Douglas Moore: The Devil & Daniel Webster

On this CD:

1. Devil and Daniel Webster, The, opera in 1 act
Composed by Douglas S. Moore
with Michael Davis , Joyce Guyer , Kansas City Symphony , John Stephens , Benjamin Bongers , Robert Gibby Brand , Matt Foerschler , Michael Lanman , Cary Miller , David Soxman
Conducted by Russel Patterson

Douglas Moore: The Devil & Daniel Webster,Andrew Stuckey,Brian Steele,David Soxman,John Stephens,Michael Lanman,Douglas S. Moore,Russel Patterson,Kansas City Symphony,Joyce Guyer,Benjamin Bongers,Darren Keith Woods,Matt Foerschler,Michael Philip Davis [tenor],Cary Miller,Michael Davis,Robert Gibby Brand,Newport Classic,American 20th/21st Century Opera,Classical,Classical Music,Opera,Opera / Operetta / Oratorio,Opera/Operetta
Douglas Moore: The Devil & Daniel Webster
Average customer rating: Not rated
    Douglas Moore: The Devil & Daniel Webster

    Manufacturer: Newport Classic
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003W2X
    Release Date: 1996-05-14

    Tracks:

    1. Right Nice Wedding
    2. Whew!
    3. Mary, Mary!
    4. Neighbors
    5. I Told You
    6. Oh, Mr. Stone
    7. Good Evening
    8. You Hear, Mary
    9. Thank You, Mr. Webster
    10. In God's Name
    11. I Was Going
    12. They're Gone
    A Salute to American Music
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      Manufacturer: RCA
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      ASIN: B00000E6PJ
      Release Date: 1992-12-01
      The Devil and Daniel Webster (opera in one act)
      Average customer rating: 3 out of 5 stars
      • Superior American opera
      • It's BA-A-A-ACK !
      The Devil and Daniel Webster (opera in one act)

      Manufacturer: Phoenix USA
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Opera & Vocal | Styles | Music
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      ASIN: B00005Y7D2
      Release Date: 1997-05-27

      Tracks:

      1. Right Nice Wedding
      2. My Young Days, My Young Ways, My Prim And Narrow Room
      3. Neighbors, Old Friends, It Does Me Good To Hear You
      4. Young William Was A Thriving Boy
      5. Listen!
      6. He's Sold His Soul To The Devil!
      7. I Wanted Clothes From A City Store
      8. Good Evening Neighbors! Perhaps I Can!
      9. Well, It's A Pretty Place, Even If I Do Say So Myself
      10. Trust Me, Mrs. Stone
      11. Ah, Mr. Webster This Is A Pleasure!
      12. I Summon The Jury Mister Webster Demands
      13. Your Honor
      14. Be Still! I Was Going To Thunder And Roar
      15. We Were Men, We Were Free, We Have Not Forgotten

      Album Description

      Commenting on "The Devil and Daniel Webster", Douglas Moore has said, "Mr. Benet and I have classified "The Devil and Daniel Webster" as a folk opera because it is legendary in its musical expression....we have tried to make an opera in which the unit of speech, song and instrumental music, will communicate the essence of the dramatic story, enhance but not distort."

      Customer Reviews:

      5 out of 5 stars Superior American opera.......2007-01-18

      I have no agenda, unlike others who have posted and have caused this wonderful recording to appear "a loser". Nothing could be further from the truth. This superior piece of Americana has been beautifully recorded with performances to match. Don't let angry and stupid reviews get in the way of your experiencing this excellent recording. I would give it 6 stars if the Amazon site let me.

      1 out of 5 stars It's BA-A-A-ACK ! .......2005-11-12

      I hasten to declare that I have not heard this CD. My comments are directed solely at the opera, not the performance. I intend in no way to impugn the talent or dedication of those associated with this production--only their execrable taste.

      In 1928, Stephen Vincent Benet (1898-1943) published a history--or more properly a fable--of the US Civil War in the form of a book-length piece of doggerel called "John Brown's Body." Inexplicably, the book won the Pulitzer Prize in 1929. This made Benet a very big-deal American literary voice. Not long thereafter, he published a short story, "The Devil and Daniel Webster."

      In the story, an American Faust named Jabez Stone (if memory serves me correctly) sells his soul to a certain Mr. Scratch for several years of earthly prosperity. The specified time comes to an end, as it must do in all proper Faust tales, and Mr. Scratch comes to collect his new and unwilling property. Stone, as all Fausts must, attempts to wriggle away from his fully deserved fate. In Benet's version, he manages to convince Senator Daniel Webster to act as his defense attorney in a trial for his soul. The jury consists of black-hearted and bloody-handed villains, but true-blue and authentic Americans to the last man. Webster goes into full Clarence Darrow-mode (at the time, a famous defender of the damned) and--whadayaknow!--he convinces those scoundrels, renegades and traitors to let good ol' Jabez of the hook, much to the distress of the put-upon Mr. Scratch.

      In the late 1930s, Benet was approached by the pre-"Ballad of Baby Doe" Douglas Moore, who begged the great man to allow him to set "The Devil and Daniel Webster" to music. Eventually, permission was graciously given, but the mighty literary eminence sternly decreed that the lofty perfection of his prose must not be sullied by the music. More, he declared that Webster's speech to the jury was entirely off-limits. It must be delivered as dialogue, not set to music at all. (Imagine Lorenzo da Ponte telling Mozart what he could or could not set! Or even fiery Gilbert daring so to defy easy-going Sullivan.)

      Now, if I had been Moore, I'd have told Benet where he could stuff his precious dialogue and turned briskly away to compose an opera based on "The Gold Bug," "Casey at the Bat," or "A Visit from St Nicholas", all fine and valuable pieces of true Americana. Ah me, Moore felt otherwise. In 1939, the Moore-Benet collaboration hit the boards, but with a great, honking hole at its center, the very place where the power of music should have been the force to turn the twisted minds and hardened hearts of the abominable jurymen.

      Moore was a skillful, if not supremely gifted composer. In 1939, his chosen style might be described as folksy, desiccated, sub-verismo--not great but not bad, either. The opera won some dutiful praise but it never really came to life. The wound where its heart should have been was too great.

      As a work of art, this is a true nuisance, a great lost opportunity. But for the puffed-up ego of the wordsmith and the excessive deference of the composer, it might have amounted to something.

      It coulda been a contender!

      Track Listings:

      1. Duke Quartet
      2. Early Music
      3. English Song Series 2
      4. English Song Series - Peter Warlock: The Curlew (song cycle), Lilygay (song cycle), other songs
      5. Essence of England
      6. For the Friends of Alec Wilder
      7. Forqueray: Pièces de Clavecin
      8. Franz Liszt: J.S. Bach Transcriptions
      9. Gloire De Dieu - Choral Works by Stravinksy: Symphony of Psalms / Tippett: Five Negro Spirituals / Poulenc: Seven Tenebres Responses FP 181 / Ives: The Unanswered Questions
      10. Great Britain Quartets [Box set]

      Track Listings

      track listings

      Track Listings

      Getting High

      Merulo: Missa in dominicis diebus "Organ Mass" (1568)

      I Need Jesus [Explicit Lyrics]

      Music: Go to Sleep [CD-single] [Import]

      Mercy

      Merry Christmas from Motown

      Lullabies for Little Worshippers

      Leo Smit: At the Corner of the Sky / Songs of Wonder

      Long Time Coming

      Grandes Exitos

      Manifesto

      Lifestyles of the Rich & Famous Pt.1 [CD-single] [Enhanced]

      Lovely Head [CD-single] [Import]

      A Splash of Pops

      Bossa Nova for Lovers