Works for Sinfonietta

1. Night-Symphonies, Day Breaks, for orchestra
Composed by Per Norgard
with Aarhus Sinfonietta

2. Prelude to Breaking, for orchestra
Composed by Per Norgard
with Aarhus Sinfonietta

3. King, Queen and Ace, concertino for harp & 13 Instruments
Composed by Per Norgard
with Aarhus Sinfonietta

4. Surf, for orchestra
Composed by Per Norgard
with Aarhus Sinfonietta

Works for Sinfonietta,Norgard,Arhus Sinfonietta,Kontrapunkt,Chamber Music & Recitals,Classical,Classical Music

György Ligeti Edition 2: A Cappella Choral Works - London Sinfonietta Voices
Average customer rating:

Surprising Variety in Modern A Capepella Choral works

Mostly unlistenable....

a handful of great Ligeti works.

brilliant choral music

Exquisite use of the voice

György Ligeti Edition 2: A Cappella Choral Works - London Sinfonietta Voices

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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György Ligeti Edition 4: Vocal Works (Madrigals, Mysteries, Aventures, Songs) - The King's Singers / Philharmonia Orchestra / Esa-Pekka Salonen

György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet

György Ligeti Edition 3: Works for Piano (Etudes, Musica Ricercata) - Pierre-Laurent Aimard

György Ligeti Edition 6: Keyboard Works (Piano, Harpsichord, Organ) - Irina Kataeva / Pierre-Laurent Aimard / Elisabeth Chojnacka / Zsigmond Szathmáry

Ligeti: Mechanical Music

ASIN: B0000029OX
Release Date: 1997-01-21

Tracks:

A Cappella Choral Works: Night
A Cappella Choral Works: Morning
A Cappella Choral Works: Far from home 1
A Cappella Choral Works: Far from home 2
A Cappella Choral Works: Far from home 3
A Cappella Choral Works: Far from home 4
A Cappella Choral Works: Solitude
A Cappella Choral Works: Two Canons 1
A Cappella Choral Works: Two Canons 2
A Cappella Choral Works: Kings of Bethlehem
A Cappella Choral Works: The Fugitive
A Cappella Choral Works: Lux aeterna
A Cappella Choral Works: Wedding Song
A Cappella Choral Works: Songs from Inaktelke 1
A Cappella Choral Works: Songs from Inaktelke 2
A Cappella Choral Works: Songs from Inaktelke 3
A Cappella Choral Works: Songs from Inaktelke 4
A Cappella Choral Works: Songs from Matraszentimre 1
A Cappella Choral Works: Songs from Matraszentimre 2
A Cappella Choral Works: Songs from Matraszentimre 3
A Cappella Choral Works: Songs from Matraszentimre 4
A Cappella Choral Works: Widow Papai
A Cappella Choral Works: Three phantasies after Hrlin 1
A Cappella Choral Works: Three phantasies after Hrlin 2
A Cappella Choral Works: Three phantasies after Hrlin 3
A Cappella Choral Works: Hungarian Etudes 1
A Cappella Choral Works: Hungarian Etudes 2
A Cappella Choral Works: Hungarian Etudes 3
A Cappella Choral Works: Heigh, Youth! 1
A Cappella Choral Works: Heigh, Youth! 2
A Cappella Choral Works: Easter
A Cappella Choral Works: Hortobagy 1
A Cappella Choral Works: Hortobagy 2
A Cappella Choral Works: Hortobagy 3
A Cappella Choral Works: From a high mountain rock
A Cappella Choral Works: Double-Dance from Kallo 1
A Cappella Choral Works: Double-Dance from Kallo 2

Amazon.com essential recording

A vast audience received its first exposure to the music of György Ligeti through Stanley Kubrick's use of his haunting "Lux Aeterna" (despite the composer's lack of consent) in the film 2001: A Space Odyssey. This collection--part of Sony's invaluable Ligeti edition--places "Lux aeterna" in the context of Ligeti's other a cappella choral works, which together provide an overview of the evolving phases of one of the 20th century's most intriguing composers. In his booklet notes to the disc, Ligeti recalls the influence of Bartók and Kodály on his early folkloric compositions, from arrangements of traditional material to free, polyrhythmically inflected inventions on Hungarian folk texts, a format that allowed him some degree of experimental freedom from the strictures of "socialist realism" before he fled the Hungarian Communist regime. The breakthrough "Lux aeterna" is a classic example of Ligeti's trademark technique of "micropolyphony," enveloping the listener in mesmerizingly dense textures of cloudlike harmonies. From Ligeti's late period comes a triptych of "Hölderlin Phantasies." Their 16-voice polyphony transcends the simplistic distinction between tonality and atonality to explore "new kinds of half diatonic, half chromatic harmonies." The resulting sound world of fragmentary, dislocated epiphanies mirrors the unfathomable richness of the great visionary poet to uncanny effect. Throughout, the acoustical balance and conviction of the London Sinfonietta Voices give vivid shape to Ligeti's genius. -Thomas May

Customer Reviews:

Surprising Variety in Modern A Capepella Choral works.......2006-08-24

This 'A Cappella Choral Works', the second volume in a collection of Gyorgy Ligeti compositions contains one of the pieces of music which contributed to making '2001, A Space Odyessy' such a profoundly interesting film. This piece, 'Lux aeterna' which is the textbook example of 'SciFi' music, is very different from many of the other pieces on this recording. In fact, one is really impressed by the wide variety of styles, where you have some peasant songs which sound a lot like sea chantys and other pieces which are definitely liturgical. One can certainly thank Stanley Kubrick for bringing Ligeti to our attention.

