Composed by Franz Schubert
with Tove Loenskov , Rodolfo Llambias
2. Marches (6) for piano, 4 hands ("Grandes Marches"), D. 819 (Op. 40)
Composed by Franz Schubert
with Tove Loenskov , Rodolfo Llambias
Piano Works for 4 Hands 2,Schubert,Lonskov,Llambias,Kontrapunkt,Classical,Orchestral & Symphonic
Average customer rating:
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25 Tchaikovsky Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058HZ Release Date: 1996-08-20 |
Tracks:
- Overture
- Dance Of The Sugar Plum Fairy
- Dance Of The Flutes
- Scene
- Waltz
- Dance of the Swans
- Scene 2
- Hungarian Dance
- III. Scherzo
- I. Adagio; Allegro Non Troppo
- II. Allegro Con Grazia
- III. Allegro Molto Vivace
- II. Andante Cantabile
- Capriccio Italien In A Major, Op. 45
- Marche Slave In B Flat, Op. 31
- June - Michael Ponti
- II. Andantino Simplice - Felicja Blumental
- Coronation March
- Eugen Onegin: Waltz
- Romeo & Juliet: Fantasy-Overture
- Serenade For Strings: II. Waltz
- Sleeping Beauty: Tempo Di Valse
- String Quartet In D Major, Op. 11: Andante Cantabile
- Violin Concerto In D Major, Op. 35: III. Allegro Vivacissimo - Aaron Rosand
- 1812 Overture, Op. 49: Excerpt
Customer Reviews:
hmmmm.......2005-09-14
stuff is edited,bludgeoned,rather.
tempos verge on comical.
rather disapointing,I really needed a nice version of the sugar plum faerie dance.
will probably stick to Wendy Carlos's,cheesy,runningly cheesy,blue cheese smelly,even,as it might be,still holds the original pace and campy pomp.
...not nuch of a cheese shop is it?
-it's fairly clean.
certainly not contaminated by Cleese!
Good Introduction but poor quality.......2005-09-12
However, the sound quality on this albumn is quite poor and there are much higher quality Tchaikovsky recordings available.
Tchaikovsky's Greatest Pieces of Music.......2000-09-04
great music poorely performed........1999-09-18
Great!.......1999-04-18
Average customer rating:
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Together/Julian Bream & John Williams
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FDM Release Date: 1993-05-25 |
Tracks:
- Suite For Two Guitars: Corant I
- Suite For Two Guitars: Alman
- Suite For Two Guitars: Corant II
- Duo In G, Op. 34: Largo
- Duo In G, Op. 34: Rondo
- L'encouragement, Op. 34: Cantabile
- L'encouragement, Op. 34: Theme and Variations
- L'encouragement, Op. 34: Waltz
- Cantos de Espana, Op. 232, No. 4: Cordoba
- Goyescas: Intermezzo
- La vida breve: Spanish Dance No. 1
- Pavane For A Dead Princess
- Dolly, Op. 56: Berceuse
- Dolly, Op. 56: Mi-a-ou
- Dolly, Op. 56: Dolly's Garden
- Dolly, Op. 56: Kitty-Valse
- Dolly, Op. 56: Tendresse
- Dolly, Op. 56: Spanish Dance
- Danzas Espanolas, Op. 37, No. 2: Oriental
Customer Reviews:
Worth Getting Just For the Granados Spanish Dance Alone.......2006-02-12
What I love is the fact that even though both are masters in their own rights, they were able to blend together their individual styles into an ensemble to create a set of moods which enhances the musical experience. All are wonderful, but they saved the best for last, the hauntingly beautiful Spanish Dance No. 2 of Granados. This is music that will have you stopping what you are doing just to listen to it. (If you are listening to this in the car, pull over please!) Although I have heard this piece before done by other greats, in the hands of Bream and Williams, it has been raised to heavenly heights, leaving the listener in a state between tears and great joy.
In summary, if you wish to own just one guitar album in your collection, this would be the one. My greatest regret is that I never had the pleasure of hearing either of them live on stage. The next best thing is this album.
