Works for Oboe

1. Music for Oboe and String Orchestra
Composed by Franz Syberg
Performed by Odense Symphony Orchestra with Ebbe Monrad Moeller
Conducted by Tamas Veto

2. Quartet for oboe, violin, viola & cello
Composed by Franz Syberg
with Soren Friis , Bjarne Hansen , Ebbe Monrad Moeller , Finn Winslov

3. Concertino for Oboe and Strings
Composed by Franz Syberg
with Carl Sjoberg , Robert Farver-Sonne , Soren Friis , Bjarne Hansen , Ebbe Monrad Moeller , Finn Winslov

4. Quartet for winds
Composed by Franz Syberg
with Kai Danvad , John Kruse , Ebbe Monrad Moller , Rune Most , Sigbjorn Steffensen

Tracks:

Concerto For Trumpet, Strings & Basso Continuo In D Major: I. Allegro
Concerto For Trumpet, Strings & Basso Continuo In D Major: II. Andante
Concerto For Trumpet, Strings & Basso Continuo In D Major: III. Allegro
Concerto For Trumpet, Strings & Basso Continuo In C Minor: I. Grave
Concerto For Trumpet, Strings & Basso Continuo In C Minor: II. Allegro
Concerto For Trumpet, Strings & Basso Continuo In C Minor: III. Andante
Concerto For Trumpet, Strings & Basso Continuo In C Minor: IV. Vivace
Concerto For 2 Trumpets, Strings & Basso Continuo In C Major, RV.537: I. Allegro
Concerto For 2 Trumpets, Strings & Basso Continuo In C Major, RV.537: II. Largo
Concerto For 2 Trumpets, Strings & Basso Continuo In C Major, RV.537: III. Allegro
Concerto For Trumpet, Violin, Strings & Basso Continuo In B-Flat, RV.548: I. Allegro
Concerto For Trumpet, Violin, Strings & Basso Continuo In B-Flat, RV.548: II. Largo
Concerto For Trumpet, Violin, Strings & Basso Continuo In B-Flat, RV.548: III. Allegro
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: I. Allegro
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: II. Grave
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: III. Aria (Andante)
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: IV. Vivace
Concerto For Trumpet, Oboe, Strings & Basso Continuo In C, RV.534: I. Allegro
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: II. Largo
Concerto For Trumpet, 2 Oboes, Strings & Basso Continuo In D Major: III. Allegro
Concerto Grosso For 6 Trumpets, Strings & Basso Continuo In D Major: I.
Concerto Grosso For 6 Trumpets, Strings & Basso Continuo In D Major: II. Adagio
Concerto Grosso For 6 Trumpets, Strings & Basso Continuo In D Major: III. Vivace
Concerto For Trumpet, Oboe, Strings & Basso Continuo In C, RV.534: I. (Allegro)
Concerto For Trumpet, Oboe, Strings & Basso Continuo In C, RV.534: II. Adagio
Concerto For Trumpet, Oboe, Strings & Basso Continuo In C, RV.534: III. Presto

Customer Reviews:

Uplifting .......2006-11-15

I love this CD. The music is very uplifting. If you love Baroque Music then you can't go wrong with this CD. Great Price and Value.

An Excellent Bargain-priced CD!!.......2002-02-13

I originally purchased this disc as an EMI Classics Red Line release (I think I paid $5.99 for it). It was a steal then, and remains so today on the Seraphin line (simple a reissue of the same EMI Red Line release).

Maurice Andre is a fantastic trumpet player, and he simply shines on this recording (featuring the Academy of St. Martins on the Field under Sir Neville Marriner). Bargain-priced CDs tend to get the proverbial bum rap, but Seraphin (as usual) offers a first-rate recording that can compete with any full-priced release. I've listened to this disc at least 20 times, and I never tire of it. Andre and Marriner bring to life these works, some by lesser-known composers (like Stolzel, Telemann and Torelli). I can't think of a better introduction to these underrated Baroque artists (with the exception of Sony's 'Baroque in Italy' CD, which sadly is now out-of-print, too).

This recording, as with so many others, will not be available forever. Given the quality of the recording and beauty of the pieces, I strongly recommend purchasing this disc before it, too, goes out-of-print. It's a great disc at a great price, and would be a welcomed addition to any Classical music collection.

Better than a dab of Imperial margarine.......2001-03-01

This is a great feel-good record. Music to reign by.

The Stölzel concerto for four instrumental choirs is a particular gem, a great piece to cue up and wake up in the morning to. There is nothing particularly deep or heavy here. All of these pieces are light, in major keys. They are well recorded and well played.

One of my best CDs.......2001-01-07

This CD is just a delight. If you enjoy Baroque, you will find this CD one of your favorites. It has a pleasant register and a lightness that is a pleasure to any ear. An excellent value.

Average customer rating:

poor sound quality
SUPERB
In this case: I'm baroque
Come to laugh and stay to cry
Great Introduction to Beautiful Music

25 Baroque Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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ASIN: B0000058I7
Release Date: 1996-08-20

Tracks:

Canon
Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
Water Music: VI. Minuet
Trumpet Concerto In D: II. Adagio
Sarabande
Oboe Concerto In D Minor: II. Adagio
Concerto In D For Trumpet & Strings: III. Grave
Air On The G String
Adagio For Strings In G Minor
The Four Seasons: Spring, II. Largo
Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
Concerto In D For 2 Trumpets & Strings: II. Largo
Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
Concerto In D For 6 Trumpets & Strings: II. Adagio
Ombra mai fu: Handel's Largo
Trumpet Sonata No. 1 In F: II. Grave
Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
Concerto In C For Viola Pomposa & Strings: II. Andante
Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
Sonata For Trumpet & Strings: I. Allegro
Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
Trumpet Voluntary

Customer Reviews:

poor sound quality.......2004-09-29

a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.

SUPERB.......2004-02-19

An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.

If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.

