Haydn: Symphonies 49 & 100/Overture Armida

1. Overture to Armida for orchestra, in G minor, H. 1a/14
Composed by Franz Joseph Haydn
with London Consort
Conducted by Robert Haydon Clark

2. Symphony No. 49 in F minor ("La passione"), H. 1/49
Composed by Franz Joseph Haydn
with London Consort
Conducted by Robert Haydon Clark

3. Symphony No. 100 in G major ("Military") H. 1/100
Composed by Franz Joseph Haydn
with London Consort
Conducted by Robert Haydon Clark

Tracks:

Canon In D
'Brandenburg' Concerto No. 3: Allegro
The Four Seasons - The Winter: Largo And Allegro
Fanfare ('Masterpiece Theatre' Theme)
Camerata Romana: Air For The 'G' String
'Eine kleine Nachtmusik': Allegro
Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
Introduction To Symphony No. 5
'William Tell' Overture: Finale
'Aida': Triumphal March
On The Beautiful, Blue Danube Waltz
'The Nutcracker': Waltz Of The Flowers
'1812' Overture: Finale

Tracks:

Sabre Dance
'Light Cavalry' Overture: Finale
Carmen: The Toreadors
' Midsummer Night's Dream': Wedding March
Radetzky March
Symphony No. 9, 'Choral': Finale
'Prince Igor': Polovstian Dance No. 17
Jesu, Joy Of Man's Desiring
Peer Gynt: Solveig's Song
Sleepers, Wake
Water Music: Hornpipe
Symphony No. 9, 'From The New World': Largo
Emperor Waltz
'Emperor' Quartet: St. Anthony's Chorale
'The Tales Of Hoffman': Barcarolle
L'Arlesienne: Farandole
'The Nutcracker': Dance Of The Mirlitons
'The Nutcracker': Dance Of The Sugar-Plum Fairy
'Rhapsody In Blue': Highlight
'Orpheus In The Underworld': Can-Can

Tracks:

Introduction To 'Also sprach Zarathustra'
Symphony No. 4, 'Italian': Saltarello: Presto
Piano Concerto No. 20: Romance
'The Valkyrie': Ride Of The Valkyries
'The Four Seasons' - The Spring: Allegro
Toccata and Fugue
Trumpet Voluntary
'Royal Fireworks Music': la rejouissance: Allegro
'Moonlight' Sonata: Adagio Sostenuto
London Festival Orchestra: Overture To 'The Barber Of Seville'
Piano Concerto No. 2: Adagio Sostenuto

Tracks:

Carmina Burana: Introduction To 'Carmina Burana'
Peer Gynt: Dawn From 'Peer Gynt'
Lohengrin: Prelude To 'Lohengrin'
'Lieutenant Kije': Troika From 'Lieutenant Kije'
Adiago For Strings
'Carmen': Habanera From 'Carmen'
'Double' Concerto: Allegro From 'Double' Concerto
The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
(Rondo) Alla Turca
Xerxes: Largo From 'Xerxes'
Symphony No. 5: Allegro vivace From Symphony No. 5
'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
Clair De Lune
Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Average customer rating:

Classic Wynton
amazing
Heard this with NEW appreication.........
Wynton's the best
Classic Wynton--brilliant, clear trumpet renditions

Classic Wynton

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Wynton Marsalis - Baroque Music for Trumpet
Carnaval
Trumpet Concertos
Greatest Hits: Trumpet
Standard Time, Vol.3: The Resolution Of Romance

ASIN: B00000DI10
Release Date: 1998-11-10

Tracks:

In Gabriel's Garden: The King's March - English CO; Leppard, R.
Concerto For Two Trumpets In C Major: Allegro - English CO; Newman, A.
The Indian Queen: Entrada From The Indian Queen - St. Luke's Orch; Nelson, J.
In Gabriel's Garden: The Prince Of Denmark's March - English CO; Newman, A.
In Gabriel's Garden: Trumpet Voluntary - English CO; Leppard, R.
Baroque Duet: Let The Bright Seraphim - Wynton Marsalis
Suites De Symphonies: Rondeau - English CO; Leppard, R.
Brandenburg Concerto No. 2: III. Allegro Assai (Excerpt) - Eastman Wind Ensemble; Hunsberger, D.
In Gabriel's Garden: Prelude From Te Deum - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In D Major: II. Allegro Moderato - Philharmonia Orch; Salonen, E.
Baroque Music For Trumpets: I. Adagio - Eastman Wind Ensemble; Hunsberger, D.
Concerto For Trumpet And Orchestra In E-Flat Major: III. Finale. Allegro - Wynton Marsalis
Concerto For Trumpet And Orchestra In E Major: III. Rondo. Allegro Molto - Wynton Marsalis
Carnaval: 'Tis The Last Rose Of Summer - Wynton Marsalis
Carnaval: Variations On 'Le Carnaval De Venise' - Wynton Marsalis
On The Twentieth Century: Rondo For Lifey (For Trumpet And Piano) - Wynton Marsalis
Prayer Of St. Gregory For Trumpet And Organ - Anthony Newman
Concerto For Trumpet And Orchestra: I. Allegro - Wynton Marsalis
Carnaval: Moto Perpetuo - Wynton Marsalis
Tsar Saltan: Flight Of The Bumblebee - Wynton Marsalis

Amazon.com

Wynton Marsalis may not have an easily recognizable or even particularly handsome tone, but this erstwhile jazz trumpeter is an amazing virtuoso with a fine sense of classical style. If you've never owned/heard any of his classical CDs, and you love (mostly baroque) trumpet music, this compilation--a sort of "greatest hits"--is for you. From such cruddy, sensationalistic works as Carnival of Venice to the glories of Haydn's E-Flat Concerto, this is grand entertainment. Marsalis is joined by Kathleen Battle in an exciting version of Handel's "Let the bright seraphim," and the treat there is doubled. A fine piece by Hovhaness for trumpet and organ, never before released, is another surprise. Come listen to the endless, seemingly casual roulades that come out of this guy's trumpet--they'll wake you right up. --Robert Levine

Customer Reviews:

Classic Wynton.......2007-07-11

Classic! What else is there to say? As an introduction to the other, many classic recordings of this superbly talented trumpeter, it is as good a guide as possible.

amazing.......2006-10-31

Classic Wynton is the most glorious display of musicianship I have ever heard. No other trumpet player even comes close to Wynton. Don't listen to anything the editorial review says though, it must have been written by a complete ignoramus. Wynton Marsalis not having a clear or recognizable tone? Please...That's like saying Kobe Bryant isn't a good shooter. I can't believe that garbage is on a credible site such as Amazon.

Heard this with NEW appreication................2006-09-07

This is such a wonderful mix. I especially love the Haydn concerto finale in E flat. I was listening to this cd when my grandson (almost 3) heard the glorious music of the trumpet for the first time. He loved seeing the photos of Mr. Marsalis (which I embellished, albeit true, saying how difficult it is to play the trumpet - hence the need for a handerchief to wipe his brow in one of the photos). This awakened his awareness of trumpet music where he now loves to listen to one of his Baby Einstein cd's in the car. Specifically, he told his mother "louder" when the trumpet piece was played - repetetively.

Wynton's the best.......2006-03-17

I'm not a professional musician and don't have a trained ear but Wynton Marsalis has provided me with a very delightful hour of extremely good music.

Classic Wynton--brilliant, clear trumpet renditions.......2006-02-25

For anyone who loves trumpet music as I do, this album is a must. Wynton Marsalis has mastered twenty all-time favorite pieces with such brilliance, that no other trumpeteer comes near by comparison. Opening with J. Clarke's, The King's March, Wynton proceeds to favor listeners with such baroque favorites as Purcell's Entrada from "The Indian Queen," J. Clark's The Prince of Denmark's March and J. Stanley's Trumpet Voluntary. Fantastic selections from Bach, Mozart, and Haydn follow, with the album also including such delightful listening as The Last Rose of Summer, Carnival of Venisee, and Flight of the Bumblebee. You won't be disappointed with this purchase!

Average customer rating:

It was faulty on the last title to be played The Carnival of Venice
Awesome Collection!
A Wonderful Collection
Wonderful edition to your trumpet collection.
Quite the CD

Greatest Hits: Trumpet

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Classic Wynton
Famous Classical Trumpet Concertos
Trumpet Concertos
Baroque Trumpet Concertos
Wynton Marsalis - Baroque Music for Trumpet

ASIN: B000002AVK
Release Date: 1994-12-06

Tracks:

Brandenburg Concerto No.2, BWV 1047: III. Allegro assai
Birthday Ode For Queen Anne: Eternal Source Of Light Divine
Concerto For 2 Trumpets In C Major, RV 537: 1. Allegro
The Prince Of Denmark March
Canzon V
First Symphonic Suite: Rondeau
Trumpet Tune 'Martial Air': Martial Air
Trumpet Concerto In E-Flat Major: III. Finale. Allegro
Sonata a 9 zu der Kayserlichen Serenade
Voluntary In C Major
Trumpet Concerto In E-Flat Major: II. Andante
Trumpet Concerto In E-Flat Major: III. Rondo
Pictures At An Exhibition: Promenade
Petrushka: Dance Of The Ballerina & Waltz
Also sprach Zarathustra, Op. 30: Introduction
Lieutenant Kije: Symphonic Suite, Op. 60: Kije's Wedding
Hary Janos Suite: Entrance Of The Emperor & His Court
Swan Lake, Op. 20: Naepolitan Dance (Act III) - Tchaikovsky
Rondo For Lifey
Concerto No. 1 For Piano, Trumpet & String Orchestra, Op. 35: IV. Allegro con brio
Tsar Saltan: Flight Of The Bumblebee
The Three Aces - Clarke
A Bugler's Holiday
Variations On The Carnival Of Venice

Customer Reviews:

It was faulty on the last title to be played The Carnival of Venice.......2007-06-01

I returned this to New Castle. Box 15550. I have heard nothing. The date of the return was 15/05/07 from my Throop postoffice in Dorset. I sent it recorded delivery. Over to you. There was nothing on the return screen to explain the fault. ie faulty track. So after many attempts to get intouch I sent it to the address on the paper inside the parcel. Please help.
I am a Grandmother so I am over 13 ???

