Composed by Bela Bartok
with Talich Quartet
2. String Quartet, No. 6 in D Major, Sz. 114, BB 119
Composed by Bela Bartok
with Talich Quartet
String Quartets 2 & 6,Bartok,Talich Quartet,Collins Classics,Classical
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Beethoven - The Complete String Quartets / Alban Berg Quartet
Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D4J Release Date: 1999-11-16 |
Tracks:
- Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
- Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett
Tracks:
- Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
- Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
- Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
- Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
- Op. 135 In F Major: II: Vivace - Alban Berg Quartett
- Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
- Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett
Tracks:
- Op. 18 No. 3 In D Major: I. Allegro
- Op. 18 No. 3 In D Major: II. Andante con moto
- III. Allegro
- Op. 18 No. 3 In D Major: IV. Presto
- Op. 18 No. 5 in A Major: I. Allegro
- Op. 18 No. 5 in A Major: II. Menuetto & Trio
- Op. 18 No. 5 in A Major: III. Andante cantabile
- Op. 18 No. 5 in A Major: IV. Allegro
- Op. 95 In F Minor: I. Allegro con brio
- Op. 95 In F Minor: II. Allegretto ma non troppo
- Op. 95 In F Minor: III: Allegro assai vivace, ma serioso
Tracks:
- Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
- Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
- Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
- Op. 18 No. 4 In C Minor: IV. Allegro
- Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
- Op. 130 in B flat Major: II. Presto
- Op. 130 in B flat Major: III. Andante con moto, ma non troppo
- Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
- Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
- Grosse Fuge In B Flat Major, Op. 133
- Op. 130 in B flat Major: VI. Finale (Allegro)
Tracks:
- Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
- Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
- Op. 127 In E Flat Major: I: Maaestoso - Allegro
- Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
- Op. 127 In E Flat Major: III: Scherzando vivace
- Op. 127 In E Flat Major: IV: Finale
Tracks:
- Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
- Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
- Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
- Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
- Op. 131 In C Sharp Minor: II: Allegro molto vivace
- Op. 131 In C Sharp Minor: III: Allegro moderato
- Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
- Op. 131 In C Sharp Minor: V: Presto
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
Tracks:
- Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
- Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
- Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
- Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
- Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
- Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
- Op.132 In A Minor: III: Molto adagio - Beethoven
- Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven
Customer Reviews:
A wonderful Beethoven cycle.......2007-06-18
A LONG TIME COMING AT THIS PRICE .......2007-06-02
I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.
What more can be said?.......2007-02-03
With the Best of the Best.......2006-12-14
What sound problems????.......2006-11-14
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.
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Piano Quintet in F Min / Complete String Quartets (1, 2, 3)
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGB3DK Release Date: 2007-05-08 |
Tracks:
- Allegro
- Romanze: Poco Adagio
- Allegro Molto Moderato E Comodo-Un Poco Piu Animato
- Allegro
- Allegro Non Troppo
- Andante Moderato
- Quasi Minuetto, Moderato-Allegretto Vivace
- Finale: Allegro Non Assai
Tracks:
- Vivace
- Andante
- Agitato (Allegretto Non Troppo)-Trio
- Poco Allegretto Con Variazioni-Doppio Movimento
- Allegro Non Troppo
- Andante, Un Poco Adagio
- Scherzo: Allegro-Trio
- Finale: Poco Sostenuto-Allegro Non Troppo-Presto, Non Troppo
Amazon.com
This handsome set of Brahms's chamber music features the stunning Emerson Quartet, and in the Piano Quintet, the pianist Leon Fleischer, happily recovered from a very lengthy crippling illness. The Quintet is singingly, lyrically played, with Brahms's long melodies the focal point. It's a beautiful performance, with the Emerson seemingly listening to and following Fleischer. The Quartets are performed with lush tone, with the Op. 51, no. 2, sounding particularly intense, with each dynamic change pointedly underlined. Op. 51's second movement (Romanze) makes the listener wish Brahms had set a text to the music -- it is played with exquisite lyricism. The B-flat major Quartet is vibrant, with the final movement's variations, colored by the viola, so clearly played that one can hear the echoes of the Quartet's first movement. A fine pair of CDs. --Robert LevineCustomer Reviews:
A very fine digital recording of the quartets.......2007-06-25
Best Recording of the Brahms Piano Quintet & Superb Brahms String Quartets Too.......2007-06-21
Overproduced.......2007-05-22
It's not the recording I would have expected given their full blooded Beethoven cycle. In fact, the Brahms production has more in common with their Mendelssohn cycle than the Beethoven. Their Mendelssohn too, was beautiful, but leaning toward the beauty of a still life. There are other performances, in both the Mendelssohn and the Brahms, that better capture the pathos of the music. Compare Emerson's performance of the C Minor Quartet with that of the Alban Berg Quartet, a superior performance. What the Berg may lack in refinement and polish, only in comparison to the Emerson Quartet, they more than make up for in sheer vitality.