In this case: I'm baroque.......2004-02-07

I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.

Come to laugh and stay to cry.......2003-11-26

Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.

"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".

At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.

Great Introduction to Beautiful Music.......2000-07-08

The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.

Tracks:

Fantasia on Greensleeves
English Folk Song Suite: I. March: Seventeen come Sunday
English Folk Song Suite: II. Intermezzo: My bonny boy
English Folk Song Suite: III. March: Folk songs from Somerset
Oboe Concerto: I. Rondo pastorale
Oboe Concerto: II. Minuet and musette
Oboe Concerto: III. Finale
Concerto Grosso: I. Intrada
Concerto Grosso: II. Burlesca ostinata
Concerto Grosso: III. Sarabande
Concerto Grosso: IV. Scherzo
Concerto Grosso: V. March and Reprise
Romance (for Harmonica, Strings & Piano)
The Lark Ascending (for Violin And Orchestra)

Tracks:

Five Variants of 'Dives and Lazarus'
Norfolk Rhapsody No. 1
Partita For Double String Orchestra: I. Prelude: Andante tranquillo
Partita For Double String Orchestra: II. Scherzo ostinato: Presto
Partita For Double String Orchestra: III. Intermezzo (Homage To Henry Hall)
Partita For Double String Orchestra: IV. Fantasia: Allegro
In the Fen Country
Fantasia on a Theme by Thomas Tallis

Customer Reviews:

Inspiring, noble, and also relaxing!.......2007-06-15

Hi. I am familiar with a lot of classical music. However, I knew little about the oeuvre of Vaughan Williams. What a great find! Getting so much of his instrumental work is truly a bargain. He evokes the English countryside and folk traditions very effectively. "The Lark Ascending" is relaxing while also being a virtuoso piece of work. Makes me wonder if J.R.R. Tolkien, with his love for rural England, ever attended a concert by Vaughan Williams...

Highly recommended! :)

Beautiful Music.......2007-01-29

Each piece on this CD is wonderful to listen to. My 2 year old daughter takes her nap everyday with this CD playing softly in the background. This CD is a great deal as it includes 2 CD's including Vaughan Williams: Fantasies; the Lark Ascending; Five Variants. Which is also a wonderful CD, we got it for 2 friends at our church. But better to get this CD with 2 CD's for the price of one. My favorite is Fanatasia on a Theme by Thomas Tallis!

I love this composer.......2006-03-17

While not all his works are to my taste, his pastoral ones are so gorgeous that you don't really care that the more boisterous ones are wanting.

Balanced & Refined English Folk Song Adaptations.......2005-02-04

Vaughan Williams is certainly one of the consummate English composers who took the folk song of his country and compsed delightful orchestra works around them.

This budget worthy 2-CD set displays this in two parts, the first performed by the Acadamey of St.Martin in-the-Fields while the second disc features more period instruments with the New Queen's Hall Orchestra and the London Philharmonic.

Celia Nicklin is superb with the Oboe Concerto nusancing this pastoral yet lively offering. Iona Brown likewise contributes a fine solo violin performance with "The Lark Ascending"

The strings also provide a strong offering on the "Tallis Fantasia", one of his strongest compositions on this selection.

Excellent example of this prominent English composer's love with folk song interpretation, in this recording done passionately and naturally.

A great CD.......2004-02-10

English Folk Song Suit is one of my favorite pieces ever! I first heard the song when I played it in Windensambe. It's an exciting piece to play and to listen to. I would recommend this Cd to anyone with an intrest in great music.

Average customer rating:

Heavenly.
A must have album!
Pyrotechnics
A must for the trumpet player's library!

Trumpet Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Baroque Trumpet Concertos
Famous Classical Trumpet Concertos
Wynton Marsalis - Baroque Music for Trumpet
Greatest Hits: Trumpet
Classic Wynton

ASIN: B000002SDO
Release Date: 1992-09-29

Tracks:

Brandenburg Concerto No. 2 In F Major: Allegro
Brandenburg Concerto No. 2 In F Major: Andante
Brandenburg Concerto No. 2 In F Major: Allegro assai
Suite For Trumpet In D Major: Overture
Suite For Trumpet In D Major: Gigue (allegro)
Suite For Trumpet In D Major: Air
Suite For Trumpet In D Major: Bourree
Suite For Trumpet In D Major: Marche
Trumpet Concerto In D Major: Allegro
Trumpet Concerto In D Major: Grave
Trumpet Concerto In D Major: Arie
Trumpet Concerto In D Major: Grave
Trumpet Concerto In D Major: Vivace
Trumpet Concerto In D Major: Allegro
Trumpet Concerto In D Minor: Andante
Trumpet Concerto In D Major: Allegro
Trumpet Concerto In D Major: Adagio
Trumpet Concerto In D Major: Allegro
Trumpet Concerto In E Flat Major: Allegro
Trumpet Concerto In E Flat Major: Andante
Trumpet Concerto In E Flat Major: Allergo

Tracks:

Trumpet Concerto In D Major: Allegro
Trumpet Concerto In D Major: Adagio - Presto - Adagio
Trumpet Concerto In D Major: Allegro
Concerto In D Minor Op. 9 No. 2: Allegro e non presto
Concerto In D Minor Op. 9 No. 2: Adagio
Concerto In D Minor Op. 9 No. 2: Allegro
Trumpet Concerto In D Major: Allegro
Trumpet Concerto In D Major: Andante
Trumpet Concerto In D Major: Allegro grazioso
Concerto For 2 trumpets Op. 46 No.1: Allegro
Concerto For 2 trumpets Op. 46 No.1: Largo
Concerto For 2 trumpets Op. 46 No.1: Allegro
Trumpet Concerto In C Major: Allegro moderato
Trumpet Concerto In C Major: Adagio
Trumpet Concerto In C Major: Allegro
Trumpet Concerto In C Major: Introduction: larghetto
Trumpet Concerto In C Major: Allegro
Trumpet Concerto In C Major: Siciliana
Trumpet Concerto In C Major: Allegro giusto