Awesome Collection!.......2006-07-04

As a young boy I would play my trumpet from my father's old Arban's method book. My private trumpet teacher (Mr. Bonfield) would love to play duets with me from the Merchant of Venice. One day I heard Wynoton Marsailas play a a flawless rendition of The Merchant of Venice on my local clasical radio station. It was flawless and brought back many fond memories of studiying the trumpet as a youngster with my beloved teacher. This collection contains that rendition and a wide selecton of clasical trumpet pieces. You may not recognize every song, but you will enjoy the high quality of the music and artists on this CD. Anyone looking for an introduction to quality, classical, trumpet music should buy this CD. The price also makes this an affordable must for any true trumpet fan.

A Wonderful Collection.......2004-01-26

This is a splendid anthology of music. Traditional Baroque and orchestral pieces up front, and a few surprises nearer the end. A splendid work. The price makes it a steal. Add it to your cart. You will not be sorry. There is technical excellence - peace in some of the songs and real energy in others.

Wonderful edition to your trumpet collection........2003-10-21

Trumpet fans should all own this album, that is if they don't already own all of the pieces on here on separate recordings (it would take a while to obtain them all). This recording features a bunch of great classical trumpeters and innovators such as Armando Ghitalla, Phil Smith, Wynton Marsalis, Mark Gould, H.L. Clarke, Ron Romm, Charles Schleuter, William Vacchiano, and more. Great performances of Bach's "Brandenburg Concerto No. 2", the Haydn and Hummel Concertos, Wynton's excellent performance of J.B. Arban's "The Carnival Of Venice", the New England Brass Ensemble performing "Trumpet Voluntary", a very good job done by a Baroque Orchestra of the Vivaldi Concerto for Two Trumpets, "The Three Aces" played by H.L. Clarke, and Leroy Anderson's classic "A Bugler's Holiday".

Overall this is a great listen to some of the best trumpet players of all-time in this idiom. All of the pieces are impeccably played by some of the best. I didn't discover this tape in my collection until recently, and boy I'm glad I did.

Quite the CD.......2001-04-17

If I were you, I would buy this CD. It is a diverse collection of amazing performances of quintessential pieces - an important addition to any classical music fan's collection. Heck, even if you're not big on classical music (or trumpet music or brass music or music at all) you should purchase this compact disc.

Tracks:

Allegro Di Molto
Andante
Menuet: Un Poco Allegretto
Finale: Presto
Allegro Di Molto
Andante Molto
Menuet: Allegro
Finale: Allegro Di Molto
Allegro Assai
Andante
Menuet
Finale: Allegro Di Molto
Presto
Andante O Piu Tosto Allegretto
Menuetto
Allegro Assai

Tracks:

Allegro Assai Con Spirito
Adagio
Menuet
Adagio
Allegro Di Molto
Menuet
Finale: Presto
Allegro
Andante
Menuet Alla Zoppa: Un Poco Allegretto
Finale: Presto

Tracks:

Allegro Con Spirito
Un Poco Andante
Menuet
Finale: Presto
Allegro
Adagio
Menuet: Allegretto
Finale: Allegro
Vivace E Con Spirito
Andante
Menuetto
Finale: Presto

Tracks:

Allegro
Adagio
Menuetto
Finale: Allegro
Vivace
Adagio
Menuetto - Trio I & II
Finale: Allegro
Allegro Assai Con Brio
Andante
Menuetto: Allegretto
Finale: Presto

Tracks:

Moderato E Maestoso
Andantino E Cantabile
Menuet: Allegretto
Finale: Scherzando E Presto
Allegro Con Brio
Menuetto: Allegretto (Canone In Diapason)
Adagio
Finale: Presto
Vivace
Poco Adagio
Menuet: Allegretto
Finale: Presto E Scherzando

Tracks:

Allegro Assai
Adagio
Menuet: Allegro
Finale: Presto
Adagio
Allegro
Un Poco Adagio, Cantabile
Menuet AL Roverso
Finale: Presto Assai
Adagio E Maestoso - Allegro Di Molto
Andante Moderato
Menuet
Finale: Presto

Customer Reviews:

Pinnock - pretty good Haydn, but not the best.......2006-12-08

As I type this review, I am listening to the recording of Symphony #52 from this set.

Earlier today, I listened to these recordings of Symphonies 51 and 43 as well. I have owned many of these recordings since they first came out. In fact, this is the first recording of 43 I had ever heard, but the symphony never grabbed me until I heard a different recording (conducted by Aadland on Imp classics, hard to find). Pinnock races through it and misses a lot of the character and the sense of inevitability that this symphony has to offer. The recording of 51 is better with Derek Solomons, more character in the horn solo slow movement (though I have some reservations about that set as well!).

Overall, it seems that Pinnock just doesn't dig deeply enough into these wonderful symphonies. Yes, they are fast and lively. But there's not enough articulation, oomph, depth to make this the set to own.

My favourite set of symphonies.......2006-08-13

This recording is one of my "desert island discs". I have listened to it over and over again over the last four years and I am still finding new and exciting things in this music. Haydn's symphonies are very important to me and I feel very at home in this music. Why? I am not sure. This is musical music - music which celebrates music. I realise that this doesn't make much sense. Mozart's symphonies are always very clever and always full of Mozart's brilliance and superb sense of style and form. Haydn's symphonies aren't "obvious" - they require a little more effort for someone like me to appreciate, and this is their strength - once this music is appreciated, it stays that way!

Mr. Trevor Pinnock, directing The English Concert [on period instruments] from his harpsichord, provides us with a wide window into these works - 19 symphonies, over 6 CDs. The playing is very attractive and colourful. The wind and brass players are in fine form, particularly the horn players. The strings have that transparency and incisiveness which period violins, violas, 'cellos and basses and original styled bows bring to 18th century music.

I can imagine a different approach and interpretation of some of these works, but I cannot imagine anyone doing it better than Pinnock and his ensemble.

If you're a fan of the "Sturm und Drang" style, although much of this music is far from stressful or stormy!, you will probably enjoy comparing these symphonies with those of Carl Philipp Emanuel Bach.

Unpleasant Recording Spoils Set.......2005-10-13

Note added later: I now urge potential buyers to consider as an alternative the Nimbus set with Fischer, symphonies 40-54. Wonderful performances with recording that goes much further in capturing some of the beauty of a violin - without the disadvantage of earlier harsh digital sound.
Amazon does us all a huge favor by allowing us to voice our thoughts away from the endless commercial shilling of the music industry. Yes, not everybody agrees all the time, but it is not difficult to determine if reviewers hate an artist and just have it in for her or him, or simply find fault with a performance or its engineering. I happen to admire and respect both the conductor of this CD issue and his band.
Since what I heard put me in a minority of one - to judge by those who took the time to read my review - I replayed several sides of this CD again the other day on a friend's far superior system. I should add that together we have over 100 years of listening to recorded sound, and my collection goes back to the 1890's. So we have some fair grasp of this medium. After less than a minute of the first CD, he turned to me, and winced. Moreover we could not find any improvement in the sound on any of the other sides.
As for the other reviewers glorious reviews - be open-minded; trust yourself to take a few minutes and compare Pinnock's band in the opening to Symphony 48, Maria Theresia, to Janigro's group on Bach Guild, ATM-CD-1495. Afterall, it's your money. One performance sounds imperial, and the music sounds most appropriate for an Empress.
Original instruments do sound very nice - as anyone who has heard live one of the better Cremona masterpieces can attest. And those violins were built long before Haydn was even born! Don't believe all "original violins" must sound like they do in this recording.
Again, for a far better sounding CD issue do yourself a huge favor - try the budget priced Bach Guild CD of the Sturm and Drang symphonies conducted by Janigro. Again. ATM-CD-1495. It has a superior performance of the Maria Theresia, #48 in a robust C Major.
And just to be fair - Janigro's recording of the Boyce symphonies is disappointing, whereas Pinnock's is excellent. Perhaps there is something to leading in music of your own culture.

The absolute best set of the Sturm and Drang symphonies you will ever find.......2005-08-18

I didn't buy this boxed set, but aquired these wonderful discs one by one. I love the whole set, but I bought the one with symphonies 35,38,39,59 first. It is my favorite of the six. That one is really one of those desert island discs. There is such a rhythmic drive and electricity in volume one that I hardly ever hear in classical music. If you're kind of feeling down, these symphonies by the English Concert, will definitely bring you out of the doldrums. Volumes 2-6 are equally as well played, but I personally enjoy Volume one better. Trevor Pinnock is superb as usual. He's definitely one of the greatest conductors of the baroque and classical periods. I would like to see him venture into the romantic period to see how good he would do with that style. The sound quality of this set is just superb. Everything sounds crystal clear in these recordings. If you don't like these performances, check your pulse because I think your dead.