Mostly unlistenable...........2006-08-23

Not even good for background music/noise as the voices get really loud in certain parts and almost silent.

I bought this CD and am returning it. It's just more & more of the sameness throughout the whole CD.

I realize that Ligeti is avant garde but I heard that if you like Gregorian chant (which I do) this CD is similar. I don't think it is. It's very disquieting and full of tension (great, if that's the mood you're looking for).

a handful of great Ligeti works........2004-09-06

As a compilation, musically speaking, Edition 2 is probably my least favorite of the Sony Ligeti Edition collection. Many of the pieces come from traditional Hungarian sources, conceived while Ligeti was still in his early years. They are pretty, but also pretty straightforward and conventional, and other than their simple pleasantness and occasionally yummy dissonances, they aren't really mindblowing like the best Ligeti. They are often very beautiful though. However, Edition 2 DOES feature one of the most harrowing, apocalyptic compositions of 20th century Western music, _Lux aeterna_. The profound tension in the quiet web of micropolyphonic voices is just devastating. Also great are the other later pieces, _Drei Phantasien nach Friedrich Holderlin_, three wild polyphony pieces from German literature, and _Magyar Etudok_, three very complex Hungarian etudes for 16 voices. Those pieces are all outstanding but honestly I think everything I've heard by Ligeti is worth hearing. Check out Ligeti edition 4 for more vocal works, some of which are the best of Ligeti's works.

brilliant choral music.......2003-07-21

This cd is beautiful to listen to.From Ejszaka to Kallai Ketto
is brilliant. Ligeti choral works is the first cd have got choral music on it and i love it.Now im going to get the other two cds in the ligeti edition.
(the vocal works & le grand marabre)

Exquisite use of the voice.......2002-07-11

Bringing Ligeti's works to a wider public was one of the great services Stanley Kubrick performed for the world when Lux aeterna was included in the soundtrack for 2001: a Space Odyssey.

This album is a collection of a cappella choral works and which highlights Ligeti's great talent and skill in the use of the voice as a musical instrument. He, together with Yoko Ono, have excelled in this field though from different, sometimes conflicting directions.

When I listen to this I revel in it's glory. The sounds are ethereal and atmospheric, ghostly and angelic in a way that no-one but the composer can make them sound. I never want those sounds to end and in a way it is like having a sort of dependence.

I could go on and on and on about this but I had better stop. This is one essentila component of anyone's classical music collection yet it really defies categorisation. This is timeless, awesome music, not just for a generation but for a world. Lest Zeus strike me with a thunderbolt, these voices are sweeter and more angelic than the voices of the angels themselves.

Tracks:

Fanfare For The Common Man
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno mosso
Appalachian Spring: Doppio movimento: Variations An A Shaker Hymn
Appalachian Spring: Moderato: Coda
Lincoln Portrait
Quiet City
Music For Movies: New England Countryside
Music For Movies: Barley Wagons
Music For Movies: Sunday Traffic
Music For Movies: Grovers Corners
Music For Movies: Threshing Machines

Tracks:

Ceremonial Fanfare
Old American Songs: I. Simple Gifts
Old American Songs: II. Ching-A-Ring-Chaw
Old American Songs: III. Long Time Ago
Old American Songs: IV. I Bought Me A Cat
Old American Songs: V. At The River
El salon Mexico
Dance Symphony: I. Lento -- Molto allegro -- Adagio molto
Dance Symphony: II. Adante moderato
Dance Symphony: III. Allegro vivo
Rodeo: I. Buckaroo Holiday
Rodeo: II. Corral Nocturne
Rodeo: III. Saturday Night Waltz
Rodeo: IV. Hoe-Down

Customer Reviews:

Cornucopia for Copland Completists.......2005-02-09

This is a collection for the true Copland fan. Because you don't buy this one for the serviceable but undistinguished renditions of the famous pieces - Fanfare, Appalachian Spring, Rodeo and El Salon Mexico. For those, look no further than Bernstein's seminal recordings with the NY Phil plus his second version of Appalachian Spring with the LA Phil, as well as Slatkin's with St. Louis. What a die-hard Copland-phile cannot live without, though, are the superb renditions of many of Copland's lesser-known but terrific compositions here that are rare or would otherwise take several purchases to cover: Mehta's Lincoln Portrait that is taut, brassy, dramatic and perfectly patriotic - with Gregory Peck fittingly authoritative and sounding close to what we would imagine when Abe Lincoln speaks; possibly the best version out there of Copland's underperformed masterpiece Quiet City from Marriner - just listen to the exquisite trumpet playing!; a charming Marilyn Horne singing excerpts from Old American Songs - poignantly evoking colonial Americana; Dorati's perceptive and atmospheric Dance Symphony; and a colorful Music for Movies from the London Sinfonietta playing highly American music with European flair. Furthermore, the Decca engineers provide demonstration-quality sound. Subtract one star for the casual Copland listener, but for the enthusiast: ****

Other references: Recommended by Gramophone, Penguin Guide and Classical Music: Third Ear.

