Composed by Ralph Vaughan Williams
2. Suite No. 1, for military band in E flat major, Op. 28/1, H. 105
Composed by Gustav Holst
3. Suite No. 2, for military band in F major, Op. 28/2, H. 106
Composed by Gustav Holst
4. Theme and Variations, Op 26
Composed by Walton O'Donnell
5. Songs of the Gael, Op 31 "A Gaelic Fantasy"
Composed by Walton O'Donnell
Works for Band,Vaughan Williams,Holst,Bandleader (UK)
Average customer rating:
|
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
|
The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000HXKX Release Date: 1999-01-12 |
Tracks:
- Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
- Waltz Fom Der Rosenkavalier Suite
- 'Von der Schonheit' From Das Lied von der Erde
- 'De l'aube a midi sur la mer' From La Mer
- Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
- L'histoire du soldat Suite - IV. The Royal March
- L'histoire du soldat Suite - V. The Little Concert
- Le tombeau de Couperin - V. Menuet
- Le tombeau de Couperin - VI. Toccata
- Sinfonia From Pulcinella Suite
- Walzer From Funf Klavierstucke, Op. 23
- Interlude From Wozzeck, Act III
- Prologue From Music Ffor The Theatre
- 'Shine On Harvest Moon'
- 'Alexander's Ragtime Band' - Irving Berlin
- 'Over There'
- 'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
- 'The Man I Love' From Stride Up The Band
- 'West End Blues'
Amazon.com
The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie GerberCustomer Reviews:
Music and the Great War.......2007-05-14
How a Century Has Change Our Perception of War.......2005-10-29
Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.
The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.
The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05
Excellent Recording!.......1999-03-13
I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.
Good music, bad title.......1999-02-11
Average customer rating:
|
An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000033JE Release Date: 1996-07-16 |
Tracks:
- Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
- Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
- Nice Work If You Can Get It (Outtake) - Georges Guetary
- Embraceable You - MGM Studio Orchestra
- By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
- Street Exhibit - MGM Studio Orchestra
- I Got Rhythm - Gene Kelly, MGM Children's Chorus
- But Not For Me - Benny Carter & His Orchestra
- Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
- Someone To Watch Over Me - Benny Carter & His Orchestra
- Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
- Tra-La-La - Gene Kelly, Oscar Levant
- I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
- Love Is Here To Stay - Gene Kelly
- Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
- (I'll Build A) Stairway To Paradise - Georges Guetary
- I've Got A Crush On You (Outtake) - Gene Kelly
- Love Walked In (Outtake) - Georges Guetary, Oscar Levant
- Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
- Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra
Tracks:
- Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
- Kiss Me (Outtake) - MGM Studio Orchestra
- 'S Wonderful - Gene Kelly, Georges Guetary
- Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
- Strike Up The Band (Extended Version) - MGM Studio Orchestra
- Liza (Complete Version) - Oscar Levant
- Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
- Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
- I've Got A Crush On You (Outtake) - MGM Studio Orchestra
- I Got Rhythm (Extended Version) - MGM Studio Orchestra
- Tra-La-La (Outtake) - MGM Studio Orchestra
- But Not For Me - Georges Guetary
- Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
- An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
- Finale (An American In Paris) - MGM Studio Orchestra
- Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
- Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
- Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
- Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
- Third Prelude (Outtake) - Oscar Levant
- My Cousin In Milwaukee (Outtake) - Oscar Levant
- A Foggy Day (Outtake) - Oscar Levant
- The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
- But Not For Me - Oscar Levant
- Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
- 'S Wonderful (Reprise) (Outtake) - Gene Kelly
- Finale (Alternate Version - Outtake) - MGM Studio Orchestra
Amazon.com essential recording
This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph LanzaCustomer Reviews:
Magic of love.......2007-03-10
Noone is better, noone could do better.
American masterpiece with european feelings.
Filled with musical gems.......2004-02-17
TOO LONG !!!!!!!!!!!.......2002-06-17
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!