Customer Reviews:

Heavenly........2003-09-20

That is how I describe Maurice Andre's sound. So smooth and suave, and accurate every time. The Michael Haydn Concerto In D is one of the most impressive trumpet works ever recorded. Andre does it better than anyone else ever did, if you ask me. He also takes on J.S. Bach's "Brandenburg Concerto No. 2" and the results are majestic. The essential Joseph Haydn Trumpet Concerto is on here as well, a piece in which Andre plays an especially stunning cadenza on the first movement. The Telemann, Tartini, Handel, Vivaldi and Marcello are all impeccably played. Maurice Andre was the second or third trumpet player I started listening to after Miles Davis. I also discovered Clifford Brown around then, back in 6th grade. Since then, they have all remained in my list of all-time favorite trumpet players and musicians.

A must have album!.......2001-09-17

The incredible playing of Maurice Andre fills up all two of these cds. From the incredible brandenberg reading to the Cimarosa. This album from start to finish is a text book on beauty, style, phrasing, and how to play the trumpet. Andre is a true master of the trumpet and even more a true master musician.

Pyrotechnics.......2001-06-21

Maurice André is one of those people whom one suspects isn't quite human like the rest of us (Michala Petri is another). To anyone who has ever struggled to get as much as a parp or a toot out of a trumpet, the astounding technical facility and the pure, clear, pitch-perfect sound and wonderful tone of an André is a revelation that some people are indeed more equal than others. This collection represents André in his prime (he's now sadly semi-retired) and he does a wonderful job. Many of these works are not originally for trumpet, and only a modern piccolo valved trumpet allows them to be played. Nevertheless, they come up shining.

A must for the trumpet player's library!.......1999-09-23

If you're into trumpet concertos, Maurice Andre is as smooth and technical as they come. This two-CD set contains not only Bach, but also Handel, Telemann, Haydn, Albinoni, and others. If you have Andre's concertos in your sheet music library, these CD's make for great accompaniment. The CDs are great while studying as well. Mega cerebral (when you're into that kind of thing)!

Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly

Average customer rating:

Superb with just one reservation
Go ahead, test your intelligence...
The definitive recordings.
Sound Splitting Music
An aural knockout

Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

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Xenakis: Orchestral Works & Chamber Music
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ASIN: B00000AFR8
Release Date: 1998-09-15

Tracks:

Tuning Up
Amques (Original Version)
Po ectronique
Arcana
Nocturnal
Un Grand Sommeil Noir (Orchestral Version)

Tracks:

Un Grand Sommeil Noir (Original Version)
Offrandes: Chanson de laut
Offrandes: La Croix du Sud
Hyperprism
Octandre: Assez lent
Octandre: Trvif et nerveux
Octandre: Grave - Animt jubilatoire
Intales
Ecuatorial
Ionisation
Density 21.5
Drts: 1st Episode
Drts: 1st interpolation of organized sound
Drts: 2nd episode
Drts: 2nd interpolation
Drts: 3rd episode
Drts: 3rd interpolation
Drts: 4th episode
Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....

The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

Tracks:

Horn Concerto No. 1 In E Flat Major, Op. 11: I: Allegro
Horn Concerto No. 1 In E Flat Major, Op. 11: II: Andante
Horn Concerto No. 1 In E Flat Major, Op. 11: III: Allegro
Horn Concerto No. 2 In E Flat Major: I: Allegro
Horn Concerto No. 2 In E Flat Major: II: Andante con moto
Horn Concerto No. 2 In E Flat Major: III: Rondo (Allegro molto)
Oboe Concerto In D Major: I: Allegro moderato
Oboe Concerto In D Major: II: Andante
Oboe Concerto In D Major: III: Vivace
Duett-Concertino: I; Allegro moderato
Duett-Concertino: II: Andante
Duett-Concertino: III: Rondo (Allegro ma non troppo)

Tracks:

Burleske
Parergon zur Sinfonia Domestica, Op. 73
Panathenaenzug, Op. 74

Tracks:

Till Eulenspiegels lustige Streiche, Op. 28
Don Juan, Op. 20
Ein Heldenleben, Op. 40: The Hero
Ein Heldenleben, Op. 40: The Hero's Adversaries
Ein Heldenleben, Op. 40: The Hero's Wife
Ein Heldenleben, Op. 40: Certainty Of Victory
Ein Heldenleben, Op. 40: The Hero's Battlefield
Ein Heldenleben, Op. 40: War Fanfares
Ein Heldenleben, Op. 40: The Hero's Work Of Peace
Ein Heldenleben, Op. 40: The Hero's Withdrawl From The World
Ein Heldenleben, Op. 40: Renunciation

Tracks:

Violin Concerto in D minor, Op. 8: I: Allegro
Violin Concerto in D minor, Op. 8: II: Lento
Violin Concerto in D minor, Op. 8: III: Rondo
Sinfonia Domestica, Op. 53: Bewegt - Thema I - Thema II - Thema III
Sinfonia Domestica, Op. 53: Scherzo (Munter)
Sinfonia Domestica, Op. 53: Wiegenlied - Massig langsam
Sinfonia Domestica, Op. 53: Adagio - (Langsam)
Sinfonia Domestica, Op. 53: Finale (Sehr lebhaft)

Tracks:

Also sprach Zarathustra, Op. 30
Tod und Verklarung, Op. 24
Der Rosenkavalier, Op. 59

Tracks:

Salome, Op. 54: Dance Of The Seven Veils
Le Bourgeois Gentilhomme - Suite, Op. 60: Overture
Le Bourgeois Gentilhomme - Suite, Op. 60: Jourdain - Minuet
Le Bourgeois Gentilhomme - Suite, Op. 60: The Fencing Master
Le Bourgeois Gentilhomme - Suite, Op. 60: Entrance and Dance of the Tailors
Le Bourgeois Gentilhomme - Suite, Op. 60: Minuet of Lully
Le Bourgeois Gentilhomme - Suite, Op. 60: Courante
Le Bourgeois Gentilhomme - Suite, Op. 60: Entry Of Cleonte
Le Bourgeois Gentilhomme - Suite, Op. 60: Intermezzo (Prelude To Act 2)
Le Bourgeois Gentilhomme - Suite, Op. 60: The Dinner
Schlagobers, Op. 70: Waltz
Josephslegende, Op. 63: Symphonic Fragment

Tracks:

Metamorphosen: Study For 23 Solo Strings
Eine Alpensinfonie, Op. 64: Night
Eine Alpensinfonie, Op. 64: Sunrise
Eine Alpensinfonie, Op. 64: The Ascent
Eine Alpensinfonie, Op. 64: Entering The Forest
Eine Alpensinfonie, Op. 64: Strolling By The Stream
Eine Alpensinfonie, Op. 64: By The Waterfall
Eine Alpensinfonie, Op. 64: Apparition
Eine Alpensinfonie, Op. 64: In Flowery Meadows
Eine Alpensinfonie, Op. 64: In A Mountain Pasture
Eine Alpensinfonie, Op. 64: Lost In The Thickets And Undergrowth
Eine Alpensinfonie, Op. 64: On The Glacier
Eine Alpensinfonie, Op. 64: Dangerous Moments
Eine Alpensinfonie, Op. 64: On The Summit
Eine Alpensinfonie, Op. 64: Vision
Eine Alpensinfonie, Op. 64: Mists Rise Up
Eine Alpensinfonie, Op. 64: The Sun Grows Dark
Eine Alpensinfonie, Op. 64: Elegy
Eine Alpensinfonie, Op. 64: Quiet Before The Storm
Eine Alpensinfonie, Op. 64: A Thunderstorm - Descent
Eine Alpensinfonie, Op. 64: Sunset
Eine Alpensinfonie, Op. 64: Conclusion
Eine Alpensinfonie, Op. 64: Night

Tracks:

Aus Italien, Op.16: I: Andante
Aus Italien, Op.16: II: Allegro molto con brio
Aus Italien, Op.16: III: Andantino
Aus Italien, Op.16: IV: Finale (Allegro molto)
Macbeth, Op. 23: Symphonic Poem

Tracks:

Don Quixote, Op. 35: Introduktion (Massiges Zeitmass)
Don Quixote, Op. 35: Massig (Don Quixote)
Don Quixote, Op. 35: Maggiore (Sancho Panza)
Don Quixote, Op. 35: Variation I: The adventure with the windmills
Don Quixote, Op. 35: Variation II: The battle with the sheep
Don Quixote, Op. 35: Variation III: Discourse between knight and squire
Don Quixote, Op. 35: Variation IV: The adventure with the pilgrims
Don Quixote, Op. 35: Variation V: The knight's vigil
Don Quixote, Op. 35: Variation VI: The meeting with Dulcinea
Don Quixote, Op. 35: Variation VII: The ride through the air
Don Quixote, Op. 35: Variation VIII: The voyage in the enchanted boat
Don Quixote, Op. 35: Variation IX: The combat with the two magicians
Don Quixote, Op. 35: Variation X: The defeat of Don Quixote
Don Quixote, Op. 35: Finale (Sehr ruhig)
Dance Suite from harpsichord pieces by Francois Couperin: I: Entree and stately round
Dance Suite from harpsichord pieces by Francois Couperin: II: Courante
Dance Suite from harpsichord pieces by Francois Couperin: III: Carillon
Dance Suite from harpsichord pieces by Francois Couperin: IV: Sarabande
Dance Suite from harpsichord pieces by Francois Couperin: V: Gavotte
Dance Suite from harpsichord pieces by Francois Couperin: VI: Tourbillon - Wirbeltanz
Dance Suite from harpsichord pieces by Francois Couperin: VIII: Allemande
Dance Suite from harpsichord pieces by Francois Couperin: VIII: March

Amazon.com essential recording

When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion.

Back in the 1970s, EMI was able to capitalize on this association when it reunited the Staatskapelle with Rudolf Kempe--a native of Dresden, one of the master conductors of the 20th century, and an absolutely authoritative Straussian--for an integral recording of Strauss's orchestral works and concertos. The cycle was warmly received when it was originally released on LP, and it has become one of the treasures of the CD catalog since EMI reissued it whole, in three volumes, in 1992. With this latest repackaging, the whole impressive enterprise becomes available in one box.

Across the board, Kempe and the Dresdeners give magnificent readings of the music. Their Zarathustra is imposing and grand; their Heldenleben suitably heroic and quite smashingly played; their Till Eulenspiegel and Don Juan delightfully brisk, characterful, and exultant (the latter is dispatched in a blazing 16:06, and receives as ardent and exhilarating a reading as you are ever likely to encounter on disc). One of the finest of all the offerings is the account of Eine Alpensinfonie, a Kempe favorite and still a sonic knockout after nearly three decades.

The less familiar orchestral works are here, as well, including the early tone poems Aus Italien and Macbeth and the admittedly rather frothy ballet scores Josephslegende and Schlagobers. Of special value are the accounts of all Strauss's concerted works, from the early Violin Concerto (played by Ulf Hoelscher) and Burleske for piano and orchestra (with Malcolm Frager as soloist), through Don Quixote (featuring Paul Tortelier in magisterial form) and the two horn concertos, to the Oboe Concerto of 1946 and the final Duett-Concertino for clarinet and bassoon.

It's hard to imagine any label tackling such a project in today's bottom-line environment, or coming up with such definitive readings from today's performers. All the more reason to celebrate the appearance of this compendium. --Ted Libbey

Customer Reviews:

Outstanding performances.......2007-05-13

Rudolf Kempe's interpretations of Richard Strauss orchestral works (almost complete - one miss the orchestral songs) have been classic recordings since they first appeared on record in the early seventies (1970-75).

