Agreed. It is hard to fault much when the music is so well performed and so typically pleasant Mozart - with that galante, gentile, youthful bounciness. Along with legendary Mozartian Grumiaux, violinist Heinrich Szeryng plays these sonatas with the optimal galante spirit of Mozart's era without superimposing any personal stylistic or "Romantic" mannerisms. Rightly, Penguin Guide honored this historic effort by giving it a top 3-star rating as well as listing it as one of their "Recommended Recordings" (for building a collection). The only negative I found is the "weak-bodied" sound quality of the 1970's analog transfers as compared to better modern recordings. But, not a "show-stopper" like some historic recordings can be.
Philips has distilled the best of Mozart's 35 sonatas for piano and violin into the most mature 16 on two DUO sets of two CD's each. So, does one need to hear all 35 sonatas? Probably not as the early ones (1-16) were written by a "tween" Mozart for their early prodigy tours and are not near the stature of those written 10 years later and beyond. The sontatas here in Vol.1 tend to have that carefree, innocent, bouncy Mozart style where the late works on Vol. 2 are more mature in form, style, complexity and virtuosity.
Also, with the 250th anniversary of Mozart's birth in 2006, look for a slew of new Mozart recordings of the violin sonatas from the likes of Anne-Sofie Mutter, Hilary Hahn along with period-violinists Rachel Podger and Andrew Manze (but there were quite mixed reviews of all these newer recordings). Each of these newer virtuosos brings a different "flavor" to these classics that some will admire more or less. But the older generation of legends like Arthur Grumiaux and Hienrich Szeryng have set a very high standard with their impeccable galantry, eloquence and definitive, graceful Mozartian spirit. A classic recording like this one by Szeryng and Haebler is timeless in its musianship and appeal, but it is rewarding as well to hear the newer talents. Out of these, my pick would be the pristine-toned Hilary Hahn with Natalie Zhu.
Delightful! A must-have for any Mozart collection........2004-09-20
This is the best recording you are going to find of these works. Ingrid Haebler plays with the light-hearted, Germanic spirit that is so essential in these pieces, and the legendary Szeryng is in top form. There is so much humor and personality from both performers, and every hearing of these pieces will bring new insight. This CD should be at the very top of every "Essential Mozart Recordings" list out there.
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The Great French Sonatas for Violin & Piano
Manufacturer: Urania ProductGroup: Music Binding: Audio CD ASIN: B000HT36C8 Release Date: 2006-09-26 |
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The Great Violinist, Vol. 19: Beethoven Violin Sonatas
Manufacturer: Symposium ProductGroup: Music Binding: Audio CD ASIN: B0000TWAKE Release Date: 2004-05-25 |
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Adolf Busch: The Great Violin Sonatas
Manufacturer: Grammofono 2000 ProductGroup: Music Binding: Audio CD ASIN: B00000DGJR Release Date: 1998-10-20 |
Tracks:
- Son No.2 in G, BWV 1021: I. Adagio
- Son No.2 in G, BWV 1021: II. Vivace
- Son No.2 in G, BWV 1021: III. Largo
- Son No.2 in G, BWV 1021: IV. Presto
- Son No.5 in F, 'Spring' Op.24: I. Allegro
- Son No.5 in F, 'Spring' Op.24: II. Adagio Molto Espressivo
- Son No.5 in F, 'Spring' Op.24: III. Scherzo. Trio
- Son No.5 in F, 'Spring' Op.24: IV. Rondo. Allegro Non Troppo
- Son No.2 in A Op.100: I. Allegro
- Son No.2 in A Op.100: II. Adagio Molto Espressivo
- Son No.2 in A Op.100: III. Scherzo Trio
Tracks:
- Son No.7 in c Op.30 No.2: I. Allegro Con Brio
- Son No.7 in c Op.30 No.2: II. Adagio Cantabile
- Son No.7 in c Op.30 No.2: III. Scherzo. Allegro