GERSHWIN'S TALENT.......2001-08-12
Ga Ga for Gershwin.......2000-12-13
Average customer rating:
|
Berlioz: Complete Orchestral Works
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041MZ Release Date: 1997-09-16 |
Tracks:
- Symphony Fantastique, Op. 14: 1. Rries, Passions (Largo - Allegro agitato ed appassinonato assai)
- Symphony Fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo)
- Symphony Fantastique, Op. 14: 3. Sc aux champs (Adagio)
- Symphony Fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)
- Symphony Fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro- Ronde du Sabbat: Poco menu mosso)
- Tristia, Op 18 (excerpts): 3. Marche fune pour la derni sc d'Hamlet (Allegretto moderato)
- La Damnation De Faust, Op. 24 (excerpts): Menuet des follets
- La Damnation De Faust, Op. 24 (excerpts): Marche hongroise
Tracks:
- Lo ou Le retour a vie, Op. 14b: 1. Le peur (Goethe, Duboys)
- Lo ou Le retour a vie, Op. 14b: 2. Choeur d'ombres (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 3. Chanson de brigands (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 4. Chant de bonheur (Berlioz)
- Lo ou Le retour a vie, Op. 14b: 5. La harpe ienne - Souvenirs
- Lo ou Le retour a vie, Op. 14b: 6. Fantasie sur la Temp de Shakespeare (Berlioz)
- Grande Symphonie fune et triomphale, Op. 15: 1. Marche fune (Moderato un poco lento)
- Grande Symphonie fune et triomphale, Op. 15: 2. Oraison fune (Adagio non tanto - Andantino un poco lento e sostenuto)
- Grande Symphonie fune et triomphale, Op. 15: 3. Apothe (Allegro non troppo e pomposo)
Tracks:
- Harold en Italie, Op.16: 1a. Harold aux montagnes (Adagio)
- Harold en Italie, Op.16: 1b. Harold aux montagnes (Allegro)
- Harold en Italie, Op.16: 2. Marche des prins (Allegretto)
- Harold en Italie, Op.16: 3. Snade (Allegro assai - Allegretto)
- Harold en Italie, Op.16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I)
- Les Troyens arthage: Prelude From: Les Troyens arthage: Part II, Act III
- Les Troyens (Act IV): No. 29: Chasse royale et orage - Pantomime
- Les Troyens (Act IV): No. 32: Marche pour l'entrde la reine; No. 33: Ballets
- Les Troyens (Act IV): -A: Pas des Alm
- Les Troyens (Act IV): -B: Danse des esclaves
- Les Troyens (Act IV): - C: Pas d'esclaves nubiennes
- Rrie et Caprice, Op.8
Tracks:
- Romeo et Juliette, Op. 17: Part I, Introduction
- Romeo et Juliette, Op. 17: Part I, Prologue: 'D'anciennes haines endormies'
- Romeo et Juliette, Op. 17: Part I, Strophe 1: 'Premiers transports que nul n' oublie'
- Romeo et Juliette, Op. 17: Part I, Strophe 2: 'Heureux enfants aux coers de flamme'
- Romeo et Juliette, Op. 17: Part I, Rtatif et Scherzetto: 'Bientot de Romeo' - 'Mab! la messagere' - Bientot la mort est souveraine'
- Romeo et Juliette, Op. 17: Part II, Romseul - Tristesse - Concert eet bal
- Romeo et Juliette, Op. 17: Part II, Grande f chez les Capulets
- Romeo et Juliette, Op. 17: Part III, 'Ohe! Capulets! Bonsoir, bonsoir!'
- Romeo et Juliette, Op. 17: Part III, Sc d'amour
Tracks:
- Romeo et Juliette, Op. 17: Part IV, Scherzo: La reine Mab ou la fdes songes
- Romeo et Juliette, Op. 17: Part IV, Convoi fune de Juliette: 'Jetez des fleurs pour la vierge expiree!'
- Romeo et Juliette, Op. 17: Part IV, Romau tombeau des Capulets
- Romeo et Juliette, Op. 17: Part IV, Finale. Choeurs et Rtatif du P Laurence: 'Quo! Romeo de retour!'