Lively and energetic Haydn - many "surprise" gems here.......2005-03-12

I find myself turning to this modest box of 6 CDs containing 19 mostly little-known Haydn symphonies far more often than to any other Haydn symphony recordings on my shelf.

The complete cycles I own are certainly great achievements that I would never want to be without. Dorati's magnificent complete cycle (see Amazon asin # B0000042DP) is a classic that has stood the test of time. Brilliant classics has ressurected the Adam Fischer cycle from the Nimbus bankruptcy (see Amazon asin # B00006GA50), though the price is now much higher than it was when Brilliant Classics originally released it in 2002. For some of the more famous symphonies, like the London Symphonies, there are many stellar paerformances, such as the Colin Davis/Concertgebouw recordings available on 2 Philips Duo offerings.

But none of the above, or other unspecified recordings, hold a candle to these Pinnock recordings when it comes to an all around enjoyable musical experience. The Minuets have a swaggering quality that is intoxicating. You'd think Haydn invented dance music. Who needs the Strauss family? The Allegros have vitality about them that brings you to the edge of your seat. And the slower movements have phenomenal penetrating depth and wide ranging dynamics one would never expect from Haydn.

And unlike some critics, I don't think there is anything "unfaithful" to the score about these readings. Pinnock doesn't resort to Stokowski-like modifications or liberalities to make the music come alive. What does come across is that all of the musicians appear to be having fun. And when musicians are having fun like this, you do too.

And for the bargain basement price, this a must have.
Not a Haydn fan? Get this set and you will be.

Average customer rating:

Hot Lips Trumpets
"Abblassen" Used in "Sunday Morning"
fun trumpets

Masters of the Trumpet

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A2H8YY
Release Date: 2005-08-09

Tracks:

Abblasen - Don Smithers
Rondeau - Wynton Marsalis
Allegro Assai - Thomas Stevens
I. Allegro - Maurice Andre
II. Largo - Maurice Andre
III. (Allegro) - Maurice Andre
I. Andante - Hakan Hardenberger
II. Allegro Moderato - Hakan Hardenberger
I. Allegro - John Wilbraham
II. Largo - John Wilbraham
III. Allegro - John Wilbraham
I. Adagio - Maurice Andre
II. Allegro - Maurice Andre
I. Allegro - Aldoph Herseth
II. Andante - Adolph Herseth
III. Finale. Allegro - Adolph Herseth
I. Allegro Con Spirito - John Wilbraham
II.Andante - John Wilbraham
III. Rondo - John Wilbraham
La Virgen De La Macarena - Ronald Romm
Theme & Variations On 'The Carnival Of Venice' - John Wilbraham

Tracks:

Reiterfanfare - Berlin Philharmonic Brass Ensemble
XXI: Sonata A 3 - Michael Laird
Sonata A 7 - The Philip Jones Brass Ensemble
March For 3 Trumpets And Timpani - The London Festival Brass Ensemble
I. Allegro - The Philip Jones Brass Ensemble
II. Andante - The Philip Jones Brass Ensemble
III. Vivace - The Philip Jones Brass Ensemble
I. Moderato - John Wilbraham
II. Menuett - John Wilbraham
III. Larghetto - John Wilbraham
IV. Vivace - John Wilbraham
Fanfare For St. Edmundsbury - The Philip Jones Brass Ensemble
Quiet City - Thomas Stacy
Concertino For Trumpet, Piano And Strings - Pierre Thibaud
Fanfare For A New Theatre - Raymond Mase
Marche Royale - ARMANDO GHITALLA
Etude Characteristique - Elgar Howarth
Hora Staccato - Rafael Mendez
Czardas - Rafael Mendez

Customer Reviews:

Hot Lips Trumpets.......2007-01-10

I appreciate this CD, it is high quality and a great variety and I enjoy it very much.
Vernon M. Dean

"Abblassen" Used in "Sunday Morning".......2006-02-01

The CBS News show "Sunday Morning" is using "Abblassen" as their theme music.

fun trumpets.......2005-09-13

"Masters of The Trumpet" is a simple and accurate title for this 2- disc collection. The recordings cover trumpet/cornet literature ranging from Gabrieli to Stravinsky.
Especially enjoyable moments are Don Smithers playing Reiche's "Abblasen" & Armando Ghitalla's work on Stravinsky's "Marche Royale" (L'Histoire du Soldat).
Rafael Mendez sounds as though he has more fun playing than should be legal...exciting!..and Adolph Herseth is a pleasure to hear whether he's playing in "delicate mode" or shattering asteroids with his power.
Get this recording.

dj

Franz Joseph Haydn: "Sturm und Drang" Symphonies Nos. 44-49

Average customer rating:

Run,Run,Run for Fun,Fun,Fun!

Franz Joseph Haydn: "Sturm und Drang" Symphonies Nos. 44-49

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Haydn: The London Symphonies, Vol. 1

ASIN: B0001CCX8O
Release Date: 2004-04-06

Tracks:

Allegro Con Brio
Menuetto (Allegretto) - Canone In Diapason
Adagio
Presto
Allegro Assai
Adagio
Menuetto (Allegretto)
Presto - Adagio
Vivace
Poco Adagio
Menuetto (Allegretto)
Presto E Scherzando

Tracks:

Allegro (No Tempo Indication In Autograph)
Un Paco Adagio, Cantabile
Menuet Al Riversi - Trio Al Roverso
Presto Assai
Allegro
Adagio
Menuetto (Allegretto)
Allegro
Adagio
Allegro Di Molto
Menuetto
Presto

Customer Reviews:

Run,Run,Run for Fun,Fun,Fun!.......2005-10-13

This exact set is available in another format for nearly three times as much, and I believe they are the same transfers. So this is the one to purchase. Many of the performances are worth the Set price by themselves. Number 48 is a great symphony for cheering up a blowsy day or attitude, and the others contain tremendous passions - literally in one case - normally not expected when listeners think of Haydn. The sound of the original LPs has been transferred reasonably well, with a degree of fidelity far more acceptable than many modern original instrument performances.
For this price you will have several of the most glorious symphonies of the entire repetoire, and again, 48 is the crowning glory, if I may be allowed a small pun.

Average customer rating:

Bold, energetic performances

Haydn: Symphonies Nos. 49, 52 & 58

Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Joseph Haydn: Complete Symphonies, No. 69 "Laudon", 86, 87
Haydn: Symphonies Nos. 39, 34, 40, 50
Haydn: Symphonies Nos. 64 ("Tempora mutantur") & 45 ("Farewell")
Haydn: Symphonies 83-85
Haydn: Symphonies Nos. 104 ("London") & 94 ("Surprise"); Acide e Galatea Overture

ASIN: B000FMGWAU
Release Date: 2006-08-08

Album Description

"The performances are extremely polished and marvellously expressive, so full of vitality with an electrifying feel at times. The superb German orchestra are clearly making a real name for themselves and play this repertoire so comfortably that it could have been written especially for them. Thomas Fey, who is certainly destined for great future success, brilliantly assists the orchestra to communicate his interpretation with freshness and so assuredly to the listener in a way that could scarcely be bettered. Another bonus is the recording, which is rich and warm, yet detailed with superb clarity of sound and perfectly balanced." -Michael Cookson, Music Masters Management

A continuation of the critically acclaimed Haydn Symphony Cycle much discussed in the international music press! The Heidelberg Symphony produces idiomatic performances of these immortal symphonies with a unique and judicious blend of modern and period instruments, demonstrating that Haydn's music - like all great historic music - must dwell both in the past and present to be viable. This sixth volume features three of Haydn's "Sturm und Drang" symphonies. Thomas Fey, born in 1960, studied piano and conducting at the High School for Music at Heidelberg-Mannheim. He was a student of Nikolaus Harnoncourt from 1988 to 1991 at the Salzburg Mozarteum, and also studied under Leonard Bernstein. Fey was named music director of the Heidelberg Symphony Orchestra in 1993. He has led hundreds of concerts in the U.S., Europe, and South America, and made numerous radio broadcasts and recordings. Fey's repertoire extends from Bach to Brahms, and his recordings of Mozart, Haydn, and Beethoven have come in for special praise by many critics.

Customer Reviews:

Bold, energetic performances.......2006-12-17

Thomas Fey has slowly been recording what is planned to be a complete cycle of the Haydn symphonies with the Heidelberger Sinfoniker for Hanssler. This - volume 6 - is one of the best. Those who have acquired previous issues in this series will know what to expect. These are highly exciting, vivid, occasionally brusque performances of three Haydn "Sturm und Drang" masterpieces. Those who prefer their Haydn more "civilized" and elegent should probably stay away. Fey's aggressive approach coupled with the sonority of the period instrument orchestra can sometimes produce harsh sounds. Fey emphasizes the rustic, peasant-like, and rough-edged aspect of the music. And for those of us who see this an essential component of Haydn's music (and part of what makes it look forward to Beethoven's), these performances are must-own. This is playing of bold strokes and sharp articulation with prominent harpsichord continuo and explosive horns. Highly recommended.