Together, first time.......2002-07-22
Masters.......1999-06-09
ALGIN EROZAN
Very excellent CD........1999-04-27
Average customer rating:
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Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating: |
The Story of Tchaikovsky
Pyotr Il'yich Tchaikovsky , Edouard van Remoortel , and Arthur Hannes Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KD9 Release Date: 1995-04-16 |
Tracks:
- Finale
- Overture
- June (Barcarolle)
- Andante Cantabile
- Waltz
- Romeo and Juliet (Overture-Fantasy)
- None But The Lonely Heart, Op. 6 No. 6
- Allegro Non Troppo
- Waltz
- Andante cantabile
- Chanson Triste, Op. 40 No. 2
- 'Pathetique' Allegro Con Grazia
- Andante Sostenuto
- Capriccio Italien, Op. 45
- Finale
- Marche Slave, Op. 31
- Excerpts
- 1812 Overture, Op. 49
- 'Pathetique' Excerpts
- Scene
- Valse
- Dance Of The Swans
- Scene
- Hungarian Dance
- Panorama Andantino
- Tempo Di Valse
Average customer rating:
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Brahms: Works for Solo Piano
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042GM Release Date: 1997-11-11 |
Tracks:
- Variations On A Theme By Paganini, Op.35: Book 1 - Heft 1
- Variations On A Theme By Paganini, Op.35: Book 2 - Heft 2
- Variations And Fugue On A Theme By G.F. Handel, Op.24: B Flat Major
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Intermezzo. Allegro
- 4 Ballades, Op.10: Andante con moto
Tracks:
- Works For Solo Piano: Ziemlich langsam
- Works For Solo Piano: Poco larghetto
- Works For Solo Piano: Allegro
- Works For Solo Piano: Walzer Nr. 1 - 8
- Works For Solo Piano: Walzer Nr. 9 - 16
- Works For Solo Piano: Scherzo es-moll
Tracks:
- Works For Piano Solo: Allegro
- Works For Piano Solo: Andante
- Works For Piano Solo: Scherzo. Allegro molto e con fuoco
- Works For Piano Solo: Finale. Allegro con fuoco
- Works For Piano Solo: Allegro non troppo ma energico
- Works For Piano Solo: Andante con espressione
- Works For Piano Solo: Scherzo. Allegro
- Works For Piano Solo: Finale. Introduzione (sostenuto) - Allegro non troppo e rubato
- Works For Piano Solo: Agitato
- Works For Piano Solo: Molto passionato, ma non troppo allegro
Tracks:
- Works For Piano Solo: Allegro maestoso
- Works For Piano Solo: Andante espressivo - Andante molto
- Works For Piano Solo: Scherzo. Allegro energico
- Works For Piano Solo: Intermezzo. Andante molto
- Works For Piano Solo: Finale. Allegro moderato ma rubato
- Works For Piano Solo: Presto energico
- Works For Piano Solo: Andante
- Works For Piano Solo: Allegro passionato
- Works For Piano Solo: Adagio
- Works For Piano Solo: Andante con grazia ed intimissimo sentimento
- Works For Piano Solo: Andante teneramente
- Works For Piano Solo: Allegro agitato
Tracks:
- Works For Solo Piano: 8 Pieces, Op.76 - I Capriccio in F sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - II Capriccio in B minor
- Works For Solo Piano: 8 Pieces, Op. 76 - III Intermezzo in A flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - IV Intermezzo in B flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - V Capriccio in C sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VI Intermezzo in A major
- Works For Solo Piano: 8 Pieces, Op. 76 - VII Intermezzo in A minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VIII Capriccio in C major
- Works For Solo Piano: 6 Pieces, Op. 118 - I Intermezzo in A minor
- Works For Solo Piano: 6 Pieces, Op. 118 - II Intermezzo in A major
- Works For Solo Piano: 6 Pieces, Op. 118 - III Ballade in G minor
- Works For Solo Piano: 6 Pieces, Op. 118 - IV Intermezzo in F minor
- Works For Solo Piano: 6 Pieces, Op. 118 - V Romanze in F major
- Works For Solo Piano: 6 Pieces, Op. 118 - VI Intermezzo in E flat minor
- Works For Solo Piano: 4 Pieces, Op. 119 - I Intermezzo in B minorn B
- Works For Solo Piano: 4 Pieces, Op. 119 - II Intermezzo in E minor
- Works For Solo Piano: 4 Pieces, Op. 119 - III Intermezzo in C major
- Works For Solo Piano: 4 Pieces, Op. 119 - IV Rhapsody in E flat major
Tracks:
- Works For Solo Piano: Andante moderato
- Works For Solo Piano: Andante non troppo e con molto espressione
- Works For Solo Piano: Andante con moto
- Works For Solo Piano: g-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: F-dur
- Works For Solo Piano: fis-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: Des-dur
- Works For Solo Piano: F-dur
- Works For Solo Piano: a-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: E-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: B-dur
- Works For Solo Piano: f-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: h-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: e-moll
Customer Reviews:
I disagree with the consensus here.......2007-07-11
The problem is that Katchen's performances are flawed and often unpleasant. The worst problem is that he bangs the keys a lot. Fortissimo passages are ideally not supposed to be noisy; they are intended to be loud and forceful without being unpleasant. It's a key distinction that Katchen fails to realize. I also think that Katchen's technique is a bit patchy. He blurs the passagework and there is a lack of both accuracy and delicacy in the fast passages. To take an example, the Op. 76 set is marred by both of these problems: a lack of accuracy and a tendency to bang on the keyboard. I also found many of the passages that didn't suffer from these problems to be interpretationally uninteresting (the slow parts of the Paganini Variations, Bk II are undistinguished, to take an example). Big thumbs down.
