Composed by George Frideric Handel
Performed by Symphony of Harmony & Invention with Jonathan Best , Lynne Dawson , Michael George , Mark Padmore , Thomas Randle , Lynda Russell , Matthew Vine , Catherine Wyn-Rogers
Conducted by Harry Christophers
Product Description
Samson is, along with Semele, the only Handel oratorio to have gotten a toe-hold in the modern operatic repertory. The seduction-and-destruction story of Samson and Delilah is certainly dramatic; the libretto is better than many Handel had to work with. How odd that it took until 1997 for Samson to get a period-instrument recording--fortunately, Harry Christophers's account was worth the wait, energetic and musical enough to hold attention throughout the oratorio's three and a half hours. Among the soloists, soprano Lynda Russell tames her sometimes-unruly vibrato to make a truly alluring Delilah, Thomas Randle is a brawny Samson, and Lynne Dawson is delightful as the Israelitish Woman and Philistine Woman, giving a gleaming performance of Samson's most famous aria, "Let the Bright Seraphim." --Matthew Westphal
Handel - Samson / Dawson · L. Russell · Wyn-Rogers · Padmore · Randle · Matthew Vine · Jonathan Best · Michael George · The Sixteen · Christophers,George Frideric Handel,Harry Christophers,Lynda Russell, Catherine Wyn-Rogers, Mark Padmore, Thomas Randle Lynne Dawson,Collins Classics,Classical,Classical Music,Opera / Operetta / Oratorio
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Handel - Samson / Dawson · L. Russell · Wyn-Rogers · Padmore · Randle · Matthew Vine · Jonathan Best · Michael George · The Sixteen · Christophers
George Frideric Handel , Harry Christophers , and Lynda Russell, Catherine Wyn-Rogers, Mark Padmore, Thomas Randle Lynne Dawson Manufacturer: Collins Classics ProductGroup: Music Binding: Audio CD ASIN: B000003W1M Release Date: 1997-05-27 |
Tracks:
- 1. Overture: Andante/Adagio/Allegro/Minuetto - The Symphony Of Harmony And Invention
- 2. Recitative: 'This Day A Solemn Feast' - Thomas Randle
- 3. Chorus Of Philistines: 'Awake The Trumpet's Lofty Sound' - The Sixteen
- 4. Air: 'Ye Men Of Gaza' - Lynne Dawson
- 5. Chorus Of Philistines: 'Awake The Trumpet's Lofty Sound!' - The Sixteen
- 6. Air: 'Loud As The Thunder's Awful Sound' - Mark Padmore
- 7. Air: 'Then Free From Sorrow' - Lynne Dawson
- 5. Chorus Of Philistines: 'Awake The Trumpet's Lofty Sound' - The Sixteen
- 8. Recitative: 'Why By An Angel' - Thomas Randle
- 9. Air: 'Torments, Alas! Are Not Confin'd' - Thomas Randle
- 10. Recitative: 'O Change Beyond Report' - Catherine Wyn-Rogers
- 11. Air: 'Oh Mirror Of Our Fickle State!' - Catherine Wyn-Rogers
- 12. Recitative: 'Whom Have I To Complain Of But Myself'?' - Thomas Randle Catherine Wyn-Rogers
- 13a. Air: 'Total Eclipse!' - Thomas Randle
- 13b. Recitative: 'Since Light So Necessary Is To Life,' - Catherine Wyn-Rogers
- 14. Chorus Of Israelites: 'O First Created Beam!!' - The Sixteen
- 15. Recitative: 'Ye See My Friends,' - Thomas Randle Catherine Wyn-Rogers
- 16. Recitative: 'Brethren And Men Of Dan,' - Michael George Catherine Wyn-Rogers
- 17. Recitative: 'O Miserable Change!' - Michael George
- 18. Recitative: 'O Ever Failing Trust In Mortal Strength!' - Mark Padmore
- 19. Air: 'God Of Our Fathers, What Is Man?' - Michael George
- 20. Recitative: 'The Good We Wish For,' - Michael George
- 21. Air: 'Thy Glorious Deeds' - Michael George
- 22. Recitative: 'Justly These Evils' - Thomas Randle Michael George
- 23. Recitative: 'My Griefs For This Forbid Mine Eye To Close,' - Thomas Randle
- 24. Air: 'Why Does The God Of Israel Sleep?' - Thomas Randle
- 25. Recitative: 'There Lies Our Hope!' - Catherine Wyn-Rogers
- 26. Chorus: 'Then Shall They Know,' - The Sixteen
- 27. Recitative: 'For Thee, My Dearest Son/28. Recitative: 'My Genial Spirits Droop,' - Michael George Thomas Randle
- 29. Air: 'Then Long Eternity' - Catherine Wyn-Rogers
- 30. Chorus Of Israelites: 'Then Round About The Starry Throne' - The Sixteen
Tracks:
- 31. Recitative: 'Despair Not Thus!' - Michael George Thomas Randle
- 32. Air: 'Just Are The Ways Of God To Man,' - Michael George
- 33. Recitative: 'My Evils Hopeless Are!' - Thomas Randle Catherine Wyn-Rogers
- 34. Air: 'Return O God Of Hosts!'/35. Chorus And Micah: 'To Dust His Glory They Would Tread,' - The Sixteen Catherine Wyn-Rogers
- 36. Recitative: 'But Who Is This,' - Catherine Wyn-Rogers Thomas Randle Lynda Russell
- 37. Air: 'With Plaintive Notes' - Lynda Russell
- 38. Recitative: 'Alas! Th'Event Was Worse Than I Foresaw,' - Lynda Russell Thomas Randle