Average customer rating:

A superb milestone
For the sheer pleasure of them all....
Antal Dorati's Claim To Fame
A major milestone in recorded music, stunning achievement
Dorati blazed the trail for Haydn interpreters

Haydn: The Symphonies

Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Classical | Imports | Stores | Music
Similar Items:

Haydn: The Complete Piano Sonatas
Haydn: The String Quartets
Mozart: 46 Symphonies - Berlin Philharmonic / Karl Böhm
Liszt: Piano Works
Haydn: Complete Piano Trios

ASIN: B0000042DP
Release Date: 1997-06-24

Tracks:

Symphony No. 1 In D Major - I. Presto
Symphony No. 1 In D Major - II. Andante
Symphony No. 1 In D Major - III. Finale: Presto
Symphony No. 2 In C Major - I. Allegro
Symphony No. 2 In C Major - II. Andante
Symphony No. 2 In C Major - III. Finale: Presto
Symphony No. 3 In G Major - I. Allegro
Symphony No. 3 In G Major - II. Andante Moderato
Symphony No. 3 In G Major - Menuet E Trio
Symphony No. 3 In G Major - Finale: Alla Breve
Symphony No. 4 In D Major - I. Presto
Symphony No. 4 In D Major - II. Andante
Symphony No. 4 In D Major - III. Finale: Tempo Di Menuetto
Symphony No. 5 In A Major - I. Adagio Ma Non Troppo
Symphony No. 5 In A Major - II. Allegro
Symphony No. 5 In A Major - III. Menuet E Trio
Symphony No. 5 In A Major - IV. Finale: Presto

Tracks:

Symphony No. 6 In D Major - 'Le Matin' - I. Adagio-Allegro
Symphony No. 6 In D Major - 'Le Matin' - II. Adagio-Andante
Symphony No. 6 In D Major - 'Le Matin' - III. Menuet E Trio
Symphony No. 6 In D Major - 'Le Matin' - IV. Finale: Allegro
Symphony No. 7 In C Major - 'Le Midi' - I. Adagio-Allegro
Symphony No. 7 In C Major - 'Le Midi' - II. Recitativo: Adagio
Symphony No. 7 In C Major - 'Le Midi' - III. Menuetto E Trio
Symphony No. 7 In C Major - 'Le Midi' - IV. Finale: Allegro
Symphony No. 8 In G Major - 'Le Soir' - I. Allegro Molto
Symphony No. 8 In G Major - 'Le Soir' - II. Andante
Symphony No. 8 In G Major - 'Le Soir' - III. Menuetto E Trio
Symphony No. 8 In G Major - 'Le Soir' - IV. 'La Tempesta': Presto

Tracks:

Symphony No. 9 In C Major - I. Allegro Molto
Symphony No. 9 In C Major - II. Andante
Symphony No. 9 In C Major - III. Finale: Menuetto-Allegretto
Symphony No. 10 In D Major - I. Allegro
Symphony No. 10 In D Major - II. Andante
Symphony No. 10 In D Major - III. Finale: Presto
Symphony No. 11 In E Flat Major - I. Adagio Cantabile
Symphony No. 11 In E Flat Major - II. Allegro
Symphony No. 11 In E Flat Major - III. Menuet E Trio
Symphony No. 11 In E Flat Major - IV. Finale: Presto
Symphony No. 12 In E Major - I. Allegro
Symphony No. 12 In E Major - II. Adagio
Symphony No. 12 In E Major - III. Finale: Presto

Tracks:

Symphony No. 13 In D Major - I. Allegro Molto
Symphony No. 13 In D Major - II. Adagio Cantabile
Symphony No. 13 In D Major - III. Menuet E Trio
Symphony No. 13 In D Major - IV. Finale: Allegro Molto
Symphony No. 14 In A Major - I. Allegro Molto
Symphony No. 14 In A Major - II. Andante
Symphony No. 14 In A Major - III. Menuetto E Trio: Allegretto
Symphony No. 14 In A Major - IV. Finale: Allegretto
Symphony No. 15 In D Major - I. Adagio-Presto-Adagio
Symphony No. 15 In D Major - II. Menuet E Trio
Symphony No. 15 In D Major - III. Andante
Symphony No. 15 In D Major - IV. Finale: Presto
Symphony No. 16 In B Flat Major - I. Allegro
Symphony No. 16 In B Flat Major - II. Andante Ma Non Troppo
Symphony No. 16 In B Flat Major - III. Finale: Presto

Tracks:

Symphony No. 17 In F Major - I. Allegro
Symphony No. 17 In F Major - II. Andante Ma Non Troppo
Symphony No. 17 In F Major - III. Finale: Allegro Molto
Symphony No. 18 In G Major - I. Andante Moderato
Symphony No. 18 In G Major - II. Allegro Molto
Symphony No. 18 In G Major - III. Tempo Di Menuet
Symphony No. 19 In D Major - I. Allegro Molto
Symphony No. 19 In D Major - II. Andante
Symphony No. 19 In D Major - III. Presto
Symphony No. 20 In C Major - I. Allegro Molto
Symphony No. 20 In C Major - II. Andante Cantabile
Symphony No. 20 In C Major - III. Menuetto E Trio
Symphony No. 20 In C Major - IV. Presto
Symphony No. 21 In A Major - I. Adagio
Symphony No. 21 In A Major - II. Presto
Symphony No. 21 In A Major - III. Menuetto E Trio
Symphony No. 21 In A Major - IV. Allegro Molto

Tracks:

Symphony No. 22 In E Flat Major - 'The Philosopher' - I. Adagio
Symphony No. 22 In E Flat Major - 'The Philosopher' - II. Presto
Symphony No. 22 In E Flat Major - 'The Philosopher' - III. Menuetto E Trio
Symphony No. 22 In E Flat Major - 'The Philosopher' - IV. Presto
Symphony No. 23 In G Major - I. Allegro
Symphony No. 23 In G Major - II. Andante
Symphony No. 23 In G Major - III. Menuetto E Trio
Symphony No. 23 In G Major - IV. Presto Assai
Symphony No. 24 In D Major - I. Allegro
Symphony No. 24 In D Major - II. Adagio
Symphony No. 24 In D Major - III. Menuetto E Trio
Symphony No. 24 In D Major - IV. Allegro
Symphony No. 25 In C Major - I. Adagio
Symphony No. 25 In C Major - II. Menuetto E Trio
Symphony No. 25 In C Major - III. Presto

Tracks:

Symphony No. 26 In D Minor - 'Lamentatione' - I. Allegro Assai Con Spirito
Symphony No. 26 In D Minor - 'Lamentatione' - II. Adagio
Symphony No. 26 In D Minor - 'Lamentatione' - III. Menuetto E Trio
Symphony No. 27 In G Major - I. Allegro Molto
Symphony No. 27 In G Major - II. Andante Siciliano
Symphony No. 27 In G Major - III. Presto
Symphony No. 28 In A Major - I. Allegro Di Molto
Symphony No. 28 In A Major - II. Poco Adagio
Symphony No. 28 In A Major - III. Menuetto E Trio: Allegro Molto
Symphony No. 28 In A Major - IV. Presto Assai
Symphony No. 29 In E Major - I. Allegro Di Molto
Symphony No. 29 In E Major - II. Andante
Symphony No. 29 In E Major - III. Menuetto E Trio: Allegretto
Symphony No. 29 In E Major - IV. Presto

Tracks:

Symphony No. 30 In C Major - 'Alleluja' - I. Allegro
Symphony No. 30 In C Major - 'Alleluja' - II. Andante
Symphony No. 30 In C Major - 'Alleluja' - III. Tempo Di Menuet, Piu Tosto Allegretto
Symphony No. 31 In D Major - 'Hornsignal' - I. Allegro
Symphony No. 31 In D Major - 'Hornsignal' - II. Adagio
Symphony No. 31 In D Major - 'Hornsignal' - III. Menuetto E Trio
Symphony No. 31 In D Major - 'Hornsignal' - IV. Moderato Molto
Symphony No. 32 In C Major - I. Allegro Molto
Symphony No. 32 In C Major - II. Menuetto E Trio
Symphony No. 32 In C Major - III. Adagio Ma Non Troppo
Symphony No. 32 In C Major - IV. Presto
Symphony No. 33 In C Major - I. Vivace
Symphony No. 33 In C Major - II. Andante
Symphony No. 33 In C Major - III. Menuetto E Trio
Symphony No. 33 In C Major - IV. Allegro

Tracks:

Symphony No. 34 In D Minor - I. Adagio
Symphony No. 34 In D Minor - II. Allegro
Symphony No. 34 In D Minor - III. Menuetto E Trio
Symphony No. 34 In D Minor - IV. Presto Assai
Symphony No. 35 In B Flat Major - I. Allegro Di Molto
Symphony No. 35 In B Flat Major - II. Andante
Symphony No. 35 In B Flat Major - III. Menuetto E Trio: Un Poco Allegretto
Symphony No. 35 In B Flat Major - IV. Presto
Symphony No. 36 In E Flat Major - I. Vivace
Symphony No. 36 In E Flat Major - II. Adagio
Symphony No. 36 In E Flat Major - III. Menuetto E Trio
Symphony No. 36 In E Flat Major - IV. Allegro-Presto
Symphony No. 37 In C Major - I. Presto
Symphony No. 37 In C Major - II. Menuet E Trio
Symphony No. 37 In C Major - III. Andante
Symphony No. 37 In C Major - IV. Presto