I did some direct comparison of sets to the Katchen performances and in every case Katchen was far inferior.
Take the Op. 39 Waltzes: Leon Fleisher's old recording is wonderful and much more sensitive and interesting than Katchen.
I also listened to Radu Lupu's recording of the Opp. 117-119 pieces (THAT is a wonderful recording - if you are looking for a superb recording of Brahms piano music, get that one and save yourself the aggravation of the Katchen set) and it's simply no contest.
I also sampled the terrific Op. 79 Rhapsodies and the Paganini Variations as played by a favorite pianist of mine, the lesser-known French pianist Nicholas Angelich, and Katchen's sloppy and undirected interpretations pales before the versions by a "non-superstar" pianist.
So while I admit I haven't listened to every portion of the Katchen set, I found every reason to avoid it when compared to some alternatives available.
Don't hesitate to get this set.......2007-07-04
I'll confess, I bought this set to fill the gaps in my piecemeal collection. What a delightful surprise to find my "stopgap" set more than holds its own against recordings by the likes of Richter, Rubinstein and Gilels. To help the reader overcome any reluctance I offer a few comments on the few "downsides" mentioned by others:
Yes, Katchen does play fast, but not always, and certainly not out of inability to hold the listener's attention through more artful means. Katchen's track times are often slower than Rubinstein's or even Gilels'; but where the spirit moves him, he can go like a rocket. He's generally fastest in the earlier works, where a case can be made for playing them with youthful ardor; Katchen does this to a T. This applies to the first 2 sonatas, the Paganini variations (why would anything associated with Paganini lack splash and dazzle?) and to a much lesser extent, parts of the Handel variations. The main thing is, it works. The very few places where I felt Katchen was rushing the music are heavily outnumbered by places where the added energy seems to "fit" like a glove.
Yes, in an exhaustive set you inevitably endure the "bottom of the barrel." I'm surprised how little of this 6-CD set strikes me as anything less than indispensible. Every track is worth hearing. Katchen has been surpassed here and there, but he doesn't put in a bad performance in the whole batch.
Yes, the recordings are more than 40 years old. They will not satisfy the most jaded audiophile (there's not quite the "presence" of a good recording today). But they are amazingly clean and lifelike for their age (even the 3 tracks that are mono). They sound noticeably better than the popular Rubinstein recordings of equal vintage. At first I thought I heard a touch of bass-heaviness, but now I just think Katchen gives us a strong, clear bass line. Once again, it works. The sound is simply not a problem for a normal listener.
Finally, there's the small stuff. Getting the CDs out of their tight-fitting sleeves without putting your fingerprints on the playing surface is well-nigh impossible, unless you give in and apply a letter opener to solve the problem once and for all. Is that any reason not to get this much wonderful music at such a low price? London has even revived the old practice of offering different program notes in different languages, so that multilingual readers can benefit from more than one set of comments. All around it's a winner!