Best Fanfare out there.......2003-05-19

The Fanfare for a Common Man could arguably be the best recording out there. Despite it's faster tempo, the LA Phil brass play it almost flawlessly(there are two notes of the entire song that the trumpets don't quite lock in). The trombones and percussion are phenomenol as well as the horns. The Appalachian Spring is done superbly also. The lesser known songs were a fresh introduction to less familiar Copland. The entire set(with the exception of the Lincoln portrait and Rodeo) is great. Definately recommended.

A good selection of Copland pieces........2001-12-09

I bought this 2-CD set because I needed a good selection of Copland pieces. It has served that purpose well. It features several less familiar pieces as well the popular Copland works. The CD contains Fanfare, Rodeo, Quiet City, El Salon Mexico and I Bought Me a Cat (to name just a few). The performance of Appalachian Spring (by Zubin Mehta and the LA Philharmonic Orchestra) is alright but not as good as the one where Copland himself conducts the Boston Symphony (check out that one on the RCA Victor Gold Seal Label -- it's marvelous). This CD does have a very beautiful performance of Portrait of Lincoln, narrated by Gregory Peck. He narrates with great dignity. I've heard at least one version where the Lincoln quotes are delivered in shouts as if from a pulpit. This one is more subtle.

Buy the Dorati on its own, elsewhere.......2000-06-24

The only redeeming value this grabbag has are the excellent Dorati presentations. The rest is middlin' to start and it tapers off from there. It tapers very far with the raw sound of Horne and the at-sea concepts of a young Zubin Mehta who obviously recorded this material before he was ready. His LA Phil isn't anything to write home about, either, which makes you wonder how just a few years earlier it was so superb for Leinsdorf and Wallenstein.

The manufacturer is just trying to make hay on some old recordings here. Dorati's are fairly recent, though, and you can buy his things elsewhere, so WHY would anyone want this?

Very emotional.......1998-10-05

i totally love this Aaron Copeland classic.

Average customer rating:

Classic Avant-Garde...Electronic artists collide, for this release...!!!

Warp Works & Twentieth Century Masters

Manufacturer: Warp Records
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

Percussion | Instruments | Classical | Styles | Music

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Body Riddle
Acoustica: Alarm Will Sound Performs Aphex Twin
Burial
Hello Everything
Orchestra of Bubbles

ASIN: B000GIWRUW
Release Date: 2006-09-19

Tracks:

Prepared Piano Piece 1/Aphex Twin
Prepared Piano Piece 2/Aphex Twin
Study No. 7/Conlon Nancarrow arr. Yvar Mikhashoff
Sonatas 1 & 2/John Cage
Violin Phase/Steve Reich
First Construction in Metal/John Cage
The Tide/Squarepusher arr. David Horne
Spiral/Karlheinz Stockhausen

Tracks:

Sonata 12/John Cage
Ionization/Edgard Varese
Six Marimbas/Steve Reich
Conc 2 Symmetriac/Squarepusher arr. Fraser Trainer
Sonatas 5 & 6/John Cage
AFX237 V7/Aphex Twin arr. David Horne
Corrente (Chamber Concerto)/Gyorgy Ligeti
Calmo, Sostenuto/Gyorgy Ligeti
Movimento Preciso e Meccanico/Gyorgy Ligeti
Presto/Gyorgy Ligeti
Polygon Window/Aphex Twin arr. K Hesketh

Album Description

Born at the Royal Festival Hall on 10 March 2003, the London Sinfonietta / Warp concerts grew out of a shared desire to explore the connection between the electronic experimenters on the Warp label and the avant-garde 20th century pioneers who were their sonic grandfathers, at least on one side. New instrumental versions of Squarepusher and Aphex Twin tracks sit side by side with avant-garde classics.

Customer Reviews:

Classic Avant-Garde...Electronic artists collide, for this release...!!!.......2007-05-03

A strange one this....what transpires is a 2-CD disk of re-compostion's and arrangements, which are designed to: "explore the connection between electronic experimenters on the Warp label and their sonic grandfathers". What this amounts to, is a reinterpretation of pieces by: John Cage, Steve Reich, Aphex Twin, and Squarepusher, given to proper musicians (in this case, The London Sinfonietta), and the connections between the classical avant-garde and more popular forms of experimental music, have been amalgamated and interwoven, to bring more classically composed arrangements for the tracks by Aphex Twin & Squarepusher (as well as a "Boards of Canada" track), and modern re-imagining of the classic /avant-garde compositions by John Cage, Steve Reich & Karlheinz Stockhausen .