- Romeo et Juliette, Op. 17: Part IV, Finale. Air du P Laurence: 'Pauvres enfants que je pleure' - 'Mais notre sang rougit leur glaive'
- Romeo et Juliette, Op. 17: Part IV, Finale. Serment de rnciliation: 'Jurez donc'
Tracks:
- Beatrice et Benedict
- Benvenuto Cellini
- Overtures: Le roi Lear, Op. 4
- Les Francs - juges, Op. 3
- Waverley, Op. 1
- Le corsaire, Op. 21
- Carnaval romain, Op. 9
Amazon.com
Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius. The recording quality, so critical in such colorful music, is also very good. --David HurwitzCustomer Reviews:
I am in a Box with Berlioz Box Sets.......2004-02-22
A superb set, well worth the price!.......2002-08-16
Sir Colin Davis was, and of this reading remains, the greatest Berlioz interpreter of the stereo/digital era. This is no mean feat when one realizes that he now has several competitors in the field, among them James Levine and Charles Dutoit, but in my view only the wonderful John Nelson (whose recordings of the Te Deum and "Nuits d'Ete" with Susan Graham are so wonderful) really comes close. And what makes Davis so great is that, like those legendary conductors of old, he really gets under the skin of Berlioz and makes him exciting while maintaining score tempi. Listen, for instance, to his "Symphonie Fantastique," still the benchmark modern recording after nearly 30 years. Davis also excels in his readings of the Overtures, music from "Les Troyens," and the Symphonie Funebre et Triomphale which grabs the listener and pulls him/her into its vortex of sound.
In the other two symphonies, "Harold in Italy" and "Romeo et Juliette," I sense a lapse of sorts: the slow music is conducted not necessarily too slowly, but with a certain Romantic mushiness bordering on easy listening. This, for me, robs the "Romeo alone" and "Scene d'amour" of its passion, though of course it is wonderful to hear the score in modern stereo instead of Munch's cramped mono, and for me Toscanini's second movement of "Harold," with its peculiar yet engaging walking gait, shall never be surpassed--and, unlike Munch, Toscanini somewhat transcended his mono sound because of the wonderful clarity and transparency of his orchestra. Nevertheless, if I were forced to I would live with this Davis set over my Munch and Toscanini recordings because of their overall warmth and excellent sound.
Other highlights include excerpts from "Lelio" sung superbly by pre-leukemia Jose Carreras (listen to him ascend fearlessly to those high notes--he hasn't done that in nearly a quarter-century!), dramatically astute singing by Patricia Kerns and John Shirley-Quirk in "Romeo," and marvelous interpretations of the Overtures (oh, and you can forget "Rob Roy"...Berlioz decided after one performance that he would never publish it or even bother revising it, hence it is not here). I do question the omission of the Requiem and Te Deum (after all, they ARE "orchestral works"), but with so many riches at such a low price, who cares? Liner notes are sparse, and this is a slimline box which means paper sleeves and no jewel boxes, but so what? For this much Berlioz, so beautifully sung and conducted, the composer himself would gladly have plunked down ...
all the overtures *NOT*.......2001-05-04
A wonderful collection of Berlioz.......2000-08-15
The Romeo et Juliette included in this set is my favorite of all the recordings of it that I've heard, although I haven't yet heard Sir Colin's more recent recording with the Vienna Philharmonic. The recording of Lelio is also well done. Jose Carreras and Thomas Allen are the featured singers in Lelio's song movements, and the fantasy on Shakespeare's Tempest at the end of the work is fascinating indeed. If you've only heard Berlioz's Symphonie fantastique and want to hear more of his works, or are looking for a nice collection of classic Berlioz recordings, then take a good look at this set.
Average customer rating:
|
The Copland Collection: Orchestral & Ballet Works, 1936-1948
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027BJ Release Date: 1991-01-18 |
Tracks:
- El Salon Mexico
- An Outdoor Overture
- Billy The Kid: Introduction: The Open Prairie
- Billy The Kid: Street In A Frontier Town
- Billy The Kid: Prairie Night (Card Game At Night)
- Billy The Kid: Gun Battle
- Billy The Kid: Celebration (After Billy's Capture)
- Billy The Kid: Billy's Death
- Billy The Kid: The Open Prairie Again
- Quiet City
- John Henry
- Our Town
- Las Agachadas
- Fanfare For The Common Man
Tracks:
- Rodeo (Four Dance Episodes): I. Buckaroo Holiday
- Rodeo (Four Dance Episodes): II. Corral Nocturne
- Rodeo (Four Dance Episodes): III. Saturday Night Waltz
- Rodeo (Four Dance Episodes): IV. Hoedown
- The City: New England Countryside
- Of Mice And Men: Barley Wagons
- The City: Sunday Traffic
- Our Town: Grovers Corners
- Of Mice And Men: Threshing Machines
- Appalachian Spring (Suite From The Ballet): Very Slow
- Appalachian Spring (Suite From The Ballet): Fast
- Appalachian Spring (Suite From The Ballet): Moderato
- Appalachian Spring (Suite From The Ballet): Fast
- Appalachian Spring (Suite From The Ballet): Still Faster
- Appalachian Spring (Suite From The Ballet): As At First (Slowly)
- Appalachian Spring (Suite From The Ballet): Calm And flowing
- Appalachian Spring (Suite From The Ballet): Moderato; Coda
- Letter From Home
- Danzon Cubano
Tracks:
- Lincoln Portrait: Lento
- Lincoln Portrait: Subito Allegro
- Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
- Symphony No. 3: I. Molto Moderato-With Simple Expression
- Symphony No. 3: II. Allegro Molto
- Symphony No. 3: III. Andantino Quasi Allegretto
- Symphony No. 3: IV. Molto Deliberato
- Concerto For Clarinet, Strings, Harp, & Piano
Amazon.com
Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted LibbeyCustomer Reviews:
Bought this for Concerto for Clarinet.......2007-07-14
An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.