Tracks:

Symphony No. 38 In C Major - 'Echo' - I. Allegro Di Molto
Symphony No. 38 In C Major - 'Echo' - II. Andante Molto
Symphony No. 38 In C Major - 'Echo' - III. Menuet E Trio: Allegro
Symphony No. 38 In C Major - 'Echo' - IV. Finale: Allegro Di Molto
Symphony No. 39 In G Minor - I. Allegro Assai
Symphony No. 39 In G Minor - II. Andante
Symphony No. 39 In G Minor - III. Menuet E Trio
Symphony No. 39 In G Minor - IV. Finale
Symphony No. 40 In F Major - I. Allegro
Symphony No. 40 In F Major - II. Andante Piu Tosto Allegretto
Symphony No. 40 In F Major - III. Menuet E Trio
Symphony No. 40 In F Major - IV. Finale: Fuga
Symphony No. 41 In C Major - I. Allegro Con Spirito
Symphony No. 41 In C Major - II. Un Poco Andante
Symphony No. 41 In C Major - III. Menuet E Trio
Symphony No. 41 In C Major - IV. Finale: Presto

Tracks:

Symphony No. 42 In D Major - I. Moderato E Maestoso
Symphony No. 42 In D Major - II. Andantino E Cantabile
Symphony No. 42 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 42 In D Major - IV. Finale: Scherzando E Presto
Symphony No. 43 In E Flat Major - 'Merkur' - I. Allegro
Symphony No. 43 In E Flat Major - 'Merkur' - II. Adagio
Symphony No. 43 In E Flat Major - 'Merkur' - III. Menuetto E Trio
Symphony No. 43 In E Flat Major - 'Merkur' - IV. Finale: Allegro
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - I. Allegro Con Brio
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - II. Menuetto E Trio: Allegretto Canone In...
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - III. Adagio
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - IV. Presto

Tracks:

Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - I. Allegro Assai
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - II. Adagio
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - III. Menuet E Trio: Allegretto
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - IV. Finale: Presto E Adagio
Symphony No. 46 In B Major - I. Vivace
Symphony No. 46 In B Major - II. Poco Adagio
Symphony No. 46 In B Major - III. Menuet E Trio: Allegretto
Symphony No. 46 In B Major - IV. Finale: Presto E Scherzando
Symphony No. 47 In G Major - I. Allegro
Symphony No. 47 In G Major - II. Un Poco Adagio, Cantabile
Symphony No. 47 In G Major - III. Menuet E Trio Al Roverso
Symphony No. 47 In G Major - IV. Finale: Presto Assai

Tracks:

Symphony No. 48 In C Major - 'Maria Theresia' - I. Allegro
Symphony No. 48 In C Major - 'Maria Theresia' - II. Adagio
Symphony No. 48 In C Major - 'Maria Theresia' - III. Menuet E Trio
Symphony No. 48 In C Major - 'Maria Theresia' - IV. Finale: Allegro
Symphony No. 49 In F Minor - 'La Passione' - I. Adagio
Symphony No. 49 In F Minor - 'La Passione' - II. Allegro Di Molto
Symphony No. 49 In F Minor - 'La Passione' - III. Menuet E Trio
Symphony No. 49 In F Minor - 'La Passione' - IV. Finale: Presto
Symphony No. 50 In C Major - I. Adagio E Maestoso
Symphony No. 50 In C Major - II. Andante Moderato
Symphony No. 50 In C Major - III. Menuet E Trio
Symphony No. 50 In C Major - IV. Finale: Presto

Tracks:

Symphony No. 51 In B Flat Major - I. Vivace
Symphony No. 51 In B Flat Major - II. Adagio
Symphony No. 51 In B Flat Major - III. Menuet, Trio I, Trio II
Symphony No. 51 In B Flat Major - IV. Finale: Allegro
Symphony No. 52 In C Minor - I. Allegro Assai Con Brio
Symphony No. 52 In C Minor - II. Andante
Symphony No. 52 In C Minor - III. Menuetto E Trio: Allegretto
Symphony No. 52 In C Minor - IV. Finale: Presto
Symphony No. 53 In D Major - 'L'Imperiale' - I. Largo Maestoso-Vivace
Symphony No. 53 In D Major - 'L'Imperiale' - II. Andante
Symphony No. 53 In D Major - 'L'Imperiale' - III. Menuetto E Trio
Symphony No. 53 In D Major - 'L'Imperiale' - IV. Finale: Presto

Tracks:

Symphony No. 54 In G Major - I. Adagio Maestoso-Presto
Symphony No. 54 In G Major - II. Adagio Assai
Symphony No. 54 In G Major - III. Menuet E Trio: Allegretto
Symphony No. 54 In G Major - IV. Finale: Presto
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - I. Allegro Di Molto
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - II. Adagio, Ma...
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - III. Menuetto E Trio
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - IV. Finale: Presto
Symphony No. 56 In C Major - I. Allegro Di Molto
Symphony No. 56 In C Major - II. Adagio
Symphony No. 56 In C Major - III. Menuet E Trio
Symphony No. 56 In C Major - IV. Finale: Prestissimo

Tracks:

Symphony No. 57 In D Major - I. Adagio-[Allegro]
Symphony No. 57 In D Major - II. Adagio
Symphony No. 57 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 57 In D Major - IV. Finale: Prestissimo
Symphony No. 58 In F Major - I. Allegro
Symphony No. 58 In F Major - II. Andante
Symphony No. 58 In F Major - III. Menuet Alla Zoppa E Trio: Un Poco Allegretto
Symphony No. 58 In F Major - IV. Finale: Presto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - I. Presto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - II. Andante O Piu Tosto Allegretto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - III. Menuet E Trio
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - IV. Allegro Assai

Tracks:

Symphony No. 60 In C Major - 'Il Distratto' - I. Adagio
Symphony No. 60 In C Major - 'Il Distratto' - II. Andante
Symphony No. 60 In C Major - 'Il Distratto' - III. Menuetto E Trio
Symphony No. 60 In C Major - 'Il Distratto' - IV. Presto
Symphony No. 60 In C Major - 'Il Distratto' - V. Adagio (Di Lamentatione)
Symphony No. 60 In C Major - 'Il Distratto' - VI. Finale: Prestissimo
Symphony No. 61 In D Major - I. Vivace
Symphony No. 61 In D Major - II. Adagio
Symphony No. 61 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 61 In D Major - IV. Prestissimo
Symphony No. 62 In D Major - I. Allegro
Symphony No. 62 In D Major - II. Allegretto
Symphony No. 62 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 62 In D Major - IV. Finale: Allegro

Tracks:

Symphony No. 63 In C Major - 'La Roxelane' - I. Allegro
Symphony No. 63 In C Major - 'La Roxelane' - II. Allegretto O Piu Tosto Allegro
Symphony No. 63 In C Major - 'La Roxelane' - III. Menuet E Trio
Symphony No. 63 In C Major - 'La Roxelane' - IV. Finale: Presto
Symphony No. 64 In A Major - I. Allegro Con Spirito
Symphony No. 64 In A Major - II. Largo
Symphony No. 64 In A Major - III. Menuet E Trio: Allegretto
Symphony No. 64 In A Major - IV. Finale: Presto
Symphony No. 65 In A Major - I. Vivace E Con Spirito
Symphony No. 65 In A Major - II. Andante
Symphony No. 65 In A Major - III. Menuetto E Trio
Symphony No. 65 In A Major - IV. Finale: Presto

Tracks:

Symphony No. 66 In B Flat Major - I. Allegro Con Brio
Symphony No. 66 In B Flat Major - II. Adagio
Symphony No. 66 In B Flat Major - III. Menuetto E Trio
Symphony No. 66 In B Flat Major - IV. Finale: Scherzando E Presto
Symphony No. 67 In F Major - I. Presto
Symphony No. 67 In F Major - II. Adagio
Symphony No. 67 In F Major - III. Menuetto E Trio
Symphony No. 67 In F Major - IV. Finale: Allegro Di Molto-Adagio E Cantabile
Symphony No. 68 In B Flat Major - I. Vivace
Symphony No. 68 In B Flat Major - II. Menuetto E Trio
Symphony No. 68 In B Flat Major - III. Adagio Cantabile
Symphony No. 68 In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 69 In C Major - 'Laudon' - I. Vivace
Symphony No. 69 In C Major - 'Laudon' - II. Un Poco Adagio Piu Tosto Andante
Symphony No. 69 In C Major - 'Laudon' - III. Menuetto E Trio
Symphony No. 69 In C Major - 'Laudon' - IV. Finale: Presto
Symphony No. 70 In D Major - I. Vivace Con Brio
Symphony No. 70 In D Major - II. Specie D'un Canone In Contrapunto Doppio: Andante
Symphony No. 70 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 70 In D Major - IV. Finale: Allegro Con Brio
Symphony No. 71 In B Flat Major - I. Allegro
Symphony No. 71 In B Flat Major - II. Adagio
Symphony No. 71 In B Flat Major - III. Menuet E Trio
Symphony No. 71 In B Flat Major - IV. Finale: Vivace

Tracks:

Symphony No. 72 In D Major - I. Allegro
Symphony No. 72 In D Major - II. Andante
Symphony No. 72 In D Major - III. Menuetto E Trio
Symphony No. 72 In D Major - IV. Thema Con Variazioni: Andante-Presto
Symphony No. 73 In D Major - 'La Chasse' - I. Adagio-Allegro
Symphony No. 73 In D Major - 'La Chasse' - II. Andante
Symphony No. 73 In D Major - 'La Chasse' - III. Menuetto E Trio: Allegretto
Symphony No. 73 In D Major - 'La Chasse' - IV. La Chasse: Presto
Symphony No. 74 In E Flat Major - I. Vivace Assai
Symphony No. 74 In E Flat Major - II. Adagio Cantabile
Symphony No. 74 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 74 In E Flat Major - IV. Finale: Allegro Assai

Tracks:

Symphony No. 75 In D Major - I. Grave-Presto
Symphony No. 75 In D Major - II. Poco Adagio
Symphony No. 75 In D Major - III. Menuetto E Trio: Allegretto
Symphony No. 75 In D Major - IV. Finale: Vivace
Symphony No. 76 In E Flat Major - I. Allegro
Symphony No. 76 In E Flat Major - II. Adagio, Ma Non Troppo
Symphony No. 76 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 76 In E Flat Major - IV. Finale: Vivace
Symphony No. 77 In B Flat Major - I. Vivace
Symphony No. 77 In B Flat Major - II. Andante Sostenuto
Symphony No. 77 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 77 In B Flat Major - IV. Finale: Allegro Spiritoso

Tracks:

Symphony No. 78 In C Minor - I. Vivace
Symphony No. 78 In C Minor - II. Adagio
Symphony No. 78 In C Minor - III. Menuetto E Trio: Allegretto
Symphony No. 78 In C Minor - IV. Finale: Presto
Symphony No. 79 In F Major - I. Allegro Con Spirito
Symphony No. 79 In F Major - II. Adagio Cantabile
Symphony No. 79 In F Major - III. Menuetto E Trio: Allegretto
Symphony No. 79 In F Major - IV. Finale: Vivace
Symphony No. 80 In D Minor - I. Allegro Spiritoso
Symphony No. 80 In D Minor - II. Adagio
Symphony No. 80 In D Minor - III. Menuetto E Trio
Symphony No. 80 In D Minor - IV. Finale: Presto

Tracks:

Symphony No. 81 In G Major - I. Vivace
Symphony No. 81 In G Major - II. Andante
Symphony No. 81 In G Major - III. Menuetto E Trio: Allegretto
Symphony No. 81 In G Major - IV. Finale: Allegro, Ma Non Troppo
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - I. Vivace Assai
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - II. Allegretto
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - III. Menuetto E Trio
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - IV. Finale: Vivace
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - I. Allegro Spiritoso
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - II. Andante
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - III. Menuetto E Trio: Allegretto
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - IV. Finale: Vivace

Tracks:

Symphony No. 84 In E Flat Major - I. Largo-Allegro
Symphony No. 84 In E Flat Major - II. Andante
Symphony No. 84 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 84 In E Flat Major - IV. Finale: Vivace
Symphony No. 85 In B Flat Major - 'La Reine' - I. Adagio-Vivace
Symphony No. 85 In B Flat Major - 'La Reine' - II. Romance: Allegretto
Symphony No. 85 In B Flat Major - 'La Reine' - III. Menuetto E Trio: Allegretto
Symphony No. 85 In B Flat Major - 'La Reine' - IV. Finale: Presto
Symphony No. 86 In D Major - I. Adagio-Allegro Spiritoso
Symphony No. 86 In D Major - II. Capriccio: Largo
Symphony No. 86 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 86 In D Major - IV. Finale: Allegro Con Spirito

Tracks:

Symphony No. 87 In A Major - I. Vivace
Symphony No. 87 In A Major - II. Adagio
Symphony No. 87 In A Major - III. Menuet E Trio
Symphony No. 87 In A Major - IV. Finale: Vivace
Symphony No. 88 In G Major - I. Adagio-Allegro
Symphony No. 88 In G Major - II. Largo
Symphony No. 88 In G Major - III. Menuetto E Trio: Allegretto
Symphony No. 88 In G Major - IV. Finale: Allegro Con Spirito
Symphony No. 89 In F Major - I. Vivace
Symphony No. 89 In F Major - II. Andante Con Moto
Symphony No. 89 In F Major - III. Menuet E Trio: Allegretto
Symphony No. 89 In F Major - IV. Finale: Vivace Assai

Tracks:

Symphony No. 90 In C Major - I. Adagio-Allegro Assai
Symphony No. 90 In C Major - II. Andante
Symphony No. 90 In C Major - III. Menuet E Trio
Symphony No. 90 In C Major - IV. Finale: Allegro Assai
Symphony No. 91 In E Flat Major - I. Largo-Allegro Assai
Symphony No. 91 In E Flat Major - II. Andante
Symphony No. 91 In E Flat Major - III. Menuet E Trio: Un Poco Allegretto
Symphony No. 91 In E Flat Major - IV. Finale: Vivace
Symphony No. 92 In G Major - 'Oxford' - I. Adagio-Allegro Spiritoso
Symphony No. 92 In G Major - 'Oxford' - II. Adagio
Symphony No. 92 In G Major - 'Oxford' - III. Menuetto E Trio: Allegretto
Symphony No. 92 In G Major - 'Oxford' - IV. Finale: Presto

Tracks:

Symphony No. 93 In D Major - I. Adagio-Allegro Assai
Symphony No. 93 In D Major - II. Largo Cantabile
Symphony No. 93 In D Major - III. Menuetto E Trio: Allegro
Symphony No. 93 In D Major - IV. Finale: Presto Ma Non Troppo
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - I. Adagio-Vivace Assai
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - II. Andante
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - III. Menuet E Trio: Allegro...
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - IV. Finale: Allegro Di Molto
Symphony No. 95 In C Minor - I. Allegro Moderato
Symphony No. 95 In C Minor - II. Andante Cantabile
Symphony No. 95 In C Minor - III. Menuet E Trio
Symphony No. 95 In C Minor - IV. Finale: Vivace

Tracks:

Symphony No. 96 In D Major - 'Miracle' - I. Adagio-Allegro
Symphony No. 96 In D Major - 'Miracle' - II. Andante
Symphony No. 96 In D Major - 'Miracle' - III. Menuetto E Trio: Allegretto
Symphony No. 96 In D Major - 'Miracle' - IV. Finale: Vivace
Symphony No. 97 In C Major - I. Adagio-Vivace
Symphony No. 97 In C Major - II. Adagio Ma Non Troppo
Symphony No. 97 In C Major - III. Menuetto E Trio: Allegretto
Symphony No. 97 In C Major - IV. Finale: Presto Assai
Symphony No. 98 In B Flat Major - I. Adagio-Allegro
Symphony No. 98 In B Flat Major - II. Adagio
Symphony No. 98 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 98 In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 99 In E Flat Major - I. Adagio-Vivace Assai
Symphony No. 99 In E Flat Major - II. Adagio
Symphony No. 99 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 99 In E Flat Major - IV. Finale: Vivace
Symphony No. 100 In G Major - 'Military' - I. Adagio-Allegro
Symphony No. 100 In G Major - 'Military' - II. Allegretto
Symphony No. 100 In G Major - 'Military' - III. Menuetto E Trio: Moderato
Symphony No. 100 In G Major - 'Military' - IV. Finale: Presto
Sinfonia Concertante In B Flat Major - I. Allegro
Sinfonia Concertante In B Flat Major - II. Andante
Sinfonia Concertante In B Flat Major - III. Allegro Con Spirito

Tracks:

Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - I. Adagio-Presto
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - II. Andante
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - III. Menuetto E Trio: Allegretto
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - IV. Finale: Vivace
Symphony No. 102 In B Flat Major - I. Largo-Vivace
Symphony No. 102 In B Flat Major - II. Adagio
Symphony No. 102 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 102 In B Flat Major - IV. Finale: Presto
Symphony 'A' In B Flat Major - I. Allegro
Symphony 'A' In B Flat Major - II. Andante
Symphony 'A' In B Flat Major - III. Allegro Molto

Tracks:

Symphony No. 103 In E Flat Major - 'Drum-roll' - I. Adagio-Allegro Con Spirito
Symphony No. 103 In E Flat Major - 'Drum-roll' - II. Andante, Piu Tosto Allegretto
Symphony No. 103 In E Flat Major - 'Drum-roll' - III. Menuetto E Trio
Symphony No. 103 In E Flat Major - 'Drum-roll' - IV. Finale: Allegro Con Spirito
Symphony No. 104 In D Major - 'London' - I. Adagio-Allegro
Symphony No. 104 In D Major - 'London' - II. Andante
Symphony No. 104 In D Major - 'London' - III. Menuetto E Trio: Allegro
Symphony No. 104 In D Major - 'London' - IV. Finale: Spiritoso
Symphony 'B' In B Flat Major - I. Allegro Molto
Symphony 'B' In B Flat Major - II. Menuetto E Trio: Allegretto
Symphony 'B' In B Flat Major - III. Andante
Symphony 'B' In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - I. Presto
Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - II. Andante Grazioso
Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - III. Finale: Presto
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending A - Finale. Capriccio: Moderato
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending C - Presto
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending D - 'Overture In D': Presto
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - I. Allegro
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - II. Allegretto 'La Roxelane'
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - III. Menuet E Trio: Allegretto
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - IV. Finale: Prestissimo
Symphony No. 103 In E Flat Major - 'Drum-roll' - Alternative Ending - Finale: Allegro Con Spirito

Amazon.com

Another monument in the history of recording, this is the only set of Haydn symphonies that ever reached completion, and the performances are generally so good as to bear comparison with many of the best individual performances. The music itself is astounding--107 symphonies, all of them good, many of them shattering masterpieces. Haydn invented the Classical style, which, along with the contributions from his friend Mozart and his student Beethoven, became the standard by which all future music was measured. At a budget price, owning this set is like being able to have your own authentic copy of the "Mona Lisa" for a couple hundred dollars. Awesome! --David Hurwitz

Customer Reviews:

A superb milestone.......2007-05-01

Antal Dorati's pioneering, complete cycle of Haydn's symphonies is a milestone in recording history. Here it is incarnated on 33 CDs. What you get are outstanding, superb performances. The orchestra - Hungarica Philharmonia - is just wonderful, and the interpretations are remarkable in their attention to detail and structure. In addition, the Decca analogue sound has never been better than here. The booklet is also excellent.

Dorati's pioneering efforts included also the Haydn operas, which recently have been collected and released in two boxes from Philips, and the 24 Minuets (Decca).

What about the competition, then? Adam Fischer's Haydn project on Nimbus offers also a complete cycle, now on Brilliant Classics at a bargain price for a very big box with 33 CDs and a brief booklet. Well, for one thing, Dorati's set is the classic cycle. Further, Dorati's readings are less extravagant than Fischer's - and in my view preferable. The sound is also better in the earlier Dorati set: a warm analogue sound in contrast to Fischer's chilly, all-digital sound, which also is very uneven. But Fischer's Haydn is less expensive: you can get his cycle for less than $100 from second-hand dealers. Despite that, Dorati's cycle should be your first choice. Moreover, if shelf space is an issue, the Dorati box is one inch slimmer and a half inch less tall.

Furthermore, there are selections of symphonies from Jochum (DG) and Scherchen (DG), of which I hold the latter in higher esteem due to its idiosyncrasy. In retrospect, however, Dorati's complete cycle has a unique classic status and is as such unchallenged. Thus I warmly recommend it as a part of the foundation of your collection in addition to Beethoven, Schubert, Schumann, Brahms, Mahler, and Mozart symphony cycles, because this is delightful music that will last for a lifetime on a desert island.

[Note: this box is available brand new at amazon.co.uk, for £98.87.]

For the sheer pleasure of them all...........2006-11-11

In the mid seventies, my father purchased all of what had been released of this cycle on vinyl LP. As vinyl goes, the London discs were first rate, and a prized possession.

I lost the vinyl collection during a move in the mid 80's. It was an emotional impact; I had cherished them as a child, and as a gift, irreplaceable.

This release is true to my memory, and now I have the entire cycle.

I've performed many of these in various orchestras and loved them all.

There's a fresh energy to the performances, and an elegance to the collection quite rare and delightful.

As a set, it's actually quite affordable considering it's under $6 per disc, or under $2 per symphony.

Antal Dorati's Claim To Fame.......2005-10-14

If it wasn't for this massive recording project, Hungarian-born conductor Antal Dorati would not have been acknowledged as a first-classconductor at a time when such giants as Leopold Stokowski, Herbert Von Karajan, George Solti and Leonard Bernstein were still conducting. Dorati is an exemplary exponent of classical music, which is also to say Classical Era music (1750-1800). Nevertheless, even if Dorati has a superb touch for this kind of repertoire, he is equally as brilliant in 20th century music and Romantic Era music, as his Tchaikovsky symphonies and ballets have proven. At an expensive price, this recording is still worth it. It's a legend in recorded history of classical music. No other conductor dared to take on such a monumental project as to record all 100 and plus symphonies of Franz Joseph Haydn, the composer who by definition began the movement of Classical Era music. It was Mozart, who was his younger friend, that is better known today for this kind of music and moreover, musicologists believe he refined and perfected the style. But don't underestimate Papa Haydn. His music is beautiful, bursting with energy and lightness, elegance, warmth and melodic harmony that is so refreshing to hear especially in our own time which is full of stress.

Haydn's symphonies are not all similar sounding. Each symphony was unique, like the hand prints on people. Yes, at times they do tend to sound the same, possibly because so many of them were in the key of D. Nevertheless, they are music of individual merit. As his symphonies approached its later years and maturation, Haydn employed slights of ear and orchestral innovations that were considered new and bold in his time. The "surprise" in his "Surprise Symphony" is a thunderous "bang" in fortissimo by the orchestra after a melody that is rather bland and sleepy (which to me sounds like "Mary Had A Little Lamb"). The "Clock" Symphony is measured in a kind of "tick-tock" beat and is very very elegant and memorable, as it conjures up the image of a Rococco clock or a clock museum. The Paris Symphonies are an Austrian-German man's "trip" to Paris and his interpretation of French music. It sounds nothing at all like French music at the time although at times it nearly slips into the slow grandeur of the music of Baroque master Jean Baptiste Lully. The London Symphonies are among his best, with a kind of majesty and pomp typically associated with English royalty. If you listen carefully it's in the music. A similar thing occurs in the music to the "Oxford" Symphony. Haydn had visited Oxford to teach music and was awarded a doctorate. He composed music for that special event and the music is brooding, intellectual and somehow very very English.

Antal Dorati and his formidable Hungarica Philharmonica is at their very best in this set. The sound is crisp, gleaming and unbeatable. Even if you get the individualized sets of these symphonies, you will be treating yourself to some top-notch classical music. A must have for fans of Antal Dorati.

A major milestone in recorded music, stunning achievement.......2005-03-29

This complete cycle of the Symphonies of F.J. Haydn heralded a new era in recorded music. Everything about the project was first rate. The sound was among Decca's best. The playing of the little known Philharmonia Hungarica was close to perfect. Dorati's interpretations never disappointed. To top it off, Decca offered the cycle at budget prices and threw in unprecedented notes from H.C. Robbins Landon.

Many would comment "once you've heard one, you've heard them all" when asked about Haydn's vast symphonic output. They could not be more wrong. There isn't a dull symphony or poor performance in the lot. Try such unknowns as #26, or #33, or #51 and #52, to name a few of my lesser known favorites.

Those familiar with Haydn's more well known symphonies, such as the London Symphonies (93-104) were even astonished to find Dorati's performances giving more formidable orchestras and conductors a run for their money.

So what can be said of the set 30 years later?

Everything said earlier still stands, including the original liner notes. Only Graham Johnson's scrupulous notes with his various Hyperion lieder sets surpass Landon's astounding commentary. The digital transfers are from the late 80s, so they are not the best, but still quite serviceable. And the price is still quite reasonable.

Beware, though, that these are not period instruments. Dorati does use "period forces" as much as possible, meaning the number of instruments closely matches what would have been used originally.

So why do I say this set "heralded a new era in recorded music"? Because after the resounding success it enjoyed, many "complete" works projects of similar or greater magnitude got their chance. I doubt we would have any where near the volumes of "complete sets" we now enjoy had it not been for Dorati and Decca's Haydn cycle.

In short, a fabulous set that I would never part with.

Dorati blazed the trail for Haydn interpreters.......2004-11-12

I've owned this complete set of Haydn symphonies for at least a decade or more. While I enjoy period instrument sound and performance practice, you cannot get a complete set on period instruments (I was hoping Hogwood would finish his cycle but I understand it wasn't to be). In all honesty, I think the best period instrument interpretations outdo the modern instrument recordings in sheer energy amd agility, but in respect of modern instruments, Dorati, the pioneer, does an extraordinary job of bringing out the essential flavor and energy that was Haydn's symphonies. I don't like mixing and matching various orchestras and conductors, so buying this 32 CD set gets you all 104+ symphonies in one tidy package. The sound quality is very good considering the times, with a very forward midrange.

Average customer rating:

Fine readings, but the sonics are primitive and the orchestra slapdash
Wonderful historic set for Haydn symphony fans
Glorious, absolutely fabulous Haydn
Brash and Gutsy Haydn Performances
Benchmark Haydn Recordings

The 1950s Haydn Symphonies Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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ASIN: B0000U1NGA
Release Date: 2004-02-10

Customer Reviews:

Fine readings, but the sonics are primitive and the orchestra slapdash.......2007-03-10

Amazon has a small contingency of fanciers for historical recordings, and some get so carried away that "old means better" is their undying motto. I'm not sure they serve newcomers well, who haven't been around long enough to remember how scrappy and poorly recorded these origianl Westminster mono recordings were. They still sound dry and cramped, and the Vienna State Opera Orch., which is technically the fearm team, so to speak, that feeds into the Vienna Phil., plays with a puzzling lack of finish, to the point of crudity.

Is Scherchen such a genius that none of these debits matter? To read the other reviewers here you'd think he msut be. But to my ears he's brisk, direct, and rather underwhelming here. Take his versions of Sym. #44, 95, and 98, which directly compete with a dazzling historical recording from Ferenc Fricsay, also in mono from DG. The comparison instantly shows which readings are more imaginative and better played.

Mr. Lipscomb says he listened to a lot of pleasant Haydn that doesn't reach up to Scherchen's brilliance. Really? Somehow he failed to listen to Tsocanini, Fricsay, Furtwangler, Walter, and Beecham, all great Haydn interpreters from the past. I'm afraid he's loaded the dice, but you'd have to in order to find magic here.

Wonderful historic set for Haydn symphony fans.......2005-01-01

I agree with the other reviewers that this in an excellent set. I found this set used locally for $30, so at $5/disc it was a real bargain. It should be mentioned that only Symphony #45 is in stereo, but sound on the other symphonies is clear-enough mono. The old Westminster LP pressings were often noisy (even when new) so listening to this music sans extra noise is a real benefit. I would not want to be without my set of the "London" symphonies conducted by Jochum made with the London Philharmonic back in the early 1970's (also available in a bargain box on DG, by the way) but is fascinating to compare and contrast their interpretations.

Glorious, absolutely fabulous Haydn.......2004-08-02

Beecham might be charming and witty and Szell might be nicely precise and sparkling, but Scherchen's Haydn resonates from its own planet. It is rich, caring and soulful---the kind, I feel, that provides deep and lasting satisfaction. The level of quality in these interpretations is never in question. For example, start with Symphony 49 and ask yourself as the first movement unfolds if ever before you have heard Haydn played so marvelously, with this sort of depth and noble feeling. Then revel in the rhythm and rich texture of the second movement, the wonderfully tuneful, striding expression of the third and , finally, the attractive vibrancy of the short lived final movement. If this performance doesn't move you or give you real satisfaction I don't know what will.

There are many moments in this set where string work in particular is articulated with telling and beautifully shaped detail. In Symphony 92 ("Oxford") an absolute rightness prevails with respect to Scherchen's musical compass, especially in the second movement. In Symphony 88 the largo may be slow, but listen to the heartfelt expressiveness elicited by the conductor. Next, hear the magical weaving of melody he displays in the menuetto, and lastly, the joie de vivre he invests the finale with.

Another area where Scherchen excels is in dynamic shading and power. Symphony 93 is exemplary here and so is the conductor's passion....Scherchen also enhances nicely the wonderful air of stately sentiment that illuminates Symphonies 99 and 104....And the plaudits go on. By the way, the sound is quite fine.

While this set obviously will not entirely satisfy every purchaser or would be purchaser, including some of those great Haydn lovers ( although, within reason, I don't see why not ) I consider it an extremely gratifying collection. Certainly, there are a few moments where I might prefer a slight touch of the characteristic Szell or Beecham approaches. But, I think I could live solely and quite easily with Scherchen's committed performances for an indefinite period of time. Not many conductors can offer such consistent quality in so fairly wide a range of symphonic output. If I were you I wouldn't wait to let this one lapse into discontinuance.

Brash and Gutsy Haydn Performances.......2004-07-28

Back when almost all conductors favored a lush and warm big band sound for Haydn, that fascinating maverick Hermann Scherchen opted for a much leaner, grittier performance style. As a result, Scherchen's 1950s Westminster Haydn recordings, seen with the benefit of hindsight, seem to foreshadow the preferences of today's period style conductors like Norrington and Harnoncourt. But however you view them, these recordings still sound refreshing today because of the rhythmic vigor and drama Scherchen consistently projects. In fact, no other conductor so persuasively establishes the linkages between Haydn and Beethoven as Scherchen does, but without forcing Haydn into an anachronistic Beethoven sound world. For this reissue, Deutsche Grammophon's Emil Berliner studios have excellently re-processed Westminster's master tapes (mono, with one exception) and the resulting CDs are astonishingly vibrant considering that the masters are about 50 years old. As with all Scherchen recordings, expect some hell-for-leather tempos and ragged ensemble ... Scherchen was not at all interested in manufacturing sterile, well-manicured artifacts in the recording studio, and this is raw, not elegant, Haydn playing. The laendlers and minuet movements in particular postively burst with elemental energy, eloquently revealing this so-sophisticated composer's rural origins (in the Austrian Burgenland) and peasant roots. Really unique music-making!

Benchmark Haydn Recordings.......2004-07-12

DG Westminster has really done themselves proud with this superb release: ALL of Scherchen's incisive and expressive Haydn symphony recordings in excellent transfers. I have the original LP versions and can say that these transfers are excellent save for a momentary slip in pitch in the first mvt. of 96. I have heard persistent rumors of late that DG is going to discontinue its Scherchen series. If so, at least they have given us a most memorable "swan song" here.

My entry into the world of Scherchen's Haydn was the purchase, some thirty years ago, of Westminster LP WL 5206, which coupled #44 ("Trauer") and #49 ("La Passione"). These "sturm und drang" symphonies bowled me over then and they still do: Scherchen's eloquence in these works remains unsurpassed.

Since then I have made some effort to hear any number of newer recordings by the likes of Weil, Fischer, Goodman, Hogwood, Bruggen, Kuijken et al. Here and there I found a likeable, stylish performance - but somehow they all lacked the keenly inquisitive Scherchen touch and the sheer joy of discovery that permeates these older recordings. In the later works I have found Jochum to be well-played but rather unimaginative, while the Colin Davis London Symphonies on Philips have a sort of fatuous energy that I find a bit tiresome.

It's been said that you have to risk the ridiculous in order to achieve the sublime. Here and there Scherchen adopts a seemingly indefensible tempo - either blisteringly fast or lugubriously slow - and it works out better in some instances than in others. His "Largo" in #88 is even slower than Furtwangler's - but somehow it coheres beautifully. One of the most delightful performances in this set is #45 "Farewell," in which the musicians depart one by one during the last movement. On the one occasion that I heard this work "live," the players all had candles on their music stands that were snuffed out as they departed. That visual correlative is impossible to achieve on a recording, so instead Scherchen has each of his players whisper "Auf Wedersehn" as they leave the stage. It's utterly charming. Scherchen also recorded a lovely #48 for Ultraphon (not included here) that can be found on a Tahra CD set.

Here and there I have co-favorites in these symphonies, such as Rosbaud's 92, Fricsay's 98, Matacic's 103, and Woldike's 99-104. But as an entity, these Scherchen readings can hold their own against all comers. They are the inspired legacy of a remarkably penetrating and adventurous mind.

Tracks:

Sym No.26 in d 'Lamentatione': I. Allegro assi con spirito
Sym No.26 in d 'Lamentatione': II. Adagio
Sym No.26 in d 'Lamentatione': III. Menuet-Trio
Sym No.42 in D: I. Moderato e maestoso
Sym No.42 in D: II. Andantino e cantabile
Sym No.42 in D: III. Menuet: Allegretto-Trio
Sym No.42 in D: IV. Finale: Scherzando e presto

Tracks:

Sym No.43 in E flat 'Merkur': I. Allegro
Sym No.43 in E flat 'Merkur': II. Adagio
Sym No.43 in E flat 'Merkur': III. Menuetto-Trio
Sym No.43 in E flat 'Merkur': IV. Finale: Allegro
Sym No.44 in e 'Trauer': I. Allegro con brio
Sym No.44 in e 'Trauer': II. Menuetto: Allegretto-Trio
Sym No.44 in e 'Trauer': III. Adagio
Sym No.44 in e 'Trauer': IV. Finale: Presto

Tracks:

Sym No.48 in C 'Maria Theresia': I. Allegro
Sym No.48 in C 'Maria Theresia': II. Adagio
Sym No.48 in C 'Maria Theresia': III. Menuet: Allegretto-Trio
Sym No.48 in C 'Maria Theresia': IV. Finale: Allegro
Sym No.49 in f 'La passione': I. Adagio
Sym No.49 in f 'La passione': II. Allegro di molto
Sym No.49 in f 'La passione': III. Menuet-Trio
Sym No.49 in f 'La passione': IV. Finale: Presto

Customer Reviews:

Authoritative.......2003-09-02

These wonderful recordings of the Haydn symphonies are a testament to the value of using authentic instruments in the performance of music of the classical era--provided they are played by virtuosi directed by an inspired leader, as here. The texture is clearer, the rhythmic momentum greater, and the tonal color more pleasing than was ever possible on 19th century-style instruments. I think Haydn himself would have been awed by these recordings had he been able to hear them.

Be sure to snap up the Hogwood/AAM recordings while you can, by buying used or perhaps on German Amazon. Hogwood and his band have been treated shabbily by their recording company, which has discontinued the albums almost as soon as they were released. Indeed, the future of the series is apparently in doubt--a huge shame; after all, Haydn got better with age, and the missing five volumes promise to be the very best. Let's hope the AAM can find a way...

Track Listings:

Track Listings

track listings

Track Listings

Last to Know, Pt. 1 [CD-single] [Import]

Midnight Soul [Import]

Not Foolish Not Wise

Music: Become What You Are

Premium Gold Collection [Import]

Live in New Orleans [Live]

Praise Him!

Perosi: Suite No6; Clarinet Concerto

Simply Traditional

Obras Cumbres [Import]

Nothing's Shocking [Explicit Lyrics]

October 14, 2002 Calgary, AB: On the Road [Limited Edition] [Live]

Oh Oh [CD-single] [Import]

Giulio Cesare

Hayley Westenra