This is all handled and performed with the usual commitment and precision, that you'd expect from The London Sinfonietta, with what seems like a orchestra, that brings to these arrangements to life, by the use of beautiful soft strings, and a studied melancholic atmosphere, and this unique experiment is accentuated by graceful rhythmic and simmering electronic touches that hover above the orchestra, and would by and large...prove too complex for existing instrumental ensembles to fully interpret , and using mechanical processes replicating the loops and repetitions of computerized music, these composers/performers fascinated by untempered, non-orchestral sounds, were skilfully able to shadow the textural variety usually associated with electronica.

It's a heady experiment for sure....and it's sounds a million miles away from the difficult, fractured and freewheeling sounds and beats of Squarepusher & Aphex Twins work. (although certain segments of the performances do recall the textured, cerebral and sophisticated moods of their more ambient / downtempo tracks). And it'll take a remarkably committed fan of Squarepusher/Aphex Twin, to immediately recognise these re-compositions, such is the wildly different sound & arrangements. Where electronic sounds and computer arrangement have given way to actual instrumentation (with electronic effects assisting) thereby what you mostly find is that if a track was originally a frantic, volatile dance track, that shifted and accelerated around a high BPM, that it has largely been transformed it into something like manic, skewed Stravinsky. It's a radically different sound..for sure!!, that loosely resembles the originals, and are indeed far closer to Steve Reich and John Cage's, Stockhausen's experimental avant-garde work...which works a great deal with repetition, which if you not familiar with Cage, Reich's & Stockhausen's work, may prove difficult to digest.

For all the brilliance on display here, it's difficult to see who this album is aimed at??.....for me, there's no denying to excellence of the musicians/performers and their ability to perform this material. But fans of Aphex/Squarepusher, may find these interpretations, difficult to appreciate, as they initially only slightly resemble the originals. And fans of Cage/Reich may well have no interest in the work of Aphex/Squarepusher, when there is plenty of works of both Cage/Reich's/Stockhausen's own original work to choose from. But viewed as a stand-alone one-off experiment, it's a fascinating one, that although the connections with the original work are tenuous, at best....the stunning performances make this a thoroughly engaging listen, and it really is one of those albums that gets better with each listen, and what at first may seem a little flat and unremarkable, definitely grows in appreciation, the more your prepared invest with this and give several plays. And those that buy this knowing what to expect, will hopefully get as much out of this as I did.

Paul Hindemith: Complete Orchestral Works [Box Set]

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Great performances of a great composer
Hindemith, Hindemith, Hindemith!!!!!
DIDN'T THINK THAT THEY MADE THEM LIKE THIS ANYMORE

Paul Hindemith: Complete Orchestral Works [Box Set]

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Modern & 20th Century | Symphonies | Classical | Styles | Music

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Hindemith: Complete Orchestral Works, Vol. 2 (Box Set)
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Hindemith: Complete String Quartets
Milhaud: The Complete Symphonies (Box Set)
Alban Berg Collection / Various (Coll)

ASIN: B000001RXO
Release Date: 1995-01-25

Amazon.com

Hindemith was the greatest German composer of the post-War period, and the last in that great line that began with Bach and extended through the Classical and Romantic periods. His orchestral music is varied and generally extremely approachable, and the percentage of major works is very high. Nobilissima visione, Symphonic Metamorphoses, Mathis der Maler, Symphony in E-flat, and Concert Music for Strings and Brass are all popular masterpieces, while works such as the Symphonic Dances, Symphonia Serena, and Harmony of the World Symphony deserve the same accolades. This set, excellently performed and recorded by a selection of fine Australian orchestras, really deserves the widest circulation among fans of listenable contemporary classical music. --David Hurwitz

Customer Reviews:

Great performances of a great composer.......2006-08-23

While Hindemith will never be known for changing the way the world hears music, he will always be recognized as composing well-crafted minor masterpieces, even if they can be a little formulaic and his sense of melody was a little warped. All six discs in this set have gems that should be heard more often in the concert halls and recorded more. In particular, the Concerto for Orchestra on Disc 6 is fantastic -- with its addictive and fun themes and transparent structure, it was the only work I listened to for about a month. Of the rarer works recorded here, his Symphony Serena on Disc 5 is a little tougher to like, but is really quite good, while his Symphony in E flat on Disc 4 is nothing short of amazing. The Philharmonic Concerto, a set of variations on a strange but catchy theme that only Hindemith could write, also really shines in this set.

Of his more well known -- if you can call any Hindemith "well known" -- works, the recordings are a mixed bag. His Concert Music for Strings and Brass on Disc 3 have a wonderful fullness in the lower brass that I haven't heard in other performances. But the Mathis der Maler Symphony and Nobilissima Visione are both so-so and a little dull. And the performance of Symphonic Metamorphosis here is just outright terrible and a big disappointment, full of mistakes and uneven tempos.