You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.
Aaron Copland: Populist and Conductor.......2005-03-29
What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.
The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).
The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.
The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.
Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.
Tribute to Lincoln.......2001-10-28
A great way to get your dose of Copland...........2000-06-30
Well balanced retrospective, -or- Listen to this!.......1999-08-11
Average customer rating:
|
Ill-Conceived PDQ Bach Anthology
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000FDBK Release Date: 1998-11-24 |
Tracks:
- This Is Professor Pete
- 1712 Overture (S. 1712)
- Introduction
- II. Aria With Chorus: 'Howdy There'
- Recitative: 'It Wasn't Long'
- III. My Heart
- Recitative: 'When Oedipus Heard'
- VI. Chorale And Finale
- Introduction
- Love Me
- WTWP Station ID
- Oo-La-La Introduction
- Oo-La-La: Cookin' French Like The French Cook French - Dana Krueger
- Introduction: The Musical Sacrifice (S. 50% Off)
- I. Fuga Meshuga - Susan Palma
- Introduction
- Classical Rap (S. 1-2-3) - Grandmaster Flab
- Introduction
- I. C Major - Christopher O'Riley
- Introduction
- II. Simply Grand Minuet
- Introduction
- Little Bunny Hop Hop Hop
- Introduction
- Minuet Militaire
- Enough Already
Customer Reviews:
Witty and Charming.......2000-08-15
This is Professor Pete- Peter Schickele introduces himself as well as P.D.Q.
1712 Overture- A takeoff of the 1812 overture of course, with snatches of some famous folktunes thrown in here and there.
Oedipus Tex- A parady of the Greek Myth Oedipus Rex where he murders his father who is the King. Oedipus Tex lives a life like his brother but in Texas style.
The next tracks are more comedy than exactly music like the WTWP station giving options over the phone about how you would like to hear a certain peice of music. Cooking French... is a woman cooking a French gourmet meal but flubbing up the entire time.
What I have already said pretty much sums it up. The rest of the tracks are equally hilarious and as witty as all the others. If you buy this CD you will not regret it no matter what type of music you listen to.
Average customer rating:
|
Forever Blue
Chuck Leavell Manufacturer: Terminus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MPQM Release Date: 2001-04-24 |
Tracks:
- Forever Blue
- Song For Amy
- Blue Rose
- Comin' Home
- Ashokan Farewell
- A Lotta Colada
- Just Before Dawn
- Walk A Little Closer
- Higher Ground
- Georgia On My Mind
Amazon.com
Chuck Leavell admits to three passions: his family, his tree conservation, and his music. A bluesman to the core who's worked with the Allman Brothers Band, the Fabulous Thunderbirds, and Gov't Mule, the Georgia-based piano player touches the hearts of listeners here with solo performances of mostly original material. The title song pleases with Leavell's improvisations on blues sequences, his references to the history of blues piano tied together with an impressive craftsmanship. Genre-bender "A Lotta Colada," which he originally wrote for his blues-rock-jazz group Sea Level, displays even more of his creative musical mind. Leavell's "Song for Amy" points to the sunny jazz piano of Vince Guaraldi, and his ardor for life comes across most effectively on his Crescent City-directed boogie takeoff on the gospel staple "Walk a Little Closer." --Frank-John HadleyCustomer Reviews:
Rich, Soulful, Crisp Piano Work.......2003-12-08
Just 88 keys, but a lot of soul.........2002-09-05
If you like piano, you will LOVE this CD!.......2002-07-25
Best solo piano recording in ages.......2001-08-23
Solo Piano that touches the soul.......2001-07-10
This CD is a must have for fans of Rock and Roll, Jazz, R&B, and soul.. I recommend it 100%.
Average customer rating:
|
Holst: Orchestral Works
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007N5X Release Date: 1998-05-26 |
Tracks:
- Somerset Rhapsody
- First Dance
- Second Dance
- Finale: In The Street Of The Ouled Nails
- Invocation For Cello And Orchestra
- Fugal Overture
- Egdon Heath
- Hammersmith
Amazon.com
There is much more to Holst than The Planets, and the music gathered on this excellently played and recorded disc gives you some of his very best orchestral music at a budget price. If you're a Planets fan, then the next logical piece to try is Beni Mora, a luscious Oriental rhapsody in three movements that reveals the same interest in rhythm and orchestral color that characterizes it's more famous astrological big brother. Holst considered Egdon Heath (a symphonic poem after Thomas Hardy) to be his best piece, and it's certainly one of his most evocative--a study in bleakness and silence very much like Debussy's Nuages (Clouds) from the Nocturnes. In short, there's a lot of fine music to discover here, and at the price it's a low risk investment. --David HurwitzCustomer Reviews:
A Holst CD Not To Be Missed!!.......2004-01-12
The "Fugal Overture" has some very interesting tone clusters in it. It is a short piece, and it showcases Holst's eerie, fascinating sonorities quite well.
"Egdon Heath," considered by Holst himself to be his finest work, is a dark, brooding piece that haunts the listener. Lloyd-Jones and the orchestra capture these moods perfectly.
My personal favorite on the CD is the "Beni Mora" suite, Holst's brush with orientalism. It sounds somewhat like the orchestral works of Borodin at times. The drone in the last movement is really catchy (Holst heard an Algerian native intone it for over two-and-a-half hours!!).
Tim Hugh plays the "Invocation" with beauty and expression, receiving great support from the orchestra.
If you would like to augment your Holst collection, you should purchase this CD. I would recommend it even at full value!
" Nax-HOLST " . . ........2002-05-29
A wonderful cd program with Lloyd-Jones conducting a competent orchestra. The choice offers some lesser-known compositions by the man who brought the 20th century with great music, such as the original Suite 'The Planets' and the 'St.Paul's Suite'. To my knowledge, there aren't that many recordings of these works. Thanks to Naxos some fine pieces are made available again to the public.
For the orchestration of a version for two pianos of his 'Planets', Holst (who died in 1934 due to health problems) has had the helping hand of two fellow faculty members at St.Paul's School : Nora Day and Vally Lasker (renown as pianist, arranger and teacher, both have worked closely with the composer). Lasker has been in touch with some of Holst's smaller works as well, and she did collaborate with Ralph Vaughan Williams, among others. Here and there, the influence of English folk tradition is striking : Is it a bequest from the folk song collecting outbursts of the early 20th century---led in England by Cecil Sharp---or a souvenir of the "Field Days" with Vaughan Williams? The folk idiom is particularly obvious in 'Somerset Rhapsody' and the 'Fugal Overture'.
You can almost walk through the soothing pastoral peace of the English countryside and smell the air (around the instruments!) when listening to the small but worthwhile pieces from this cd. The 'Somerset Rhapsody', the bold 'Beni Mora' and the typical beauty of 'Egdon Heath' (which Holst's colleagues and friends have welcomed with much praise) are part of the musical travelogue ; every minute of the program is pleasant---not much complaint about the playing, very good if not excellent on the whole. The orchestral elements were developed meticulously---as it seems to me---in respect to the nuances, phrases and colors of that genuinely charming British music. David Lloyd-Jones is virtually remarkable in his role of conductor. The music exposes a facet of Gustav Holst's musical persona ; it seems analogous to some works by Finzi, Bax or VW. Those orchestral works are also quite different from the Eastern-influenced or more "mystical" compositions (the operatic work 'Savitri', for instance).
Again, this is a very good album albeit not entirely blameless : Richard Hickox on Chandos (CHAN 9270) brings a strong challenge, although i wouldn't venture to say which one is clearly the better. Sir Adrian Boult (on Lyrita, SRCD222) is aptly regarded as a paragon in that specific repertoire. However, considering price versus quality of performance (plus quality of sound), this cd is a laudable bargain, and it inserts a couple of works which were not included on the outputs of Hickox and Boult.
Brilliant compositions by Holst!.......2001-01-13
Once again, the Naxos label has provided a superb product at an unbelievably low price. They deserve our business!
Average customer rating:
|
Monumental Works for Winds
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2IUX4 Release Date: 2006-10-31 |
Tracks:
- Aida: Triumphal March
- Symphonies Of Wind Instrumentals
- Adagio-Allegro
- Adagio Sostenuto
- Allegretto
- Vivace
- Schwanda The Bagpiper: Polka And Fugue
- Emblems
- Over The Hills And Far Away-Children's March
- Crown Imperial-Coronation March
Customer Reviews:
Not just monumental, but momentous.......2007-03-09
Spectacular Performances of Wind Band Classics.......2006-11-12
The first track, Verdi's 'Triumphal March' from Aida, was transcribed by that bandmaster of a bygone era, Giuseppe Creatore (now mostly remembered as 'the great Creatore', so-called by Professor Harold Hill in 'The Music Man.') It is indeed a monumental piece if only because one cannot hear it without thinking of an opera stage crowded with elephants, soldiers and Egyptian dancing girls. It is given a terrific performance by the United States Marine Band who let us know immediately that they are among the very best such ensembles in the world.
Stravinsky's great neoclassic 'Symphonies of Wind Instruments' is given in its original 1921 version. The playing here is extremely subtle, with conductor Michael J. Colburn fashioning a flexible, almost impressionistic rendition. One becomes aware of just how expert this band is. The clarinet section is one of the best I've ever heard with their ability to play softly and smoothly very much like a good violin section might.
Perschetti's mighty symphony for band, his No. 6, has been recorded many times and is surely one of the greatest works for wind band ever written by an American. The rhythmic snap of the Marine band must be heard to be appreciated, and again the clarinets are peerless in the Adagio movement. Weinberger's 'Polka and Fugue' from his opera Schwanda the Bagpiper is well-known from its initial full-orchestra recording by Felix Weingartner. The transcription by Glenn Cliffe Bainum is expert. The upper winds are given complex pianissimos to perform and acquit themselves admirably. The flute and piccolo pianissimos are breathtaking. The brass are stupendous in the final moments of the fugue.
I had never heard Copland's 'Emblems' before, although I'd read of it. It is an eleven minute work written in 1963 and is typical of his more knotty abstract style. However, his use of 'Amazing Grace' as a recurring theme gives it an unmistakably folkloric American cast. It's a brilliant piece given a brilliant performance.
The final two tracks, Grainger's 'Children's March' from Over the Hills and Far Away, and Walton's 'Crown Imperial March' are British to the core, arising as they do from the strong and deep current of British wind band music. The Grainger (actually written when Grainger was serving as a musician the US Army!) is given a winsome performance while the Walton, written for the coronation of King George VI (and transcribed for band by W.J. Duthoit) is suitably noble, and nobly played.
Make no mistake, this is a superb CD from beginning to end and stands among the best wind band recordings of recent times.
Scott Morrison
Track Listings:
- 24 Preludes / Scherzo / 3 Mazurkas / Polonaise
- 5 Pieces, Opus 5
- 6 Symphonies
- Bands & Pipes from the Borders
- Bedrich Smetana: String Quartets/Josef Suk: Meditation On The Old Czech Hymn St. Wencelas, Op. 35a
- Benjamin Britten: Overture "Paul Bunyan" / Piano Concerto, Op. 13 (original version) / Robert Saxton: Music to Celebrate the Resurrection of Christ - Joanna MacGregor / English Chamber Orchestra / London Symphony Orchestra / Steuart Bedford
- Benjamin Britten: String Quartet in D / Simple Symphony / String Quartet No. 1 - The Britten Quartet
- Benjamin Britten: The String Quartets 2 & 3 - The Britten Quartet
- Birds, Beasts, and Battles
- Birtwistle: Antiphonies for Piano and Orchestra/Nomos/An Imaginary Landscape
Track Listings
Fantasies Symphoniques / Bouquet of Flowers
If God Will Send His Angels [CD-single] [Import]
Electric Kama Sutra [CD-single]