And that's the nub of it. The desire, impetuosity, fear, triumph and pathos is missing -- in short, youthfulness. I just read a review, in the New York Review of Books, of some new translations of Casanova's autobiography and one of his statements reminds me of the Emerson. Casanova wrote that throughout his thirties, his vigor faded. I can't help wondering if the same thing hasn't happened to the Emerson quartet. They are more polished than ever, but the vigor has faded. The sexual rush of the great music is missing.
The Piano Quintet becomes an instant classic--Fleisher is incomparable.......2007-05-09
At first I was worried that he wouldn't be a match for the strainless stel Emersons, but they adapt their style to his. In every way they are second to Fleisher's lead, and the microphone placement puts his every note front and center. Often that's a drawback, but here it's what I wanted to hear. The interpretation is more relaxed than the great one from Pollini and the Quartetto Italiano and more emotionally free than Gilels with the Amadeus Qt. (NOt to mention that the Emersons show more technical ability and polish than either ensemble.) Fleisher's touch isn't as rapid and scintillating as it was in youth, but he never drags or blurs the notes. He makes each movement one great expanse of song, and in my experience there has never been a performance to equal his. rahms's broad sweeps of lyric beauty simply take off.
Oh yes, and there are three string quartets in addition. I have never warmed to Brahms's quartet writing, much as I love his other chamber music. The Emersons play with their usual amazing unanimity, and they capture Brahms's full-scale romanticism without reserve. This isn't one of their attempts to redo a classic composer in modern style. As in the Quntet, DG's sonics are wonderful, giving us the best string sonority I've heard in a long time. I'll leave it to other reviewers to detail the individual performances here. For me, the glory of this set will always be Fleisher and his amazing autumnal rebirth.
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Haydn: String Quartets Op. 76, Nos. 1-3
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013OP Release Date: 1992-09-04 |
Tracks:
- String quartet in G major, op.76 no.1: Allegro con spirito
- String quartet in G major, op.76 no.1: Adagio sostenuto
- String quartet in G major, op.76 no.1: Menuetto: Presto
- String quartet in G major, op.76 no.1: Finale: Allegro ma non troppo
- String quartet in D minor, op.76 no.2: Allegro
- String quartet in D minor, op.76 no.2: Andante o piu tosto allegretto
- String quartet in D minor, op.76 no.2: Allegro ma non troppo
- String quartet in D minor, op.76 no.2: Vivace assai
- String quartet in C major, op.76 no.3: : Allegro
- String quartet in C major, op.76 no.3: Poco adagio, cantabile
- String quartet in C major, op.76 no.3: Menuetto: Allegro
- String quartet in C major, op.76 no.3: Finale: Presto
Customer Reviews:
Buy This!.......2007-05-20
Don't even consider this one too much: GET it.
Here we go again trying words.......2006-06-04
Unique Music.......2006-03-08
Haydn at his most enjoyable and approachable.......2005-10-28
wonderful recordings but be warned..........2005-09-22
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Golijov: Yiddishbbuk
St. Lawrence String Quartet , Todd Palmer , and Ying Quartet Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066SFP Release Date: 2007-01-08 |
Tracks:
- Last Round: Movido, urgente-Macho, cool and dangerous
- Last Round: Lentissimo
- Lullaby And Doina: Lullaby
- Lullaby And Doina: Doina
- Lullaby And Doina: Gallop
- Yiddishbbuk: I
- Yissishbbuk: II
- Yiddishbbuk: III
- The Dreams And Prayers Of Isaac The Blind: Prelude: Calmo, sospeso
- The Dreams And Prayers Of Isaac The Blind: Agitato-Con
- The Dreams And Prayers Of Isaac The Blind: Teneramente-Ruvido-Presto
- The Dreams And Prayers Of Isaac The Blind: Calmo, sospeso-Allegro
- The Dreams And Prayers Of Isaac The Blind: Postlude: Lento,
Amazon.com
This is an amazing recording. It will leave you drained of emotion and speechless with admiration. Osvaldo Golijov was born in Argentina in 1960. His Eastern Jewish family played and listened to music from classical to klezmer and tango. He lived briefly in Jerusalem, absorbing the musical traditions there, and came to America in 1986. His works encompass all the styles he has been exposed to, but except for "Last Round," a "sublimated tango" part raucous, part mournful (and written in homage to Piazzolla), this program represents Golijov's Jewish roots."Lullaby and Doina" incorporates Jewish and Gypsy themes, part slow and sad, part wild and motoric, with a radiant violin solo soaring above the woodwinds. "Yiddishbbuk," written for the St. Lawrence Quartet on Tanglewood's Fromm Commission, is inspired by a line from an apocryphal psalm: "No one sings as purely as those who are in the deepest hell...." Its first movement commemorates three children who perished in the Nazi concentration camp Terezin. Golijov evokes their anguish in music that is by turns wild, raucous, slashing, mysterious, eerie, and always heart-rending. Tremolos flutter up above aching dissonances, alternating with organlike, sustained chords; slides and crashes sound like strangled death cries. Isaac the Blind was a famous kabbalist rabbi and mystic. His "Dreams and Prayers," scored for string quartet and clarinet, are depicted in music that is calm, mysterious, meditative, and devout, but intermittently breaks into traditional dance tunes, and builds up to several tremendous climaxes. The clarinet speaks, sings, sobs, screams, and prays in true klezmer style. The playing is fabulous, the total effect mesmerizing, but the real miracle is that this young Canadian quartet and American clarinetist can identify so completely with a culture surely worlds away from their own. --Edith Eisler
Customer Reviews:
A Strange, Yet Lovely Piece.......2007-05-29
Start here- this is the convincing Golijov........2006-09-15
consistent, vibrant, true..........2005-04-15
As do the performers. The Ying and St. Lawrence Quartets have been playing and laughing and collaborating together for over a decade now and you hear the warmth of their relationship (MOST present on stage) in this work.