Superb interpretations by Katchen.......2006-11-16
A little rushed sometimes, but beautiful.......2005-02-03
I feel that the ballades, op. 10 are played way too fast (although I'm not exactly sure how close Katchen is to Brahms's tempi indications). I've heard them by several other performers and, being a Gould fan, would have to say that his slower interpretation really captures how beautiful the pieces are more than anyone else. I also enjoy Kempff's performances of many later works. Katchen really seems so rushed for some reason. To me, that really takes attention away from the fine details, which I think are so essential to Brahms's piano music. He's not quite delicate enough with some of the pieces.
This faster speed is only very slight for the rest of the set, but pretty consistently. I think he does a better job with more intense pieces like many of his larger-scale variations and the sonatas. Those I would give 5 stars, but only 4 stars for the op. 116-119, for they're a little too fast.
My only other qualm is the arrangement of the set. It would be nice to have all the sonatas together on a disc, 116-119 on a disc, etc., going along with the whole chronological thing..
However, all these things are personal preference. I would definitely recommend this set. It's made up about 1/2 of my music listening for the past couple months. It's not expensive at all for what you're getting, and if you get just one Brahms piano cd, you're going to want to get more, so you should just get it over with and have this whole set, it's fabulous music. Just keep in mind that this is not the only interpretation that should be considered.
Radiant and inspired recordings.......2004-09-19
The other outstanding version of these Variations is of Michael Ponti (live preformance)
gifted with a major emphasis in the striking and color tone ; but the point to remark is that in both performings the approach is similar ; every one of the Variations must be played as a microcosmos in itself ; with nuance , grace , majesty, powerful imagination, sense of the span and above al ; savoir vivre . If you intend to play with authoritative precision without Mediterranean dewy and radiant mood ; you are destined to fail with these Variations and becoming unbearable for the audience and the listener . Lamentably , there are many of them in the actual market but I think you can guess them .
The two Rhapsodies are performed with the highest commitment . Melodic flight and arresting lyricism .
The Sonatas are superbly performed . The Sonata No. 3 may find serious matchers with Clifford Curzon and Paul Badura Skoda .
The intermezzos are depicted with the adequate illuminating . These intimate pages must be played with the perfect balance of light and shadows ; think in Chopin Nocturnes for instance . Only Glenn Gould gets close to him in the Intermezzo Op. 117 No. 2 .
The Ballades may be the weakest works of this fundamental set . Benedetti Michelangeli and Emil Gilels recorded brilliant and eloquent versions.
Finally The Paganini Variations find in Benedetti Michelangeli a serious and unbeatable adversary .
To be honest , this set is widely recommendable for you , to know the whole and intimate world of Johannes Brahms , the beloved son of Hamburg.
Katchen also recorded a powerful Islamey and an unforgettable Rachmaninoff No. 2 .
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Debussy: The Complete Piano Music
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001Z2RSM Release Date: 2004-08-24 |
Tracks:
- Reverie
- Prelude
- Menuet
- Clair De Lune
- Passepied
- Lent (Melancolique Et Doux)
- Tres Vite
- Prelude
- Sarabande
- Toccata
- Reflets Dans L'eau
- Hommage A Rameau
- Mouvement
- Cloches A Travers Les Feuilles
- Et La Lune Descend Sur Le Temple Qui Fut
- Poissons D'or
Tracks:
- Arabesque No.1
- Arabesque No.2
- Danse Bohemienne
- Ballade Slave
- Tarantelle Styrienne
- Valse Romantique
- Mazurka
- Nocturne
- Danseuses De Delphes
- Voiles
- Le Vent Dans La Plaine
- Les Sons Et Les Parfums
- Les Collines D'Anacapri
- Des Pas Sur La Neige
- Ce Qu'a Vu Le Vent D'Ouest
- La Fille Aux Cheveux De Lin
- La Serenade Interrompue
- La Cathedrale Engloutie
- La Danse De Puck
- Minstrels
Tracks:
- L'isle Joyeuse
- Pagodes
- La Soiree Dans Grenade
- Jardins Sous La Pluie
- D'un Cahier D'esquisses
- Morceau De Concours
- Masques
- Brouillards
- Feuilles Mortes
- La Puerta Del Vino
- Les Fees Sont D'exquises Danseuses
- Bruyeres
- General Lavine - Eccentric
- Les Terraces Des Audiences
- Ondine
- Hommage A S. Pickwick Esq. PPMPC
- Canope
- Les Tierces Alternees
- Feux D'artifice
Tracks:
- Doctor Gradus Ad Parnassum
- Jimbo's Lullaby
- Serenade For The Doll
- The Snow Is Dancing
- The Little Shepherd
- Golliwog's Cake-Walk
- Hommage A Haydn
- Le Petit Negre
- La Plus Que Lente
- Berceuse Heroique
- Elegie
- Page D'album (Piece Pour Le Vetement Du Blesse)
- Pour Les Cinq Doigts
- Pour Les Tierces
- Pour Les Quartes
- Pour Les Sixtes
- Pour Les Octaves
- Pour Les Huit Doigts
- Pour Les Degres Chromatiques
- Pour Les Agrements
- Pour Les Notes Repetees
- Pour Les Sonoritees Opposees
- Pour Les Arpeges Composes
- Pour Les Accords
Customer Reviews:
Debussy with a difference!.......2007-03-10
Do not let the dismissive review below make you dismiss this amazing and breath taking complete set. Like his Scriabin recordings, Gordon Fergus-Thompson works wonder with the well known piece like Clair de Lune, Arabesque and Reverie, and breathes new life into the music by his keen sense of tonal colours and delicacy. When it comes to impressionist music, no pianists can match Richter, who played Clair de Lune, Pavane or miroirs like a miracle, but Fergus-Thompson creats his own unique soundscape.
