Symphony 4 / Metamorphoses

1. Symphony No. 4 ("New York")
Composed by Roberto Gerhard
Performed by Tenerife Symphony Orchestra Conducted by Victor Pablo Perez

2. Symphony No. 2 ("Metamorphoses")
Composed by Roberto Gerhard
Performed by Tenerife Symphony Orchestra Conducted by Victor Pablo Perez

Tracks:

Sinfonia No. 4 in F Major: Adagio non molto
Sinfonia No. 4 in F Major: Presto
Sinfonia No. 4 in F Major: Larghetto
Sinfonia No. 4 in F Major: Finale: Vivace - Tempo di Minuetto
Sinfonia No. 5 In A Major: Allegretto non troppo presto
Sinfonia No. 5 In A Major: Adagio, ma non molto
Sinfonia No. 5 In A Major: Minuetto: Moderato
Sinfonia No. 5 In A Major: Finale: Adagio - vivace, ma moderato
Sinfonia No. 6 IN D Major: Andante pito Allegretto
Sinfonia No. 6 IN D Major: Allegro assai
Sinfonia No. 6 IN D Major: Andante molto
Sinfonia No. 6 IN D Major: Finale: Vivace - Tempo di Minuetto

Customer Reviews:

Highly Enjoyable.......2006-08-30

Music from the Classical period can be difficult to be positive about when its compared to the works of Mozart, but Dittersdorf's manages to be far from boring and in fact not that far removed from the music of Mozart. All the music on this CD has a gentle and flowing nature about it, while still managing to dip into the lower/softer extremes of its subject as well as the more intense aspects. Sometimes however, the music does seem a little repetitive, and perhaps a little too refined considering the themes that it's suppose to be portraying. On the other hand, as Classical music, it is very much of its period, and if you've always enjoyed Mozart's "lighter" works, such as the divertimentos and seranades, then quite possibly you will find just as much to like in the music of Dittersdorf.

Vagn Holmboe: Four Symphonic Metamorphoses

Average customer rating:

The Subterranean World of Vagn Holmboe
Some of Holmboe's most powerful music

Vagn Holmboe: Four Symphonic Metamorphoses

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Vagn Holmboe: String Quartets, Volume 2
String Quartets, Vol. 5
Vagn Holmboe: String Quartets, Vol. 7
Vagn Holmboe: Symphonies Nos. 8 & 9
Vagn Holmboe: String Quartets, Vol. 6

ASIN: B0000060H0
Release Date: 1996-10-01

Tracks:

Allegro Con Fuoco -
Andante Tranquillo - Piu Mosso - Lento - Andante -
Allegro Con Brio
Allegro Con Forza - Andante Tranquillo - Allegro - Allegro Con Forza
Symphonic Metamorphosis No. 2
Symphonic Metamorphosis No. 3
Tempesta
Tempo Calmo
Tempo Piovoso E Sereno

Amazon.com

Holmboe (1909-96) is considered by some the greatest Danish symphonist after Nielsen. Holmboe certainly compares to Nielsen in that he too had a strong sense of nationalism, a keen ear for the simple folk melodies of his land, and a brain filled with modern ideas. The orchestral works on this disc are Epitaph (1954), Monolith (1960), Epilog (1962), and Tempo Variable (1971-72). They are an excellent introduction to Holmboe's middle period. (If you want the symphonies, check out Bis 843/846.) You won't necessarily hear Nielsen here, but the colors of this music definitely have a Scandanavian tint. Highly recommended. --Paul Cook

Customer Reviews:

The Subterranean World of Vagn Holmboe.......2000-10-24

Vagn Holmboe (1909-1998) led the post-Nielsen generation of Danish composers. A native of rural Jutland, he wrote prolifically - thirteen symphonies, twenty string-quartets, a roughly equal number of concertos, and a good deal of orchestral music in forms hardly less ambitious than the symphonic. Among the latter figure the four works that Holmboe referred to as "metamorphoses." Humphrey Searle and Robert Layton, surveying contemporary Scandinavian music in 1967, wrote of Holmboe's music that it generates "the overwhelming feeling that the musical processes that take place are the inevitable steps in the working out of a drama. In a way, the experience is not unlike a journey; the sense of forward movement is inexorable, the feeling of purpose firm, yet the wealth of detail en route renders it unpredictable... The music grows consistently from [its] initial germ-material." The four "metamorphoses" in order of compostion are: "Epitaph" (1956), "Monolith" (1960), "Epilogue" (1961-62), and "Tempo Variabile" (1971).* As the titles indicate, these four works partake of the programmatic, at least in stemming from specific ideas or events, and so differ from the symphonies as such. While it is true, as Searle and Layton say, that Holmboe "does not deal in big gestures," yet he does deal in Titanic processes - or forces - that seem to occur in a subterranean world, among the lightless roots and stones, only shooting into the inhabited earth at the last moment. Holmboe frequently disturbs the listener this way, as he does in "Monolith," the shortest of these works. The first bars are all rhythm in the drums, followed (very rapidly) by figures heard in strings and then in horns. Holmboe begins the development immediately, with stirrings and transformations and recombinations of the components, always in dark motion, until the vision of some antique monument seems to stand before us. The other three works effect the same inevitability, but on a larger scale. It is remarkable how much the composer packs into eight brief minutes. This disc forms a good introduction to the symphonic thinking of a first-rate twentieth century musical creator. [*"Sinfonia in Memoriam" (1954) is also subtitled "symphonic metamorphoses."]

Some of Holmboe's most powerful music.......2000-01-01

Holmboe's "Symphonic Metamorphoses" are works of symphonic length and proportions, but are structured differently than his actual symponies. In these works, Holmboe's ideas on musical metamorphoses are laid out with a purity and transparency not seen in the symphonies (though they also use metamorphosis but to a lesser degree).
Metamorphosis to Holmboe was very different from variation form, where the aim is to compare and contrast a theme. With metamorphosis, there is a clear musical goal. Just as a caterpillar goes through several stages before becoming a butterfly, so Holmboe's works here go through several stages to reach their musical goals. It lends a sense of direction and drama to the music that is very moving and involving.
The first work, Epitaph, is in a three movement fast-slow-fast format, and is full of powerful melodies and a lot of turbulent drama. Even the slow middle movement still has plenty of tension. Probably my favorite work on the CD.
The second work, Monolith, is shorter ( < 10 minutes) and written for smaller forces. However, the vast array of percussion makes the work sound even bigger than Epitaph. Conductor Hughes has no qualms about letting the percussion cut loose! It works well in this loud and powerful piece.
The third work, Epilog, is big and dark. Written for what sounds like quite a large orchestra, the cellos and basses are given a lot of material to work with. At 26 minutes, it is the longest work on the disc and Holmboe actually initially meant this to be his 9th symphony.
The fourth work, Tempo variable, is separated by 10 years from Epilog, whereas a mere 8 years separated the first three works. It does sound somewhat different from the other works. There is more balance to this work in terms of fast/slow and dark/bright, less of the sturm und drang of the earlier pieces, and it looks forward to his later works.
The Aalborg SO play very well. They are not a 1st rate European orchestra like the Concertgebouw or the VPO, but I wouldn't describe them as 2nd rate, maybe 1 & 1/2 rate! In particular they have a great string sound, even if occasionally underpowered compared to the brass and percussion. Owain Arwel Hughes conducts strongly. Indeed I think this is his best work in the Holmboe series on BIS.
Highest recommendations.