Oh, and Todd Palmer pretty much ROCKS, too. When I saw him and the St. Lawrence do this live a little over a year ago he sang and grunted his way through the piece's motley clarinet scoring with elegance, pathos, and humor. And the same vibe is as much in the recording as it was that night.
As boring as the rest of his opus.......2004-02-02
Extremely powerful........2002-08-27
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Dvorák, Tchaikovsky, Borodin: Quartets
Antonin Dvorak , Alexander Borodin , Eugene Drucker , Lawrence Dutton , David Finckel , and Philip Setzer Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GO3 Release Date: 1995-10-17 |
Tracks:
- String Quartet No. 12 In F Major, Op. 96 'American': I. Allegro ma non troppo
- String Quartet No. 12 In F Major, Op. 96 'American': 2. Lento
- String Quartet No. 12 In F Major, Op. 96 'American': 3. Molto vivace
- String Quartet No. 12 In F Major, Op. 96 'American': 4. Finale: Vivace, ma non troppo
- String Quartet No. 1 In D Major, Op. 11: 1. moderato e semplice
- String Quartet No. 1 In D Major, Op. 11: 2. Andante cantabile
- String Quartet No. 1 In D Major, Op. 11: 3. Scherzo: Allegro non tanto -- Trio
- String Quartet No. 1 In D Major, Op. 11: 4. Finale: Allegro giusto - Allegro vivace
- String Quartet No. 2 In D Major: 1. Allegro moderato
- String Quartet No. 2 In D Major: 2. Scherzo: Allegro
- String Quartet No. 2 In D Major: 3. Notturno: Andante
- String Quartet No. 2 In D Major: 4. Finale: Andante - Vivace
Amazon.com
The Emersons offer one of the very best accounts of the popular American Quartet on disc. It is dramatic, exuberant, persuasive, and right to the point--a well-paced reading full of ravishing details (like the dueting of the violins in the slow movement) that has been beautifully recorded. Originally made for Book-of-the-Month Club in 1984, the recording was later picked up by DG and first released in the U.S. in 1990. For this reissue, it has been coupled with equally well-played accounts of quartets by Borodin and Tchaikovsky, which makes for an especially well-filled CD. --Ted LibbeyCustomer Reviews:
Streamlined from Russia -- not for everyone.......2007-07-01
For me, the effect was refreshing, particularly in the Borodin, which hwere gets a performance that never threatens to become gooey. The Dvorak is a mite too efficient and far removed form its folk inspiration, yet still impressive technically. Its buoyancy creates a great deal of enjoyment. I've never been able to warm up to Tchaikovsky's quartet writing, but here again the Emersons go for clean lines over Russian luxuriousness.
In all, a very appealing CD that groups three favorites in vintage Emerson Qt. performances. Very good sound, too.
What an artificial performance it is!.......2007-02-17
Tchaikovsky? Again, no noteworthy point to make here.
Borodin? This is certainly one of the poorest performance of this music on the CD that I've ever heard. The problem is the Notturno movent.
here we have something very unpleasant music making here. The Emersons probably think that the movement is to be played with full of emotion and involvement. They may be right. But, playing this popular movement with emotional involvement does not mean that it is to be played very slowly and dully. What are they aiming at? What are they "thinking" when they treat this movement in a totally no-brainer way?
They are probaly perfect in terms of their technical flawless. But I always witness thet they do not seem to have found the way to play certain music. In short words, no attachment, no careful studying of the score, no soul. There only remains an artificial performance of the music. Good pretenders, but single CD from them has never moved me.
Beethoven quartets set was another joke.
Well.... but I cannot live without their Schostakovich. Yes, they are all not that bad anyway.
