Cello Suites 2,4 & ,6

1. Suite for solo cello No. 3 in C major, BWV 1009
Composed by Johann Sebastian Bach
with Robert Cohen

2. Suite for solo cello No. 4 in E flat major, BWV 1010
Composed by Johann Sebastian Bach
with Robert Cohen

3. Suite for solo cello No. 6 in D major, BWV 1012
Composed by Johann Sebastian Bach
with Robert Cohen

Cello Suites 2,4 & ,6,Bach,Robert Cohen,Collins Classics,Classical,Classical Music

Average customer rating: The Marrow of Life in Sound Bach Cello Suites - Pablo Casals Cello in your living room Remastered EMI or the Japanese Opus Kura? A must - have!

Bach: Cello Suites Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Casals, Pablo | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Casals, Pablo | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Casals Edition - Beethoven: Complete Cello Sonatas Bach: Cello Suites Nos. 1-6 Bach: 6 Suiten für Violoncello solo Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Bach: Suites for Solo Cello ASIN: B0000CG8EF Release Date: 2003-10-07

Tracks:

1. I: Prelude
2. II: Allemande
3. III: Courante
4. IV: Sarabande
5. V: Menuet I & II
6. VI: Gigue
7. I: Prelude
8. II: Allemande
9. III: Courante
10. IV: Sarabande
11. V: Menuet I & II
12. VI: Gigue
13. I: Prelude
14. II: Allemande
15. III: Courante
16. IV: Sarabande
17. V: Bourree I & II
18. VI: Gigue

Tracks:

1. I: Prelude
2. II: Allemande
3. III: Courante
4. IV: Sarabande
5. V: Bourree I & II
6. VI: Gigue
7. I: Prelude
8. II: Allemande
9. III: Courante
10. IV: Sarabande
11. V: Gavotte I & II
12. VI: Gigue
13. I: Prelude
14. II: Allemande
15. III: Courante
16. IV: Sarabande
17. V: Gavotte I & II
18. VI: Gigue

Customer Reviews:

The Marrow of Life in Sound.......2007-05-28

This music breathes, lives . . . is creation! Whatever recording one chooses of the Casals, by all means, acquire one. Not to disappoint the experts and perfectionists, I'm fine with this one, the EMI, occasionally hissing backdrops and all. Whenever I find myself in the slough of total despair, too dizzy to get off the mat, I spin the Casals, and listen: that's life talking!

Bach Cello Suites - Pablo Casals.......2007-05-14

Recently, I vacationed in San Juan, Puerto Rico. The place Pablo Casals made his permanent home from 1956 to his death in 1973. In my hotel, his recording of the Bach Cello Suites was played endlessly. The entire week I was there only this recording of Pablo Casals' Bach Cello Suites was ever heard in all the public areas of the hotel El Convento. I never tired of it. I am a violinist by profession and also have the Lynn Harrell recordings but not the YoYo Ma. When I came home I knew that I need to buy the Casals recording. It may be because they were recorded in 1935 and the methods of recording were so different from today. The more I listened the more I heard , I could even hear small errors when his bow didn't quite contact with the string on string changes. I loved this because it was done like a live recording - not done over and over for total perfection. It is human. Tempos, dynamics and ornaments were all to my liking. His playing comforts my soul. I also recommend reading Pablo Casals book, "Joys and Sorrows" written in 1970. This book is no longer in print but used copies are available through Amazon. Casals was one of the worlds greatest musicians and a great humanitarian. He was also one of the late Mstislav Rostropovich's teachers.

Cello in your living room.......2007-01-11

Intimate surroundings or just by yourself listening on headphones is the way to go. I enjoy this record and have played it numerous times over and over.

Remastered EMI or the Japanese Opus Kura?.......2006-11-12

I won't discuss the merits of Pablo Casals' version of Bach's Suites for Solo Cello, other reviewers have already done that. I will note that he ranks in the very top tier out of all the 12 versions I own. My other top tier favorites are Navarra, Fournier, Starker and Thedeen.

I do not own Ma's latest version nor Rostropovich's version, but I have heard them both. I find Ma to be too slick for his own good - he is indeed so technically correct that he plays the notes a bit too perfectly and in doing so somehow loses the essence of the music... if that makes any sense? Ultimately I do not find Ma convincing, a computer could be programmed to do the same thing. Rostropovich, however, is just the opposite, too sloppy (or some would say too romantic) - he just doesn't sound like Bach to me. I do like a few of his interpretations, but overall I think he misses the mark more than he finds it. I do not mean to suggest that both Ma and Rostropovich do not have their moments or that others have not found them satisfying, but overall there are other performers that just do a better job for me in terms of what I find important. My favorites are not going to be the same as yours all the time. But, at least now you know where I am coming from and where my biases are.

For Casals, the main issue is the sound quality of the various versions that are available. There is the older EMI version, the Remastered EMI, Naxos, Pearl, Opus Kura and Classica D'oro. Out of these choices, which one has the best trade off between noise reduction and the music? These are all sourced from old 78's recorded in the late 1930's, but each uses a different approach to noise reduction. I started off as most of you probably have by listening to the internet MP3 sound bites of all of the various versions - MP3s are not exactly the best way to make a judgment call on sound quality, but I did find that the two versions on CD that I did eventually purchase actually sound very much like the MP3s - there were no surprises in that regard.

So, from that listening perspective (MP3) I can tell you that I was not impressed by the Naxos version nor the Classica D'oro version. Naxos sounded hollow, boxed in and constricted and the Classica D'oro just sounded very processed. I realize that many reviewers praise the Naxos version, but I found the MP3 sound bite to be very constricted - again, this is only the MP3 sound bite, so take it for what it is worth. The MP3 of Opus Kura had a lot of hiss, the most of all these versions, but it also had a very full sound. The Remastered EMI MP3 also had a full sound, but with only moderate hiss. The Pearl sounded decent as well, but perhaps not quite as good as the Opus Kura or Remastered EMI. The Pearl was done somewhat earlier than all the others. So, I passed on the Naxos and the Classica D'oro for quality reasons. I also passed on the Pearl and instead purchased both the Opus Kura and the Remastered EMI versions, as those were also the ones done most recently and hopefully with the latest technology. The Japanese Opus Kura label also has a very solid reputation of valuing musical integrity over all else.

A quick comment on the two EMI versions. Most critics did not like the older EMI version because of overdone noise reduction. I have not heard that version, nor do I ever want to considering the many negative reviews I have seen! However, EMI remastered these performances in 2003 and this has apparently resulted in a much improved product.