He is one of very few pianists alive who pay careful attention to how a note produced on the instrument decays and merges with other notes, while most of pianist nowadays focus mostly on starting point of the sound. That's a secret of the richness of colours and expression in his pianism.
He is often criticised for lack of technical prowess, compared to past masters like Gieseking or Michelangeli, but I can not detect even a hint of technical weakness or instability in this set. This is simply a different and highly personal interpretation, and it is a shame to miss out this magical music making simply because it is different from the mainstream interpretation.
One Star for Charity's Sake.......2007-03-01
Beautifully interpreted.......2007-02-13
Complete Debussy.......2006-12-13
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Für Elise: Romantic Piano Music
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013VM Release Date: 1995-03-21 |
Tracks:
- Impromptu in A Flat Major, Op.142 (D.935),No.2
- Etude in E major, Op.10, No.3
- Bagatelle in A minor, WoO 59 'Fur Elise': Bagatelle in A minor, WoO 59
- Waltz in A flat major,Op. 39, No.15
- June: Bacarolle from the Seasons,Op.37b
- pring Song in A major,Op.62,No.6 From Songs Without Words: Spring Song in A major,Op.62,No.6 From Songs Without Words
- Clair de lune from Suite bergamasque
- Troiseme Gymnompedie
- Andante in F major, WoO 57 'Adante favori': Andante in F major, WoO 57
- Nocturne in E flat major, Op.9,No.2
- Liebestraum No 3 in AFlat Major, Op.62 (S.541) No.3
- Impromptu in G flat major,Op. 90(D.899), No.3
- Romance in F Minor,Op.5
- Alla turca from Piano Sonata No.11 in Major, K.331
- Trerei from Kinderszenen,Op.15
- Prelude no 15 in D Flat Major, Op.28 'Raindrop': Prelude no 15 in D Flat Major, Op.28
- Tango in D major
- Prelude in C sharp minor, Op.3 No.2
Customer Reviews:
The best.......2007-04-10
Pure Piano.......2007-01-11
Not quite for that candle-light dinner .... .......2006-03-02
But, if your interest is to explore the great composers and piano literature of the Romantic era, this is a fine CD to do that for many reasons. One reason is the variety of styles and nationalities featured here. One other characteristic of the music of this period was the expression of pride in one's country (Nationalism movement). Nearly all of the composers whose works are featured on this disc were major influences in music history and showed varying degress of Nationism: Beethoven, Schubert, Schumann, Brahms and Liszt from Germany ... Chopin from Poland ... Tchaikovsky and Rachmaninov from Russian ... Debussy and Satie from France ... and Albeniz from Spain. With such an international line-up of famous composers, you will find a wide range of musical styles, flavors and expressions to discover and enjoy. Most of the selections here are among the more famous piano pieces, so it is a good place to start. And supported by capable artists, good sound quality and some decent liner notes giving the history of the music, this CD provides a compelling journey into the piano music of the mid-late 19th century ... but maybe not ideal for that romantic interlude you might have had in mind.