But that's ok. Because you can get good recordings of his better-known works elsewhere. But because his lesser works are presented here in such convincing performances, this set is a must buy for anyone exploring Hindemith! The other 2 box sets on CPO that round out his complete orchestral works are just as good, if not even better. All are highly recommended.

Hindemith, Hindemith, Hindemith!!!!!.......2005-05-15

Wow, this box set is phenomenal. First off, HIndemith is one of the most underappreciated and underrated composers of the 20th century. In my opinion he is definetly in the top 5 along with Stravinsky, Schoenberg, etc. This box set is simply amazing. Whether it is the sound quality, or the works themselves, they will provide you with hours and hours of great music. Although Hindemith was a 20th century composer, his works are EXTREMELY ACCESSIBLE and have a chromatic-romantic feeling to them. I am a music teacher and I have a huge classical collection and this box set is played more than most else. Also, I would recommend the other two volumes by CPO, they are just as good as this set.

DIDN'T THINK THAT THEY MADE THEM LIKE THIS ANYMORE.......2002-12-08

I listened upstairs in bed, on the couch watching football with the sound off, while typing my uncle William E. Crawford's WWII journals. It doesn't get any better than Paul Hindemith, whether it is band music, symphony, ragtime, or overture.
I confess I sometimes have a love-hate feeling about the role of the Jewish Diaspora musicians and composers. But they do the time to the beat and more. I always go to them for performance. They should teach other Americans to compose and perform.

Customer Reviews:

Excellent recording of J-J Kantarow/Saint-Saens 3.......2007-06-05

Saint-Saens 3 in B minor is a war horse, make no mistake. It may not be as recognizable as Tchaikovsky, Brahms, Mendelssohn, or Beethoven but it certainly is in the same league as Sibelius, Wieniawski, the prokofievs and Bartoks. It's a techical masterpiece that is demanding yet entertaining. Kantorow plays it with aplomb, emphasizing the Gallic wit and pyrotechnics while still making a cogent musical argument. I would characterize him as a cross between Yehudi Menuhin and Joshua Bell. But he's got his own musical voice. This is very refined yet passionate playing. The Tapiola Sinfonietta are more of a chamber orchestra which is fine for this music. The recording quality is excellent. This recording is highly recommended. The filler pieces are just that, the concerto is the main entree.

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Orchestral Works
Zemlinsky , Kuebler , Voigt , Albert , and Conlon
Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000647J6
Release Date: 2002-10-01

Tracks:

Die Seejungfrau: Symphonic Poem -Fantasy After Hans Christian Andersen: I. Sehr Massig Bewegt - Gurzenich-Orchester Kolner Philharmoniker
Die Seejungfrau: Symphonic Poem -Fantasy After Hans Christian Andersen: II. Sehr Bewegt, Rauschend - Gurzenich-Orchester Kolner Philharmoniker
Die Seejungfrau: Symphonic Poem -Fantasy After Hans Christian Andersen: III. Sehr Gedehnt, Mit Schmerzvollem Ausdruck - Gurzenich-Orchester Kolner Philharmoniker
Sinfonietta, Op.23: I. Sehr Lebhaft (Presto) - Gurzenich-Orchester Kolner Philharmoniker
Sinfonietta, Op.23: II. Ballade. Sehr Gemessen (Poco Adagio), Doch Nicht Schleppend - Gurzenich-Orchester Kolner Philharmoniker
Sinfonietta, Op.23: III. Rondo. Sehr Lebhaft - Gurzenich-Orchester Kolner Philharmoniker

Tracks:

Cymbeline Suite From The Incidental Music To 'Cymbeline' By William Shakespeare: I. Vorspiel (Kraftvoll Und Massig Bewegt) - David Kuebler
Cymbeline Suite From The Incidental Music To 'Cymbeline' By William Shakespeare: II. Imogen Und Pisanio (Sehr Langsam) - David Kuebler
Cymbeline Suite From The Incidental Music To 'Cymbeline' By William Shakespeare: III. Lied Des Cloten: Horch, Horch! Die Lerche (Leicht Bewegt Und Zart) - David Kuebler
Cymbeline Suite From The Incidental Music To 'Cymbeline' By William Shakespeare: IV. Einleitung Zum 4. Akt (Massig, Nict Schleppend) - David Kuebler
Cymbeline Suite From The Incidental Music To 'Cymbeline' By William Shakespeare: V. Einleitung Zum 5. Akt (Energisch Bewegt) - David Kuebler
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: I. Horch! Vom Hugel, Welch Sanfter Klang - Donnie Ray Albert
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: II. Schoner Jungling... - Deborah Voigt
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: III. Wie Lieblich Er Ruht - Deborah Voigt
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: Stumm In Wehmut Schaut De Mond Herag - Chor Des Stadtischen Musikvereins Zu Dusseldorf
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: V. Und Ein Specht Klopft An Den Fohrenstamm - Donnie Ray Albert
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: VI. Als So Weihevoll Der Alte Sprach - Donnie Ray Albert
Fruhlingsebegrabins: Cantata For Soprano, Baritone, Mixed Chorus And Orchestra After Words By Paul Heyse: VII. Horch! Vom Hugel Welch Ein Wilder Klang - Chor Des Stadtischen Musikvereins Zu Dusseldorf
Ein Tanzpoem: In One Act After Hugo von Hafmannsthal: I. Massig Bewegt (Feierlich) - Chor Des Stadtischen Musikvereins Zu Dusseldorf
Ein Tanzpoem: In One Act After Hugo von Hafmannsthal: II. Massig (2. Szene) - Chor Des Stadtischen Musikvereins Zu Dusseldorf
Ein Tanzpoem: In One Act After Hugo von Hafmannsthal: III. Sehr Schnell (Presto) - Chor Des Stadtischen Musikvereins Zu Dusseldorf
Ein Tanzpoem: In One Act After Hugo von Hafmannsthal: IV. Langsames Marsch-Zeitmass - Chor Des Stadtischen Musikvereins Zu Dusseldorf