BTW, if it comes down to Borodin's second quartet, the Cleveland Quartet is my first pick.
Disappointing for the Emerson String Quartet.......2006-07-19
The Dvorak is fine, a 4 star effort. The Tchaikovsky is only average. The Borodin is, well, something else. The Emerson plays it to appeal to a crowd who can only appreciate "pops classical styling."
When listening to the Borodin all I hear is the advertisement for the World's Most Beautiful Music" collection, (just send in your $ for some CD's containing classical music played by various studio orchestras.) This, I find, is perhaps the most distracting aspect of the music. I don't hear the quartet. I hear the advertisement instead. So perhaps I am being unfair to the Emerson String Quartet on this one. It might be the same as thinking about "A Clockwise Orange" when listening to Beethoven's ninth.
But even barring the Borodin, the other two quartets just don't quite measure up to what I expect to hear from this wonderful quartet.
A genuine surprise........2006-03-16
Excellent music, excellent renditions.......2005-06-28
I usually don't like Tchaikovsky, but the quartet on this recording is wonderfully melodic. And together, these three quartets on one CD make for one great purchase.
Great sound, great performance, great music - at a great price. What else could you ask for?
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György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
Gyorgy Ligeti , David Alberman , Irvine Arditti , Garth Knox , Rohan deSaram , and Arditti String Quartet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029OY Release Date: 1997-01-21 |
Tracks:
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegro Grazioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Vivace, Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Adagio, Mesto
- String Quartet No. 1 'Metamorphoses Nocturnes': Presto
- String Quartet No. 1 'Metamorphoses Nocturnes': Andante Tranquillo
- String Quartet No. 1 'Metamorphoses Nocturnes': Tempo Di Valse, Moderato, Con Eleganza, Un Poco Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegretto, Un Poco Gioviale
- String Quartet No. 1 'Metamorphoses Nocturnes': Prestissimo
- String Quartet No. 2: Allegro Nervoso
- String Quartet No. 2: Sostenuto, Molto Calmo
- String Quartet No. 2: Come Un Meccanismo Di Precisione
- String Quartet No. 2: Presto Furioso, Brutale, Tumultuoso
- String Quartet No. 2: Allegro Con Delicatezza
- Hommage A Hilding Rosenberg
- Balada Si Joc: Balada Andante
- Balada Si Joc: Allegro Vivace
- Andante And Allegretto: Andante Cantabile
- Andante And Allegretto: Allegretto Poco Capriccioso
Amazon.com essential recording
This is a fine collection of moving, muscular performances by this seminal postwar composer. Surely the best known of the works on this disc is the Second String Quartet, one of the masterpieces of 20th-century music--although you might not know it's a masterpiece until the heartbreaking last movement. But the First String Quartet, written before Ligeti emigrated from Hungary to the West, is fascinating: it shows Ligeti working through the influence of Bartók, particularly Bartók's Third and Fourth Quartets--music Ligeti knew only silently, from the score, since performances of Bartók's music were banned by the Hungarian communist regime. This excellent recording provides a complete overview of Ligeti's compositional career through the medium of string chamber music, from homages to Bartók to the achievement of Ligeti's own groundbreaking style. --Joshua CodyCustomer Reviews:
Important, but not as interesting as the vocal works........2006-08-30
To me, the average amateur 'classical music' consumer, it is interesting, imaginative, and certainly 'new' when compared to 19th and early 20th century music, but it just doesn't seem to have the same cachet as the vocal works. While I would sooner listen to Ligeti's vocal works than most other modern music, I actually prefer Bartok, Berg, and Schoenberg for their instrumental works.
I agree with the top reviewer that the String Quartet No. 2 is the hit of the disk, but it doesn't blow me away in the same way that 'Lux Aeterna' does. That may be just the '2001' factor at work, but there you have it.
Still excellent and still evocative of other modernists, not the least of whom is Frank Zappa.
Not really my style..........2006-08-23
I bought the CD but I am returning it. Ligeti is very talented but his music (to me) is only tolerable in short bursts. I couldn't see myself listening to the whole CD time and again.
String works, includes his must-have glorious Second Quartet.......2004-12-07
String Quartet No. 1 ("Metamorphoses nocturnes") was written between 1953 and 1954, as the composer was struggling to express himself creatively in Stalinist Hungary. The work shows clear inspiration from Bartok's third and fourth quartets, which Ligeti knew only from their score as they had been suppressed. Similarly, Ligeti had no hope his own work would be performed, and it was written essentially "for his desk drawer". Ironically, when Ligeti submitted the piece to a Western competition, it was deemed too traditional for recognition. This first string quartet is a study in the juxtaposition of unlike sections; under a thin verneer of normality, the music is heterogenous. I think this is a fine work, and it is one of the composer's few pre-emigration pieces that do not sound like juvenalia in comparison with his later works.