- Son No.7 in c Op.30 No.2: IV. Finale. Allegro
- Son No.1 in a Op.105: I. Mit Leidenschaftlichem Ausdruck
- Son No.1 in a Op.105: II. Allegretto
- Son No.1 in a Op.105: III. Lebhaft
- Son No.1 in G Op.78: I. Vivace Ma Non Troppo
- Son No.1 in G Op.78: II. Adagio
- Son No.1 in G Op.78: III. Allegro Molto Moderato
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Joseph Szigeti: The Great Violin Sonatas
Manufacturer: Enterprise ProductGroup: Music Binding: Audio CD ASIN: B000003V35 Release Date: 1997-03-11 |
Tracks:
- Son No.1 in g for Vn, BWV 1001: I. Adagio - Joseph Szigeti/Nikita Magaloff
- Son No.1 in g for Vn, BWV 1001: II. Fuga. Allegro - Joseph Szigeti/Nikita Magaloff
- Son No.1 in g for Vn, BWV 1001: III. Siciliana - Joseph Szigeti/Nikita Magaloff
- Son No.1 in g for Vn, BWV 1001: IV. Presto - Joseph Szigeti/Nikita Magaloff
- Son No.4 in d for Vn and Continuo, HWV 364: I. Adagio - Joseph Szigeti/Nikita Magaloff
- Son No.4 in d for Vn and Continuo, HWV 364: II. Allegro - Joseph Szigeti/Nikita Magaloff
- Son No.4 in d for Vn and Continuo, HWV 364: III. Larghetto - Joseph Szigeti/Nikita Magaloff
- Son No.4 in d for Vn and Continuo, HWV 364: IV. Allegro - Joseph Szigeti/Nikita Magaloff
- Son No.12 in G Op.2 for Vn and Continuo: I. Andante - Joseph Szigeti/Kurt Ruhrseitz
- Son No.12 in G Op.2 for Vn and Continuo: II. Allegro - Joseph Szigeti/Kurt Ruhrseitz
- Son No.12 in G Op.2 for Vn and Continuo: III. Presto assai - Joseph Szigeti/Kurt Ruhrseitz
- Son No.21 in e for Kbd and Vn, KV 304/300c: I. Allegro - Joseph Szigeti/Nikita Magaloff
- Son No.21 in e for Kbd and Vn, KV 304/300c: II. Tempo di Minuetto - Joseph Szigeti/Nikita Magaloff
- Son No.3 in d for Vn and Pno Op.108: I. Allegro - Joseph Szigeti/Egon Petri
- Son No.3 in d for Vn and Pno Op.108: II. Adagio - Joseph Szigeti/Egon Petri
- Son No.3 in d for Vn and Pno Op.108: III. Un poco presto e con sentimento - Joseph Szigeti/Egon Petri
- Son No.3 in d for Vn and Pno Op.108: IV. Presto agitato - Joseph Szigeti/Egon Petri
Tracks:
- Son for Vn and Pno No.5 in F 'Spring', Op.24: I. Allegro - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.5 in F 'Spring', Op.24: II. Adagio molto espressivo - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.5 in F 'Spring', Op.24: III. Scherzo. Allegro molto - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.5 in F 'Spring', Op.24: IV. Rondo. Allegro ma non troppo - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.9 in A 'Kreutzer', Op.47: I. Adagio sostenuto. Presto - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.9 in A 'Kreutzer', Op.47: II. Andante con variazioni - Joseph Szigeti/Claudio Arrau
- Son for Vn and Pno No.9 in A 'Kreutzer', Op.47: III. Finale. Presto - Joseph Szigeti/Claudio Arrau
- Menuet in G, WoO10 No.2: Menuet - Joseph Szigeti/Kurt Ruhrseitz
- Allegro vivace from Son for Vn and Pno No.8 in G, Op.30 No.3: Allegro vivace - Joseph Szigeti/Kurt Ruhrseitz
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Bach: Sonatas & Partitas
Manufacturer: Special Performance O ProductGroup: Music Binding: Audio CD ASIN: B000CA9LSA Release Date: 2005-01-01 |
Track Listings:
- Grieg: Holbert Suite; Piano Concerto; Lyric Suite
- Hölszky: Message; Immer Schweigender; Geträumt; Germälde Eines Erschlagenen/Flöten des Lichts
- Handel: Acis and Galatea
- HOLST : The Planets Etc. - LSO / Hickox
- Impromptus Op 90 / Piano Sonata 11
- J. S. Bach und Seine Zeit
- J.C. Bach: Symphonies, Op. 6, Nos. 1-6
- Julian Menendez Rediscovered
- Leopold Anton Kozeluch: 3 Piano Trios
- Machault: Little Consort & Frans Bruggen
Track Listings
Mozart: Symphony Nos. 40 & 41 "Jupiter"
Live in Concert: Glastonbury Festival 1986 [Live]
Jazz Music: 52nd Street Themes
Never Leave You (Uh Ooh Uh Ooh!) [CD-single] [Enhanced] [Import]
Primal: Best of the Fire Years 1983-92