O.K. now on to the comparisons; for hiss levels, both the Opus Kura and the Remastered EMI had quite a bit of hiss and surface noise. The Remastered EMI wins with less overall hiss noise and somewhat lower surface noise as well. The Opus Kura clearly has more hiss. It's not always a whole lot more, but it is more and it is more noticeable on some tracks versus others. But, note that the hiss levels can always be adjusted very easily with a graphic equalizer or more preferably with a noise gate. I did make an experimental CD-R copy of the Opus Kura on a CD-R with a noise gate (using Nero) and the result was very good and comparable to the Remastered EMI version in terms of hiss. Even so, if hiss is your major concern and you don't want to mess with a noise gate then just get the Remastered EMI version.

However, if you ignore hiss as a factor, which version sounds better in the living room? And by the way I have an audiophile quality sound system. Here Opus Kura wins hands down. There is no comparison. Opus Kura has all the room ambiance and lower bass tone, overtones and frequency range that the Remastered EMI version has filtered out. The Remastered EMI has no low bass where all the overtones reside - it's just not there and as a result the mid bass stands out more. I must admit that this approach has it's own appeal as it gives the illusion that the recording is both sharper and tighter sounding than it really is and it does bring out more of the mid bass, but the reality is that you are not getting all of the music as originally recorded. Still, it does not sound "bad" and perhaps this is a good trade off. The Opus Kura, on the other hand, fills the room with all the music, including all the lower bass overtones and makes it seem like Pablo is in the room. If you turn the Opus Kura up loud and go into the next room you would think Casals is actually in there playing live. The Remastered EMI in the same test sounds cleaner, but without the deepest overtones it sounds less like a real cello and more like just a deep toned viola - this is a solo cello we are talking about and you don't just EQ out the tonal quality of the instrument (and the room ambience) without losing some of the realism. That being said, it really comes down to personal choice. After listening for a few minutes the ear adjusts to either version. If you did not have the more natural sounding Opus Kura to compare to you would never know what you are missing with the Remastered EMI version. On the other hand, some listeners will actually appreciate the different tonal emphasis on the mid bass that the Remastered EMI offers. I did an A-B blind test with a friend who noted immediately the lack of bass in the Remastered EMI, yet still enjoyed listening to that one as much as the Opus Kura. She did not have a particular preference for one over the other, but they sound so different from each other that at first she thought these were entirely difference performances from different artists! Obviously, some of you will only care about getting rid of "all the hiss", while others want "all of the music." You know who you are. The Opus Kura version strives to keep all the music regardless while the Remastered EMI compromises a bit to lower the noise levels.

A few comments on listening in the car; I really cannot tolerate much hiss in a small confined environment like the car where it can really drown out the music. So, I made my own CD-R recording of the Opus Kura with the NERO noise gate set at 62db for the level and 30db for reduction. This works very well in cutting the hiss down to size and still retaining the music. The only problem with noise gates is that people tend to overuse it - just a little is enough! I did the same with the Remastered EMI at a slightly higher level (70db) and 30db and this also gave a fine result in terms of acceptable hiss levels. Because the three-dimensionality and room ambiance is not as much of an issue in the car environment, I would say that either version (the Opus Kura or the Remastered EMI) would work fine in the car - and if you happen to also have a graphic equalizer the right adjustments might also help make a difference.

Here's the bottom line. For the best sound in your living room, my personal choice is the Opus Kura with the full range of sound, but with more hiss and more surface noise. The Remastered EMI, however, is a fair enough alternative with lower hiss levels and hardly any surface noise (most of the time) and an emphasis (rightly or wrongly) on the just the mid bass. For the car, I think either version works out o.k., but only if you do some remastering yourself with a noise gate to make your own personalized CD-R version that cuts down the hiss.

I hope this helps.

A must - have!.......2006-10-31

Among the annals of the definitive performances of the XX Century, these performances still stand out as an incandescent and refulgent star in the musical firmament. Casals devoted almost his entire life to get the supreme perfection at the moment to play these suites. And believe me, he followed his bliss and inscribed his name in the Pantheon of the Immortals.

An absolute must for any serious and dedicated listener.

Average customer rating: Dullsville! Bach Cello Suites No.1~6 by Rostropovich Deeply satisfying The Best Exemplary Performances!

Bach: Cello Suites Nos. 1-6 Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Rostropovich, Mstislav | ( R ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99 Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter Rostropovich, Master Cellist Bach: Cello Suites ASIN: B000002RUY Release Date: 1995-06-13

Tracks:

1. suite nr.1 (BWV 1007) In G Major: I: prelude
2. suite nr.1 (BWV 1007) In G Major: II: allemande
3. suite nr.1 (BWV 1007) In G Major: III: courante
4. suite nr.1 (BWV 1007) In G Major: IV: sarabande
5. suite nr.1 (BWV 1007) In G Major: V: menuet I -
6. suite nr.1 (BWV 1007) In G Major: menuet II - menuet I
7. suite nr.1 (BWV 1007) In G Major: VI: gigue
8. suite nr.4 (BWV 1010) In F Flat Major: I: prelude
9. suite nr.4 (BWV 1010) In F Flat Major: II: allemande
10. suite nr.4 (BWV 1010) In F Flat Major: III: courante
11. suite nr.4 (BWV 1010) In F Flat Major: IV: sarabande
12. suite nr.4 (BWV 1010) In F Flat Major: V: bourree I -
13. suite nr.4 (BWV 1010) In F Flat Major: bourree II - bourree I
14. suite nr.4 (BWV 1010) In F Flat Major: VI: gigue
15. suite nr.5 (BWV 1011) In C Minor: I: prelude
16. suite nr.5 (BWV 1011) In C Minor: II: allemande
17. suite nr.5 (BWV 1011) In C Minor: III: courante
18. suite nr.5 (BWV 1011) In C Minor: IV: sarabande
19. suite nr.5 (BWV 1011) In C Minor: V: gavotte I -
20. suite nr.5 (BWV 1011) In C Minor: gavotte II - gavotte I
21. suite nr.5 (BWV 1011) In C Minor: VI: gigue

Tracks:

1. suite nr. 2 (BWV 1008) In D Minor: I: prelude
2. suite nr. 2 (BWV 1008) In D Minor: II: allemande
3. suite nr. 2 (BWV 1008) In D Minor: III: courante
4. suite nr. 2 (BWV 1008) In D Minor: IV: sarabande
5. suite nr. 2 (BWV 1008) In D Minor: V: menuet I -
6. suite nr. 2 (BWV 1008) In D Minor: menuet II - menuet I
7. suite nr. 2 (BWV 1008) In D Minor: VI: gigue
8. suite nr. 3 (BWV 1009) In C Major: I: prelude
9. suite nr. 3 (BWV 1009) In C Major: II: allemande
10. suite nr. 3 (BWV 1009) In C Major: III: courante
11. suite nr. 3 (BWV 1009) In C Major: IV: sarabande
12. suite nr. 3 (BWV 1009) In C Major: V: bourree I -
13. suite nr. 3 (BWV 1009) In C Major: bourree II - bourree I
14. suite nr. 3 (BWV 1009) In C Major: VI: gigue
15. suite nr. 6 (BWV 1012) In D Major: I: prelude
16. suite nr. 6 (BWV 1012) In D Major: II: allemande
17. suite nr. 6 (BWV 1012) In D Major: III: courante
18. suite nr. 6 (BWV 1012) In D Major: IV: sarabande
19. suite nr. 6 (BWV 1012) In D Major: V: gavotte I -
20. suite nr. 6 (BWV 1012) In D Major: gavotte II - gavotte I
21. suite nr. 6 (BWV 1012) In D Major: VI: gigue

Amazon.com

Mstislav Rostropovich is one of the few musicians who can create a larger-than-life experience through the combined forces of exceptional music, a beautiful instrument, and uncommonly facile communicative skills. In his performances of Bach's transcendent masterpieces for solo cello, Rostropovich finds a perfect balance between a romantic, rhapsodic interpretation and one that emphasizes the purely formal "aridity" of Bach's structures. Although it's nearly impossible to isolate one or two highlights, the Sarabande and Prelude from Suite No. 5 are among the most profoundly moving cello performances you will ever hear--the closest we probably will ever come to experiencing through music the soul of both Rostropovich and Bach. Not everyone will immediately appreciate the very resonant sound that emphasizes the cello's lower register. But after a few minutes your ears adjust, the music takes over, and nothing else seems important. --David Vernier

Customer Reviews:

Dullsville!.......2007-06-01

I love the cover of this record, though. Reminds me of Don Quixote trying to play the cello standing up, like Woody Allen in a marching band! Slow and flat, with no dance or swing to it. Obviously there's a reason he never recorded them till he was past it (just as there's a reason they weren't played for 150 years). The suites are obscure and intimate, and there was little use for them before recording. Casals played them daily, to "consecrate the house" and found the special music in them. Some good Rostropovich is the Beethoven cello sonatas with Richter, but for Bach you should get Casals (1), Fournier (2), (or Starker or the earlier Ma if you find them on sale.)

Bach Cello Suites No.1~6 by Rostropovich.......2007-05-13

I meant to listen to Bach suites and I finally purchased. Unfortunatelly Rostropovich passing on. I am taking cello lesson and I can say that this CD is true classic and true cellist of dreams.

Deeply satisfying.......2005-12-01

When I heard these recordings for the first time, I almost wept. I don't know if this makes any sense, but the only way of saying how I felt was that it was like coming home. Rostropovich plays so simply and directly that one feels all pretense peel away. If art is an imitation of the glory that is nature, and performance an imitation of the art, then this is probably as close as you can come to removing the imitation and having a direct physical, emotional, and spiritual communion. Superlatives fail me and seem trite, so I think I should make this short. Bach's cello music is some of the most beautiful art ever created, and it has such remarkable power to heal the soul. Every human being who appreciates music deserves the priviledge of hearing this music. As I mentioned, the performance is superb, like an improvisation but so carefuly though out and so deeply felt. The recording quality is excellent too, capturing the meltingly beautiful sounds of Rostropovich's cello. Please listen to this; I hope you will be as moved as I was. If I can make a suggestion relevant to the time I'm writing this (Nov. 30th), make a present of this to someone you love for the holidays, the time of peace, as this is one of the great musical expressions of peace and boundless love.

The Best.......2005-10-26

Many people will argue that classical music is to be heard from a large symphony. I disagree. The ability of a single cello to convey an unlimited range of emotion and to personify the music is astounding. This performance of the Bach Cello suites is no exception, Rostropovich lacks the technical perfection of Yo Yo Ma, a good thing in my opinion, because it gives the music a certain personality and warmth. This is, and has been, my favorite collection of music, and to hear it played by Rostropovich justifys anyones love of it. It is simply the best cello collection on CD.

Exemplary Performances!.......2005-10-20

Mstislav Rostropovich has always been a world reknown cellist and one can definitely understand why when hearing these magnificent pieces being played by him. With also a great sound quality, it is truly a great album worth buying!

The Baroque period was one in which the science of musical interpretation was still growing. Many pieces of that period were generally unfriendly to a director or musician in terms of interpreting the meter: most notations were rather bare in that regard. A composer's meaning of 'adagio' could mean something very different to a stranger conducing the piece: how slow? Bach's cello sonatas are a perfect example which is even more respect to Rostropovich's interpretation and performance. A truly outsanding musician is demonstrated here in this recording. Rostropovich has a passionate and delicate interpretation that is neither overly rigid or romantic: they remain austere pieces but also have a spiritual quality to them that is most endearing.

This is a great set of albums for a complete set of Bach's cello suites. Rostropovich remains a highly respected performer and one will understand why when hearing these majestic pieces. A great buy!

Average customer rating: A Man and His Art - Magnificently Captured What can you say - it's Segovia! EVERYBODY KNOWS Immortal guitar WOW

Art of Segovia Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Segovia, Andrés | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Segovia, Andrés | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Segovia, Andrés | ( S ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces The Segovia Collection 300 Years of Guitar Masterpieces The Best of Andrés Segovia: The Millennium Collection Spanish Guitar Music ASIN: B00006B66L Release Date: 2002-10-08

Tracks:

1. Andante
2. Andantino
3. Lento
4. Romance De Los Pinos
5. Madronos
6. Serenata Burlesca
7. Variations On A Theme From Mozart's 'The Magic Flute'
8. Mesto E Calmo
9. Theme, Variations & Finale
10. Cancion Mexicana No.X
11. Sevillana, Op.29
12. Sarabanda
13. Capriccio Diabolico, Op.85
14. Tonadilla For Guitar On The Name Of Andres Segovia
15. No.1 In E Minor
16. No.3 In A Minor
17. Guitarreo
18. Segovia, Op.29

Tracks:

1. If My Complaints
2. Now, O Now I Need Must Part
3. Sarabande
4. 1. Prelude (Transposed In D Major)
5. 4. Tempo Di Bourree
6. Courante
7. 3. Gavotte En Rondeau
8. Aria E Corrente
9. Moderato
10. Menuet In G Major
11. Andantino Variato
12. No.7 In A Major
13. 2. Canzonetta
14. 2. Quasi Lento (Preludio)
15. 1. Andantino Poco Allegretto (Allegretto)
16. 2. Il Vecchio Castello
17. Allegretto
18. Tres Calme Et Doucement Expressif
19. No.4 In E Flat Minor
20. 5. Asturias. Leyenda - Preludio
21. 7. Zambra Granadina
22. Estudio Sin Luz
23. Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.