Especially fine are his interpretations of the core works, e.g., the symphonic poems Also sprach Zarathustra, Ein Heldenleben, Eine Alpensinfonie, Tod und Verklärung, Don Juan, Till Eulenspiegel, Don Quixote. All these are given first rate interpretations.

Furthermore, you get outstanding interpretations of Strauss' two horn concertos as well, with Peter Damm's superb horn playing, and an outstanding performance of Metamorphosen.

There is simply no rival to this collection of "core works of Richard Strauss".

In addition, this box collects also Strauss less interesting orchestral works - see Amazon's listing above. These minor works receive fine interpretations and performances too, but the main attraction is of course the core works above.

Sound quality is very fine - just excellent analogue stereo - and the orchestra, Staatskapelle Dresden, was one of the top orchestras in the world when these sessions were put on record.

Warmly recommended!

Reviving a Lost Love.......2006-08-07

The highest praise for any conductor must be that he rekindles enthusiasm and love for music that had been recently abandoned. In his autobiography, the conductor Felix Weingartner confesses that he had grown out of touch with Strauss' music; until hearing this set, I had felt the same, with only a few exceptions. But Rudolf Kempe and his really great Staatskapelle Dresden have won me back to Richard's orchestral music. So far, I have only heard part of the set: Zarathustra, Heldenleben, Till, Tod und Verklaerung, Der Buerger als Edelmann, Don Juan, Burleske, and Sinfonia Domestica, but my appetite is whet for more. Because of the refined, subtle, and yet intense conducting of Kempe, what used to strike me as cheap and taudry now strikes me as profound and moving. And the sheer musical skill of Strauss in thematic invention and counterpoint never ceases to amaze. Kempe was truly, in my not so humble opinion, the greatest conductor of the German classics following Furtwaengler; Karajan was empty and shallow by comparison. Kempe brings to this music the same passion and dignity that he brought to Beethoven, Brahms, Wagner, Schumann, and other of "his" composers. To make just one comparison, Reiner's Zarathustra, once hallowed by me as by most listeners, now sounds like overripe, rotting fruit as compared to the passionate yet thoughtful quality that Kempe brings to it. The Staatskapelle Dresden, by the way, sounds like the greatest orchestra in the world, only matched by the Berlin Philharmonic under Kempe or Furtwaengler, an orchestra that produces incidentally beautiful sounds but whose main goal is the projection and characterization of the music. No virtuosity for its own sake, just musicianship, musicianship, and more musicianship. EMI's sound is the very epitome of how to record an orchestra: Impactful, yet smooth and detailed, with natural perspectives and no spotlighting. This set belongs in every music lover's library.

Not for beginners..........2006-07-16

Most boxed sets have their ups and downs because no conductor is equally sympathetic to all of a composer's works. Kempe is no exception to this rule.

The masterpieces, Zarathustra, Heldenleben, and Quixote, are superb here. Kempe clarifies Strauss' complex textures in a way that other conductors like Karajan don't. Most of the time, I prefer to hear these works Karajan's way, but it's nice to hear what Kempe does with them, too. No one does Sinfonia Domestica the way Kempe does it...with such gentleness and humor. I listened to Reiner's recording for years, but I put it up for sale on amazon after I heard the Kempe. With all four of these large tone poems, Kempe and Karajan are all I really need.

The Don Juan is just about the best I've ever heard. It is so vital and exciting! Better than Karajan or any other I know. It is hard to imagine that Macbeth will ever be done better than this either. Macbeth is one of the reasons I own this set, but it's hardly one of Strauss' masterpieces. Speaking of non-masterpieces, I also treasure Kempe's recordings of Strauss' strange works for piano and orchestra. The Burleske has more poetry but less excitement than the classic Byron Janis/Reiner recording.

Kempe's recordings of the Horn Concertos are truly awful. Listen to the weak, watery tones of the first-chair horn player stepping into the solo spotlight. One listen to the mono recordings of Dennis Brain conducted by Sawallisch shows what is missing: bold, ringing tone and lots of excitement. If I only knew Kempe's recordings, I wouldn't even care about these pieces.

The bad news continues with the Oboe Concerto (weak oboist) and the charming Duet Concertino (weak bassoon).

Kempe misses the raucous fun that charges the best recordings of Till Eulenspiegel. This is a limp dishrag of a performance (until the last few minutes). At the very start of the performance, you will hear a familiar sound -- our weak horn player from the concertos playing a solo -- and you will long to stop the CD and reach for a different recording.

Metamorphosen is one of my favorite pieces by Strauss. Kempe, as is his wont, tries mightily to clarify Strauss' dense counterpoint here, and I appreciate the effort. I hear things here that I miss in other recordings. But this reading does not move me the way others have. Ormandy, to name just one. Death and Transfiguration is another one that Ormandy did better. Kempe is too fast at times! Really fast!

My greatest disappointment with this set is a recording that has been acclaimed by many as one of the greatest Strauss recordings ever made...Kempe's take on Eine Alpensinfonie. I have lived for many years with the Karajan recording, and I must say that Kempe misses many of the moments that I have come to treasure in Karajan's version. One example would be those 20 horns playing! Karajan makes this absolutely thrilling, which I'm sure is what Strauss intended. With Kempe, this telling touch by Strauss passes by unremarkably. The slow, quiet passage at the summit lacks magic. The apotheosis at the top of the mountain is certainly thrilling in Kempe's hands, but he misses too much on the way up. By the way, his cowbells sound almost comically bad. He certainly does bring out the beauty of the closing sections of the work, though.