String Quartet No. 2 (1968) was composed long after Ligeti's move to the West and so is entirely avant-garde, linked with the techniques of his other works of the 1960's. Ligeti was quite proud of this piece, claiming it as his favourite of his works of the time, and feeling that he had made a permanent contribution to the string quartet tradition. The work is indeed a part of his micropolyphonic style of the 1960's, but there is a great deal more here. It is a twitching, paranoid, nervous, neurotic piece with a grimy, constantly shifting texture, like the soundtrack to a Kafka story. It really must be heard to be believed, and this second quartet is the high point of this disc.
"Hommage a Hilding Rosenburg" for violin and cello (1982) is a short birthday greeting to that Swedish composer. It is the least important work on the disc and is really nothing more than something of a fanfare.
"Balada si joc" for two violins (Romanian "Ballad and dance", 1950) is a short string duet inspired by Ligeti's time spent in Romania collecting folk music during his music studies. The result uses no actual folk material, but is an authentic imitation of the music Ligeti encountered both in his boyhood and in his return to Transylvania at this later time. When it was later expanded to use an orchestra, it became the first two movements of his "Concert Romanesc" (found on "The Ligeti Project II"). The string duet, however, manages to create with but two instruments nearly the same moving passion as the later orchestration. The following "Andante and Allegretto" for string quartet (1950) is another early work, again inspired by folk music. It is not as successful as "Balada si joc", indeed even forgettable.
While there are other recordings of these works available, such as the recent recordings reissued in Deutsche Grammaphon's "Echo 20/21" series, this performance by the Arditti Quartet can certainly be seen as definitive. It takes a lot of talent to please Ligeti, one of the most demanding composers, especially in a crushingly difficult work like the second string quartet.
While I think "Gyorgy Ligeti Edition 3: Piano Works" or "The Ligeti Project IV" are better places to begin on this series of Ligeti's collected works, this set of string works should be one of the first Ligeti works you buy, especially for the String Quartet No. 2.
Great Recordings of Modern String Quartets.......2004-08-07
The recording of the 2nd quartet is, as usual with the Arditti Quartet, phenomenal, but what makes this recording is their production of his 1st quartet. The performance is very clean and precise, yet still very musical. Most impressive of all, Arditti stays true to Ligeti's tempi, including the blistering tempo of the end!
As an added bonus, there are two very delightful duets for violins, which are very tonal and based on Hungarian folk tunes (these were written as part of graduation from the Budapest Academy of Music).
you must listen to Ligeti........2004-03-06
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Brahms: Complete Piano Quartets
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041EI Release Date: 1996-04-09 |
Tracks:
- Piano Quartet In G Minor, Op. 25: 1. Allegro - J. Brahms
- Piano Quartet In G Minor, Op. 25: 2. Intermezzo. Allegro ma non troppo - J. Brahms
- Piano Quartet In G Minor, Op. 25: 3. Andante con moto - J. Brahms
- Piano Quartet In G Minor, Op. 25: 4. Rondo alla Zingarese. Presto - J. Brahms
- Piano Quartet in C minor, Op. 60: 1. Allegro ma non troppo - J. Brahms
- Piano Quartet in C minor, Op. 60: 2. Scherzo. Allegro - J. Brahms
- Piano Quartet in C minor, Op. 60: 3. Andante - J. Brahms
- Piano Quartet in C minor, Op. 60: Finale. Allegro - J. Brahms
Tracks:
- Piano Quartet in A, Op. 26: 1. Allegro non troppo - Brahms
- Piano Quartet in A, Op. 26: 2. Poco adagio - Brahms
- Piano Quartet in A, Op. 26: 3. Scherzo. Poco allegro - Brahms
- Piano Quartet in A, Op. 26: 4. Finale. Allegro - Brahms
- Piano Trio in A, Op. posth.: 1. Moderato - Brahms
- Piano Trio in A, Op. posth.: 2. Vivace - Brahms
- Piano Trio in A, Op. posth.: 3. Lento - Brahms
- Piano Trio in A, Op. posth.: 4. Presto - Brahms
Customer Reviews:
great musicians.......2005-10-09
An older recording, but still amazing.......2002-06-23
I like to say about Brahms' music that it is airtight. There is never a wasted note. Every bit of melody, every nuance and texture in the harmony are masterfully crafted and serve a purpose. There is never a moment when you look at your watch and wonder when the composer is going to get around to wrapping this or that section up and get to the exciting stuff.