Average customer rating: No, Yo Yo .... Inspired by Ma! A must-have recording! Bravo Yo Yo ! Very good

Bach: The Cello Suites Inspired By Bach, From The Six-Part Film Series / Yo-Yo Ma Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi's Cello Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman The Essential Yo-Yo Ma Appassionato Classic Yo-Yo ASIN: B0000029YB Release Date: 1998-02-17

Tracks:

1. Suite No. 1 In G Major: Prelude - J. S. Bach
2. Suite No. 1 In G Major: Allemande - J. S. Bach
3. Suite No. 1 In G Major: Courante - J. S. Bach
4. Suite No. 1 In G Major: Sarabande - J. S. Bach
5. Suite No. 1 In G Major: Menuett 1 - 2 - J. S. Bach
6. Suite No. 1 In G Major: Gigue - J. S. Bach
7. Suite No. 2 in D minor: Prelude - J. S. Bach
8. Suite No. 2 in D minor: Allemande - J. S. Bach
9. Suite No. 2 in D minor: Courante - J. S. Bach
10. Suite No. 2 in D minor: Sarabande - J. S. Bach
11. Suite No. 2 in D minor: Menuett I 1 - 2 - J. S. Bach
12. Suite No. 2 in D minor: Gigue - J. S. Bach
13. Suite No. 3 In C Major: Prelude - J. S. Bach
14. Suite No. 3 In C Major: Allemande - J. S. Bach
15. Suite No. 3 In C Major: Courante - J. S. Bach
16. Suite No. 3 In C Major: Sarabande - J. S. Bach
17. Suite No. 3 In C Major: Bourree 1 - 2 - J. S. Bach
18. Suite No. 3 In C Major: Gigue - J. S. Bach
19. Suite No. 4 In E-Flat Major: Prelude - J. S. Bach
20. Suite No. 4 In E-Flat Major: Allemande - J. S. Bach
21. Suite No. 4 In E-Flat Major: Courante - J. S. Bach

Tracks:

1. Suite 4 in E flat Major: Sarabande - J.S.Bach
2. Suite 4 in E flat Major: Bouree 1- 2 - J.S.Bach
3. Suite 4 in E flat Major: Gigue - J.S.Bach
4. Suite 5 in C Minor: Prelude - J.S.Bach
5. Suite 5 in C Minor: Allemande - J.S.Bach
6. Suite 5 in C Minor: Courante - J.S.Bach
7. Suite 5 in C Minor: Sarabande - J.S.Bach
8. Suite 5 in C Minor: Gavotte 1 - 2 - J.S.Bach
9. Suite 5 in C Minor: Gigue - J.S.Bach
10. Suite 6 in D Major: Prelude - J.S.Bach
11. Suite 6 in D Major: Allemande - J.S.Bach
12. Suite 6 in D Major: Courante - J.S.Bach
13. Suite 6 in D Major: Sarabande - J.S.Bach
14. Suite 6 in D Major: Gavotte 1 - 2 - J.S.Bach
15. Suite 6 in D Major: Gigue - J.S.Bach

Amazon.com essential recording

Though they were long misunderstood as mere technical hurdles, Bach's six suites for unaccompanied cello are among those rare works of music that offer inexhaustible rewards for performer and listener alike. Yo-Yo Ma gave a pathbreaking account of the suites back in the '80s (Suites for Unaccompanied Cello ) but returns to them here impelled by a unique and interdisciplinary approach. For this project, Ma engaged the talents of artists in different fields--ranging from a landscape artist to a Kabuki actor and figure skaters--to produce six short films as a visual correlative for the highly distinctive character of each suite. While the success of the films in illuminating Bach's creativity is decidedly uneven, Ma brings the music itself to life with a searing, quasi-vocal eloquence. His interpretations are probing, characterized by imaginative bowing and attention to the spacious architecture of Bach's score. This is especially clear in Ma's preference for broad, expansive tempos and patient spinning of filigreed detail. True, the generally Romantic cast of his conception can seem overdone and exaggerated in statement, as if Ma is more intent on overlaying his own personality on the discipline of the music. But the prayerful, meditative concentration he brings to the Sarabandes--listen to the single-lined, anguished tone painting in Suite 5--is utterly convincing. There is a sense of profound introspection here, while in the Sarabande of Suite 6 Ma's phrasing suggests we are in the same spiritual terrain as Beethoven's late quartets. Yet there is no lack of blistering energy and extroverted high spirits in some of the more overtly dance-oriented movements. While purists may complain of distortion in these accounts, Ma once again proves he has something vital to say with this music. --Thomas May

Customer Reviews:

No, Yo Yo ...........2007-03-11

A sub-standard, glossy, and sometimes sentimental interpretation of the Suites. Skip this one and go for the Rostropovich - always intelligent and inspired - never sentimental.

Inspired by Ma!.......2006-01-20

The music on this second recording of Yo-Yo Ma's is fantastic. Admittedly, the packaging is a little confusing (the title itself is a little misleading-- as if it were not comprised of Bach compositions). But the only real complaint is that the fourth suite is split in half on the two CDs. This would be easily solved by by putting 1, 3 & 5 on one CD & 2, 4 & 6 on the other.

But the important thing is the MUSIC & I'll nevertheless give this CD set 5 stars-- this is essential listening!

I think of Bach's cello suites like the Dao De Jing-- it is open to so many endless possibilities in translation. But what I find so appealing in this recording is Ma's fine sense of balance between a 'classical' & 'romantic' approach to the cello suites. Ma is certainly not metronomically rigid with his reading, but neither is it too free. I think he strikes just the right balance in these recordings.

The famous Prelude of the first suite is at a surprisingly fast tempo (so I thought) but it flows-- it is not hurried-- one almost gets the impression of movement but stillness at the same time.

Though for a solo instrument, Bach's cello suites often sound like two, sometimes even three instruments playing at once! And what is amazing is Ma takes on the different 'voices' like an actor playing out all the parts-- the different implied musical lines of this virtual polyphony are brought out by Ma's playing by differences in bowing, volume & character.

The recording itself is so amazingly warm-- you can really feel the wood in the recording. Yo-Yo Ma's cello dances, leaps, sings & soars here.

The sixth suite is my personal favourite, especially the gavotte. It was listening to the sample here on Amazon that convinced me that I needed to own this recording. It is one of the most beautiful things Bach ever wrote I think.

I have three other recordings of the cello suites, but I confess that this is by far the most human & the most warm. Bach's cello suites are perhaps some of the greatest music EVER written & Ma simply channel's the music so exquisitely here.