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Fire and emotion in Czech national music
An unknown repertoire of Smetana!

Smetana & Janacek: Orchestral Works

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
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Smetana: Má Vlast

ASIN: B00000E55Y
Release Date: 1993-05-11

Customer Reviews:

Fire and emotion in Czech national music.......2007-07-11

Bedrich Smetana (1824-1884) and Leos Janacek (1854-1928) were two of the principal architects of the new Czech national music that evolved in the late 19th century. Neither are best known for the contents of this CD; Smetana is best known for "My Homeland", a set of tone poems depicting Czechoslovakia and Czech legends, and the opera "The Bartered Bride". Janacek composed several operas including "Jenufa" and "The Cunning Little Vixen" and the suite "Taras Bulba". His "Sinfonietta" on this recording is among his better-known orchestral works.

Perhaps as little known as "Hakon Jarl" is that Smetana -- like Beethoven with the Symphony No. 9 -- composed "Ma Vlast" after he was deaf as a result of syphillis. The composer eventually went mad from the disease and died in a madhouse. Janacek apparently met a better fate at the end.

Smetana's tone poems are not well known and this recording, made in 1971, is still the best recording of "Richard III", "Wallenstein's Camp" and "Hakon Jarl" made in the analog or digital eras. Czech conductor Rafael Kubelik is an outstanding advocate for the music. He has recorded it before; a recording with the Czech Philharmonic Orchestra dating from the 1940s, with pretty good sound for the era, is available accompanied by Vitezslav Novak's South Bohemian Suite (ASIN: B00009L4T4). For my money, however, this is the recording of choice in this repertoire.

Smetana's tone poems are modeled after Liszt; they tell a story, usually about a Czech legend, and are developed in rising romantic waves that sweep the listener along, later settling into calm before again exploding into sound. They are not on the level of inspiration of a Tchaikovsky tone poem but they compare well to Dvorak's tone poems such as the "Noonday Witch".

The sound on this 35-year-old recording is excellent with good frequency response, clarity and bass depth. The playing of the Bavarian Radio Symphony Orchestra is outstanding and they acquit themselves under Kubelik as if they were Praque residents that survived the 1968 Soviet takeover. This is a CD to treasure if you enjoy romantic Czech music.

An unknown repertoire of Smetana!.......2006-04-15

According the learned precepts of his mentor, Franz Liszt, Smetana three symphonic poems between 1858 and 1861, being conductor of the Philharmonic Society `s concerts in Gothenburg, Sweden. Eventually, these works point the way to his fame cycle My Country.

It should be said the Orchestral cycle of Smetana is unfinished without having listened these symphonic poems, which gives you a total support to enjoy his acclaimed "My Country"

Richard III (1858) as well as the other symphonic poems is built according the Liszt pattern: four movements, disguised and shortened form. The delirious paranoia and power `s thirst until the tragic finale is underlined with an admirable orchestration and frenetic drama.

Wallenstein `s Camp (1859) was originally conceived as an Overture based on a Schiller's play.

Hakon Jarl (1861) was written in homage to the hospitable Scandinavians and describes an episode from the time when Norway was converted to Christianity, and deals with the effort of this Regent in order to re-establish heathendom but his plans are modified because Olaf Trygvason, the legitimate heir of the dethroned king.

Carnival in Prague was composed in a terrible period in which Smetana, already threatened with a serious mental illness, could complete it. It is provided of heightened expressiveness where the composer intermingles folk dances, high jinks, whirl of a polonaise. The first performance was given before his sixtieth anniversary at the eve of his final reclusion in the Prague mental asylum, that constituted indeed his last sojourn due the proximity of his death.

Rafael Kubelik enriched and illuminated the score with his fervent and masterful directorial abilities, making sound the Symphonie-Orchester des Bayerischen Rundfunks with precise articulation in every one of the attacks.

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Lives up to the rave review by Mr. Hollingsworth
Serebrier at his finest: The best Janacek discs!

Janácek: Orchestral Works

Manufacturer: Reference Recordings
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music
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Vivaldi for diverse instruments / PBO · McGegan
Respighi: Belkis, Queen of Sheba
Copland: Fanfare; Symphony No3

ASIN: B00005RDB2
Release Date: 2001-10-30

Tracks:

Sinfonietta: Fanfares
Sinfonietta: The Castle
Sinfonietta: The Queen's Monastary
Sinfonietta: The Street
Sinfonietta: The Town
Lachian Dances: Starodavny
Lachian Dances: Pozehnany
Lachian Dances: Dymak
Lachian Dances: Starodavny II
Lachian Dances: Celadensky
Lachian Dances: Pilky
Taras Bulba: The Death Of Andrei
Taras Bulba: The Death Of Ostap
Taras Bulba: Prophecy And Death Of Taras Bulba

Tracks:

The Cunning Little Vixen - Ste: Part One
The Cunning Little Vixen - Ste: Part Two
Jealousy (Original Prld To Jenufa)
From The House Of The Dead: Prld
The Makropulos Case: Act I
The Makropulos Case: Act II
The Makropulos Case: Act III

Customer Reviews:

Lives up to the rave review by Mr. Hollingsworth.......2003-01-24

I've become a recent devotee of Janacek's music, in particular with regards to his most folk-inspired works (Lachian Dances and Rakos Rakoczy). I'm always on the lookout for worthy recordings of the Lachian Dances and the previous review seemed positive. I was not disappointed. Compared to the Decca Double Decker with Mackerras and Huybrechts, Srebenier extracts a bit more verve and fun from his players. The Decca recording is indeed impressive in its own right (I'd give it 4-and-a-half stars), but the Czech State Philharmonic and Srebenier seem to be genuinely enjoying themselves playing on "home turf" as it were. In other words, although the Decca recording sounds more polished from a technical standpoint, the playing sounds a little stately or "officious" (for lack of a better word) compared to the Reference recording. If you already have the Decca recording, by all means, go for this one as well.

Serebrier at his finest: The best Janacek discs!.......2002-07-19

For decades, Mackerras' recording of Janacek's Taras Bulba and Sinfonietta has been deemed the best in the catalogue, against which all others have been measured. The Vienna Philharmonic Orchestra (VPO), which knows as much of Janacek as they do of Bruckner, played the works with authority and with real feeling. The strings are of real bloom and weight, the woodwinds crispy, the brass blazen and glorious, and the percussion mesmerizing. Sir Charles Mackerras, among the best of Janacek's interpreters (along with Bretislav Bakala, Frantisek Jilek, & Vaclav Neumann earlier), gives the renditions of vividness and imagination and the phrasings are as genuine and ideal as expected.

But,...here comes this recording! Let me say upfront that Serebrier measures up to Mackerras in every way. And the Czech State Philharmonic (of Brno) is as authoritative as the VPO, with every bar & every detail so well caught and conveyed even at higher levels than its Viennese rival. Furthermore, the Czech State Philharmonic brings out more authenticity of these works, thanks in some part to the recording. For example, listen to the second movement of Sinfonietta "The Castle." Notice how a sense of mystery, after, say 1'35", becomes compellingly restraint and haunting (the strings and woodwinds must be credited for this, as well as Serebrier, who conveys these dimensions more successfully than even Belohlavek). How about the third movement "The Queen's Monastary", which is played with real beauty and eloquence, with a certain feeling of nostalgia and sadness. Exemplary, even in regards to the other works like Taras Bulba and the Lachian Dances. I would hesitate to replace my Decca recording of the Lachian Dances well served by Francois Huybrechts and the London Philharmonic, especially since it's coupled with Janacek's Vec Makropulos-which London Decca foolishly deleted-along with other Janacek's operas extremely well executed by Mackerras, the VPO, and its wonderful casts (remember Elisabeth Soderstrom?). Instead, Serebrier's edition is well worth having: it has plenty of vitality and enjoyment. And the way Serebrier brings out the tragic menance and drama of Taras Bulba is idiomatic and purely exciting. The closing of Taras Bulba is done triumphantly and with appropriate grandioseness, although the organ should have more of an imposing presence.

Reference Recordings (RR), which compiled the original 1995-1996 recordings of these works, includes the second disc (under the two for the price of one scheme). This disc contains selections from Janacek's popular operas: Suite from "The Cunning Little Vixen", preludes to "Jenufa" (entitled "Jealously") and "From the House of the Dead", and Serebrier's Symphonic Synthesis of "Vec Makropulos." This second disc is as every bit enjoyable as the first disc containing Sinfonietta, Taras Bulba, and the Lachian Dances. The "Cunning Little Vixen" Suite (in the Talich/Smetacek edition) is done with upmost vividness and flair. But the Vec Makropulos synthesis is every bit as paradigmatic. Serebrier, a very successful composer in his own right, confessed the challenge he faced in coming up with the synthesis, which no one has done before. Well, it pays off. The synthesis upholds the essence of Janacek's very demanding opera, while not minimizing its emotional and musical impact. Moreover, the Czech State Philharmonic comes up huge again (the prelude comes off well and with fire under their musicianship).

So, an highly enjoyable two-disc set that in many ways outshine Mackerras' Decca recording. As alluded to earlier, the quality of the recording is part of this album's success. The sound is more "Czech" in feeling and extremely well focused. You might be tempted to buy Belohlavek's Chandos recording of especially the Sinfonietta and Taras Bulba. Chandos likewise offer, for the price of one, a two-disc (compiled) set of these works, plus Fiddler's Child as well as Idyll and Suite (both for Strings idiomatically played by Gregory Rose and the Jupiter Orchestra), but minus the "House of the Dead" prelude and "Vec Makropulos." The Chandos album is well worth having, though Belohlavek's approach to Sinfonietta and Taras Bulba is not as ideal as Serebrier or Mackerras (the brass of the Czech Philharmonic is surprisingly not as glorious and blazen as the Czech State Philharmonic or the VPO and their strings lack tonal radiance and body comparatively speaking). Otherwise, Belohlavek is better on the other works, like Fiddler's Child and the "Cunning Little Vixen" Suite.

But, Serebrier's recordings of Janacek's masterpieces can now be deemed as the benchmark recordings against which all others will be measured! Will Serebrier record Janacek's operas as a just compensation for the deleted Decca/Mackerras recordings (still held as the best in the catalogue)? Oh boy I dare hope so!

Journeys: Orchestral Works by American Women
Average customer rating:
Journeys: Orchestral Works by American Women
Carolann Martin , Katherine Hoover , Peter Kane , Bournemouth Sinfonietta , and Arioso Chamber Orchestra
Manufacturer: Leonarda Productions
ProductGroup: Music
Binding: Audio CD

Larsen, Libby | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
General | Concertos | Forms & Genres | Classical | Styles | Music
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Classical | Indie Music | Stores | Music
ASIN: B000004AER
Release Date: 1997-11-25

Tracks:

Journeys for orchestra (Van de Vate)
Rainforest for chamber orchestra (Gardner)
Overture-Parachute Dancing for orchestra (Larsen)
Lament for string orchestra (Richter)
Summer Night for string orchestra, solo flute and horn (Hoover)
Elegy from "Concertino" (Mamlok)
Perihelion II for strings (Brockman)

Album Description

This recording is made possible with public funds from The New York State Council on the Arts, a state agency. Additional support provided by Mobil Foundation, Inc. and the University of Connecticut. © Leonarda Productions, Inc., 1987. Cover Photo © Adele Einhorn, 1998. DDD.

Carolann Martin joined the faculty of Morningside College in Sioux City, Iowa to develop the opera program there and was assistant conductor at the Eastern Music Festival for two summers. She has made guest conducting appearances in the Eastern, Midwestern and Southwestern United States.

The Bournemouth Sinfonietta is one of the finest chamber orchestras in Great Britain. Arioso is based in Hartford, Connecticut.

Nancy Van de Vate (b.1930) has received performances in major cities throughout the world and her music is widely recorded.

Much of Kay Gardner's (1941-2002) music was designed for meditation, relaxation, and healing. Her music has been included in films and videos produced in England, Australia, New Zealand, and the USA.

Libby Larsen (b.1950) was Composer-in-Residence with the Minnesota Orchestra from 1983-1987. Her music has been performed by most of the leading orchestras in the USA.

Marga Richter's (b.1926) music has been performed by 50 orchestras including the Czech Radio Symphony, London Philharmonic, Minnesota Orchestra, and the Seattle, Milwaukee and Atlanta Symphonies.

Ursula Mamlok's (b.1928) works are performed at festivals such as Tanglewood and by prominent ensembles such as the Group for Contemporary Music, ISCM, the Da Capo Chamber Players, New Music Consort and Parnassus.

Katherine Hoover's (b. 1937) works have been performed by more than fifteen orchestras, and her concertos have featured Sharon Robinson and Eddie Daniels.

Tracks:

Lento-Allegro-Lento-Allegro-Mas Lento Y Muy Acanyegando
I Tango No.1 Allegretto-Meno Mosso E Pesante
II Tango No.2 Moderato-Poco Piu Mosso-Poco Piu Mosso, Ritmo De Milonga-Tempo I-Poco Piu Mosso-Tempo I
III Tango No.3 Vivace (Fuga)
Milonga Del Angel
I Dramatico. Allegro Marcato, Un Poco Pesante
II Sobrio. Andantino-Poco Piu Mosso-Tempo I
III Jubiloso. Vivace

Track Listings:

Track Listings

First Time! The Count Meets the Duke

Way Out West [Original recording remastered]

Circles

Change Your Thoughts You Change Your Life

Do Turtles Need Girdles?

Complete Early Recordings (1927-1935)

Country Christmas (Karaoke)

Con La Conciencia Tranquila [Import]

Flaxen

Don't Worry [CD-single] [Import]

Computer Teknology [CD-single] [Import]

Diva:Montserrat Caballe

Easy Rider - Deluxe Edition