The Beaux Arts Trio along with Walter Trampler do a commendable job of bringing every moment of beauty and excitement out. They balance the sweetness of the slow movements and melodies well with the aggression and rhythmic complexities of the quicker movements. My current favorite quartet is the A Major. There is a singable melody or rhythmic puzzle in every movement. I listened to the final movement four times today (excessive I know, but it's just so much fun to try to figure out how Brahms manipulates those melodies within the time signatures)!
great recording.......2002-05-17
Very good!.......2001-04-01
stirring!.......2000-01-10
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Brahms: Complete String Quartets, Quintets & Sextets
Karl Leister , Johannes Brahms , Christoph Eschenbach , Cecil Aronowitz , Norbert Brainin , Siegmund Nissel , and Amadeus Quartet Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RWRG Release Date: 2003-10-14 |
Customer Reviews:
Very Good, but beware technical problems.......2007-05-26
1. In the first movement of the Brahms G Major Op.111, the string quintet elects not to take the repeat in m.56, so you will never hear the first ending on this recording and thus only get one shot at the awesome cello opening. I haven't listened closely enough to the other pieces on this set to discern if they avoided other repeats or not, but for the most part, they appear to be there.
2. There are technical printing problems. Though the recording is so live that you can hear the breath of the musicians and their fingers fall on the strings, there are some actual technical pops in the recording. Perhaps it was a transfer problem from analog to digital, as the recordings are old. Most of these pops are minor, but they are dissapointing for an audiophile such as myself. My CDs are pristine (no scratches at all), and even the first time playing them these pops were there. So, here's the list of what I've found thus far:
CD 3:
Track 6: Pops & clicks at 1:19 & 1:22.
CD 5:
Track 1: Pops at 6:01.
Track 2: Pops & clicks at 0:13, 3:56, & 6:16.
Track 5: Pop at 12:07.
Track 7: Pop & clicks at 6:11, 7:45, 7:51-7:52 (these are quite noticable), 7:59, 8:03, 8:11.
Track 8: Pop at 7:34.
It is a well-played set; hopefully they will get the printing correct on the next batch.
This is how all Brahms should be played!.......2007-02-14
Mastery and joy.......2006-12-12
Because they lasted such a long time and toward the end didn't play at their best, I found reasons to overlook the Madeus Qt. But in this 9-CD set of the complete chamber music of Brahms, there are some sublime performances--I would especially point to both String Sextets, for example. In every instance the style of the Amadeus is full of vibrancy and joy, and their ensemble isn't baased on technical perfection but rather a kinship of musical taste and feeling (this puts them poles apart from the Emerson Qt., for me at least). I also love the Brahms chamber performances on Sony with Yo-Yo Ma, Isaac Stern, emanuel Ax, and friends, but this DG set is altogether sweeter and more lyrical.
Since Amazon neglects to list the additional players who join the Amadeus for the works that aren't soely for a string quartet, here's the run-down from Tower:
1. Quartet for Strings no 1 in C minor, Op. 51 no 1
Ensemble: Amadeus String Quartet
2. Quartet for Strings no 2 in A minor, Op. 51 no 2
Ensemble: Amadeus String Quartet
3. Quartet for Strings no 3 in B flat major, Op. 67
Ensemble: Amadeus String Quartet
4. Quintet for Piano and Strings in F minor, Op. 34
Ensemble: Amadeus String Quartet
Performer: Eschenbach, Christoph
5. Quintet for Strings no 1 in F major, Op. 88
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
6. Quintet for Strings no 2 in G major, Op. 111
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
7. Trio for Clarinet, Cello and Piano in A minor, Op. 114
Performer: Leister, Karl; Eschenbach, Christoph; Donderer, Georg
8. Quintet for Clarinet and Strings in B minor, Op. 115
Ensemble: Amadeus String Quartet
Performer: Leister, Karl
9. Sextet for Strings no 1 in B flat major, Op. 18
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
10. Sextet for Strings no 2 in G major, Op. 36
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
9 CDs with THE AMADEUS: WHAT A BARGAN!.......2005-10-04
This is a really nice set at a bargan price.
Exquisite music performed with exquisite artistry.......2005-05-20
3 string quartets;
2 string quintets;
2 string sextets;
a quintet for piano, 2 violins, viola, and violoncello;
a trio for piano, clarinet, and violoncello;
and a quintet for clarinet, 2 violins, viola, and violoncello.
All this wealth of extraordinary music is in a 5 CD set, performed by one of the finest chamber music ensembles in the world, with the added artistry of Christoph Eschenbach (piano), Cecil Aronowitz (viola), and Karl Leister (clarinet).
One CD is 50' 36 in length, 2 are in the low 60's, and 2 are in the low 70's.
I have an inexpensive CD player, but this music emerges from it with the sharpness of etched glass, the smoothness of warmed honey, and the softness of rivers of silver in moonlight.
This is music to celebrate the joy and the pathos of life, played with soul, sensitivity, and power. Buy it and treasure this gift to yourself.