- 39. Air: 'Your Charms To Ruin Led The Way,' - Thomas Randle
- 40. Recitative: 'Forgive What's Done,' - Lynda Russell
- 41. Duet: 'My Faith And Truth, O Samson, Prove,'/42. Chorus Of Virgins: 'Her Faith And Truth, O Samson, Prove,' - The Sixteen
- 43. Air: 'To Fleeting Pleasures'/42. Chorus: 'Her Faith And Truth, O Samson, Prove,'/43. Air: 'How Charming Is Domestic Ease!'/42. Chorus: 'Her Fiath And Truth, Oh Samson, Prove,' - Lynda Russell The Sixteen
- 44. Recitative: 'Ne'er Think Of That!' - Thomas Randle Lynda Russell
- 45. Duet: 'Traitor To Love!'/46. Recitative: 'She's Gone!' - Lynda Russell Thomas Randle Catherine Wyn-Rogers
- 47. Air: 'It Is Not Virtue, Valor, Wit,' - Catherine Wyn-Rogers
- 48. Recitative: 'Favour'd Of Heav'n Is He,' - Thomas Randle
- 49. Chorus: 'To Man God's Universal Law' - The Sixteen
- 50. Recitative: 'No Words Of Peace,' - Catherine Wyn-Rogers Jonathan Best Thomas Randle
- 51. Air: 'Honour And Arms' - Jonathan Best
- 52. Recitative: 'Put On Your Arms' - Thomas Randle
- 53. Air: 'My Strength Is From The Living God' - Thomas Randle
- 54. Recitative: 'With Thee! A Man Condemn'd' - Jonathan Best
- 55. Duet: 'Go Baffled Coward' - Thomas Randle Jonathan Best
- 56. Recitative: 'Here Lie The Proof - Catherine Wyn-Rogers
- 57. Chorus: 'Hear, Jacob's God, Jehovah Hear!' - The Sixteen
- 58. Recitative: 'Dagon, Arise!' - Jonathan Best
- 59a. Air: 'To Song And Dance We Give This Day,' - Mark Padmore
- 59b. Chorus: 'To Song And Dance We Give The Day,' - The Sixteen
- 60. Chorus: 'Fix'd In His Everlasting Seat,' - The Sixteen Lynda Russell Thomas Randle Jonathan Best Michael George
Tracks:
- 61. Recitative: 'More Trouble Is Behind;' - Catherine Wyn-Rogers Thomas Randle Jonathan Best
- 62. Air: 'Presuming Slave,' - Jonathan Best
- 63. Recitative: 'Reflect Then, Samson,' - Catherine Wyn-Rogers Thomas Randle
- 64. Chorus: 'With Thunder Arm'd, Great God, Arise!' - The Sixteen
- 65. Recitative: 'Be Of Good Courage;' - Thomas Randle Catherine Wyn-Rogers Jonathan Best
- 66. Air: 'Thus When The Sun From's Wat'ry Bed,' - Thomas Randle
- 67. Recitative: 'With Might Endure' - Catherine Wyn-Rogers
- 68. Air: 'The Holy One Of Israel'/69. Chorus: 'To Fame Immortal Go,' - Catherine Wyn-Rogers The Sixteen
- 70. Recitative: 'Old Monoa With Youthful Steps - Catherine Wyn-Rogers Michael George
- 71. Air: 'Great Dragon'/72. Chorus: 'Great Dragon' - Mark Padmore The Sixteen
- 73. Recitative: 'What Noise Of Joy Was That? - Michael George Catherine Wyn-Rogers
- 74. Air: 'How Willing My Paternal Love' - Michael George
- 75. Recitative: 'Your Hopes Of His Deliv'ry'/76. Sinfonia (A Symphony Of Horror And Confusion)/77. Recitative: 'Heav'n! What Noise!'/78. Chorus: 'Hear Us, Our God,' - Catherine Wyn-Rogers Michael George The Symphony Of Harmony And Invention
- 79. Recitative: 'Noise Call You This?' - Catherine Wyn-Rogers Michael George
- 80. Recitative: 'Where Shall I Run,' - Matthew Vine Catherine Wyn-Rogers Michael George
- 81. Air: 'Ye Sons Of Israel Now Lamen;'t/82. Chorus: 'Weep Israel,' - Catherine Wyn-Rogers The Sixteen
- 83. Recitative: 'Proceed We Hence To Find His Body,' - Michael George
- 84. Dead March - The Symphony Of Harmony And Invention
- 85. Recitative: 'The Body Comes,' - Catherine Wyn-Rogers Michael George
- 86. Chorus: 'Glorious Hero,' - The Sixteen Lynne Dawson
- 87. Recitative: 'Come, Come, No Time For Lamentation Now.' - Michael George Catherine Wyn-Rogers Michael George
- 88. Air: 'Let The Bright Saraphim In Burning Row'/89. Chorus: 'Let The Bright Seraphim In Burning Row' - Lynne Dawson The Sixteen
Amazon.com
Samson is, along with Semele, the only Handel oratorio to have gotten a toe-hold in the modern operatic repertory. The seduction-and-destruction story of Samson and Delilah is certainly dramatic; the libretto is better than many Handel had to work with. How odd that it took until 1997 for Samson to get a period-instrument recording--fortunately, Harry Christophers's account was worth the wait, energetic and musical enough to hold attention throughout the oratorio's three and a half hours. Among the soloists, soprano Lynda Russell tames her sometimes-unruly vibrato to make a truly alluring Delilah, Thomas Randle is a brawny Samson, and Lynne Dawson is delightful as the Israelitish Woman and Philistine Woman, giving a gleaming performance of Samson's most famous aria, "Let the Bright Seraphim." --Matthew WestphalCustomer Reviews:
Well sung.......1999-04-18
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