You have not lived if you haven't listened to Bach's suites for cello! Do yourself a favour & get this recording-- you won't be sorry! I will cherish this recording always...

A must-have recording!.......2005-08-25

OK... I'm very late to weigh in on this CD as I see there are already so many reviews about it but I've been enjoying this CD so much that I just had to share my thoughts with you.
The fluidity of Yo-Yo Ma's playing is incredible. What I've come to appreciate more and more is his willingness - eagerness to have fun and take risks. From his recordings with Bobby McFerrin to his Obrigado Brazil recordings to simply Baroque all these recordings show a man who is so totally comfortable in any style or setting in which he might choose to play.
My congratulations to the recording staff "behind the scenes" as they most certainly had to have been inspired, judging by the quality recording they have produced. Too many times, really great performances can fail to convey the sense of presence that this recording has captured. They have given us a gift no matter what price you've paid for this CD; he's in your room, complete with the sense of ambiance and room boundaries that he was recorded in.
Don't bother with all the surround sound settings! Throw that all away and simply listen in two-channel stereo.
When people have written about what nice background music this makes I can only grin inside. Yes, it's charming. Yes, it's easy to live around but it also can compel you to sit and listen. How often does that happen?
This is a lovely recording of a masterful performance by one heck of a talented musician.

Bravo Yo Yo !.......2005-06-28

Comparé à sa version de 1983, Yo Yo Ma semble ici plus intériorisé(version 1994). Son approche est plus réfléchie
avec des aspects plus méditatifs, quoiqu'un peu «pathos» à certains moments.
Bonne version si vous cherchez autre chose que l'accent baroque.
Merci d'avoir lu mon humble avis. R.R

Very good.......2005-03-24

This set could possibly be the best you can get for the complete Bach Cello Suites. The people who write bad reviews for Yo-Yo Ma's recordings probably think, as I myself used to, that he is overrated and not very professional. However, I have come to realize that Yo-Yo Ma is a very professional musician, and really is one of the best cellists alive. I have seen him play concerts on TV, and every gesture and sound he makes seems deeply inspired and it truly seems like he understands the music. This recording is no exception. Each cello suite is marvelously performed (and from what I hear, even better than the older recording he made), and the sound quality is extraordinary. Highly recommended.

Average customer rating: poor sound quality SUPERB In this case: I'm baroque Come to laugh and stay to cry Great Introduction to Beautiful Music

25 Baroque Favorites Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gio Battista Sammartini | Sammartini, Gio Battista | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Giuseppe Sammartini | Sammartini, Giuseppe | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stradella | Stradella, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Marcello | Marcello, Alessandro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: 25 Vivaldi Favorites 25 Bach Favorites 25 Mozart Favorites 25 Handel Favorites 25 Classical Favorites ASIN: B0000058I7 Release Date: 1996-08-20

Tracks:

1. Canon
2. Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
3. Water Music: VI. Minuet
4. Trumpet Concerto In D: II. Adagio
5. Sarabande
6. Oboe Concerto In D Minor: II. Adagio
7. Concerto In D For Trumpet & Strings: III. Grave
8. Air On The G String
9. Adagio For Strings In G Minor
10. The Four Seasons: Spring, II. Largo
11. Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
12. Concerto In D For 2 Trumpets & Strings: II. Largo
13. Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
14. Concerto In D For 6 Trumpets & Strings: II. Adagio
15. Ombra mai fu: Handel's Largo
16. Trumpet Sonata No. 1 In F: II. Grave
17. Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
18. Concerto In C For Viola Pomposa & Strings: II. Andante
19. Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
20. Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
21. Sonata For Trumpet & Strings: I. Allegro
22. Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
23. Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
24. Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
25. Trumpet Voluntary

Customer Reviews:

poor sound quality.......2004-09-29

a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.

SUPERB.......2004-02-19

An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.

If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.

In this case: I'm baroque.......2004-02-07

I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.

Come to laugh and stay to cry.......2003-11-26

Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.

"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".

At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.

Great Introduction to Beautiful Music.......2000-07-08

The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.

This CD is considered an introduction to baroque music. It includes some of the most famous composers and their best songs. For example, Bach, Handel, and Vivaldi each have three songs on this disc. The liner notes are sparse, but a brief history of baroque music is included. Because of the inexpensive price and the huge amount of music (25 songs, 74 minutes of music), I highly recommend this for anyone who already loves the baroque style or wants an excellent introduction to this beautiful music.

Average customer rating: GREAT WEDDING MUSIC! Good Music A very complete selection of ceremony music! Comprehensive Classical Selection Just one note...

A Bride's Guide to Wedding Music Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Gabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works 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Tracks:

1. Bach: Jesu, Joy Of Man's Desiring
2. Vivaldi: Largo Winter
3. Bach: Air On A G String
4. Torelli: Trumpet Concerto
5. Bach: Sheep May Safely Graze
6. Handel: Let The Bright Seraphim
7. Handel: Pastoral Symphony
8. Boccherini: String Quintet, Minuet
9. Mendelssohn: On Wings Of Song
10. Liszt: Dream Of Love
11. Rachmaninov: Vocalise
12. Debussy: Claire De Lune
13. Satie: Gymnopedie No.1
14. Gluck: Dance Of The Blessed Spirits
15. Debussy: Arabesque
16. Bizet: Intermezzo
17. Elgar: Salut D'amour
18. Debussy: Prelude A L'apres - Midi D'un Faun

Tracks:

1. Wagner: Bridal Chorus
2. Clarke: Trumpet Voluntary
3. Handel: Royal Fireworks Music, Overture
4. Gabrieli: Canzon V
5. Charpentier: Te Deum
6. Purcell: Trumpet Tune
7. Mussorgsky: Promenade
8. Pachebel: Canon In D
9. Handel: Larghetto
10. Vivaldi: Guitar Concerto In D Major, Largo
11. Handel: Water Music, Air
12. Macdowell: To A Wild Rose
13. Beethoven: Pathetique Sonata, Adagio
14. Melchior: Adagio
15. Gounod: Ave Maria
16. Schubert: Ave Maria
17. Franck: Panis Angelicus
18. Faure: Pie Jesu
19. Rachmaninov: Rhapsody On A Theme Of Paganini
20. Schumann: Romance For Violin And Piano
21. Massenet: Meditation

Tracks:

1. Mendelssohn: Wedding March
2. Vivaldi: Concerto For Two Trumpets In B, Allegro
3. Telemann: Trumpet Concerto In D, Allegro
4. Vivaldi: Spring, Allegro
5. Telemann: Trumpet Concerto In B, Allegro
6. Handel: Concerto Grosso, Hornpipe
7. Bach: Brandenburg Concerto No.4, Allegro
8. Handel: Arrival Of The Queen Of Sheba
9. Schumann: Piano Quintet In E Flat Major
10. Widor: Toccata
11. Dubois: Toccata
12. Walton: Crown Imperial
13. Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
14. Mozart: Exsultate Jubilate, Alleluia
15. Handel: Water Music, Hornpipe
16. Chopin; Variations On A Theme From 'La Cenerentola'
17. Faure: Sicilienne
18. Offenbach: Barcarolle
19. Faure: Berceuse
20. Saint-Saens: The Swan
21. Brahms: Waltz In A Flat
22. Grieg: Wedding Day At Troldhaugen

Album Description

The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.