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Borodin: String Quartets Nos 1 & 2
Borodin String Quartet , and Alexander Borodin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ROX Release Date: 1990-10-25 |
Tracks:
- String Quartet No. 1 In A: First Movement: Moderato - Allegro
- String Quartet No. 1 In A: Second Movement: Andante con moto
- String Quartet No. 1 In A: Third Movement: Scherzo (Prestissimo)
- String Quartet No. 1 In A: Fourth Movement: Andante - Allegro risoluto
- String Quartet No. 2 In D: First Movement: Allegro moderato
- String Quartet No. 2 In D: Second Movement: Scherzo (Allegro)
- String Quartet No. 2 In D: Third Movement: Notturno (Andante)
- String Quartet No. 2 In D: Fourth Movement: Finale (Andante - Vivace)
Amazon.com
The Borodin Quartet plays the music of its namesake as to the manner born. Theirs is a beautiful, lush realization of this lyrical work, polished and full of nuance, and well-served by the 1980 analog recording. The coupling with Borodin's First Quartet is especially attractive. --Ted LibbeyCustomer Reviews:
Lush & Exalted.......2007-02-11
This is not a cerebral (think Emerson Quartet) but a soulful performace, straight from the Grand Age of Composers when performers were called gentlemen and the audience had a knowledge of the music. As in all good quartets, there are no "standout" performances, just a seamless cohesion between the members. If anyone thinks this is recording is an exception they are mistaken. The Shoshtakovitch has as much heart (if not soul). An old tale circulates (confirmation?) that the artist (Shoshtakovitch) worked with the quartet during the process of composition, experimenting for the right sound(s). Beethoven is given a rich Romantic treatment (particularly the Große Fuge) and that is the way I always think of this group - an aristocratic, ensemble specializing in the type of music that they love - Brahms, Schubert, Tchaikovsky, Rachmoninov.
My Grade: A+
A superb recording of the Borodin quartets.......2007-01-09
John Fothergill
Priceless........2006-12-29
Run out now and buy! (Or e-mail now and buy...).......2006-11-01
The writing is very intense and beautiful (and from a part-timer, at that!) and the playing by the BSQ is peerless. The sound quality is also excellent.
No. 1 is number one!.......2006-03-02
The answer, quite simply put, is yes.
BUT, am I the only person on this planet who believes the 1st string quartet to be the equal of, or superior to the 2nd? Sure, the 2nd has the sublime 3rd movement that we have all heard a million times, but just listen to the 3rd movement of the 1st quartet. You will not believe your ears upon hearing what appears to be an organ and glass harmonica, only to realize that it is in fact a STRING QUARTET!!!
This effect, achieved by Borodin, is one of the most surreal, ethereal, and novel sections of music ever conceived.
Why these quartets, especially the 1st, are not more popular is beyond me.
My life has been greatly enriched by this recording, and it's one of those rare musical experiences that makes you think "How did I survive all those years without this music in my head?"
Anyone whose music collection lacks this wonderful recording is not living life to its fullest.
Highly recommended.
Enjoy!
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Beethoven: String Quartets
Takacs Quartet , and Beethoven Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000063WRQ Release Date: 2002-05-14 |
Tracks:
- Quartet in F major, op. 59: Allegro
- Quartet in F major, op. 59: Allegretto vivace e sempre scherzando
- Quartet in F major, op. 59: Adagio molto e mesto
- Quartet in F major, op. 59: theme russe: Allegro
- Quartet in E flat major, op. 74: Poco adagio-Allegro
- Quartet in E flat major, op. 74: Adagio ma non troppo
- Quartet in E flat major, op. 74: Presto-Piu presto quasi prestissimo
- Quartet in E flat major, op. 74: Allegretto con variozioni
Tracks:
- Quartet in E minor, op. 59: Allegro
- Quartet in E minor, op. 59: Molto adagio
- Quartet in E minor, op. 59: Allegretto-Maggiore (Theme russe)
- Quartet in E minor, op. 59: Finale: Presto
- Quartet in C major, op. 59: Introduzione: Andante con moto-Allegro vivace
- Quartet in C major, op. 59: Andanto con moro. Quasi allegretto
- Quartet in C major, op. 59: Menuetto (grazioso)
- Quartet in C major, op. 59: Allegro molto
Amazon.com
Having toured the world with its Beethoven Quartets cycle as the old millennium entered the new, the Takács Quartet now commits some of them to disc. This two-CD set from Decca includes the three Razumovsky quartets, Op. 59, of 1806, and the Harp Quartet, Op. 74, sometimes known as the Lobkowitz after its dedicatee, composed in 1809. Although the latter's presto yields the fastest version of the fate motif Beethoven ever wrote, it is possible to go too quickly, as the Takács does here, making triplets of the first notes, which are not written as such. The speed of the dazzling finale of the Razumovsky No. 3 is impressive, but just fails to grip as firmly as a slightly slower, more controlled performance might.On the other hand, the Thème Russe last movement of the Razumovsky No. 1 is a model of restraint, the playful parts entering from all angles with delightful measured precision, polished and perfect. The Takács' music breathes as if in a meditative trance the broad, shallow arch of the molto adagio, which lasts a satisfying quarter-hour in Razumovsky No. 2. The four play best what is calculated and intricate, like the theme and variations that conclude the Harp Quartet, giving each episode a distinct flavor. Variety is more important than usual on one-composer recordings such as this, and the members of the Takács Quartet prove themselves contemplative Beethovenians, who occasionally mistake the gallop for a stampede. --Rick Jones
Customer Reviews:
The most exciting.......2006-09-01
Takacs Full Beethoven St. Quartets Review (part 2).......2006-08-27
I am a Busch Quartet Lover (as are the Takacs players themselves) so those quartets loom in the back of my mind as the standard against which other performances are measured. Since the Busch performances were loved against years of listening to many other quartets as well, it is high praise for the Takacs that I consider the Takacs often their equal, and on some occasions (op59 no3) even superiour.
The Takacs are certainly one of the strongest modern quartets, offering outstanding virtuosity in all 4 positions married to a large variety of tonal expression. They don't quite have the novelty and plain wierdness that the Lindsay's always manage to find, but are far more thrilling and precise in their articulation. Opus 59 no.2 in the old Lindsay set is one of their finest achievments in my opinion, yet the Takacs are as good in their more straightforward way. The wild fantasy and total uncertainty about what will come next that the Lindsay's manage turns into oohs and ahhs for the Takacs with their blazing virtuosity and martial power. Compared to the Busch Op59 no.2 however (currently out of print) the Takacs lack the unanimity of texture that the older quartet can muster. They also don't have the same authority of vision that Busch musters, which is especially evident in the slow movement, where the Busch always seem to find that perfect shade of volume and rythym to capture Beethoven's inspiration.
In fact, I would say that is the greatest weakness of this first Takacs Beethoven release (they recorded op18 next and late qs last). They often seem to just lose a grip on the deeper meaning of the music and substitue for it a repetative dimuendo to crescendo "effect", like they are trying to insert some drama that they don't find in the music. This "trick" mostly dissapears thankfully by the final set, but here it often rears up and betrays an emotional immaturity when compared to the Busch.
Nevertheless! This is not always so, and in my opinion they capture the perfect time and dynamics for the op59 no3 slow movement, that dreaded place where most quartets fall down. Their immaculate pizzicato and perfect phrasing even outdoes the Busch in my opinion, making it the best version available of this quartet.
Op59 no 1 is a very fine performance all they way through, more visceral and thrilling yet just as involving as the 1941 Sony Busch recording except, unfortunately, in the slow movement. Here, the Busch manage a rapturously sorrowful lament of dreadful passion that leaves you breathless. The Takacs come off rather badly in comparision, taking a quiet pensive approach that just completely pales in comparison to the Busch revelation.
Finally, the Harp quartet really sparkles under the Takacs, a brilliant virtuosic show yet never getting aggressive the way the Berg do for example. (No Busch perf on record for this quartet sadly). The uncommonly rapidly played scherzo is especially thrilling in my mind, though some reviewers have preferred a more measured pace. This is my favourite perfomance of the harp on record.
A wonderful set then, well deserving of all its accolades. Op59 no3 and op 74 are my two favorite recorded performances, and op59 1 and 3 aren't bad either, the painfully weak point being the slow movement of op59 no1 in comparision with the Busch. Hear the Busch in that movement and you will see why they are justly esteemed so highly.
Thanks for reading
The Best so Far........2006-05-18
By the way, the case cover you will most likely be getting if you are ordering it new is the one pictured above by Mr. Frank Rust, not the one pictured by Amazon.com. Not that it matters, but I just thought I would let you know.
Excellent recording........2006-01-01
Even the Penguin Guide says they are alongside the best.......2004-12-19
Also good are The Italian Quartet and the Talich - but they both are older recordings that aren't quite as good as the two quartets mentioned above. But some still claim them to be the best.
Track Listings:
- Suite for Piano / Antisonate / Suite Heteroclite
- Symphony 1 & 3
- Symphony 4 / Metamorphoses
- The Flower of All Virginity - Music from the Eton Choirbook Vol 4
- The Pillars of Eternity - Eton Choirbook Vol III / The Sixteen
- The Splendour of King's - Organ Favourites
- Traditional Catalan Songs
- Trout Quintet / Death & The Maid
- Trumpet Music
- Verdi, Cherubini, & Turina: Quartets
Track Listings
The Sound of Bacharach [Import]
Brahms: Symphony No. 1; Schumann: Overture, Scherzo, and Finale
Music: Ignoring the Guidelines
Bloch: Schelomo, Hebraic rhapsody; Honegger: Concerto for cello H72
Another Side of This Life: The Lost Recordings of Gram Parsons, 1965-1966
1982-1987: Himnos Del Corazon [Import]