PS: The title song of this CD, "Fur (for) Elise," is one of Beethoven's most recognizable and simple tunes, often heard in those miniature music boxes or even cell-phone ring tones.
Classic.......2004-04-08
And I love piano music, because I like to play piano. Don't buy it, if you like pop music, not classic ! Buy it, if you like classic. Trust me.
Great compilation.......2002-12-09
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Satie: Orchestral Works
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JYTF Release Date: 1999-08-31 |
Tracks:
- Parade - Ballet realiste en un tableau: Choral; Prelude Du Rideau Rouge; Prestidigitateur Chinois
- Parade - Ballet realiste en un tableau: Petite Fille Americaine
- Parade - Ballet realiste en un tableau: Acrobates - Final - Suite Au Prelude Du Rideau Rouge
- Trois Gymnopedies: Gymnopedie No. 1
- Trois Gymnopedies: Gymnopedie No. 2
- Trois Gymnopedies: Gymnopedie No. 3
- Mercure - Poses plastiques en trois tableaux: Marche - Ouverture
- Premier Tableau: Tableau I: La Nuit
- Premier Tableau: Danse De Tendresse: Apollon Et Venus
- Premier Tableau: Signes Du Zodiaque
- Premier Tableau: Entree Et Danse De Mercure
- Deuxieme Tableau: Danse Des Graces
- Deuxieme Tableau: Bain Des Graces
- Deuxieme Tableau: Fuite De Mercure
- Deuxieme Tableau: Colere De Cerbere
- Toisieme Tableau: Polka Des Lettres
- Toisieme Tableau: Mercure: Tableau III: Nouvelle Danse
- Toisieme Tableau: Mercure: Tableau III: Le Chaos
- Toisieme Tableau: Final: Rapt De Proserpine
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Premier Acte - Ouverturette
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Projectionette
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Rideau - Entree De La Femme
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Musique
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Entree De L'Homme
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse De La Porte Tournante
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Entree Des Hommes
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse Des Hommes
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse De La Femme
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Petite Danse Finale
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Cinema
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Deuxieme Acte - Musique De Rentree
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Rentree Des Hommes
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Rentree De La Femme
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Les Hommes Se Devetissent, La Femme Se Rhabille
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse De L'Homme Et De La Femme
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Les Hommes Regagnent Leur Place Et Retrouvent Leur Pardessus
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse De La Brouette
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Danse De La Couronne
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Le Danseur Depose La Couronne Sur La Tete D'une Spectatrice
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': La Femm Rejoint Son Fauteuil
- Relache. Ballet Intantaneiste en deau actes; un etr'acte cinematographique, et 'la queue de chien': Petite Danse Finale (Chanson Mimee): La Queue De Chien
Customer Reviews:
Rare Satie.......2004-09-29
A dream!.......2001-04-11
Parade is fun to listen as Gymnopédies in one of the best performances I have heard.
Th ballets are bizarre, and the music is so sugestive that you can "see" them.
Mr. Kaltenbach makes a correct reading and the Nancy orchestra rises to the top.
Bravo!
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Debussy, Ravel: Complete Works for Piano Duet and Two Pianos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007RA7AY Release Date: 2005-05-24 |
Tracks:
- I. En Bateau
- II. Cortege
- III. Menuet
- IV. Ballet
- Marche Ecossaise Sur Un Theme Populaire
- I. Pour Invoquer Pan
- II. Pour Un Tombeau Sans Nom
- III. Pour Que La Nuit Soit Propice
- IV. Pour La Danseuse Aux Crotales
- V. Pour L'Egyptienne
- VI. Pour Remercier La Pluie Au Matin
- Lindaraja
- I. Avec Emportement
- II. Lent - Sombre
- III. Scherzando
- Prelude A L'apres-Midi D'un Faune
- I. Nuages
- II. Fetes
- II. Entre-Cloches
Tracks:
- I. Pavane De La Belle Au Bois Dormant
- II. Petit Poucet
- III. Laideronnette, Imperatrice Des Pagodes
- IV. Les Entretiens De La Belle Et De La Bete
- V. Le Jardin Feerique
- Frontispice: For Two Pianos And One Hand
- Mouvement De Vaise Viennoise
- I. Prelude A La Nuit
- II. Malaguena
- III. Habanera
- IV. Feria
- I. L'Escarpolette
- II. La Toupie
- III. La Poupee
- IV. Les Chevaux De Bois
- V. Le Volant
- VI. Trompette Et Tambour
- VII. Les Bulles De Savon
- VIII. Les Quatre Coins
- IX. Colin-Maillard
- X. Saute-Mouton
- XI. Petit Mari, Petite Femme!