Customer Reviews:

GREAT WEDDING MUSIC!.......2007-01-24

I used these CD's for my wedding, and I was so happy I did. You need to buy this CD if you like having a traditional wedding! :)

Good Music.......2006-07-05

I bought these CDs for my wedding, in ceremony and reception. Also, when I created my own wedding video, I used it as background music.

A very complete selection of ceremony music!.......2005-02-02

I am getting married in several months and we couldn't decide what music we wanted at our wedding ceremony. This three disk compilation reminded us of all the great ones- including new options we hadn't thought about. I really enjoyed hearing the organ and strings versions of the songs. If you're someone who hears a classical or baroque piece of music, but can't remember the name or the precise tune, this is a must-have to jog your memory and trigger the tear ducts!

Comprehensive Classical Selection.......2004-04-15

I searched all over for a CD set that had a somewhat comprehensive list of classical selections that are traditionally played at weddings. When I found this 3 CD set, I was very pleased. It contains 61 works from almost as many composers. This set might not contain the "best recording ever" of each of the selections, however it is very well done and the quality is very good. I used it primarily to choose the pieces that I wanted to have played by the church organist, and so the actual recordings were more for my consumption rather than for use in the ceremony/reception itself. However, I would not have hestitated to use the CD's in the wedding itself if needed. The book inside includes a list of suggested songs for various wedding styles (formal, outside, morning, etc.). From the classical neophyte to the seasoned classical music expert, this CD set will meet if not exceed expectations.

Just one note..........2003-06-07

I have not heard this album, so I cannot rate it as a whole. (The form made me include a rating, but disregard that.) However, I want to point out that track 36, the Pie Jesu from Gabriel Faure's Requiem is - well, from a requiem, a mass for the dead. The Pie Jesu is a lovely, gentle movement, and it has a beautiful and pure sound that does seem to fit the mood of a wedding. The Latin words, however, mean "Merciful Lord Jesus, grant them everlasting rest," where "them" refers to the dead.

Beautiful, but perhaps not so suitable for a wedding.

Average customer rating: Excellent overall Wonderful Unbelievable!

Bach: Cello Suites, Sonatas & Partitas for Solo Violin - Christian Tetzlaff & Ralph Kirshbaum (4 CD's) Christian Tetzlaff , Ralph Kirshbaum , and Johann Sebastian Bach Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Tetzlaff, Christian | ( T ) | Featured Performers, A-Z | Classical | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tetzlaff, Christian | ( T ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Brahms: Sonatas for Piano and Violin Beethoven: Violin Concerto; Violin Romances Sibelius: The Complete Works for Violin; Christian Tetzlaff Mozart: Violin Concertos 3, 4 & 5 Bartók: Violin Sonatas ASIN: B00030FJ9Y Release Date: 2004-11-16

Tracks:

1. 1. Adagio - Christian Tetzlaff
2. 2. Fuga (Allegro) - Christian Tetzlaff
3. 3. Siciliana - Christian Tetzlaff
4. 4. Presto - Christian Tetzlaff
5. 1. Allemanda - Christian Tetzlaff
6. Double - Christian Tetzlaff
7. 2. Corrente - Christian Tetzlaff
8. Double (Presto) - Christian Tetzlaff
9. 3. Sarabande - Christian Tetzlaff
10. Double - Christian Tetzlaff
11. 4. Bourree - Christian Tetzlaff
12. Double - Christian Tetzlaff
13. 1. Grave - Christian Tetzlaff
14. 2. Fuga - Christian Tetzlaff
15. 3. Andante - Christian Tetzlaff
16. 4. Allegro - Christian Tetzlaff

Tracks:

1. 1. Allemanda - Christian Tetzlaff
2. 2. Corrente - Christian Tetzlaff
3. 3. Sarabanda - Christian Tetzlaff
4. 4. Giga - Christian Tetzlaff
5. 5. Ciaccona - Christian Tetzlaff
6. 1. Adagio - Christian Tetzlaff
7. 2. Fuga - Christian Tetzlaff
8. 3. Largo - Christian Tetzlaff
9. 4. Allegro Assai - Christian Tetzlaff
10. 1. Preludio - Christian Tetzlaff
11. 2. Loure - Christian Tetzlaff
12. 3. Gavotte En Rondo - Christian Tetzlaff
13. 4. Menuet 1/Menuet 2 - Christian Tetzlaff
14. 5. Bourree - Christian Tetzlaff
15. 6. Gigue - Christian Tetzlaff

Tracks:

1. 1. Prelude - Ralph Kirshbaum
2. 2. Allemande - Ralph Kirshbaum
3. 3. Courante - Ralph Kirshbaum
4. 4. Sarabande - Ralph Kirshbaum
5. 5. Menuet 1 & 2 - Ralph Kirshbaum
6. 6. Gigue - Ralph Kirshbaum
7. 1. Prelude - Ralph Kirshbaum
8. 2. Allemande - Ralph Kirshbaum
9. 3. Courante - Ralph Kirshbaum
10. 4. Sarabande - Ralph Kirshbaum
11. 5. Bourree 1 & 2 - Ralph Kirshbaum
12. 6. Gigue - Ralph Kirshbaum
13. 1. Prelude - Ralph Kirshbaum
14. 2. Allemande - Ralph Kirshbaum
15. 3. Courante - Ralph Kirshbaum
16. 4. Sarabande - Ralph Kirshbaum
17. 5. Gavotte 1 & 2 - Ralph Kirshbaum
18. 6. Gigue - Ralph Kirshbaum

Tracks:

1. 1. Prelude - Ralph Kirshbaum
2. 2. Allemande - Ralph Kirshbaum
3. 3. Courante - Ralph Kirshbaum
4. 4. Sarabande - Ralph Kirshbaum
5. 5. Menuet 1 & 2 - Ralph Kirshbaum
6. 6. Gigue - Ralph Kirshbaum
7. 1. Prelude - Ralph Kirshbaum
8. 2. Allemande - Ralph Kirshbaum
9. 3. Courante - Ralph Kirshbaum
10. 4. Sarabande - Ralph Kirshbaum
11. 5. Bourree 1 & 2 - Ralph Kirshbaum
12. 6. Gigue - Ralph Kirshbaum
13. 1. Prelude - Ralph Kirshbaum
14. 2. Allemande - Ralph Kirshbaum
15. 3. Courante - Ralph Kirshbaum
16. 4. Sarabande - Ralph Kirshbaum
17. 5. Gavotte 1 & 2 - Ralph Kirshbaum
18. 6. Gigue - Ralph Kirshbaum

Customer Reviews:

Excellent overall.......2006-03-28

The two works presented in this bargain set represent Johann Sebastian Bach's greatest contribution to the solo string reportoire.