If you are really serious about getting to know Strauss' music, this is a necessary purchase for the rarities that will probably never be done better like the Violin Concerto and the pieces I've already mentioned. If you just want Strauss' most famous works, this is a waste of your money (no matter how cheap it is!)because there's a lot of stuff here that either isn't very good or that you probably won't want to listen to that often. You would be better off buying Karajan's recordings (the 1970s recordings, not the remakes from the 80s) of the big three tone poems and then filling in the smaller ones as your interests dictate. Casual listeners will never need to hear pieces like Macbeth or the piano works that make this set so vital to Strauss-aholics like me!

One of the very best of all EMI sets! The 2nd coming for all Straussians!.......2006-02-10

The great Strauss tone poems soar to the highest level imaginable! With Kempe's genius, the lesser works become great! Kempe resists all temptation to be banal or bombastic. He directs the Staatskappele Dresden with a silken, burnished tone yet with restraint that has a radiant glow that never sacrifices the inherent capacity of the music to thrill, deeply move, or elevate to another plain. Each work played is in itself the guide: conductor and orchestra let the works deliver their own brilliance. The Don Juan and Dead and Transfiguration are soul piercing, along with Ein Heldenleben, and....... The Staatskapelle Dresden has always been an inspired ensemble and in Kempe's hands they are simply put, magnificent, delivering one thrilling performance after another. Like Wagner and Faith, you get Strauss or you don't. If you do get it, this set is beyond self recommendation; Buy this set before it disappears from the shelves. Classical Cd shelves these days have hidden boomerangs. One minute here, next minute.....boing going gone)...! The concert hall may never hear greater performances of Strauss' orchestral works as we hear on these nine disks. The sound is nothing short of a rich, full timber as Kempe leads then with inspired and interpretive genius . This all may sound over the edge but I don't think so and I don't think you will be disappointed. Strauss has been served in splendor by the Dresden musicians under Kempe's baton. [Although in an aside I must say that Raphael Fruhbeck de Burgos and the Tanglewood Music Center Orchestra's performance this past summer of Don Juan and the Rosenkavalier suite were superb.] Then I think of the BSO with Levine...., their Strauss should be something else. Bravo and kudos to all for bringing us this gift. Booklet is very well done with one exception. There is not a word in the booklet about Rudolf Kempe and/or the orchestra itself. 10 stars anyway!!

terrible, awful, hideous, lousy.......2005-04-22

The problem with the "classics" is that too many hacks have hacked them to pieces. My opinion of these recordings, for whatever it is worth, is that they simply do not do justice to Strauss's magnificent music.

There is a reason they are a "bargain". I would avoid this set.
Sometimes a boxed set is a good deal, but this one is not. I find the entire set unspeakably dull and literally unlistenable.

In any event, this is merely my opinion. The majority of the other reviewers think its terrific.

Philippe Gaubert: Complete Works for Flute, Vol. 1

Average customer rating:

Philippe Gaubert: Complete Works for Flute, Vol. 1

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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4-for-3 All Music | 4-for-3 Music | Stores | Music
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Philippe Gaubert: Complete Works for Flute, Vol. 2
Philippe Gaubert: Complete Works for Flute, Vol. 3
Les Nouveaux Musiciens

ASIN: B0000DJEM6
Release Date: 2004-01-20

Tracks:

Madrigal For Flute And Piano
Par Un Clair Matin
Soir D'Autonne
Serenade
Divertissement Grec For Two Flutes And Harp
Soir Paien For Voice, Flute And Piano
Tarentelle For Flute, Oboe And Piano
Piece Romantique For Flute, Cello And Piano
Nymphes A La Fontaine
Danses
Invocation (Danse Des Pretresses)
Berceuse Orientale
Barcarolle
Scherzo-Valse

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The Martinu concerto as it was meant to be

Martinu: Harpsichord Works

Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD

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General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
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Jacques Duphly: Complete Works for Harpsichord

ASIN: B0009MWBDS
Release Date: 2005-06-28

Customer Reviews:

The Martinu concerto as it was meant to be.......2005-06-29

This disc fills a useful space in the catalogue, containing as it does the complete music for harpsichord by Bohuslav Martinu, plus as a filler one of the underappreciated masterpieces of the 20th Century, the harpsichord concerto of Manuel de Falla.

The Martinu concerto dates from the mid-1930s, and is a fine example of his neo-classical period. It is in the usual three movements, with two bouncy and rhythmically vivacious outer movements surrounding a touching slow movement. The well-judged instrumentation provides some particularly interesting touches--piano as part of the chamber orchestra accompaniment sounding alongside the soloistic harpsichord, for example.

Most previous recordings of this work have not followed Martinu's original intentions, and have used a full chamber orchestra instead of the nine instruments given in the score, with the result that the harpsichord is often drowned out by the orchestral sound. Not here--the solo instrument sounds out loud and clear, and the accompanying ensemble is very well articulated too. This, combined with the fine (and extremely idiomatic) playing from Monica Knoblochova and an ad hoc ensemble of some of her regular collaborators, makes this recording an easy recommendation in this work.

Just as fine is the performance of Martinu's delightful Promenades, four short pieces for violin, flute and harpsichord. These are amongst the most ingratiating of the composer's shorter works, melodically, rhythmically and colouristically inventive, and the performance here simply sparkles.

The solo harpsichord pieces are slightly less successful. The Two Pieces are studies for the concerto. Entertaining they may be, but they are also slight and unlikely to command repeat attention. More meaty is the 1958 harpsichord sonata. This eight-minute work (in three movements without a break) packs a lot of material into its short duration, but even a good performance like this can't quite hide the monochrome colours and the dutiful rather than inspired nature of the work. The two impromptus from 1959 are amongst the last works Martinu completed. They are short and well-constructed but again rather minor Martinu.

If the disc sags just a little with the solo pieces, it ends with a tour de force. Falla's harpsichord concerto will astonish anyone who thinks of him entirely as the author of Nights in the Gardens of Spain. This fascinating 15-minute work for harpsichord and five instruments is in a completely different world, one that might remind some listeners of Stravinsky and late Debussy, but which is distinctly its composer's own. Its mixture of austerity, rhythmic flexibility, quirky melodies and colourful instrumentation make for a wonderful and thought-provoking piece--and one really unlike anything else in the harpsichord repertoire.

