Peter Maxwell Davies - Worldes Blis, for orchestra, J. 79; The Turn of the Tide, J. 253; Sir Charles his Pavan, for orchestra, J. 255

1. Work(s)
Composed by Sir Peter Maxwell Davies
with Christopher Mowat
Conducted by Sir Peter Maxwell Davies

2. Worldes Blis, for orchestra, J. 79
Composed by Sir Peter Maxwell Davies
Conducted by Sir Peter Maxwell Davies

3. The Turn of the Tide, for orchestra, children's chorus & young instrumentalists/composers, J. 253
Composed by Sir Peter Maxwell Davies
with BBC Philharmonic Orchestra
Conducted by Sir Peter Maxwell Davies

4. Sir Charles his Pavan, for orchestra, J. 255
Composed by Sir Peter Maxwell Davies
with BBC Philharmonic Orchestra
Conducted by Sir Peter Maxwell Davies

Peter Maxwell Davies - Worldes Blis, for orchestra, J. 79; The Turn of the Tide, J. 253; Sir Charles his Pavan, for orchestra, J. 255,Davies,Collins Classics,Classical,Classical Music

Average customer rating: Some notes on Worldes Blis

Peter Maxwell Davies - Worldes Blis, for orchestra, J. 79; The Turn of the Tide, J. 253; Sir Charles his Pavan, for orchestra, J. 255 Manufacturer: Collins Classics ProductGroup: Music Binding: Audio CD Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Peter Maxwell Davies: Ave Maris Stella; Image, Reflection, Shadow; Runes from a Holy Island ASIN: B000003VXX Release Date: 1995-04-16

Tracks:

1. Plainchant - Christopher Mowat
2. Worldes Blis: Lento recitando - lentissimo - RPO/Sir Peter Maxwell Davies
3. Worldes Blis: L'istesso tempo - RPO/Sir Peter Maxwell Davies
4. Worldes Blis: Allegro - RPO/Sir Peter Maxwell Davies
5. Worldes Blis: Poco piu mosso - RPO/Sir Peter Maxwell Davies
6. Worldes Blis: Allegro - RPO/Sir Peter Maxwell Davies
7. Worldes Blis: Lento - RPO/Sir Peter Maxwell Davies
8. The Turn Of The Tide, Section I: First Life: 1. The creation of underwater plants
9. The Turn Of The Tide, Section I: First Life: 2. The creation of plants on land
10. The Turn Of The Tide, Section I: First Life: 3. The creation of the first sea creatures
11. The Turn Of The Tide, Section I: First Life: 4. The creation of birds
12. The Turn Of The Tide, Section I: First Life: 5. Mammals, and first people
13. The Turn Of The Tide, Section II: Creation established. Life flourishes: 1. The underwater plants...
14. The Turn Of The Tide, Section II: Creation established. Life flourishes: 2. The trees flourish
15. The Turn Of The Tide, Section II: Creation established. Life flourishes: 3. The prosperity of fish
16. The Turn Of The Tide, Section II: Creation established. Life flourishes: 4. Bird migration
17. The Turn Of The Tide, Section II: Creation established. Life flourishes: 5. Instinct and...
18. The Turn Of The Tide, Section V: The worst that could happen...: 1. The sea plants are poisoned
19. The Turn Of The Tide, Section V: The worst that could happen...: 2. The trees are suffocated
20. The Turn Of The Tide, Section V: The worst that could happen...: 3. The fish are deformed and cannot
21. The Turn Of The Tide, Section V: The worst that could happen...: 4. The birds fall from the sky
22. The Turn Of The Tide, Section V: The worst that could happen...: 5. Hubris triumphant
23. The Turn Of The Tide, Section V: The warning is heeded: Nature reborn
24. Sir Charles His Pavan - BBC Phil/Sir Peter Maxwell Davies

Customer Reviews:

Some notes on Worldes Blis.......2002-10-01

The premiere of Peter Maxwell Davies' orchestral piece Worldes Blis (1969) caused a large portion of the audience to leave their seats, and the performance hall, rather noisily. Davies reported that the audience members who decided to stay booed at the conclusion of the composition. The concert took place in London at the Royal Albert Hall on August 28, 1969. Davies himself conducted the BBC Symphony Orchestra on this occasion. The extremely negative reaction of the audience is all the more surprising in view of the usual calmness of English concertgoers, but nothing happened on the scale of the riotous Rite of Spring premiere in 1913, when objects were thrown and audience members shouted at each other. Since the premiere of Worldes Blis, the composition has come to be accepted by many listeners and is widely regarded as a masterpiece of symphonic writing.
In Worldes Blis, Davies attempted to represent evil and terrible aspects of the world around him, such as violence, poverty, and injustice. Sections of the work meant to portray these conditions are marked by the aggressive and striking sounds that offended audiences at the premiere. On the day after the premiere, most reporters made no mention of the audience's reaction to Davies' work. Stanley Sadie, a musical critic and later editor of the New Grove Dictionary of Music and Musicians, wrote perhaps the only accurate account of the event. He acknowledged that the audience indeed had a right to leave if they so wished, but he criticized them for their "closed ears," and went on to suggest comically that the BBC should advertise such music as "suitable for adult listeners only."

Davies made the first sketches of this composition in 1963 and 1964 while he was at Princeton University on a Harkness Fellowship. A couple of years later, Davies continued his work on the piece while he temporarily served as Professor of Composition at the University of Adelaide in Australia. Davies greatly enjoyed this position due to the fact that he taught an exceptional group of young composers there. Worldes Blis is a monumental work for full orchestra, lasting an average of 40 minutes in performance. The piece starts calmly and continually builds throughout its duration, and for this reason has been compared to Ravel's Bolero (1928). Aspects of the world that Davies abhors are represented through this growing tension. Perhaps in reference to the work's extramusical associations, the composer termed it a "motet for orchestra." The tension is not released until just before the conclusion of the work, in a large climax. A short coda follows in which a calmness falls over the orchestra.

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1. Peter Wispelwey Styles
2. Piano Works 2
3. Piano Works, Volume 3
4. Pieces Rompues
5. Rítmicas
6. Romantic Works for Flute & Harp
7. Sacred Music from Venice & Rome
8. Salon Music of the 19th Century
9. Scharwenka: Piano Works Vol. 1 - Piano Sonata Op. 6 / Polish National Dances Op. 3
10. Schubert: Rosamunde / Symphony No. 5

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