Although usually marginalized, the Cello Suites are hidden diamonds in the solo literature, requiring a depth of humanity and musicality that few performers actually achieve, so concerned as they are with simply hacking away at this seemingly simple music. Kirshbaum's reading is full of warmth and power, and his instrument (from Bach's time period) sings almost of its own accord. Tempi are just right; the sense of pacing in the G Major Prelude is magnificent, giving the piece a gently rocking feel. Kirshbaum's double stopping (as called for by many of the Allemanda movements) is impeccable and very clean; the harsh, biting sound such double-stopping requires from other performers is not present here.

The focal point of the set is, of course, Christian Tetzlaff's reading of the Six Solos. In comparison with the "big names," such as Perlman, Milstein, and Grumiaux, Tetzlaff cannot quite compete. His tempi are exceedingly swift, and he lacks much of the humanity present in Milstein and Menuhin. As a result, the quicker movements, such as the E Major Preludio and the B minor Doubles, sound less like the masterpieces they are and more like simple etudes to be sawed away on.

Tetzlaff's traversal of the Chaconne, however, is a breathless, exciting journey, and he is in top form during the massive fugues in each sonata. The recording location, while resonant, allows the violin's sound to sing without losing it in a sea of reverb. Although he suffers from tempi issues, Tetzlaff's technique is never in doubt, and he is solid and secure (perhaps even a bit too secure) during this recording.

Overall, despite issues with tempi in the Six Solos, this set is a great bargain, and hopefully Tetzlaff will decide to record these pieces again later in life.

Wonderful.......2006-01-10

I've been listening to and studying Bach's solo cello and violin works for over 30 years. Although I love this music dearly, it's rare that I'm surprized by it anymore. However, listening to Tetzlaff and Kirshbaum, I felt as if I were hearing them for the first time all over again. Both musicians are such masters of their instruments that their "technique" never intrudes on the music. These are really breathtaking performances.

Unbelievable!.......2005-10-19

Both these artists are exceptional. I have always had trouble listening to "anybody else's interpretation" of the bach cello suites, being a cellist myself. This one is truly outstanding. The excellent Bach solo violin interpretation by Christian Tetzlaff is just an added plus -- I was most impressed that my father listened through all the way and just made one or two comments about how the music was "alive". He was rapt. My father doesn't do that easily.

Average customer rating: A Truly Excellent Choice! exquisite Musically very pleasing, though not the best. Better performances available Music for the Heart

Bach: Six Unaccompanied Cello Suites Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Ma, Yo-Yo | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi's Cello Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman Classic Yo-Yo Bach: The Cello Suites Inspired By Bach, From The Six-Part Film Series / Yo-Yo Ma Simply Baroque ASIN: B0000025QM Release Date: 1990-10-25

Tracks:

1. Suite No. 1, S. 1007 In G Major: Prelude
2. Suite No. 1, S. 1007 In G Major: Allemande
3. Suite No. 1, S. 1007 In G Major: Courante
4. Suite No. 1, S. 1007 In G Major: Sarabande
5. Suite No. 1, S. 1007 In G Major: Menuett
6. Suite No. 1, S. 1007 In G Major: Gigue
7. Suite No. 4, S. 1010 In E-Flat Major: Prelude
8. Suite No. 4, S. 1010 In E-Flat Major: Allemande
9. Suite No. 4, S. 1010 In E-Flat Major: Courante
10. Suite No. 4, S. 1010 In E-Flat Major: Sarabande
11. Suite No. 4, S. 1010 In E-Flat Major: Bourree
12. Suite No. 4, S. 1010 In E-Flat Major: Gigue
13. Suite No. 5, S. 1011 In C Minor: Prelude
14. Suite No. 5, S. 1011 In C Minor: Allemande
15. Suite No. 5, S. 1011 In C Minor: Courante
16. Suite No. 5, S. 1011 In C Minor: Sarabande
17. Suite No. 5, S. 1011 In C Minor: Gavotte
18. Suite No. 5, S. 1011 In C Minor: Gigue

Tracks:

1. Suite No. 2, S. 1008 In D Minor: Prelude
2. Suite No. 2, S. 1008 In D Minor: Allemande
3. Suite No. 2, S. 1008 In D Minor: Courante
4. Suite No. 2, S. 1008 In D Minor: Sarabande
5. Suite No. 2, S. 1008 In D Minor: Menuett
6. Suite No. 2, S. 1008 In D Minor: Gigue
7. Suite No. 3, S. 1009 In C Major: Prelude
8. Suite No. 3, S. 1009 In C Major: Allemande
9. Suite No. 3, S. 1009 In C Major: Courante
10. Suite No. 3, S. 1009 In C Major: Sarabande
11. Suite No. 3, S. 1009 In C Major: Bouree
12. Suite No. 3, S. 1009 In C Major: Gigue
13. Suite No. 6, S. 1012 In D Major: Prelude
14. Suite No. 6, S. 1012 In D Major: Allemande
15. Suite No. 6, S. 1012 In D Major: Courante
16. Suite No. 6, S. 1012 In D Major: Sarabande
17. Suite No. 6, S. 1012 In D Major: Gavotte
18. Suite No. 6, S. 1012 In D Major: Gigue

Amazon.com

This is Yo-Yo Ma's first recording of Bach's Cello Suites, digitally recorded in 1983 and first issued on LP. He has since made a second recording of the Suites in 1998, taken from the soundtrack of a video series, so it's interesting that the earlier set remains available. If you've been lucky enough to hear Ma play this music in concert, you'll realize that neither set represents his Bach at its best. This rendition is generally quite straightforward, beautifully played and musically sound but sometimes not very emotional. The second set is more expressive but frequently seems self-conscious. Either of these recordings is a worthy representation of Bach's superb music, but neither attains the mature eloquence of Starker's final recording, a level Ma will probably reach himself in his third recording. --Leslie Gerber

Customer Reviews:

A Truly Excellent Choice!.......2007-07-20

The years that this set has remained in the catalogue attest for the level of interpretation and expertise that Yo-Yo Ma imbews here with these great "soulful" pieces. My first exposure to these works was this recorded set, and I certainly will say that I "struck it right" with this addition to my music collection. Are there better versions...? Well, there are other Interpretations, of course. But, from what I determine, Mr. Ma is playing Bach's music as written, with his own natural inflection, of course. Could you ask for more....not much! A Fine Recording Overall, Fine Interpretation, Fine Warm Ambiance (as it strikes me) as if Yo-Yo is playing these in your living room, just for the two of you. And I like this feeling a lot. Greatly Recommended. ~operabruin

~I happened to see on Amazon here, that this set has been remastered, so I would think that the new set would be pretty nice! I'll be checking it out!

exquisite.......2007-07-05

The most exquisite classical recording you will ever buy. I have owned the vinyl for years and bought the CD's for convenience - car, kitchen. Ma is the best, and the sound quality is extraordinary - you can sometimes hear him breathing!