With fine performances throughout and a well-written booklet (even if it perhaps has too many pictures of Ms Knoblochova in it), this disc is easy to recommend to anyone interested in the repertoire.

Berio: The Complete Sequenzas, Alternate Sequenzas & Works for Solo Instruments

Average customer rating:

Wonderful music, well played

Berio: The Complete Sequenzas, Alternate Sequenzas & Works for Solo Instruments

Manufacturer: Mode
ProductGroup: Music
Binding: Audio CD

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John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
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Luigi Nono: Complete Works for Solo Tape

ASIN: B000EUMKDQ
Release Date: 2006-05-23

Customer Reviews:

Wonderful music, well played.......2006-08-31

This is an incredible collection of pieces from an important modern composer...played by an incredible collection of performers. Some of them are famous, others deserve to be. The variety of sounds, the skillful use of different instruments and voices, and the outstanding performances make this a great CD set. The range of instruments is fascinating, from voice (doing vocal gymnastics we can't imagine) to Paula Robison's flute, to Gary Verkade on the organ. Anyone with an interest in new music should listen to this!

Complete Beethoven Edition, Vol. 14: Misc. Chamber Works

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The "Unknown" Beethoven...
Simply Delightful!
Brilliant if sometimes odd rhythm and tempo

Complete Beethoven Edition, Vol. 14: Misc. Chamber Works

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

Sextets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

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Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim
Complete Beethoven Edition, Vol. 7: Violin Sonatas
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Complete Beethoven Edition, Vol. 9: Piano Trios
Complete Beethoven Edition, Vol. 10: String Trios

ASIN: B000001GZH
Release Date: 1997-12-09

Tracks:

No. 1 In E Flat Major: 1. Adagio assai - attacca - Ludwig Van Beethoven
No. 1 In E Flat Major: 2. Allegro con spirito - Ludwig Van Beethoven
No. 1 In E Flat Major: 3. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto - Ludwig Van Beethoven
No. 2 In D Major: 1. Allegro moderato - Ludwig Van Beethoven
No. 2 In D Major: 2. Andante con moto - Ludwig Van Beethoven
No. 2 In D Major: 3. Rondo. Allegro - Ludwig Van Beethoven
No. 3 In C Major: 1. Allegro vivace - Ludwig Van Beethoven
No. 3 In C Major: 2. Adagio con expressione - Ludwig Van Beethoven
No. 3 In C Major: 3. Rondo. Allegro - Ludwig Van Beethoven

Tracks:

Trio For Piano, Flute, And Bassoon In G Major: 1. Allegro - Ludwig Van Beethoven
Trio For Piano, Flute, And Bassoon In G Major: 2. Adagio - Ludwig Van Beethoven
Trio For Piano, Flute, And Bassoon In G Major: 3. Tema andante con Variazioni - Ludwig Van Beethoven
Sonata For Piano And Horn In F Major: 1. Allegro moderato - Ludwig Van Beethoven
Sonata For Piano And Horn In F Major: 2. Poco Adagio, quasi Andante - Ludwig Van Beethoven
Sonata For Piano And Horn In F Major: 3. Rondo. Allegro moderato - Ludwig Van Beethoven
Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 1. Allegro con brio - Ludwig Van Beethoven
Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 2. Adagio - Ludwig Van Beethoven
Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 3. Rondo. Allegro - Ludwig Van Beethoven

Tracks:

Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 1. Grave - Allegro, ma non troppo
Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 2. Andante cantabile
Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 3. Rondo. Allegro, ma non troppo
Serenade For Flute, Violin And Viola In D Major, Op. 25: 1. Entrada. Allegro
Serenade For Flute, Violin And Viola In D Major, Op. 25: 2. Tempo ordinario d'un Minuetto
Serenade For Flute, Violin And Viola In D Major, Op. 25: 3. Allegro molto
Serenade For Flute, Violin And Viola In D Major, Op. 25: 4. Andante con Variazioni
Serenade For Flute, Violin And Viola In D Major, Op. 25: 5. Allegro scherzando e vivace
Serenade For Flute, Violin And Viola In D Major, Op. 25: 6. Adagio - Allegro vivace e disinvolto
Sonatina In C Minor: Adagio
Adagio In E Flat Major: Adagio (ma non troppo)
Sonatine In C Major: Allegro
Variations In D Major

Tracks:

Trio For Piano Clarinet And Cello In B Flat Major: 1. Allegro con brio
Trio For Piano Clarinet And Cello In B Flat Major: 2. Adagio
Trio For Piano Clarinet And Cello In B Flat Major: 3.Tema. 'Pria ch'io l'impegno'. Allegretto - Allegro
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 1. Adagio - Allegro con brio
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major:: 2. Adagio cantabile
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major:: 3. Tempo di Menuetto
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 4. Tema. Andante con Variazioni
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 5. Scherzo. Allegro molto e vivace
Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 6. Andante con moto alla Marcia - Presto
Fugue For String Quintet In D Major: Allegretto

Tracks:

Quintet For 2 Violins, 2 Violas And Cello In C Major: I. Allegro
Quintet For 2 Violins, 2 Violas And Cello In C Major: II. Adagio molto espressivo
Quintet For 2 Violins, 2 Violas And Cello In C Major: III. Scherzo. Allegro
Quintet For 2 Violins, 2 Violas And Cello In C Major: IV. Presto
Prelude And Fugue For 2 Violins And Cello In E Minor: Praeludium
Prelude And Fugue For 2 Violins And Cello In E Minor: Fuge
Six Minuets For Two Violins And Bass: No. 1 In E Flat Major
Six Minuets For Two Violins And Bass: No. 2 In G Major
Six Minuets For Two Violins And Bass: No. 3 In C Major
Six Minuets For Two Violins And Bass: No. 4 In F Major
Six Minuets For Two Violins And Bass: No. 5 In D Major
Six Minuets For Two Violins And Bass: No. 6 In G Major
Duet For Viola And Cello In E Flat Major: Allegro
Duet For Viola And Cello In E Flat Major: Allegretto
Six Landler For Two Violins And Bass: No. 1 In D Major
Six Landler For Two Violins And Bass: No. 2 In D Major
Six Landler For Two Violins And Bass: No. 3 In D Major
Six Landler For Two Violins And Bass: No. 4 In D Minor
Six Landler For Two Violins And Bass: No. 5 In D Major
Six Landler For Two Violins And Bass: No. 6 In D Major
Duet For Two Violins In A Major
Canon In A Major (Probably For Two Violins)

Tracks:

Six Themes With Variations For Piano And Flute: 1. Air ecossais: 'The Cottage Maid'. Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I
Six Themes With Variations For Piano And Flute: 2. Air ecossais: 'Von edlem Geschlect war Shinkin'. Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto-Allegro
Six Themes With Variations For Piano And Flute: 3. Air autrichien: 'A Schusserl und a Reindl'. Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto
Six Themes With Variations For Piano And Flute: 4. Air ecossais: 'The Last Rose Of Summer'. Tema. Andante expressivo assai - Var. I-III
Six Themes With Variations For Piano And Flute: 5. Air ecossais: 'Chiling O'Guiry'. Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai
Six Themes With Variations For Piano And Flute: 6. Air ecossais: 'Paddy Whack'. Tema. Allegretto piu tosto vivace - Var. I-IV
Ten Themes With Variations For Piano And Flute: 1. Air tirolien: 'I bin a Tiroler Bua'. Tema. Moderato - Var. I-III - Var. IV. Allegro
Ten Themes With Variations For Piano And Flute: 2. Air ecossais: 'Bonnie Laddie, Highland Laddie'. Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro
Ten Themes With Variations For Piano And Flute: 3. Volkslied aus Kleinrussland. Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
Ten Themes With Variations For Piano And Flute: Air ecossais: 'St .Patrick's Day'. Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I
Ten Themes With Variations For Piano And Flute: 5. Air tirolien: 'A Madel, ja a Madel'. Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro
Ten Themes With Variations For Piano And Flute: 6. Air ecossais: 'Peggy's Daughter'. Tema. Andante comodo - Var. I-III - Var. IV. Vivace
Ten Themes With Variations For Piano And Flute: 7. Air russe: 'Schone Minka'. Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace
Ten Themes With Variations For Piano And Flute: 8. Air ecossais: 'O Mary At Thy Window Be'. Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco piu mosso - Allegro assai
Ten Themes With Variations For Piano And Flute: 9. Air ecossais: 'Oh, Thou Art The Lad Of My Heart'. Tema. Allegretto piu tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace
Ten Themes With Variations For Piano And Flute: 10. Air ecossais: 'The Highland Watch'. Tema. Spiritoso e marziale - Var. I-II - Var. III. Piu moto - Var. IV. Adagio espressivo - Var. V. Allegro
Duo For Two Flute In G Major: Allegro con brio
Duo For Two Flute In G Major: Minuetto quasi Allegretto

Customer Reviews:

The "Unknown" Beethoven..........2005-01-03

I think it would not be wrong to say that most casual listeners of classical music know Beethoven mostly by his orchestral works--the symphonies, piano concertos, violin concerto, and overtures. Those who go a little deeper might know him by the piano sonatas, violin sonatas, and string quartets; however, this misses a significant portion of his oeuvre--and a major facet of his ethos and art: specifically, the chamber works and lieder: this is the "unknown" Beethoven.

This collection is absolutely the best, finest, and most excellent presentation of Beethoven's chamber works: the Horn Sonata; the Piano-Wind Quintet; the Serenade for Flute, Violin, and Viola; the Clarinet Trio; the Septet for mixed strings & winds; and the String Quintet.

Plus, some really nice esoterica: the early piano quartets; trio for piano, flute & bassoon; pieces for mandolin & piano; and pieces for flute & piano.

All of these works fall into Beethoven's First Period; yet, they must not be considered "juvenalia": Beethoven was the greatest artist/poet who ever lived, and his genius was manifest from his teenage years.

Simply Delightful!.......2004-12-23

This is a wonderful collection of Beethoven chamber music. The recordings are intimate, the musicianship is superb...the music is timeless. The piano concerti are the real highlights here; I don't think they can be any better, and the other selections are very pleasant. If you like Beethoven chamber music (and I can't imagine NOT liking it), then this set is highly recommended. Every now and then you come across a boxed set of recordings that you can listen to over and over. This is one such set.

Brilliant if sometimes odd rhythm and tempo.......2001-01-10

This CD, part of the magnus opus of Beethoven's works committed to CD is wonderfully brilliant and evocative of the renditions of the early 1950's.

Although there are the rare rhythmic, and very rare tempo peculiarities this must remain as one of the finest renditions of Beethoven's Chamber Works. This is of course to be expected from works produced by DDG.

A highly recommended set of CDs that should have pride of place in any serious collector of Beethoven's music and these CDs have the brilliant quality associated with the plastics produced by DDG.

Track Listings:

Track Listings

track listings

Track Listings

Are You Still Having Fun [CD-single]

Debussy: Suite Bergamasque etc. / Martino Tirimo

Electric Sleep

Warm

Cascadia

Caught Out There [CD-single]

Disney's Greatest V.2 [Import]

Codex Franus

Classic Country: 1950-1959

Con el Trio los Calaveras en Vivo [Live]

Extended Ultravox

Don't Let the Cold In [Import]

Club Crunk: Continuous Mix [Explicit Lyrics]

Debussy, Ravel: Chamber Music

Eagles Live