- XII. Le Bal
- L'Apprenti Sorcier
Customer Reviews:
Superlative Performances.......2007-03-07
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György Ligeti Edition 6: Keyboard Works (Piano, Harpsichord, Organ) - Irina Kataeva / Pierre-Laurent Aimard / Elisabeth Chojnacka / Zsigmond Szathmáry
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029OZ Release Date: 1997-05-20 |
Tracks:
- Indulo - March - Allegro
- Polyphonic Etude - Allegro comodo
- Three Wedding Dances: The Cart Is At The Gate - Allegro
- Three Wedding Dances: Quickly Come Here Pretty - Andantino
- Three Wedding Dances: Circling Dance - Allegro
- Sonatina: Allegro
- Sonatina: Andante
- Sonatina: Vivace
- Allegro
- Capriccio No. 1 - Allegretto capriccioso
- Invention - Risoluto
- Capriccio No. 2 - Allegro robusto
- Monument
- Selbstportrait mit Reich und Riley (und Chopin ist auch dabei)
- In zart fliessender Bewegung
- Passacaglia ungherese - Andante
- Hungarian Rock - Vivacissimo molto ritmico
- Continuum - Prestissimo
- Ricercare - Omaggio a Girolamo Frescobaldi
- Two Studies For Organ: Harmonies - Rubato, sempre legatissimo
- Two Studies For Organ: Coulee - Prestissimo, sempre legato
- Volumina
Customer Reviews:
More 'sci-fi' inspired music.......2006-08-31
Part of the attraction may be the mystery of exactly what instrument is it which is performing some of these pieces. This mystery is simply not there when the pieces are done by violins and their relatives.
While the mystery instumentation is nothing more than an organ, the performers make this hoary monster do a lot more than I am used to hearing in my local church.
The whole series is a wealth of 'new' or 'alternate' music, but this disk is just a bit more rewarding than some of the others.
Piano pieces are lesser works, but the rest is fantastic.......2004-03-22
Some of "Five Pieces for Piano Four-Hands" are among the earliest of Ligeti's works, written when the composer was a mere 20 years old. All these early piano pieces are rather immature, a simple exploration of an instrument Ligeti encountered later in life than usual. Some, like "Three Wedding Dances" show much progress, but are rooted in peasant folk rhythms and bear little resemblance to the Ligeti of later years. I am a great fan of Ligeti, but frankly these first piano works are dull. One notable exception is the sequence "Capriccio No.1-Invention-Capriccio No. 2" which, although written in 1947, is reminiscent of Ligeti's superb "Musica Ricercata" series for piano featured on volume 3.
"Three Pieces for Two Pianos" dates from twenty-five years later, when Ligeti had already made his micropolyphonic breakthrough (and was in some cases beginning to abandon it). The halting, jerking "Monument" is, I think, the first appearance on this disc of the Ligeti we all know and love. "Selbstportrait mit Reich und Riley (und Chopin ist auch dabei)" is a tribute to the two American minimalist composers and includes a brief allusion to Chopin's music, which Ligeti considers protominimalist. It is indicated to be played "Presto: so schnell und so gleichmaessig wie moeglich", and Aimard and Kataeva really handle the unforgivingly flowing nature of the piece.
The three harpsichord pieces are quite interesting because they are generally unknown. The highlight is "Hungarian Rock" (1978), a frenetic piece which sounds like video-game music gone horribly wrong. Chojnacka really shines here and on the following "Continuum" (1968), which in its eerie micropolyphony stands with the best of his works of the 1960's.
Ligeti's organ pieces are subtle and I'm not sure I "get" them yet. "Ricercare" (1951) is Ligeti's first exploration of the instrument. "Harmonies" (1967) is rather reminiscent of the Ligeti's "Atmospheres" in its waves of sound and concentration on pure timbre, and the following "Coulee" continues this in a considerably higher range.
The organ pieces, and the disc, end with "Volumina" (1961/62), one of Ligeti's earliest hits in the West. This is one of Ligeti's finest works, and the sound quality of this performance is much better than the 1968 recording recently reissued by Deutsche Grammaphon. (This is in itself surprising, as DG's reissues usually sound better than more recent recordings.) It might even be a better performance, as I find it difficult to judge the earlier recording because of its inaudibility.
The booklet contains, as usual, notes written by Ligeti himself and, as always, they are full of enlightening anecdotes and humorous remarks. Here you can read about how the first rehearsal "Volumina" burnt out the organ of Gothenburg's cathedral, and how--in a parenthetical remark that could be dead serious or a joke--Ligeti "will be overcome by revenge fantasies" forever eagainst the repressive regimes of Hungary.
While I think Ligeti is the greatest living composer, and the two series collecting his works are certainly worth getting, the unexciting piano pieces make this a lesser installment in Gyorgy Ligeti Edition. This should wait until one already has, for example, the first volume "String Quartets" or the second "A Capella Choral Works."
Some gems in this uneven keyboard music collection.......2003-11-26
The disc starts with a collection of previously unrecorded early pieces for two pianos. Most of them aren't particularly interesting, but the Polyphonic Etude (written as early as 1943) is a striking premonition of Ligeti's later preoccupations. For that matter, fans of the Musica ricercata (or the Six Bagatelles) will recognize the first two movements of the 1950 Sonatina. Kataeva and Aimard bring off these minor pieces with aplomb.
Following this, we hear the Invention (a rather dry attempt at writing hyper-chromatic Bach) and the two somewhat Bartokian Capriccios. Again, these are minor Ligeti; Kataeva's recording of them probably isn't quite as good as Ullen's on BIS (fill-ups to his underrated reading of the first two books of Etudes), but it's still perfectly acceptable.
After this, we reach mature Ligeti. The three pieces for two pianos are amongst the closest Ligeti got to American minimalism--indeed the middle movement is somewhat clumsily entitled Selbsportrait mit Reich und Riley (und Chopin ist auch dabei). Kataeva and Aimard play well here, without entirely erasing memories of the Kontarsky brothers on a now-reissued recording for DG.
No complaints at all about Elisabeth Chojnacka's rendition of the harpsichord pieces. The mean-tone tunings of the Passacaglia ungherese and Hungarian Rock counterpoint their intentionally bland rhythm. The gem amongst the three pieces, though, is Continuum, a frantic toccata throwing up strange patterns and illusions, which comes off wonderfully here.
The four organ pieces end this disc. The Ricercare (the organ version of the last piece in Musica ricercata) is a gloomy chromatic Frescobaldi pastiche, while Harmonies is an apparently simplistic set of chords distorted by tampering with the organ's pressure mechanism. Coulee, by contrast, is an organ version of Continuum, which sounds remarkably different from the original. Last of all, is the graphically scored tone-cluster piece Volumina. This is a phenomenal, apocalyptic piece, a clear ancestor of the Requiem, and is exceedingly powerful in live performance. Unfortunately, I don't feel Zsigmond Szathmary's performance here comes close to matching Gerd Zacher on DG or the phenomenal Hans-Ola Ericsson on BIS (my own favourite for the complete organ works, coupled with an excellent Schoenberg Variations on a Recitative).
Despite reservations, then, this disc is still worth considering--particularly as Sony's website indicates that the company is in the process of deleting the entire Ligeti Edition.
brilliant music.......2003-06-17
Delightful.......2003-05-04
Track Listings:
- Pietro Domenico Paradies: Complete Sonatas for Harpsichord, Volume 2 - Ottavio Dantone
- Quartets, Opus 5,13,14 & ,44
- Russian Serenades
- Sacred Music From Court
- Salzburg Symphonies
- Scandinavian Contemporary Works
- Schumann: Humoreske, Op. 20; Davidsbündlertänze, Op. 6
- Sofia Gubaidulina: Cello Works
- Solo Baroque Lute
- Solo Piano Works 2
Track Listings
Russian Orthodox Chant: Choirs from Sofia
Metamorphosis: Jazz Meets the Symphony, No. 4
The Composer in the Computer Age, Vol. 3
This Is Shelby Lynne: The Best of the Epic Years [Import]
Serie de Oro: Grandes Exitos [Import]
The King's Noyse, dir. David Douglass: Royal Delight: 17th Century Ballads & Dances