Musically very pleasing, though not the best........2007-05-18

It would be harsh - with such great exponents of these suites recorded before him, to compare Mr. Ma's playing with other great cellists.
I agree that if you concentrate on the dances in the suites, you will find the best of Ma's interpretation. They are musical, soulful and beautiful. Elsewhere, like in Preludes, the required depth and nuance are some what missing. Listen to Rostropovich, for example, an immediate difference surfaces.
Even so, a 4 star rating is still well-deserved, bearing in mind that Mr. Ma was not yet 30 years old when he recorded this album.

Better performances available.......2007-03-27

Although some would call this performance "straightforward," it lacks the depth and richness of available recordings by Fournier, Casals, and Rostropovich. Before purchasing, take the time to listen to the Suite No. 1 Prelude of all four cellists. Whereas Fournier, Casals, and Rostropovich are movingly expressive, Yo-Yo Ma's is "on point" but lacking emotion.

I wanted to buy this CD but had no performer in mind. I first chose Yo-Yo Ma just because I'd heard of him. After a quick review of other customer comments and my own test runs, I decided to buy Fournier, Casals, AND Rostropovich, just because I was excited to hear a familiar piece played so beautifully in three different ways. Note that Yo-Yo Ma didn't make the cut.

Music for the Heart.......2006-12-25

The experience of music doesn't get better than this, and rarely as good. The Bach cello suites take you into an inner space that most folks in this culture never visit, and Ma takes you there effortlessly, with nothing to separate you from this imperishable gift that Bach gave the world. Listen to it over and over again, and you will only grow deeper into this music. Mediate with it, and if you have animals in your life, play it for them and just watch what happens.

Average customer rating: It is just what I ordered Sheer Brilliance A true essential Eh - It was alright A wonderful addition to any Bach lovers collection

Six Cello Suites performed on viola Manufacturer: Ashmont ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Indie Music | Stores | Music Similar Items: A Portrait of the Viola Twelve Fantasias performed on viola Bartok: Viola Concertos William Primrose: Viola Transcriptions Brahms:The Violin and Viola Sonatas ASIN: B00004W4TY Release Date: 2000-07-06

Tracks:

1. Ste No.1 in G, BWV1007: Prld
2. Ste No.1 in G, BWV1007: Allemande
3. Ste No.1 in G, BWV1007: Courante
4. Ste No.1 in G, BWV1007: Sarabande
5. Ste No.1 in G, BWV1007: Menuet I & II
6. Ste No.1 in G, BWV1007: Gigue
7. Ste No.2 in d, BWV1008: Prld
8. Ste No.2 in d, BWV1008: Allemande
9. Ste No.2 in d, BWV1008: Courante
10. Ste No.2 in d, BWV1008: Sarabande
11. Ste No.2 in d, BWV1008: Menuet I & II
12. Ste No.2 in d, BWV1008: Gigue
13. Ste No.3 in C, BWV1009: Prld
14. Ste No.3 in C, BWV1009: Allemande
15. Ste No.3 in C, BWV1009: Courante
16. Ste No.3 in C, BWV1009: Sarabande
17. Ste No.3 in C, BWV1009: Bourree I & II
18. Ste No.3 in C, BWV1009: Gigue

Tracks:

1. Ste No.4 in E flat, BWV1010: Prld
2. Ste No.4 in E flat, BWV1010: Allemande
3. Ste No.4 in E flat, BWV1010: Courante
4. Ste No.4 in E flat, BWV1010: Sarabande
5. Ste No.4 in E flat, BWV1010: Bourree I & II
6. Ste No.4 in E flat, BWV1010: Gigue
7. Ste No.5 in c, BWV1011: Prld
8. Ste No.5 in c, BWV1011: Allemande
9. Ste No.5 in c, BWV1011: Courante
10. Ste No.5 in c, BWV1011: Sarabande
11. Ste No.5 in c, BWV1011: Gavotte I & II
12. Ste No.5 in c, BWV1011: Gigue
13. Ste No.6 in D, BWV1012: Prld
14. Ste No.6 in D, BWV1012: Allemande
15. Ste No.6 in D, BWV1012: Courante
16. Ste No.6 in D, BWV1012: Sarabande
17. Ste No.6 in D, BWV1012: Gavotte I & II
18. Ste No.6 in D, BWV1012: Gigue

Customer Reviews:

It is just what I ordered.......2007-07-13

The CD came on time and was good quality. It was just what I heard on the online player.

Sheer Brilliance.......2007-05-14

Wonderful, inspiring, beautiful. Music like this is why I took up the Viola. The marrying of Bach, with the skill of Patricia and the acoustics of the location make this an enthralling experience. I can not recommend this highly enough.

A true essential.......2007-05-13

This recording is an essential for every Bach lover's collection. This is a phenomenal performance that only gets better the more you listen to it. Also, as a violist myself, I notice that as I study each suite, I gain even more respect for the depth and perception which Ms. McCarty displays in her playing. Each suite has a delightful and distinct character of its own. This is a grerat recording of the suites, whether on cello or viola.

Eh - It was alright.......2005-03-20

Honestly, I thought the album was well done. As a violist, I was glad to see a solo viola performer taking on the challenge of interpreting Bach's viola suites, but really, this CD has nothing on Yo Yo Ma's version on cello. McCarthy just can't match Ma's interpretive abilities; and honestly, I've heard better viola recordings as well, though I can't remember who off of the top of my head. Still, it's a decent recording, with very nice acoustics.

A wonderful addition to any Bach lovers collection.......2004-06-28

This CD really rounds out my collection of the Bach Suites. If you love Bach you shuldn't miss the rich tones and the amazing clarity of Patricia McCarty's work.

Average customer rating: Mill. Classical review classical music for the unitiated Some little gems there that I had forgotten! A very helpful collection Excellent!

Classical Masterpieces of the Millennium [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtur